Podcasts about lannan foundation

“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Host Jason Blitman talks to Katie Kitamura (Audition) about learned behaviors, the nature of intimacy, the art of performance, and her immersive process of writing. Perhaps most importantly, they talk at length about french fries. Jason is then joined by Guest Gay Reader Nathan Lee Graham, currently starring in Hulu's Mid-Century Modern to talk about what he's reading. Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Nathan Lee Graham is an American cabaret artist, actor, singer, writer, and director. He is known for roles in Zoolander and its sequel, Sweet Home Alabama, and Hitch, along with appearances in films like Confessions of an Action Star, Bad Actress, and Trophy Kids. On television, he originated the role of Peter in The Comeback and guest-starred on Scrubs, Absolutely Fabulous, and Law & Order SVU. Graham's stage credits include the original Broadway cast of The Wild Party and Miss Understanding in Priscilla, Queen of the Desert. He received a Drama League nomination for his role in Wig Out! and won a Los Angeles Drama Critics Circle Award in 2006 for Best Featured Performer in The Wild Party (LA premiere). More recently, he played Carson in Hit the Wall at the Barrow Street Theatre. As a soloist, he earned a 2005 Grammy Award for Best Classical Album for Songs of Innocence and of Experience.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

" I think the narrative structure of those story ballets, which were some of the biggest stories of my childhood. I grew up watching Swan Lake. Giselle, La Bayadère, these were stories that were as present to me as anything that I read. Those story ballets are often split in two parts in a way. You have the White Swan and the Black Swan. In Giselle, you have the young girl and then you have the shade, the kind of ghost who comes to haunt her, her lover. Very similar in La Bayadère. And the structure of this novel is in two parts and it's two versions, in a way, of the same character. And now that you said it, I wonder if in some way, without realizing it, that narrative structure had really seeped into my brain."Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Dobby Gibson joins Kevin Young to read “I have slept in many places, for years on mattresses that entered,” by Diane Seuss, and his own poem “This Is a Test of the Federal Emergency Management Agency Wireless Warning System.” Gibson is the author of five poetry collections, including, most recently, “Hold Everything.” He's also the recipient of fellowships from the Lannan Foundation, the McKnight Foundation, the Jerome Foundation, and the Minnesota State Arts Board. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode was originally published on July 28th, 2018. Special guests Mitchell S. Jackson and Rebecca Skloot share the stage with the Sugars to tell stories of personal reckoning and answer letters from the audience. To some extent, every letter the Sugars receive is a kind of reckoning, as it's often the letter writer's first attempt at taking account of their mistakes and delusions. In this episode, the Sugars take a long hard look at transgressions of love, friendship, the self and so much more. Mitchell S. Jackson is the author of “The Residue Years,” which won the Ernest J. Gaines Prize for Literary Excellence. He is the winner of a Whiting Award, and his honors include fellowships from Ted, the Lannan Foundation and The Rockefeller Foundation. His book, "Survival Math," was released in 2019. Rebecca Skloot is the author of “The Immortal Life of Henrietta Lacks,” which was made into an Emmy-nominated HBO film starring Oprah Winfrey and Rose Byrne. Her award-winning science writing has appeared in The New York Times Magazine; O, The Oprah Magazine; and many other publications.

Philip Metres is the author of twelve books, including Fugitive/Refuge (Copper Canyon 2024), Shrapnel Maps (Copper Canyon, 2020), The Sound of Listening: Poetry as Refuge and Resistance (University of Michigan, 2018), Sand Opera (Alice James, 2015), and I Burned at the Feast: Selected Poems of Arseny Tarkovsky (Cleveland State, 2015). His work—poetry, translation, essays, fiction, criticism, and scholarship—has garnered fellowships from the Guggenheim Foundation, the Lannan Foundation, the National Endowment for the Arts, the Ohio Arts Council, the Watson Foundation. He is the recipient of the Adrienne Rich Award, three Arab American Book Awards, the Lyric Poetry Prize, a Pushcart Prize, and the Cleveland Arts Prize. He is professor of English and director of the Peace, Justice, and Human Rights program at John Carroll University. He lives with his family in Cleveland, Ohio Find more here: https://philipmetres.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem in haiku stanzas (tercets with lines of five, then seven, then five syllables). Do not make it haiku! Next Week's Prompt: Write a villanelle that mentions your favorite season. Make each refrain slightly different. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Valzhyna Mort joins Kevin Young to read “Testimonies” by Victoria Amelina, which Mort translated from the Ukrainian, and “Map,” by Wisława Szymborska, which was translated, from the Polish, by Clare Cavanagh. Mort's collection “Music for the Dead and Resurrected” won the 2021 International Griffin Poetry Prize and the 2022 UNT Rilke Prize. Her other honors include a 2021 Rome Prize in literature and fellowships from the Guggenheim Foundation, the Lannan Foundation, and the Amy Clampitt Fund.

The poet's ability to capture meaning with words has long been one of humanity's great gifts. Brian Turner has that muse and uses poetry to explore enduring questions of love and loss.   Turner is the author of five collections of poetry “Here, Bullet;” “Phantom Noice;” “The Wild Delight of Wild Things;” “The Dead Peasant's Handbook” and “The Goodbye World Poem.” He has also authored a memoir, “My Life as a Foreign Country,” and is the editor of “The Kiss” and co-editor of “The Strangest of Theatres” anthologies. Also a musician and songwriter, Turner has written and recorded several albums with The Interplanetary Acoustic Team, including “11 11 (Me Smiling)” and “The Retro Legion's American Undertow.” His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper's, among other fine journals. He was also featured in the documentary film “Operation Homecoming: Writing the Wartime Experience,” which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets' Prize, and a Fellowship from the Lannan Foundation.  See omnystudio.com/listener for privacy information.

Last week, the LA Times book critic Bethanne Patrick came on the show to discuss new books about life in our age of the polycrisis. One of these was Emily Raboteau's much acclaimed Lessons For Survival: Mothering Against “The Apocalypse”. So how, exactly, I asked the Bronx based Raboteau, do you mother against “the apocalypse”? And what does Raboteau, a amateur photographer and birdwatcher, have in common with Christian Cooper, the Central Park birdwatcher, who appeared on the show last year?Emily Raboteau writes at the intersection of social and environmental justice, race, climate change, and parenthood. Her books are Lessons for Survival, Searching for Zion, winner of an American Book Award and finalist for the Hurston/Wright Legacy Award, and the critically acclaimed novel, The Professor's Daughter. Since the release of the 2018 Intergovernmental Panel on Climate Change report, she has focused on writing about the climate crisis. A contributing editor at Orion Magazine and a regular contributor to the New York Review of Books, Raboteau's writing has recently appeared and been anthologized in the New Yorker, the New York Times, New York Magazine, The Nation, Best American Science Writing, Best American Travel Writing, and elsewhere. Her distinctions include an inaugural Climate Narratives Prize from Arizona State University, the Deadline Club Award in Feature Reporting from the Society of Professional Journalists' New York chapter, and grants and fellowships from the New York Foundation for the Arts, the Bronx Council on the Arts, the Robert B. Silvers Foundation, the Lannan Foundation, and Yaddo. She serves as nonfiction faculty at the Bread Loaf Environmental Writing Conference and is a full professor at the City College of New York (CUNY) in Harlem, once known as “the poor man's Harvard.” She lives in the Bronx.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

The Pulitzer Prize winning poet Mary Oliver died in 2019. She was best known for her poetry that reflected her love of the natural world and her famous poem 'Wild Geese' is said to have literally saved people's lives with its message of hope and redemption. An abusive childhood led the young Mary to escape into the woods near her home in Ohio where she discovered a love of nature that was to sustain her throughout her life. She found love with the photographer Molly Malone Cook and they lived happily for many years in Provincetown Massachusetts. Her life and work are greatly admired by many including this week's guest the actor Niamh Cusack and Mary's friend Baroness Helena Kennedy.Producer: Maggie AyreExtracts of Mary Oliver from The Onbeing Project with Krista Tippett and from a conversation with Coleman Barks for the Lannan Foundation

This week's guest on the show is the hugely talented Isabella Hammad, author of The Parisian, and most recently, Enter Ghost. I love Isabella's work, which is always so thoughtful, beautifully written, multi-layered and hugely informative and insightful. As a British Palestinian, Isabella tells stories of Palestinian families, enabling us to understand better, Palestinian history, Colonial projects, and what we are witnessing unfold in Palestine right now.At the time of recording this episode, towards the end of 2023, the most recent war on Gaza has been taking place for over 75 days, and the official death toll has crossed 20,000 people. Thousands are still trapped under rubble, and millions are also at risk from starvation, disease and the cold. I'm so glad to be talking about Palestine, and Isabella's work today. Isabella Hammad was born in London. Her writing has appeared in Conjunctions, The Paris Review, The New York Times and elsewhere. She was awarded the 2018 Plimpton Prize for Fiction and a 2019 O. Henry Prize. Her first novel The Parisian (2019) won a Palestine Book Award, the Sue Kaufman Prize from the American Academy of Arts and Letters, and a Betty Trask Award from the Society of Authors in the UK. She was a National Book Foundation 5 Under 35 Honoree, and has received literary fellowships from MacDowell and the Lannan Foundation. She is currently a fellow at the Columbia University Institute for Ideas and Imagination in Paris.As always, I'd love to hear what you thought of this episode. Come connect with me on social media:www.instagram.com/readwithsamiawww.instagram.com/thediversebookshelfpodYou can now join me on Patreon, and join my community for £5 a month to support the show, so I can keep creating great episodes like these. Every subscriber will also get access to an exclusive, special bonus episode every month :)Join me here:http://patreon.com/TheDiverseBookshelfPodcastSupport the show

Brian Turner is the author of five collections of poetry, most recently: The Wild Delight of Wild Things (2023), The Goodbye World Poem (2023), and The Dead Peasant's Handbook (2023), all just published by Alice James Books. His other collections include Here, Bullet to Phantom Noise, and the memoir My Life as a Foreign Country. He is the editor of The Kiss and co-editor of The Strangest of Theatres anthologies. A musician, he has also written and recorded several albums with The Interplanetary Acoustic Team, including 11 11 (Me Smiling) and The Retro Legion's American Undertow. His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper's, among other fine journals, and he was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets' Prize, and a Fellowship from the Lannan Foundation. He lives in Orlando, Florida, with his dog, Dene, the world's sweetest golden retriever. Find more on Brian here: https://brianturner.org/ Review the Rattlecast on iTunes! https://podcasts.apple.com/us/podcast/rattle-poetry/id1477377214 As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about a museum for an abstract concept, using one of the forms Maryann read: ghazal, villanelle, call and response, or alliterative. Title it “The Museum of ______.” Next Week's Prompt: Write a poem about one of your fears. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Get on your spurs & chaps and join our country queens down at the poetry gay bar!Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative.Watch Miranda Lambert calling out some selfie-takers and the ladies of The View talking about it. And watch her sing "Tin Man" here.Watch Jennifer L. Knox read "Crushing It" here.Maybe the most memorable Tammy Wynette reference is this one from Sordid Lives. "He looked just like Tammy....in the early years," one character says about her brother."Billy Collins is to good poetry what Kenny G is to Charlie Parker" reads this scathing pan of the poet. You can watch Richard Howard read from his poems here (~60 min).Anne Carson is in conversation with Lannan Foundation's Michael Silverblatt here (30 min).Terrance HayesRead B.H. Fairchild's "A Starlit Night" from 32 Poems here.Read "Chopin in Palma," the Susan Mitchell poem in Best American Poetry 2023 (first published in Harvard Review) here. Listen to Mark Doty talk all things Whitman (~50 min)You can watch Frank Bidart read his serial-killer poem "Herbert White" here (~8 min)Here's an amazing tribute to Lucille Clifton organized by SAG-AFTRA, with readings by Geena Davis, Tantoo Cardinal, Isabella Gomez, Mark St. Cyr, Candace Nicholas Lippman, Max Gail, Nicco Annan; Lynne Thompson;  Sidney Clifton; Madeline di Nonno; and  Rochelle Rose. (~70 min)Read Matthew Dickman's poem "Grief."Here's Susan Mitchell's CV.

David L. Ulin is the author of the novel Thirteen Question Method, available from Outpost 19. Ulin is the author or editor of nearly twenty books, including Sidewalking: Coming to Terms with Los Angeles, shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, and the novel Ear to the Ground. His fiction has appeared in Black Clock, The Santa Monica Review, Scoundrel Time, and Zyzzyva, among other publications. The recipient of fellowships from the Guggenheim Foundation, the Lannan Foundation, and Ucross Foundation, he is the books editor of Alta Journal, and a Professor of English at the University of Southern California, where he edits the literary magazine Air/Light. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

David L. Ulin is the author, most recently, of the novel, Thirteen Question Method. His other books include Sidewalking: Coming to Terms with Los Angeles, The Lost Art of Reading: Books and Resistance in a Troubled Time; and Writing Los Angeles: A Literary Anthology, which won a California Book Award. For Library of America, he has edited Didion: The 1960s and 70s and Didion: The 1980s and 90s. David Ulin is the books editor of Alta and the former book editor and book critic of the Los Angeles Times. His work has appeared in The Atlantic, The New York Times, Harper's, The Paris Review, and The Best American Essays 2020. The recipient of fellowships from the Guggenheim Foundation, the Lannan Foundation, and Ucross Foundation, as well as a COLA Individual Master Artist Grant from the City of Los Angeles. He is a Professor of English at the University of Southern California, where he edits the journal Air/Light. David Ulin joined Barbara DeMarco-Barrett to talk about cinematic writing, Chekhov's gun, embodying a protagonist, the “literature of disintegration” and why he's a fan, tulpas, noir, and much more. For more information on Writers on Writing and additional writing tips, visit our Patreon page. To listen to past interviews, visit our website. We're also excited to announce the opening of our new bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you'll support both independent bookstores and our show. New titles will be added all the time (it's a work in progress). Finally, on Spotify you can listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We like to hear from our listeners. (Recorded on September 22, 2023)  Host: Barbara DeMarco-Barrett Co-Host: Marrie Stone Music and sound editing: Travis Barrett

City Lights LIVE and Dalkey Archive Press celebrate the publication of “small pieces” by Micheline Aharonian Marcom and Fowzia Karimi, published by Dalkey Archive Press. “small pieces” is a collaboration between novelist Micheline Aharonian Marcom and writer and visual artist Fowzia Karimi, pairing Marcom's short stories with watercolors done by Karimi. The work is a conversation between two artists in text and image, side by side. Micheline Aharonian Marcom is the author of seven novels. Her novels include "The New American," "The Brick House," and "A Brief History of Yes." She has received fellowships and awards from the Lannan Foundation, the Whiting Foundation, and the US Artists' Foundation. She is a Professor of Creative Writing at the University of Virginia. Fowzia Karimi has a background in Visual Arts and Biology. She received her MFA in Creative Writing from Mills College, California. Her work explores the correspondence on the page between the written and the visual arts. She is a recipient of The Rona Jaffe Foundation Writers' Awards (2011). She is the author of "Above Us the Milky Way" (Deep Vellum, 2020). She lives in Denton, Texas. You can purchase copies of “small pieces” at https://citylights.com/new-fiction-in-hardcover/small-pieces/ This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/

For over 35 years, Bradley has been a local and national leader in the environmental health and justice movement and has helped communities win some of the most significant victories in the history of that movement. In 1990, Bradley helped bring together grassroots Indigenous leaders in the first Protecting Mother Earth/Toxic Threat to Indian Lands Conference which led to the formation of the Indigenous Environmental Network. In 2008, Bradley was one of five people from around the world chosen as a recipient of 2008 Lannan Foundation's Cultural Freedom Award in recognition of his decades of work with hundreds of diverse communities and Native Nations impacted and threatened by pollution and injustice. In 2014 Bradley was the recipient of the 2014 “Environmental Justice Angel Award” from the East Los Angeles Community Youth Center for his environmental justice work empowering and supporting youth and Latino communities. Bradley played a lead role in the landmark settlement in 2016 of the Title VI Civil Rights complaint filed by Greenaction and El Pueblo of Kettleman City that successfully challenged racially discriminatory actions by state agencies in environmental decision-making.

“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they're making what they should be making, writing what they should be writing, is to work from a place of courage.” Claudia Rankine is a skilled poet, playwright, essayist, and professor. She explores, across genres, how the act of witnessing is necessary in maintaining the social contract. During this period of immense global change, witnessing as an act is a powerful act for artists, who can incisively question the moral trajectory of a nation. In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Rankine shares her thoughts on the role art and artists play in determining the course of history, her approach to teaching a new generation of artists, and the importance of introspection and intention in shaping our collective future. Rankine is professor of creative writing at New York University. She is the author of three plays and six collections, including Citizen: An American Lyric and Don't Let Me Be Lonely; she has also edited several anthologies, including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, she co-founded The Racial Imaginary Institute (TRII). Her most recent book is Just Us: An American Conversation (Graywolf, 2020). She is a recipient of numerous awards and honors, including MacArthur, Lannan Foundation, and Guggenheim fellowships. For images, transcripts, and more, visit https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/ or http://www.getty.edu/podcasts To learn more about Claudia Rankine, visit https://as.nyu.edu/faculty/claudia-rankine.html

Pattiann Rogers has published fifteen collections of poetry and two book-length essay collections, The Dream of the Marsh Wren and The Grand Array: Writings on Nature, Science, and Spirit. She is the recipient of two NEA grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and the Distinguished Alumni Award from the University of Missouri, College of Arts and Sciences. In 2018 she was awarded the John Burroughs Medal for Lifetime Achievement in Nature Poetry. She joined me on Uncorking a Story to talk about her latest collection, Flickering.  Buy Flickering Amazon: https://amzn.to/3AptTkN Bookshop.org: https://bookshop.org/a/54587/9780143137665 Connect With Pattiann Website: https://www.poetryfoundation.org/poets/pattiann-rogers   Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Isabella Hammad is the author of the novel Enter Ghost, available from Grove Press. Hammad was born in London. Her writing has appeared in Conjunctions, The Paris Review, The New York Times and elsewhere. She was awarded the 2018 Plimpton Prize for Fiction and a 2019 O. Henry Prize. Her first novel The Parisian (2019) won a Palestine Book Award, the Sue Kaufman Prize from the American Academy of Arts and Letters, and a Betty Trask Award from the Society of Authors in the UK. She was a National Book Foundation 5 Under 35 Honoree, and has received literary fellowships from MacDowell and the Lannan Foundation. She is currently a fellow at the Columbia University Institute for Ideas and Imagination in Paris. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains. Rim to River: Looking Into the Heart of Arizona (U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries. In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once. Tom Zoellner is an American author and journalist. His book Island on Fire: The Revolt that Ended Slavery in the British Empire, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in The Atlantic, Harper's, The American Scholar, The Oxford American, Time, Foreign Policy, Men's Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains. Rim to River: Looking Into the Heart of Arizona (U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries. In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once. Tom Zoellner is an American author and journalist. His book Island on Fire: The Revolt that Ended Slavery in the British Empire, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in The Atlantic, Harper's, The American Scholar, The Oxford American, Time, Foreign Policy, Men's Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains. Rim to River: Looking Into the Heart of Arizona (U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries. In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once. Tom Zoellner is an American author and journalist. His book Island on Fire: The Revolt that Ended Slavery in the British Empire, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in The Atlantic, Harper's, The American Scholar, The Oxford American, Time, Foreign Policy, Men's Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In times of crisis one can simultaneously see danger and opportunity. Today there is nostalgia for an imagined past and a desire to recreate it. It's a seductive tale. Things were better then. The country was unchallenged in the world. Jobs were plentiful. Minorities, women, gays, and immigrants knew their place. There was order in the land. But over many decades, as a result of struggle and movements, society evolved and changed. We are at a perilous moment. Do we want to go back or continue to move forward building on hard-fought gains? During another perilous time, Martin Luther King, Jr. declared, “We've got to massively confront the power structure.” We are at a crossroads: the beginning of a brighter or darker future. The choice is ours. This event was presented by the Lannan Foundation.

It is 90 seconds to midnight on the Doomsday Clock. In large part due to developments in the war in Ukraine, the Bulletin of the Atomic Scientists  moved the hands of the infamous timepiece forward.Just weeks earlier the Department of Energy announced the first reported controlled fusion reaction that was touted as a breakthrough for national defense and the future of clean energy.Given the history of that lab, there is reason for skepticism.In this episode of Breaking Green we will talk with Dr. Helen Caldicott.Born in Melbourne, Australia in 1938, Dr Caldicott received her medical degree from the University of Adelaide Medical School in 1961. She founded the Cystic Fibrosis Clinic at the Adelaide Children's Hospital in 1975 and subsequently was an instructor in pediatrics at Harvard Medical School and on the staff of the Children's Hospital Medical Center, Boston, Mass., until 1980 when she resigned to work full time on the prevention of nuclear war.In 1971, Dr Caldicott played a major role in Australia's opposition to French atmospheric nuclear testing in the Pacific; in 1975 she worked with the Australian trade unions to educate their members about the medical dangers of the nuclear fuel cycle, with particular reference to uranium mining.While living in the United States from 1977 to 1986, she played a major role in re-invigorating as President,    Physicians for Social Responsibility, an organization of 23,000 doctors committed to educating their colleagues about the dangers of nuclear power, nuclear weapons and nuclear war. On trips abroad she helped start similar medical organizations in many other countries. The international umbrella group (International Physicians for the Prevention of Nuclear War) won the Nobel Peace Prize in 1985. Dr Caldicott has received many prizes and awards for her work, including the Lannan Foundation's 2003 Prize for Cultural Freedom and twenty one  honorary doctoral degrees. She was personally nominated for the Nobel Peace Prize by Linus Pauling – himself a Nobel Laureate. The Smithsonian has named Dr Caldicott as one of the most influential women of the 20th Century. Don't miss an episode and subscribe to Breaking Green wherever you get your podcasts.This podcast is produced by Global Justice Ecology Project.Breaking Green is made possible by tax deductible donations from people like you. Please help us lift up the voices of those working to protect forests, defend human rights and expose false solutions.  Simply text GIVE to 716-257-4187.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Palestinian Mahmoud Darwish was born in al-Birwa in Galilee, a village that was occupied and later razed by the Israeli army. Because they had missed the official Israeli census, Darwish and his family were considered “internal refugees” or “present-absent aliens.” Darwish lived for many years in exile in Beirut and Paris. He is the author of over 30 books of poetry and eight books of prose, and earned the Lannan Cultural Freedom Prize from the Lannan Foundation, the Lenin Peace Prize, and the Knight of Arts and Belles Lettres Medal from France.In the 1960s Darwish was imprisoned for reciting poetry and traveling between villages without a permit. Considered a “resistance poet,” he was placed under house arrest when his poem “Identity Card” was turned into a protest song. After spending a year at a university of Moscow in 1970, Darwish worked at the newspaper Al-Ahram in Cairo. He subsequently lived in Beirut, where he edited the journal Palestinian Affairs from 1973 to 1982. In 1981 he founded and edited the journal Al-Karmel. Darwish served from 1987 to 1993 on the executive committee of the Palestinian Liberation Organization. In 1996 he was permitted to return from exile to visit friends and family in Israel and Palestine.Mahmoud Darwish's early work of the 1960s and 1970s reflects his unhappiness with the occupation of his native land. Carolyn Forché and Runir Akash noted in their introduction to Unfortunately It Was Paradise (2003) that “as much as [Darwish] is the voice of the Palestinian Diaspora, he is the voice of the fragmented soul.” Forché and Akash commented also on his 20th volume, Mural: “Assimilating centuries of Arabic poetic forms and applying the chisel of modern sensibility to the richly veined ore of its literary past, Darwish subjected his art to the impress of exile and to his own demand that the work remain true to itself, independent of its critical or public reception.” Mahmoud Darwish died in 2008 in Houston, Texas.From https://www.poetryfoundation.org/poets/mahmoud-darwish. For more information about Mahmoud Darwish:Previously on The Quarantine Tapes:Fatima Bhutto about Darwish, at 19:15: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-116-fatima-bhuttoA River Dies of Thirst: Journals: https://archipelagobooks.org/book/a-river-dies-of-thirst/“Mahmoud Darwish”: https://poets.org/poet/mahmoud-darwish“In Memory of Mahmoud Darwish”: https://kenyonreview.org/kr-online-issue/2008-fall/selections/in-memory-of-mahmoud-darwish/

The sounds of a city can be overwhelming — but in the imagination of this poem, they are made into something new. Carolina Ebeid is a multimedia poet. Her first book, You Ask Me to Talk About the Interior, was published by Noemi Press as part of the Akrilica Series, and selected as one of ten best debuts of 2016 by Poets & Writers. Her work has been supported by the Stadler Center for Poetry at Bucknell University, Bread Loaf, CantoMundo, as well as a residency fellowship from the Lannan Foundation. Ebeid currently edits poetry at The Rumpus and the multimedia zine Visible Binary.Find the transcript for this show at onbeing.org.We're pleased to offer Carolina Ebeid's poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Dara Barrois/Dixon (formerly Dara Wier) is the author of Tolstoy Killed Anna Karenina (Wave Books, 2022). Other titles include In the Still of the Night (Wave Books, 2017), You Good Thing (Wave Books, 2014), Reverse Rapture (Verse Press, 2005), Hat on a Pond (Verse Press, 2002) and Voyages in English (Carnegie Mellon, 2001).  She has received awards from the Lannan Foundation, American Poetry Review, The Poetry Center Book Award, […]

Cameron Awkward-Rich is the author of two collections of poetry: Sympathetic Little Monster (Ricochet Editions, 2016) and Dispatch (Persea Books, 2019). His creative work has been supported by fellowships from Cave Canem, The Watering Hole, and the Lannan Foundation. Also a scholar of trans theory and expressive culture in the U.S., Cameron earned his PhD from Stanford University's program in Modern Thought & Literature. His more critical writing can be found in Signs, Trans Studies Quarterly, American Quarterly and elsewhere, and has been supported by fellowships from Duke University's Program in Feminist, Gender, and Sexuality Studies and the ACLS. His book The Terrible We: Thinking with Trans Maladjustment is forthcoming from Duke University Press in Fall 2022. Presently, he is an assistant professor of Women, Gender, Sexuality Studies at the University of Massachusetts Amherst.This week's Southword poem is Puerto Lopez by Mark Roper, which appears in issue 41. You can buy single issues, subscribe, or find out how to submit to Southword here.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Palestinian Mahmoud Darwish was born in al-Birwa in Galilee, a village that was occupied and later razed by the Israeli army. Because they had missed the official Israeli census, Darwish and his family were considered “internal refugees” or “present-absent aliens.” Darwish lived for many years in exile in Beirut and Paris. He is the author of over 30 books of poetry and eight books of prose, and earned the Lannan Cultural Freedom Prize from the Lannan Foundation, the Lenin Peace Prize, and the Knight of Arts and Belles Lettres Medal from France.In the 1960s Darwish was imprisoned for reciting poetry and traveling between villages without a permit. Considered a “resistance poet,” he was placed under house arrest when his poem “Identity Card” was turned into a protest song. After spending a year at a university of Moscow in 1970, Darwish worked at the newspaper Al-Ahram in Cairo. He subsequently lived in Beirut, where he edited the journal Palestinian Affairs from 1973 to 1982. In 1981 he founded and edited the journal Al-Karmel. Darwish served from 1987 to 1993 on the executive committee of the Palestinian Liberation Organization. In 1996 he was permitted to return from exile to visit friends and family in Israel and Palestine.Mahmoud Darwish's early work of the 1960s and 1970s reflects his unhappiness with the occupation of his native land. Carolyn Forché and Runir Akash noted in their introduction to Unfortunately It Was Paradise (2003) that “as much as [Darwish] is the voice of the Palestinian Diaspora, he is the voice of the fragmented soul.” Forché and Akash commented also on his 20th volume, Mural: “Assimilating centuries of Arabic poetic forms and applying the chisel of modern sensibility to the richly veined ore of its literary past, Darwish subjected his art to the impress of exile and to his own demand that the work remain true to itself, independent of its critical or public reception.” Mahmoud Darwish died in 2008 in Houston, Texas.From https://www.poetryfoundation.org/poets/mahmoud-darwish. For more information about Mahmoud Darwish:Previously on The Quarantine Tapes:Fatima Bhutto about Darwish, at 19:15: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-116-fatima-bhutto“Mahmoud Darwish”: https://poets.org/poet/mahmoud-darwishIn the Presence of Absence: https://archipelagobooks.org/book/in-the-presence-of-absence/“Mahmoud Darwish”: https://bombmagazine.org/articles/mahmoud-darwish/

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ocean Vuong is the author of The New York Times bestselling poetry collection, Time is a Mother (Penguin Press 2022), and The New York Timesbestselling novel, On Earth We're Briefly Gorgeous (Penguin Press 2019), which has been translated into 36 languages.  A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU. He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst.From https://www.oceanvuong.com/about. For more information about Ocean Vuong:Ocean Vuong on A Phone Call From Paul: https://a-phone-call-from-paul.simplecast.com/episodes/a-phone-call-from-paul-67-ocean-vuongNight Sky with Exit Wounds: https://www.coppercanyonpress.org/books/night-sky-with-exit-wounds-by-ocean-vuong/“Torso of Air”: https://www.nytimes.com/interactive/2016/06/26/magazine/ocean-vuong-torso-of-air.html“Ocean Vuong is Still Learning”: https://www.newyorker.com/culture/the-new-yorker-interview/ocean-vuong-is-still-learning

Cameron Awkward-Rich is the author of two collections of poetry—Sympathetic Little Monster (Ricochet Editions, 2016) and Dispatch (Persea Books, 2019)—as well as The Terrible We: Thinking with Trans Maladjustment, forthcoming from Duke University Press. His writing has appeared, in various forms, in Poetry, American Poetry Review, Transgender Studies Quarterly, Signs, and elsewhere, and has been supported by fellowships from Cave Canem, the Lannan Foundation, and the ACLS. Presently, he lives in Greenfield Massachusetts and is an assistant professor in Women, Gender, Sexuality Studies at the University of Massachusetts Amherst.  Copyright © 2019 by Cameron Awkward-Rich. Originally published in Dispatch (Persea Books, 2019). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. 

Jenny George is the author of The Dream of Reason (Copper Canyon Press, 2018). She is also a winner of the “Discovery”/Boston Review Poetry Prize and a recipient of fellowships from The Bread Loaf Writers' Conference, Lannan Foundation, the MacDowell Colony, and Yaddo. Her poems have appeared in The New York Times, Ploughshares, Kenyon Review, Narrative, Granta, Iowa Review, FIELD, Los Angeles Review of Books, and elsewhere. Jenny lives in Santa Fe, New Mexico, where she works in social justice philanthropy. Copyright © 2019 by Jenny George, originally published in the Massachusetts Review.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

Ep. 42 DuEwa interviewed award-winning poet, children's writer, editor, professor, and Young People's Poet Laureate, Naomi Shihab Nye. Naomi discussed her new title, The Turtle of Michigan: A Novel (March 2022, Harper Collins).  Follow Naomi on Twitter @YPPLaureate or on Instagram.  FOLLOW on Instagram @NERDACITYPODCAST and Twitter @NerdacityPod1 and Facebook.com/Nerdacitypodcast LISTEN and subscribe @SPOTIFYPODCASTS @ANCHOR @APPLEPODCASTS @IHEARTRADIOPODCASTS and more! SUBSCRIBE Videos of Nerdacity at YOUTUBE.com/DUEWAWORLD SUPPORT anchor.fm/duewafrazier/support or send to PayPal.me/duewaworld BIO Naomi Shihab Nye was born in St. Louis, Missouri. She is the author of more than 30 volumes. Her father was a Palestinian refugee and her mother an American of German and Swiss descent, and Nye spent her adolescence in both Jerusalem and San Antonio, Texas. She earned her BA from Trinity University in San Antonio. Nye is the recipient of numerous honors and awards for her work, including the Ivan Sandrof Award for Lifetime Achievement from the National Book Critics Circle, the Lavan Award, the Paterson Poetry Prize, the Carity Randall Prize, the Isabella Gardner Poetry Award, the Lee Bennett Hopkins Poetry award, the Robert Creeley Prize, and many Pushcart Prizes. She has received fellowships from the Lannan Foundation, the Guggenheim Foundation, and she was a Witter Bynner Fellow. From 2010 to 2015 she served as a Chancellor of the Academy of American Poets. In 2018 she was awarded the Lon Tinkle Award for Lifetime Achievement from the Texas Institute of Letters. Nye is the Poetry Foundation's Young People's Poet Laureate. Nye's experience of both cultural difference and different cultures has influenced much of her work. Known for poetry that lends a fresh perspective to ordinary events, people, and objects, Nye has said that, for her, “the primary source of poetry has always been local life, random characters met on the streets, our own ancestry sifting down to us through small essential daily tasks.” In her work, according to Jane Tanner in the Dictionary of Literary Biography, “Nye observes the business of living and the continuity among all the world's inhabitants … She is international in scope and internal in focus.” Nye is also considered one of the leading female poets of the American Southwest. A contributor to Contemporary Poets wrote that she “brings attention to the female as a humorous, wry creature with brisk, hard intelligence and a sense of personal freedom unheard of” in the history of pioneer women. Nye continues to live and work in San Antonio, Texas. Her latest title is The Turtle of Michigan (March 2022). --- Support this podcast: https://anchor.fm/duewafrazier/support

Join Deborah Eisenberg and David L. Ulin for a conversation on Eisenberg's work and the craft of writing. A short story writer who crafts distinctive portraits of contemporary American life with precision and moral depth, Deborah Eisenberg is the author of Transactions in a Foreign Currency, Under the 82nd Airborne, All around Atlantis, Twilight of the Superheroes, and Your Duck Is My Duck. Writer and editor David L. Ulin is Professor of the Practice of English at the University of Southern California and a former book critic for the Los Angeles Times. Speakers: Deborah Eisenberg is the author of five collections of short stories: Transactions in a Foreign Currency, Under the 82nd Airborne, All around Atlantis, Twilight of the Superheroes, and Your Duck Is My Duck. She is a MacArthur Fellow and the recipient of numerous honors, including the 2011 PEN/Faulkner Award for Fiction, a Whiting Award, a Guggenheim Fellowship, and a Lannan Literary Fellowship. She is a professor emerita in the writing program at Columbia University's School of the Arts. David L. Ulin is the author or editor of more than a dozen books, including Sidewalking: Coming to Terms with Los Angeles, which was short-listed for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, and Writing Los Angeles: A Literary Anthology, which won a California Book Award. He has received fellowships from the Guggenheim Foundation, Lannan Foundation, and Black Mountain Institute at the University of Nevada–Las Vegas. A former book editor and book critic for the Los Angeles Times, he has written for Harper's, the Atlantic, the New York Times, the Paris Review, and the Virginia Quarterly Review. His essay “Bed” appeared in The Best American Essays 2020. He is a Professor of the Practice of English at the University of Southern California, where he edits the literary journal Air/Light. Most recently, he edited Joan Didion: The 1960s and 70s and Joan Didion: The 1980s and 90s for Library of America. --------------------------------------------------------------------------- This event is a partnership between Lannan Foundation and Haymarket Books. Lannan Foundation's Readings & Conversations series features inspired writers of fiction, nonfiction, and poetry, as well as cultural freedom advocates with a social, political, and environmental justice focus. We are excited to offer these programs online to a global audience. Video and audio recordings of all events are available at lannan.org. Haymarket Books is a radical, independent, nonprofit book publisher based in Chicago. Our mission is to publish books that contribute to struggles for social and economic justice. We strive to make our books a vibrant and organic part of social movements and the education and development of a critical, engaged, international left. Lannan Foundation is a family foundation dedicated to cultural freedom, diversity, and creativity through projects that support exceptional contemporary artists and writers, inspired Native activists in rural communities, and social justice advocates. Watch the live event recording: https://youtu.be/OVPRslmLgLk Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Find out how he dives into the lives and minds of writers through his hyper-real books.Tara and Michelle chat with Amitava about his latest books ‘A Blue Book' and ‘A Time Outside This Time'. Amitava shares how one book became the material for another. Michelle loves that his characters are mostly writers (and migrants).  How did writing help him survive the pandemic? How much of his writing is based on real life experiences? What does he think about writing residencies? Tune in to find out!Amitava Kumar is the author of several books of non-fiction and three novels. His work has appeared in Granta, the New York Times, Harper's, and several other publications. He has been awarded a Guggenheim fellowship and residencies from Yaddo, MacDowell and the Lannan Foundation. His novel Immigrant, Montana was on the Best of the Year lists at the New Yorker, the New York Times, and Barack Obama's list of favorite books of 2018. He is professor of English at Vassar College in upstate New York.'Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa of Bound talk to some of the best writers in India and find out what makes them tick. Follow us @boundindia on all social media. We know how important visibility is in this content boom age! We offer book marketing services for books that we feel strongly about. More details here: https://pdfhost.io/v/n12mxMGvL_Bound_Book_Marketing  

Naomi Shihab Nye talked about her books ‘The Turtle of Oman' and ‘The Turtle of Michigan. The books are about Aref as he travels from Muscat, Oman, to Ann Arbor, Michigan.Naomi Shihab Nye was born in St. Louis, Missouri. Her father was a Palestinian refugee and her mother an American of German and Swiss descent, and Nye spent her adolescence in both Jerusalem and San Antonio, Texas. She earned her BA from Trinity University in San Antonio. Nye is the recipient of numerous honors and awards for her work, including the Ivan Sandrof Award for Lifetime Achievement from the National Book Critics Circle, the Lavan Award, the Paterson Poetry Prize, the Carity Randall Prize, the Isabella Gardner Poetry Award, the Lee Bennett Hopkins Poetry award, the Robert Creeley Prize, and many Pushcart Prizes. She has received fellowships from the Lannan Foundation, the Guggenheim Foundation, and she was a Witter Bynner Fellow. From 2010 to 2015 she served as a Chancellor of the Academy of American Poets. In 2018 she was awarded the Lon Tinkle Award for Lifetime Achievement from the Texas Institute of Letters. Nye is the Poetry Foundation's Young People's Poet Laureate.Created and hosted by Mikey MuhannaEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Book Club:Book Club is an interview series that calls for afikra community members, who are interested in literature and reading, to spend time reading along with the entire community. Books in Arabic and English will be announced on afikra's reading list and the members will be asked to do the reading at home at their leisure and then join afikra for a conversation with the authors of those books. Every two weeks, a conversation will be held with an author to discuss their work and the book in particular. Individuals joining the call will be expected to have read the book and prepared questions regarding the context, motivation, and background stories. Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

Join Hope Wabuke and special guests Safia Elhillo and Ladan Osman for a celebration of Wabuke's new book The Body Family. The Body Family is a song of memory and revelation; it is the sublime unearthing of what has been hidden by silence and erasure. This lyrical and imagistic poetry collection tells the story of a family's journey to flee the murderous reign of Uganda's Idi Amin only to land in a racist American landscape. Wabuke excavates personal and ancestral history to bring these poems to wrenching life, articulating what it means to be a Black girl becoming a Black woman while navigating a diaspora haunted by British colonization and American enslavement. Get The Body Family from Haymarket: https://www.haymarketbooks.org/books/1872-the-body-family --------------------------------------------------------------------- Speakers: Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. Safia Elhillo is the author of The January Children (University of Nebraska Press, 2017), Girls That Never Die (One World/Random House, 2021), and a forthcoming novel in verse (Make Me A World/Random House, 2021). Co-editor of the anthology Halal If You Hear Me (Haymarket, 2019), she is a Wallace Stegner Fellow in poetry at Stanford University. Ladan Osman is the author of Exiles of Eden (2019), winner of the Hurston/Wright Legacy Award and The Kitchen-Dweller's Testimony (2015), winner of the Sillerman Prize. A 2021 Whiting Award winner, she has received fellowships from the Lannan Foundation, Cave Canem, the Michener Center, and the Fine Arts Work Center. Watch the live event recording: https://youtu.be/XACbmEh1F8k Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Martha Collins' eleventh book of poetry, Casualty Reports, will be published in the Pitt Poetry Series in October 2022. Her tenth book, Because What Else Could I Do (Pittsburgh, 2019), won the Poetry Society of America's William Carlos Williams Award. Her previous poetry books include two volumes of linked sequences, Night Unto Night and Day Unto Day (Milkweed, 2018 & 2014), and three works that focus on race and racism: Admit One: An American Scrapbook (Pittsburgh, 2016), White Papers (Pittsburgh, 2012), and Blue Front (Graywolf, 2006).Blue Front, a book-length poem based on a lynching the poet's father witnessed as a child, won an Anisfield-Wolf Book Award and was chosen as one of “25 Books to Remember from 2006” by the New York Public Library; both Blue Front and White Papers won Ohioana awards. Collins' other awards include fellowships from the NEA, the Bunting Institute, the Ingram Merrill Foundation, and the Witter Bynner Foundation, as well as three Pushcart Prizes, the Alice Fay Di Castagnola Award, the Laurence Goldstein Poetry Prize, and residency grants from the Lannan Foundation, the Siena Art Institute, the Santa Fe Art Institute, and the Women's International Study Center.An active translator, Collins has also published four volumes of co-translations from the Vietnamese and co-edited, with Kevin Prufer, Into English: Poems, Translations, Commentaries (Graywolf, 2017). A fifth co-translated volume, Dreaming the Mountain: Poems by Tue Sy, with Nyugen Ba Chung, will be published by Milkweed in spring 2023. Collins has also co-edited other anthologies, including two volumes in the Unsung Masters Series, on Wendy Battin (2020) and Catherine Breese Davis (2015), and a volume of essays on the poet Jane Cooper (Michigan, 2019, with Celia Bland).Born in Nebraska and raised in Iowa, Collins was educated at Stanford University and the University of Iowa. She founded the Creative Writing Program at the University of Massachusetts-Boston, and for ten years served as Pauline Delaney Professor of Creative Writing at Oberlin College. She served as Distinguished Visiting Writer at Cornell University in 2010, and currently teaches (and is available for) short-term workshops. She lives in Cambridge, Massachusetts.From https://marthacollinspoet.com/about/. For more information about Martha Collins:Some Things Words Can Do: https://marthacollinspoet.com/book/some-things-words-can-do/“Lines”: https://writersalmanac.publicradio.org/index.php%3Fdate=2009%252F07%252F27.html“Martha Collins”: https://www.poetryfoundation.org/poets/martha-collins

Page One, produced by Booxby, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.In Episode 5, we interview bestselling author Tom Barbash about all the decisions that went into the first page of his novel, The Dakota Winters, about a family living in New York City's famed Dakota apartment building in the year leading up to John Lennon's assassination. It's the fall of 1979 in New York City when twenty-three-year-old Anton Winter, back from the Peace Corps and on the mend from a nasty bout of malaria, returns to his childhood home in the Dakota. Anton's father, the famous late-night host Buddy Winter, is there to greet him, himself recovering from a breakdown. Before long, Anton is swept up in an effort to reignite Buddy's stalled career, and ends up on a perilous journey that takes him out to sea with John Lennon. Barbash shares some secrets of the craft and approaching the first page as a promise to the reader. If you're aspiring to write a modern historic novel, Tom discusses wise approaches to the painstaking research he did for The Dakota Winters and staying in a '1979' frame of mind.  About the author:Tom Barbash is an American writer of fiction and nonfiction, as well as an educator and critic. He is the author of the novel The Last Good Chance, a collection of short stories Stay Up With Me, and the bestselling nonfiction work On Top of the World: Cantor Fitzgerald, Howard Lutnick & 9/11: A Story of Loss & Renewal. His fiction has been published in Tin House, Story magazine, The Virginia Quarterly Review and The Indiana Review. His criticism has appeared in the New York Times and the San Francisco Chronicle.A well-regarded speaker, panelist, and interviewer, Barbash has served as host for onstage events for The Commonwealth Club, Litquake, BookPassage, and the Lannan Foundation, and his interview subjects have included Kazuo Ishiguro, Brett Easton Ellis, Jonathan Franzen, Carlos Ruiz Zafon, James Ellroy, Ann Packer, Mary Gaitskill, and Chuck Palahniuk.[1]He taught at Stanford University, where he was a Stegner Fellow, and now teaches novel writing, short fiction, and nonfiction, at the California College of the Arts. Barbash has held fellowships from the MacDowell Colony, Yaddo, The James Michener Foundation, and the National Endowment for the Arts.[2] He lives in the San Francisco Bay Area.About the host:Holly Lynn Payne is the CEO and founder of Booxby , a startup helping authors succeed. Holly is also an internationally published novelist in eleven countries whose work has been translated into nine languages. In 2008, she founded Skywriter Books, an award-winning small press, publishing consultancy and writing coaching service. To learn more about her writing coaching services, please visit hollylynnpayne.com.  

Jill McDonough's books of poems include Here All Night (Alice James, 2019), Reaper (Alice James, 2017), Where You Live (Salt, 2012), and Habeas Corpus (Salt, 2008). The recipient of three Pushcart prizes and fellowships from the Lannan Foundation, NEA, NYPL, FAWC, and Stanford, her work appears in The Threepenny Review and Best American Poetry. She teaches in the MFA program at UMass-Boston and offers College Reading and Writing in Boston jails. Her website is jillmcdonough.com. Jill McDonough's American Treasure comes out in 2022 with Alice James Books. “What a Waste” was previously published in Green Mountains Review's print edition in 2018.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for our series is from Excursions Op. 20, Movement 1, by Samuel Barber, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by a generous donation from the Friends of the Deerfield Public Library. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.