Podcasts about Keret

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival's Caméra d'Or (2007), the Charles Bronfman Prize (2016), and the pres­tigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

durée : 00:06:15 - "Correction automatique" d'Etgar Keret Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:40 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de "Correction automatique", un recueil de trente-trois récits courts et percutants d'Etgar Keret, qui mêlent humour, dystopie et fantastique pour raconter notre monde absurde. - réalisation : Laurence Malonda - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O; Céline du Chéné Productrice à France Culture

#kisles S06E37 Már csak párat kell aludni0:55 Bevezető3:32 Veletek Bárhová turné. A Keret és a Szlovének elleni meccs. Jó ez, avagy időben jött pofon?26:19 #KislesKérdés. Négyen is pesszimisták voltak, ebből ketten telibe találták a 2-4es végeredményt.26:50  DIV1/A VB. A házigazda minden mérkőzését elveszítve esett ki. 33:50 Színes hírek. Felkészülési meccsek, ahonnan megtudtuk Szarvi mire számít...; U18 TOP VB. Kanada kiütötte a döntőben a Svédeket.  Haldoklik a svájci hoki? Jövőre ott lesznek ahol mi...37:38 Mi lesz a héten? Nagyágyúkkal jön Kanada... és persze kezdődik a VB. Kirakatjuk a piros szőnyeget is...45:35 #KislesKérdés és zárszó. Minden magyar vonatkozású mérkőzésre kint lesz a link csütörtökön (9-én) Szarvi pedig levezeti, hogy milyen eredményekkel maradunk bent. Jó szórakozást!

durée : 02:32:46 - Les Matins - par : Guillaume Erner, Isabelle de Gaulmyn - . - réalisation : Félicie Faugère - invités : Clément Therme Chargé d'enseignement à l'Université Paul Valéry de Montpellier et à Sciences Po Paris, spécialiste du monde iranien; Etgar Keret Ecrivain, scénariste et réalisateur; Ludmila Oulitskaïa Écrivaine russe; Benjamin Morel Constitutionnaliste français, docteur en sciences politiques et maître de conférences

ab 1:00 Min. - Florentine Anders: Die Allee | Gelesen von Jördis Triebel | 10 Std. 30 Min. | DAV || ab 10:37 Min. - Nicolas Mathieu: Jede Sekunde | Übersetzt aus dem Französischen von Lena Müller , André Hansen | Gelesen von Rainer Strecker | 2 Std. 27 Min.| Der Diwan || ab 17:28 Min. - Etgar Keret: Starke Meinung zu brennenden Themen - Erzählungen | Gelesen von Peter Jordan, Torben Kessler, Jens Harzer | 10 Folgen von ca. 30 Min. | Produktion von hr2, mdr und ndr | ARD-Audiothek || ab 25:52 Min. - Emma Carroll: Das Mädchen mit den Schwefelhölzern schlägt zurück | Gelesen von Katja Danowski | Übersetzt von Marion Hertle | 1 Std. 58 Min. | Ab 8 Jahren | Lübbe / Hörcompany

A man took living in a plane to a whole new level! Instead of settling down in a cozy house, he decided to turn a Boeing 727 into his ultimate pad. I mean, talk about thinking outside the box! He transformed the inside into a seriously swanky living space, complete with bedrooms, a kitchen, and even a lounge area. It's like something out of a movie, except this guy's actually living the dream. Credits Credit: Coober Pedy: By qwesy qwesy, CC BY 3.0 https://creativecommons.org/licenses/by/3.0, https://commons.wikimedia.org/w/index.php?curid=58913610 CC BY 2.0 https://creativecommons.org/licenses/by/2.0: By Forgemind ArchiMedia: Sou Fujimoto - House NA 01: https://flic.kr/p/bSC6gX Sou Fujimoto - House NA 02: https://flic.kr/p/bDHne9 Sou Fujimoto - House NA 03: https://flic.kr/p/bDHnmE Sou Fujimoto - House NA 04: https://flic.kr/p/bSC6EK Sou Fujimoto - House NA 07: https://flic.kr/p/bSC71k Sou Fujimoto - House NA 11: https://flic.kr/p/bSC7px Sou Fujimoto - House NA - model 01: https://flic.kr/p/bDHoCL The Mirrorcube: By steffen l - https://flic.kr/p/2cE2nRD, https://commons.wikimedia.org/w/index.php?curid=94182331 CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/: Coober Pedy Opal Doublet: By Dpulitzer, https://commons.wikimedia.org/w/index.php?curid=26444182 Keret House: By Adrian Grycuk, https://commons.wikimedia.org/w/index.php?curid=77783578 Keret's house eastward 2: By Panek, https://commons.wikimedia.org/w/index.php?curid=22339165 Keret's house eastward 1: By Panek, https://commons.wikimedia.org/w/index.php?curid=22339160 Keret House in Warsaw 2017h: By Adrian Grycuk, https://commons.wikimedia.org/w/index.php?curid=77783577 Keret House in Warsaw 2017j: By Adrian Grycuk, https://commons.wikimedia.org/w/index.php?curid=77783579 Ransom Canyon Steel House: By Leaflet, https://commons.wikimedia.org/w/index.php?curid=8453969 CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0: Treehotel: By Åke E-son Lindman - http://lindmanphotography.com/, https://www.thamvidegard.se/, https://commons.wikimedia.org/w/index.php?curid=77915124 Market Cross House: By DeFacto, https://commons.wikimedia.org/w/index.php?curid=43177591 Market Cross House, Windsor: By Peter Trimming - https://www.geograph.org.uk/photo/5226268, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, https://commons.wikimedia.org/w/index.php?curid=135655819 Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music by Epidemic Sound https://www.epidemicsound.com Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD34jRLrMrJux4VxV Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook: https://www.facebook.com/brightside Instagram: https://www.instagram.com/brightside.official TikTok: https://www.tiktok.com/@brightside.official?lang=en Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me Learn more about your ad choices. Visit megaphone.fm/adchoices

3 - Társadalombiztosítás keretében végeztek zsírleszívást Ruszin-Szendi Romuluszon by Balázsék

Lelassulás és feltöltődés a SlowXmas keretében

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A kedden publikált, ingyen meghallgatható verzió tíz perccel rövidebb. 00:40 Az új időszámítás Magyar Péter péniszétől. Elnézéskérés Gulyás Mártontól. Boncz Géza szerepében Uj Péter. Bepólyálnám, hóbortos pap megkeresztelné! Magyar Péternek már csak öt hónapja van. 05:47 A 444 is megírta, hogy Bede Mártonnak milyen igaza volt. A szerelemprojekt és az első gyermek vége Turán. 10:02 Az edelényi kastély nem-bezárása. Oláh Ibolya tiszadobi gyermekkora. A kétpói és a lovasberényi kastély A Ferenc téri foghíjtelek. 15:26 Mit mondjon Orbán Viktor október 23-án? A folyamatos hold my beer. 18:18 Huszár Pufi visszatér. A verőcei kastély. A magyar Oliver Hardy. Huszár Pufi tragikusan különös halála. Pufi cipőt vásárol. 26:00 Szuverenitási sztálinizmus. Kinek a bankja az MBH? Különösen szép részletek a Népszabadság bezárása körül. A Wikipedia médiatörténelem-hamisítása.  30:31 Fogas Kárpáti. Ételek, amiket nem szabad étteremben enni Magyarországon. A karcagi birkacsárda koncepciója.34:19 Újabb atrocitások a budaörsi uszodában. A túl kemény víz. Ruandai rádió az őszi szaunázók ellen. 41:15 Hororr-birsalmaaárak. Tudod mennyi egy pink lady????? 43:17 Fontos halálesetek adás közbe. Yahya Sinwar végül tényleg meghalt. A Tisza Dombóváron és a forró február. 45:49 Dr. Schvab a Netflixen. Talán mégis lehet húst enni. A raw vegan diéta nehézségei. See omnystudio.com/listener for privacy information.

Sánta Dániel a Jazzpiknik fesztiváligazgató-helyettese. Beszélgetésünkben szó esett a fesztivál felvezető rendezvényéről, a „Színes Falak Mögött” egyetemi roadshow-ról. Ez a program Budapestet is érintette, hiszen több egyetemet jártak körbe. Az előadások során a hallgatók betekintést kaptak abba, hogyan áll össze évről évre egy nemzetközi fesztivál, és a zenei edukáció részeként új zenei irányzatokkal, előadókkal ismerkedhettek meg. A program játékos formában mutatta be a jazzt és társműfajait a huszonéveseknek, hangsúlyozva a hazai, minőségi fesztiválozás sokszínűségét.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

Puzsér Róbert

00:00:00 - Bevezetés 00:00:50 - Rendszeresség a tartalomgyártásban 00:03:28 - Keret a mindennapokban 00:10:30 - TheVR app új verzója 00:13:24 - MAX - Extrém fukarság 00:20:35 - Spórolás és akciók 00:36:14 - Online vásárlás veszélyei 00:42:39 - Ki néz még TV-t? 00:45:38 - Házhozszállítás bukkanói 00:52:32 - Mindenki szeret(ne) jól járni 00:56:23 - Befejezés

Az Eb – szerintünk – eddigi legjobb meccsén a törökök legyőzték a szimpatikusan játszó Georgiát, a portugálok pedig két rekorderrel a pályán, a hajrában nyerték meg a csehek elleni meccsüket. Az Eb első csoportkörének utolsó napján Marosi Gergely, a Sport24 szerzője volt a vendégünk.

Az Eb – szerintünk – eddigi legjobb meccsén a törökök legyőzték a szimpatikusan játszó Georgiát, a portugálok pedig két rekorderrel a pályán, a hajrában nyerték meg a csehek elleni meccsüket. Az Eb első csoportkörének utolsó napján Marosi Gergely, a Sport24 szerzője volt a vendégünk.

Pár hete jelent meg Hegedűs Józsi második szólóalbuma Penészvirágok címmel. A szabadkígyósi születésű, Szegeden diplomázott és Budapesten élő dalszerzű-énekes, tanító már tavalyi első, folba mártott alternatív poplemezével is feltűnést keltett azok között, akik esetleg nem követték a KERET tehetségkutatót, amely után Józsi a Carson Comával mutatta meg magát az ország tinirajongói előtt. A kezdetekről, a tankcsapdás apukáról, az első kanapékoncertről, roma-magyar identitásról, Cseh Tamásról, Bereményi Gézáról, Szabó Balázsról, punk- és popzenekarokról, kiadóváltásról, tanításról, Vastiról, partnerségről, kontrollról, a Vadvirág zenekarról mind szó esik és remélhetőleg sikeresen belesűrűsödik ebbe az egy órába.. Fotó: Komróczki Dia A Wanted podcast adása az NKA Hangfoglaló program támogatásával készült.

A man took living in a plane to a whole new level! Instead of settling down in a cozy house, he decided to turn a Boeing 727 into his ultimate pad. I mean, talk about thinking outside the box! He transformed the inside into a seriously swanky living space, complete with bedrooms, a kitchen, and even a lounge area. It's like something out of a movie, except this guy's actually living the dream. Credit: Coober Pedy: By qwesy qwesy, CC BY 3.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/w/index... CC BY 2.0 https://creativecommons.org/licenses/... By Forgemind ArchiMedia: Sou Fujimoto - House NA 01: https://flic.kr/p/bSC6gX Sou Fujimoto - House NA 02: https://flic.kr/p/bDHne9 Sou Fujimoto - House NA 03: https://flic.kr/p/bDHnmE Sou Fujimoto - House NA 04: https://flic.kr/p/bSC6EK Sou Fujimoto - House NA 07: https://flic.kr/p/bSC71k Sou Fujimoto - House NA 11: https://flic.kr/p/bSC7px Sou Fujimoto - House NA - model 01: https://flic.kr/p/bDHoCL The Mirrorcube: By steffen l - https://flic.kr/p/2cE2nRD, https://commons.wikimedia.org/w/index... CC BY-SA 3.0 https://creativecommons.org/licenses/... Coober Pedy Opal Doublet: By Dpulitzer, https://commons.wikimedia.org/w/index... Keret House: By Adrian Grycuk, https://commons.wikimedia.org/w/index... Keret's house eastward 2: By Panek, https://commons.wikimedia.org/w/index... Keret's house eastward 1: By Panek, https://commons.wikimedia.org/w/index... Keret House in Warsaw 2017h: By Adrian Grycuk, https://commons.wikimedia.org/w/index... Keret House in Warsaw 2017j: By Adrian Grycuk, https://commons.wikimedia.org/w/index... Ransom Canyon Steel House: By Leaflet, https://commons.wikimedia.org/w/index... CC BY-SA 4.0 https://creativecommons.org/licenses/... Treehotel: By Åke E-son Lindman - http://lindmanphotography.com/, https://www.thamvidegard.se/, https://commons.wikimedia.org/w/index... Market Cross House: By DeFacto, https://commons.wikimedia.org/w/index... Market Cross House, Windsor: By Peter Trimming - https://www.geograph.org.uk/photo/522..., CC BY-SA 2.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/w/index... Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music by Epidemic Sound https://www.epidemicsound.com Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook:   / brightside   Instagram:   / brightside.official   TikTok: https://www.tiktok.com/@brightside.of... Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio hablamos extensamente sobre la conquista de Canaán, relatada principalmente en el libro de Josué, aunque iniciada un poco más antes tanto en Números como en Deuteronomio. Hacemos un resumen del libro de Josué, y luego nos preguntamos cuanto de cierto hay en todos estos relatos, y los comparamos con la evidencia arqueológica. En realidad escogemos las excavaciones realizadas en las ruinas de las ciudades Arad, Jesbon y Dibon en Negeb; y Jericó, Ai, Lakish y Jasor en Cisjordania, por ser estas las que en el relato sufrieron una destrucción total que debería dejar evidencia arqueológica. Luego nos fijamos en dos cosas: ¿Había una ciudad que iba a ser destruida? ¿Hay señales de tal destrucción?, eso lo hacemos para ambas posibles fechas que dan los creyentes, el siglo XV y finales del siglo XIII antes de la era común. Los resultados son claros. Libro de Josué es casi todo ficticio y de poco o ningún valor para el historiador. Miramos entonces el contenido mitológico, los paralelos entre la destrucción de Jericó y el relato de Tamar en el Génesis, con el sitio a Troya, y el mito de Antenor y Teano en el saqueo a Troya. Los paralelos del mito de la detención del Sol con algunos pasajes de la Ilíada, una comparación extensa entre Josué y Odiseo, sobre todo en el canto XIII de la Odisea. Y desde luego la comparación necesaria entre Josué y Keret. Keret es uno de los relatos encontrados en Ugarit (actual Ras Shamra). Blog: https://mitosbiblicos.webnode.page/blog/ Mensajes audio: https://podcasters.spotify.com/pod/show/mitosbiblicos/message Telegram: https://t.me/mitosbiblicos X: https://twitter.com/mitosbiblicos

durée : 00:15:28 - L'invité d'un jour dans le monde - « Normalement l'artiste est censé être le miroir de l'humanité, et en ce moment il ne me reste pas beaucoup d'humanité à représenter ». Face à la violence de la guerre que mène son pays, et aux attaques qu'il a subies, l'auteur israélien Etgar Keret nous confie sa colère et son désarroi.

durée : 00:37:35 - Le 18/20 · Un jour dans le monde - « Normalement l'artiste est censé être le miroir de l'humanité, et en ce moment il ne me reste pas beaucoup d'humanité à représenter ». Face à la violence de la guerre que mène son pays, et aux attaques qu'il a subies, l'auteur israélien Etgar Keret nous confie sa colère et son désarroi.

durée : 00:37:35 - Le 18/20 · Un jour dans le monde - « Normalement l'artiste est censé être le miroir de l'humanité, et en ce moment il ne me reste pas beaucoup d'humanité à représenter ». Face à la violence de la guerre que mène son pays, et aux attaques qu'il a subies, l'auteur israélien Etgar Keret nous confie sa colère et son désarroi.

Szerkesztő: Gyarmathy Dóra

Az Európai Unió költségvetésének kihívásai a többéves keret félidei felülvizsgálatának tükrében – nincs itt semmi látnivaló? A 61. Közgazdász-vándorgyűlés európai uniós szekciója Szekcióelnök: Iván Gábor igazgató, az Európai Unió Tanácsa Főtitkársága, az MKT Európai Uniós Szakosztályának elnöke Résztvevők: Banai Péter államháztartásért felelős államtitkár, Pénzügyminisztérium, az MKT Államháztartási Szakosztályának alelnöke Halmai Péter akadémikus, egyetemi tanár, BME, NKE, az MKT Gazdaságpolitikai és Gazdaságelméleti Szakosztályának elnöke Darvas Zsolt főmunkatárs, Bruegel Intézet, a Budapesti Corvinus Egyetem tudományos főmunkatársa Becsey Zsolt egyetem docens, Károli Gáspár Református Egyetem, volt európai parlamenti képviselő, az MKT Európai Uniós Szakosztályának alelnöke

"For me, there is something about art, it's not a monologue. When I do a video dance for a Japanese audience or a sci-fi comedy for a French audience then I do try to think about if I want to shock the audience at a certain moment. I think that the same things that would shock a French person would not necessarily shock an Israeli or a Japanese person, you know? I think that what's funny is that for a lot of people, the fact that my TV show The Middleman (L'Agent Immobilier) is very extreme, but in Israel when they watched it, they never thought it was extreme. They said it was very funny, but because the Israeli reality is much more extreme, so the idea of people shouting at each other or breaking a wall or punching each other or doing weird stuff, the French said, 'Oh, it's over the top.' In Israel, they felt that it was just like the way things are. So it's very, very interesting.""Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language. And I think the same way that people are excited about learning and speaking different languages - because I think each language has different merits and different aspects."Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d'Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L'Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar's work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life. A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.comThe Middleman www.imdb.com/title/tt11523800www.jmberlin.de/en/exhibition-inside-out-etgar-kerethttps://etgarkeret.substack.comJellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos:Outside - a video dance by Etgar Keret and Inbal PintoThe Inconsistent Pedaler, Keret in collaboration with Pilobolus Dance Company, Photo by Grant Halverson

Újabb kerethirdetés és hétközi forduló után jelentkeztünk magyar focival foglalkozó podcastunkkal. Marco Rossi újoncot és visszatérőt is tartalmazó kerete után megnéztük, lesz-e NB1-es játékos az idei katari vb-n. Végül röviden visszatekintettünk az elmúlt két fordulóra, és válogattunk az idei naptári év utolsó meccsei közül.

Ana Bejarano es una de las más reconocidas traductoras al español de los autores israelíes contemporáneos. Ha traducido más de 60 obras del hebreo al español de autores de la talla de A.B Yoshua, Grosmann, Shalev o Keret. En este episodio indagamos su acercamiento al hebreo, la tradición hebraica en las universidades españolas desde la Edad Media hasta nuestros días y ahondamos acerca del arte de la traducción. Un episodio maravilloso para descubrir un universo único y fascinante.

In this episode with chatted with Etgar Keret, writer of short stories, comics, a children's book and a memoir. Etgar's books have been published in fifty languages. His writing has appeared in The New York Times, Le Monde, The New Yorker, The Guardian, The Paris Review and Zoetrope. He is currently a Professor at Ben-Gurion University of the Negev. He has received the Book Publishers Association's Platinum Prize several times, the St Petersburg Public Library's Foreign Favourite Award (2010) and the Newman Prize (2012). In 2010, he was honoured in France with the decoration of Chevalier de l'Ordre des Arts et des Lettres. In 2007, Keret and Shira Geffen won the Cannes Film Festival's "Camera d'Or" Award for their movie Jellyfish, and Best Director Award of the French Artists and Writers' Guild. His latest collection "Fly Already" won the most prestigious literary award in Israel, the Sapir prize (2018), as well as the National Jewish Book Award of the Jewish Book Council. Find us on Twitter: @UnsoundMethods - @JaimieBatchan - @LochlanBloom Jaimie's Instagram is: @jaimie_batchan Or at jaimiebatchan.com and lochlanbloom.com We have a store page on Bookshop, where you can find our books, as well as those of previous guests: https://uk.bookshop.org/shop/unsoundmethods Thanks for listening, please like, subscribe and rate Unsound Methods wherever you get your podcasts. Our website is: https://unsoundmethods.co.uk/

Története legjobb csoportkörös Európai rajtján van túl a Ferencváros, miután meglepetésre 1-0-ra nyert Monacóban az Európa-liga második csoportmeccsén. Ez azonban csak egy a témáink közül. Ezután megbeszéltük Marco Rossi keretének érdekességeit, arról, hogy került vissza Kuttor Attila Mezőkövesdre, és hogy miért annyira elégedetlenek a klubok edzőikkel.

This Episode is sponsored by Unpacked's new podcast, 'Homeland: Ten Stories, One Israel' https://jewishunpacked.com/podcast-series/homeland-ten-stories-one-israel/ *** Support us on Patreon: www.patreon.com/2njb *** “The Next-To-Last time I Was Shot Out of A Cannon”, “The Bus Driver Who Wanted to Be God”, “Suddenly, A Knock On The Door”. Just the titles of these short stories are enough to make your literary mouth water. Etgar Keret certainly has a knack for doing just that. With a long career of award winning short stories, books, comics, graphic novels, children's books and even short and feature films, all under his belt, Etgar Keret finally decided to tackle the hardest challenge of all - substack. Keret has been posting to his new substack, Alphabet Soup, once a week for the last year. As Keret puts it, “Super- short weird stories, poems, thoughts about writing, ideas for screenplays – they all swirl around in my Alphabet Soup pot.” Keret has won many awards, among which the Knight Medallion for Literature in France. His debut feature film, Jellyfish, which he co-created with his wife Shira Geffen, was awarded the coveted Camera d'Or prize at the Cannes film festival. Today we are super thrilled to be joined for the SECOND TIME by the endlessly talented Etgar Keret. Etgar's newsletter and website: https://www.etgarkeret.com (Photo by Lielle Sand)

Etgar Keret reads his story “Mitzvah,” translated from the Hebrew by Jessica Cohen, from the June 27, 2022, issue of the magazine. Keret's books include the memoir “The Seven Good Years” and the story collections “Suddenly a Knock on the Door” and “Fly Already,” which was published in 2020. 

Február 24-én a Cziffra Fesztivál keretében játszik Pál István „Szalonna” és Bandája a MOMKultban.  A koncert egy zenei utazás a Kárpát-medencében, saját múltunkban, Székelyföldtől Gömörig, Kárpátaljától a Dél-Alföldig. A koncert a csángók muzsikájával indul és az utazás végén jutunk el egészen a nyugati határ kapujáig, az új stílusú rábaközi verbunkosok világáig. Az egész este műsora térben és időben mozgó zenei élmény, amely harmonikusan helyezi egymás mellé a régi archaikus és az újabb stílusú világot. A koncerten találkoznak a stílusok, két klasszikus zenész: Banda Ádám hegedűművész és a Cziffra Fesztivál művészeti vezetője, Balázs János zongoraművész kapcsolódnak be vendégként a virtuóz népzenei koncertbe. Pál István Szalonnával Kalmár András beszélgetett.

Pastor Andrew takes us back to the ancient city of Ugarit for the story of King Keret, a legendary king who we catch at the moment he looses everyone he loves and Goddess Asherah gives him instructions to get back the one thing he desires, but he makes one royal mistake. It's a cautionary tale warning against being more religious than God wants you to be. Pastor Andrew places this story in its historical context, talks about its use of repetition, and explains what it might be saying to us in our modern times, and much more!

The Legend of Kirta, called Keret in some translations, can be a bit hard to understand, especially for a modern audience used to things like the three act structure and protagonists who fit neatly into any sort of moral categories at all. This is the first of our stories from Ugarit, and we are starting with one that we don't even know if it is meant as tragedy or farce. What all these stories hold in common is that they are deeply strange, stranger even than many of the tales from the Hitties or Mesopotamians, and the many missing sections from the text do nothing to edify us. I will be reading them more or less straight, with a bit less commentary than usual, because just putting the story in front of you should be enough to get you pondering. Online at oldeststories.net --- Send in a voice message: https://anchor.fm/oldeststories/message

La narrativa, soprattutto nel romanzo, è un'arte lenta. Pillole di scrittura creativa in podcast, tra modi efficaci ed errori da evitare. Dialoghi, flashback e molto altro ancora. Nella raccolta: "Tre cose per scrivere dialoghi"; "Tre modi per usare i flashback"; "Tre modi efficaci per iniziare una storia"; "La regola del tre"; "Tre cose da evitare nel primo capitolo"; "Tre cose da non fare quando si inizia a scrivere un romanzo"; "Tre consigli per sbloccare una storia"; "Tre regole per scrivere un racconto breve"; "Tre qualità che uno scrittore deve avere".

ÖKOPOLITIKAI vitaestek keretében tárgyalja kéthetente a Karátsony Gábor Kör a Harmadik út című röpiratát. Eltérő nézőpontú, különböző szakmájú emberek meghívásával zajlik kerekasztal vitasorozat a Kossuth Klubban, s ez már önmagában is reményt kínál arra, hogy kijusson a divatosan "buborék körnek" nevezett mezőből, tehát az amúgy rendszeresen közösen gondolkodók köréből a kiútkeresés. A Civil Rádióban Lányi Andrással beszélget Péterfi Ferenc a vitasorozatról; amelyben a 'máskéntgazdálkodás', a vidékpolitika, a párbeszéd kultúra, a jövőt alapjaiban meghatározó oktatás helyzete és persze a fő összekötő szál: a globális ökopolitika kérdéseiről váltanak szót izgalmas emberek. Esetenként 'értelmes egyet - nem - értésben'.

Born in Ramat Gan, Israel, in 1967, Etgar Keret is the most popular writer among Israel's young generation and has also received international acclaim. He has been published in The New York Times, Le Monde, The New Yorker, The Guardian, The Paris Review and Zoetrope, among others. In 2010, Keret was awarded the prestigious French Chevalier des Arts et des Lettres decoration. He has twice been a finalist for the O'Connor Short Story Award. Most recently, he was awarded the Charles Bronfman Prize (USA, 2016) and the ADEI-WIZO Prize for The Seven Good Years (Italy, 2016).In this episode, Etgar and Ashley speak about writing fiction during the pandemic, why the famously productive writer moved to Berlin for a year to "do nothing," the flattening effect social media has on identity, and how growing up as the son of Israeli Holocaust survivors shaped him as a writer who looked out of Israel, and back in time, to the European writers of the diaspora for inspiration. Etgar also opens about his latest project, his Substack called Alphabet Soup, how he inspired the great Salman Rushdie to create his own Substack, and why he names his most "pathetic" characters after his most dedicated Substack subscribersCheck out Etgar's Substack here: https://etgarkeret.substack.com/Read the Tablet Magazine article  discussed,  "The Upgraded Me," here:  https://www.tabletmag.com/sections/arts-letters/articles/upgraded-me-etgar-keretRead one of Etgar's stories here: https://www.newyorker.com/books/flash-fiction/gravity 

Menù del giorno: - PIZZERIA KAMIKAZE di Etgar Keret + WRISTCUTTERS UNA STORIA D'AMORE - GLI SPIN OFF DI STAR WARS - parte 2 (con Matteo Valsecchi) 1'37'' - 3 COSE DA NON PERDERE SUL G8 DI GENOVA (con Matteo Mazza) 11'54'' - LUCA PERRI (con Francesca Arceri) 26'12'' - LA TRILOGIA EASTRAIL 177 di M. NIGHT SHYAMALAN (con Massimiliano Chiesa) 35'58'' ATTENZIONE: contiene anche l'elenco di tutti i prodotti in uscita dell'universo di Guerre Stellari e i ritorni di Nicole Kidman, Zoe Kravitz e del Loop.

Goran Vojnović: Đorđić se vrača Tone Dodlek: Plavi 9 Etgar Keret: Poleti že! ur. Andrej Kirbiš: Kulturna participacija mladih v Sloveniji in Evropi Avtorji recenzij Aljaž Krivec, Tonja Jelen, Marko Golja in Miša Gams

Az olimpiai selejtezőre készül a női válogatott, de az egyik legjobb formában lévő kapusunk nincs ott a keretben.

Size matters. Or so, at least, we've been told from the moment we were born: the tallest guy gets the glory on the basketball courts at school; The longest thesis at the university class stands for the quality of research and work that was put into it; A filmmaker can make 50 short films but he'll never make it if he hasn't made a Feature. And then there's literature: Ulysses, War and Peace, and even the Lord of the Rings trilogy - all stand for the concept of size as a quality stamp. Etgar Keret's career, however, has been proving just the opposite. For 30 years Keret has been focusing mainly on short stories, and it's safe to say that his technique and unique style has contributed a lot to the reshaping of short storytelling as an art form. Keret's one of the most translated Israeli writers. His books have been translated to 37 languages. His short stories were adapted to international productions, like “Wristcutters” or the stop animation film 9.99$. Keret has published 13 books, including short stories books, comics, graphic novels, and even children's books. He won many awards, among which the Knight Medallion for Literature in France. His debut feature film, that he co-created with his wife Shira Geffen, was awarded the Golden Camera in the Cannes film festival. And now a new documentary film about him is being released. Today 2NJB are deeply honored to host Etgar Keret.