Podcasts about love's labour's lost

Ariana has a chat with director Bronwyn Barnwell about her Radio Shakespeare Lab production of Love's Labour's Lost with her dream cast! We are joined by some of the actors from her production to discuss the play and process including Charlie Morton, Preston Perrin, Ly Poe, Alexander Mushore, with Ian Gould. Among many things, we talk about the remarkably difficulty of the language of this play, the unique process of creation in isolation, metatheacricality, character doubles, rhyming, romantic fools, women as strong political figures called away for duty, how each character is clever in a distinctive way, Boyet as a Puck-like figure, significance of nationalities, math and numerology, and dirty language. Be sure to catch Love's Labour's Lost over on Radio Shakespeare Lab over the next five Fridays! 

Today's poem is by the Bard are from the final lines of Love's Labours Lost, one of his lesser-known comedies. See acast.com/privacy for privacy and opt-out information.

Pittsburgh Shakespeare in the Park has gone VIRTUAL! Their latest production, "Love's Labour's Lost" will be streaming from February 11th to February 15th! Directors Irene Alby & Cornel Gabara joined the Y'd Awake Morning Show to give us all the behind the scenes details about the event.  For more information, you can visit the Shakespeare in the Park website. See omnystudio.com/listener for privacy information.

Tired of all the crazy partying, King Ferdinand and his men decide to renounce women to focus on their studies; however the Princess of France and her ladies make them eat those words. Come hang out in the craziest frat house as we all start to learn the TRUE meaning of love and "Saturdays are for the Boys."Directed by Nadia Atkinson and Erik Hylko

Paul, June, and Jason discuss the 2000 adaptation of the comic play Love’s Labour’s Lost by William Shakespeare directed and starring Kenneth Branagh. They talk about the basic dancing, dead eyes, the panicked and broad performances, and much more.   Get tix for upcoming live-streamed shows and listen to the Transformers For Charity episode over at https://www.hdtgminfo.com/ Subscribe to Unspooled with Paul Scheer and Amy Nicholson here: http://www.earwolf.com/show/unspooled/ Check out The Jane Club over at www.janeclub.com Check out new HDTGM merch over at https://www.teepubli…wdidthisgetmade Where to Find Jason, June & Paul: @PaulScheer on Instagram & Twitter @Junediane on IG and @MsJuneDiane on Twitter Jason is Not on Twitter

This week on the podcast, we bring you another episode of the Shakespeare diaries. Our very own actor artistic director Michelle Terry and actor Paul Ready discuss Shakespeare’s plays from isolation. This week, they revisited Love’s Labour’s Lost, the first production they were ever in together, and on our very own Globe stage. Prompted by questions from our audience, Michelle and Paul discussed why it’s Michelle’s favourite play, how Shakespeare once again marries joy and melancholy and why it’s such an anarchic play. 

What happens when four young noblemen take chastity pledges to focus on their academic studies only to have the Princess of France and her ladies-in-waiting camp outside their castle? Catfishing, verbal one-upmanship, and the pitching of woo while disguised in traditional Russian garb, naturally! In this episode of Bard Flies, Will and James discuss "Love’s Labour’s Lost," a charming comedy with a serious turn in the fifth act that transforms it from a showcase for Shakespeare’s linguistic prowess to a surprisingly deep commentary on love, commitment, and growing up. // CREDITS //. Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); illustrative excerpts from "Love’s Labour’s Lost," dir. Kenneth Branagh (2000) and "BBC Play of the Month: Love's Labour's Lost," dir. Basil Coleman (1975)

Book Club 07 - Love's Labour's Lost by Conor Hanratty

REBECCA NAOMI JONES is an Americanactress and singer best known for her performances in the Broadway rock musicals Passing Strange, American Idiot, and Hedwig and the Angry Inch.Jones was born in New York City, New York, to a musician father. Her mother is Jewish and her father is African-American. Jones performed in the children's chorus of the Metropolitan Opera as a youth and graduated from the Berkeley Carroll School in 1999. "I did theatre all throughout middle school and high school and was really into it, the same with singing," she said. Jones received her BFA in drama from the North Carolina School of the Arts, and appeared in the national tours of Rent and Caroline, or Change.In 2007 Jones made her Off-Broadway debut in Passing Strange, which transferred to Broadway on February 28, 2008. She created the role of Whatsername in the Green Day rock opera American Idiot, which opened on Broadway on April 20, 2010.[1]Paper magazine said of Jones, "She's carved out a nice niche for herself as the girl to call when there's a cooler-than-thou musical in town." In 2012 Jones played the Narrator in Manhattan Theatre Club's Off-Broadway musical Murder Ballad, for which she received a Lucille Lortel Award nomination for Outstanding Featured Actress. Jones returned for the show's engagement at the Union Square Theatre, which ran from May 22, 2013, to July 21, 2013. Later that summer, Jones appeared in a new musical adaptation of Love's Labour's Lost at Central Park's Delacorte Theater. On June 2, 2014, Jones received a Lilly Award, a prize designed to honor women in the theater. On April 14, 2015, Jones replaced Lena Hall as Yitzhak in the Broadway production of Hedwig and the Angry Inch. Jones played the role through the production's end on September 13.In 2017 she starred as Vanessa in Significant Other on Broadway.In 2018 Jones starred as Laurey Williams in Daniel Fish's production of Oklahoma! at St Ann's Warehouse. The production transferred to Broadway at The Circle In The Square Theatre in March 2019.

We drank some drinks, read some Shakespeare, became a little audience-hostile, while still loving every single one of you! Yes, it's Love's Labour's Lost, a lesser Shakespeare play with questionable pacing, but still some charming moments.Mentioned in this ep:Jessica is not sure if it’s aged well, but has fond memories of Complete Works of Shakespeare Abridged.Movie: Stage BeautyShakepeare After All by Majorie GarberMuch Ado About Nothing, esp the Branagh versionNational Theater Live

Kevin Del Aguila can currently be seen as Oaken in Disney’s FROZEN on Broadway. He’s a two-time Emmy-winning writer of the PBS show PEG + CAT and the book writer of the hit off-Broadway musical ALTAR BOYZ. Kevin has been part of the original Broadway casts of PETER AND THE STARCATCHER and ROCKY, and has performed in many off-Broadway productions, including LOVE'S LABOUR'S LOST, PETER AND THE STARCATCHER, A CHRISTMAS CAROL, GOD BLESS YOU MR. ROSEWATER and more. He’s also written stage adaptations of the popular book series DIARY OF A WIMPY KID and the DreamWorks film MADAGASCAR. And fun fact: Kevin can be heard as a singing troll in Disney’s FROZEN—the Oscar-winning animated film. You can follow him on Twitter @kevindelaguila.Hosted by Beth Stevens, Paul Wontorek, and Ryan Lee Gilbert

Shakespeare's poem of winter endurance performed. For more about this and other combinations of various words and original music go to frankhudson.org

It is the humble opinion of your hosts that Shakespeare starts coming into his own as a truly innovative playwright in Love's Labour's Lost. Up until this point, the plays have been fairly straightforward in presentation, structure, and subject matter; in LLL, all of that is played with, to great effect. Starting with this play, Shakespeare starts showing the sense of playfulness as a writer, experimenting with his craft, that marks some of the great works that follow. A conventional love story on the surface--four noble men fall in love with four noble women; hilarity ensues--bucks the trends of comedy (there's no marriage at the end) and comments on its own production ("That's too long for a play") and does so with tremendous flair and wit that Shakespeare is well-known for today, but which must have been terrifically fresh when the play was first written and performed in the middle-1590s. Join us as we chat about the fun themes presented in this innovative play! Marriage Counselling In today's bickering session, we debate the question of whether or not Love's Labour's Lost is a comedy or... something else? Other Notes The 2000 Kenneth Branagh film has been pretty thoroughly scrubbed from the internet, but we did locate a German trailer for the dub of the film: https://www.youtube.com/watch?v=53hDoUMvZhk As well as this audio from the original trailer, mixed up with a webseries that seems loosely based on the same events as the play: https://www.youtube.com/watch?v=mVuR945tOqk&feature=emb_logo 

We finally meet the infamous Zapp Brannigan and the long-suffering Kif as Andy and Scott review season 1, episode 4, "Love's Labour's Lost in Space". Find more Why Not Futurama? through the official RF4RM social media channels: Web | Twitter | Facebook | Instagram   Rate, review, & subscribe to Why Not Futurama? on: Apple Podcasts | Google Play | Stitcher   Your feedback is appreciated. Send emails to podcast@rf4rm.com

It's Thursday, and theater critic J. Wynn Rousuck is back with another of her weekly reviews of the Maryland regional stage. Today, she joins Tom to spotlight Chesapeake Shakespeare Company's new production of the Bard's ----Love's Labour's Lost,---- staged outdoors ----In the Ruins---- at the Patapsco Female Institute (PFI) Historic Park in Ellicott City.In this pun-filled romantic comedy penned by William Shakespeare in the mid-1590s, King Ferdinand of Navarre (played by Jonathan Jacobs) and three courtiers -- Berowne (Jose Guzman), Longaville (J.C. Payne), and Dumanin (Alexander Kafarakis) -- agree to avoid the distractions of women for three years while they study and pray. Their high-minded plans are derailed when the beautiful Princess of France (played by Lauren Davis) and her three ladies -- Rosaline (Elana Michelle), Maria (Micaela Mannix), and Katherine (Hilary Morrow) -- arrive on a diplomatic mission, and the men soon become love-struck fools. For their part, the women conspire to confound the men's amorous ambitions, but the play ends as the death of the Princess's father puts all the romancing on hold for a year.Directed by Erin Bone Steele, the Chesapeake Shakespeare Company production of Love's Labour's Lost continues at the PFI Historic Park in Ellicott City through Sunday, July 28th. For more information, click here.

In part one, Brian Gill (from the theater faculty at the University of Wisconsin-Parkside) discusses "Love's Labours Lost," an early comedy by William Shakespeare that UW-Parkside will present over the next two weekends. In part two, we meet Susan Dreyfus, president of the Alliance for Strong Families and Communities, who is the keynote speaker at this Friday's Non-Profit Breakfast at UW-Parkside "Celebrating 50 Years of Powerful Partnerships."

In 2008, Rebecca Naomi Jones made her Broadway debut in Passing Strange, going on to star in American Idiot, Hedwig and the Angry Inch, and Significant Other. Jones’ extensive off Broadway resume includes credits like Love's Labour's Lost, Big Love and Fire in Dreamland, amongst others. You may have seen her on the small screen in High Maintenance, and Sex&Drugs&Rock&Roll, and most recently, the new Netflix original Someone Great. This season, she’s back on Broadway in Oklahoma! as Laurey, and that’s what she’s here to talk about today. Follow her on Twitter @Rebeccasername and on Instagram @onerebeccajones.Hosted by Ryan Lee Gilbert, Andy Lefkowitz and Eric King.

While on a mission to rescue animals on a doomed planet, Leela becomes a target for a pushy playboy by the name of Zapp Brannigan. What a man!LISTEN TO THE COMPLETE FIRST SEASON at patreon.com/fourfingerdiscount

We thought it was high time to cover a good Kenneth Branagh film after that strange mess that was Love's Labours Lost. So this week, we discuss the film that introduced us to that delightful slab of Northern Irish Ham: Henry V! Next Episode, we're going for a march with 76 trombones in The Music Man! CONTACT THE SHOW: BrosBeforeShows@AOL.com Hosted by Robert Tiemstra (@The_Timestar) and Matthew Tiemstra (@ClockworkPlay)

#Shakesyear continues with Kenneth Branagh's attempt to meld Shakespeare and 1930's Cinema in what was ultimately a wet pile of words, soundstages, and bizarre musical numbers. We should have loved it, given our fondness for the works of Baz Luhrmann, but it just didn't work for us, resulting in the shortest episode of Excessively Diverted yet. Maybe we'll have better luck next time.  Podcast art by Salty Said Sweetly https://www.saltysaidsweetly.com/

Literally, PATTI MURIN is Broadway royalty. She is playing the princess Anna in Disney's Frozen. Prior to that, she appeared on Broadway in Lysistrata Jones, Xanadu as well as the tour of Wicked. She won praise and the heart of now-husband Colin Donnell in the Shakespeare in the Park production of Love's Labour's Lost. The acting couple have adorable pups Petey and Milo, who are the stars of popular Instagram account. Despite her handsome partner, perfect pets and dream job, Murin has been candid about the parts of her life that are less than ideal. What makes this Great White Way favorite truly admirable is her breezy honesty which tends to make others less alone. Murin stopped by Show People with Paul Wontorek to discuss her frankness on social media, the developing musical she and Donnell want to star in and much more.

S1E8 Love's Labour's Lost is a comedy full of buffoons, braggarts and would-be boffins. But why the non-traditional ending? What is a flap-dragon? And is it, as J.A. Herand called it, "exclusively a play on words"? (It does indeed contain the longest word in Shakespeare - say it three times fast: honorificabilitudinitatibus.) Music: "Not Drunk" by The Joy Drops

The Sam Wanamaker Playhouse in London is an intimate candle-lit theatre space ideally suited for Shakespeare productions. Their latest is Love's Labour's Lost, played largely as broad comedy... how does it handle the pathos? Polish film Cold War won the Best Director Palme d'Or this year. It's a love story set in Soviet era Poland and the obstacles which make reaching for hope and resolution sometimes seem impossible A new TV drama series co-production from BBCTV and Netflix looks at the international legal ramifications of war crimes committed during the Rwandan genocide. Black Earth Rising stars Harriet Walter and Michaela Coel as a mother and daughter with a personal involvement that leads to family conflict Pat Barker's latest novel The Silence Of The Girls is a retelling of the Trojan Wars from the point of view of the women. Surreal Science is a new exhibition at London's Whitechapel Gallery combining collected 19th century scientific teaching models and illustrations, with new works selected by Salvatore Arancio to explore and understand the mysteries of nature and existence through scientific enquiry. Tom Sutcliffe's guests are Helen Lewis, Susan Jeffreys and David Benedict. The producer is Oliver Jones.

Adam speaks to Jim Byrnes, the director of Young Artists Forever's upcoming production of "Love's Labour's Lost" which opens on August 17th at the Hillcrest Performing Arts Center in Thousand Oaks. Intro Music: Somethin' For Ya by Ménage Quad Outro Music: Warmin' Up by Ryan Andersen email: thankyou30pod@gmail.com facebook.com/thankyou30pod Instagram: thankyou30pod Twitter: thankyou30pod

JULIA NISH-LAPIDUS Julia is an actor, director, and producer, as well as a Co-Founder and Co-Artistic Director of Shakespeare BASH'd, where she has produced all of the company's productions. She has worked as the Managing Director of Common Boots Theatre and is now part of the team at The Theatre Centre. For Shakespeare BASH'd, Julia has directed The Comedy of Errors, and assistant directed The Changeling. She has also performed in many BASH'd productions, including The Taming of the Shrew, Romeo & Juliet, Macbeth, The Merry Wives of Windsor, Hamlet, Twelfth Night, and Volpone (staged reading).Selected Additional Credits: Talk to Me Like the Rain and Let Me Listen and This Property is Condemned (Director, The Playwright Project), Modern Love (Co-Creator, Next Stage), As You Like It (Text Coach, Theatre By the Bay), and as an actor OVER, See Bob Run (Theatre Caravel), reasons to the pretty (The Labute Cycle), The Forest (Red One Theatre Collective), Dublin Carol (Fly on the Wall).​ Julia is a member of the Advisory Board for the Canadian Stage GYM program and a graduate of the joint acting program at UofT and Sheridan College.JAMES WALLIS James has been a Shakespeare fan all his life, having performed with Resurgence Theatre Company as a teenager and again as a professional later in his career.After graduating from Ryerson Theatre School, James jumped right into the big bad world of commercial work and film & television acting. He has been seen in a number of national commercials, including spots for Boston Pizza, Honda, and Expedia. Also, he has appeared on The Jon Dore Show, XIII: The Series and in a number of feature films including: And Now A Word From Our Sponsors and The Movie Out Here.In 2010, James co-founded Shakespeare BASH’d with his wife, Julia. For the company, James has directed staged readings of Romeo and Juliet (2010), A Midsummer Night’s Dream (2011), Edward II (2015), and Volpone (2017), as well as the full productions of Romeo & Juliet, Love's Labour's Lost, Macbeth, The Merry Wives of Windsor, and Twelfth Night. He played Petruchio in the company's Best of Fringe winning production of The Taming of the Shrew in 2012 and the remount in 2015, and played Benedick in their sold-out production of Much Ado About Nothing in the 2013 Toronto Fringe. In addition, here are some of James’ selected theatre credits: A Midsummer Nights’ Dream, Shakespeare’s Magic, and The Taming of the Shrew (Theatre by the Bay), Danny, King of the Basement (Roseneath Theatre, US Tour), Sleeping Beauty (Sudbury Theatre Centre), Paradise by the River (Shadowpath Theatre).James just completed his second season at the Stratford Festival as part of the Michael Langham Workshop for Classical Directing. There he has assistant directed Macbeth, Bunny, and Romeo and Juliet.Shakespeare BASH'd presents Richard III by William ShakespeareFebruary 6-11, 2018 at the Monarch Tavern (12 Clinton St)Shakespeare's epic drama about a powerful villain manipulating his way to the crown is given a barroom staging by Shakespeare BASH'd. You don't want to miss this bare-bones, visceral, and all too relevant production.Tickets on sale now at www.shakespearebashd.com $20 online $25 at the door (pending availability)SHOWTIMES: Tuesday, February 6 - 7:30pm Wednesday, February 7 - 7:30pm Thursday, February 8 - 7:30pm Friday, February 9 - 7:30pm Saturday, February 10 - 2:00pm Saturday, February 10 - 7:30pm Sunday, February 11 - 2:00pmDirected by Julia Nish-LapidusFeaturing: Cosette Derome, Jade Douris, Jennifer Dzialoszynski, Suzette McCanny, Shalyn McFaul, Drew O’Hara, Trevor Pease, Catherine Rainville, James Wallis, Kelly Wong, Joseph ZitaAssociate Director: Megan Miles Stage Manager: Christopher Brackett Fight Director: Nate Bitton Movement Coach: Brad Cook Marketing Design: Kyle PurcellWebsite: www.shakespearebashd.com Facebook: https://www.facebook.com/ShakespeareBASHd/ Twitter: @ShakesBASHd Instagram: @ShakesBASHdStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

There was only so many Shakespeare Adaptations we could cover before we got to Kenneth Branagh, the Northern Irish actor and filmmaker who made some of the most iconic Shakespeare film adaptations! But for our first foray into his filmography, we're talking about one of his less popular efforts: Love's Labour's Lost! CONTACT THE SHOW: BrosBeforeShows@AOL.com Hosted by Robert Tiemstra (@The_Timestar) and Matthew Tiemstra (@ClockworkPlay)

The actors reflect on the challenges and rewards of performing in Mosquitoes, chaired by Miranda Sawyer. Colman is perhaps best known for her on-screen appearances, including That Mitchell and Webb Look, Peep Show, Broadchurch, Twenty Twelve, The Night Manager, and films including Hot Fuzz, The Iron Lady, and The Lobster. Williams' previous NT appearances include Waste, Happy Now?, Love's Labour's Lost, and Richard III, and films include Emma, The Sixth Sense, An Education, and The Ghost Writer.

Every Thursday, Midday theater critic J. Wynn Rousuck reviews one of this region's theater productions. Today, she reviews "Love's Labour's Lost" by the Baltimore Shakespeare Factory as a part of their Shakespeare in the Meadow productions. This comedy follows Ferdinand, King of Navarre, and his three companions' attempt to forswear the company of women for a three years. That plan does not go particularly well. Chris Cotterman directed this Shakespeare play and it runs on Fridays through Sundays until August 20. It takes place on The Meadow at Johns Hopkins Evergreen Museum and Library.

Elizabeth Dashiell & Trent Stephens with the Palm Beach Shakespeare Festival talk about this year's show, "Love's Labour's Lost" at the Seabreeze Amphitheater at Jupiter's Carlin Park.

Justin Levine is a NYC-based composer, writer, performer, music director, and arranger. His wide range of credits include serving as the music director for and performing in the Broadway musical Bloody Bloody Andrew Jackson and Love's Labour's Lost at the Delacorte Theater in Central Park. Listen in as Justin discusses growing up in a musical family on Long Island, his freshman year piano man gig, and some of the lessons he's learned in working closely with David Byrne. www.justinlevineonline.com

Good News Everyone!Baby Beard Media's James, Chris and Sean have too much fun with Zapp Brannigan impersonations. This is a review of Episode 4 - Love's Labours Lost In Space. We'll be going through them all. So shut up, take our podcast and like it. If you don't, then we'll send wave after wave of men your way.Got anything you want to say to us? Email babybeardmedia@gmail.comEven if it's just to say you have a crush on one of us. Don't worry, one of us is single. But we'll never say who.....

Next episode will be on ASP's Tempest, showing at the United Parish Church of Brookline. Get tickets now at http://www.actorsshakespeareproject.org/plays-events/the-tempest/.

Have the boy lay out your formal shorts! You're gonna need 'em for this rip-roarin' tale of romance and debauchery and steam pipes.Talking points include whether or not you think Bender or Zoidberg is the better character, proper pronunciation of champagne, velour everything, and super disgusting sounding ringtones your friend's wife is going to love.Ben grows more eyes. Mike falls in love with a lobster monster falling in love with an actual lobster.

Suzette McCanny is a theatre actor and a film director specializing in ensemble work. She is currently playing Blaire in We Three by Cue 6 Theatre at The Tarragon Theatre. She has played Josie in The Skriker at the Storefront Theatre by Red One Theatre. The Skriker was included in the Top Ten Indie Productions of 2014 by Toronto's Now Magazine. Other credits include Mistress Ford in Merry Wives of Windsor and Rosaline in Love's Labour's Lost for Shakespeare Bash'd and Isabelle in Norman Yeung's Theory directed by Joanne Williams.She played 'Stage Manager' in Play: The Film by Kelly McCormack which won the People's Choice Award at the Canadian Film Festival. Suzette directed her first short film, 99 . 7% (Official Selection of aGliff) in Nov 2013. She directed, edited and starred in a trio of short films that called Triptych Triptych Triptych including The Garfield Appreciation Club, Can't Close a Painted Eye and We Think it Belongs in the Sea; due to hit the 2016 festival circuit. Suzette works to change the way that women see themselves and their contribution to society by telling fresh stories.@suzettemccannywww.suzettemccanny.comWE THREE: http://cue6.ca/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

An improvised piano piece underscoring "Biron" from "Love's Labour's Lost" by William Shakespeare (IViii).

Emma Smith continues her Approaching Shakespeare series with a lecture on the play Love's Labour's Lost.

With Mark Lawson. Sir Kenneth Branagh returns to performing and directing Shakespeare, taking the title role in a new production of Macbeth at the Manchester International Festival. This follows a decade-long hiatus in his long relationship with Shakespeare - from his RSC years, through the Renaissance Theatre Company and films including Henry V, Hamlet and Love's Labours Lost. Dramatist Charlotte Keatley reviews. Monsters University is a prequel to Monsters, Inc, the 2001 film from the animation studio Pixar. The film sees Mike and Sulley (voiced by Billy Crystal and John Goodman) attend the classes of Dean Abigail Hardscrabble (Helen Mirren), to learn how to scare children. Mark Eccleston reviews. When the South London band The xx released their debut album in 2009, its quiet ambience gained critical acclaim, became the soundtrack for several TV programmes and won the Mercury Music Prize. Its follow up, Coexist, topped the UK charts. As they prepare for start of their Manchester International Festival residency, Romy Madley Croft and Oliver Sim of The xx discuss playing in a small secret venue. For Cultural Exchange, in which creative minds share a favourite art-work or design, Penelope Curtis, Director at Tate Britain, chooses buildings designed by Chamberlin, Powell and Bon at the University of Leeds. Created in the 1960s and 70s, and including the Grade II* listed Roger Stevens Building, the designs are seen as key examples of modernist architecture. Producer Nicki Paxman.

Our new episode is about some Shakespeare books.Kill All the Lawyers?: Shakespeare's Legal Appeal Narrow interest matter, but well written and some interesting sections Shakespeare: The Invention of the Human Full of opinions, some of them insightful, some of them outrageously unfounded. The book never actually explains what the "invention of the human" is, or how it happened. Shakespeare in Kabul A very good book about a story in Afghanistan that isn't about terror or war. Lots of good details about what went into this very unusual production of Love's Labours Lost. How Shakespeare Changed Everything Mostly wrong, occasionally interesting. Should have been titled What's the Minimum Word Count for a Book? or All this Shakespeare Research Must Be Worth Something!Our next scheduled episode will be about Hamlet, but we may have a surprise episode before then!

In this edition of Anomaly, Jen and Angela discuss "Love's Labours Lost in Space" from Futurama's first season. The hosts talk about their favorite moements in the episode, favorite quotes and recall uncomfortable situations where, in true Zapp fashion, men who thought they were "God's gift to women" turned everything they said into sexual innuendos. Good times... It's a casual, meandering chat that is lighthearted and fun...until their children crash the party at the end, causing a containment breach. Anomaly is more than a podcast, it's a conversation between friends. And, as a listener of said conversation, we consider you one of us! Please join our discussion by sending us your feedback via email to girlygeekz@gmail.com, Twitter (@AnomalyPodcast), Facebook or through our contact page. And if you really love us, leave us a review on iTunes or favorite our show on Stitcher Radio. Thanks so much for listening!