Podcasts about toronto fringe

This week on Stageworthy, host Phil Rickaby sits down with actor, writer, and theatre creator Scott Garland. A fixture in Toronto's theatre community, Scott is passionate about playwriting, dramaturgy, and fostering creative spaces. He was one of the curators of Sing for Your Supper, a monthly play reading series that gave playwrights a chance to hear their work performed. Scott is also a founding member of Silent Protagonist, a puppet theatre company that gained attention with Frankensteinesque at the Toronto Fringe. In this conversation, he shares insights on theatre school, the challenges of independent theatre, and the importance of building artistic community. This episode dives into: Scott's early theatre influences and what led him to pursue acting. His experience in multiple theatre schools and how training shaped his career. The evolution of Sing for Your Supper and its role in supporting new playwrights. Why Toronto's theatre community needs more development opportunities before production. His work with Silent Protagonist and the art of puppetry in theatre. His experience in voice acting, including People Watching. The emotional impact of the pandemic on artists and why we need bold, fearless creativity. Guest:

Welcome back to the 220th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 220th episode we bring you a Duet Review of MONKS, created and performed by Veronica Hortigüela and Annie Luján, presented by (and at) The Theatre Centre. Join Jillian Robinson and Ryan Borochovitz, as they discuss everything from donkeys to lentils, clowns to capitalism, and the radical potential of doing nothing. MONKS is playing at The Theatre Centre (1115 Queen St W, Toronto, ON) until March 2nd, 2025. Tickets can be purchased from the following link: https://theatrecentre.org/event/monks/ NOTE: The entire run has already sold out (wow!); however, there will an in-person waitlist at the venue one-hour before each performance.This review contains many SPOILERS for MONKS. It will begin with a general non-spoiler review until the [13:07] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Check out our original review of MONKS from its premiere at Toronto Fringe 2024: https://www.youtube.com/watch?v=BDKw_MDJLEY&t=3812s Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

Welcome back to the 203th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 203th episode we bring you Part 2 of our two-part Review Roundup covering all six shows in the 2024 Next Stage Theatre Festival (presented by Toronto Fringe). Join Jillian Robinson and Ryan Borochovitz as they reflect upon the remaining three pieces they attended, completely jettisoning their intended ten-minute allotment per show (not sorry!). In these reviews, they shine a light on the end of the world, unpack asexual dramaturgy, and have a long conversation about histories of Indigenous erasure. Catch up on Part 1: https://www.youtube.com/watch?v=jXjOdvbCriA The Next Stage Festival is currently running at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until November 27th, 2024. Information about the show line-up and tickets can be found at the following link: https://fringetoronto.com/next-stage/shows WARNING: This review roundup contains spoilers for all three shows being covered. TIMESTAMP NAVIGATOR: 0:00 – Intro 2:29 – This Feels Like the End 24:53 – Prude 44:31 – Civilized 1:02:03 – Interlude … which Ryan promises will be relevant 1:12:25 – (Now, back to) Civilized 1:28:47 – Sign Off Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 202nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 202nd episode we bring you Part 1 of our two-part Review Roundup covering all six shows in the 2024 Next Stage Theatre Festival (presented by Toronto Fringe). Join Mackenzie Horner, Jillian Robinson, and Ryan Borochovitz as they reflect upon the first three pieces they attended, struggle to adhere to their intended ten-minute allotment per show (oops!), and discuss everything from anti-Haitian xenophobia, to high school choirs, to duty of care. Stay tuned for Parts 2, coming soon! The Next Stage Festival is currently running at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until November 27th, 2024. Information about the show line-up and tickets can be found at the following link: https://fringetoronto.com/next-stage/shows WARNING: This review roundup contains spoilers for all three shows being covered. TIMESTAMP NAVIGATOR: 0:00:00 – Intro 0:02:25 – The Noose 0:14:00 – I Was Unbecoming Then 0:36:25 – Gemini 1:03:26 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 190th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 190th episode we bring you the final instalment of our very special multi part deep dive into Toronto Fringe 2024 Review Roundup. Join Mackenzie Horner, Jillian Robinson, and Ryan Borochovitz as they blitz through the remaining fifteen shows they saw at this year's festival, unpack all of their thoughts, and commemorate this moment in local theatre history for posterity! Catch up on Part 1: https://www.youtube.com/watch?v=Lj_wxsX1tGs&t=2241s And Part 2: https://www.youtube.com/watch?v=fFGOJTtVljI&t=654s TIMESTAMP NAVIGATOR: 00:00:00 – Intro 00:03:53 – Patty Picker 00:17:47 – Girls' Night Cabin Fever 00:30:43 – 86 Me: The Restaurant Play 00:45:21 – Sheila! The Musical 00:50:23 – Disarming Venus 00:59:04 – AbracadabraHaHa 01:09:30 – Colonial Circus 01:21:04 – Madame Winifred's Circus of Wonders 01:33:45 – Rosamund: A New Musical 01:50:59 – Toba Tek Singh 02:03:03 – Tape 02:15:27 – Rooted: A Musical Poem 02:22:37 – Desperate Measures 02:32:50 – Crosstown 02:46:44 – MONKS 02:59:18 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!]; see also, his Toronto Fringe reviews in Intermission Magazine: https://www.intermissionmagazine.ca/reviews/tofringe-2024/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 189th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 189th episode we bring you the second instalment of our very special multi part deep dive into Toronto Fringe 2024 Review Roundup. Join Mackenzie Horner and Ryan Borochovitz as they try to blitz through the next sixteen shows they saw at this year's festival, unpack all of their thoughts, and commemorate this moment in local theatre history for posterity! Catch up on Part 1: https://www.youtube.com/watch?v=Lj_wxsX1tGs&t=2241s Don't forget to stay tuned for Part 3, coming soon! TIMESTAMP NAVIGATOR: 00:00:00 – Intro 00:02:30 – Stiff & Sons 00:15:48 – Cabaret of Murder 00:28:53 – Rat Academy 00:37:42 – The Kid Was a Spy 00:53:28 – Gulp 01:05:33 – Dead Right 01:18:46 – Gringas 01:26:54 – Get a Clue 01:33:26 – Unfurnished 01:41:33 – Cancelled! 01:53:47 – Are You Lovin' It? 02:00:15 – Koli Kari 02:08:45 – Scenes from an Italian Restaurant 02:18:12 – Escape from Toronto 02:29:47 – Artificially Intelligent 02:38:15 – The Bluffs 02:49:18 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!]; see also, his Toronto Fringe reviews in Intermission Magazine: https://www.intermissionmagazine.ca/reviews/tofringe-2024/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 188th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 188th episode we bring you the first instalment of our very special multi part deep dive into Toronto Fringe 2024 Review Roundup. Join Jillian Robinson and Ryan Borochovitz as they try to blitz through the first nine shows they saw at this year's festival, unpack all of their thoughts, and commemorate this moment in local theatre history for posterity! Don't forget to stay tuned for Parts 2 and 3, coming soon! TIMESTAMP NAVIGATOR: 00:00:00 – Intro 00:02:58 – Boy Boy and the Magic Drum 00:14:56 – You, Hamlet 00:27:59 – Painting By Numbers 00:38:50 – Mind the Umbrellas 00:51:25 – Bus Stop 01:02:21 – Before We Go 01:13:28 – gutted 01:23:18 – The First Jew in Canada: A Trans Tale 01:37:21 – Crime After Crime (After Crime) 01:51:32 – Sign Off Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!]; see also, his Toronto Fringe reviews in Intermission Magazine: https://www.intermissionmagazine.ca/reviews/tofringe-2024/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

The Toronto Fringe Festival runs July 3-14 at locations throughout the city.   We'll be on site reviewing as much as we possibly can so be sure to check back at MyEntertainmentWorld.ca as well as @MyEntWorld on Instagram to read all our reviews as they're published.   In the meantime, we asked the artists to send […] The post Toronto Fringe Preview 2024 appeared first on My Entertainment World.

Jewelle Blackman is a Dora nominated Canadian actor, violinist, singer/songwriter and playwright.  Born and bred in Toronto, Jewelle has worked extensively in theatre, television and film across North America.  She was most recently seen on Broadway starring as “Persephone” in the Tony and Grammy winning Best Musical HADESTOWN.  The same show where she made her Broadway debut and was part of the OBC originating the role of “Contralto Fate”. While in New York Jewelle performed two sold-out Cabarets at the iconic 54 Below and was the anthem singer at Madison Square Gardens. Canadian credits include the Companies of HADESTOWN, WE WILL ROCK YOU; THE LION KING; CAROLINE OR CHANGE; DREAMGIRLS; CROWNS, and three seasons at The Stratford Festival. She was also the headliner for the Toronto Symphony's 2023 Canada Day Celebration. Jewelle's other show ROOTED: A Musical Poem is also debuting at the Toronto Fringe this year and will be presented Off-Broadway later this summer. Rooted: A Musical Poem "Rooted what does it mean to me? To be stuck in the ground like this tree." A contemporary fable for the ages, ROOTED begs the question what does it mean to be rooted and how does our idea of being rooted change as we grow? With R'n'B, soul, and soaring strings, this musical poem is brought to life in the heart of Central Park.

Jewelle Blackman is a Dora nominated Canadian actor, violinist, singer/songwriter and playwright.  Born and bred in Toronto, Jewelle has worked extensively in theatre, television and film across North America.  She was most recently seen on Broadway starring as “Persephone” in the Tony and Grammy winning Best Musical HADESTOWN.  The same show where she made her Broadway debut and was part of the OBC originating the role of “Contralto Fate”. While in New York Jewelle performed two sold-out Cabarets at the iconic 54 Below and was the anthem singer at Madison Square Gardens. Canadian credits include the Companies of HADESTOWN, WE WILL ROCK YOU; THE LION KING; CAROLINE OR CHANGE; DREAMGIRLS; CROWNS, and three seasons at The Stratford Festival. She was also the headliner for the Toronto Symphony's 2023 Canada Day Celebration. Jewelle's other show ROOTED: A Musical Poem is also debuting at the Toronto Fringe this year and will be presented Off-Broadway later this summer. BOY BOY AND THE MAGIC DRUM The annual Peace Parade has been cancelled and it's up to the self-doubting Boy Boy to save it. Will he figure out the mystery of the rainbow brew in time? This heart-warming, soca-inspired musical is the 2024 Adam's Prize winner, adapted from the children's book "Boy Boy and the Magic Drum" by Machel Montano. Celebrating the sounds of steel pan and the spirit of Trinidad and Tobago in a joyful, family friendly, new show.

Make sure you listened to the intro. Confrontation.  I started the conversation with the upper hand and ended up flapping around on the floor like a dieing fish.    The Break-Up Diet is a raw and sometimes humorous production about a hard hitting break-up. Written and performed by UK/Canadian alternative singer songwriter Tamara Williamson. (Mrs. Torrance, King Cobb Steelie and CROW) It was first adapted as an audiobook and then produced for the stage in 2018 where it won The Adams Award for best new script at Toronto Fringe. It then went on to receive 5 star reviews in NOW magazine and top Six Pick in Toronto Star.  The Break-Up Diet is said to be unlike any musical you have seen before, it has been likened to a live podcast with original hard hitting songs and stunning film mixed in. It may make you shed a tear or smile and shake your head but most of all it will take you on a journey that will keep  you enthralled until the last fire is lit. 

This is a podcast I made after writing a book. I sent the book to a friend and she said "You are the worst writer ever, but I couldn't put it down" So I made it into this Audiobook/podcast. Some people said they preferred listening to it than watching Netflicks... so I hope you do too. Since then it became a live show.. which won awards and played at Fringe.  My advice... don't go out with a songwriter. You may get your laundry aired.  Im probably not a good person but I'm working on it.  Experience the raw and sometimes humorous production of "The Break-Up Diet," a captivating exploration of a hard-hitting break-up. Written and performed by the talented UK/Canadian alternative singer-songwriter, Tamara Williamson (known for her work with Mrs. Torrance, King Cobb Steelie, and CROW), this production is an emotional rollercoaster. Originally created as an audiobook in 2016, "The Break-Up Diet" delves into the author's own life in alternating chapters. In 2018, it took to the stage and won The Adams Award for Best New Script at Toronto Fringe. Garnering glowing reviews, including 5-star recognition in NOW magazine and being named a top Six Pick in Toronto Star, this production offers a unique experience that defies categorization. Unlike any podcast or musical you've experienced before, "The Break-Up Diet" combines hard-hitting songs with an abundance of personal details. It has the power to make you shed a tear, smile, and shake your head, but above all, it will transport you on a captivating journey that will keep you enthralled until the last fire is lit. Prepare to be immersed in the unforgettable world of "The Break-Up Diet," where powerful storytelling and music collide to create an extraordinary performance.

Host Luisa Lyons chats with Sam Boer, co-founder of The Uncommon Folk Collective and one of the composers behind Ursa: A Folk Musical, a theatre-concert hybrid that received its world premier in 2022 as part of the Toronto Fringe NextStage Festival. In this episode, learn about learn about the Uncommon Folk Collective, and delve into the process of developing Ursa: A Folk Musical. Hear about the daunting process of filming the musical for the Toronto Fringe NextStage Festival, and the importance of funding and recording new musicals. Sam Boer is a musician, writer, and theatre practitioner. He and Jake Schindler co-founded The Uncommon Folk Collective: a group dedicated to crafting music-forward theatre experiences. Their first original show, Ursa: A Folk Musical, was praised by The Guardian as a "winning, foot-tapping account of grizzly adolescence" and has been presented through the Toronto Fringe's NextStage Festival, the Stratford Festival's online streaming platform, the Kingston Grand Theatre, and Tweed & Company Theatre. Sam also records off-kilter folk music under the name Samson Wrote. His debut album Pigeon (2019), garnered a Canadian Folk Music Award nomination and led to tours across Canada and Europe.SHOW LINKSThe Uncommon Folk Collective: https://uncommonfolkcollective.com/InstagramUrsa: A Folk MusicalTrailerLive Performance clipsSamson Wrotehttps://samsonwrote.bandcamp.com/album/pigeonInstagramSupport the showFilmed Live Musicals is where musicals come home. Use the searchable database to find musicals filmed on stage to watch from the comfort of your living room! Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook, Instagram, Twitter, and YouTube. You can also support the site at Patreon. Patrons get early access to the podcast and site content, no matter how much you pledge. Become a Patron today!Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.

Welcome back to the 142nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 142nd episode we bring you the second half of our very special two-part Toronto Fringe 2023 Review Roundup. Join host Mackenzie Horner and Ryan Borochovitz, as they blitz through another fifteen shows, unpack all of their thoughts, and commemorate this moment in local theatre history for posterity! TIMESTAMP NAVIGATOR: 0:00 – Intro 4:22 – Dead End 12:06 – Fatal Charade 18:58 – All that Remains 26:14 – Curious K Explores the Paleozoic 32:07 – Exorcist: An Operetta 39:58 – Amor De Cosmos 45:24 – Pyramid 51:04 – Things We Lost in the Fire 58:02 – June 1:05:11 – Mail Ordered (Major SPOILERS begin at 1:06:48) 1:17:16 – Emo Majok: African Aussie 1:21:22 – Third Wheel 1:29:52 – i carry your heart with me 1:38:14 – Back to the Bar 1:44:50 – Killing Time: A Game Show Musical 1:55:46 – Sign off Catch up with PART 1: https://www.youtube.com/watch?v=DZxffV4X_Nw Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

SummerWorks Performance Festival is a curated festival of theatre, dance, music, live art and interdisciplinary forms, widely recognized as one of the most important platforms for launching new work in Canada.  summerworks.ca Twitter: @SummerWorksTO Instagram: @summerworksto Michael Caldwell (he/him) is a choreographer, performer, curator, artistic director, producer, and arts advocate, based in Tkaronto, Canada. 
 Garnering critical acclaim, his choreography has been commissioned/presented throughout Canada at major festivals, in traditional venues and in site-responsive and community-engaged contexts. Michael's most recent choreographic work responds to the 'site' in as many ways as can be conceived, and subverts traditional modes of viewing. He recently premiered ‘Two x 30' - a large-scale performance/sound work as part of ArtworxTO: Toronto's Year of Public Art, and is currently working on two collaborative multidisciplinary performance projects. Caldwell is a two-time K.M. Hunter Charitable Foundation Artist Award finalist. 
 Michael has performed/collaborated with over 55 of Canada's esteemed performance creators/companies, working internationally and performing across North America, Europe, Asia, and Australia. His performances have earned him two (2) Dora Mavor Moore Awards for outstanding performance in dance. 

 Currently, Michael serves as Artistic Director at SummerWorks in Tkaronto, and as Programming Advisor for Festival of Dance Annapolis Royal, in Nova Scotia. Most recently, as Creative Director: Programming at Generator, he led the reimagination of the overall governance structure of the organization, moving towards a co-leadership framework. Previously, Michael played a pivotal role in the growth and development of Fall for Dance North, serving as Executive Producer for eight years. He has also previously guided projects with CanAsian Dance, Dusk Dances, Older & Reckless, and Kaeja d'Dance's ‘Porch View Dances'. In addition, he acts as a consultant with various arts organizations and as a mentor to many emerging artists/curators in the Tkaronto arts community.

 With a bachelor's degree in film/art history from Syracuse University in upstate New York, and professional dance training at The School of Toronto Dance Theatre, Michael now serves as President of the Board of Directors at The CanDance Network Instagram: @mahkemahke Born and raised in Tkaronto, Morgan Norwich (she/her) is an arts administrator, creator and producer, who brings to SummerWorks over ten years of experience in non-profit theatre, with a specific focus on performing arts festivals and partnership building. For four years, Norwich served as Operations & Partnerships Coordinator at Theatre Alberta, where she managed membership data and ongoing partnerships. During this time, she also participated in a multi-phase adaptive change and capacity-building program led by EmcArts in the U.S. to help address complex challenges and transform their practices. In addition to her most recent role as Development Manager at Toronto Fringe, Morgan has worked with The Rhubarb Festival and SummerWorks in a variety of roles over the years. For ten years, she and playwright Johnnie Walker created and produced new works as Nobody's Business Theatre. Their most notable project, Redheaded Stepchild, appeared at SummerWorks Festival in 2010. Written and performed by Johnnie and directed by Morgan, the show toured festivals across North America, and was published in 2016 by Playwrights Canada Press. Morgan continues to perform as a founding member of BoylesqueTO, Canada's premiere “Boylesque” troupe, where she emcees under the stage name Balonia Wry. Instagram: @morgannorwich Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Welcome back to the 141st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 141st episode we bring you the first half of our very special two-part Toronto Fringe 2023 Review Roundup. Join host Mackenzie Horner, as he prompts Ryan Borochovitz to blitz through the first fifteen shows he saw at this year's festival, unpack all of his thoughts, and commemorate this moment in local theatre history for posterity! Don't forget to tune in next week for Part 2! TIMESTAMP NAVIGATOR: 0:00 – Intro 9:32 – Insert Clown Here 17:28 – Blake & Clay's Gay Agenda 23:56 – Good Old Days 30:50 – Dancer 38:14 – Corporate Finch 43:30 – The End of Everything 49:21 – Frankenstein(esque) 54:44 – Something Fishy 57:26 – One Card Left 1:03:25 – Jackes & Jills 1:08:22 – Featherhead 1:13:38 – Retrograde 1:20:05 – The Bad Mitzvah 1:24:46 – The Will of a Woman 1:30:59 – La Voix Humaine 1:41:53 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

The Élan Collective is a tenacious band of newly-minted theatre artists figuring out how to make art in a post-pandemic world, where the wobbly uncertainties of isolation and virtual distancing now have direct impact on their identities as artists in a live-performance medium. The collective lives to create theatre with momentum. Art that drives change and affects hearts and minds. Élan is the going, launch, setting in motion, or momentum. It's that moment when you finally DO launch yourself off the dock and into the cold lake. Jeannette Lambermont-Morey has directed for theatres across Canada and the United States, from the Stratford Festival (8 seasons), to the Virginia Stage Company (twice); including such theatres as The Citadel (Edmonton), The Great Canadian Theatre Company (Ottawa), Atlantic Theatre Festival (Nova Scotia), Manitoba Theatre Centre (Winnipeg), Festival Players (Prince Edward County), Theatre Aquarius (Hamilton), the Thousand Islands Playhouse (Gananoque), Talk is Free Theatre and Theatre by the Bay (Barrie), Theatre on the Ridge (Port Perry), the New World Theatre Project/Perchance Theatre (St. John's, NFLD), YES Theatre (Sudbury); and Toronto area theatres, Factory Theatre, Canadian Stage, Harbourfront Centre, The Guild Festival Theatre, and The Toronto International Fringe Festival, etc. She has worked extensively in college and university theatre programs as a director and instructor. Jeannette was Artistic Director of the New World Theatre Project in Newfoundland 2012/13 and served as Executive Director of the Shakespeare Globe Centre of Canada from 1999 to 2015. As a director/dramaturge, Jeannette has developed a number of works by up-and-coming Canadian and American writers in various stages of development -- most recently The Beloved by Wesley Colford, at the Highland Arts Theatre in Cape Breton. Jeannette is currently Artistic & Managing Director of Xchange Theatre Works in St. John's, NL. Michael Manning is a Toronto based actor, director, choreographer, and writer who is incredibly excited to debut his first play in the Toronto Fringe! He is currently studying Theatre Performance at the George Brown Theatre School located out of the Young Centre for the Performing Arts and will be returning in September for his third year. Prior to George Brown, Michael attended the University of Toronto and contributed to multiple award-winning student productions. Misha Sharivker is a Toronto-based actor and producer who is currently training at the renowned George Brown Theatre School. At any given moment, Misha can be found scrolling through an extremely niche TikTok feed or complaining that he's hungry. Instagram: @the.elan.collective Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Welcome back to the 140th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 140th episode we bring you newest episode of our latest branch of The Cup called “The Cup: Editorial.” This time we explore the representation of Jewish characters in theatrical performance, and how this particular religious/cultural/ethnic identity fits into ongoing conversations about #RepresentationMatters. Join host Ryan Borochovitz, as he and special guest Max Ackerman discuss everything from Merchant of Venice to Fiddler on the Roof, from Leo Frank to Anne Frank, and impassionedly share their differing views on the question: Must Shylock Be a Jew? CONTENT WARNING: Please be advised that this conversation contains references to anti-Semitism, racism, and other forms of identity-based prejudice and discrimination. Follow our panelists: Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Max Ackerman – Instagram: @mackerman12 // @dandeliontheatreto // https://www.dandeliontheatreto.com/ Check out The Bad Mitzvah (produced by Max) at Toronto Fringe: https://fringetoronto.com/fringe/show/bad-mitzvah Check out DEATH: A Love Story (written and directed by Max) at Hamilton Fringe: https://hftco.ca/events/death-a-love-story/ Follow us on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

The cast and choreographer of Unfurl enter a roundtable conversation with Bri to dig deeper into the artistic process and themes of the show. The new work will be premiering at the upcoming Toronto Fringe Festival show. Performances run July 5th, 8th, 9th, 11th, 12th, 14th, and 16th at the Alumnae Theatre. Buy tickets to Unfurl- linktr.ee/unfurl2023 Connect with Alli- linktr.ee/allicarry Connect with Marina on Instagram- @marinaaelyse Connect with Mio- linktr.ee/Mio_Sakamoto Connect with Reece: Instagram- @reececcaldwell Facebook- https://www.facebook.com/reece.caldwell.9 Connect with Simon: Instagram- @simonmazziotti Facebook- https://www.facebook.com/simon.mazziotti.9 YouTube- https://www.youtube.com/@simonmazziotti6884 --- Send in a voice message: https://podcasters.spotify.com/pod/show/bri-clarke/message

The Toronto Fringe Festival runs July 5-16 at locations throughout the city.   We'll be on site reviewing as much as we possibly can so be sure to bookmark our Fringe Homepage to read all our reviews as they're published.   In the meantime, we asked the artists to send us their best show pitch for […] The post Toronto Fringe Preview appeared first on My Entertainment World.

Kylie Thompson (she/her) is a multi-disciplinary performer, creator and educator residing in Toronto, Ontario. She considers herself an ally to the BIPOC and LGBTQ2S+ communities and is committed to ongoing education, conversation and action towards equality and de-colonization of Western Dance practices. She holds an honours degree in Kinesiology from McMaster University, and has trained in classical, contemporary and street dance styles and has also developed a practice in photography. After having served on the Canadian Alliance of Dance Artists-East board of Directors for 5 years, she is passionate about arts advocacy and independent production. She has produced numerous works both in the theatre and on the screen; some of which include “Versus”, “33/33”, “Oh, Yes” and "Femmillennial"; and she is honoured to have been part of such festivals as New Blue, Dance: Made in Canada, Toronto Fringe, Choreographer's Ball, and more. Her commercial credits include Barenaked Ladies, Kiesza, TIFF, Finger Eleven, Lionsgate Films and more. A passionate educator; her teaching practice has spanned various disciplines but is currently focused on release-based floor work; having trained with and drawn inspiration from Alias Dance Project, Vim Vigor Dance, Elke Schroeder and many other influential dance theatre companies. This year she will take her self-produced production "Femmillennial" on the road to Orlando and Vancouver Fringe Festivals. kyliethompsoncreative.com Twitter: @itskyliethomps1 Instagram: @kyliethompsoncreative Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Genevieve Adam is a graduate of the George Brown Theatre School in Toronto and holds an MFA from the East15 Acting School in the UK.Selected acting credits include Star Trek: Strange New Worlds (CBS), The Big Cigar (AppleTV), Mrs. America (FX), The Handmaid's Tale (Hulu), Stag&Doe (Capitol Theatre), Romeo and Juliet (Theatre By the Bay), Annabel (BBC4), Measure for Measure (Thought for Food) and Recall (Toronto Fringe) - for which she was nominated as Outstanding Actress in the 2017 MyEntWorld Critics' Pick Awards. Her first play Deceitful Above All Things premiered at SummerWorks in 2015 and won several accolades including Outstanding New Play, Outstanding Production, and Best Emerging Artist. It was remounted at the Factory in association with The Storefront Theatre in February 2017.Subsequent plays include Bedsport (Newmarket National Play Festival), New World (Future Theatre Festival), Anatomy of A Dancer (Next Stage 2019), The Boat Show (Lost Souls' Collective), and If The Shoe Fits, which won second place in the Toronto Fringe 2019 New Writing Contest.Her most recent play Dark Heart was named one of the top theatrical productions of 2018 by the Toronto Star.Genevieve is part of the 2023 Creator's Units at the Capitol Theatre in Port Hope and the Guild Festival Theatre in Toronto.She is also the poet behind the whimsical #haikusofthepandemic series. www.genevieveadam.com Twitter: @FavourZeeBrave Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Rob Kempson is a theatre artist and educator, working primarily as a director and playwright, and the Artistic Director of the Capitol Theatre in Port Hope. Selected Writer/Director: Trigonometry (timeshare/Factory); Mockingbird (Next Stage Theatre Festival); SHANNON 10:40 (timeshare/Videofag); explicit (Rhubarb Festival); #legacy (Harbourfront Centre); The HV Project (Community). Selected Director: Box 4901 (timeshare/Buddies), The Places We Are (Theatre Erindale), The Snow Queen (Canadian Children's Opera Company), Electric Messiah (Soundstreams), The Little Mermaid (St. Lawrence College), 9 to 5: The Musical (Randolph College), The Ballad of Stompin' Tom (Sudbury Theatre Centre), Box 4901 (SummerWorks, foldA Festival); The Canadian, Maggie and Pierre, Million Dollar Quartet, Daisy Amazed Me, Violet's the Pilot, Rose's Clothes (Thousand Islands Playhouse); Robert (co-directed with Briana Brown, Toronto Fringe); Songs for a New World (Claude Watson). Writer/Composer/Performer: The Way Back To Thursday (Theatre Passe Muraille/Touchstone Theatre – Dora Nomination: Outstanding New Musical). Rob has been a member of the Stratford Festival Playwrights' Retreat, a Resident Artist Educator at Young People's Theatre, and the RBC Intern Director for The Musical Stage Co. He is the past Artistic Producer of the Paprika Festival, the past Associate Artistic Producer at Theatre Passe Muraille, and the past Associate Artistic Director at the Thousand Islands Playhouse. Rob is also the Co-Artistic Director of ARC, a Toronto-based company. www.robkempson.com Twitter: @rob_kempson Instagram: @rob_kempson Tickets to ARC's Martyr: https://www.nativeearth.ca/shows/martyr/ Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Welcome back to the 101st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 101st episode we have a new artist interview. This particular conversation was hosted by our Co-Artistic Producer Ryan Borochovitz and the artist who took on the hot seat was Jade Walker, playwright and director of Bruno & Hogginfritz, which is hot off its Toronto Fringe premiere and will soon to be continuing its run at Vancouver Fringe. Ryan and Jade talk all about this sublime new piece, the value of a good high school drama teacher, and making absurd art in an absurd world. Bruno & Hogginfritz is playing at The NEST (1398 Cartwright St, Vancouver, BC) as part of the Vancouver Fringe Festival, from September 10th to 18th, 2022! Tickets can be purchased from the following link: https://www.vancouverfringe.com/festival/bruno-hogginfritz/ Follow Jade – Instagram: @jadeangelmindfreak // Personal Website: https://jadedaniellewalker.wixsite.com/website Follow the show – Instagram: @brunoandhogginfritz --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 98th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 98th episode we have a new artist interview. This particular conversation was hosted by our Co-Artistic Producer Ryan Borochovitz and the artists who took on the hot seat were Zaynna Khalife, Jessica Harb, and Zachary Barmania who werehot off the Toronto Fringe premiere of their play, Wanda, written by Ethan Ryckman. Enjoy as these members of WandaCorp dive deep into this brilliant new piece, discussing romcoms without villains, the merits of the Bechdel Test, and the unbearable sadness of being Lord Farquaad. Follow our panelists: Follow WANDA – Official Hashtag: #ProbablyWanda Follow Zaynna – Instagram/TikTok: @zaynnak // Facebook: Zaynna Khalife Follow Jessica – Instagram: @jessicaharb Follow Zachary – Youtube/Soundcloud: Upstairs Neighbour Media --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

This week's guest is theatre & cabaret performer, astronomy enthusiast, and 2022 Neil Munro Directing Intern at the Shaw Festival, Ryan G. Hinds. A Toronto-based theatre artist and cabaret performer, Ryan has performed #KanderAndEbb at the Stratford Festival (with digital appearances from John Kander and Chita Rivera); We Will Rock You for Magnus Theatre; Starry Notions for Toronto Fringe; Hedwig in Hedwig & the Angry Inch at the Capitol Theatre; and Piragua Guy in In The Heights for We Are Here. An Artist-in-Residence at Buddies in Bad Times from 2014 to 2016, Ryan is also an Associate Artist at lemonTree Creations, where the work has included Lydie-Anne in Lilies; Or, The Revival of a Romantic Drama; the development, premiere, remount and national tour of dance-theatre hybrid MSM [men seeking men]; and the world premiere of Private Eyes (in association with the Lieutenant Governor of Ontario). Currently one of the two 2022 Neil Munro Directing Interns at the Shaw Festival and Assistant Director for Damn Yankees, The Importance of Being Earnest, and Gem of the Ocean, Ryan's work as a director includes Miss Bennet: Christmas at Pemberley for Theatre New Brunswick; 25th Annual Putnam County Spelling Bee for Vanier College Productions at York University; Cock-Tales with Maria for Tapestry Opera; MacArthur Park Suite: A Disco Ballet for Summerworks; and Little Pretty & the Exceptional for Factory Theatre (asst to Brendan Healy). An alumnus of Randolph Academy's Triple Threat program, Ryan is a graduate of Generator's Artistic Producer Training program, a member of the 2019 co-hort of Director's Lab North, the 2017 Factory Theatre “Factory Foremen” intensive program, and the 2016 Obsidian Theatre Mentor/Apprentice Program. Ryan is proudly serving a second term on the national council of Canadian Actors' Equity Association, and has shared stages and screens with artists such as Taylor Mac, Todrick Hall, Liza Minnelli, Billy Stritch, Debbie Reynolds and more. ryanghinds.com Twitter: @ryanghinds Instagram: @ryanghinds Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Imagine: What would it be like if you had to go out and forage for food every day? Who would you be in the story? Mason, Cindy Rosemarie, Matagot, or someone else? Today's story was reimagined by Stephen LaFrenie from the folktale 'Belling the Cat' and performed by Marcel Dragonieri. About Today's Storyteller: Marcel Dragonieri is a writer, performer and arts educator. He is the co-founder of Zanni Arte, a theatre company dedicated to teaching mask performance/mask making to both actors and non-actors alike. He has performed and designed programming for numerous schools and companies including SummerWorks, Toronto Fringe, The National Theatre School, Metaphysical Theatre, Goderich Little Theatre, TDSB Arts Co-op and Mirvish Productions. You can catch him in the kitchen munching on a bag of potato chips (ketchup is his favourite). Make a mask... As an arts educator, Marcel teaches mask-making workshops with his dad Teodoro through their theatre company Zanni Arte. You can find their company on social media here. If you would like to make a mask at home check out Zanni Arte's "Make a Face" Challenge PDF with step-by-step instructions and watch their tutorial videos on Youtube. Perhaps you could continue the adventures of Cindy Rosemarie and her family or create mask characters and perform stories for family and friends! Catch the latest! Subscribe to our newsletter at catchmeinthekitchen.com to get the latest stories, songs, and activities. If you have a minute, drop us a note - we would love to hear from you! Our first audiobook, ‘Pigs, Princesses, and One Tough Turtle', along with a paperback copy, is available through our website. Les mots sont délicieux! Words are delicious. French/English from today's snack: Une cuisine: a kitchen La fenêtre: the window La table: the table Sous la table: under the table Écoutez: listen Écoutez tout le monde! Listen everyone! Écoutez-moi. Listen to me. Courir: to run La chaise: the chair La porte: the door Où est le fromage? Where is the cheese? Pas de fromage: no cheese Tout ce fromage: all this cheese Un chat: a cat Une souris: a mouse Tout les souris: all the mice Cette petite souris: this little mouse Mère: mother Père: father Mon cadeau: my present Excusez-moi! Excuse me! Une cloche: a bell Merci beaucoup! Merci à Stephen LaFrenie et Marcel Dragonieri for 'Who Will Put the Bell on the Cat?' / 'Qui va mettre la cloche sur le chat?' Thanks to Bearkin for the illustration of Matagot the cat. This Audio Snack was performed by Marcel Dragonieri, Professor Pineapple, and Bearkin. Episode mixed by Tim Freeman. Creative and production support by Ginette Mohr. Episode music composed and performed by Tim Freeman and Red Velvet Revolution. 'Ukulele Trip' by Oleksii Kaplunskyi. See you soon! A bientôt! Support Catch Me in the Kitchen Audio Snacks: an English-French stories podcast for kids by contributing to their tip jar: https://tips.pinecast.com/jar/catch-me-in-the-kitchen-audio-

Welcome back to the 97th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 97th episode we have a very special episode commemorating Toronto Fringe 2022, by discussing every show that we saw during the festival. Join Mackenzie, Jill, and Ryan, as they blitz through a curated selection of twenty-three different shows, unpack all of their thoughts, and document this moment in theatre history for posterity! TIMESTAMP NAVIGATOR: 00:00– Intro 04:06 – Wanda 11:17 – Get a Dog 15:14 – The Boy Who Cried 20:09 – Phantasmagoria 24:38 – Too Much Information Improvised 33:37 – Six Chick Flicks 38:24 – Buckets Full of Blood 43:36 – Jay & Shilo: Nightmare Neighbours 48:07 – The Questing Beast 50:56 – The Prince's Big Adventurer 56:59 – Garden of Alla 01:01:39 – Joan and Olivia: A Hollywood Ghost Story 01:06:37 – Gay for Pay with Blake & Clay 01:10:11 – The Crack of Doom! 01:18:05 – The Walk in the Snow 01:26:21 – The Chess Player 01:32:16 – Iphigenia in Splott 01:40:11 – Billy & the Dreamerz 01:45:33 – Dreams 01:50:48 – 9428 01:57:05 – John Who 02:06:05 – The Sorauren Book Club 02:11:19 – Dead Broke 02:23:36 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Steven Elliott Jackson is an award-winning playwright originally from Minto Manitoba and now living in Kitchener, Ontario. In 2017, he won Best New Play at the Toronto Fringe for “The Seat Next To The King” and it was produced in Canada and the United States subsequently. It was published by Scirocco Drama. In 2020, he won Best New Play for “Three Ordinary Men” at the Hamilton Fringe and it will be produced in June 2022 by Cahoots Theatre in Toronto. In 2022, he will be premiering TOM as well as The Garden Of Alla and The Prince's Big Adventurer at the Toronto Fringe. www.stevenelliottjackson.ca Twitter: @MinmarGaslight Instagram: @minmar_gaslight Neta J. Rose is a proud Ashkenazi Jewish queer non-binary actor based in Toronto/Tkaronto. They are a founding member of Create! Youth Theatre, in Scotland, now entering its 13th year. Neta's stage credits include: Henry G20 (Luminato),The Omnibus Bill (TACTICS), The Bonds of Interest (Odyssey), The Penelopiad (Hart House), Midsummer Night's Dream and Twelfth Night (Foxtail - UK), Heart of a Dog (Nowadays Theatre/Next Stage), and 1184 (Phoenix Arts/Aga Khan). They are also a poet and essayist whose writing has recently been published in Salty Magazine and in the Pandemic Poetry chapbook by Buddies in Bad Times. Instagram: @neta.j.rose The Garden of Alla LA, 1921. "Alla Nazimova" (née Marem-Ides Leventon), prolific film pioneer, broadway darling and proud bisexual invites company to her home, "The Garden of Alla", enticing them with her plans to make Oscar Wilde's highly controversial "Salome" into a dazzling, big-budget film. Recruiting her "husband," Charles Bryant to direct, and lover, Natacha Rambova for the opulent costume/set designs, the landmark movie will get made amidst the the trio's romances and trysts - but at what cost, as religious lobbyist William B. Hays concocts a strict code of ethics that Hollywood studios must obey, threatening freedom of creative expression and true art? Tickets: fringetoronto.com/fringe/show/garden-alla Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Bri and NEAR&FAR Projects' Tavia Christina talk about the process of co-producing and creating their contemporary dance show “Phantasmagoria”, premiering at the Toronto Fringe Festival. Performances run July 7th, 9th, 11th and 12th at the Al Green Theatre. Buy tickets starting at $12: https://fringetoronto.com/fringe/show/phantasmagoria Follow NEAR&FAR Projects: @nearfarprojects Follow Tavia: @tavschristina Phantasmagorical Research: https://www.cannabisculture.com/content/2018/06/04/the-psychedelic-phantasmagoria-shows-of-the-18th-century/ https://www.goodreads.com/book/show/373514.The_Basic_Problems_of_Phenomenology Phantasmagorical Mood Boards: https://www.pinterest.ca/taviachristina/costumemakeup-for-show/ https://www.pinterest.ca/taviachristina/_/ Phantasmagorical Playlist: https://open.spotify.com/playlist/5sG1Dlh56JztLiftF5m6YF?si=f1059c87e9f54132 Thank you to our sponsors: https://www.heliconianclub.org/ https://communityone.ca/ BIG thank you to all our donors to the GoFundMe and to the Improv Jam Sessions!! Donate to Moose Hide Campaign: https://moosehidecampaign.ca/ --- Send in a voice message: https://anchor.fm/bri-clarke/message

Laura was born to tell stories. Whether as a dancer/aerialist with Tokyo Disney, a playwright and performer for the new Canadian musical, Every Silver Lining, or her solo show, Lesbihonest, premiering at Toronto Fringe 2022, a teacher at the Toronto District School Board, or as a comédienne in Footloose with Just for Laughs, Laura's unstoppable passion in life lies in telling people all sorts of eccentric stories, whether they want to hear them or not. Instagram: @lpiccinin Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

An introverted actors roundtable discussion featuring actor and playwright, Stephen Near; actor & Singer-Songwriter Carolyn Fe; writer, composer & and performer, Kristen Zaza; playwright & performer, Genevieve Adam; writer & actor Michael Ripley, and writer & theatre maker, Jess McAuley. Stephen Near is an actor & writer working in Hamilton. His plays have been performed across Canada at various theatres and festivals including the Ottawa Fringe, the Toronto Fringe, the Hamilton Fringe, New Ideas, and Summerworks. He is a graduate of York University (BFA), the Ontario Institute for Studies in Education (B. Ed) and the MFA Creative Writing program at the University of Guelph. He is a member of the Playwright's Guild of Canada, the Theatre Aquarius Creator's Junction and Playwright's Unit and an alumnus of the Sage Hill Writing Experience and the Banff Centre. Stephen is co-founder and playwright-in-residence of Same Boat Theatre in Hamilton. Stephen was named one of the inaugural Writers-in-Residence at Hamilton's Cotton Factory and is a staff writer for the Hamilton arts and culture blog Beyond James.   stephennear.com Twitter: @SNear23 Instagram: @stephenisnear   Carolyn Fe is a late-blooming Filipino-Canadian, tri-lingual Actress (English/French/Tagalog), Singer-Songwriter and former contemporary Dancer-Choreographer. Some Theatre credits include: Calpurnia (Nightwood/Sulong), Hilot Means Healer (Cahoots), Through the Bamboo (Uwi Collective) and Three Women of Swatow (Tarragon). At an age when her peers have long established themselves, Carolyn's continuous pursuit of artistic evolution adds a new instrument to her art as an Emerging Playwright and Writer supported by Montreal's Teesri Duniya Theatre's Fireworks Playwrights' Programme, The Toronto Arts Council, Ontario Arts Council, and, Toronto's Nightwood Theatre, Factory Theatre's Foundry Programme for Playwrights, Cahoots Theatre. Some TV/streaming credits include Lola (Grandma) in the Nickelodeon children's show “Blue's Clues & You!” and Madame Z in the award winning French webseries “Meilleur Avant” and the upcoming sketch comedy series "Abroad" on Omni Channel in Spring 2022. Carolyn-fe.com Twitter: @TheCarolynFe Instagram: @thecarolynfe Kristen Zaza is a writer, composer, and performer based in Toronto, Canada. She is currently producing the second season of her award-winning audio drama podcast, On a Dark, Cold Night. www.kristenzaza.com Twitter: @kristen_zaza Instagram: @kristen_zaza Genevieve Adam is a graduate of the George Brown Theatre School in Toronto and the East15 Acting School in the UK. Her first play Deceitful Above All Things premiered at SummerWorks in 2015 and won several accolades including Outstanding New Play, Outstanding Production, and Best Emerging Artist. It was remounted at the Factory in association with The Storefront Theatre in February 2017. Subsequent plays include Bedsport (Newmarket National Play Festival), New World (Future Theatre Festival), Anatomy of A Dancer (Next Stage 2019), The Boat Show (Lost Souls' Collective), and If The Shoe Fits, which won second place in the Toronto Fringe 2019 New Play Writing Contest.Her most recent play Dark Heart was named one of the top theatrical productions of 2018 by the Toronto Star. Genevieve is also the poet behind the whimsical #haikusoflockdown series on Twitter. Twitter: @FavourZeeBrave Michael Ripley, 54, was born in Alberta but has spent most of his adult life in Ontario. He currently lives in Whitby with his wife and two sons. When Michael isn't writing, performing or designing he spends inordinate amounts of time typing and immediately deleting long responses (which he never posts) to mean people on social media. He also eats far too many wine gums and watches not nearly enough basketball. www.talentedmr.ca Twitter: @TalentedMr Instagram: @talentedmr Jess McAuley is a Brock University graduate (theatre studies, honours) with a passion for devised theatre, writing, and pushing the bounds of adventure on stage. She is also one of the co-hosts of The Introvert's Guide To… Twitter: @mcauleyjes Instagram: @itsjessmcauley Support Stageworthy Patreon: patreon.com/stageworthypod Tip Jar: tips.pinecast.com/jar/stageworthy

EPISODE TIMELINE4:00- Christel's 7(ish)-minute story12:30- When was this story first told?13:30- Christel's process15:30- Twists & surprise17:00- Presence & re-living18:00- When the audience gets ahead19:00- Christel's entry into storytelling21:00- The storytelling community22:00- What might you change in this story?24:00- Pro tips25:00- Favorite tellers26:00- Christel's workChristel Bartelse is a Toronto based actor, storyteller, writer, creator and teacher, she got her start in comedy and improv with the physical comedy duo, The Burnt Marshmallows (Canadian Comedy Award Nominees).  She has also created and written six award winning solo shows  and has toured them all across Canada, the U.S. and the U.K.  Christel is Co-Producer and Co-Host of the Toronto storytelling show "But That's Another Story" and has told her stories on several personal story stages across the Toronto area as well as online during the pandemic. Recently she was awarded the 99 Second Story-Grand Slam Winner through GRIT Storytelling. She teaches numerous workshops in improv, physical comedy, and solo creation around the city and is a faculty member of Humber College, The Toronto Film School and George BrownCollege.   Follow her on instagram @cbartelseBut That's Another Story: http://butthatsanotherstory.ca/But That's Another Story- Digital Show Link, Toronto Fringe https://fringetoronto.com/digital-fringe/show/thats-another-story-festival-favouritesImprov for Storytellers: https://storytellingtoronto.org/courses/GRIT's Mental Health Happyish Hour (open mic)Support this podcast at — https://redcircle.com/grit/donations

joey o'dael is a Dora award-nominated trans nonbinary artist, performer, director, and comedian. A UWinnipeg/Randolph College alum, joey has cultivated a career focused on social equity, accessibility, and challenging oppressive paradigms. Raised in a remote Northern Manitoban community, they are deeply invested in bringing art and training opportunities to underserved communities across Turtle Island. In 2017, joey served as co-writer, dramaturg, producer, and performer for the award-winning, breakout hit ‘NASTY’ at the Toronto Fringe. They are a co-founder of both Maelstrom Art Collective; a collective dedicated to creating diverse protest pieces, and horror theatre company Aberrant Theatre. instagram: @ratkingcole.jpg tiktok: @ratkingcole twitter: @deathsparkle Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

Chelsea Haraburda Chelsea Haraburda (she/they) is a performer, producer, director, designer, and creator for stage and screen. Chelsea is proudly queer and passionate about featuring voices of socio-economic diversity, queerness, and their works seem to continuously feature their hometown, Hamilton ON. Over the past 6 years, Chelsea has performed as both a solo and collaborative artist at a number of festivals including Hamilton Fringe, Toronto Fringe, and FKN Make Film Festival. While studying a Bachelor of Arts in Theatre Studies, Chelsea produced their first solo show, entitled “For Eden” hosted by the Array Space and York University. Chelsea has gone on to produce and perform deeply personal and original interactive installations, such as “Full Disclosure: A Story for Eden” (2018) in association with mentorship programs such as The Junction/Theatre Aquarius and Crapshoot/Tarragon Theatre. This summer, Chelsea is returning to the Hamilton Fringe with a new play “Vagabond” in collaboration with Ryan Percival and ADD Productions where they will be featuring whimsical shadow art projections while exploring gender expression, and the idea of home. www.chelseaharaburda.com Twitter: @ChelseaHarabur1 Instagram: @chelseaharaburda Ryan Percival Ryan Percival is a Toronto-based creator who specializes in back projection shadow and stencil art, as well as site specific show creation. After graduating the York University Devised Theatre program, he jumped right into show creation and film work, directing 2 shows at the Toronto Fringe Festival, featuring a guerrilla marching band in a bar setting combined with solo storytelling, as well as it’s Hamilton Fringe Festival grandfather, The Teeny Tiny Music Show (R.I.P Baltimore House). Ryan also Stage managed Phil Rickaby’s solo prophecy The Commandment at The Toronto Fringe Festival, and served as Dramaturg for Glass Wall Theatre’s Hamilton Fringe Debut, For Eden, an intimate site specific installation piece about youth homelessness in Hamilton. Ryan and his company, Attention Deficit Drama, are delighted to be collaborating with Chelsea Haraburda and Glass Wall once again for our new show, Vagabond, premiering at this year’s Hamilton Fringe Festival Digital showcase. Ryan also loves cooking, bad movies, and adorable animal videos on Youtube. Instagram: @obi.ryan.kenobe Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

This is a fun and informative interview with Carolyn. She share's about how she became a professional medium ( she started focusing on mediumship at Lily Dale: Western New York's home for mediumship and spiritual healing since 1879), stories about her mentor Sadie and their extraordinary connection, Carolyn's popular YouTube videos including one titled ‘Do Spirit Watch Us In The Shower'!, teaching psychic development classes, her part in the Vice TV show Mister Tachyon: Do Humans Have a Sixth Sense and her unique one-woman play at the Toronto Fringe Theatre Festival; we also discuss her three books and complimentary meditation downloads on her website, and more.And we share some laughs too!Carolyn's Bio: carolynmolnar.com/bioCarolyn Molnar BooksYouTube ChannelMister TachyonReferences from the show:Lily Dale - Western New York's home for mediumship and spiritual healing since 1879Carolyn's YouTube Videos: Signs From The Spirit World, Do Spirit Watch Us In The Shower?, What Do Spirit's Do In The Afterlife?Toronto Fringe Festival: Inspired by the worldwide fringe movement, Toronto Fringe was founded by a cluster of local indie artists in 1989 to offer the “fringes” of the performing arts community a platform to create art at a grassroots level. It's theatre by the people, for the people.Medium 7: Evidence of the Afterlife and Predictions - Donna Smith-Moncrieffe Creator: Tania Berg   Advisor: Amanda Cupido   Music: Richard Feren   Editor: Cathy Ord

Lucy Eveleigh is the Executive Director of the Toronto Fringe Festival, and the President of the Canadian Association of Fringe Festivals. She has been the Managing Director of the Toronto Fringe, the General Manager for the SummerWorks Performance Festival, and the General Manager of the Pleasance Theatre in London, England.Twitter: @eveleigh_lucyToronto Fringe https://fringetoronto.com/ Twitter: @Toronto_Fringe

Recorded via live stream: April 7 2020.Michael Ross Albert Michael is the author of several plays including Miss (FringeNYC; Unit 102 Actors Company); The Farmers Lit the Fields on Fire (Edinburgh Fringe Festival); The Grass is Greenest at the Houston Astrodome (FringeNYC, published by Applause in Best American Short Plays 2014-2015); and Karenin’s Anna (Toronto Fringe Festival, “Outstanding New Play,” — NOW Magazine), as well as the 2018 Toronto Fringe hit, Anywhere and the 2019 Fringe hit The Huns, which was to travel to the Brighton Fringe, until that festival was postponed.http://michaelrossalbert.com/ Twitter: @michaelralbert Instagram: michaelralbertCass Van Wyck Cass is an actor and producer, one of the co-creators of the new works series, Open Open Open, and one of the forces behind Toronto’s Assembly Theatre. Cass was part of the cast of The Huns.Twitter: @classvanwyck Instagram: classvanwyckPlease consider supporting The Assembly Theatre. Due to the current mandated closure and the multiple cancellations of shows and events, The Assembly Theatre is taking a significant financial loss and is struggling to stay afloat. This is a very difficult time for all of us societally, and in the arts community, independent theatre is uniquely vulnerable. GoFundMe Link: https://www.gofundme.com/f/the-assembly-theatre-covid19-help

This episode of the Gateway was recorded live on January 18, 2020 at The Montreal Improv Theater in Montreal. The special guest was Montreal superstar, the incomparable Tranna Wintour. Tranna is a spiritual, pop-culture-obsessed, fashion-hungry, transgender comedian, singer, producer, writer and podcaster (Chosen Family). The subject was the first album that Tranna ever fell in love with, Alanis Morissette's "Jagged Little Pill." Howard and Tranna discuss the album in detail. They explore how and why this album appealed to a young Tranna. They also explore what Alanis later came to mean for an adult Tranna leading to her development of her show "DEAR ALANIS: A So-Called Musical Comedy" (next at the 2020 Toronto Fringe). Spotify Playlist of songs referenced or played on the episode: https://open.spotify.com/playlist/3luOrxGcKWaSQGmHOKXUkc?si=2s5Vy2vrSQuCHTGB2MkTug You can also access this podcast on Spotify, Stitcher and all other platforms that peddle podcasts. If you have an apple product you can access the show on iTunes/Apple Podcasts at: https://podcasts.apple.com/ca/podcast/gateway-music/id1456290890#episodeGuid=tag%3Asoundcloud%2C2010%3Atracks%2F762497515 Facebook: https://www.facebook.com/Gatewaymusicpodcast/

Mateo Lewis is a Toronto based actor, writer and composer. His musical, Boys Don’t Cry was performed at the 2019 Toronto Fringe.Twitter: @mateolewis Instagram: mateo.lewis

Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Theatre First Episode 254People Suck (Theatre Works, Melbourne Australia) Jerks, morons, flakes – let’s face it: PEOPLE SUCK. Winner of Best of Toronto Fringe and Patron’s Pick, this irreverent, hilarious and all-too-relatable musical comedy explores the many, many ways in which people are just the worst. Following rave reviews from its Australian Premiere at Melbourne’s Butterfly Club, this intimate musical remains a not-so-gentle reminder to be ever vigilant and learn to be better human beings, one day at a time…Written by award winning Canadian writing team Megan Phillips and Peter Cavell, People Suck has been introduced to Australia by Melbourne Company Salty Theatre, co-founded by Melbourne theatre, dance and cabaret veteran Sarah Louise Younger and Canadian theatre and screen vet Ashley Taylor. Together, this duo has taken on the ugly, outrageous and offensive thoughts and actions that human beings find themselves exploring daily. For more information visit http://www.theatreworks.org.au/program/people-suck/Theatre First RSS feed: https://feeds.megaphone.fm/ivetheatrereviews  Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia #theatreworks #peoplesuck Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Holly Wyder is an actor, producer, writer and comedian, living in Toronto. Her solo show, Drink of Choice was a hit of the 2019 Toronto Fringe.www.hollywyder.com Twitter: @hollyiswyder Instagram: hollyiswyderDrink of Choice Winner of the 2019 Toronto Fringe Patron’s Pick, Drink of Choice returns at Factory’s Studio Theatre. You play the Customer. The drink you choose will decide the Bartender’s story. A create-your-own-adventure semi autobiographical piece, Drink of Choice examines sexual identity, especially the often overlooked and misunderstood conceptions of being asexual.Twitter: @choicedrink Instagram: choicedrink Tickets: https://www.factorytheatre.ca/what-s-on/drink-of-choice/

Long-time friend of the show, songwriter and composer Frank Horvat brought in his musical writing partner Catherine Frid to explain all the steps it took to write and produce their Toronto Fringe hit Spend Your Kids Inheritance. Listen to the show:   What we talked about: This Is It_Frid Horvat New Waters_Frid Horvat …

The Fringe Circuit is one where you see familiar faces all the time – and in this case I was happy to meet up with Steven Finley, who I met while doing a show at the Toronto Fringe! He is stage managing a one man show here at Ed Fringe – McNaughton by Steven Gooch. Starring Jason Harvey and Directed by Christine Kimberley it tells the story of: “Daniel M'Naghten was a Scottish woodturner who assassinated English civil servant Edward Drummond while suffering from paranoid delusions. Through his trial and its aftermath, he has given his name to the legal test of criminal insanity in England and other common law jurisdictions known as the M'Naghten rules.” This show has such great thematic ties to Watching Glory Die – so it was great to talk to some artists from the UK and hear about their journey through Ed Fringe! 

The Citadel Theatre’s summer experiment, Ring of Fire: The Music of Johnny Cash, is up and running, and Andrew joined in to notice that the titular song wasn’t even written by Cash—among other things. Also, Paul gives a full report of his time as a performer at the Toronto Fringe. Bring the heat! I Don’t […]

The Citadel Theatre’s summer experiment, Ring of Fire: The Music of Johnny Cash, is up and running, and Andrew joined in to notice that the titular song wasn’t even written by Cash—among other things. Also, Paul gives a full report of his time as a performer at the Toronto Fringe. Bring the heat! I Don’t […]

The Second of Two Fringe 2019 Roundup episodes. On each of the Saturdays of the Fringe, we gather a group of performers together to talk about their shows, their Fringe experience so far, and what shows they've loved, and more.Monica OgdenMonica vs. The Internet: Tales of a Social Justice Warrior Instagram: socialjusticewarriorfringe Facebook: https://www.facebook.com/MonicavsTheInternetShow/ Twitter: @ragesweater Tickets: https://fringetoronto.com/fringe/show/monica-vs-internet-tales-social-justice-warriorShane AdamzackThe Ballad of Frank Allenweepingspoon.com Instagram: weepingspoon Facebook: https://facebook.com/weepingspoonproductions Twitter: @weepingspoon Tickets: https://fringetoronto.com/fringe/show/ballad-frank-allenCarlyn RhameyThe ADHD Projectwww.squirrelsuit.ca Instagram: TheADHDProject Facebook: https://facebook.com/SquirrelSuitProductions Twitter: @SquirrelSuitT Tickets: https://fringetoronto.com/fringe/show/adhd-projectMadeleine BrownNews Play Instagram: PrairieFirePlz Facebook: https://facebook.com/PrairieFirePlz Twitter: @PrairieFirePlz Tickets: https://fringetoronto.com/fringe/show/news-playRecorded 9:30AM, July 13, 2019

Sarah Joy BennettSarah Joy Bennett is an actor, writer and designer. She is a member of Keystone Theatre, which creates original works in the style of silent film, and with them has toured Canada with their shows The Last Man On Earth and Gold Fever.Other past projects as a co-creator include Theatre Sasa’s puppetry-based The Pressed Fairy Book, and Power Of Flight’s original musical The Ballad Of One-Eyed Jack. She has also performed with Classic Theatre Festival, Odyssey Theatre, Brookstone Theatre, and Metaphysical Theatre. As the burlesque performer Cherry Temple, she has been featured in international burlesque festivals, and at Le Tambour Royal Theatre, in Paris.Her writing work includes Postcards (CBC Radio, Out Front), and Trophy, a Summerworks Festival installation for which she was part of a team of writers and storytellers.Ginette MohrGinette is an award-winning performer, director and playwright. Her twenty-year career in the performing arts has galvanized her love for live experiences and direct contact with people. Driven by curiosity, she works to motivate a more conscious and compassionate community through the creation of imaginative, participatory theatre.She has created theatre with companies that include: The Stratford Shakespeare Festival, Neptune Theatre, Young People’s Theatre, Theatre New Brunswick, Drayton Entertainment, Theatre Direct, Theatre Aquarius, The Quickening Theatre, Keystone Theatre, and The Second City. Ginette recently directed and co-created Snack Music and Table Top Tales with SNAFU Dance Theatre.Night FeedAs an exhausted new mother nurses in the dark of yet another night, her apartment comes to life; possessions possessed with the demons of fear, self-doubt and anxiety, a chorus of objects and body parts. You know, standard parenting stuff.Fringe veterans-turned-mothers Sarah Joy Bennett and Ginette Mohr return to Toronto Fringe with CLUNK Puppet Lab, turning their brand of imaginative storytelling to tackle motherhood, injecting a healthy dose of the bizarre and surreal to make sense of “the most meaningful time of your life”.www.nightfeed.ca Instagram: nightfeedplay Twitter: @nightfeedplay Facebook: https://www.facebook.com/nightfeedplay Tickets: https://fringetoronto.com/fringe/show/night-feed

The First of Two Fringe 2019 Roundup episodes. On each of the Saturdays of the Fringe, we gather a group of performers together to talk about their shows, their Fringe experience so far, and what shows they've loved, and more.Kaho KodaDecaying Tongue website: https://www.humanburrito.com/ instagram: humanburritoproductions facebook: https://www.facebook.com/humanburritoproductions/ Tickets: https://fringetoronto.com/fringe/show/decaying-tongueMonica OgdenMonica vs. The Internet: Tales of a Social Justice Warrior Instagram: socialjusticewarriorfringe Facebook: https://www.facebook.com/MonicavsTheInternetShow/ Twitter: @ragesweater Tickets: https://fringetoronto.com/fringe/show/monica-vs-internet-tales-social-justice-warriorSarah Joy BennettNight Feed Instagram: nightfeedplay Facebook: https://facebook.com/nightfeedplay Twitter: @nightfeedplay Tickets: https://fringetoronto.com/fringe/show/night-feedShane AdamzackThe Ballad of Frank Allenweepingspoon.com Instagram: weepingspoon Facebook: https://facebook.com/weepingspoonproductions Twitter: @weepingspoon Tickets: https://fringetoronto.com/fringe/show/ballad-frank-allenCarlyn RhameyThe ADHD Projectwww.squirrelsuit.ca Instagram: TheADHDProject Facebook: https://facebook.com/SquirrelSuitProductions Twitter: @SquirrelSuitT Tickets: https://fringetoronto.com/fringe/show/adhd-projectRecorded 9:30am, July 6, 2019

Michael Ross Albert is the author of several plays including Miss (FringeNYC; Unit 102 Actors Company); The Farmers Lit the Fields on Fire (Edinburgh Fringe Festival); The Grass is Greenest at the Houston Astrodome (FringeNYC, published by Applause in Best American Short Plays 2014-2015); and Karenin’s Anna (Toronto Fringe Festival, “Outstanding New Play,” — NOW Magazine), as well as the 2018 Toronto Fringe hit, Anywhere.Along with the Storefront Theatre, Michael produced the sold-out world premiere production of his play Tough Jews in the heart of Toronto’s Kensington Market. The production was nominated for 6 Dora Mavor Moore Awards, including Outstanding New Play and Outstanding Production.His play Starfishes opened Off-Broadway at the Theatre at Dance New Amsterdam and is included in Best American Short Plays 2010-2011. It has since been performed across the United States and Canada.Michael received an MFA in Playwriting from the Actors Studio Drama School at Pace University. Michael is an associate member of the Dramatists Guild of America, and a member of the Playwrights Guild of Canada.The Huns The morning after a break-in at a tech company, three co-workers assemble for a conference call to discuss the burglary. What starts as a civilized, professional meeting swiftly devolves into a brutal showdown that puts everyone's careers-- and their hopes for future happiness-- in jeopardy.STREETCAR CROWSNEST: GULOIEN THEATRE 345 Carlaw Ave.Friday July 5, 9:30pm Saturday July 6, 6:15pm Sunday July 7, 8:30pm Tuesday July 9, 7:30pm Thursday July 11, 5:30pm Friday July 12, 10:15pm Sunday July 14, 4:00pmInstagram:OneFourOneCollectiveTwitter:@OneFourOneCoFacebook:https://www.facebook.com/onefourone/Tickets:https://fringetoronto.com/fringe/show/huns

Mark Brownell is a Toronto-based playwright and co-artistic director of the Pea Green Theatre Group with his wife, Sue Miner.He is the author of a number of plays, including Monsieur D'Eon is a Woman, which was nominated for a Governor General's Award. His libretto for the opera Iron Road won a Dora Mavor Moore Award and he was nominated for a Dora for his 2006 play, Medici Slot Machine.Three Men on a Bike From the company that brought you the award-winning Toronto Fringe smash hit Three Men in a Boat. Based upon the further writings of Victorian author Jerome K. Jerome. Pea Green Theatre Group proudly presents Three Men on a Bike! (Being the further adventures of three Victorian gentlemen as they embark upon a disastrous bicycling trip to the continent.) Not to be missed!Three Men on a Bike Tarragon Theatre Mainspace Thu 4th Jul 6:15 pm Sat 6th Jul 10:00 pm Mon 8th Jul 8:45 Wed 10th Jul 5:45 pm Sat 13th Jul 8:00 pm Sun 14th Jul 2:00 pmDirected By: Sue Miner Adapted for the Stage By: Mark Brownell Featuring: Matt Pilipiak, Victor Pokinko and David DiFrancesco Period Costumes By: Nina Okens Period Music By: J. Rigzin Tutepeagreentheatre.comTwitter:@Montmorency3MenTickets:https://fringetoronto.com/fringe/show/three-men-bike

Today’s show is brought to you by Meridian Credit Union - expecting more for your money, that’s wealth esteem! www.meridiancu.ca - Meridian Credit Union's Dilys D'Cruz on the difference between #saving and #investing and why you should consider both. Learn more: https://www.meridiancu.ca - Comedian Courtney Gilmour on her upcoming Toronto Fringe show "Congratulations!" that touches on the lowered expectations we have for people with disabilities. Tickets: https://fringetoronto.com/fringe/show/congratulations - Movie & TV reviews with film critic Anne Brodie - http://www.whatshesaidradio.com/what-she-said/snamjune202019/ - Singer/songwriter Mike Ruby performs debut single #Close in our LIVE #StudioSessions - http://www.mikeruby.com - Lifestyle Expert Lena Almeida talks #CanadaDay Celebrations in Mont Tremblant & the latest in #FamilyTravel - learn more: https://www.tremblant.ca/things-to-do/events/canada-day-weekend http://www.listentolena.com - Expecting visitors from another country? Personal finance expert Barry Choi joins us with tips on how to manage expectations & your wallet - http://www.moneywehave.com SUBSCRIBE to What She Said & never miss an interview! http://www.youtube.com/WhatSheSaidTalk Miss a show? Stream & download full shows for free on iTunes: http://www.apple.co/1U700c0 Follow us on Facebook/Twitter/Instagram: @WhatSheSaidTalk Website: http://www.whatshesaidtalk.com What She Said! aims to inspire and uplift women by giving them a voice in pursuing their professional and personal goals through showcasing successful women across Canada and by creating opportunities for others to do the same. Tune in Saturdays at Noon on 105.9 The Region or listen live: http://www.1059theregion.com

The Tita Collective, an all Filipina collective of multidisciplinary artists in Toronto, will present Tita Jokes as part of the 2019 Toronto Fringe FestivalJuly 3 - 14 at the Tarragon Theatre. They sing, they dance, and they’ll make you snort-laugh halo-halo through your nose!Tita Jokes is a musical sketch comedy spectacle to remember. The show revolves around the Filipinx people in their lives such as aunts, moms, daughters, and partners. Tita Jokes reveals their struggles and heartaches, but also how they cope through comedy and songs. Tita Collective are an all Filipina collective composed of award-winning playwrights, comedians, musicians, dancers, theatre makers and actors. They explore different mediums to tell the stories about the Filipinx diaspora. Directed Tricia Hagoriles, Tita Jokes is created and performed by Ann Paula Bautista, Belinda Corpuz, Isabel Kanaan, Ellie Posadas, Alia Rasul, and Maricris Rivera. The Music Director is Ayaka Kinugawa and Stage Manager is Justine Cargo.In addition to Toronto Fringe, Tita Collective will also appear at TAWA Festival May 27 and 28 at Bad Dog Theatre, Celebration of Filipino Heritage Month at Earl Bales Park on June 1, and Notorious’ Music Comedy Festival on June 14 - 15. Tita Collective will host a workshop called “Powered by Community” on May 23 at Artscape Daniels Launchpad.Tita Collective is Ann Paula Bautista (Disenchanted US Tour), Belinda Corpuz (Prairie Nurse), Isabel Kanaan (CBC’s Air Farce), Alia Rasul (Generally Hospital), and Maricris Rivera (A New World Being Born). Tita Collective won the 2019 Steamwhistle Producers’ Pick at the Toronto Sketch Comedy Festival and were named as part of “19 Asian Millennial Women You Should Know” by Cold Tea Collective. Twitter:@tita_collectiveInstagram:tita.collectiveFacebook:https://www.facebook.com/titacollectiveTickets:https://fringetoronto.com/fringe/show/tita-jokesTita Jokes July 3 - 14, 2019 at Toronto Fringe Tarragon Theatre, Mainspace 30 Bridgeman Avenue Thursday July 4, 8:30PM Saturday July 6, 4:45PM Sunday July 7, 1:15PM Tuesday July 9, 9:45PM Wednesday July 10, 8:00PM Friday July 12, 4:00PM Sunday July 14, 6:00PM

Pregnancy Pact is a pop-rock musical which tells the story of a group of teens who make a pact to become single mothers together. The 15-year-old Maddie is devoted to her three best friends and they are to her. So, when Brynn gets pregnant, the friends all plan to have children, raising them together and living a dream. Inspired by the 2008 news story of the Gloucester pregnancy pact that took the world by storm, Pregnancy Pact provides a unique chance to examine the intense journey this kind of decision creates. www.edgeproductions.ca Twitter: @3dgeproductions Instagram: the.edge.productions Tickets to Pregnancy Pact: https://www.edgeproductions.ca/store/c3/Toronto_Tickets.htmlgangwaytheatre.com Twitter: @gangwaytheatre Instagram: gangwaytheatrecoMiriam Goldstein Miriam is a theatre director and producer based in Windsor, On. She is the founding Artistic Director of The Edge Productions, now entering its ninth season. Miriam’s work as a director focuses on underrepresented human experiences. Miriam is a graduate of the Ward Acting Studio in New York, NY where she studied the Meisner Technique, she holds a certificate in Shakespeare in Performance and Contemporary Acting from the Royal Academy of Drama in London, UK, and a Bachelor of Art in Drama from the University of Windsor. Miriam’s most recent large scale project (as of summer, 2018) was an all-female production of Henry V by William Shakespeare which focused on deconstructing gender in performance and the construct of theatre itself, putting women in roles that have historically been barred from them. This performance toured Ontario and also performed, pro-bono, in Grand Valley Institute for Women. After Pregnancy Pact (May 2nd-19th), Miriam will be directing The Clockmaker by Stephen Massicotte and 4.48 Psychosis by Sarah Kane.www.miriamrgoldstein.com Instagram: mirigc87Blythe Haynes Blythe is a Toronto-based actor and Producer. She is the co-founder and Artistic Director of Gangway! Theatre Co. Blythe holds a BFA from the University of Alberta in Acting. Gangway! Theatre Co was co-founded with writer KT Bryski to explore female voices and develop Canadian content. Previous to the founding of Gangway! KT and Blythe jointly proposed and established the “History Actor” museum theatre program at Black Creek Pioneer Village. Their partnership culminated in the original podcast release of Six Stories Told at Night (written by KT Bryski, performed by Blythe Haynes and funded by the Ontario Arts Council), for which it won a PARSEC Award in 2017. Six Stories debuted as a theatrical production at the Toronto Fringe Festival 2018, and was short listed for the Best of Fringe. AfterPregnancy Pact (May 2nd-19th), you can see Blythe in An Atlas, A Necktie and Other Concerns at Toronto Fringe and in the next co-productions with The Edge Productions – The Clockmaker by Stephen Massicotte in 2019. Twitter: @haynesblythe

Improvisor/Actor Nigel Downer is joining the conversation on Cue To Cue! Nigel Energy and passion is off the charts! Anyone who comes into contact with Nigel will feel instantly feel his sense of warmth, curiosity, sense of humour and zest for life! Nigel leaves nothing on the table today and opens up about his joinery to improv, acting and how as an artist you need to trust and believe that everything is going to work out for your greatest good! In this episode:   What his Mantra in life is and how he uses it to propel himself forward as an artist Why we need to embrace that success is not linear What is one this he wishes his improv students would do in order to progress faster What is the number one piece of advice he would give to anyone starting improv how playing sports growing up has impacted him as an artist and how he applies the lessons he learned from being an athlete to his career as an artist   A little about Nigel: Nigel wrote and performed in four critically acclaimed mainstage revues at The Second City, including Dream Really Do Come True (and Other Lies) and The Meme’ing of Life. Nigel was assistant director to The Second City’s mainstage revue Come What Mayhem!, has directed Toronto Fringe favourites, Not Oasis Presents: Alone In This Together and A Kev n’ Cal Mystery, while also performing in the Fringe in Special Constables and Entrances and Exits. Select TV: Baroness von Sketch Show (CBC), Killjoys (Syfy), and Titans (Netflix); Select Web: The Amazing Gayl Pile, Body Buds (CBC Comedy), and My 90-Year-Old Roommate (CBC Comedy). Nigel is in numerous Canadian and U.S national commercials for brands like Avocados from Mexico, Tim Hortons, and Walmart. Nigel is an improviser, teacher, director, and host, performing in shows and festivals across North America and the UK. Follow Nigel! Instagram: @nigel_downer Twitter: @nigeldowner Links Mentioned in epsiode:  https://www.youtube.com/watch?v=9jjUuZtWpUc   Nigel's website link to share! https://www.thisischelseajohnson.com/131/  

Franco Nguyen is an award-winning-multi-hyphenate-comedian-filmmaker-writer-director. Franco is a graduate of the Second City Conservatory, a member of their HouseCo ensemble, and a Bob Curry Fellow. A proud member of the sketch troupe Tallboyz II Men, a diverse group of comedians being diverse diversely, the troupe sold-out their run of A 6ix NNNNNN Revue at the 2018 Toronto Fringe and won the Best Comedy Award.Twitter:@francowins Facebook:https://www.facebook.com/francocomedyGood Morning, Viet MomGood Morning, Viet Mom is Franco Nguyen's hilarious and heartfelt story about a second-generation Canadian being raised in Toronto by his single mother. Nguyen shares personal stories about his childhood, about his relationship with his mother–a complex and private woman, and about their emotional trip to Vietnam together; his first time ever and her first time since she left 28 years ago. Authentic and irreverent, Good Morning, VietMom is about family, history and love.Cahoots TheatreTwitter:@cahootstheatreInstagram:cahootstheatreFacebook:https://www.facebook.com/CahootsTheatreTickets:http://www.cahoots.ca/shows/goodmorning/

Jordi O'Dael Jordi is a Toronto based trans nonbinary performer, director, dramaturg, and producer. A UWinnipeg/Randolph College alum, Jordi has based their career on portraying 12 year old children, ancient evil constructs, and creating queer punk feminist impressionist pieces. In 2017, Jordi served as co-writer, dramaturg, producer, and performer for the award winning, breakout hit ‘NASTY’ at the Toronto Fringe. Their primary interests are the unexplained and unsettling, ghosts and ghouls, serial killers, destroying the gender binary, corgis, and using theatre as a vehicle for social change.Andrew Gaunce Born and raised in Saint John, New Brunswick, Andrew is a Toronto based performer, writer, producer, and lifelong devotee of the horror genre. Andrew honed his performance skills at Fanshawe College’s Theatre Arts program, and has spent the last few years performing with various indie theatre companies in Toronto, including Seven Siblings Theatre, the Spur-of-the-Moment Shakespeare Collective and Monkeyman Productions (where he now also holds a production role). Most recently, Andrew found himself at the Halifax Fringe for Aberrant Theatre’s award-winning inaugural production “Something Wrong” - a solo horror show that he also wrote and performed.The Ghost Light Anthology The Ghost Light Anthology is a curated evening of thrills, horror and the unknown: 5 short, scary plays tied together to create an immersive live horror experience.Instagram:@AberrantTheatreFacebook: https://www.facebook.com/AberrantTheatreTickets:https://ghost-light-anthology-2018.brownpapertickets.com/

Carolyn Bennett is an award-winning writer (2013 TIFF Screenwriting Intensive Jury Prize) and comedian living in Toronto. She was part of the 2017 Thousand Islands Playwrights' Unit and developed the full-length play The Monarchists. Produced plays include Mixed Media, Pure Convenience (CBC Radio), Runtkiller, The Short List,Hitler's Ass, Canis Familiaris and Sick Kids Wanna Talk To You. Her debut novel Please Stand By from Vancouver's NON Publishing will be released Fall 2019. Etc, etc...https://en.wikipedia.org/wiki/Carolyn_Bennett_(comedian)Jennifer McKinley was a co-artistic director of Alumnae Theatre’s New Ideas Festival (2014-2017) in Toronto. She is a lead coordinator with the Feminist Art Collective, and wrote, produced and performed her solo show, Operation SUNshine at the 2017 Toronto Fringe. Operation SUNshine also had a run at the 2018 Feminist Fuck It Festival in Toronto Double Down HelixA dark comedy that examines the implications of retail genotyping, DoubleDownHelix (DDH) asks the audience "to whom do you belong?"DoubleDownHelix is directed by Jennifer McKinley, a co-artistic director of Alumnae Theatre’s New Ideas Festival (2014-2017) in Toronto. She is a lead coordinator with the Feminist Art Conference, and wrote, produced and performed her solo show, Operation SUNshine at the 2017 Toronto Fringe. DDH is stage managed by Natasha Rotondaro, an emerging theatre artist and soprano.Open To The Public Theatre presents: DoubleDownHelix Kingston Storefront Fringe Festival Venue 3 • Saturday July 21 @ 2PM • Sunday July 22 @ 6PM • Tuesday July 24 @ 10:30PM • Wednesday July 25 @ 4PM • Friday July 27 @ 8:30PM • Saturday July 28 @ 6PM

A roundtable conversation about Toronto Fringe on the last Saturday, as Tom McGee (Featherweight), Janelle Hanna (Robert.), Al Lafrance (I think I'm Dead), Danny Pagett (Prank), and Rebecca Perry (Bikeface) join host Phil Rickaby to talk about Toronto Fringe so far, what they’ve seen, what they are looking forward to seeing and much more. Recorded 10:00, July 14, 2018.Tom McGeeTwitter: @mcgeetd Website: www.tdmcgee.com Theatre Brouhaha: www.theatrebrouhaha.com/ Featherweight: https://fringetoronto.com/festivals/fringe/event/featherweightJanelle Hanna Twitter: @janellemhanna Robert: https://fringetoronto.com/festivals/fringe/event/robertAl Lafrance Twitter: @notsoweirdal Instagram: @notsoweirdalwww.al-lafrance.com/ I Think I'm Dead: https://fringetoronto.com/festivals/fringe/event/al-lafrance-i-think-im-deadDanny PagettTwitter: @spoonydanInstagram: @danquoPrank: https://fringetoronto.com/festivals/fringe/event/prankRebecca Perry Twitter: @rebeccaperry21www.rebeccaperry.ca Bikeface: https://fringetoronto.com/festivals/fringe/event/bikeface

A roundtable conversation about Toronto Fringe on the first Saturday, as Tom McGee (Featherweight), Janelle Hanna (Robert.), Belinda Corpuz (Lighters in the Air), Danny Pagett (Prank), and Rebecca Perry (Bikeface) join host Phil Rickaby to talk about Toronto Fringe so far, what they’ve seen, what they are looking forward to seeing and much more. Recorded 10:00, July 7, 2018.Tom McGeeTwitter: @mcgeetd Website: www.tdmcgee.com Theatre Brouhaha: www.theatrebrouhaha.com/ Featherweight: https://fringetoronto.com/festivals/fringe/event/featherweightJanelle Hanna Twitter: @janellemhanna Robert: https://fringetoronto.com/festivals/fringe/event/robertBelinda Corpuz Twitter:@belindarona Instagram: belindacorpuzwww.belindacorpuz.com Lighters in the Air: https://fringetoronto.com/festivals/fringe/event/lighters-airDanny PagettTwitter: @spoonydanInstagram: @danquoPrank: https://fringetoronto.com/festivals/fringe/event/prankRebecca Perry Twitter: @rebeccaperry21www.rebeccaperry.ca Bikeface: https://fringetoronto.com/festivals/fringe/event/bikeface

Brought to you by Meridian Credit Union - www.meridiancu.ca - Calling all homeowners & empty nesters with extra space! Toronto based startup SpaceiShare is making offering/sourcing local storage space more convenient than ever before. CEO Sarah Selhi joins us. Learn more: https://www.spaceishare.com - Christel Bartelse (producer/co-star) on exploring the dangers of desperately seeking fame at any cost in #PRANK, now playing at Toronto Fringe - https://www.fringetoronto.com - Tune in to find out what to WATCH & what to AVOID at the movies this weekend with film critic Anne Brodie! http://www.twitter.com/annebrodie - Everything you need to know about #ToyStoryLand at Disney World with Lifestyle Expert Lena Almeida! http://www.disneyworld.ca http://www.aircanadavacations.ca http://www.listentolena.com - Use code 'SheSaid50' to get 50% OFF your first Hello Fresh box! We find out why Canadians are crazy for protein-packed bowls with meal planner Corby-Sue Neumann. Learn more here: www.hellofresh.ca/whatshesaid - Dave & Kurt from Cadence, Canada's premiere A Capella group WOW us in studio with what they can do with their voices! Hear more Saturday, July 7, 2018 at Noon on 105.9 The Region. http://www.cadence-unplugged.com SUBSCRIBE to What She Said & never miss an interview! http://www.youtube.com/WhatSheSaidTalk Miss a show? Stream & download full shows for free on iTunes: http://www.apple.co/1U700c0 Follow us on Facebook/Twitter/Instagram: @WhatSheSaidTalk Website: http://www.whatshesaidtalk.com What She Said! aims to inspire and uplift women by giving them a voice in pursuing their professional and personal goals through showcasing successful women across Canada and by creating opportunities for others to do the same. Tune in Saturdays & Sundays at Noon on 105.9 The Region or listen live: http://www.1059theregion.com

Madeleine Brown is a Toronto-based actor. Select acting credits: Imp (Filament Incubator/Epigraph Collective), Seasons (Toronto Fringe), Madeleine Says Sorry (Toronto Fringe), She Kills Monsters (Orphaned Egret) and Rowing (Chrysalis Workshop/Then They Fight/Filament Incubator). A Loran Scholar and 2016/2017 Nightwood Theatre Young Innovator, she is a graduate of Sheridan College/UTM and has trained with Theatre Gargantua, Mermaid Theatre, Second City and Pro Actors Lab. She serves as a volunteer with L'Arche Toronto's Sol Express, a performance troupe for adults with developmental disabilities and has assisted under such directors as Diana Leblanc and Tamara Bernier Evans. Her debut play, Madeleine Says Sorry, premiered at the 2017 Toronto Fringe.@prairiefireplzWhen Beatrice Little sinks her potato-based start-up, she must ascend the ranks of an imposing pyramid scheme in order to rebuild her career. From the "whip smart" losers behind 2017 Toronto Fringe sellout, Madeleine Says Sorry, comes a twisted comedy about entrepreneurial failure, commercialized feminism and how to sell a shit-ton of t-shirts.Tickets: https://fringetoronto.com/festivals/fringe/event/everyone-wants-t-shirt

Cody Crain joins Dave and Trevor for a little while to talk about a brand new play he is in called Lighters In The Air at the Toronto Fringe. When they kick him out they discuss working on résumés, the lizard uprising, and Trevor discusses trying stand up comedy again. Follow us on Facebook, Instagram @thebooksareboringpodcast or on Twitter @booksRboring or booksareboring.net Theme song by Chris Vandenberg. Send your content warning or questions for your hosts to booksareboringfilm@gmail.com

Stephen Near is a playwright and performer from Ottawa, ON and a graduate of York University. His plays have been performed across Canada in such festivals as the Ottawa Fringe, the Toronto Fringe, the Hamilton Fringe, New Ideas, and Summerworks. He is an alumnus of the Sage Hill Writing Experience and the Banff Centre and has studied playwriting with Linda Griffiths, David Copelin, Daniel MacIvor, Brian Quirt, and Beverley Cooper. In 2015, Stephen established the First Stage Series of new play development at the Players Guild of Hamilton. Stephen is a member of the Playwright’s Guild of Canada and the Theatre Aquarius Playwrights Unit. Recent writing credits include Monstrous Invisible (Theatre Aquarius), Interface (2011 Hamilton Fringe – New Play Contest 1st Prize), Plain Speak (2012 HamilTEN Festival), Test (2013 Hamilton Fringe – New Play Contest 2nd Runner-Up), The Conspiracy of Michael (2014 Hamilton Fringe), and Finding Mr. Right (2015 Hamilton Fringe). He lives in Hamilton with his wife Leanne, daughter Rebecca, and son Brenden.Twitter: @snear23Same Boat Theatre:www.sameboattheatre.com Twitter: @sameboattheatreYour Own Sons: Pauline’s son travels overseas to fight for ISIS while Dan’s son joins the Canadian Forces. Desperate to understand, both parents set out on a journey to confront the fate of their sons. But as their paths draw them closer to each other, will they be ready for the answers that await them? From the creators of Finding Mr. Right and Test, comes this searing and critically-acclaimed drama tackling the politics of faith and fear and the collision between love and loss.Written by Stephen Near Directed by Aaron Joel Craig Stage Managed by Rose HopkinsFeaturing: Terri Brunsting, Adam Lemieux, Stephen Near, Jennifer Walton, Amber Wood, and Ramzey ZourobVENUE: The Pearl Company Arts Centre, 16 Steven Street, Hamilton, ON TICKETS: $20 (purchase at Brown Paper Tickets) OPENING: Thursday, April 19 at 8:00 PM Friday, April 20 at 8:00 PM Saturday, April 21 at 8:00 PM Thursday, April 26 at 8:00 PM Friday, April 27 at 8:00 PM Saturday, April 28 at 2 PM CLOSING: Saturday, April 28 at 8:00 PM

These awesome indie theatre creators sat down with host Phil Rickaby as part of the first Indie Theatre Creators Roundtable: Christel Bartelse, Victoria Urquhart, Victoria Velenosi, and Janelle Hanna.Christel Bartelse is an Actor, Comic, Writer, Teacher, and Solo Show creator living in Toronto. She is a graduate of the Second City Conservatory Program, Randolph Academy for the Performing Arts and has studied Clown extensively with John Turner & Michael Kennard (Mump and Smoot) as well as Sue Morrison, Philippe Gaulier and Francine Cote.She had the pleasure of performing with Mump and Smoot in “Something” at the Westbury Theatre in Edmonton.She is a member of Faustwork Mask Theatre/Prologue for the Performing Arts and performs the show The Mask Messenger in schools regularly.In 2008 she developed her first solo show “CHAOTICA” which went onto to win numerous awards and garnered rave reviews. She developed 2 other solo shows “ONEymoon” & “Significant Me” and all three solo shows have been nominated for a Canadian Comedy Award “Best One Person Show”.Christel continues to tour her work, and has toured across Canada, to the US & the UK. She has been teaching for over 15 years. She has taught Improv at the Second City, teaches Mask, Clown, Dance, Movement, independently to schools all across the GTA and currently teaches Clown/Movement at the Toronto Film School and teaches and directs Clowns at Humber College in the Comedy & Writing Program.http://christelbartelse.com/ Twitter:@cbartelseVictoria Urquhart is a Toronto-based actor and director from Caledon. She is also a graduate from the University of Windsor’s 2010 B.F.A. Acting Program. This training has helped her to develop a focus on marrying Physical Theatre Practices with Classical Text. This fascination, combined with her leadership and organizational skills developed through working six consecutive summers at a residential camp have led her to a passion for directing, and the creation of The Spur-Of-The-Moment Shakespeare Collective in Toronto. Through the SOTMSC, she has directed, produced, and sometimes performed in several community projects, including the Shakespeare-On-The-Subway Project, several sessions of Shakespeare-In-Hospitals, and JULIUS CAESAR PROJECT, garnering 4 N’s from NOW magazine at the 2014 Toronto Fringe Festival. Other theatre credits include: Waiting for Alonzo with Empty Box Theatre (2015), Teach Me with Newborn Theatre, and Macbeth with Hart House Theatre.Twitter: @gnitenetVictoria Velenosi is a storyteller and tells stories to anyone who will listen. She is half of the partnership that runs Brick and Mortar, home of The Attic, The Box and The Commons. At any given time, she can be found either on stage, behind a computer, or under a pile of cats. Most impressive credits include a list of shows you’ve probably never heard of. ☺Vikki is a graduate of the University of Windsor Acting Program and Straeon Acting Studios. Vikki believes that every artist has an important voice and, with the right stage, they can change the world. #DREAMBIGGER@VikkiVelenosiJanelle Hanna is an actor, educator, and short sassy woman, and is thrilled to be premiering her first full length solo show Bad Baby Presents: Rules Control the Fun at the Toronto Fringe. Other Fringe credits include: Eternal Friendship with a Spotless Smile (Patron’s Pick),Virginia Aldridge, BSc, Sitting in a Tree, and Fantastic Extravagance. Other credits include: Frankenstein Live (The Arts Engine), Knot Tied (Lab Cab Festival), Eligible(BravoFact), Neighbourhood Watch, The Duvet (Film Army), Swell Broad,Commencement (Convection Productions), Last Man Hanged, Ring Round the Moon, Pillar to Port Walkabout (Gairbraid Theatre), Anne of Green Gables (Stirling Festival Theatre). Janelle is a graduate of the Masters in Acting program at York University where she played such roles as Cordelia/Foole in King Lear, the Knight in The Knight of the Burning Pestle, Volumnia in Coriolanus, Alcestis in Alcestis, and Flute/Thisbe in A Midsummer Night’s Dream. She is also a graduate of the joint acting program at Sheridan College and the University of Toronto Mississauga (Theatre Erindale)@janellemhannaStageworthy:https://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Good Morning Apocalypse is a sketch comedy collective from Midland and Penetanguishene. Founded in 2015, they have produced sketch and improv shows across Ontario, (Coal Patrol, Toronto Sketchfest 2017, Toronto Fringe 2017 (selected as Patron's Pick)) as well as radio plays, (“Silent Heist”) murder mysteries, (“Murder at the Seven Sins”) and web shorts, such as their recently completed short “The Beast,” which was awarded “Best Acting Ensemble” in the 72 Hour Horror Film Race hosted by filmracing.com. Most recently their film short film “Spoons” was selected as one of the top 16 in the world for the 48 Hour Film Project and will be screened in LA at the Director's Guild of America in March. Most recently their Christmas comedy revue “Coal Patrol” was staged at the Midland Cultural Centre, hot on the heels of receiving the Culture Midland Award in the category of “Emerging Talent” for 2017. They are currently working on a Valentine's Day Revue, entitled “Bad Dates” that will be staged at the Midland Cultural Centre on Feb. 14. Website Facebook

"We are New(s)," by Bentley A. Reese -- published in Apex Magazine, issue 106, March 2018. Read it here: http://www.apex-magazine.com Bentley A. Reese is a Wisconsin-born writer who has always had a love for Science Fiction. He has been published in many magazines, such as Shimmer, Bourbon Penn, and now (to his complete surprise and utter joy) within the pages of Apex. An alumni of UW-Madison, Bentley is currently one of few genre writers studying at the Iowa Writers' Workshop. He wrote this piece last fall while studying abroad in London and walking the streets of Whitechapel. This Apex Magazine podcast was produced by KT Bryski. Music in this podcast included "Ice Flow," "Harmful or Fatal," "In a Heartbeat," "Severe Tire Damage," and "The Dread," all by Kevin MacLeod, licensed under the Creative Commons Attribution License. Visit him at www.incompetech.com. Other sounds in this podcast provided by the Free Sound Project -- find out more at www.freesound.org.  Our narrator for this episode is Blythe Haynes. Blythe is a Toronto-based actor and voice talent. Select theatre credits include, "In His Name" (Canadian History Project), "The Killdeer" (Alumnae Theatre), and "Mary's Wedding" (Toronto Fringe Festival). Select podcast credits include "Campfire Radio Theater," "Six Stories, Told at Night," "The Drabblecast," and "Tales from the Archives." With KT Bryski, Blythe is one of the co-founders of Gangway! Theatre Co. She looks forward to returning to the Toronto Fringe in 2018 with a stage adaptation of KT Bryski's "Six Stories, Told at Night." Apex Magazine podcast, Copyright Apex Publications. Apex Magazine is a monthly short fiction zine focused on dark science fiction, fantasy, and horror. Find us at http://www.apex-magazine.com.

JULIA NISH-LAPIDUS Julia is an actor, director, and producer, as well as a Co-Founder and Co-Artistic Director of Shakespeare BASH'd, where she has produced all of the company's productions. She has worked as the Managing Director of Common Boots Theatre and is now part of the team at The Theatre Centre. For Shakespeare BASH'd, Julia has directed The Comedy of Errors, and assistant directed The Changeling. She has also performed in many BASH'd productions, including The Taming of the Shrew, Romeo & Juliet, Macbeth, The Merry Wives of Windsor, Hamlet, Twelfth Night, and Volpone (staged reading).Selected Additional Credits: Talk to Me Like the Rain and Let Me Listen and This Property is Condemned (Director, The Playwright Project), Modern Love (Co-Creator, Next Stage), As You Like It (Text Coach, Theatre By the Bay), and as an actor OVER, See Bob Run (Theatre Caravel), reasons to the pretty (The Labute Cycle), The Forest (Red One Theatre Collective), Dublin Carol (Fly on the Wall).​ Julia is a member of the Advisory Board for the Canadian Stage GYM program and a graduate of the joint acting program at UofT and Sheridan College.JAMES WALLIS James has been a Shakespeare fan all his life, having performed with Resurgence Theatre Company as a teenager and again as a professional later in his career.After graduating from Ryerson Theatre School, James jumped right into the big bad world of commercial work and film & television acting. He has been seen in a number of national commercials, including spots for Boston Pizza, Honda, and Expedia. Also, he has appeared on The Jon Dore Show, XIII: The Series and in a number of feature films including: And Now A Word From Our Sponsors and The Movie Out Here.In 2010, James co-founded Shakespeare BASH’d with his wife, Julia. For the company, James has directed staged readings of Romeo and Juliet (2010), A Midsummer Night’s Dream (2011), Edward II (2015), and Volpone (2017), as well as the full productions of Romeo & Juliet, Love's Labour's Lost, Macbeth, The Merry Wives of Windsor, and Twelfth Night. He played Petruchio in the company's Best of Fringe winning production of The Taming of the Shrew in 2012 and the remount in 2015, and played Benedick in their sold-out production of Much Ado About Nothing in the 2013 Toronto Fringe. In addition, here are some of James’ selected theatre credits: A Midsummer Nights’ Dream, Shakespeare’s Magic, and The Taming of the Shrew (Theatre by the Bay), Danny, King of the Basement (Roseneath Theatre, US Tour), Sleeping Beauty (Sudbury Theatre Centre), Paradise by the River (Shadowpath Theatre).James just completed his second season at the Stratford Festival as part of the Michael Langham Workshop for Classical Directing. There he has assistant directed Macbeth, Bunny, and Romeo and Juliet.Shakespeare BASH'd presents Richard III by William ShakespeareFebruary 6-11, 2018 at the Monarch Tavern (12 Clinton St)Shakespeare's epic drama about a powerful villain manipulating his way to the crown is given a barroom staging by Shakespeare BASH'd. You don't want to miss this bare-bones, visceral, and all too relevant production.Tickets on sale now at www.shakespearebashd.com $20 online $25 at the door (pending availability)SHOWTIMES: Tuesday, February 6 - 7:30pm Wednesday, February 7 - 7:30pm Thursday, February 8 - 7:30pm Friday, February 9 - 7:30pm Saturday, February 10 - 2:00pm Saturday, February 10 - 7:30pm Sunday, February 11 - 2:00pmDirected by Julia Nish-LapidusFeaturing: Cosette Derome, Jade Douris, Jennifer Dzialoszynski, Suzette McCanny, Shalyn McFaul, Drew O’Hara, Trevor Pease, Catherine Rainville, James Wallis, Kelly Wong, Joseph ZitaAssociate Director: Megan Miles Stage Manager: Christopher Brackett Fight Director: Nate Bitton Movement Coach: Brad Cook Marketing Design: Kyle PurcellWebsite: www.shakespearebashd.com Facebook: https://www.facebook.com/ShakespeareBASHd/ Twitter: @ShakesBASHd Instagram: @ShakesBASHdStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Nigel wrote and performed in four critically acclaimed mainstage revues at The Second City, including Dream Really Do Come True (and Other Lies) and The Meme'ing of Life. Nigel was assistant director to The Second City's 2016 smash hit, Come What Mayhem! and the sold-out run of the 2017 Toronto Fringe show Not Oasis Presents: Alone In This Together. Nigel can be seen on Make It Pop! (Nickelodeon) and Baroness von Sketch Show (CBC); on the web in Body Buds (CBC Comedy) and My 90-Year-Old Roommate (CBC Comedy); and in numerous commercials for companies like Winners to Tim Hortons. Nigel is an improviser, teacher, director, and host, performing in shows and festivals across North America and the UK. Nigel on Twitter

"Origin Story," by Ursula Vernon (writing as T. Kingfisher) -- published in Apex Magazine, issue 104, January 2018. Read it here: http://www.apex-magazine.com/ Ursula Vernon is the winner of the Hugo, Nebula, and Mythopoeic Awards. She has written a number of children’s books, short stories, and comics, and writes for adults under the name T. Kingfisher. She likes fairy-tale retellings, gardening, and has strong opinions about heirloom beans. You can find more of her work at redwombatstudio.com. This Apex Magazine podcast was produced by KT Bryski. Music in this podcast included "Virtutes Intstrumenti," "Vanishing," and "Long Note Four," all by Kevin MacLeod, licensed under Creative Commons Attribution License. Find out more at www.incompetech.com. Other sounds in this podcast provided by the Free Sound Project; learn more at www.freesound.org. Our narrator for this episode is Blythe Haynes. Blythe is a Toronto-based actor and voice talent. Select theatre credits include, "In His Name" (Canadian History Project), "The Killdeer" (Alumnae Theatre), and "Mary's Wedding" (Toronto Fringe Festival). Select podcast credits include "Campfire Radio Theater," "Six Stories, Told at Night," "The Drabblecast," and "Tales from the Archive." With KT Bryski, Blythe is one of the co-founders of Gangway! Theatre Co. She looks forward to returning to the Toronto Fringe in 2018, with a stage adaptation of KT Bryski's "Six Stories, Told at Night." Apex Magazine podcast, Copyright Apex Publications. Apex Magazine is a monthly short fiction zine focused on dark science fiction, fantasy, and horror. Find us at http://www.apex-magazine.com.

Colin Sharpe is a graduate of the Second City Conservatory and York University Creative Writing programs. He is a founding member of the Cream of Comedy nominated troupe, The Weaker Vessels, winners of the Patron's Pick award at Toronto Fringe 2015. In 2017, Colin wrote and performed in the Toronto Fringe hit, Murder in the Cottonwoods (Best Ensemble/Now Magazine). Colin was also a featured performer at the Just For Laughs 42: New Faces showcase in 2016. You can see Colin on the comedy circuit every Friday on The Social Capital Theatre house team, Toronto's Best, and on Sundays at the Comedy Bar as a member of the award winning troupe, The Sketchersons, on Sunday Night Live! Social Capital Theatre Sunday Night Live

Lucy Eveleigh is the Executive Director of the Toronto Fringe Festival, and has been the Managing Director of the Toronto Fringe for the last five years, after two years as the General Manager for the SummerWorks Performance Festival and three years as the General Manager of the Pleasance Theatre in London, England. Her extensive knowledge of theatre administration and company management, and her passion for the mandate of the Fringe movement, make her the ideal candidate to lead this organization into its 30th year and beyond.@eveleigh_lucyToronto Fringehttps://fringetoronto.com/@Toronto_FringeStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Hello fans! Thank you for downloading another successful episode of The Landlord And Tenant Podmess! This week, landlord James describes what it was like to party inside the famous Toronto duck, and tenant Michael gushes about his favourite plays from this year's Toronto Fringe theatre festival. Then, jet-setting Airbnb guest Rebecca Kohler drops by to tell some incredible travel stories about exotic places like Brazil, Thailand, Romania and Ottawa. Support The Landlord and Tenant Podmess Brought to you By: The Sonar Network

Naomi and Matt talk with Second City alumnus James Gangl about California Inspired Cooking. When he's not in the kitchen, you can catch James in Annedroids and Workin’ Moms. He is also the creator and lead in the one-person show “In Search of Cruise Control”. We recorded this in LA, but are releasing this to celebrate his Toronto Fringe success. Hear him on this podcast…see him in the Fringe…you can have it ALL! AND…find out why Matt says to Naomi “you can go kill yourself”.@jamesgangl@baramsnieckus

In this special edition All KIDding Aside Podcast, for #Fringe70 and Toronto Fringe, Christel talks to award winning, international touring artists (and non moms) American Deanna Fleysher (Butt Kapinski) and New Zealander Penny Ashton (Olive Copperbottom) on the struggles and joys of being a touring artist, and why they could never imagine doing what they do, with kids.

"What does it take to forgive somebody?" A CFRB Radio 1010 Interview with playwright Cyndy Marion and lead actress Lindsay Danielle Gitter.

In this week’s episode I sit down with Derrick Chua. Derrick Chua is an entertainment lawyer, independent theatre producer, and was the president of the Toronto Fringe for ten years. In our conversation today we discuss how he got involved in the world of theatre, how he began producing shows, as well as how his experiences practicing law have helped him as a theatre producer. We also discuss his experiences co-founding Studio 180, his experiences with the Fringe Festival both in Toronto and Edinburgh, as well as where he sees theatre in Canada headed in the future.

In this week’s episode I sit down with Derrick Chua. Derrick Chua is an entertainment lawyer, independent theatre producer, and was the president of the Toronto Fringe for ten years. In our conversation today we discuss how he got involved in the world of theatre, how he began producing shows, as well as how his experiences practicing law have helped him as a theatre producer. We also discuss his experiences co-founding Studio 180, his experiences with the Fringe Festival both in Toronto and Edinburgh, as well as where he sees theatre in Canada headed in the future.

Janelle Hanna is an actor, educator, and short sassy woman, and is thrilled to be premiering her first full length solo show Bad Baby Presents: Rules Control the Fun at the Toronto Fringe. This will be Janelle’s 5th Toronto Fringe appearance, past Fringe credits include: Eternal Friendship with a Spotless Smile (Patron’s Pick),Virginia Aldridge, BSc, Sitting in a Tree, and Fantastic Extravagance. Other credits include: Frankenstein Live (The Arts Engine), Knot Tied (Lab Cab Festival), Eligible(BravoFact), Neighbourhood Watch, The Duvet (Film Army), Swell Broad,Commencement (Convection Productions), Last Man Hanged, Ring Round the Moon, Pillar to Port Walkabout (Gairbraid Theatre), Anne of Green Gables (Stirling Festival Theatre). Janelle is a graduate of the Masters in Acting program at York University where she played such roles as Cordelia/Foole in King Lear, the Knight in The Knight of the Burning Pestle, Volumnia in Coriolanus, Alcestis in Alcestis, and Flute/Thisbe in A Midsummer Night’s Dream. She is also a graduate of the joint acting program at Sheridan College and the University of Toronto Mississauga (Theatre Erindale)@janellemhannaBad Baby Presents: Rules Control the FunBad Baby is a very talented and attractive actor. She wanted to be an actor so she could sleep in and kiss boys. This is her first Fringe show. She’s seen a lot of Fringe shows though. A lot. And she knows all the rules. All of them. With a total of 13 Toronto Fringe tent romances under their collective belts, the teams that brought you Almost, Again (Best of Fringe) and Eternal Friendship with a Spotless Smile (Patron’s Pick) are back with an all new Fringe adventure. Come see Bad Baby’s first Fringe festival hit!At the Annex Theatre (736 Bathurst Street at the Randolph Centre for the Arts)Friday July 7th - 1:15pm Saturday July 8th - 9:15pmMonday July 10th - 4:30pmWednesday July 12th - 7:30pmThursday July 13th – 12:00pmFriday July 14th - 11:00pmSunday July 16th - 4:00pm For tickets, please visit www.fringetoronto.comwww.larkandwhimsytheatre.com@Lark_and_WhimsyStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyP

Chantal is an artist and educator with a diploma in musical theatre from the Randolph Academy for the Performing Arts. She has been behind the annual Oakville Holiday Pantomime for the past four years as co-writer, director, and choreographer. As a writer, director and producer, her work has been seen in several festivals including the Toronto and Vancouver Fringe Festivals as well as The Short Short Play Festival. The 2017 Toronto Fringe will be her third as writer/producer for “GREY”, previous years were her plays “Perceptions of Love in the Pursuit of Happiness” and “Quarterlife”. Selected acting credits include TV’s “About A Girl”, “Blood Ties”, and “Psych” as well as performing on stage in cabarets, musicals, and plays both in Toronto and Vancouver. Chantal works with drama students aged 12-95 through Sheridan College, Centre Stage Theatre School, and Shadowpath Theatre Productions, who honoured her with their Artist of the Year Award in 2015.@chantalfordeGrey:Twleve years ago Richard Buttle killed Jayden Alexander. Today is the day of his parole hearing where he must not only face his own history, but also the father of the boy he killed.Jumping through time, the circumstances that lead to the crime begin to unravel. Who was really to blame?In this new drama it becomes very clear that not everything in life is as black and white as one would like to perceive.Theatre Passe Muraille Mainspace16 Ryerson Ave., Toronto, ONFriday, July 7 – 8:00pmSaturday, July 8 – 4:00pmMonday, July 10 – 3:15pmWednesday, July 12 – 5:45pmThursday, July 13 - 12:00pmSaturday, July 15 – 11:00pmSunday, July 16 – 2:45pmwww.threefiveproductions.comhttps://www.facebook.com/perceptionplay

Joanne has performed stand-up comedy across the country, she's also done storytelling at the Stratford Festival's “Late Night with Lucy Peacock cabarets,” and improvisation for four seasons of “Sin City,” Toronto's popular live, improvised soap opera. She's been a writer on the hit TV shows "This Hour has Twenty Two Minutes" and the "Baroness Von Sketch Show." Plus she's had a hit Fringe Festival show and is about to debut her new show “She Grew Funny” at the Toronto Fringe.   We talk about a course Joanne took to help her write her second Fringe Festival show and the impact of having a daughter on her career.

The Seat Next to the King Behind the door of a public washroom in a Washington, D.C. park, two lives linked to the country's most influential figures collide when a white man seeking a sexual encounter meets a black male stranger. Winner of the 2017 Toronto Fringe FesIval New Play Contest, this bold, affecting piece tackles race, sex, the meaning of 'manhood', and the cost of reconciling each for two disparate human beings with a shared innate need. Featuring blistering performances by Kwaku Okyere and Conor Ling, The Seat Next To The King is directed by Tanisha Taitt.The Seat Next to the King was the winner of the 2017 Toronto Fringe Festival New Play ContestTanisha Taitt - DirectorTanisha is a director/actor/playwright/arts educator/activist and accidental essayist. She has worked with Obsidian, NAC, The Musical Stage Company, Nightwood, BIBT and Soulpepper, and spent two seasons as a Resident Artist-Educator with YPT. Tanisha is a Drama mentor for tdsbCreates, a TDSB/TAC initiative that brings professional artists into classrooms to nurture artistic expression in students and teachers. She is an Anti-Oppression facilitator and Director of the Peace Camp program for Children's Peace Theatre, an organization that teaches young people about conflict transformation through theatre. Also a singer and songsmith, she is a recipient of the Canadian Music Publishers Association Songwriters Award for excellence in songwriting. Tanisha spent 7 years as the Toronto and then the National producer for V-Day/One Billion Rising -- the global movement to end violence against women and girls. In 2014, she founded Teenage Graceland, a youth theatre collective that challenges societal attitudes leading to gender-based violence. Tanisha was 'Harolded' in 2013 and in 2015, critic Lynn Slotkin bestowed upon her an inaugural “Tootsie” Award in the “They Can Do Anything” category. She is currently writing two musical theatrical works: FORCE, a musical about rape; and ERACED, which began when she heard the voices of unarmed dead black men singing to her in her sleep. Tanisha is the new co-host of The HUM Human Rights & the Arts podcast and will make her hosting debut this June. She is a two-time YWCA Woman of Distinction nominee for her commitment to artistic excellence and social justice.Steven Elliott Jackson – PlaywrightSteven Elliott Jackson was the recipient of the 2017 Best New Play at the Toronto Fringe for “The Seat Next To The King” and previously placed second in the contest in 2007 for “The State Of Tennessee”. He is the Artistic Director for Minmar Gaslight Productions as well as its family theatre company, 3 Little Bears Productions with his partner Todd Davies. Previous credits: Brothers And Arms (2010, Toronto Fringe Festival), The Dark Part Of The Snow (2011, Mount Marty College, Yankton, ND), Real Life Superhero (2012, Toronto Dance Theatre), The State Of Tennessee (2013, Theatre Passe Muraille), Rapunzel (adaptation, 2014, Toronto Kids Fringe/Stage Centre Productions), Threesome (2016, Red Sandcastle Theatre). Upcoming Productions: The Prince’s Big Adventure (Nov. 2017, Stage Centre Productions), A Question Of Character (Jan. 2017/ Stage Centre Productions), Real Life Superhero (Spring 2018, Brandon, MB) and currently he is developing Kick Start: Featuring the music of Lisa Loeb for a future reading.

Maureen Gualtieri, playwright and general word-wrangler, was born and raised in Toronto. Her newest play, Odd One Out, will be premiering at the 2017 Toronto Fringe. Her work has been seen at previous editions of the Toronto Fringe (BQ, as part of Trip; Monkey Love), Protestival (Whose Body is This; The Franklin Street Elementary School Grades 1, 2, & 3 Present Their Spring Pageant, “Officer Bubbles Goes to Hell, Or, Civil Disobedience is for Everybody!”), and other local festivals. She has directed, assistant directed, stage managed and script coordinated in venues such as Hart House Theatre, the Hamilton Fringe, and Tarragon Theatre. She graduated from the National Theatre School of Canada's playwriting program in 2012. Odd One Out:1950. A love triangle. A secret attraction. A college student disappears in the woods. Ten years later, her rival lovers reunite in an attempt to solve the otherworldly mystery: what really happened to Clementine Yates?Playwright: Maureen Gualtieri Director: Elizabeth Traicus Cast: Krystina Bojanowski, Jesse Byiers, Mattie DriscollAt the Tarragon Theatre ExtraSpace (30 Bridgman Ave) as part of the Toronto Fringe: Friday July 7 at 8:30pm Saturday July 8 at 11:15pm Monday July 10 at 4:15pm Tuesday July 11 at 2:45pm< Thursday July 13 at 7:45pm Saturday July 15 at 5:15pm Sunday July 16 at 2:30pmStageworthy:http://www.stageworthypodcast.com Twitter: @stageworthyPod Facebook: http://facebook.com/stageworthyPo

Annie is an actor/mover, shaker & theatre creator! Currently based in Toronto, but originally from Minnesota, she is a graduate of George Brown acting school and holds a BA in Psychology from the University of Manitoba. Outside of Toronto she has created and performed in shows in Minneapolis, San Francisco & Winnipeg. She is a co-founder of Fourth Gorgon Theatre, as well as a founding member of Theatre Georgian Bay. Most recent productions: The Jungle Book (Magnus Theatre), Twelfth Night (Theatre Georgian Bay), We Must have More Men (Theatre by the Bay), Romeo & Juliet and Peter Pan at Old Flame Brewing Co., You Know I Know at the Toronto Fringe, Pirate Life (Pirate Life), Molly Bloom (Fourth Gorgon Theatre), Upcoming: The Dark Lady (Mystic Horde), Turtleneck (EmerGENce Theatre), and is currently creating a new musical adaptation of Pippi Longstocking by Astrid Lindgren to set sail on Lake Ontario this summer!Instagram: tuma2ma Facebook: https://www.facebook.com/annie.tuma Website: http://www.fourthgorgon.com/Stageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Eric Woolfe is an actor, playwright, puppeteer and magician, and the Artistic Director of Eldritch Theatre, a Toronto theatre company specializing in horror plays using puppetry, live actors, and parlour magic.His work for Eldritch Theatre includes The Haunted Medicine Show, Madhouse Variations, The Babysitter, The Strange & Eerie Memoirs of Billy Wuthergloom, Dear, Grendelmaus, and Sideshow of the Damned. Some of his other credits include The Comedy of Errors (Humber River Shakespeare), The Last Christmas Turkey (Touchmark Theatre), Rocket & the Queen of Dreams (Roseneath Theatre), Little Shop of Horrors (Canstage), Timon in Disney's The Lion King.Eric Woolfe has been nominated for over a dozen Dora Mavor Moore Awards as both an actor and playwright. He is a three time nominee for the prestigious KM Hunter Memorial Award. The World Encyclopaedia of Puppetry lists him as one of Canada’s exciting new wave of notable puppeteers.His non-creepy writing credits include Step Right Up!, and Twas, for Theatre Orangeville, Pomeranski Rex for The Toronto Fringe and the film scripts Momento Mori, Hungry Dead Things, and Blackwood Hotel.Twitter: @ericwoolfehttp://www.eldritchtheatre.ca/ Twitter: @eldritchtheatre Facebook: https://www.facebook.com/eldritchtheatreStageworthy: http://www.stageworthypodcast.com Twitter @stageworthyPod Instagram: stageworthypod Facebook: http://facebook.com/stageworthyPod

Get back to your roots! “If you want to know a black woman, you touch her hair,” says Novelette of the clients in her Toronto hair salon. ‘da Kink is raw, energetic theatre, showcasing eight fascinating, multi-faceted women. With riffs on sexuality, families and inner lives, this theatrical kaleidoscope is accompanied by live rhythm-and-blues and gospel music. A joyous and triumphant hit, this hugely popular work by writer/ performer Trey Anthony kicks off the English Theatre season with style. “‘da Kink was a revolution when it sprang from the Toronto Fringe to land on the main stage of the Mirvish season in 2005. The script is so entertaining and so moving I jumped at the opportunity to work with Theatre Calgary to bring this beloved work back to Canadian audiences.” – Jillian Keiley, Artistic director, NAC English Theatre

The week 1 Toronto Fringe Roundup with producer of Damn Tank (@damntankTO), Laura McCallum (@lauramcsee), Nisha Coleman (@NishaColeman) of Self-Exile, David Kingsmill (@dragonliterate) of Romeo and Juliet Chainsaw Massacre (@RJMassacre), and Gillian English (@gillian_english)joined host, Phil Rickaby on a slightly windy morning on the second last day of Toronto Fringe, to continue the conversation about Toronto Fringe, how their shows have been going, what they've seen and their favourite Fringe moment of Toronto Fringe 2016. Recorded Saturday, July 9 2016 @ 10AMStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Following their 2015 Fringe hit SwordPlay (Winner, Just For Laughs Best Comedy Award), Sex T-Rex is raising the bar with their most ambitious show yet. Masters of genre parody, this year their sights are set on Post Apocalyptic mayhem in Wasteland. This action-packed thrill-ride makes its Toronto premiere at the Randolph Theatre from July 1 to July 9, 2016.Also joining in: Kyle Allatt of The House of Style’s The No Bull$#!% History of Invention also playing at the Toronto Fringe.Sex T-Rexhttps://sextrexcomedy.com/@sextrexKyle Allatthttp://the-house-of-style.tumblr.com/@houseostyle@KyleAllattStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

The week 1 Toronto Fringe Roundup with producer of Damn Tank (@damntankTO), Laura McCallum (@lauramcsee), Nisha Coleman (@NishaColeman) of Self-Exile, and Scott Garland and David Kingsmill (@dragonliterate) of Romeo and Juliet Chainsaw Massacre (@RJMassacre) joined me bright and early on Saturday morning (by Fringe standards) to talk about Toronto Fringe, what they’ve seen, what they are looking forward to seeing and much more. Recorded Saturday, July 2 2016 @ 10AMStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Shira Taylor is a performer, director, producer, and doctoral candidate at the Dalla Lana School of Public Health at U of T. For her dissertation, she created SExT: Sex Education by Theatre to explore the use of theatre for sexual health education among youth in Toronto’s Thorncliffe/Flemingdon Park. Shira obtained her BSc. (Psychology) and MSc. (Epidemiology) from Queen’s University, where she performed with Queen’s Players, Queen’s Musical Theatre, and Existere, and co-founded and directed the social action theatre program, Excetera. Shira and her puppet doppelganger Lucy perform with the multiple award-winning theatre company, Shakey-Shake and Friends, which uses puppets and popular culture references to make Shakespeare accessible to young audiences. She also works with Indigenous girls in the Northwest Territories as Evaluation Consultant and Drama Facilitator with FOXY and is a Research Coordinator at SickKids on the cross-Canada, Art for Social Change (ASC!) project, working closely with artists and change-makers to further the use of the arts in social justice agendas.SExT: Sex Education by Theatre empowers youth from a community where sexuality is a cultural taboo to take centre stage. SExT is a collaboration between Toronto theatre artists and a diverse group of youth from Flemingdon and Thorncliffe Park - two immigration destinations in Toronto and the recent hub of protests opposing sex education reform in the wake of the first curriculum update since 1998. Check us out at the Toronto Fringe and SummerWorks 2016 to hear what these youth have to say about growing up in the age of cyberbullying, sexting and rape culture. It’s time to let TEENS give THE TALK!www.sexeducationbytheatre.com SExT Trailer: https://www.youtube.com/watch?v=FWP6RQkx0yA SExT @ Toronto Fringe: http://fringetoronto.com/fringe-festival/shows/sext/ SExT @ SummerWorks: http://summerworks.ca/2016/artists/sext/ Facebook: www.facebook.com/sextedshow Twitter: @SExTEdShow #SExTEd Instagram: @SExTEdShow #SExTEdTwitter: @ShiraTaylor Instagram: @theshirataylorStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

In this episode Allison Burns and Stéphanie Morin-Robert co-host along with guest host Linnea Gwiazda. We start our coverage of dance and movement at the Toronto Fringe by speaking with [ … ]

Join Mallory, Sean, & Charles as they talk about Guillermo del Toro's 1997 film Mimic, as well as Laird Barron's short story Old Virginia. Music: Eyes Gone Wrong Kevin MacLeod (incompetech.com) Show Notes: Laird Barron - Old Virginia Ask Lovecraft Live at Toronto Fringe

In this episode Allison interviews as many dance artists presenting work at the Toronto Fringe as she is able to. We start off with a conversation with the two Co-Artistic [ … ]

Annemieke Wade and Cameron Johnston review the history of Royal Porcupine Productions and invite you to their latest prickly production in the 2013 Toronto Fringe. Continue reading →