Podcast appearances and mentions of Matt Salinger

Join Mitchell, Luke, Vonn, and special guest Josh as they force their way through every Italian fascist in... Yugoslavia?... While watching the Albert Pyun directed, Menahem Globus produced Captain America (1990); starring Matt Salinger, Kim Gillingham, Ned Beatty, and Ronny Cox! Just how far will this Captain America go to avoid a fight? Will he ever get to do something cool? How many times must he get shot before he learns to use his shield?! All is revealed in the latest exciting episode of the High & Low Movie Show! Get social with High & Low!Instagram @HighLowMovieShowThreads @ HighLowMovieShowJoin our Facebook Group The High & Low DungeonBuy Us a Coffee Twitter @HighLowMovieSho

High & Low listeners assemble! Join Luke, Mitch, Vonn, and special guest Josh as they discuss Joe Johnston's 2011 MCU starting point "Captain America: The First Avenger" starring Chris Evans, Hayley Atwell, Tommy Lee Jones, and Hugo Weaving! Then thaw yourself out for part 2 where we will compare it to Albert Pyun's much-maligned 1990 effort "Captain America", starring Matt Salinger, Ronny Cox and Ned Beatty. Get social with High & Low!Instagram @HighLowMovieShowThreads @ HighLowMovieShowJoin our Facebook Group The High & Low DungeonBuy Us a Coffee Twitter @HighLowMovieSho

Silvia Hidalgo reivindica desquiciarse o, al menos, hablar del desquicio con su 2ª novela 'Nada que decir' (Premio Tusquets). Nos visita Matt Salinger, el hijo del escritor de 'El guardián entre el centeno' por el 70 aniversario de 'Nueve cuentos' y Don Winslow para recoger el José Luis Sampedro del Getafe Negro. Terminamos con Use Lahoz y un ensayo de Frederic Gros que llega "con la vergüenza a cuestas". Escuchar audio

Thom Wasluck of Planning for Burial joins Raygun Busch, Bryan Manning, and Luther Manhole to talk about Albert Pyun's classic 1990 adaptation of Captain America, which stars Matt Salinger the son of author JD Salinger.

Pull over, I'm gonna hurl. Houston's own John Wessling joins the pod as we try to puzzle out how this thing got greenlit. Matt Salinger's portrayal of Steve Rogers leaves much to be desired and this one commits the cardinal sin of being one of the most boring movies we've ever watched. Basically the polar opposite of last week's AMAZING BULK. Can't believe Stan Lee and Jack Kirby put their names on this one… 1.5/5 BAGS OF TRASH WATCH THE FILM: Find it on Blu-Ray or something! Be sure to like and follow Comicpalooza as we gear up for our LIVE SHOW from the show floor. We will be performing at noon on July 17, so get your passes now and make plans to see us! Twitter @comicpalooza Instagram @HoustonComicpalooza Facebook.com/Houstoncomicpalooza and Youtube.com/Comicpalooza #Comicpalooza #CPPodFamily #CP2022 TWITTER: https://twitter.com/trashmoviekings INSTAGRAM: https://www.instagram.com/trashmoviekings/ FACEBOOK: https://www.facebook.com/groups/trashmoviekings https://www.trashmoviekings.com

Yes. The son of Catcher in the Rye author, J.D. Salinger, played Cap in the first-ever theatrical Captain America movie. In the early 90s, producers of such films as "Over the Top" and "Cutthroat Island" got the film rights to make a movie based on Marvel Comics' Captain America. After that a few years of development hell, they eventually made the movie, and cast Matt Salinger in the titular role. On this episode of Deep Cuts, we look at the bizarre intersection between contemporary literature and comics! -- Get the Mystery Treehouse Simple Code Hybrid Album and Comic! https://bit.ly/simplecodecomic Watch the Simple Code Comic Album Video Trailer! https://bit.ly/simplecodetrailer -- Join our Discord server! https://bit.ly/deepcutsdiscord -- Pick up some Deep Cuts T-Shirts and other merch! https://bit.ly/deepcutsmerch -- Get the official Deep Cuts shoulder patch! http://bit.ly/deepcuts_patch -- Listen to our album, a 9 song rock opera about the rise and fall of Napster! https://open.spotify.com/album/6INdubx1dAEKNwuoWzs9Oo?si=z4ljoBAYTFqRXKWVzvWEfg Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yes. The son of Catcher in the Rye author, J.D. Salinger, played Cap in the first-ever theatrical Captain America movie. In the early 90s, producers of such films as "Over the Top" and "Cutthroat Island" got the film rights to make a movie based on Marvel Comics' Captain America. After that a few years of development hell, they eventually made the movie, and cast Matt Salinger in the titular role. On this episode of Deep Cuts, we look at the bizarre intersection between contemporary literature and comics! -- Get the Mystery Treehouse Simple Code Hybrid Album and Comic! https://bit.ly/simplecodecomic Watch the Simple Code Comic Album Video Trailer! https://bit.ly/simplecodetrailer -- Join our Discord server! https://bit.ly/deepcutsdiscord -- Pick up some Deep Cuts T-Shirts and other merch! https://bit.ly/deepcutsmerch -- Get the official Deep Cuts shoulder patch! http://bit.ly/deepcuts_patch -- Listen to our album, a 9 song rock opera about the rise and fall of Napster! https://open.spotify.com/album/6INdubx1dAEKNwuoWzs9Oo?si=z4ljoBAYTFqRXKWVzvWEfg Learn more about your ad choices. Visit podcastchoices.com/adchoices --- Send in a voice message: https://podcasters.spotify.com/pod/show/deepcutspod/message

Before Chris Evans became the Star Spangled Warrior known as Captain America, there was Matt Salinger.  But the 1990’s Captain America doesn’t seem to get a very patriotic salute. Is this film better than the critics say? Or does it truly belong, on the bottom shelf? Website: https://thebottomshelf.blubrry.net Facebook: https://www.facebook.com/TheBottomShelfPodcast The Bottom Shelf is a Geek Devotions … Continue reading Captain America 1990 →

Acomi and Turk182 get a healthy dose of Erskine's formula and vita rays, and get pumped to watch Captain America (1979), starring Reb Brown. Before he was fighting for his future as Yor, hunting Predator-like cyborgs in RoboWar, or rescuing his sister from werewolves with Christopher Lee in The Howling II, Reb Brown was Steve Rogers a.k.a. Captain America. This isn't your MCU, comic book origin Captain America, or the low budget, New World Pictures, Matt Salinger, Italian Red Skull Captain America! This big budget, made-for-television movie throws everything you know about Captain America out the window like his mighty shield. The same semi-translucent shield he uses to fight crime on his rocket powered Cap cycle. You've never seen the star spangled hero like this before, thank God. Say the pledge of allegiance, and Lets Watch! Captain America! Acomi and Turk182, along the occasional special guest, provide running commentary of awfulsome movie and TV shows. The hosts select movies that either one, or both, have never seen. All jokes and comments are improvised. NO PREPARED JOKES OR COMMENTS! During recording, the movies are watched at a low volume and with the subtitles on. Viewers may want to turn subtitles on as well to enhance the viewing experience. So, cue up the audio, ready the movie, and hit play when we say so. Note: This video is the commentary recorded by Acomi and Turk182, and selected screenshots. It is NOT a viewable copy of the film. The commentary can be enjoyed on its own, but if you want to experience the Let's Watch in all its glory, you'll need your own copy of the movie. Most of the movies viewed can be streamed online for free. #OMTWF #KorovaEntertainment #LetsWatch #LW #Acomi #Turk182 #awfulsome #CaptainAmerica #CaptainAmerica1979 #RebBrown #FOOM #makeminemarvel #CaptainAmericacycle Follow Acomi on Twitter at @AcomiDraws and on Instagram at AcomiDraws. Follow Turk182 on Twitter at @Turk182_KE and on Instagram at Turk182_KE.

Now available to stream on Netflix, The Ice Road is an action thriller directed by Jonathan Hensleigh and starring Liam Neeson as a trucker who has to brave a perilous ice road in Canada to save a group of trapped miners. The film also stars  Laurence Fishburne, Benjamin Walker, Amber Midthunder, Marcus Thomas, Holt McCallany, Martin Sensmeier, Matt McCoy, and Matt Salinger. UK listeners can find this movie streaming on Amazon Prime Video. This review is an excerpt from Episode #226 of the Cinemaholics Podcast. The intro music is “Headphones and Hoodies” by Lamar Azul & Palpal. Links: Follow us on Twitter: Jon Negroni, Will Ashton Support our show on Patreon. Follow Cinemaholics on Facebook and Twitter.  Send us an email via cinemaholicspodcast [at] gmail.com. Leave us a voicemail on The “Swell” App. Shop our Cinemaholics merch page for hoodies, shirts, and more! Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

This week discuss and review Captain America (1990),  directed by Albert Pyun and starring Matt Salinger,  Scott Paulin, and even Ned Beatty. Enjoy!Do you want us to chat about a movie that you love?email : offradarpod@gmail.comTwitter : @OffRadarPodcastFacebook: facebook.com/offradarpodPlease review, share and subscribe,Site : http://offradar.buzzsprout.comApple : http://bit.ly/offradarSpotify : http://spoti.fi/2YMS3Ec

Ian and Mitch have taken it upon themselves to try and use the Time Stone that is their imaginations and predict, speculate, or just guess what the future phases of the MCU have in store for all of us. The journeyers have Case Aiken (@CaseAiken) of The Certain POV Network to the show to talk about 'Captain America' from 1990 starring Matt Salinger, the son of JD Salinger.

The final round of the divisional finals has arrived! This week, we have return engagements by Dan Kois from Slate, David Roth from Defector, and Margaret H. Willison of the Appointment Television podcast. They'll pit their pop culture memories against one another to fight for the last slot in next week's championship match! After an Olympics-themed My Champion, our players will help build out a cinematic universe started by Gnomeo & Juliet and Sherlock Gnomes with a cabal of gnome-themed cinematic gems. Then, it's a trip down memory lane for a game surrounding Entertainment Weekly Cover Stories. Print media! As usual, we'll cap it all off with a tense lightning round. Next week, season two comes to a close with our championship match! Don't miss it! Support Us On Patreon

The final round of the divisional finals has arrived! This week, we have return engagements by Dan Kois from Slate, David Roth from Defector, and Margaret H. Willison of the Appointment Television podcast. They'll pit their pop culture memories against one another to fight for the last slot in next week's championship match! After an Olympics-themed My Champion, our players will help build out a cinematic universe started by Gnomeo & Juliet and Sherlock Gnomes with a cabal of gnome-themed cinematic gems. Then, it's a trip down memory lane for a game surrounding Entertainment Weekly Cover Stories. Print media! As usual, we'll cap it all off with a tense lightning round.Next week, season two comes to a close with our championship match! Don't miss it!Support Us On Patreon

The final round of the divisional finals has arrived! This week, we have return engagements by Dan Kois from Slate, David Roth from Defector, and Margaret H. Willison of the Appointment Television podcast. They'll pit their pop culture memories against one another to fight for the last slot in next week's championship match! After an Olympics-themed My Champion, our players will help build out a cinematic universe started by Gnomeo & Juliet and Sherlock Gnomes with a cabal of gnome-themed cinematic gems. Then, it's a trip down memory lane for a game surrounding Entertainment Weekly Cover Stories. Print media! As usual, we'll cap it all off with a tense lightning round. NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

 "Gee whiz, we gotta get going, Mr. President."  Episode 41 is live with the original Avenger, Captain America! And no, we're not talking about Chris Evans here. We're talking about the ORIGINAL original, Matt Salinger!  Grab your favorite beverage, one that the Cap would approve of, and listen to us talk about revisiting (for one of us) this old comic book film, and the problems it faced during the production. If you have a beer or movie suggestion, definitely let us know about it! As always, thank you for listening!

“Si de verdad les interesa lo que voy a contarles, lo primero que querrán saber es donde nací, cómo fue todo ese rollo de mi infancia, que hacían mis padres antes de tenerme a mí, y demás puñetas estilo David Copperfield, pero no tengo ganas de contarles nada de eso. Primero porque es una lata, y, segundo porque a mis padres les daría un ataque si yo me pusiera aquí a hablarles de su vida privada.” 'El guardián entre el centeno' J.D. Salinger. En contra de los deseos del propio Jerome David Salinger, su nombre continúa generando ruido hoy. Celosamente obsesionado con su vida privada, su fuerte rechazo a la exposición pública marcó la vida de este escritor que, a base de interponer querellas y levantar muros, vivió apartado sus últimos cuarenta años en una granja de Cornish (New Hampshire). “Les aseguro que si fuera pianista o actor de cine o algo así, me reventaría que esos imbéciles me considerarán maravilloso”, escribió en “El guardián entre el centeno”, casi como una profecía. “Hasta me molestaría que me aplaudiesen. La gente siempre aplaude lo que no debe. Si yo fuera pianista, creo que tocaría dentro de un armario”, Salinger dixit. J. D. Salinger nació el 1 de Enero de 1.919 en Nueva York, concretamente en Manhattan, en el seno de una familia acomodada que se dedicaba a la importación de carnes y quesos europeos, y publicó su primer relato en una revista literaria en 1.940. En aquellos años en que aún peleaba por publicar sus textos en esas revistas, conoció a la que sería para muchos, el gran amor de su vida, Oona O´Neill, hija del dramaturgo Eugene O´Neill. Pero el estallido de la II Guerra Mundial lo cambió todo y, tras el bombardeo de Pearl Harbour, el escritor se alistó en el ejército para combatir en el frente, donde participó, entre otras acciones, en el desembarco de Normandía. Salinger era un chaval de 25 años de Park Avenue, un privilegiado criado entre algodones que se creía que la guerra iba a ser una aventura, algo romántico, lleno de glamour. Se preguntaba si tal vez le faltaba el dolor necesario para convertirse en escritor. Quería que la guerra le curtiera, que lo hiciera más profundo como persona y como escritor. Aquello le cambió para siempre. Mientras permanecía en el frente, Oona, que había iniciado un romance con Charles Chaplin, contrajo matrimonio con el mítico actor en 1.943. Por su parte él regresó a su vida en Nueva York, profundamente marcado por las secuelas de la guerra y casado con una médica alemana llamada Silvia Louise Welter, de la que poco después se divorciaría. Fue precisamente a su vuelta, en 1.951, cuando pubicó “El guardián entre el centeno”, un relato iniciático sobre la pérdida de la inocencia y el paso a la vida adulta, que aún hoy sigue generando ventas de 250.000 ejemplares al año. De ese texto, que le llevó diez años escribir, el autor confesó que seis de los capítulos de la novela estuvieron con él en el frente porque necesitaba llevar aquellas páginas no solamente como amuleto para ayudarlo a sobrevivir, sino como razón misma para sobrevivir. Salinger no solo sobrevivió sino que su obra, que una vez publicada pasó a convertirse en un clásico, es considerada hoy como una de las cumbre de la literatura de iniciación. Su narración sobre un adolescente que cuenta sus aventuras en Nueva York un fin de semana antes de navidad revelaba a un prosista excepcional, con grandes dotes para la narración y la creación de personajes, capaz de combinar la introspección con el humor y el absurdo. Tenía 32 años y acababa de convertirse en una leyenda gracias a aquel título, que en la década de los ochenta, estuvo inexplicablemente ligado a varios episodios violentos: John Hinckley Jr., que en 1.981 intentó asesinar a Ronald Reagan, estaba obsesionado con él y se dice que Mark David Chapman, el día que mató a John Lennon, llevaba un ejemplar consigo que acababa de comprar. Tras los disparos, se sentó tranquilamente a leerlos hasta que llegó la policía. “Esta es mi declaración”, había escrito en él. Pero después del éxito de “El guardián entre el centeno”, las secuelas de la guerra y la celebridad exagerada propiciaron que el autor huyera del ruido mediático y de cualquier otra distracción. Nada de fotografías, admiradores y periodistas. Tampoco le interesaba la autopromoción de su obra. Tan pronto como pudo, quiso que las editoriales retiraran su imagen de la portada del libro y toda aquella información adicional al texto en bruto. Fue en 1.965, cuando desapareció por completo. Como Emily Dickinson, Harper Lee, Cornac McHarthy o Thomas Pynchon, de quién se ha llegado a afirmar incluso que era en realidad el propio Sallinger que publicaba bajo seudónimo, Jerome David Salinger se refugió en su particular armario del tamaño de una granja en Cornish. “Me gusta escribir. Amo escribir, pero escribo solo para mí mismo y para mi placer”, declaró en una de las pocas entrevistas que en 1.974 concedió al New York Times. Todas aquellas decisiones, no obstante, lejos de apartarle de la vida pública moldearon el mito de un escritor enigmático, cuya imagen fue durante años buscada y perseguida por propios y extraños. Abrazado al budismo, su vida privada tampoco atravesaba su mejor momento cuando en 1.967, se divorció de su segunda mujer, Claire Douglas, con la que llevaba casado desde 1.955 y con quién tuvo sus dos únicos hijos, Margaret y Matt Salinger, algo más conocido por su trabajo como actor en películas como “Capitán América” del año 1.990. En lo puramente creativo, aunque según el propio escritor no dejó de escribir nunca, lo cierto es que a partir de 1.965 no volvió a publicar nada más y su producción literaria se limitó, además de la novela que lo consagró como escritor de culto, a varios libros de relatos como “Nueve cuentos”, “Fanny y Zooey” y “Levantad, carpinteros, la viga del tejado”. Salinger falleció un 27 de Enero de 2010, a los 91 años, y pasó los últimos años rehuyendo la atención mediática que había vuelto a generar la publicación de varios libros de memorias escritos por su ex amante, Joyce Maynard, a la que conoció cuando ella tenía 18 años y el alcanzaba los 52, y de su propia hija Margaret que en “El guardián de los sueños” describió a su padre como un hombre egoísta, mujeriego y machista. Con todo, extremadamente sensible para unos, obsesivo y excéntrico para otros, la oscuridad en torno a su enigmática figura sigue provocando el mismo o mayor interés hoy, más de cien años después de su nacimiento. Muchos autores, desde Goethe y Keats hasta Joice y Fitzgerald, exploraron ya el precario estado de la adolescencia antes de la década de 1.950. Pero en esta época, los adolescentes, con su nueva música y su búsqueda de emociones, representaron un reto para la sociedad y la cultura conservadoras, y se toparon con un aprensivo rechazo social: los adultos consideraban a esta generación moralmente laxa y falta de orientación. Los adolescentes respondieron con acusaciones de hipocresía, considerándose marginados en un mundo indiferente; y este es el territorio de la novela de Salinger. “El guardián entre el centeno” es narrada por Holden Caulfield, un chico de 17 años. Holden es liberal con el dinero de sus padres e implacable en sus comentarios sobre la sexualidad, la moralidad y la condición humana. Tiene poco respeto por la autoridad y parece indiferente a su trayectoria autodestructiva. Pero Holden es mucho más que un adolescente rebelde. La admisión de sus mentiras, imperfecciones y contradicciones revela a un individuo perplejo, que añora la inocencia de la niñez, sufre y que cada vez es más consciente de las contradicciones de la vida adulta. Es un antihéroe, una figura ambivalente y vulnerable, que puede mostrarse tan sensible e ingenioso como inmaduro y vulgar. Su indiferencia por la honradez y su desdén por las normas sociales establecidas se ven mitigados por un genuino impulso confesional y por una sorprendente tolerancia hacia alguno de los personajes que se encuentra en el transcurso de la novela. Holden es asimismo una víctima fácil. Es acosado en su dormitorio de la escuela y timado por un chulo que trabaja como ascensorista en el hotel en que se aloja. En su confusión respecto a las mujeres y el sexo, busca inconscientemente ternura y confianza. Tras pagar a una prostituta, le pregunta si pueden hablar un rato. Pese a su ateísmo, inicia una conversación con dos monjas, que le dicen que es un chico muy amable. Inevitablemente el realismo sucio de Salinger causó polémica. Algunos críticos despacharon la novela como pueril y sensiblera; pero los años siguientes a su publicación en 1.951, J.D. Salinger adquirió el estatus de figura de culto. La muerte y la aflicción son otros temas presentes en la novela. Tras la muerte de su hermano, Holden se destroza las manos de rabia; su compañero de clase es acosado y encuentra un final trágico. El propio título de la obra se refiere a una reflexión del protagonista, Holden, en que se ve como un guardián que evita que los niños que corren por un campo de centeno se caigan por un precipicio. Puede que la pérdida de tantos soldados jóvenes en la guerra influyera en Salinger para escribir esta fascinante narración en primera persona, que perdura como un retrato memorable del adolescente en crisis.

This week, Martyn takes ten to talk about Matt Salinger's ill-fated rubber-eared stint as Captain America. TWITTER: @spreadthewhimsy FACEBOOK: facebook.com/whenwagonwheelswerebigger WEBSITE: whenwagonwheelswerebigger.com Format devised by Deborah Palmer

País Estados Unidos Dirección Isabel Coixet Guion Sarah Kernochan Fotografía Manel Ruiz Reparto Ben Kingsley, Patricia Clarkson, Grace Gummer, Sarita Choudhury, Jake Weber, Samantha Bee, Daniela Lavender, Matt Salinger, Michael Mantell Sinopsis Wendy (Patricia Clarkson) es una escritora de Manhattan que decide sacarse el carné de conducir mientras su matrimonio se disuelve. Para ello toma clases con Darwan (Ben Kingsley), un refugiado político hindú de la casta sij que se gana la vida como taxista e instructor en una autoescuela.

Time has come for Revenge of the Nerds (1984)! We are joined by Steve and Izzy from Everything I Learned From Movies to talk about a staple in five-year-old Steve's VHS collection. Prepare for cat cameos, dramatic reenactments, and impromptu singing! And yes, we did acknowledge the movie contains sexual assault, racism, homophobia, and nerd persecution. Plus our first contest! Two lucky winners will receive an Izzy Fischer created Moon Cat pin! Listen for details on how to win! https://etsy.me/2O6OhNP Find Everything I Learned from Movies at: https://eilfm.podbean.com/ Check out all of Izzy's amazing art at: https://www.etsy.com/shop/UntidyVenus http://www.izzycreates.com/ Find them on Twitter @eilfmovies & @untidyvenus A group of nerds at the fictional Adams College trying to stop the ongoing harassment by the jock fraternity, the Alpha Betas, in addition to the latter's sister sorority, Pi Delta Pi. Stars Robert Carradine, Anthony Edwards, Timothy Busfield, Andrew Cassese, Curtis Armstrong, Larry B. Scott, Brian Tochi, Julie Montgomery, Michelle Meyrink, Ted McGinley, Matt Salinger, Donald Gibb, James Cromwell, David Wohl, John Goodman, and Bernie Casey (Who's he, Steve?). Find other amazing podcasts by searching #ladypodsquad on Twitter, Facebook, and all the social media platforms. Tweet us @HEAMCast, like us on Facebook @HappilyEverAftermath, and e-mail us at contact@heamcast.com.

The Summer of Super rolls on.   Welcome to the concluding part of my look at the Captain America movies with 1990s Captain America.   Is this Cannon Films movie any good with Matt Salinger as Capt???? What do you think? This one is the ultimate good/bad movie. So get your knives and forks out folks. Here he is Crapstain America.     BTW tell me if you like this new format to the podcast or should I go back to the old deep dives?   Twitter @heresjohnnyspod   Enjoy

Hello and welcome back to another episode of It Came From The VideoStore! In this episode we take a crack at the star-spangled man with a plan, yes we're talking about Captain America, but not Chris Evans Cap, we are talking about the 1990s Captain America starring Matt Salinger the son of  J.D. Salinger (author of The Catcher in the Rye). We tackle the twicks to Steve Rogers origins, Red Skulls squashed cherry face, to Caps rubber ears, and everthing these in between . So tune in to hear about this flop of a Marvel movie that would be later be redeemed by Chris Evans and the MCU! --- Support this podcast: https://anchor.fm/itcamefrom-thevideostore/support

País España Director Isabel Coixet Guion Miguel Barros Música Lucas Vidal Fotografía Jean-Claude Larrieu Reparto Juliette Binoche, Rinko Kikuchi, Gabriel Byrne, Matt Salinger, Velizar Binev, Ciro Miró, Reed Brody, Alberto Jo Lee Sinopsis Groenlandia, año 1908. Josephine Peary (Juliette Binoche), una mujer rica y culta, inicia una expedición al Polo Norte para reunirse con su marido, el explorador Robert Peary. Durante el viaje se encuentra con una humilde mujer esquimal, Allaka (Rinko Kikuchi). Pese a sus numerosas diferencias culturales y personales, ambas tendrán que unirse para poder sobrevivir a las duras condiciones climáticas de la tundra en el Ártico.

This week ALL of HMP is in studio and we've got a good one for you. In 1979, before Chris Evans graced the silver screen and even before Matt Salinger there was Reb Brown. A former football player turned “actor” who this go around brings Steve Rogers to the small screen- but not like you’ve seen him before. With few things outside of the name Capitan America in common with the comics- does this rise above it’s stunted “Made For TV” look and feel like a worthy entry to the Marvel Universe? HeroMoviePodcast.com Review us on iTunes Like Us on Facebook HMP Patreon Follow us on Twitter and Instagram Listen to us on our new show- Preacher Podcast Adam Portrais: Twitter  The Film Find- Twitter Bruce Leslie:  Twitter  Heroes and Villans Podcast  Chubby Wizard Sean Keenan: Twitter  Hero Movie Podcast is a weekly podcast EXCLUSIVELY about superhero movies. Marvel, DC, movies and TV- Adam Portrais from The Film Find, Sean Keenan from Robot Johnson and Bruce Leslie from Chubby Wizard, Heroes and Villians Podcast- review comicbook and superhero movies in the most funny, nerdy way you can't find anywhere else.      

With Captain America: Civil War releasing tomorrow, it’s time we take a look at an older incarnation. We take you back to the 90’s with Captain America starring Matt Salinger. In this episode, we discuss Chris’ dislike of this version of the Captain and Mike’s love of the 70’s version. Also, Red Skull, was he […] The post Captain America (1990) appeared first on Cult Film in Review.

Matt Salinger dons the role of weak but honorable Steve Rogers and becomes Captain America as part of the Super Soldier Program so that he can be strong enough to stop the Nazi equivalent, the Red Skull. Sound familiar? Well that's about all this film has in common with anything that you know about Cap. The rest is pretty much the dumbest hot mess that you could possibly imagine. Albert Pyun's Captain America is maybe the worst adaptation of a single character that has ever been made. Matt Salinger is awkward moving at all times and shows absolutely no athletic ability. Captain America is a bit of a dick as he really shows little concern for other people. He's about as smart as a box of hair. He really never succeeds in any mission nor is he ever known by the world as a WWII superhero, even though when he is unthawed the world seems to care, despite having never heard of him before. The visuals (costumes, effects and action) are horrendous and make up the best part of the film. By best I mean that they are hilarious. Cap's outfit looks like its made of vinyl and seems to get ripped up randomly from what we can only infer is that Matt Salinger leaned up against walls too much. The shield looks like an after dinner peppermint. Red Skull only has Red Skull face for the first 5 minutes on screen. The Red Skull rat is epic bad stop-motion. The list of bad visuals goes on and on. Really the whole problem with the film is that Captain America is a true idiot and buffoon. His first mission as Cap is a failure as he gets his ass kicked by the Red Skull and then strapped to a rocket. After reanimation, he walks back to the states from Alaska instead of just asking someone "Where am I and how do I get back?" He does nothing to prevent his old flame and her family from getting murdered. And his main plan for taking on the Red Skull is to find the Red Skull's real name....huh? You just need to go back to the castle that your last memory is from, you moron! You can really tell that this film had about 10 million rewrites from the original script and the film just got away from the makers. It is a truly hot mess. Usually that works for us in bad movies but really this just stinks. There's far too little happening on screen at anytime and the story is just too convoluted to really be able to enjoy what is happening. You're too busy scratching your head trying to figure out what is going on to really be able to even make fun of it. Individual Ratings: Over the top action:Cheesy effects:Horrendous acting:Laugh-out-loud-ability:Ridiculous stunts:Gratuitous nudity:Memorable one-liners: Overall Ratings: Good Movie Quality: Bad Movie Quality:

Brought to you by Captain Canada. Can Captain Canada, with the help of Jacques Pierre, defeat the villainous Josef Stalin and his evil right hand man, the Red Scare? Tune in to WABC on Stinker Madness to find out! It's time for some sweet pre-Avenger action, when Matt Salinger becomes Steve Rogers or is that Peyton Manning? Its 1990's Captain America directed by Albert Pyun and produced by Menahem Golan. Its gotta be a total slam dunk right? Streaming Dos and Don'ts The Core - Netflix Scorcher - Netflix Jack's Back - Netflix Abraxas Guardian of the Universe - WAS on YouTube but is now gone. Sorry. Good Neighbor, Bad Neighbor Teen Witch Condorman Teenage Mutant Ninja Turtles (Raymond Chow)

He carried the shield, wore the star-spangled spandex and threw down with the Red Skull!  Now, actor Matt Salinger is in the Lair to talk about his starring role in the 90’s flick, Captain America!

He carried the shield, wore the star-spangled spandex and threw down with the Red Skull!  Now, actor Matt Salinger is in the Lair to talk about his starring role in the 90’s flick, Captain America!

Welcome to the podcast where we take apart two movies, debate them, and grade them to see which will be redeemed.  Today we dust off the underrated film from 1990: Captain America. It starred Matt Salinger as Steve Rogers, Scott Paulin as the Italian Red Skull, and Ned Beatty  It never saw the light of day in US theaters, and was a dusty VHS tape passed around at Comic Cons until recent history.  We also review the forgotten roller disco movie:  Skatetown, USA.  Patrick Swayze, in his first role, plays a street tough who "owns" the roller disco.  Scott Baio, Flip Wilson, and Dorothy Stratten also star in this movie which is a series of comedy vinettes, roller disco dance numbers, and band performances.  It has never been legally released on home video in any format.

Join the Cinema Excelsior team for an inexplicable trip to Italy as we endure director Albert Pyun's 1990 epic "Captain America," starring Matt Salinger (son of "Catcher in the Rye" author J.D. Salinger), Scott Paulin, and Ronny Cox. Daniel reminiscenes about his childhood experience watching this film in syndication. Nick learns an exciting new method for stealing cars. Derek finds his voice as a screenwriter. Stefan yearns for a cool, refreshing Molson. It's all part of a last-ditch attempt to understand how this runaway nuclear missle of a film could have been gently nudged so far off course.

Matt Salinger as Steve Rogers / Captain America, Ronny Cox as President Tom Kimball, Ned Beatty as Sam Kolawetz and Darren McGavin as General Fleming. The e-mail address is scatteredb@gmail.com.

Captain America (1990) by Albert Pyun kicks off this very special (non numbered) edition of the BMFcast, as we review back to back Captain Americas. Matt Salinger stars as Cap, and along for the ride are (for some unknown reason) Ronny Cox, Ned Beatty and Darrin McGavin. In the second half, it’s SpoilCast time as we talk […]