Podcasts about Napster

Unterstützt uns auf ⁠⁠⁠⁠⁠⁠⁠Steady⁠⁠⁠⁠⁠⁠⁠, damit es uns weiterhin gibt: ⁠⁠⁠⁠⁠⁠⁠https://steady.page/de/browserhistory/about 1998. Ein 18-Jähriger sitzt im Büro seines Onkels, schläft in der Abstellkammer, und schreibt - buchstäblich - sein erstes Computerprogramm überhaupt. Was dabei rauskommt, wird die Musikindustrie erschüttern, Millionen von Nutzern begeistern, Metallica in den Wahnsinn treiben und die gesamte Medienbranche revolutionieren. Es beginnt das goldene Zeitalter der Online-Piraterie. In dieser Folge erzählt Magdalena die Geschichte von Napster: Wer war Shawn Fanning, der Teenager aus Massachusetts, der das alles lostreten hat? Was war an der Technologie so revolutionär? Warum ist die Musikindustrie gegen Napster vor Gericht gezogen - und warum hat sie gewonnen und trotzdem verloren? Und was hat das alles mit Spotify, iTunes und dem heutigen Streaming zu tun? Spoiler: Die Culture of Free, die Napster etabliert hat, ist bis heute nicht verschwunden. Im Gegenteil. Unsere wichtigsten Quellen: https://www.theguardian.com/music/2013/feb/24/napster-music-free-file-sharing  https://www.theguardian.com/music/2013/feb/24/napster-music-free-file-sharing  https://www.youtube.com/watch?v=CKrdsGdLVQ8  https://www.sueddeutsche.de/muenchen/muenchen-napster-musikstreaming-1.5114927  https://www.youtube.com/watch?v=OHVRItc38-c / https://www.youtube.com/watch?v=01DOCnCA1j0 / https://www.youtube.com/watch?v=392B71DgBCY  https://www.spiegel.de/netzwelt/web/napster-der-streit-geht-vor-gericht-weiter-a-119634.html  https://podcasts.apple.com/us/podcast/napsters-confusing-comeback/id1765605600?i=1000766220223  https://audiobaymastering.com/music-revenue-on-the-rise-for-1st-time-since-mid-90s/  Clips aus der Folge: https://www.youtube.com/watch?v=_FtE0S-IyY0&t  Browser History ist eine Produktion von Dennis Kogel und Magdalena Pulz in Zusammenarbeit mit Podimo. Folgt uns auch auf Instagram:

Justin Timberlake Biography Flash a weekly Biography. Justin Timberlake's last few days have been quieter on the surface, but there are a few developments and reverberations that matter for his long term story. The biggest biographical signal right now is the renewed spotlight on his role as Sean Parker in The Social Network, thanks to fresh coverage of the upcoming companion film The Social Reckoning. Digital Spy reports that Aaron Sorkin's new movie is bringing the Facebook origin story back into the cultural conversation, with Justin's original turn as Parker specifically referenced as part of the returning mythology around the platform and its founders. Vogue Adria likewise name‑checks Justin's performance as Sean Parker when framing how the new film will revisit the tech revolution era, underscoring how a role he shot more than a decade ago is still central to how pop culture remembers the birth of social media. That continued relevance of his screen work quietly strengthens the “multi‑hyphenate” thread in his biography, even in a week without a new Timberlake movie on the slate. Around the edges of the news cycle, Justin's musical legacy has been unusually present. TikTok guitar covers of Mirrors and dance tributes using I Want You Back and other *NSYNC‑era choreography are trending again, with creators explicitly tagging Justin Timberlake and *NSYNC, a reminder that his catalog remains a go‑to emotional and nostalgic touchstone for younger musicians and dancers discovering him in real time. Fan pages on Facebook continue to resurface his Today Show performance with *NSYNC, keeping the narrative of periodic reunions alive; however, there are no verified reports from major outlets of any new tour dates, official *NSYNC projects, or solo releases announced in the last 24 hours. Any rumors of surprise drops or secret sessions are, at this stage, pure fan speculation without confirmation from Justin, his label, or primary entertainment trades. On social media, there have been passing pop‑culture mentions tying him to long‑standing associations, from Sean Parker and Napster explainers to clips recalling his Saturday Night Live work and Jimmy Fallon collaborations, but again, no major new on‑camera appearance or live event tied directly to him has been verified by outlets like Variety, The Hollywood Reporter, or People in the past day. In other words, this particular chapter in the Justin Timberlake biography is one of legacy echo rather than headline shock: the roles he has already played, both in music and on film, are doing the talking right now, even as he keeps his next move off the public radar a little longer. Thanks for listening and be sure to subscribe so you never miss an update on Justin Timberlake, and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

Bekannt ist Thomas Stein als der DSDS-Juror, der die Mutter aller Casting-Shows nach Deutschland gebracht und gemeinsam mit Dieter Bohlen groß und mega erfolgreich gemacht hat. Der einstige Musik-Manager steht aber außerdem hinter den Erfolgen ganz großer, internationaler Namen aus der Unterhaltungs-Industrie: Peter Maffay, Falco, Tic Tac Toe, Lou Bega, Dido, ATC, N'Sync und Eko Fresh sind nur ein Auszug aus seiner Recordlist. Er hat über Jahrzehnte hinweg die renommiertesten Posten der Musik-Branche bekleidet und war während seiner Karriere Vorsitzender bei Ariola in München, Executive Vice President von BMG Entertainment in New York, President BMG Europe sowie CEO der Bertelsmann Music Group Europe. Bereits als Lehrling stellte er sein Management-Talent unter Beweis, als es ihm gelang 1,8 Millionen Asterix-Hefte zu verkaufen. Etwas, an dem vor ihm gestandene Vertriebler mehrfach scheiterten. In unserem Gespräch gewährte er mir Einblick hinter die Kulissen einer knallharten Branche, an der so manche Seele zerbrach. Er erzählt, warum wir die Macht der Musik unterschätzen, wieso die heutigen Generationen mehr und mehr verweichlichen und was das mit dem wirtschaftlichen Niedergang Deutschlands zu tun hat. Sponsoren: (WERBUNG) https://linktr.ee/ungeskriptet_werbepartner KAPITEL: (00:00:00) - Intro (00:02:21) - Asterix, Obelix & der erste Millionenerfolg: Thomas' Karrierestart (00:17:56) - Marketing ohne Budget: Aufmerksamkeit als Währung (00:23:53) - Naabtal Duo, Snap & Comedy: Mut gegen den Strom (00:49:27) - Napster, Streaming & der Untergang der Musikindustrie (01:09:37) - DSDS: Wie Thomas das Format nach Deutschland brachte (01:22:32) - Insync, Backstreet Boys & das Geschäft mit Amerika (01:56:11) - Wirtschaft, Politik & Deutschlands Zukunft (03:09:46) - Eine letzte Frage Ben: Youtube: https://www.youtube.com/c/ungeskriptetbyben?sub_confirmation=1 TikTok: https://www.tiktok.com/@ungeskriptet Instagram: https://instagram.com/ben_ungeskriptet X: https://x.com/benungeskriptet?s=21 Thomas: Instagram: https://www.instagram.com/thomasmstein/?hl=de Aufnahmedatum: 20. Mai 2026 {ungeskriptet} gibt's hier bei YouTube und überall, wo es Podcasts gibt. Alle weiteren Links: https://www.ungeskriptet.com Mein Ziel ist es, der beste Podcast Host Deutschlands zu werden. Ich verspreche dir, die spannendsten Gäste an meinen Tisch zu holen. 100% Realtalk. No Bullshit. #besterpodcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

05 Jun 2026. The UAE has ranked second globally for net AI talent migration, ahead of Saudi Arabia, Switzerland and Singapore, according to Stanford University. Samuel Huber, CEO of Napster, joins us with the picture. Plus, Orbitworks is launching the region's first AI-powered satellite constellation this October. Dr Hamdullah Mohib on why it matters. Madhur Kakkar from Elevate Financial Services on global markets at record highs. And Amit Malhotra on how ADIB just simplified WPS salary payments.See omnystudio.com/listener for privacy information.

Al & Jerry: Napster was 27 years ago and John Mellencamp's old man tour

Matt is joined by RSL Media Founder Nikki Hexum to discuss her non-profit founded with actress Cate Blanchett that aims to protect artists against AI by requiring a consent framework for name, image, and likeness. Nikki outlines the infrastructure of her company, why this is necessary, how this era of AI is similar to the Napster era from the early 2000s, and why an AI company would participate in this (03:03). Matt finishes the show with a prediction about Taylor Swift's new song in 'Toy Story 5' (28:04). Host: Matt Belloni Guest: Nikki Hexum Producers: Craig Horlbeck and Matt Pevic Theme Song: Devon Renaldo In this darkly comedic series, a love triangle ends in death. Watch now. Watch Deli Boys at hulu.com. Hulu on Disney+ for bundle subscribers. Terms apply. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Al & Jerry: Napster was 27 years ago and John Mellencamp's old man tour

Al & Jerry: Napster was 27 years ago and John Mellencamp's old man tour -- plus warmup

This week the crew listens to the 2002 Self-Titled Debut from Audioslave and ponders whether supergroups always work, and what was hidden in Napster files.  Rock on!Audioslave - Live at Rock Am Ring 2003https://youtu.be/8UvzCbSrTuw?list=RD8UvzCbSrTuwTheme music by The Steepwater Band.  On tour now and new music coming this year!  Follow them @steepwaterbandWebsite: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

In this special episode of Perfectly Good Podcast—where the hosts normally rank John Hiatt songs A to Z—Jesse and Sylvan welcome guest Lilly Hiatt to talk about her own career. Lilly recalls starting guitar at 12, overcoming shyness to perform, and beginning songwriting in middle school, describing how melodies and lyrics arrive together and how she captures ideas on voice memos. She explains how songs develop at different speeds, how albums reflect a specific time period, and how collaboration shapes unexpected recording outcomes, including working with her husband Colby on Forever and their project Domestic Bliss. Lilly shares early memories touring with her dad, favorite venues, thoughts on Napster's impact on making a living through touring, and influences like Pearl Jam and Bruce Springsteen's Nebraska. She discusses personal songs “Ray,” “Thoughts,” and “Impostor,” then plugs upcoming Texas-area shows and encourages fans to support by buying merch and records at gigs. 00:00 Cold Open Dialogue 00:53 Podcast Intro And Guest Reveal 02:12 First Meeting And Fan Story 03:11 Early Guitar And Stage Nerves 05:46 Writing Songs And Poetry Roots 06:56 Songwriting Process And Tools 11:33 Building Albums And Collaboration 14:51 Domestic Bliss With Husband 15:41 Growing Up On Tour 16:35 Backstage Hello From Linda 17:52 Tour Life And Favorite Venues 23:50 Napster Era And Music Business 25:27 Touring Economics And Team 27:15 Touring Help Needed 27:45 Pearl Jam Origins 29:27 Eddie Vedder Shoutout 30:15 Writing Ray for Sister 31:15 Family Bonds and Aunt Life 33:43 Thoughts Voicemail Choice 34:57 Producer Magic Explained 37:25 Nashville Identity and Genre 39:24 Creative Goals Abroad 40:32 Springsteen Nebraska Deep Dive 43:02 Impostor Verse Backstory 47:27 Shows Merch and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

The last time the Knicks made the NBA finals, Britney Spears dropped the generation-defining Baby One More Time, Napster gave us permission to illegally download music, and T9 word just became a thing. Fast forward to this past Monday when the Knicks swept their series against the Cavaliers – and all of New York is ready to party like it's 1999.  In this episode of Well Played, we also cover:  Timothee Chalamet, Kylie Jenner, Travis Kelce, and Taylor Swift walk into a bar…we mean the Cavs courtside Why OG Anunoby and Martha Stewart are on their way to a Skechers collab  How the Salesian sisters gained their basketball wings at the Spurs game  Why Coco Gauff, Jannik Sinner, and Aryna Sabalenka only gave 15 minutes of press time at Roland Garros PS: We really, really want to hear from you. Like really bad. Please DM us with any sports questions, comments, or concerns on Instagram @blaakkkke, @cghendy, or @wellplayedbytheskimm. We read each and every one and it means a lot to us.  Send Its: Kathy Hilton just gave us a new theme song: https://www.instagram.com/reels/DYk5taIxZCk/  Do Azzi and Paige share a wardrobe?: https://www.instagram.com/p/DYnXD47ATQi/ Sue Bird refuses to be bad: https://www.instagram.com/p/DYpd3PVFd89/  Bryce Harper's problematic toothpaste application: https://www.instagram.com/reel/DYzo8SjDVul/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==  Learn more about your ad choices. Visit megaphone.fm/adchoices

Remember Napster? Remember LimeWire? Remember risking the ENTIRE family computer just to download ONE song? Before Spotify. Before Apple Music. Before streaming took over the world... There was Napster. Then there was LimeWire. And for a brief, glorious, virus-filled moment in history, an entire generation collectively decided: "We're not paying for music anymore." In this episode of History Was Ghetto, John Cash takes a hilarious, nostalgic, and brutally honest look back at the era that changed music forever. From downloading songs on dial-up internet to burning CDs for your crush, from record labels losing their minds to computers catching every virus known to mankind, we're revisiting the digital Wild West that rewrote the music industry forever. Because let's be honest... We didn't steal music. We abolished pricing. In this episode: ✔️ The rise and fall of Napster ✔️ Why LimeWire was basically internet roulette ✔️ The fake files, viruses, and absolute chaos ✔️ How teenagers accidentally changed the music business forever ✔️ The emotional art of burning CDs and mixtapes ✔️ Why streaming services exist because piracy forced them to evolve ✔️ How an entire generation changed the way the world thinks about ownership, media, and access COMMENT SECTION COURT IS NOW IN SESSION Be honest...

Check out www.brandysandbs.com for your merch Email us at eddyandjay@brandysandbs.comProm season is over, the grill is basically on standby, and we're posted up at the cabin studio doing what we do best: catching up, arguing about nothing, and accidentally saying the quiet part out loud. We start with Memorial Day weekend stories that bounce from golf course culture to the eternal question of why a bar can stock ten types of vodka but still mess up a simple brandy request. Somewhere in there we talk about how jokes land, why tipping matters, and what happens when you have to circle back and apologize even when you swear you were “just kidding.” Then we go full nostalgia with the stuff that shaped an entire generation: phone books, payphones, dial-up internet noises, AOL, and the Napster era that made downloading music feel like a nightly mission. We connect it to today's streaming subscriptions, YouTube payouts, and why artists fight so hard to control licensing. It's funny, but it's also a real snapshot of how fast culture shifted from slow connections to instant everything. The main event is Love Lines with Snacks. He breaks down prom season from the inside: group dinners, who's a “date” versus who's just in the carpool, jealousy dynamics, after-party realities, and the legendary fish house sleepover. If you're a parent, you're going to have thoughts. If you were ever a teenager, you're going to remember things. We close with Vegas sports betting, Minnesota sports suffering, owl calls in the woods, and a final debate that somehow turns into beef liver and head cheese. Subscribe for more cabin studio chaos, share this with a friend who needs a laugh, and leave a review if you want us to keep bringing Snacks back. What's the most overrated “big night” tradition from your high school years?Support the show

Les références : Grisebouille Art libre sur Wikipédia Napster sur Wikipédia Émission #196 avec la chronique sur Mickey dans le domaine public Vive le son du canon sur Grise Bouille Creative Commons sur WikipédiaVous pouvez mettre un commentaire pour l'épisode. Et même mettre une note sur 5 étoiles si vous le souhaitez. Il est important pour nous d'avoir vos retours car, contrairement par exemple à une conférence, nous n'avons pas un public en face de nous qui peut réagir. Pour mettre un commentaire ou une note, rendez-vous sur la page dédiée à l'épisode.Aidez-nous à mieux vous connaître et améliorer l'émission en répondant à notre questionnaire (en cinq minutes). Vos réponses à ce questionnaire sont très précieuses pour nous. De votre côté, ce questionnaire est une occasion de nous faire des retours. Pour connaître les nouvelles concernant l'émission (annonce des podcasts, des émissions à venir, ainsi que des bonus et des annonces en avant-première) inscrivez-vous à la lettre d'actus.

Prior to Napster and LimeWire, the music industry seemed to be a cash cow. Everyone wanted in. But in the world of streaming, artists are making literal pennies on the dollar. Some bands will need tens of thousands of listens and likes to make a paycheck. The music industry is broken, which is why Bruce Springsteen and the Red Hot Chili Peppers have cashed in their chips and sold their music catalogue.   In this solo episode of the Check Your Brain podcast, Tony Mazur analyzes the issues in modern music. He plays interviews from Rick Beato and Smashing Pumpkins' Billy Corgan who said rock 'n' roll was systematically destroyed three decades ago, and the only way one makes it in the music industry is if they have rich parents subsidizing their kids' vanity project. He also touches on the ridiculous New York Times' list of 30 Greatest Living Songwriters, the unoriginality in modern music, and the phenomenon known as "Blue Dot Fever."   Be sure to subscribe to Tony's Patreon. $3 gets you just audio, $5 gets video AND audio, and $10 has all of the above, as well as bonus podcasts per week. Visit Patreon.com/TonyMazur. Tony is also on Rumble! Go find his video podcasts over there for free.   Cover art for the Check Your Brain podcast is by Eric C. Fischer. If you need terrific graphic design work done, contact Eric at illstr8r@gmail.com.

Naomi continues her journey through iconic movies with The Italian Job — the gold-heist classic starring Mark Wahlberg, Charlize Theron, Jason Statham, and the greatest Mini Cooper chase scene ever filmed! Naomi's reaction, Luke's nostalgia, and the surprising things Naomi didn't see coming—plus a toast hack (maybe?), the things we're not doing anymore, and way too much talk about toilets. You'll never shut down the real Napster!

Today's guest is a multi-instrumentalist, music educator, interviewer, producer, and songwriter. He is also one of the most influential independent music voices online. His real story isn't the channel he built after a 90-second video of his son's perfect pitch hit 80 million views overnight, it's his incredible value to the music community and the conversations he sparks online about the state of the music industry and his conversations with some of the biggest creators within it's orbit.This is one of the more unflinching conversations we've had about what's actually happening to music. Two musicians from different generations of the same fight, working it out in real time. Where do you stand when the rules of the music industry keep changing under your feet?And The Writer Is... Rick Beato!In this episode of And The Writer Is, we go deep on:How getting dropped in 1999 built a YouTube empire 16 years laterWhy Ringo would be a co-writer of every Beatles song in 2026The Eli Mercer experiment: building a fully fake AI artist with Claude — and what happened when he uploaded itThe NPR EDM stunt: 4 million monthly Spotify listeners, 6,300 followers, and what that math says about AIThe 90-second video of his son's perfect pitch that hit 3 million views by 10pm and 80 million total"There's no two current artists with the gravity of Bob Dylan and Stevie Wonder" — and Ross's case for their modern counterpartsWho is the Michael Jordan of pop music? Queen at 3 billion streams enters the chatWhy Ross is still bullish on songwriting — and what the Music Modernization Act got right that the No Fakes Act needs to finishAnd much more...Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our sponsors for making these conversations possible.Our lead sponsor, NMPA — the National Music Publishers Association. Your support means the world to us.Chapters0:00 Intro2:14 The beginning of Rick Beato's music career3:11 The rollercoaster of an early music career5:32 The Napster era and the dawn of digital recording9:16 Producing Shinedown — and how "Simple Man" became the hit10:54 Why "Yellow Ledbetter" was a B-side — and why bonus tracks are back12:48 What country radio still gets right about hits14:54 Inside Nashville sessions and the number triangle17:28 The future of AI in music — and the No Fakes Act21:20 The future of prompting and curating music23:54 Would The Beatles be a four-way publishing split in 2026?25:39 The modern music economy: are album tracks worthless now?27:58 American writers are chasing global stars now34:30 The Eli Mercer experiment: a fake artist built with Claude36:52 The NPR EDM stunt and what it proved about AI on Spotify41:18 4M monthly listeners. 6,300 followers. AI is winning the algorithm.42:58 How Rick Beato built a YouTube empire45:22 The "What Makes This Song Great" era51:49 1984 vs now — and the search for a modern Bob Dylan and Stevie Wonder54:18 Who is the Michael Jordan of pop music?55:51 Queen at 3 billion streams — what counts as "biggest"1:00:28 Golden, Blinding Lights, and what makes a 2020s standard1:06:53 Songwriter similarities and the lawsuits that never happened1:09:42 "Best era of pop music. Am I wrong?"1:13:56 1998: how Clear Channel and Cumulus consolidated radio1:20:14 The Music Modernization Act and what's actually next1:24:54 Is the future of songwriting still bullish?Credits:Hosted by Ross GolanProduced by Joe London & Jad SaadEdited by Jad SaadPost-Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

¿Por qué ya casi nadie compra música, pero escuchamos más canciones que nunca?  00:00:00 - El algoritmo musical: Spotify cambió todo00:12:41 - El fin del disco00:21:34 - Napster y las descargas00:28:45  - iTunes: de álbum a canciones00:35:32  - El streaming00:43:28  - Spotify freemium00:50:10  - Regalías por play00:55:04  - De poseer a acceder01:00:04  - En todas partes01:05:59  - CréditosEn este episodio de El Siglo 21 es Hoy, comienza la serie El algoritmo musical con una historia sobre Spotify, streaming, música digital y el cambio que transformó para siempre la industria musical.Este episodio recorre el paso del disco al dato: Napster, iTunes, Spotify, Apple Music, streaming musical, modelo freemium, playlists, regalías por reproducción, datos de escucha y recomendaciones automáticas.La pregunta de fondo es simple: ¿qué pasa cuando una canción ya no compite solo por venderse, sino por ser reproducida, guardada, repetida y escuchada hasta el final?Este es el punto de partida para entender cómo la industria musical llegó al mundo actual, donde Spotify cambia carreras, TikTok fabrica hits y una canción puede quedarse en tu cabeza durante días.La serie completa El algoritmo musical ya está disponible en el Club de Supporters como audiolibro.Tecnología, ciencia y entretenimiento digital explicados con historias.Episodio 1560 — Spotify cambió todoSerie: El algoritmo musical

¿Por qué ya casi nadie compra música, pero escuchamos más canciones que nunca?  00:00:00 - El algoritmo musical: Spotify cambió todo00:12:41 - El fin del disco00:21:34 - Napster y las descargas00:28:45  - iTunes: de álbum a canciones00:35:32  - El streaming00:43:28  - Spotify freemium00:50:10  - Regalías por play00:55:04  - De poseer a acceder01:00:04  - En todas partes01:05:59  - CréditosEn este episodio de El Siglo 21 es Hoy, comienza la serie El algoritmo musical con una historia sobre Spotify, streaming, música digital y el cambio que transformó para siempre la industria musical.Este episodio recorre el paso del disco al dato: Napster, iTunes, Spotify, Apple Music, streaming musical, modelo freemium, playlists, regalías por reproducción, datos de escucha y recomendaciones automáticas.La pregunta de fondo es simple: ¿qué pasa cuando una canción ya no compite solo por venderse, sino por ser reproducida, guardada, repetida y escuchada hasta el final?Este es el punto de partida para entender cómo la industria musical llegó al mundo actual, donde Spotify cambia carreras, TikTok fabrica hits y una canción puede quedarse en tu cabeza durante días.La serie completa El algoritmo musical ya está disponible en el Club de Supporters como audiolibro.Tecnología, ciencia y entretenimiento digital explicados con historias.Episodio 1560 — Spotify cambió todoSerie: El algoritmo musical

Send us Fan MailAmanda Wick is a name to know when talking about things crypto.  A onetime US government prosecutor, Wick specialized in crypto currencies and money laundering.  Later she went on to found the Association for Women In Cryptocurrency and now she is a principal in Incite where she provides expert advice on crypto related matters.  Wick's current focus: stablecoin.  In the show Wick talks about the risks posed by stablecoins to credit unions and also the potential benefits.  Should credit unions get involved in stablecoin?  Wick's answer is yes but with eyes wide open.  Note: this is not a show exclusively for gearheads.  Language throughout is non technical.Along the way, Wick talks about her book The Catalysts: The Accelerating Forces Forging the New World Financial Order.  Read the title again.  She is talking about what she sees as the inevitability of a new global financial order that indeed changes just about everything.In the show she refers several times to Napster which provided peer-to-peer file sharing and that may sound innocuous but the reality is that Napster revolutionized how music is distributed and shared.  It shut down a quarter-century ago but its impacts only grew until today recorded music is a digital phenomenon. Think how that has impacted record companies, bands, and an entire huge industry.Similar is happening today in finance, says Wick, and you ain't seen nothing yet.  Bigger changes are ahead.  Are you ready?Listen up.Like what you are hearing? Find out how you can help sponsor this podcast here. Very affordable sponsorship packages are available. Email rjmcgarvey@gmail.com  And like this podcast on whatever service you use to stream it. That matters.  Find out more about CU2.0 and the digital transformation of credit unions here. It's a journey every credit union needs to take. Pronto

เคยต้องจ่ายเงินเป็นร้อยเพื่อซื้อซีดีทั้งอัลบั้ม เพียงเพราะอยากฟังแค่เพลงเดียวไหมครับ? แต่เชื่อไหมว่า อุตสาหกรรมดนตรีมูลค่าแสนล้านดอลลาร์สหรัฐ กลับถูกสั่นคลอนด้วยฝีมือของเด็กหนุ่มวัยเพียง 17 ปี ที่นั่งเขียน Code อยู่ในห้องนอน! เขาคือผู้สร้าง Napster ซอฟต์แวร์แชร์เพลงฟรีที่ดึงดูดผู้ใช้งานกว่า 80 ล้านคนในชั่วพริบตา จนค่ายเพลงยักษ์ใหญ่และศิลปินระดับโลกต้องจับมือกันฟ้องร้องให้ล่มสลาย แม้ Napster จะมีอายุแค่ 2 ปี แต่นี่คือจุดกำเนิดที่แท้จริงของการฟังเพลงแบบ Streaming อย่าง Spotify ที่เราใช้กันทุกวันนี้ เด็กหนุ่มคนนี้ทำลายโลกใบเก่าได้อย่างไร แล้วความล่มสลายของเขาทิ้งบทเรียนอะไรไว้ให้ธุรกิจบ้าง ไปหาคำตอบกันครับ เลือกฟังกันได้เลยนะครับ อย่าลืมกด Follow ติดตาม PodCast ช่อง Geek Forever's Podcast ของผมกันด้วยนะครับ #Napster #ประวัติNapster #เรื่องเล่าธุรกิจ #ธุรกิจดนตรี #ยุค90 #ฟังเพลงออนไลน์ #กำเนิดSpotify #แอปโหลดเพลง #เทคโนโลยีเปลี่ยนโลก #สรุปธุรกิจ #บทเรียนธุรกิจ #กรณีศึกษาธุรกิจ #GeekStory #ค่ายเพลง #นวัตกรรม #geekstory #geekforeverpodcast

Joe and Robert dig into Anthropic's launch of Mythos and Project Glasswing and ask the bigger question: is this the moment marketers need to wake up to the fact that AI is not just a tool shift, but a business model shift? Joe argues this may be AI's Napster moment, the point where the future is suddenly visible and the old rules no longer apply. They also discuss the attack on Sam Altman's house and what it says about the growing anti-AI backlash. As fear, frustration, and economic anxiety build, what does the AI industry need to understand before resistance gets louder and more dangerous? Finally, HubSpot makes headlines with its media acquisition, but the bigger conversation is the company's decision to rename its flagship event from Inbound to Unbound. Joe and Robert both believe the move is a mistake and break down why consistency, memory, and brand equity matter more than clever repositioning. In this episode: Anthropic launches Mythos and Project Glasswing Why Joe calls this the Napster moment for AI What marketers need to do now as the model changes The Sam Altman attacks and the rise of anti-AI anger What AI companies are missing about public frustration HubSpot's media move Why changing Inbound to Unbound may be a branding error The value of consistency in event strategy Winners and Losers/Rants and Raves Joe's Winner: A gas station that turned into a speakeasy Joe's Rave: The Pittsburgh Post-Gazette Robert's Loser: DoorDash Robert's Commentary: The four categories of AI perception (inspired from this article) Closing Thought: The old marketing playbook is getting shaky fast. The question is no longer whether AI will change the rules. The question is whether marketers are willing to admit the rules have already changed. Subscribe and Follow: Follow Joe Pulizzi and Robert Rose on LinkedIn for insights, hot takes, and weekly updates from the world of content and marketing.  ------- This week's sponsor: Did you know that most businesses only use 20% of their data? That's like reading a book with most of the pages torn out. Point is, you miss a lot. Unless you use HubSpot. Their customer platform gives you access to the data you need to grow your business. The insights trapped in emails, call logs, and transcripts.  All that unstructured data that makes all the difference. Because when you know more, you grow more. Visit https://www.hubspot.com/ to hear how HubSpot can help you grow better. ------- Get all the show notes: https://www.thisoldmarketing.com/ Get Joe's new book, Burn the Playbook, at http://www.joepulizzi.com/books/burn-the-playbook/ Subscribe to Joe's Newsletter at https://www.joepulizzi.com/signup/. Get Robert Rose's new book, Valuable Friction, at https://robertrose.net/valuable-friction/  Subscribe to Robert's Newsletter at https://seventhbearlens.substack.com/ ------- This Old Marketing is part of the HubSpot Podcast Network: https://www.hubspot.com/podcastnetwork

Send us Fan MailWatch my acting debut film for free, Cape Cod Cthulhu!A look at the one and only Prince. The origin story of Comedy Central. Some of the worst business decisions of the 1990s.Episode 240 has a fresh garden of GenX nostalgia in bloom.It kicks off with an origin story. Long before becoming one of the most important cable television channels of the 21st century, Comedy Central was little more than a pair of small-time networks. We look back at how this channel started and some of its most important shows.Very few get to be called legends, icons, and trailblazers in any given field. Prince was all of those things and more. Ten years since his unfortunate death we celebrate the life, music, and legacy of one of music's most talented performers.This week's new Top 5 features all sorts of terrible 1990s business decisions. Aquisitions, missed opportunities, strange repackagings, and much more are in store.There is a brand new This Week In History and Time Capsule doing a deep dive into the landmark Metallica v. Napster court case.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 239 hereSupport the show

May we resolve to live not by lies, political correctness, wokeness, or ‘repressive tolerance‘ by any name. May we live by the Truth alone, and may God have mercy on us. Political correctness is communist propaganda writ small. In my study of communist societies, I came to the conclusion that the purpose of communist propaganda was not to persuade or convince, nor to inform, but to humiliate; and therefore, the less it corresponded to reality the better. When people are forced to remain silent when they are being told the most obvious lies, or even worse when they are forced to repeat the lies themselves, they lose once and for all their sense of probity. To assent to obvious lies is to co-operate with evil, and in some small way to become evil oneself. One’s standing to resist anything is thus eroded, and even destroyed. A society of emasculated liars is easy to control. I think if you examine political correctness, it has the same effect and is intended to. — Theodore Dalrymple (Anthony Daniels) Frontpage Magazine interview (August 31, 2005) But what saith it? The word is nigh thee, [even] in thy mouth, and in thy heart: that is, the word of faith, which we preach; That if thou shalt confess with thy mouth the Lord Jesus, and shalt believe in thine heart that God hath raised him from the dead, thou shalt be saved. For with the heart man believeth unto righteousness; and with the mouth confession is made unto salvation. For the scripture saith, Whosoever believeth on him shall not be ashamed. For there is no difference between the Jew and the Greek: for the same Lord over all is rich unto all that call upon him. For whosoever shall call upon the name of the Lord shall be saved. — Romans 10:8-13 KJV Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me. — John 14:6 KJV Links Videos / Clips [x] = Played Triggered! Featuring Dave Chappelle- He Rapes But He Saves! [x] 0:47--2:23 The Problem With Feminising Society – Helen Andrews [x] 1:00--4:06 Headlines [x] = Mentioned / Discussed Featured [x] Google, Microsoft, Meta All Tracking You Even When You Opt Out, According to an Independent Audit High-Profile Deviance [x] Democrat [Kevin Cichowski] who wants to be Florida’s next governor is filmed being arrested after allegedly beating up two elderly people with a cane and phone | Daily Mail Online [x] Tony Gonzales says he will resign from House – POLITICO Eric Swalwell and curious coincidences of timing [x] Swalwell says he plans to resign from Congress amid sexual assault allegations – ABC News [x] Exclusive | Bleary-eyed Eric Swalwell wears a robe, parties with ‘yacht girls' during ‘hush hush' St. Tropez blow-out, wild video shows Double Standard…? [x] Trump, 79, Thirsts Over Woman in Front of Teenage Grandson, Donald Trump III The woman is Nina Coates, a golf content creator from Taiwan. Coates, who lives in Miami, responded to the president's affections on social media. “Yes I'm married,” she wrote alongside a laughing face emoji. A HuffPost analysis released on March 28 found that Trump's golf excursions have cost the taxpayer at least $101.2 million in travel and security expenses since his return to office in January last year. All of Trump's wives have been younger than him. He married his current wife, first lady Melania Trump, in 2005. She is 55, 24 years younger than her husband. Before Melania, there was Marla Maples, who is 62. His first wife, Ivanka Trump,[sic] died at 73 in July 2022. The Rest [x] = Mentioned / Discussed Live Not By Lies Theodore Dalrymple – Wikipedia Anthony Daniels (psychiatrist) – Wikiquote [x] FrontPage Magazine – Our Culture, What's Left Of It [x] THE MYTHOLOGY OF AMERICAN DEMOCRACY – A Lecture by Carroll Quigley Ph.D. [x] Bandwagon effect – Wikipedia [x] Mob rule – Wikipedia The Deviance of Trump [x] Donald Trump sexual misconduct allegations – Wikipedia Marla marla maples donald trump rape at DuckDuckGo [x] Scandalous Details About Donald Trump And Marla Maples’ Marriage [x] Trump believed rape accuser E. Jean Carroll was wife in photo [x] ‘It’s Marla’: Donald Trump confuses rape accuser with ex-wife, trial told | US News | Sky News [x] Leaked Donald Trump tapes dredges up 1989 spousal rape accusation Ivana ivana trump, donald trump rape at DuckDuckGo [x] Donald Trump’s ex-wife’s claim he ‘raped’ her resurfaces in new documentary | The Independent | The Independent [x] Did ivana trump say Donald trump raped her Ivanka ivanka trump at DuckDuckGo [x] Ivanka Trump Believes Alleged Victims of Sexual Misconduct—Unless They're Accusing Her Father Donald Trump’s comments about daughter raise eyebrows – CNN – YouTube Donald Trump: “If Ivanka weren’t my daughter, perhaps I’d be dating her.” – YouTube Ivanka Trump: All the times Donald Trump was inappropriate with his daughter | indy100 Donald Trump thinks Ivanka is ‘hot’ and would ‘date her if she wasn’t my daughter’ – The Mirror Donald Trump’s unsettling record of comments about his daughter Ivanka | The Independent | The Independent Behavioral Sink [x] Behavioral sink – Wikipedia [x] Population Density and Social Pathology: When a population of laboratory rats is allowed to increase in a confined space, the rats develop acutely abnormal patterns of behavior that can even lead to the extinction of the population – 1962-calhoun.pdf Beirut on the Charles GQ Article Draws Law Students’ Ire | News | The Harvard Crimson [x] Beirut on the Charles: At faction-ridden Harvard Law School, the only natural impulse that remains above suspicion is ambition itself (Feb, 1993) by John Sedgwick – GQ_BeirutOnTheCharlesFull.pdf Degenerate “Cultural Bolshevism” Herbert Marcuse – Wikipedia Joseph Goebbels – Wikipedia Cultural Marxism conspiracy theory – Wikipedia Marcusean ‘Repressive Tolerance’ at Work Sweet Cakes by Melissa – Cases – First Liberty Klein v. Oregon Bureau of Labor and Industries – Wikipedia [x] Masterpiece Cakeshop v. Colorado Civil Rights Commission – Wikipedia On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD Worldwide Public Holidays Tuesday April 14th 2026 | Office Holidays On This Day – What Happened on April 14 Today in History: April 14, Abraham Lincoln fatally shot at Ford’s Theatre | AP News What Happened on April 14 – On This Day What Happened on April 14 | HISTORY April 14 – Wikipedia What Happened On April 14 In History? 14 | April | 2020 | Executed Today Holidays Dolphin Day (US) Ex-Spouse Day (US) Gardening Day (US) Library Workers Day (US) Pan American Day (US) Pecan Day (US) Reach As High As You Can Day (US) That Sucks Day (US) Yom HaShoah Day (Jewish commemoration) ‘Six million Jews in WWII’ is a grossly inflated number, which is a marginalizing disservice to victims everywhere. That’s not ‘Holocaust denial’. It’s not denying the reality of genocidal tragedy – on the contrary, it affirms the tragedy(s) everywhere. This group does not have a monopoly on tragedy, as R.J. Rummel proved in DEATH BY GOVERNMENT: GENOCIDE AND MASS MURDER in which he coined the term ‘democide’. Despite relentless attempts to denigrate him (wonder why?) David Irving‘s work is instructive, and he is an unimpeachable witness. Why would a man be banned from entire countries simply for his ideas…? There’s also Edwin Black’s IBM and the Holocaust and the subject of what it more broadly represents (i.e., fascism)… There’s also the controversy of the term ‘holocaust’; “A burnt sacrifice; an offering, the whole of which was consumed by fire, among the Jews and some pagan nations”…?? World Quantum Day (Intl) Historical Events 2015 – Archaeologists announce they have found 3.3 million-year-old stone tools at Lomekwi in Kenya, the oldest ever discovered and predating the earliest humans 2003 – The Human Genome Project is completed: The project dedicated to mapping the genes of the human genome was started in October 1990. 2002 – 66th US Masters Tournament: Tiger Woods becomes the third player to claim back-to-back Masters, three strokes ahead of Retief Goosen of South Africa 2000 – Metallica files a lawsuit against the peer-to-peer sharing platform Napster, accelerating a movement against file-sharing programs 1996 – Greg Norman blows six-shot Masters lead in epic collapse: Third-round leader Greg Norman loses a six-shot lead in the final round of the Masters golf tournament and finishes second—one of the worst collapses in sports history. Nick Faldo wins the green jacket, finishing five strokes ahead of Norman. “I played like a bunch of [expletive],” the Australian tells reporters afterward.… read more 1994 – Musician Billy Joel & supermodel Christie Brinkley announce plans to divorce 1994 – In a friendly fire incident during Operation Provide Comfort in northern Iraq, two U.S. Air Force aircraft mistakenly shoot-down two U.S. Army helicopters, killing 26 people. 1991 – The Republic of Georgia introduces the post of President following its declaration of independence from the Soviet Union. 1988 – The USS Samuel B. Roberts strikes a mine in the Persian Gulf during Operation Earnest Will. 1988 – The Soviet Union agrees to withdraw from Afghanistan: In a United Nations ceremony in Geneva, Switzerland, the Soviet Union signs an agreement pledging to withdraw its troops from Afghanistan. Soviet troops had invaded the country in 1979 to support the communist rulers. They were defeated primarily by the Mujahideen, who were groups of militant Islamists sponsored by the CIA.123 1986 – U.S. bombs terrorist and military targets in Libya: In retaliation for the April 5 bombing in West Berlin that killed two U.S. servicemen, U.S. president Ronald Reagan orders major bombing raids against Libya, killing 60 people. The raid, which began shortly before 7 p.m. EST (2 a.m., April 15 in Libya), involved more than 100 U.S. Air Force and Navy aircraft, and was over within an… read more 1986 – The heaviest hailstones ever recorded hit Bangladesh: The lumps of ice weighed about 1 kg (2.2 lb). At total of 92 people reportedly died as a result. 1969 – Katharine Hepburn and Barbra Streisand tie for Best Actress Oscar: During the first internationally televised Oscars ceremony, Ingrid Bergman exclaims “It's a tie!” upon opening the Best Actress envelope—the first tie in a major acting category in three decades. The award went to both Katharine Hepburn, for her turn as Eleanor of Aquitaine in The Lion in Winter, and Barbra Streisand,… read more 1960 – Montreal Canadiens win fifth consecutive Stanley Cup: The Montreal Canadiens defeat the Toronto Maple Leafs to win the Stanley Cup for a record fifth year in a row. The Canadiens reached the Stanley Cup Finals after sweeping the Chicago Blackhawks in four games, while the Maple Leafs defeated the Detroit Red Wings, four games to two. The championship… read more 1956 – In Chicago, Illinois, videotape is first demonstrated. 1944 – Explosion on cargo ship rocks Bombay, India: The cargo ship Fort Stikine explodes in a berth in the docks of Bombay, India (now known as Mumbai), killing 1,300 people and injuring another 3,000. As it occurred during World War II, some initially claimed that the massive explosion was caused by Japanese sabotage; in fact, it was a tragic… read more 1939 – The Grapes of Wrath, by American author John Steinbeck is first published by the Viking Press. 1935 – “Black Sunday” Dust Bowl storm strikes: In what came to be known as “Black Sunday,” one of the most devastating storms of the 1930s Dust Bowl era sweeps across the region. High winds kicked up clouds of millions of tons of dirt and dust so dense and dark that some eyewitnesses believed the world was coming to… read more Was it ‘accidentally’ engineered…?678910 1932 – Loretta Lynn is born: Loretta Lynn, a singer who greatly expanded the opportunities for women in the male-dominated world of country-western music, is born in Butcher Hollow, Kentucky. Unlike some country-western stars that sang about a rural working class life but lived an urban middle class existence, Loretta Lynn's country roots were unquestionably authentic. Born Loretta… read more 1931 – First edition of the Highway Code published in Great Britain. 1927 – The first Volvo car premieres in Gothenburg, Sweden. 1918 – American pilots engage in first dogfight over the western front: Six days after being assigned for the first time to the western front, two American pilots from the U.S. First Aero Squadron engage in America's first aerial dogfight with enemy aircraft. In a battle fought almost directly over the Allied Squadron Aerodome at Toul, France, U.S. fliers Douglas Campbell and Alan Winslow succeeded in shooting… read more 1912 – Doomed passenger liner RMS Titanic hits an iceberg in the North Atlantic: The subsequent sinking of the world’s largest ocean liner of the time resulted in more than 1500 deaths. It was one of the worst peacetime maritime disasters in history. Was there more to the story…? 1910 – Taft becomes first U.S. president to throw out first pitch at MLB game: Skull and Bonesman,11 President William Howard Taft becomes the first president to throw out the ceremonial first pitch at a Major League Baseball game. The historic toss on opening day is to star Walter Johnson, the Washington Senators' starting pitcher against the Philadelphia Athletics at National Park in the nation's capital.… read more 1909 – Armenian Genocide: A massacre is organized by Ottoman Empire against Armenian population of Cilicia. Muslims in the Ottoman Empire begin a massacre of Armenians in Adana. 1908 – Hauser Dam, a steel dam on the Missouri River in Montana, fails, sending a surge of water 25 to 30 feet (7.6 to 9.1 m) high downstream. 1906 – The first meeting of the Azusa Street Revival, which will launch Pentecostalism as a worldwide movement, is held in Los Angeles. 1894 – The first ever commercial motion picture house opens in New York City. It uses ten Kinetoscopes, devices for peep-show viewing of films. 1894 – First public showing of Thomas Edison’s Kinetoscope (moving pictures) 1890 – The Pan-American Union is founded by the First International Conference of American States in Washington, D.C. 1890 – Painter Pierre-Auguste Renoir (49) weds Aline Victorine Charigot 1881 – The Four Dead in Five Seconds Gunfight occurs in El Paso, Texas. 1880 – Philosopher John Muir (41) weds Louisa Strentzel 1865 – William H. Seward, the U.S. Secretary of State, and his family are attacked at home by Lewis Powell. 1865 – Ulysses S. Grant and his wife turn down an invitation to join President and Mrs. Lincoln at Ford's Theatre to see the comedic play Our American Cousin. In doing so, he deprives assassin John Wilkes Booth of a second target. 1865 – U.S. President Abraham Lincoln is shot: President Abraham Lincoln was shot and fatally wounded during a performance of the play Our American Cousin at Ford's Theatre in Washington; Lincoln was taken to a boarding house across the street and died the following morning at 7:22 am. The assassin, John Wilkes Booth, wanted to revive the Confederate cause, mere days after their surrender to the Union Army, bringing the American Civil War to an end. At least, that’s the official story…45 1846 – The Donner Party of pioneers departs Springfield, Illinois, for California, on what will become a year-long journey of hardship, cannibalism, and survival. 1828 – First Edition of Webster's American Dictionary of the English Language is printed: Noah Webster, a Yale-educated lawyer with an avid interest in language and education, publishes his American Dictionary of the English Language. Webster's dictionary was one of the first lexicons to include distinctly American words. The dictionary, which took him more than two decades to complete, introduced more than 10,000 “Americanisms.” [Because, defining terms is important! Who’s in charge; who decides…?]… read more 1775 – First American abolition society founded in Philadelphia: The Society for the Relief of Free Negroes Unlawfully Held in Bondage, the first American society dedicated to the cause of abolition, is founded in Philadelphia by Benjamin Franklin and Benjamin Rush. The society changes its name to the Pennsylvania Society for Promoting the Abolition of Slavery and the Relief of Free Negroes Unlawfully Held in Bondage… read more 70 – Siege of Jerusalem: Titus, son of emperor Vespasian, surrounds the Jewish capital, with four Roman legions. Births 1975 – Anderson Silva, Brazilian mixed martial artist and boxer (51) 1973 – Adrien Brody, Performer who became the youngest Best Actor Oscar winner playing a Holocaust survivor in The Pianist. (53) 1941 – Pete Rose, Baseball great nicknamed “Charlie Hustle” who topped Ty Cobb’s record for career hits. Banned from the sport in 1989 for gambling. (died 2024) 1932 – Loretta Lynn, Queen of country music who was born a coal miner’s daughter—which inspired her biggest hit and an Oscar-winning biopic. (died 2022) 1925 – Rod Steiger, American soldier and actor (died 2002) 1907 – François “Papa Doc” Duvalier, Haitian dictator (died 1971) 1889 – Arnold J. Toynbee, English historian and academic, key architect of the Third British Empire author of 12-volume A Study of History (Oxford University Press 1939). (died 1975) 1738 – William Cavendish-Bentinck, 3rd Duke of Portland, English politician, Prime Minister of the United Kingdom (died 1809) Deaths 2021 – Bernie Madoff, American mastermind of the world’s largest Ponzi scheme [except for the Federal Reserve!] (born 1938) 2015 – Percy Sledge, American singer (born 1940) 2013 – George Jackson, American singer-songwriter (born 1945) 2013 – Charlie Wilson, American politician (born 1943) 2007 – Don Ho, American singer and ukulele player (born 1930) 1995 – Burl Ives, American actor, folk singer, writer, and freemason (born 1909) 1943 – Yakov Dzhugashvili, Georgian-Russian lieutenant, eldest son of Joseph Stalin (born 1907) 1759 – George Frideric Handel, German-English organist and composer (born 1685) Footnotes Wikipedia Contributors. “Operation Cyclone.” Wikipedia, Wikimedia Foundation, 10 May 2019, en.wikipedia.org/wiki/Operation_Cyclone. Accessed 14 Apr. 2026. ↩ “How Jimmy Carter and I Started the Mujahideen.” CounterPunch.org, CounterPunch, 8 Nov. 2015, www.counterpunch.org/1998/01/15/how-jimmy-carter-and-i-started-the-mujahideen/. Accessed 14 Apr. 2026. ↩ Dixon, Norm. “How the CIA Created Osama Bin Laden.” Green Left, 18 Sept. 2001, www.greenleft.org.au/2001/465/analysis/how-cia-created-osama-bin-laden. Accessed 14 Apr. 2026. ↩ Perloff, James. Exploding the Official Myths of the Lincoln Assassination. 2024, www.amazon.com/dp/0966816064. Accessed 14 Apr. 2026. ↩ Perloff, James. “Announcing James Perloff's Latest Book.” Jamesperloff.net, 2026, jamesperloff.net/announcing-james-perloffs-latest-book/. Accessed 14 Apr. 2026. ↩ FDRLibrary. “FDR and the Dust Bowl.” YouTube, 20 June 2018, www.youtube.com/watch?v=LRAbOAim8U8. Accessed 14 Apr. 2026. ↩ Wikipedia Contributors. “Dust Bowl.” Wikipedia, Wikimedia Foundation, 27 Feb. 2019, en.wikipedia.org/wiki/Dust_Bowl. Accessed 14 Apr. 2026. ↩ Wikipedia Contributors. “Deforestation.” Wikipedia, Wikimedia Foundation, 15 Jan. 2019, en.wikipedia.org/wiki/Deforestation. Accessed 14 Apr. 2026. ↩ Wikipedia Contributors. “Desertification.” Wikipedia, Wikimedia Foundation, 25 May 2019, en.wikipedia.org/wiki/Desertification. Accessed 14 Apr. 2026. ↩ Snyder, Michael. “1930s Dust Bowl Conditions Are Returning to the Middle of the United States.” Substack.com, Michael Snyder's Substack, 8 Apr. 2025, michaeltsnyder.substack.com/p/1930s-dust-bowl-conditions-are-returning. Accessed 14 Apr. 2026. ↩ Best of Danny Jones. “The Man Who Was BORN into the Deep State Finally Speaks | Kris Millegan.” YouTube, 10 Apr. 2026, youtu.be/eM8eMtcNACw. Accessed 14 Apr. 2026. 7:00--34:00 Kris Millegan on; William Howard Taft, Alphonso Taft, William Huntington Russell, Phi Beta Kappa, Skull and Bones, the (family) history of the (modern) opium trade, and American football. ↩

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners' uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Who is R.L. Stine? He's the author of the immensely popular Goosebumps and Fear Street book series, who at the height of his success entered into a lengthy legal battle with Scholastic. But we'll also dive into the man truly responsible for the success of Goosebumps, a guy you've never heard of named Tim Jacobus.--Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

iPod saved Apple from chapter 11 and there would be no iPhone with it either. Oh, and Jony Ive helped, a little, too! Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom-and-pop to major brands. Steven Semple is a marketing consultant, story collector and storyteller. I’m Steven’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Seaside Plumbing Ad] Dave Young: Welcome back to the Empire Builders Podcast. I’m Dave Young and Steve Semple’s here and we’re talking about empires. When you told me the topic for today here just a few seconds ago, it’s like, “Oh, we’re talking about an empire inside an empire. We’re talking about an empire that changed lots of things.” Stephen Semple: Yes. Dave Young: So we’re going to talk about the iPhone. Stephen Semple: Correct. Dave Young: Oh, man. Man, did it change things? Stephen Semple: Well- Dave Young: I mean, so- Stephen Semple: Yes. Dave Young: … you think people that aren’t… Gosh, I keep thinking that, gosh, there were a lot of years I didn’t have a cell phone, let alone an iPhone. Stephen Semple: Correct. Dave Young: But cell phones changed everything, and then iPhone changed it more. And gosh, what year are we talking about? Early 2000s? 2000-ish-four, ’05, ’06, somewhere in there? Stephen Semple: Yeah. Dave Young: Is that about right? I’m just trying to think of when I got one. Stephen Semple: Oh, you’re talking about when it launched? 2007 is when I- Dave Young: Seven. Okay. Stephen Semple: Yeah. 2007 is when it launched. And when you think about it, we used to have our Palmpilot for our contacts, we had our dicsman for our music, we had our cell phone for telephone calls, and we had internet cafes for our internet access. Dave Young: For our laptops and all of that. Yeah. Yeah. Stephen Semple: Right. Dave Young: All these devices. Stephen Semple: And today, it’s both the bestselling phone of all time, the best-selling camera of all time, the bestselling music player of all time, the best-selling GPS of all time, and the best-selling game console of all time. Dave Young: Crazy, isn’t it? It’s a ubiquitous product, really. Stephen Semple: Yes. It’s the most profitable product of all time. 2.3 billion have been sold. One fifth of humanity has one. Dave Young: Man. Stephen Semple: Right? Dave Young: Yeah. Stephen Semple: It created a whole brand new economy called the App Store that did not exist before. And it was not an obvious product. Steve Jobs initially hated the idea. I want to say this again. Steve Jobs initially hated the idea. He thought smartphones would never take off and they were a dumb idea. Dave Young: Okay. Stephen Semple: This is how not obvious the product was. Dave Young: Yeah. Every now and then you hear somebody saying, “Oh, I wish I could go back to a flip phone.” And you think, “Yeah, that would be nice.” But then it’s like, “Well, no. No, I don’t know if I could get by without all this stuff.” Stephen Semple: Yeah. It’s really incredible. The birth of the iPhone, to really understand the birth of the iPhone, is you actually have to go back to the iPod. It’s predated the iPhone. And Tony Fidel invented the iPod. Here’s what’s really important about the iPod, is Apple was on the verge of bankruptcy, and the iPod saved them from bankruptcy. The iPod is what saved Apple. And basically Tony Fidel, back when he was 12, he bought an Apple 2, and it was really his first true consumer product. And in 1991, he graduated. And of course, that was the early days of the internet. We forget how even new the internet is. And a couple of people had left Apple to start a company called General Magic to build handheld computers. Tony joins General Magic, and it’s amazing. There’s lots of ideas. But what he found is there was these tons of ideas and no focus, nothing ever made it to development. And that frustrated him because he actually wanted to develop things. So he goes over to Phillips, and Phillips had an MP3 player. And Napster came along, which was allowing people to download music, but it’s free, but it’s kind of illegal and maybe sketchy and all that other stuff going on. Basically he looked at it and he said he wanted to start to develop this unified digital music player in a site where people could download things legally, because he felt people wanted that. And Steve Jobs also felt people wanted that and Jobs got wind of what he was working on. This is 2000 when the dotcom bubble happens. Jobs gets wind of this idea and is back at Apple at this point and reaches out to him and says, “Come on over and help us to develop this.” Now, Jobs had a bit of a windfall. The iMac comes out and the Apple is back because iMac had some pretty good success, but the iMac was still only 3% of the marketplace. So Jobs hires Tony to come and lead up this idea of music, right? So in 2001, iTunes is launched. So iTunes predates the iPod, but here’s the thing, it was not for purchasing. It was just for ripping and organizing music. That’s what you could do with it. And then in October, the iPod is launched. So in October of 2001, the iPod is launched. Dave Young: So they have this solution that lets you rip all your CDs and organize them on your computer, but you can’t carry them around with you yet. Stephen Semple: Right. Not yet. So in January, they launched that. October, not that many months later, they launched the iPod. And people can also go over to sticky sales stories where Matthew Burns and I did the whole thing on the advertisements around the iPod because it was brilliant. Every other MP3 player out there was advertising, “Oh, this many megabytes or whatever.” Dave, you and I can remember, “A thousand songs in your pocket.” Dave Young: “A thousand songs in your pocket.” Silhouettes of people dancing, colorful silhouettes, it put you in the ad. Stephen Semple: Yes. Dave Young: And they didn’t talk about technical specs, didn’t talk about any of that stuff. It was just, “A thousand songs in your pocket.” Stephen Semple: They ran three ads, three different types of ads, “A thousand songs in your pocket.” And then when they came up with the version that would work for both Windows and Mac, Windows and Mac. But not a thousand, it would be one or the other, and then the last one would be the price. But that was it. But a thousand songs in your pocket were all like, “Oh my God, that’s incredible. A thousand songs in your pocket.” Dave Young: Mind blowing. Stephen Semple: Yeah. So April of 2003, a couple years later, the store comes out that allows people to buy music. But I remember my first iPod. Yeah, I couldn’t buy music. I just downloaded all my CDs, loaded them on my computer and put them on the iPod and that was amazing. Then you could start buying music and that was really, really cool. And very, very quickly, this whole space grew to $4 billion in sales and five years later, $20 billion in sales. And Apple ends up becoming three quarters of the entire MP3 market. Just dominated it. Now, at this point, mobile phones are starting to get smarter. The interface is still not great, but a lot of people inside the walls at Apple start feeling the writings on the wall. The writing is on the wall here because they’re going to get better and they believe that the smartphone will kill the iPod, but Jobs still hates the idea and sees phones as a niche. And he basically is famous to saying, “Apple is not a phone company.” But the internal people keep working away on him. And by 2005, Jobs green lights making a phone because others convince him of the trend. Now, when Jobs does something, he’s all in and he reaches out to the best people inside of Apple and basically asks them to join this super secret project. And here’s the crazy thing. Could you imagine this? You’re working at Apple and you get this email basically saying, “Do you want to join this super secret project? It’s going to be X number of years long. You are going to dedicate your life to it. You’re going to probably burn out. It’s going to cost you relationships.” They literally said this to people, “And we can’t tell you what it is until you sign this non-disclosure agreement.” Then when you signed the non-disclosure agreement, they told you what it was and you had to sign another non-disclosure agreement, but they got people to join the project. So they approached this as being, their first thought process on the iPhone was, this is an iPod that we’re going to attach a phone to. So what did the first iteration have? Clickwheel. Dave Young: Okay. Stephen Semple: Because the clickwheel was beautifully elegant on the iPod, but that they really quickly learned, not good on a phone. Dave Young: Not good on a phone. Yeah. Stephen Semple: It was a nightmare to text. It was a nightmare to do all these other things. You couldn’t put a keyboard. Then they looked at the Blackberry and they went, “Well, this keyboard on a phone’s not great because you lose half your real estate is lost to keyboard.” Dave Young: Just these little buttons. Yeah. Stephen Semple: Yeah. So enter Johnny Ives who had designed the iMac. And he loves buttons and he loves function, he loves design, he loves sleek tech, but he was like, “How do we get rid of all these things?” And he’s playing around with this idea on a new device. Now this device doesn’t go anywhere, but it’s where he first develops the whole idea of the pinch. Dave Young: Okay. Stephen Semple: But he starts looking and going, “I think this would work for the iPhone.” He creates this massive interface, this giant multi-touch pad that he’s working on for this other department. But he all of a sudden realizes, “Wait a minute, if we shrink this idea down and make it work on a screen, we could get rid of the keypad.” Dave Young: Altogether, yeah. Stephen Semple: Altogether. But here’s the problem, current touchscreen technology at that time couldn’t do it because it was pressure sensitive. Then they came across this new screen called compassitive, which detects electronic signals, which means that it could detect where your fingers were- Dave Young: Actually were. Yeah. Stephen Semple: And whether it’s two fingers and all of that. They also realized they had to create a new OS and all these other things. So in January of 2007, they get it pretty much good enough that Jobs can do a demo, but it’s glitchy. The demo he does in 2007, people should go to YouTube and watch this because it’s a beautiful demo. It’s a beautiful, beautiful demo. And in fact, right now we’re going to insert the little thing about how he introduces the launch of the iPhone. Steve Jobs: So three things, a wide screen iPod with touch controls, a revolutionary mobile phone, and a breakthrough internet communications device. An iPod, a phone, and an internet communicator. An iPod, a phone. Are you getting it? Stephen Semple: Okay. But you still want to go to the YouTube thing and watch this because his demo, it looks so slick. But here’s the interesting thing… Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell] Dave Young: Let’s pick up our story where we left off and trust me, you haven’t missed a thing. Stephen Semple: The technology was so glitchy that they literally were like, “This is the only map you can do. This is the only phone call you can make.” They literally found this one single path where they could show everything that they knew it wouldn’t glitch. Dave Young: Yeah. Stephen Semple: But Jobs being the way Jobs was, he made it seem like, “Oh, I’m just going to do this and I’m just going to do this.” It was like they had spent weeks like, “Oh no, this is the only way we can make this work.” Dave Young: We’ll work the rest out before it goes to market. Stephen Semple: Yeah. So basically they announced it in 2007 and basically what Jobs does, he goes to Maps and he calls up Starbucks and he orders 4,000 cups of coffee. But the point is, they also say, “Hey, this is going to be launched in six months.” So the team’s now got six months to actually get this sucker working, and they get it finished. But the interesting thing is, there were still a lot of people on Wall Street and things like that who didn’t think it was going to be that great because it was two times the price of everything else. It was twice as expensive as any [inaudible 00:15:03]- Dave Young: I mean, it still kind of is. Stephen Semple: Yes. Dave Young: Yeah. Stephen Semple: And AT&T, because AT&T did a development deal with them, AT&T was the only carrier it was available on for the first bunch of years. It was first four years that it was only available on AT&T, which was a brilliant move for AT&T, because AT&T- Dave Young: It really was. Stephen Semple: Yeah. Dave Young: I can tell you how I got my first iPhone. Stephen Semple: Okay, let’s hear it. Dave Young: I didn’t get iPhone 1. Well, I did. I got an iPhone one, but I got it secondhand. When the iPhone 2 came out, our partner, Michelle Miller, said, “Hey, anybody want to buy my iPhone 1 because I’m going to get a 2.” And I’m like, “Well, dang it. It doesn’t work in…” I was living in Western Nebraska. We didn’t have AT&T. And so, “Shoot, what do I do?” But then I read AT&T, you can sign up for AT&T and get a contract with them on the website. So you just sign up and I’m like, “Okay. But I’m in Nebraska.” And I found out that the weird local cell phone company that I had actually had a, I don’t know what you call it, a roaming agreement with AT&T. So there were no extra charges to be on the AT&T network on the local thing that I had. But I needed a Colorado address. I couldn’t just change my existing cell phone number to AT&T because I wasn’t in their coverage area. So I got a 303 area code and signed up for an AT&T contract and then activated this used phone on that account. And the address I gave them was Denver International Airport. Stephen Semple: Oh, fantastic. Dave Young: So I have a 303 phone number and my address is Denver International Airport. In the back of my mind, I think somewhere tucked away in a back corner of an office at AT&T is a pile of mail waiting for me. And if I ever walked in there, they’d say, “Oh yeah, we’ve been waiting for you to come get your mail.” Stephen Semple: As you know, I’m Canadian. We had to wait a couple of years because AT&T actually had the international rights and it took a little while for one of the Canadian cell phone companies did a deal with AT&T. So I think the iPhone was out a couple of years before we were able to get them here in Canada. But even with all of those hurdles, in the first week, they sold 250,000 of these phones in the first week. Dave Young: Yeah. Just creating this scarcity at first by limiting it to one carrier and a slow rollout across borders. When you saw someone with one, you went, “Oh, I want that. I want that.” Stephen Semple: Yeah. Now here’s the other part- Dave Young: I still have it somewhere. I was just looking for it in a drawer behind me. If I’d known- Stephen Semple: Yeah, but I don’t ever tell you [inaudible 00:17:50]- Dave Young: … sooner than five seconds before we start, I’d have had my iPhone out. Stephen Semple: All right. Well, you have to send a picture. Send me a picture of yourself with it. Dave Young: You know what’s amazing about it holding it? The first ones were so small. Stephen Semple: Yeah, they were actually. Dave Young: They’re so big now, but they were tiny. Stephen Semple: Remember, the whole thing was phones went from big… I find the phone evolution funny because phones went from big to teeny, tiny, to now getting back to being- Dave Young: Now bigger and bigger. Stephen Semple: … bigger and bigger. Dave Young: Screens that fold out. Stephen Semple: But here’s the other thing that changed at Apple. So when the iPhone came out, because all of a sudden now there was this people started developing apps for it. And in fact, Jobs was against initially apps being developed outside of the Apple infrastructure, but then people were just breaking the infrastructure, even though it validated the warranty. He then relented and said, “Okay, well then we do need to create the App Store,” and the App Store now is one of their most consistent products. So the thing I find that’s remarkable about all of this, one of the most consistent revenue streams for Apple is the App Store. Their most successful product is the iPhone, both of which initially Jobs was very against. And yet we think about jobs as being this amazing visionary. He was very against both these products. But here’s why I’ll give him credit as a CEO. He clearly, even though he said no to stuff, people could still bring the idea back to him because they did. And unlike a lot of other CEOs, he was open to change in his mind. Because he did on both of these things. Dave Young: And I think the standard that he said was, “Hey, okay, we’ll do it, but we’re not going to half-ass it.” Stephen Semple: Right. Because once he decided to do it… Oh no, once he decided to do it was like all the chips into the middle of the table, we’re going to do this and this is going to be fricking awesome. Like, yes. Dave Young: The ironic thing is, it ain’t going out with that wheel from the iPod. Stephen Semple: Right. Well, and that’s the other interesting thing, is when you think about the design approach, they first thought of it as adding a phone to the iPod and that locked them into the click wheel. And then they went, “Well, maybe it’s a phone with an iPod,” but then that locked them into the keyboard. Then all of a sudden realized it’s neither it’s something new. Dave Young: It’s a new thing altogether. Stephen Semple: It’s a new thing altogether. And that’s what made it magical. It was a new thing altogether. Dave Young: Ironically, you could say that it killed- Stephen Semple: And its inspiration came from the computer trackpad. That’s where the inspiration was. Sorry. Dave Young: Yeah. And you could make the case that it killed the iPod. Stephen Semple: It did. Dave Young: But I think it became the iPod. iPod just got absorbed into it. You don’t need an iPod anymore. Stephen Semple: And I’m glad you pointed that out because I meant to mention this. Because here’s the other part where I will give Steve Jobs a lot of credit, because how many businesses have we seen have failed because they were unwilling to destroy their own products? Their most successful, most profitable product was the iPod. And what was going to get killed in this? Was the iPod and they were willing to do it. Dave Young: It wouldn’t have caught on to the level that it did if it was like, “Oh, wait. Now we have to buy two devices from Apple. I have to carry two of these things around. That doesn’t make any sense.” Stephen Semple: And when you listen to Steve Jobs’ presentation of the iPhone, he lays it right out, that you don’t need the iPod anymore, that this was a killer. Now look, think about- Dave Young: And you don’t need a GPS in your pocket and you don’t need all the things. Stephen Semple: Right, right. But this willingness to destroy your own most successful product. Look, Xerox was unable to do that. Dave Young: Who? Stephen Semple: Xerox died because it was unwilling to kill its own products. How many other companies have we seen that happen, where it’s like, “Well, no, we can’t do that because that’s how we make money.” And Jobs was like… So when you say fully on board, once he was fully on board, it was like, “Yeah, yeah. Oh yeah. No, the iPods days are numbered. We know that.” Dave Young: Yeah. You want to hear my pet peeve about it? Stephen Semple: Sure. Dave Young: Being a broadcaster at the time, I guess it was after I left the radio business, but one thing that they could have easily done, and I’ve heard that the circuitry is already built into it, but they opted not to do it, was put an AM/FM radio in it so that you could actually listen to the radio on the same device. And I think they opted for selling you songs instead of letting you listen to your local radio station. Because they could have easily done that, right? Stephen Semple: Interesting. Dave Young: There were walkmans that had AM/FM built into them. Stephen Semple: It’s interesting because there’s- Dave Young: But they opted not to do that. Stephen Semple: And it’s interesting that no… From the best of my knowledge, none of the cell phone companies have opted to do that. It seems like if you’re going to listen to somebody’s radio station now, it’s through their app. Dave Young: Yeah, you have to stream it. Stephen Semple: Yeah. Dave Young: But not over the air. We could go into a whole list of things, but I think one of the biggest issues with that is safety, right? If you have a device that can pick up over the air transmissions and you don’t need an internet connection to do it, you can listen to a tornado warning without- Stephen Semple: Yeah, it’s true. Dave Young: … those kinds of things, you can tune into things that are going on. Not that radio stations anymore are doing much of that. But anyway, I always thought they could easily do this. They just didn’t. Stephen Semple: Yeah. I don’t know much about that, but the part- Dave Young: But I still have one. Stephen Semple: Yeah. But the part, again, that I found interesting about this was, he was against it. He came for it. Once he was for it, he was fully in and they were willing to destroy their most profitable product to replace it with another product. Because once he saw the writing was on the wall, it was like, “No, we’re going to do this and we’re going to do it awesome.” Dave Young: Yep. Well, it’s a great story and it’s a great product. I still have one and they keep adding things that I don’t even know how to use. Stephen Semple: That’s very true. Dave Young: Isn’t that the truth? But I can still listen to my music and answer my phone calls. Stephen Semple: And take pictures. Dave Young: Yeah, the cameras, to me, one of the best parts of it. Stephen Semple: It really is. Dave Young: I have some old grainy photos that I took with the little pocket. What did you call them? Just the little PDAs that were out just before- Stephen Semple: Oh, I never had any of those, so I don’t know. Palm pilots and things like that? Dave Young: Yeah, the Palm Pilots. Stephen Semple: Oh, did they have a camera in them? I never had one with a camera in it. Dave Young: Yeah. I have a bunch of grainy photos that I took with a Sony version of a Palm Pilot that had a grainy little camera in it. So it was about the same kind of camera you’d get in a flip phone. Stephen Semple: Okay. All right. Dave Young: I have cool pictures of… From 2004, Roy Williams took me onto the land that they had just bought that was going to become Wizard Academy. Those were taken on my little Palm Pilot phone. Stephen Semple: There you go. Dave Young: Wish I’d have had an iPhone back then. Stephen Semple: Right. Well, and that’s the thing. We have it with us all the time. All right, cool. Dave Young: Thank you, Steven. Stephen Semple: And I know it’s not our typical thing to talk about, but look, the iPhone changed the world. Dave Young: That’s true. Stephen Semple: Let’s just face it. It changed the world. Dave Young: In many ways still doing it. Stephen Semple: It sure is. Yeah. Dave Young: Thanks for bringing us the iPhone. It looks like I’ve got some notifications I got to go check, Steven, so let’s put a pin in this one. Stephen Semple: All right. Thanks, Dave. Dave Young:Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app and leave us a big, fat, juicy five star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute empire building session, you can do it at empirebuildingprogram.com

Apresentado por Bruno Natal.--Aproveite os descontos da Insider Store com o cupom RESUMIDO:⁠⁠⁠⁠⁠https://creators.insiderstore.com.br/RESUMIDO⁠⁠⁠⁠Grupo oficial da Insider no WhatsApp com Flash Promos: https://creators.insiderstore.com.br/RESUMIDOWPPBF--Loja RESUMIDO (camisetas, canecas, casacos, sacolas): https://www.studiogeek.com.br/resumido--Faça sua assinatura!https://resumido.cc/assinatura--A internet piorou de propósito. Ao mesmo tempo, a IA avança e transforma o trabalho, a criatividade e até nossa identidade em algo automatizado e substituível. A reação já começou, governos e tribunais já responsabilizam plataformas e seus algoritmos por seus danos.Quem ainda está no controle?No RESUMIDO #357: a piora da internet é questão de política pública, Napster vira fábrica de gororoba musical por IA, Pokémon Go ajudou a mapear cidades para robôs, gêmeos digitais prometem agir por você, trabalhadores treinam a IA que pode substituí-los, robôs entram na guerra, plataformas condenadas por vício e muito mais!--Ouça e confira todos os links comentados no episódio: https://resumido.cc/podcasts/a-internet-piorou-de-proposito-o-humano-virou-opcional-criancas-contra-algoritmos

Ted speaks with Frank DeFilippis, Builder Channel at Sonos about the history, innovation, and future of wireless audio. Frank explains how Sonos was founded in the early 2000s by engineers who envisioned using home networks to distribute audio throughout a house without traditional wiring. At a time when Wi-Fi was still emerging and streaming services barely existed, Sonos introduced a groundbreaking system that allowed users to control and synchronize music across multiple rooms. The discussion highlights the technological challenges behind creating perfectly synchronized audio across devices, which became the core intellectual property and defining advantage of Sonos. Frank also reflects on the early days of digital music, when consumers were ripping CDs to hard drives and experimenting with services like Napster long before streaming platforms became mainstream. Ted and Frank explore how music shapes everyday life and why audio experiences are so powerful in homes, hospitality environments, and public spaces. They also discuss the opportunity for builders and developers to incorporate integrated audio systems as a standard feature rather than a luxury upgrade. The episode offers insight into innovation in consumer technology, the intersection of design and experience, and the role companies like Sonos play in shaping how people interact with music and sound in their daily lives. TOPICS DISCUSSED 01:10 Introduction & Frank D. Philippis of Sonos 02:20 The Origins of Sonos and the Vision for Wireless Audio 04:30 Early Challenges Launching a Networked Audio Platform 06:45 The First Sonos Products and Multi-Room Audio Control 08:00 How Streaming Changed the Way We Listen to Music 13:45 Innovation vs. Building a Traditional Business 16:00 The Evolution of Wireless Technology in the Home 21:00 Why Audio Matters So Much in Everyday Life 23:15 Bringing Whole-Home Audio to the Mass Market 28:00 Working with Builders, Designers, and the Trade 30:00 How Sonos stays lean and competitive 33:00 Technology Adoption and Keeping it Fun 35:30 Challenges and Patents Ending 38:30 Industry Trends and Opportunities for Builders 40:30 Final Thoughts on Innovation and Audio Experiences CONNECT WITH GUEST Frank DeFilippis Website LinkedIn KEY QUOTES FROM EPISODE "Met Steve Jobs at a math world in the 90s" "Innovate constantly to stay ahead" "Headwinds in the industry drive innovation"

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What is JenniCam? The brainchild of Jennifer Ringley, JenniCam was the first “lifecast” on the internet where everything about Jennifer's life was streamed 24/7, so curious onlookers could see her do everything, from eating to going to the bathroom to having sex. --Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Send us Fan MailWhat if never getting a real job was actually the smartest career move you could make?In this episode, Jess Thibodeau shares how he went from managing independent bands to building a career as an entrepreneur—without ever following the traditional 9–5 path.From the early 2000s music scene and the chaos of the Napster era, to launching multiple businesses and reinventing himself along the way, this is a real conversation about what it takes to build something on your own terms.If you've ever thought about being your own boss, working in the music industry, or creating a life outside the system, this episode breaks down what that actually looks like.

Note: Sorry for the radio silence! Long story short, the latest MacBook Pro seems to have some kind of line-wide defect. When I first bought it last year, the screen died a day later. And I got another one, and it worked fine for like a year and then about three weeks ago the screen died again. I took it to the Apple Store for a repair, they fixed it, I got it...and the screen died again. And so I had to get it fixed all over again. Unfortunately I opted for the 64gb ram version, which they don't sell in stores. So every time I need it fixed, it takes a week to order in the parts. Needless to say, this has completely made me unable to edit the show or any other videos. But I've got my computer back now and it seems to be going strong, so we'll be back to regular posting.--BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--If you lived in New York in the '80s or '90s and had a taste for the weird corners of cable television, you might have stumbled upon a public access show called Dirge of the Charlatans. It aired at strange hours and looked like something taped in a janitor's closet. Its host was a manic street corner preacher in a cheap suit who punched up at politicians, crooked police, and the government at large. But his passion was infectious, and at least once, hauntingly on point. --Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Hang out with Willy Will and see what's new in the Boys Like Girls world! Talk about music, tour and...Napster??? Make sure to grab your tickets to the show on March 21st! More details at X1039radio.comFollow us for even more fun local radio content!https://www.facebook.com/x1039radio https://www.instagram.com/x1039radio

Today's guest is a doll you know from Dragula… it's Cynthia Doll. Cynthia comes out of the gate with a bold statement: “The world is giving nothing.” She sits down with Delta to chat about producing music, downloading bootleg MP3s on Napster, and why the world could use a lot more vibrant color. The two also wonder: what would drag look like on Mars? Three heads? Human hair wigs? Bring on the aliens.Plus, Delta goes off on McDonald's managers. Why is there not a button for “hot” or “cold” when ordering your joke of a McCafé drink? It's 2026 and corporate still isn't doing their job. What does it take to get an order right, for God's sake?⁠Send us an e-mail at readmedelta@gmail.com⁠ FOLLOW DELTA⁠@deltawork⁠ ⁠VERY DELTA IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're joined by Bad Religion co-founder and Epitaph Records founder Brett Gurewitz at Brain Dead Studios in Hollywood, CA. We discuss growing up in the West San Fernando Valley, discovering the Ramones in the late 70s, meeting Greg Graffin and Jay Bentley at El Camino Real High School and starting Bad Religion in the quad, founding Epitaph to put out the Bad Religion 7", the entire BR discography, leaving the band right before the overnight success of Offspring's Smash, rejoining for Process of Belief, his thoughts on streaming as it dominates the music landscape today, and his favorite hardcore records ever. A genuine honor with a genuine legend and one of the best punk songwriters to ever live. Check out Colin's hand picked Bad Religion playlist of hits and deep cuts and enjoy: Spotify & Apple Music. _______________ Cool links: • Get 15% off DUNABLE GUITARS with code HARDLORE: https://dunableguitars.com • Get 15% off TIMELESS COFEE site-wide, including coffee subscriptions, cookies and cakes with code HARDLORE. _______________ 00:00:00 - Start 00:00:48 - Brett Gurewitz, Epitaph Records in 2025/2026 00:02:26 - Growing Up in the San Fernando Valley, Finding Music, CCR 00:06:44 - From Elton John to the Ramones: Discovering Punk 00:08:40 - Meeting Greg Graffin & Jay Bentley, Starting Bad Religion 00:16:29 - When Does It Become "Bad Religion"? 00:19:40 - What is Punk, and What is Hardcore? 00:23:28 - The "Crossbuster" & The Bad Religion Logo (Fritz Quadrata Pro Bold) 00:27:32 - Starting Epitaph Records For the BAD RELIGION S/T 7" 00:36:41 - HOW COULD HELL BE ANY WORSE? 00:50:02 - INTO THE UNKNOWN... Selling 10,000 Records (and getting them all back) 00:53:13 - Going to Rehab/Leaving Bad Religion 00:55:17 - Pardon This Interruption... 00:58:32 - Epitaph During 1983-1987, Rejoining Bad Religion, West Beach Studios 01:04:54 - The Beach Boys to the The Adolescents to Bad Religion 01:06:56 - SUFFER... Operation Ivy, NOFX, Growth in Epitaph & As an Engineer 01:10:47 - NO CONTROL... Learning from Suffer, Doing Everything with Integrity, Tribute to the Germs 01:17:05 - Greg Songs That Gave Him Goosebumps, No Control Title Track 01:20:35 - Tony Hawk's Pro Skater, I Want Something More, Tape Editing in Recording 01:24:40 - AGAINST THE GRAIN... Being Insecure With 21st Century Digital Boy, Songwriting, Picking Singles 01:30:45 - Touring For Bad Religion By 1990 01:32:40 - GENERATOR... Never Writing on Drugs, Split 7" With Noam Chomsky, Bobby Schayer 01:36:20 - RECIPE FOR HATE... American Jesus, Eddie Vedder, Touring While Balancing Epitaph, Struck A MF Nerve 01:41:39 - Bad Religion Leaving Epitaph & Signing to Atlantic 01:45:31 - STRANGER THAN FICTION... Andy Wallace, Better Off Dead, Falling Off the Wagon 01:49:49 - Leaving Bad Religion, Offspring's Smash, Rancid's ... And Out Come The Wolves, Feel The Darkness Re-Release 01:57:44 - Brian Baker, Losing Contact with The Band 01:59:24 - The Landscape of Music Changing, Napster, Torrents, &  Brett's Thoughts on Spotify 02:12:39 - PROCESS OF BELIEF... Returning to Bad Religion, Brooks Wackerman, Sorrow 02:20:15 - EMPIRE STRIKES FIRST... L.A. Is Burning, The Iraq War, Why Brett Doesn't Play With BR Now 02:24:38 - NEW MAPS OF HELL, THE DISSENT OF MAN, TRUE NORTH, AGE OF UNREASON... 02:31:28 - Brett's Top 4 Hardcore Records HardLore: A Knotfest Series, Fueled by Monster EnergyEdited by Steven Grise • Title sequence by Nicholas MarzlufJoin the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes.Join the HARDLORE DISCORD for community discussions and to participate in our future Q&A episodes.FOLLOW HARDLORE: INSTAGRAM, TWITTER, SPOTIFY, APPLEFOLLOW COLIN: INSTAGRAMFOLLOW BO: INSTAGRAM, TWITTER For sponsorship opportunities, email us! hardlore@knotfest.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dan & Manny welcome Author Ross Benes to discuss his book 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times. “I chose [19]99 out of all the years because it was just the wildest and most wackadoodle year of [the 90s]. You can write a similar book on 98 [...] but I think 99 is just a little more insane in the membrane.” -Ross Benes This episode of Nostalgia 101 author Ross Benes takes Manny & Dan to school on all things 1999. His book 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times seems to have foreseen the times we find ourselves in and might hold key answers to some off questions about the cultural pickle we're attempting to escape. They go from unpacking the impact of The Jerry Springer Show to The Insane Clown Posse, Juggalos, and Beanie Babies to Y2K, Napster, and the oversaturate porn industry. This is the exact type of episode that The Nostalgia Test Podcast is built for and ross Benes more than delivered. Get Ross' book. It's the sort of pop-culture analysis that satisfies the academic audience, general fandom audience, and the high-strung 90s fanatic. Oh, and he gives us a really great Rocky franchise ranking. So, grab your Trapper Keepers and pens, throw some scratch-and-sniff stickers on the pages, and get ready to learn something about the most important year of the 90s. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Ross Benes is the author of 1999: The Year Culture Conquered America and Kickstarted OurBizarre Times. He's also a journalist and market analyst whose writing has appeared in Mental Floss, Esquire, The Wall Street Journal, Smithsonian Magazine, and Entertainment Weekly.  Buy 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times          Approximate Rundown 00:00 Meet the Guest 02:03 Ross Background 03:39 Why 1999 Matters 04:55 Wrestling and Kayfabe 10:29 Ragebait Media Machine 13:02 Tech Shifts and Y2K 15:32 Talk Show Sensationalism 19:34 When Low Culture Wins 25:34 Upsides of Trash Culture 29:44 High vs Low Pop Culture 32:24 Juggalos and Belonging 35:57 Howard Stern as Conduit 41:17 Can Anything Shock Us 44:48 Doomscroll Desensitization 45:42 Faces of Death Then Now 46:09 Algorithms Versus Choice 48:56 NFTs Pet Rock Moment 49:36 Zombie Tech Nostalgia 51:09 TomTom GPS Horror Stories 53:05 1999 Mascot and Trends 57:08 Reality TV Wins Out 01:00:34 Todays Low Culture Shift 01:04:06 Why 1999 Still Matters 01:06:24 Rocky Movie Rankings 01:14:38 Reboots and Final Wrap   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected  

The Album vs. The Algorithm: Keith Jopling Reveals Why Albums Still Rule! Is the album dead or stronger than ever? In this episode, Keith Jopling reveals how the album survived the Napster and Spotify eras, why streaming changed listener habits, and how legacy artists and Gen Z rediscover albums as a way to connect deeply with music. We explore the critical role of albums, regional music scenes, playlist culture, and the importance of slower artistic discovery for timeless classics. Tune in for insights on platform economics, artist branding, and the future of music creativity!

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What were the Kentucky Cave Wars? It was a fierce business rivalry in the early 1900s between competing cave owners around Mammoth Cave in south-central Kentucky. It involved sabotage, dueling false advertising and smear campaigns, and other cartoonish hijinks that resulted in a national park being established. But it will go down in history as the most intense…cave disagreement known to man. --Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Bo Donaldson Returns!Take a walk with me down Fascination Street as I get to know even more about Bo Donaldson. You know Bo as the keyboardist for the platinum selling 1970s & 80s band Bo Donaldson and The Heywoods. Bo's first appearance on the show was in March 2025. In this episode, we catch up with what Bo has been up to since our last conversation. Bo and his band are part of the entertainment for a couple of 70s themed rock & roll cruises coming up. One in March of 2026 and the next in Jan of 2027. Bo will also be at the Missouri Cherry Blossom Festival in April of 2026. Bo Donaldson and The Heywoods have also released a new album of covers called 'Have A Nice Decade'! Because he is such a great guy, Bo lets me play my favorite track off the new record. Also in this episode, Bo shares his experiences seeing The Beatles three times in concert, as well as his ongoing royalty issues with Universal Music Group. Naturally we discuss 2026 as the 55th anniversary of the first (of 300) concerts that Bo Donaldson and The Heywoods opened for The Osmonds. A chat between Bo & me would not be complete if I didn't bring up his love of Skyline Chili, and who would I be, if I didn't ask Bo to send me a thing I don't deserve! Follow Bo everywhere, and if you are near any of his appearances, show up and tell him you heard him on the show!

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Who is Roy Jay? He was a British-Norwegian comedian who performed stand-up from the 1970s until his death in 2007. However, something strange happened in April 2025. The internet became convinced Roy Jay was an AI-generated demon who was inserting himself into our memories as part of a collective Mandela effect when he never existed at all…--Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Matt Adell is a music tech entrepreneur and the COO & co-founder of Musical AI, a rights-first AI licensing platform designed to protect creators in the era of generative music. With a career spanning influential companies like Beatport and Napster, Matt brings deep experience at the intersection of music, technology, and digital innovation. Today, he's focused on building ethical AI systems that respect copyright, ensure proper attribution, and create sustainable opportunities for artists as the future of music rapidly evolves.In this episode, Matt breaks down exactly how AI is reshaping music creation, copyright, and compensation—and what independent artists need to know to protect their work and thrive in a generative future.Key TakeawaysHow generative AI is disrupting the music industry and what it means for artists, songwriters, and producersWhy copyright, attribution, and licensing matter more than ever in an AI-driven music ecosystemHow ethical, rights-first AI can create new opportunities without undermining human creativity or fair pay---→ Learn more about Matt Adell and his work at: wearemusical.ai.Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Full episodes and much more available on Patreon.com/slopquest Andy finds out about the new brain rot gen z pinsol commercials. Andy is back in full form according to O’Neill. Then O’Neill hits on a hot audience member in front of her boyfriend and the crowd loves it. Andy finds an old Napster audio file about grey eyes and torments O’Neill with it. Andy daydreams about being good at sword fighting during a match and gets cranked in the head. Then they discuss putting guys who waste their money on Only Fans in group homes. Andy and O’Neill talk about people who make all their money taping their own farts and how crazy the new economy is. The boys talk about how much plastic we’ve all eaten. Andy gets surrounded by fake AI movie trailers. Then they write a pitch for Forest Gump 2 where the plot is they dig up Jenny’s body so they can reanimate it for one last bang. Then they dig into the hilariously racist past of White Christmas. Andy tells O’Neill about the Japanese “Paris Syndrome” and O’Neill goes nuts.