Podcasts about Napster

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're joined by Bad Religion co-founder and Epitaph Records founder Brett Gurewitz at Brain Dead Studios in Hollywood, CA. We discuss growing up in the West San Fernando Valley, discovering the Ramones in the late 70s, meeting Greg Graffin and Jay Bentley at El Camino Real High School and starting Bad Religion in the quad, founding Epitaph to put out the Bad Religion 7", the entire BR discography, leaving the band right before the overnight success of Offspring's Smash, rejoining for Process of Belief, his thoughts on streaming as it dominates the music landscape today, and his favorite hardcore records ever. A genuine honor with a genuine legend and one of the best punk songwriters to ever live. Check out Colin's hand picked Bad Religion playlist of hits and deep cuts and enjoy: Spotify & Apple Music. _______________ Cool links: • Get 15% off DUNABLE GUITARS with code HARDLORE: https://dunableguitars.com • Get 15% off TIMELESS COFEE site-wide, including coffee subscriptions, cookies and cakes with code HARDLORE. _______________ 00:00:00 - Start 00:00:48 - Brett Gurewitz, Epitaph Records in 2025/2026 00:02:26 - Growing Up in the San Fernando Valley, Finding Music, CCR 00:06:44 - From Elton John to the Ramones: Discovering Punk 00:08:40 - Meeting Greg Graffin & Jay Bentley, Starting Bad Religion 00:16:29 - When Does It Become "Bad Religion"? 00:19:40 - What is Punk, and What is Hardcore? 00:23:28 - The "Crossbuster" & The Bad Religion Logo (Fritz Quadrata Pro Bold) 00:27:32 - Starting Epitaph Records For the BAD RELIGION S/T 7" 00:36:41 - HOW COULD HELL BE ANY WORSE? 00:50:02 - INTO THE UNKNOWN... Selling 10,000 Records (and getting them all back) 00:53:13 - Going to Rehab/Leaving Bad Religion 00:55:17 - Pardon This Interruption... 00:58:32 - Epitaph During 1983-1987, Rejoining Bad Religion, West Beach Studios 01:04:54 - The Beach Boys to the The Adolescents to Bad Religion 01:06:56 - SUFFER... Operation Ivy, NOFX, Growth in Epitaph & As an Engineer 01:10:47 - NO CONTROL... Learning from Suffer, Doing Everything with Integrity, Tribute to the Germs 01:17:05 - Greg Songs That Gave Him Goosebumps, No Control Title Track 01:20:35 - Tony Hawk's Pro Skater, I Want Something More, Tape Editing in Recording 01:24:40 - AGAINST THE GRAIN... Being Insecure With 21st Century Digital Boy, Songwriting, Picking Singles 01:30:45 - Touring For Bad Religion By 1990 01:32:40 - GENERATOR... Never Writing on Drugs, Split 7" With Noam Chomsky, Bobby Schayer 01:36:20 - RECIPE FOR HATE... American Jesus, Eddie Vedder, Touring While Balancing Epitaph, Struck A MF Nerve 01:41:39 - Bad Religion Leaving Epitaph & Signing to Atlantic 01:45:31 - STRANGER THAN FICTION... Andy Wallace, Better Off Dead, Falling Off the Wagon 01:49:49 - Leaving Bad Religion, Offspring's Smash, Rancid's ... And Out Come The Wolves, Feel The Darkness Re-Release 01:57:44 - Brian Baker, Losing Contact with The Band 01:59:24 - The Landscape of Music Changing, Napster, Torrents, &  Brett's Thoughts on Spotify 02:12:39 - PROCESS OF BELIEF... Returning to Bad Religion, Brooks Wackerman, Sorrow 02:20:15 - EMPIRE STRIKES FIRST... L.A. Is Burning, The Iraq War, Why Brett Doesn't Play With BR Now 02:24:38 - NEW MAPS OF HELL, THE DISSENT OF MAN, TRUE NORTH, AGE OF UNREASON... 02:31:28 - Brett's Top 4 Hardcore Records HardLore: A Knotfest Series, Fueled by Monster EnergyEdited by Steven Grise • Title sequence by Nicholas MarzlufJoin the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes.Join the HARDLORE DISCORD for community discussions and to participate in our future Q&A episodes.FOLLOW HARDLORE: INSTAGRAM, TWITTER, SPOTIFY, APPLEFOLLOW COLIN: INSTAGRAMFOLLOW BO: INSTAGRAM, TWITTER For sponsorship opportunities, email us! hardlore@knotfest.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dan & Manny welcome Author Ross Benes to discuss his book 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times. “I chose [19]99 out of all the years because it was just the wildest and most wackadoodle year of [the 90s]. You can write a similar book on 98 [...] but I think 99 is just a little more insane in the membrane.” -Ross Benes This episode of Nostalgia 101 author Ross Benes takes Manny & Dan to school on all things 1999. His book 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times seems to have foreseen the times we find ourselves in and might hold key answers to some off questions about the cultural pickle we're attempting to escape. They go from unpacking the impact of The Jerry Springer Show to The Insane Clown Posse, Juggalos, and Beanie Babies to Y2K, Napster, and the oversaturate porn industry. This is the exact type of episode that The Nostalgia Test Podcast is built for and ross Benes more than delivered. Get Ross' book. It's the sort of pop-culture analysis that satisfies the academic audience, general fandom audience, and the high-strung 90s fanatic. Oh, and he gives us a really great Rocky franchise ranking. So, grab your Trapper Keepers and pens, throw some scratch-and-sniff stickers on the pages, and get ready to learn something about the most important year of the 90s. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Ross Benes is the author of 1999: The Year Culture Conquered America and Kickstarted OurBizarre Times. He's also a journalist and market analyst whose writing has appeared in Mental Floss, Esquire, The Wall Street Journal, Smithsonian Magazine, and Entertainment Weekly.  Buy 1999 The Year Low Culture Conquered America and Kickstarted Our Bizarre Times          Approximate Rundown 00:00 Meet the Guest 02:03 Ross Background 03:39 Why 1999 Matters 04:55 Wrestling and Kayfabe 10:29 Ragebait Media Machine 13:02 Tech Shifts and Y2K 15:32 Talk Show Sensationalism 19:34 When Low Culture Wins 25:34 Upsides of Trash Culture 29:44 High vs Low Pop Culture 32:24 Juggalos and Belonging 35:57 Howard Stern as Conduit 41:17 Can Anything Shock Us 44:48 Doomscroll Desensitization 45:42 Faces of Death Then Now 46:09 Algorithms Versus Choice 48:56 NFTs Pet Rock Moment 49:36 Zombie Tech Nostalgia 51:09 TomTom GPS Horror Stories 53:05 1999 Mascot and Trends 57:08 Reality TV Wins Out 01:00:34 Todays Low Culture Shift 01:04:06 Why 1999 Still Matters 01:06:24 Rocky Movie Rankings 01:14:38 Reboots and Final Wrap   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected  

The Album vs. The Algorithm: Keith Jopling Reveals Why Albums Still Rule! Is the album dead or stronger than ever? In this episode, Keith Jopling reveals how the album survived the Napster and Spotify eras, why streaming changed listener habits, and how legacy artists and Gen Z rediscover albums as a way to connect deeply with music. We explore the critical role of albums, regional music scenes, playlist culture, and the importance of slower artistic discovery for timeless classics. Tune in for insights on platform economics, artist branding, and the future of music creativity!

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

This week Fatty talks about a new gaming device he has for Sarcastro to try during the annual Guys Weekend trip which leads into a discussion about games they played in the arcades and computers in the 80's and 90's (and for Commando, still plays them today) including a game where you simulate working as a bartender and for Sarcastro and Fatty a text based game where you work the ecomonics of being a drug dealer in a supply and demand simulation.  They also reflect on the early days of the consumer internet where they would just create and download sound clips after Fatty discloses he found the catalog from his first Gateway desktop from the late 90's and remember what it was like to use services like Napster or LimeWire to wait hours or days for a four minute song. In Olympics coverage, Commando admits his new obsession with the sport of curling as it's a sport he could play it but he wouldn't understand how the scoring works and the group determines bobsled racing would be their team sport.  Fatty suggests that they have their own version of Olympic events at Guys Weekend. After finding that Lady Jarvis was guilty of trying to use expired condiments, Banky poses the question of how long are condiments stored in your refrigerator safe to consume once they pass that printed on date. Commando's poor choice for the week comes down to falling prey to the ads in his social media feeds while doomscrolling which becomes relatable to the rest of the gang.  Fatty's poor choices is not letting well-enough alone and always pushing for that one step beyond on a project. Sarcastro sacrifices his recording space to Prince Sarcastro and a friend to play video games.   Intro and Outro music written and performed by Andrés Rodríguez (Androzguitar) 

In this episode, we take a ride through one of our favorite rabbit holes — how the world changed insanely fast across just a handful of generations… and how that speed has completely reshaped the way we live, communicate, listen to music, drive cars, raise kids, and even think about time itself.We start with a viral nostalgia post that sparked a massive reaction online and quickly realize that what feels “normal” depends entirely on when you were born. From the Silent Generation to Gen Alpha, we unpack how each group grew up in a totally different technological reality — rotary phones, party lines, and answering machines… all the way to smartphones, streaming, and kids who've never known a world without touchscreens.Generations & Tech Deep DiveAlong the way we revisit:The weirdly communal (and slightly chaotic) days of shared phone lines and busy signals. Generations & Tech Deep DiveDial-up internet — when going online meant tying up the house phone and praying no one picked it up. Generations & Tech Deep DiveRecording songs off the radio, burning CDs, and the lawless Napster era that changed music forever. Generations & Tech Deep DiveThe evolution from pagers and car phones to today's always-connected digital existence. Generations & Tech Deep DiveHow cars, communication, and even our tolerance for risk and convenience have shifted with each generation. Generations & Tech Deep DiveWhat starts as nostalgia turns into a bigger question:Are generational differences really about age — or about the technology that shaped our formative years?This one is part history, part cultural therapy session, and part “how did we survive that?” storytelling. If you've ever tried explaining to a teenager what rewinding a cassette meant, this conversation is for you.This week we accidentally turned a simple nostalgia conversation into a full-blown generational investigation… and possibly a group therapy session for anyone who remembers when the internet made noise.After stumbling across a viral post that set the comment section on fire, we started asking a simple question:Why do people from different generations remember reality so differently?Turns out, it might have something to do with growing up in completely different technological universes.We're talking about a journey that starts with shared phone lines, rotary dials, and answering machines that ate your cassette tape… and ends with kids today who can FaceTime someone across the planet before they can tie their shoes.Generations & Tech Deep DiveIn this episode we revisit:The chaos of party-line telephones, where privacy was basically a myth and your neighbor might be listening. Generations & Tech Deep DiveDial-up internet — when logging on meant sacrificing the household phone and waiting through robot screeches like you were summoning technology from the underworld. Generations & Tech Deep DiveThe golden era of recording songs off the radio, burning CDs for your friends, and pretending Napster wasn't definitely illegal. Generations & Tech Deep DiveThe evolution from pagers and brick phones to today's pocket supercomputers that somehow still run out of battery by 2 p.m. Generations & Tech Deep DiveHow every generation thinks the one after them is ruining everything… while also using technology they don't fully understand. Generations & Tech Deep DiveSomewhere along the way we realized this isn't just nostalgia — it's about how insanely fast culture, risk, communication, music, and even attention spans have changed in just a few decades.If you've ever:Yelled “GET OFF THE INTERNET, I'M TRYING TO MAKE A CALL,”Owned a phone that could survive a nuclear winter,Or tried explaining rewinding a tape to someone born after 2010……this episode is for you.Cheers!m&t

In Spijkers met Koppen gaan we terug naar 1999! Het jaar van Britney Spears, Tamagotchi's, Napster en Kabinet-Paars II! Willem-Alexander begon de fliten met Máxima en zou het nou toch nog wat worden tussen Bart en Sabine in Big Brother!??! Presentator Pieter van der Wielen zou ongetwijfeld wel eens een aflevering van Big Brother hebben gekeken in het najaar van 1999, maar hij was voornamelijk bezig met een heel andere stad dan Almere waar de studio van Big Brother stond: Parijs! Toen Pieter rond de eeuwwisseling een bijzondere Parijse hotelgids in handen kreeg, overviel hem de gedachte om in elk van de honderdzestig beschreven hotels te moeten slapen. Zo gezegd, zo gedaan. Pieter sliep in accommodaties als Hotel Lautrec Opera, Hotel de Notre Dame en Hotel des Carmes. De bijzonderste overnachtingen, vreemdste ontmoetingen en historische anekdotes schreef hij op in het boek ‘Hotels in Parijs 1999' – een ode aan de lichtstad.  Pieter is bij ons en Dolf wil graag weten waar het lekker tukken is. Verder * In een vieze broek op de lange latten * De Meeste boekendromen zijn bedrog, maar niet in Utrecht * Niet mijn schuld en toch diep in de schulden Presentatie: Dolf Jansen en Willemijn Veenhoven Cabaret: Owen Schumacher, Aron Elstak, Maya Van As, Shariff Nasr, Ruud Smulders Column: Djoni de Vos Livemuziek: De Nachtwacht

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What were the Kentucky Cave Wars? It was a fierce business rivalry in the early 1900s between competing cave owners around Mammoth Cave in south-central Kentucky. It involved sabotage, dueling false advertising and smear campaigns, and other cartoonish hijinks that resulted in a national park being established. But it will go down in history as the most intense…cave disagreement known to man. --Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Seedance desapareció del radar y la pregunta es inevitable: ¿la industria del cine lo frenó… o estamos viendo el inicio de una nueva guerra contra la inteligencia artificial?En este episodio de BairesMac analizo qué pasó realmente con Seedance, por qué Hollywood le teme a la generación de video con IA, el conflicto por derechos de imagen y qué puede pasar ahora.¿Estamos frente al “momento Napster” del cine?La IA no viene a pedir permiso… viene a cambiar las reglas

▶ Monte le Son, le podcast # 109 Vous l'avez probablement observé : ça fait quelque temps que la culture les années 2000 est de retour. Dans la mode bien sûr - on le voit dans la rue - mais également dans la musique ! Coïncidence ou non, le journaliste musical Maxime Delcourt vient de sortir un livre dans lequel il raconte une période courte, mais intense, des années 2000. Intitulé "Les années Bloghouse : D'Ed Banger à MySpace, itinéraires croisés d'une génération de fluokids.", l'ouvrage revient donc sur une génération d'artistes électro qui, portée par un élan régressif et punk, propose un mélange quasi inédit d'influences rock, rap, pop, etc. Ils s'appellent Justice, DJ Mehdi, Teki Latex, Para One, A-Trak, Uffie ou Yelle, pour ne citer que les plus populaires, et ils vont marquer l'Europe, puis le monde. Dans son livre, Maxime raconte que cette dynamique fascinante était accompagnée par des labels qui feront des dates (Ed Banger, Kitsuné, Institubes), une esthétique visuelle et vestimentaire forte (SoMe !), et surtout une révolution... internet et l'arrivée de l'ADSL ! Pour la première fois, le home studio se démocratise, le MP3 devient la norme, on télécharge de la musique via Napster, on découvre des morceaux sur des blogs, et l'on se rencontre au travers de MySpace... Le bouquin est excellent, et raconte une période charnière qui préfigure la musique d'aujourd'hui. Salman et Daz ont donc convié Max à venir le présenter, dans le podcast des passionnés de musique. N'hésitez pas à naviguer entre les chapitres en fonction de vos intérêts ! ▶ Sommaire : 00:00 Introduction 02:27 Présentation de l'invité 06:55 Présentation du livre 12:21 Daft Punk, Soulwax, Erol Alkan, Diplo : l'art du mélange 16:38 Les bases de la « bloghouse » 31:39 Une culture du remix 37:04 Diversité de son, unité sociale ? 54:11 Ed Banger, Kitsuné, Institubes : les grandes familles 1:11:07 Un milieu uniquement d'homme ? 1:23:39 La culture du club, et la place du rap 1:35:15 Blogs, myspace, Napster, iPod : la révolution internet 1:53:25 La fin… 2:07:37 Quel héritage ? 2:19:33 Recommandations ▶ La playlist des reco : https://open.spotify.com/playlist/39BlEIIxhGNmUfNkjkNY6M?si=21ab521b99e548fb (les autres plateformes arrivent bientôt) ▶ Le répondeur : https://www.speakpipe.com/MonteLeSon_Podcast Technique : La Bouclette Montage : François Brétéché

The album has had 25 years of being hammered by other formats – Napster, iTunes, Spotify, TikTok – and not only survived but thrived. For Keith Jopling it's the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at … … growing up in the age of cassettes … his lifelong devotion to a Police album left on his doorstep … Adele's battle with Spotify to get records played in sequence … how albums are how you calibrate a career, from the Beatles to Taylor Swift … has anyone ever loved a CD the way they love an album? … how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it … pictures of equipment: rock porn! … the swingback to Listening Parties and analogue recording … records as shining examples of the packaged goods business … “we need to regain control of our attention” … and the iTunes launch party and why Smashing Pumpkins thought they'd seen the future. Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The album has had 25 years of being hammered by other formats – Napster, iTunes, Spotify, TikTok – and not only survived but thrived. For Keith Jopling it's the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at … … growing up in the age of cassettes … his lifelong devotion to a Police album left on his doorstep … Adele's battle with Spotify to get records played in sequence … how albums are how you calibrate a career, from the Beatles to Taylor Swift … has anyone ever loved a CD the way they love an album? … how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it … pictures of equipment: rock porn! … the swingback to Listening Parties and analogue recording … records as shining examples of the packaged goods business … “we need to regain control of our attention” … and the iTunes launch party and why Smashing Pumpkins thought they'd seen the future. Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The album has had 25 years of being hammered by other formats – Napster, iTunes, Spotify, TikTok – and not only survived but thrived. For Keith Jopling it's the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at … … growing up in the age of cassettes … his lifelong devotion to a Police album left on his doorstep … Adele's battle with Spotify to get records played in sequence … how albums are how you calibrate a career, from the Beatles to Taylor Swift … has anyone ever loved a CD the way they love an album? … how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it … pictures of equipment: rock porn! … the swingback to Listening Parties and analogue recording … records as shining examples of the packaged goods business … “we need to regain control of our attention” … and the iTunes launch party and why Smashing Pumpkins thought they'd seen the future. Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bo Donaldson Returns!Take a walk with me down Fascination Street as I get to know even more about Bo Donaldson. You know Bo as the keyboardist for the platinum selling 1970s & 80s band Bo Donaldson and The Heywoods. Bo's first appearance on the show was in March 2025. In this episode, we catch up with what Bo has been up to since our last conversation. Bo and his band are part of the entertainment for a couple of 70s themed rock & roll cruises coming up. One in March of 2026 and the next in Jan of 2027. Bo will also be at the Missouri Cherry Blossom Festival in April of 2026. Bo Donaldson and The Heywoods have also released a new album of covers called 'Have A Nice Decade'! Because he is such a great guy, Bo lets me play my favorite track off the new record. Also in this episode, Bo shares his experiences seeing The Beatles three times in concert, as well as his ongoing royalty issues with Universal Music Group. Naturally we discuss 2026 as the 55th anniversary of the first (of 300) concerts that Bo Donaldson and The Heywoods opened for The Osmonds. A chat between Bo & me would not be complete if I didn't bring up his love of Skyline Chili, and who would I be, if I didn't ask Bo to send me a thing I don't deserve! Follow Bo everywhere, and if you are near any of his appearances, show up and tell him you heard him on the show!

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Who is Roy Jay? He was a British-Norwegian comedian who performed stand-up from the 1970s until his death in 2007. However, something strange happened in April 2025. The internet became convinced Roy Jay was an AI-generated demon who was inserting himself into our memories as part of a collective Mandela effect when he never existed at all…--Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

**Jon Boud's & The All The Rage Replay On www.traxfm.org. On this episode, returning guest Marijam Did (Didzgalvyte) joins Jon to discuss how capitalism consumes culture, inspired by a Youtube video looking back on the case of Napster, the distribution of music for free and how our responses to it look from a 20+ year distance. #originalpirates #chat #interview #politics #tradeunion #equalrightsandjustice Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

One Boomer. One Gen Z. Who will prevail? In this battle of wits both generations hash out what Riz means, how to use a landline, and if crop tops were truly a move forward in fashion. It's going to get groovy - with a little turbulence! So hold on to your seats, sit back, put your oxygen mask on first, and enjoy the episode.  Key Takeaways:    [2:02] How did you find info without the internet?  [3:28] Slang: cap, riz, stand on business [6:32] Did you have to rewind a VHS or use a payphone?  [7:39] What's a Tamagotchi?   [8:04] How did you entertain yourself on a Saturday morning?  [9:50] Were you a latchkey kid?  [11:53] How much time do you spend socializing online vs in person socializing?  [15:01] Did you have to use a landline?  [15:52] How do you feel about being constantly connected with social media?  [22:10] What's the most memorable 80s/90s fashion trend you wore?  [24:05] What's a fashion trend that's been brought back in popularity?  [26:31] What is a walkman and did you have one?  [28:02] Who are the biggest influencers in your life?  [31:58] What was your first job and how did you apply for it?  [35:03] What's most important in your future career: money, purpose, or balance? [39:05] What is a Rolodex and what is it used for?  [40:21] How do you approach talking about mental health in the workplace?  [41:36] Generation Gap Trivia: name 3 members of the Spice Girls  [42:27] Can you identify a popular TikTok or 80s movie star?  [44:45] What was the most significant invention in your lifetime?  [46:24] How did you keep in touch with friends without a phone? [46:53] What was your favorite childhood movie, book, or show?  [49:33] What age did you think was old when you were a teenager?  [50:45] What is the most pointless app on your phone and why? [51:26] What is a fashion trend you think is ridiculous?  [53:32] If you had to live without a piece of technology for a week, what would it be? [54:11] What is the biggest misconception about your generation? [56:04] What do you think is uncool about your parents' generation? [58:33] What is the best piece of advice you've ever received? [59:28] If you could go back to any era, which one would it be? [1:02:39] What's a family tradition you hope to pass on?  [1:03:14] What's something we could teach each other? [1:05:08] What's a movie you wish you could watch for the first time again?  [1:06:57] What's a floppy disk? [1:07:15] What's a pager?  [1:07:45] What did one use 6*7 when making a phone call? [1:07:57] What's a BOPIT? AOL? WWW? [1:08:58] What's My Little Pony? American Girl Dolls? Easy Bake Oven? Napster? [1:10:36] Who are the characters of Friends? Gwen Stefani? Fanny packs? [1:11:42] What's an overhead projector? Mimeograph machine? [1:13:36] The biggest difference between our generations  [1:15:30] If you had to describe your generation, how would you? [1:20:47] What generational divide did we forget?  Connect with Barb:   Website   Facebook    Instagram   Be a guest on the podcast    YouTube   The Molly B Foundation  

Few people experienced the Dot-Com bubble with more vertiginous intensity than Bill Gross, the Pasadena-based founder of Idealab and many many other internet startups over the last 30 years. So when I sat down with Gross at DLD, I couldn't resist opening with the boom/bubble gambit. How, I asked him, does today's AI hysteria compare with the Web 1.0 madness of the Nineties? While Gross - whose current ProRata.ai play is focused on protecting creativity in the age of generative AI - doesn't believe that today's boom is akin to the Dot-Com bubble, there are similarities. We are at what Gross calls a “Napster moment” in terms of making the big LLMs accountable for all the content they are illegally crawling (ie: stealing). And to get beyond this moment, he says, everyone from Google and OpenAI to Perplexity and Anthropic, needs to move to a “Spotify model” that fairly shares revenue with the human creators of knowledge. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Matt Adell is a music tech entrepreneur and the COO & co-founder of Musical AI, a rights-first AI licensing platform designed to protect creators in the era of generative music. With a career spanning influential companies like Beatport and Napster, Matt brings deep experience at the intersection of music, technology, and digital innovation. Today, he's focused on building ethical AI systems that respect copyright, ensure proper attribution, and create sustainable opportunities for artists as the future of music rapidly evolves.In this episode, Matt breaks down exactly how AI is reshaping music creation, copyright, and compensation—and what independent artists need to know to protect their work and thrive in a generative future.Key TakeawaysHow generative AI is disrupting the music industry and what it means for artists, songwriters, and producersWhy copyright, attribution, and licensing matter more than ever in an AI-driven music ecosystemHow ethical, rights-first AI can create new opportunities without undermining human creativity or fair pay---→ Learn more about Matt Adell and his work at: wearemusical.ai.Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

AI, AI, and more AI. Do you even live in Silicon Valley if you're not talking about it every episode? This week, we go deep on how open-source vibe-coding tools are starting to replace the need for traditional SaaS contracts. Dave shows (and tells) how he used the open-source “Claude bot” to reverse-engineer his Mural photo frames and spin up a better web UI in under 30 minutes. Brit test-drives Anthropic's new Cowork, auto-mapping the entire seed VC market while it runs her browser, and celebrates how much these agents are boosting household productivity. Sam loves the power but calls local agents a massive security backdoor, argues trust will consolidate with Apple and Google, declares that “software is not a business,” and announces we've officially entered the fart-app era of AI toys. Jessica flags rising panic among SaaS vendors. Don't miss Sam's hot-chick analogy and Brit's Pop Corner to close it out

If you do any writing for school, work, creativity, or pleasure . . you’ve probably relied a little bit on Wikipedia as a stunt brain of sorts. Now imagine that it almost went the way of Friendster or Napster. There’s nothing else like it . . but in 2007, it almost disappeared. DM me if you have a story you’d like me to cover . . on Facebook it’s Patty Steele and on Instagram Real Patty SteeleSee omnystudio.com/listener for privacy information.

Full episodes and much more available on Patreon.com/slopquest Andy finds out about the new brain rot gen z pinsol commercials. Andy is back in full form according to O’Neill. Then O’Neill hits on a hot audience member in front of her boyfriend and the crowd loves it. Andy finds an old Napster audio file about grey eyes and torments O’Neill with it. Andy daydreams about being good at sword fighting during a match and gets cranked in the head. Then they discuss putting guys who waste their money on Only Fans in group homes. Andy and O’Neill talk about people who make all their money taping their own farts and how crazy the new economy is. The boys talk about how much plastic we’ve all eaten. Andy gets surrounded by fake AI movie trailers. Then they write a pitch for Forest Gump 2 where the plot is they dig up Jenny’s body so they can reanimate it for one last bang. Then they dig into the hilariously racist past of White Christmas. Andy tells O’Neill about the Japanese “Paris Syndrome” and O’Neill goes nuts.

professorjrod@gmail.comExplore how Napster revolutionized technology education by changing the way we interact with digital files and access information. This episode delves into the transformation from physical media to digital packets, illustrating key moments that reshaped internet culture and technology. Whether you're preparing for your CompTIA exam or interested in IT skills development, understanding these technological shifts provides valuable context for tech exam prep and study group discussions. Join us as we unpack the history behind Napster and its lasting influence on technology education and digital innovation.We walk through Metallica's landmark lawsuit and the legal logic that treated visibility as control, then trace the diaspora that followed: LimeWire's messy resilience, Kazaa's global sprawl, and BitTorrent's protocol-level genius that made sharing intrinsic. Along the way, we examine what labels missed, what users learned, and why lawsuits against platforms morphed into letters to dorm rooms. Hardware and storefronts offered a ceasefire—hello iPod and ninety-nine-cent downloads—but ownership still clashed with a new habit shaped by search, speed, and scale.Streaming became the only model that matched the lesson users had already internalized: music should be searchable, immediate, and everywhere. That shift didn't stop at songs. Photos, documents, movies, and apps followed, because remote access began to feel natural. We talk candidly about artist trade-offs—reach versus leverage, algorithms versus programmers—and the way architecture keeps deciding outcomes. If you care about the history of technology, platform liability, or the future of creative work, this story connects the dots from a dorm room index to the blue play button on your phone.If this deep dive gave you a new lens on music and tech, follow the show, share it with a friend who remembers the dial-up hiss, and leave a quick review so others can find us. What part of the Napster era still echoes for you?Support the showArt By Sarah/DesmondMusic by Joakim KarudLittle chacha ProductionsJuan Rodriguez can be reached atTikTok @ProfessorJrodProfessorJRod@gmail.com@Prof_JRodInstagram ProfessorJRod

(0:00) Matt McCarthy & Ty Anderson - in for Zolak & Bertrand - begin Hour #3 with Matt claiming Christmas is a sexier holiday than Valentine's Day. A caller brings up "Weird Al" Yankovic and the guys recite their favorite tracks.(11:00) Napster memories with McCarthy. The guys continue to give some love to "Weird Al" Yankovic by going through some albums and stream data. More callers' favorite gift stories. Milton Williams seems to be trending towards playing reportedly.(23:28) The guys discuss their favorite Christmas movies. Ty admits to liking Halloween over Christmas. McCarthy makes a valid point that Halloween is more provocative than suggestive Christmas music. More callers weighing in on everything.(34:55) McCarthy went to The Nutcracker and the guys comment on orchestral music before going back to the phones.Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As AI-generated music floods the market, the music industry faces unprecedented questions about creativity, copyright, and compensation. But behind every evolving technology and headline debate are the lawyers, often musicians themselves, who navigate the space where art and law converge. In this episode of Brand & New, guest host Rudy Gaines sits down with two leading intellectual property practitioners whose personal and professional lives are deeply connected to music: INTA Past President Mei-lan Stark, Executive Vice President and Chief Counsel for IP at NBCUniversal (USA) and Rick McMurtry, Founding Partner at M|C Law Group (USA). From childhood music lessons to high-stakes licensing negotiations, both guests share how their lifelong connection to music has shaped their careers, protecting creative works. Together, they trace the soundtrack of the industry's evolution, from the era of Napster to today's AI-driven soundscapes, exploring how innovation challenges what it means to be both creator and protector. This episode was recorded live during INTA's 2025 Annual Meeting in San Diego, California.Resources: About Mei-lan StarkAbout Rick McMurtryAbout Rudy GainesRelated Brand & New Episodes:The Beat of IP: A Conversation with The Opposition™ BandCertifying Human Music in the Age of AIINTA's 2026 Annual Meeting 

In this episode of Audio Talks, host Oisin Lunny welcomes Ted Cohen—the “Godfather of Digital Music”—for a masterclass in how technology, culture, and creativity have shaped the modern music industry. From backstage with the Rolling Stones before their Ed Sullivan debut to pioneering digital deals at EMI, Ted's career is a living history of music's transformation. Together, Oisin and Ted trace the arc from analog to digital, exploring how serendipity, artist development, and a relentless curiosity led Ted to work with legends like Fleetwood Mac, Van Halen, Prince, and The Who. Ted shares candid stories from the road, the boardroom, and the cutting edge of innovation—whether sneaking Mark Zuckerberg and Sean Parker into the Grammys, navigating the Napster wars, or launching Amazon Music before streaming was mainstream. The conversation dives into the evolution from distribution to the attention economy, the rise of AI and creative tools, and the shifting boundaries between consumption and experience. Ted reflects on the lessons learned (and missed) by the industry, the importance of building your “village,” and why kindness is the ultimate long game.

Let Us Know What You Think of the Show!Date: December 17, 2025Name of Podcast: Backstage Pass RadioS9: E11: Kendall Beard (Love & Chaos) - When Grit Meets GraceSHOW SUMMARY:The story starts on Texas backroads and winds through Opry houses, a teen pop deal, and a reality TV spotlight before landing in an Austin room where sparks fly. Kendall Beard joins us to share how that winding path led to Love & Chaos, her electrifying duo with AJ Vallejo, and why the most interesting music often lives between labels.  We dig into the early hustle—weekend shows, VHS audition tapes, and a family that said yes when the dream demanded long drives. Kendall opens up about the label collapse around the Napster era, stepping back for college, and a detour into the business side that confirmed she needed to be on the creative front lines. You'll hear a candid look at American Idol's true timeline, the contract strings that stall momentum, and the unexpected upside: a loyal Texas fan base and new doors for songwriting and production.  Then the chemistry kicks in. A one-off duet with AJ turns into Love & Chaos, a project where country storytelling collides with rock muscle and a hint of Latin rhythm. We trace their four-year Saxon Pub residency, the craft behind their live duo setup with a suitcase kick drum, and the evolution of Rather Be Alone from sprawling art piece to tight radio edit without losing its pulse. Kendall breaks down their writing process—sometimes 50–50, sometimes whoever has the spark—and why inspiration shows up on runs, in dreams, and in those moments when life refuses to sit still. She also talks about balancing motherhood with touring, choosing fewer but more meaningful shows, and what's next: a Texas radio tour, new singles, sessions at AJ's new studio in Gruene, and fresh solo writing.  If you love Americana's open borders, Texas grit, and songs built to breathe on stage, this conversation delivers. Follow Love & Chaos, spin the new single, and tell us which track caught you by surprise. If you enjoy the show, subscribe, share it with a friend, and leave a review to help more music fans find us.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.loveandchaosmusic.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

Jordan Ritter didn't grow up surrounded by tech; he grew up on a farm, tinkering with computers in total isolation. But that early curiosity led him to co-found Napster, the file-sharing service that transformed music distribution. As millions of users flooded the platform, Jordan was instrumental in keeping it alive through sleepless nights and nonstop chaos. The success was massive, the failure was brutal, but the lessons shaped everything he did next. In this episode, Jordan reveals to Ilana the real story behind Napster, the personal sacrifices of innovation, and the mindset required to build something that leaves a legacy. Jordan Ritter is a serial entrepreneur, software architect, and angel investor, recognized for his work at Napster, the file-sharing service that reshaped music distribution and digital technology. Since then, he has launched and advised multiple startups in the tech industry. In this episode, Ilana and Jordan will discuss: (00:00) Introduction  (02:08) Growing Up on a Farm and Discovering Tech (06:40) His Journey into Hacking and Computer Security (12:37) Joining Napster and Disrupting the Music Industry (17:55) Experiencing Napster's Highs and Crushing Lows (32:20) Why Jordan Decided to Leave Napster (40:16) Reinventing and Building Companies with Value (46:03) The Importance of Culture in Startups (52:19) Navigating Interviews and Culture Alignment (55:18) The Challenges of Starting a Business (1:03:30) Lessons Learned and Giving Back Jordan Ritter is a serial entrepreneur, software architect, angel investor, and co-founder of Napster, where he helped scale the platform to 60 million users. A four-time founder, he has built 20+ large-scale commercial and open-source products across 12 languages, developing systems used by millions. At Cloudmark, Servio, and Augment AI, Jordan built intuitive, scalable, and reliable platforms, and he now advises CoPilotKit on product strategy. Connect with Jordan: Jordan's  LinkedIn: linkedin.com/in/jordanritter  Leap Academy: Ready to make the LEAP in your career? There is a NEW WAY for professionals to fast-track their careers and leap to bigger opportunities.  Check out our free training today at https://bit.ly/leap--free-training

Send us a textMegan and Michelle debate about AI generated music, stealing art, artificial streaming, the cigarette man, machine learning, artist provocation, seeing nuance, and consolidating power.Sources:- A mysterious stranger rode into town and topped a country music chart. He might not be real.- AI-generated music is going viral. Should the music industry be worried?- Spotify has an AI music problem - but bots love it- The trouble with AI art isn't just lack of originality. It's something far bigger- Unveiling the impacts and disruption of AI on music industry stakeholders****************Want to support Prosecco Theory?Become a Patreon subscriber and earn swag!Check out our merch, available on teepublic.com!Follow/Subscribe wherever you listen!Rate, review, and tell your friends!Follow us on Instagram!****************Ever thought about starting your own podcast? From day one, Buzzsprout gave us all the tools we needed get Prosecco Theory off the ground. What are you waiting for? Follow this link to get started. Cheers!!Support the show

professorjrod@gmail.comIn this episode of Technology Tap: CompTIA Study Guide, we explore the fascinating evolution of technology from the launch of Sputnik in 1957 to the ubiquitous smartphones of today. Discover how early innovations like ARPANET laid the groundwork for the internet, shaping the landscape of technology education and IT skills development. Whether you're part of a study group preparing for your CompTIA exam or seeking expert IT certification tips, this episode provides valuable insights into the origins of the digital world and how it influences modern tech exam prep. Join us as we connect the dots between history and today's technology challenges to help you succeed in your IT certification journey.We start with Licklider's prophetic vision and the leap from circuit switching to packet switching that made failure-tolerant networks possible. Email gives the net its first social heartbeat. TCP/IP stitches islands into one internet. Tim Berners-Lee's simple stack—HTML, HTTP, URLs—opens the door for everyone. The home dial-up era arrives, and the browser becomes the interface of daily curiosity. Mosaic and Netscape ignite innovation; Microsoft's bundling forces a reckoning; Mozilla and later Chrome reshape standards and speed for the modern era.The dot‑com bubble teaches hard lessons, but Google's PageRank reframes the problem: organize the world's information with relevance, not clutter. Broadband and Wi‑Fi make the net always on, enabling streaming, online gaming, and richer apps. Napster breaks open music, litigation clamps down, and then paid streaming wins on convenience. Social networks shift the center of gravity from pages to people; YouTube turns everyone into a publisher and archivist. E‑commerce perfects logistics, and smartphones put it all in your hand. The cloud becomes the engine behind Netflix, Uber, TikTok, and the systems that silently scale our daily tools.We confront the dark side, too: ransomware, botnets, data breaches, and insecure IoT devices that expand the attack surface. Algorithms now shape what we see and believe, while fiber backbones and 5G push speed and density to new highs. AI becomes the thinking layer of the internet, interpreting, recommending, and generating content at scale. A rising push for decentralization—blockchains, IPFS, self-sovereign identity—seeks to return control to users and reduce dependence on gatekeepers. Where does it all go from here? From ambient computing to satellite constellations and new interfaces, the net may soon fade into the background—omnipresent and invisible.If you enjoyed this deep dive, follow the show, share it with a friend who loves tech history, and leave a quick review so more curious listeners can find us. Your support helps us keep exploring the stories that built our digital world.Support the showArt By Sarah/DesmondMusic by Joakim KarudLittle chacha ProductionsJuan Rodriguez can be reached atTikTok @ProfessorJrodProfessorJRod@gmail.com@Prof_JRodInstagram ProfessorJRod

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What is the Satanic Panic? It was a moral panic predominantly occurring in North America throughout the 1980s and early 1990s. The general public lost their shit over the belief that Satan worshippers, from school teachers to politicians, were members of a cult that would abduct, sexually abuse, and/or sacrifice children.--Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

On today' Daily Puck Drop, Jason “Puck” Puckett and the Go-2-Guy Jim Moore open up the show and it get dominated by an outstanding column that Jim wrote at JimMooreTheGo2Guy.substack.com about certain things in the NFL that bothers him.  Yes, it's the most popular sport but some things are wrong with it like the over analytical commentary, the kickoff rules and personal foul penalties! Puck and Jim also touch in on the college football playoff rankings and Puck can't understand what the hell Washington State hoops coach David Riley was thinking in their Tuesday night loss to Bradley! Puck also highlights shows from this week involving “Inside Pitch” with Ryan Divish, John Canzano on the JaMarcus Shephard hire and their Old Crimson Cougars Podcast on the job that Jimmy Rogers has done in his first year. On this weeks, “Inside The Bloody Trenches” with Rob Staton, SeahawksDraftBlog.com, Puck and Rob discuss the Seattle Seahawks' recent victory over the Minnesota Vikings, focusing on the team's defensive performance and the standout play  Leonard Williams. They dive into the importance of character and leadership within the team, the up and down performance of  Sam Darnold, and the upcoming games that will determine the Seahawks' playoff prospects. The discussion also highlights the underperformance of Rashid Shaheed and the need for him to make a significant impact moving forward.“On This Day…”   Bob Marley, Latrell Sprewell, Ozzy Osbourne and the creator of Napster all covered.  Puck wraps up with, “Hey, What the Puck!?”   College football is so popular but it needs so much help (1:00) Puck and Jim (58:46) “Inside Pitch” and “Old Crimson” Light…Puck plays clips of his show with Ryan Divish of the Seattle Times on the M's and talking Cougs with Paul Sorensen and Jim Moore (1:05:19) Rob Staton, SeahawksDraftBlog.com (1:35:20) “On This Day….” (1:40:03) “Hey, What the Puck!” 

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Who is Ray Buckey? He was a preschool teacher, but in the height of the 1980s Satanic Panic, he as well as other teachers at his school, underwent years of trials for sexually abusing children, becoming the longest and most expensive criminal case in United States history. And it resulted in zero convictions because, and this cannot be expressed heavily enough, no one abused children because they had all been coerced to lie by their parents and the police.--Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Join Metal Walt, Ian O'Rourke (Motorlord), and Bill “The Rager” for another chapter of The History of Metal. This time, they revisit 1999 and 2000 — a defining turning point when Nu-Metal and Post-Grunge ruled MTV, Napster upended the industry, and legendary icons stormed back into the spotlight. Hear how Slipknot, Korn, and Limp Bizkit reshaped the scene, why Woodstock '99 went off the rails, and how Bruce Dickinson, Rob Halford, Dio, and Alice Cooper reignited traditional metal. From Metallica's S&M experiment to Linkin Park's Hybrid Theory explosion, this episode chronicles how heavy music survived Y2K — and came back louder than ever. CHAPTERS 00:00 Show Open and Introduction Segment – Vernomatic welcome, show setup, and call-to-action 04:23 Setting the Stage – Metal's identity crisis at the turn of the millennium 08:10 Ozzfest Ignites a New Era – The rise of Nu-Metal and post-grunge power 10:06 Slipknot, Korn & Chaos – The new generation of heavy shocks the scene 12:00 Mainstream Invasion – Creed, Buckcherry & Filter bring hard rock to radio 20:07 Woodstock '99 Erupts – The day metal was blamed for everything 26:12 '99 in Review – Favorite albums and overlooked gems of the year 34:27 Y2K Awakening – Guitars, melody, and tradition return in 2000 38:11 Godsmack & Disturbed – New blood defines the sound of a decade 40:02 Women Take the Stage – Kitty, Otep & Lacuna Coil reshape heavy music 43:04 Linkin Park Explodes – Hybrid Theory and the next-gen crossover 46:34 Legends Reborn – Maiden's Brave New World and Halford's Resurrection 50:45 Dark Reinvention – Alice Cooper, Dio & Pantera reforge their sound 59:48 Mega Tours of 2000 – Ozzfest, Kiss Farewell & the summer of comebacks 64:56 Napster Changes Everything – Metallica vs. file sharing and fallout METAL MAYHEM ROC: https://metalmayhemroc.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor Alex Winter may be best known as the Bill half of Bill and Ted -- and he's currently treading the boards with his counterpart from the Bill & Ted movies, Keanu Reeves, in a Broadway production of Waiting for Godot. But his body of work includes a ton of other films and tv shows, with roles both in front of and behind the camera. One project he co-wrote, co-directed, and starred in is the indelibly out-there 1993 comedy Freaked, which has just gotten a 4K UHD restoration and digital & BluRay release. Jordan and Alex talk about all that and more in this week's episode, along with the creative force that showed Alex both his way into Hollywood and his way through the work: silent comedy icon Buster Keaton, and in particular his films Sherlock, Jr. and The General.Then Jordan has one quick(ish) thing to say about what The Devil Wears Prada 2 needs to do if it wants her seal of cinematic approval. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Jeremy Au outlines why founders must choose a single 10x advantage and commit to it. He explains how products win by being better or faster or cheaper than the status quo and why unfair advantages are required to defend that lead. He also highlights the Southeast Asian invention of the USB thumb drive as a case where a first mover delivered a better experience but still lost when fast followers and scale overtook them. 01:00 Spotify provides 10x better quality: Unlimited access to any song in any order is a better experience than CDs or using Napster or Kazaa. 04:45 Uber creates a 10x faster experience: Seeing when a car will arrive removes waiting uncertainty and feels much faster than waving for taxis or calling for bookings. 06:00 SpaceX wins by being 10x cheaper: The cost of sending one kilogram to space dropped from about 30,000 dollars to about 500 dollars and continues to fall. 09:00 Six unfair advantages that protect a 10x lead: Startups defend their position through first mover advantage, network effects, economies of scale, intellectual property, regulatory protection, and scarce expert teams. These moats determine whether a company can keep its 10x advantage as competitors enter. 14:00 Thumb drive first mover but lost advantage: Henn Tan, founder of Trek 2000 and creator of the USB thumb drive, built a better file transfer experience but lost his lead because patents were not enforced globally, fast followers copied cheaply, and competitors gained scale and network effects. Watch, listen or read the full insight at https://www.bravesea.com/blog/first-mover-loses Get transcripts, startup resources & community discussions at www.bravesea.com WhatsApp: https://whatsapp.com/channel/0029VakR55X6BIElUEvkN02e TikTok: https://www.tiktok.com/@jeremyau Instagram: https://www.instagram.com/jeremyauz Twitter: https://twitter.com/jeremyau LinkedIn: https://www.linkedin.com/company/bravesea English: Spotify | YouTube | Apple Podcasts Bahasa Indonesia: Spotify | YouTube | Apple Podcasts Chinese: Spotify | YouTube | Apple Podcasts Vietnamese: Spotify | YouTube | Apple Podcasts #10xStrategy #StartupMoats #BetterFasterCheaper #FounderInsights #SEATech #InnovationFrameworks #FirstMoverVsFastFollower #TechCaseStudies #VentureThinking #BRAVEpodcast

In this packed episode of The Rhythm Section Podcast, hosts Derrick and Jeff kick things off by recapping their Friday night hang at Nashoba's, where they caught a killer set from their friends in Land/Divided. Derrick also gives a big shout-out to Matt and Jennifer at Supernova Music for coming through in the clutch with some much-needed gear support. The featured interview spotlights Scott Sudbury—lead guitarist, vocalist, and driving force behind Almost Famous, Famous, Lost 45s, Six Feet Thunder, and The Scott Sudbury Band. Scott walks the guys through the origins of Almost Famous, shares what the Memphis music scene was like “back in the day,” and tells the story of how he first fell in love with music. From playing in a teenage trio of brothers to performing his first show at an Amro Jam, opening for Tora Tora, and gigging at the iconic Stage Stop under the influence of the legendary Nita Makris, Scott's journey is packed with history. He also reveals how he began performing with Jimi Jamison, what led him back to writing original music in 2025, how he recorded and produced his debut album Static On My Radio, and how the era of Napster changed the course of his solo career.   https://www.facebook.com/scottsudburyofficial http://www.supernovamusicmemphis.com   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Send us a textIn this dynamic episode of Living the Dream with Curveball, we are thrilled to welcome Christos Garkinos, a visionary leader in the luxury resale market and the author of the bestselling book, "Cover the Comeback." With over 25 years of experience in fashion and media, Christos shares his remarkable journey from a young Greek immigrant in Detroit to working alongside Richard Branson at Virgin Megastores. He opens up about the challenges he faced in his career, including a significant personal crisis that led him to become sober and ultimately inspired his writing. Christos discusses how he reinvented the resale industry, earning the title of the "Robin Hood of fashion," by making luxury items accessible to a broader audience. Listeners will gain insights into his innovative live streaming venture, Covet by Christos, which has become a leading platform for luxury goods. Join us for an inspiring conversation filled with resilience, creativity, and the power of reinvention. Discover more about Christos and his work at Covet by Christos on Instagram and find his book on Amazon and Barnes & Noble.

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Who is Vince Offer? If you watched any television in the late 2000s, you undoubtedly saw Vince hock a product called ShamWow, a super absorbent towel. His abrasive, enthusiastic personality made him an instant icon, but frequent lawsuits, a scandal with a sex worker, and an anti-woke podcast absolutely deserve to be mentioned in the same breath as his iconic ShamWow. --Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Yasuke: The Black Man Who Escaped Slavery and Became the First Non-Japanese Samurai--Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Picture this- it's 1999.  Y2K panic is ramping up and Napster is giving you access to all the music you ever wanted.  Today's episode about a movie that is the definition of the late 90s.  So grab your JNCO jeans, frost your tips, bleach your pucca shell necklace, and put your visor upside down and backwards because we're about to hit play on one of the most chaotic, hyperlinked stories of the late '90s.  •0:00:00 - Introductions •0:03:30 - Memories of first viewing •0:06:00  - Pertinent movie details  •0:11:00  -  Critical and fan reviews •0:21:00 - Scene by scene breakdown  •1:20:00 - Modern day ratings —————————————————————— SPONSORS-  **BIG GROVE- Check out our beers of the episode here- http://BigGrove.com  **UNCOMMON GOODS-  To get 15% off your next gift, go to http://uncommongoods.com/CONFUSED  **WARBY PARKER-  You can head over to http://WarbyParker.com/CONFUSED right now to try on any pair virtually! —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Michael Guiliano and NicMad. Welcome to our newest members -  Will Clark, Joshua Carey, Mark Trickle, Thick Big, Travis Wenzel, Paul Albright, Carmel Pipicella, Where's Shelly, Matt B, Matt Rorrer, Ethan Wheeler,  Learn more about your ad choices. Visit megaphone.fm/adchoices

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What is Slab City? It's an off-the-grid unincorporated community in the California Sonoran Desert, taking its name from concrete slabs left behind by the Marine Corps and upon which the city was built. With about 150 year-round residents, Slab City is often touted as the last lawless place in America with no running water, plumbing, or food, but that's all just kayfabe as it's mostly just home to a bunch of aging hippies. --Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--Between 1942 and 1977, Roy Sullivan was struck by lightning not once. Not twice. But seven times. Seven separate incidents, each documented. Each time, he survived.  This is not a metaphor. This isn't a folk tale. This is a real guy who lived through something so absurdly implausible that scientists have studied his body, tourists have followed him through the woods, and Guinness World Records etched his name into history as the man most frequently struck by lightning and survived.Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

Napster is back again with a holographic AI agent for your MacBook, Apple is giving iOS users a toggle switch to make Liquid Glass easier to use.Starring Jason Howell and Tom Merritt.Links to stories discussed in this episode can be found here. Hosted on Acast. See acast.com/privacy for more information.

Brian Slagel, founder and CEO of Metal Blade Records joins this week to talk some hockey, some metal, some of his history, NAPSTER, branding, his Edward Van Halen story, KISS and did the Pantera Stanley Cup story really happen?Also Dating TIps With Porn Stars with Alena Croft @alenacroftxxxhttps://www.metalblade.com100 Songs That Define Heavy Metal Podcast:https://www.youtube.com/@100MetalSongsPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--This is the true story of a woman who lured a series of vulnerable young people—most of them queer or trans—into her home with promises of friendship, acceptance, and a place to stay. But once inside, they weren't allowed to just be themselves.They had to become characters from Final Fantasy VII.Written by Adam Smith--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

The hosts remember their favorite files they downloaded from Napster.

BACK OUR PATREON!https://bit.ly/deepcutspatreonCHECK OUT OUR NEW YOUTUBE CHANNEL!https://bit.ly/mysterytreehouse--What is the CIA vampire hoax? It was a 1950s military operation in which the CIA fought back against Filipino insurgents via psychological warfare by making them think that local vampires, known as the “Aswang,” were ready to kill them all, one by one. --Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

In 1999 our favorite albums were nearly $20, which is a lot of money if you're in high school and have no job. However, a software company called Napster came to our rescue. With this software, we had all of the world's music available at just the click of a mouse (and 4,728 minutes of wait time.). Over 60 million users of this service enjoyed unlimited downloads of our favorite artists. But one day, the music died. What happened?This episode is fully available for all supporters of True Crimecast on Patreon. --For early, ad free episodes and monthly exclusive bonus content, join our Patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.