Podcasts about diagnosis murder

We talk to Charlie Schlatter - Actor & Voice Artist. Charlie Schlatter has navigated the Entertainment Industry in style. From bursting onto 80s Cinema screens with roles in 18 Again alongside George Burns and The Delinquents with Kylie Minogue, he would then shift gears and head into TV taking on the iconic role of Ferris Bueller in the TV Series of the John Hughes hit before landing the long running role of Dr. Jesse Travis in Diagnosis Murder. Since then he has become a much in demand Cartoon Voice Artist and more recently became the voice of E.T The Extra Terrestrial in the phenomenal Holiday Reunion Short. Charlie chats about all of these along with his approach to his career plus many other great stories and insights.Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop

Introduction: How Do You Stop Hatred from Growing in Your Heart? (Matthew 5:21–26) By putting it to Death when it First Appears. (Matthew 5:21–22a) 1 John 3:15 – Everyone who hates his brother is a murderer, and you know that no murderer has eternal life abiding in him. By refusing to Kill others with Destructive words. (Matthew 5:22b) Ephesians 4:29 – Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear. By seeking after Immediate Reconciliation. (Matthew 5:23–24) By remembering what's At Stake. (Matthew 5:25–26) 1 Corinthians 6:10 – ...nor thieves, nor the greedy, nor drunkards, nor revilers, nor swindlers will inherit the kingdom of God. Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead Matthew 5:21-26What was your big take-away from this passage / message?Are you struggling with anger/hatred? How can you deal with it right now before it gets out of control?Read Ephesians 4:29 - What are some practical ways to control your mouth and keep corruption from spreading to others?Why is it so hard to admit your faults and ask for forgiveness?What are the consequences of giving yourself over to hatred and unforgiveness? BreakoutPray for one another. AUDIO TRANSCRIPT Turn your Bibles to Matthew chapter 5 verses 21 through 26.Matthew chapter 5 verses 21 through 26.We live in a culture that is absolutely obsessed with murder.There are dozens and dozens of true crime podcasts that delve into the nitty-gritty detailsof the worst crimes imaginable.Who has ever listened to a true crime podcast?No shame.Just asking.There are seemingly thousands and thousands of TV shows that are centered around murderinvestigations.Let me just list a few.Blue Bloods, Only Murders in the Building, Criminal Minds, Chicago PD, Sherlock, Bones,Castle, The Rookie, Longmire, Colombo, Psych, Monk, Murder She Wrote, Diagnosis Murder.Then there are the franchises that have spun out an endless amount of added-on shows, right?Law and Order, Law and Order Special Victims Unit, Law and Order Criminal Intent, Law andOrder LA, Law and Order Trial by Jerry, Law and Order True Crime, Law and Order OrganizedCrime, NCIS, NCIS Origins, NCIS Los Angeles, NCIS Hawaii, NCIS New Orleans, NCIS Sydney,CSI, CSI Miami, CSI New York, CSI Los Angeles, CSI Vegas, CSI Cyber, CSI Sheboygan, CSI Wexford.Okay, wait.Those last two don't actually exist, but at the rate they're pumping out these spin-offs,you never really know.But millions of people tune into these kind of shows every single week to watch fictionalmurderers face justice.On top of these podcasts and TV shows, we even play a board game with children thatis all about murder.That board game is?Who has ever played Clue at some point in their lives?I don't want to explain the basic premise, right?Okay, three to six players, you're all trapped in a mansion and one of you murdered Mr. Bodie,who owned the mansion.Was it Ms. Scarlett, Colonel Mustard, Mrs. White, Mr. Green, Mrs. Peacock, or ProfessorPlum?The whole purpose of the game is to figure out who is the murderer, what is the murderweapon, and what is the location of the killing?Again, this is a game for children.If the game can end with an accusation like this, Colonel Mustard in the conservatorywith a candlestick.Maybe you love playing this game growing up because you like to solve the mystery, assignthe blame for murder, and point the finger at made-up characters.But what if I were to tell you that every single person in this room is guilty of murder?This is in my opinion, it's not a suspicion, a hunt or an unfounded accusation.This is a clear and simple fact from the mouth of our Lord.According to Jesus Christ, we are all Colonel Mustard in the conservatory with a candlestick.And you may be thinking, "Taylor, I don't know about the person next to me, but I havecertainly never murdered anyone in cold blood."Well, you may be innocent of physically murdering, but there is no wiggling out of the realitythat you are guilty of spiritually murdering in your heart by hating others.And again, I know that some of you may be resisting what I'm saying already.You think to yourself, "I don't hate anyone.I am pleasant with everyone."I mean, sure, there are some people I intensely dislike.There are some people I vent about constantly.There are some people I avoid at all costs, and if I saw them in the grocery store, Iwould run in the opposite direction.But hey, that's different.Is it different?Maybe you are dressing up your hatred to make it look nice and acceptable when it is actuallycruel and dishonoring to the Lord.No matter who you are, how nice you may appear, you are not exempt from hatred.Because you have to understand that murder is not just an action.It is a state of heart in mind.We have been studying the Sermon on the Mount since February, and we are in the second sectionof our study, "The Heart of the Law."Last week, Pastor Jeff taught that Jesus Christ didn't come to abolish the law, but to perfectlyfulfill it through His life, death, and resurrection.And throughout the Sermon on the Mount, Jesus demonstrates that the law is not skin deep.It actually drills down deep within you to your heart.Jesus cares about who you are on the inside.He is far more interested in the internal than the external.In Matthew 5, verses 21-26, Jesus exposes your greatest desires, fears, and innermostfeelings which you try to keep hidden away from others.Jesus pulls your anger into the light to show you how truly ugly, subtle, and destructiveit actually is.Jesus doesn't do this to humiliate you.He does this to help you.Jesus doesn't do this to condemn you, but to change you from the inside out.Because hatred cannot be allowed to fester.It will hollow you out on the inside, and it will hurt everyone around you.So how do you stop hatred from growing in your heart?Well, our passage for this morning offers four methods of extermination that will keepthe infection from spreading.Before we cover those, let's go to the Lord and ask for His help.Please pray for me that I will faithfully proclaim God's Word, and I will pray for youthat you will joyfully receive God's Word.Father, we thank you for this most important appointment of the week.We gather together as your people to worship you, to encourage one another, and to situnder the proclamation of your Word.Lord, I thank you that you watch over your Word to perform it, and that your Word accomplishesevery purpose for which you send it out.I pray this morning that you would do your work in our hearts and lives.We ask all this in Jesus' name.Amen.So how do you stop hatred from growing in your heart?The first method of extermination by putting it to death when it first appears.By putting it to death when it first appears.Let's read verses 21 through 22.Jesus says, "You have heard that it was said to those of old, you shall not murder, andwhoever murders will be liable to judgment.But I say to you that everyone who is angry with his brother will be liable to judgment."So Jesus kicks off a pattern that we see six times in Matthew chapter five.You have heard that it was said, but I say to you.And at first glance, it may look like Jesus is changing one of the six commandments.It may look like he is erasing the original meaning and coming up with something brandnew.But as Pastor Jeff said last week, Jesus came not to lessen the law, but to elevate it.Jesus is not changing the sixth commandment.He is simply revealing something that has always been within it, but has been ignored.He is not contradicting God's word.He is contradicting the Pharisee and scribes incomplete interpretation of God's word.The religious leaders of Jesus' day thought and taught that the sixth commandment of,"You shall not murder," only applied to the physical acts of homicide in manslaughter.They put this commandment into a box and ignored its deeper meaning.And here is the heart of the sixth commandment.Do not give yourself over to unrighteous anger, which leads to the act of unjustly endingsomeone's life.Anger is the first domino in that chain reaction.The religious leaders limited the scope of God's command and the process they limitedits impact.By viewing the sixth commandment in this way, a religious leader could look at himself andsay, "Hey, I am perfectly keeping this commandment.I have never clubbed someone over the head.I've never pushed my neighbor off a tall building in a fit of rage.God must be so proud of me, but internally they are killing people by despising them,despising tax collectors, sinners, and Gentiles."In this passage, Jesus corrects the massive oversight of the men who should know the lawbetter than anyone else, but have missed the entire point.They have missed the heart.Jesus is saying, "Don't think you're safe and sound because you have no bodies buriedin your backyard.You were on the hook for a serious crime and heading for serious consequences if you havehatred and anger and bitterness buried in your heart."It's especially egregious to be angry with fellow brothers and sisters in Christ.Why is that?You know, as a dad, it pains me to watch or read news stories about kids being bullied.But do you know what would be worse than watching strangers be mistreated, finding out thatone of my own kids is being bullied?Do you know what would be the worst of all?Discovering that one of my kids hates and actively tries to hurt his or her sibling.It grieves the heart of God to watch his children despise and attack one another.And John talks about this in his first epistle.He says, "Everyone who hates his brother is a what?A murderer.And you know that no murderer has eternal life abiding in him."At this point, you may be frustrated thinking, "Wait, so you're saying I can never be angrywith anybody, especially if he or she is a Christian.How is that possible?"To be clear, Jesus isn't saying that anger is always sinful.God gets angry.God hates sin and what it causes.Jesus got angry throughout the Gospels.As a human, it is impossible for you to not feel feelings of betrayal, of annoyance, andfrustration.Jesus isn't condemning anger in general.He is condemning a very specific kind of anger.In this passage, the word for anger in the Greek is orgizō.And this is a fuming, a boiling anger that is nurtured and intensified like a pot of wateron a stove.You keep dialing up the temperature, keep dialing up the intensity until it overflowsand scalds people.This kind of anger twists your heart.It distorts how you view other people.You may even danger about bad things happening to this person.You may want this person to get what's coming, to get what they deserve, to be publicly humiliatedand to feel the same exact pain that you feel.When you hate someone, you are communicating this message to the Lord.Lord, I don't care if that person dies and I want them out of my life for good.Now, you would never say that out loud, but that's what you're feeling in your heart whenyou harbor bitterness.Because that person is dead to you when you never ever want to see him or her ever again.In your book, it's like they've been wiped out of existence.It's like they've fallen off the face of this earth.That kind of anger is a spark that can be snuffed out or fanned into flame.It's challenging to put to death in its infancy, but it's way harder to kill once it's fullygrown and is out of control.And this principle holds true in every other area of life.If you had gone to the dentist, when you first noticed that tooth pain, you could have avoidedthe unpleasant and very expensive root canal.That small leak in your attic would have been much more manageable whenever it was a smalldrip, but now every single time that it rained, it's like a waterfall in your attic.Even care of your yard would have been much easier when you pulled weeds as they poppedup, but after months and months and years of neglect, there are weeds everywhere.In those moments, you noticed a problem, but you did nothing about it.You stuffed it down instead of honestly addressing the issue.Never turn a blind eye to your sin.Only when it comes to unrighteous anger and hatred, when you see that root of bitternesspop up, be relentless and pulling it out and throwing it away instead of giving it roomto breathe and to grow.When that urge to mentally curse someone out in your mind pops up, don't entertain it.Don't go down that ungodly route.Instead, choke out those thoughts with the word of God.If that person is a believer, pray for their sanctification.If that person is not a Christian, pray for their salvation.When a family member or friend fails you, trust me, they will fail you.Don't stew on the offense and tally up all the ways that person has let you down in thepast.Instead, run to the only one who has never and will never let you down.Go to God the Father so that you can choose patience and gentleness instead of pettinessand retaliation.When the desire to believe the worst about someone in this church enters your mind, willinglydecide to believe the best until proven wrong.Run down the stove of your anger before it hurts you and everyone around you.How do you stop hatred from growing in your heart?Second method of extermination by refusing to kill others with destructive words.By refusing to kill others with destructive words.So Jesus moves on from what's in your heart to what comes out of your mouth at the endof verse 22.He says this, "Whoever insults his brother will be liable to the counsel and whoeversays you fool will be liable to the hell of fire."Maybe this seems over the top to you.You may be thinking, "Really Jesus going before the Supreme Court and being thrown into hellfor insulting and slander?"Isn't that a bit severe?Well, maybe you won't think that if you understand what these insults actually mean.That word for insult in the Greek is "rokka" which means empty-headed or worthless.And that word for fool is "moros" from which we get which English word do you think?Moron.That's not just a cute, funny word.The New Testament uses that word to describe those who were outside the kingdom of God.So by labeling someone as "rokka" and "moros" you are saying you are a worthless and stupidwaste of space with nothing of value to offer anyone so you can go straight to hell forall I care.True Christians cannot lose their salvation by using their mouths for evil.But a person whose life is marked by this kind of vile speech should question the genuinenessof his or her faith and status in the family of God.How can you flip people off in traffic throughout the week and then passionately raise your armsand worship on Sunday?How can you unapologetically scream at your wife and your kids and then use that samemouth to pray to a heavenly Father who you were nothing like?How can you day after day at work belittle your colleagues, your coworkers, your employees,and then go to a small group and claim that you are a bold witness for Christ?How can you ruin the reputation of others with slander and then describe your reputationas above reproach in God-honoring?You cannot habitually kill others with your words and claim to love Jesus with your wholeheart.Your words say way more about you than the person you are speaking against.Please do not underestimate the impact and influence of your words.You can use your mouth to point someone to Christ or away from Christ.To smash them into a million pieces or to help put them back together again.You can use your mouth to give someone hope or to take away the little hope that someonehas.Listen to what the apostle Paul has to say about how you should and shouldn't speak inEphesians 4-29.Let no corrupting talk come out of your mouth, but only such is good for building up as fitsthe occasion that it may give grace to those who hear.No corrupting talk.Corrupting brings the mental picture of something that is rotten and moldy.Imagine every single time you use your words in a negative way that this gross odor eaksout of your mouth and grosses out everyone around you.My wife and I were first married.We lived in a garage apartment above the house with a very nice Christian couple and theirson.We have almost no complaints about them.Great family, very kind to us.We had one small complaint.Once or twice a week they would make a meal that smelled horrible.The smell would go from the kitchen into the vents and finally into our apartment.I can't tell you how many candles we lit, how many balls of Febreze we sprayed to tryto fight off this odor.Somehow those defenses make it worse, doesn't it?The smell is kind of mixed together to create a horrible uber smell.It's been 11 years.I swear to you, I can still smell this meal in my house sometimes.I know that's not possible.My wife tells me I'm imagining it, but that smells so offended in my nose that it hauntsme in every season of life.You may be thinking, "Okay, what's the point of this random gross story?"Your corrupting words have the power to linger and haunt people for the rest of their lives.If I passed around a mic this morning and asked everyone to share the most hurtful thingsthat have been said to or about you, there wouldn't be a dry eye in this room.Now I want you to think about some of the most hurtful things you've ever said to orabout someone.Was it worth it?Do you stand by what you said or do you regret it?Just given a do over, would you say it all again or would you keep your mouth shut?Remember your answers to those questions when you were tempted to lash out at others withyour words.Recognize that you can never take your words back no matter how much you wish that you could.How do you stop hatred from growing in your heart?Third method of extermination by seeking after immediate reconciliation.By seeking after immediate reconciliation.So verses 23 through 24, Jesus switches gears to focus on how you should address the angerof others when you are at fault.Let's see what he has to say about next steps.Verse 23, "So if you were offering your gift at the altar and there, remember that yourbrother has something against you.Leave your gift there before the altar and go.First be reconciled to your brother and then come and offer your gift."Jesus places a high premium on resolving relational issues quickly and pursuing after reconciliationas soon as possible.He even puts it above sacrifice, which to Jews in the first century would have beenunthinkable.Being sacrificed is expected and commanded by God, but Jesus says it's more importantto be at peace with others around you.He's saying if you're making your sacrifice, leave it there, leave, go put this issue tobed and then come back to finish your sacrifice.This would be similar to us hearing, "Listen, if you're shopping at giant eagle, leave yourcart at the register and get out of there.If you're pumping gas, jump into your car and speed away and don't worry if the gasnozzle is dragging on the road behind you.If you're worshiping a church on Sunday, stop singing and track that person down.Resolve that unfinished business."Do you have unfinished business right now?Do you need to ask for forgiveness?Maybe you need to step out, make that call, send that text or even speed out of the parkinglot.If that's you, do it right now.Maybe you don't want to.Sadly so many of us demand apologies from others, but we're so bad at apologizing whenwe're wrong.Why is that?Because apologizing requires humility.You have to make yourself small and put yourself at the mercy of someone else.Do we naturally want to do that?None of us do, but it's commanded by our God and it is expected.It's way easier to cut ties and run than it is to admit your faults.That's why there are so many marriages that end in divorce.That's why there are so many friendships that are broken.That's why so many professing Christians leave their current church to go to anotherchurch down the street.Well, time for a fresh start.No one at this new church knows my dirty laundry or my history yet not yet.Give it a few weeks or months and you'll be looking for a new church yet again.It is far more appealing to the flesh to be totally unknown and completely unconfirmedthan it is to be fully known and lovingly confronted.Please stop pretending because Jesus is not fooled.Stop running away from those you've hurt because your problems will just follow you whereveryou end up.Do not be lazy and passive about reconciliation.Just like, yeah, yeah, I'll put that on my to-do list and get to it at some point.No, Jesus is saying, rip up your to-do list because nothing else matters.Do whatever is necessary to attempt to stifle that anger that is between you and the otherperson.How do you stop hatred from growing in your heart?Final method of extermination by remembering what's at stake.By remembering what's at stake.Maybe you're still unmoved by Jesus called a crush hatred and pursue after restoration.You know what God is calling you to do, but you just don't want to do it.You don't have any plans to make any changes or say sorry anytime soon.Well, thankfully, Jesus knows how stubborn you are.And he knows how stubborn I am.So he follows up his command with a very stern warning in verses 25 to 26.He says this, "Come the terms quickly with your accuser while you were going with himto court lest your accuser hands you over to the judge and the judge to the guard andyou be put in prison.Truly I say to you, you will never get out until you have paid the last penny."Let me bring this first century illustration into the 21st century.Imagine that you and your neighbor are fighting over a property line dispute.And during one argument, you get so angry that you viciously attack him.You were 100% guilty and there are witnesses to back up your neighbor's testimony.Your neighbor threatens to call the cops, to press charges and sue you if you do not apologize.But in that moment, you don't want to apologize.You want to defend yourself.You want to fight against your neighbor.You don't want him or her to have the satisfaction of beating you.But let's follow that to its logical conclusion.The cops come, you're arrested, you're put on trial and you have to go to prison andstay there until you are let out.And even then, you still have a lot of legal fees and you still have to pay out the lostsuit.Let me ask you, is there any upside to that option, option A?What do we think?No, it's all horrible.But thankfully, there's an option B. Throw yourself at the mercy of your neighbor.Ask for their forgiveness and seek after an agreeable solution.If you do that, your future is no longer filled with orange jumpsuits and public showers.Maybe thinking, well, thanks for the random legal advice, I guess.But what does this have to do with me?Well, here's the point.Hatred is a prison that you willingly lock yourself into.Hatred is a prison that you willingly lock yourself into.If you give yourself over to it, if you refuse to repent, there will be consequences in thislife.You will become very lonely and unpleasant to be around.You'll be known as the cranky guy or lady at church that everyone wants to love butdoesn't know how to.You'll be viewed as the human cactus.Everyone tries to hug you and bring you closer, but you just push them away and hurt themwith jabs.You will be trapped in a loveless marriage.Your children will wither away under your harshness and constant criticism.And you'll wonder one day why they don't visit anymore or call you to check in.Your friends will drop away like flies one by one by one because they're tired of youpicking fights and refusing to apologize.Let me ask you, is that the direction you want your life to take?Is that where you want to end up?And these final two verses, Jesus is focusing on the penalties you will face right now ifyou wrong others and never seek forgiveness.But over this past week, I couldn't help but consider the eternal penalty for unrepentanthatred and a continual refusal to seek after the forgiveness of Christ.Paul is crystal clear in 1 Corinthians 6 10 that revilers slanderers will not inheritthe kingdom of God.As I said earlier, some of you need to do some serious self examination.If you relentlessly feed this anger in your heart and it pours out from your mouth andthrough your actions, you may need to answer this really difficult question.Am I truly saved?Because true Christians choose to love instead of hate.A true follower of Christ wants to repent of sin, not wallow in sin.Someone who has experienced the forgiveness of Christ wants to extend that to others insteadof withhold it.Those who have been changed from the inside out say, "I'm sorry, will you forgive me?"Not "I'm sorry, but" or "I didn't do anything wrong."Because none of us are perfect in any of these areas.But you should be making progress day by day, week by week, month by month, year by year.Are you kinder, more loving, more forgiving now than when you first came to Christ?And if the answer is no, maybe you never truly came to Christ in the first place.If your honest answer to the question of "Am I truly saved?" is no, then your future isfar more terrifying than any earthly jail or prison.You are looking down the barrel of an eternity of being sentenced to a prison that is inescapableonce you are there.In hell, no one is released early or given visitation rights.But I have great news this morning.You don't have to be sentenced to that kind of eternity.There is still time to trust in Christ today.You don't need to carry that hatred or bitterness any longer.Those burdens will sink you both now and forever if you let them.Give those burdens over to Christ who was hated by the crowds that you could be lovedby His Father, who was rejected on the cross that you could be accepted, who bore the angrywrath that you deserve so you could be declared innocent.Jesus Christ has open arms this morning.He is calling you to run to Him.He is ready and willing.Are you ready and willing to run to Him and accept all that He has to offer?Let nothing hold you back from Christ because He will withhold nothing from you once youcome to Him with a sincere faith in genuine repentance.If your honest answer to the question of "Am I saved?" is yes, but you still wrestle withholding on to resentment and burning with anger, I have a few final words of encouragementfor you.You may have dug yourself into a pit of your own making.You keep digging and digging and digging with obsessive thoughts, unkind words, and stubbornness.But please listen to me.You only need to stay in that hole as long as you want to.Nothing and no one is keeping you there besides yourself.If you want to get to a better place, get over yourself and admit your neediness.Admit that you need God's help.Find yourself the truth instead of buying into your own lies.You should hold no grudges because God holds no grudges against you.You have nothing to prove to anyone because Jesus Christ already approves of you.You have no reason to repay evil for evil because the Bible says that vengeance belongsto the Lord.You have no defense for your hatred because you have received the greatest love imaginable.Let's spend some time with the Lord in prayer.Please close your eyes and bow your heads.Use this time to confess your sin to the Lord.To acknowledge how much you need Him to change.Stop putting on a show and be honest with your Father because He already knows whatyou're struggling with.The first step in finding a solution to your problem is admitting that you even have aproblem.Don't worry about what's for lunch.Don't worry about your busy day tomorrow, how your kids are doing in the back.Do business with God.Father, we come before you to confess our sin.Lord, all of us struggle with this in some way at some level, whether we want to admitit or not.And Lord, if there is someone in this room who doesn't know you, Lord, I pray that todaywould be the day of salvation.Today would be the day where they run to you and ask for forgiveness for the very firsttime.For the rest of us, Lord, would help us to recognize that we are already forgiven ofour hatred, that the eternal penalty for our sin has been taken away.But Lord, we are called to love you so much that we must hate our sin.Lord, help us to hate how we sin against you rather than hate others.Where we ask for your power, we ask for your strength to grow, to mature.I pray that we'd walk out of this room as lighter people after giving you the burdenof our hatred and anger.I ask all this in Jesus' name.Amen.

Send us a textThis week, Andrea and Eric dive into the latest Hallmark news and bring plenty of laughs along the way! From the network's big announcement about adding British mystery imports (hello, Rosemary & Thyme and Shakespeare & Hathaway!) to Good Witch: The Grey Lady Secrets getting the full nostalgic rewatch treatment, this episode is packed with cozy, quirky, and occasionally controversial takes.They break down what makes Good Witch so special—including Cassie's magical intuition, that 1 a.m. party, and Abigail juggling three dates like a pro—and give plenty of flowers to beloved side characters like Martha and George. Plus, Andrea shares her strong (and hilarious!) reaction to Hallmark's upcoming NFL-themed Christmas movie sequel. Spoiler: the fans aren't thrilled.

 Claire Rankin says she's waited "a really long time...to land something like this."The PEI native is talking about her role as Mary on Son of a Critch. How she landed the role -- after one of those remote zoom call auditions -- is just one of the stories she shares on this hour-long podcast.Season Four finds Mary -- and Rankin -- out of the kitchen and in the thick of it. On this Tuesday's episode (CBC, CBCGem), Mary has a mid-life crisis. In a few weeks, she's going back to school. Later, she'll be getting back in touch with her beauty pageant roots.The challenges are all welcome for this versatile actress who began her stage career at Stratford performing in Shakespean classics such as Love's Labour's Lost, Romeo and Juliet and The Tempest.During her Hollwood years, Rankin found gest starring roles in everything from House, Monk and Ally McBeal to The Drew Carey Show.Those shows were all more fun and less stressful than one of her first LA jobs opposite a Hollywood legend, a "Wish" she wishes she had never made.Way more fun was working opposite Dick Van Dyke on Diagnosis Murder, especially getting a chance to sing with the TV legend between takes.Get to know Claire Rankin, this week on brioux.tv: the podcast. 

Episode Notes S5E35 - Join us as we dive into the mind of the amazing Michael B Smith. He'll take us on his journey and tell us tales from being Super Freddy to Belthazor on Charmed. Michael Bailey Smith is an American actor. He is best known for his appearances on the television series Charmed, where he played Belthazor, a Grimlock leader and Shax. He also appeared in Men in Black II (2002) as Creepy, a minor antagonist. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ https://www.veteranscrisisline.net/ https://homebase.org/programs/get-care/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ https://www.refreshrecoverycenters.com/reclaim-your-life.../ https://drughelpline.org/ NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... You can see all your past favorite episodes now streaming on https://redcoraluniverse.com/ OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https://pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Our booking agent: https://www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow our guest https://www.imdb.com/name/nm0809344/ https://en.wikipedia.org/wiki/Michael_Bailey_Smith https://www.instagram.com/michaelbaileysmith/ https://www.facebook.com/michael.b.smith.5/ https://twitter.com/mbaileysmith?lang=en ———————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening MORE ABOUT THE GUEST: Smith was born in Alpena, Michigan, to an Air Force family, who lived in Tehran, Iran, during his last two years of high school. He graduated from Tehran American School. After working for Westinghouse, he joined the United States Army where he served in the 82nd Airborne Division as a paratrooper. He then attended college at Eastern Michigan University, where his athletic talents earned him a spot as a free agent with the Dallas Cowboys in 1985. Smith's football career was cut short by injury and he returned to Eastern Michigan University, where in 1988 he earned a bachelor of science degree in computer aided design. Smith stumbled upon acting when he accompanied a friend to an audition for the 1989 film A Nightmare on Elm Street 5: The Dream Child. Smith landed the role of Super Freddy. Smith would appear three years later in a small role in Renegade playing PJ Butler. In 1994, he appeared in an unreleased Marvel Comics adaptation of The Fantastic Four as Ben Grimm. Smith was also cast in Cyborg 3: The Recycler alongside Malcolm McDowell. Smith appeared in many TV series, such as Diagnosis: Murder, Star Trek: Voyager, Wings and Conan the Adventurer. In 1999, Smith had small roles as guards in Donald Petrie's My Favorite Martian (film) and The X-Files. Smith appeared 18 times in the hit TV show Charmed, where he played Belthazor, The Source, Grimlock and Shax. Also in 2002, he appeared in the hit sequel Men in Black II, where he portrayed the character Creepy. In 2003, Smith was the brother of Bob (Monster Man) in the hit movie Monster Man. Around that time, he appeared in the TV series The O.C. and Desperate Housewives. In 2006, Smith was cast as villain Pluto in the remake of The Hills Have Eyes. In 2007, he played villain Papa Hades in The Hills Have Eyes 2. He also starred in the 2010 horror film Chain Letter, alongside Nikki Reed, and Noah Segan, directed by Deon Taylor. Smith has also maintained a career outside of acting; he currently works for LEXI as the VP of Global IoT Sales. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/918e603f-3d0d-4cef-9e84-bd527c6997de

We had a great conversation with actress Michelle Stafford from the hit CBS TV Show The Young & the Restless!Michelle Stafford returned to THE YOUNG AND THE RESTLESS as Phyllis Summers in June 2019. She originated the role in 1994.For her work on Y&R, Stafford has a total of twelve Daytime Emmy nominations. She was awarded the Daytime Emmys Award for Outstanding Lead Actress in a Drama Series in 2004 and 2024 as well as Outstanding Supporting Actress in 1997. She is also the proud recipient of three consecutive Soap Opera Digest Awards, which were decided by the audience.From 2014-2019, Michelle played the role of Nina Reeves on the daytime drama, “General Hospital”.In 2016, she appeared opposite Tom Sizemore in the feature film, “Durant's Never Closes”. Her other film credits include the blockbuster film "Double Jeopardy" with Ashley Judd and Tommy Lee Jones. She also appeared in "Vampires Anonymous," which has won many independent feature festival awards. Her other television credits include a starring role on the Aaron Spelling series "Pacific Palisades," as well as appearances on such television series as "Judging Amy," "Frasier," "JAG," "Diagnosis Murder," "Two Guys, a Girl and a Pizza Place," and "Strong Medicine." She had a recurring role on Pamela Anderson's "VIP" and starred in the television movie, "Like Mother, Like Daughter."Michelle is active in the digital space having created, executive produced, and starred in the critically acclaimed digital series “The Stafford Project” that Entertainment Weekly called ‘hilarious' and was named by TV Guide's Hot List as ‘the web series to watch'. She also wrote, directed and starred with her daughter in the Nickelodeon Mom digital series, “Secret Mind of a Single Mom”.Her theater roles include a Los Angeles production of "The Heartbeats in Waltz Time," which was directed by Tony Award winner Charles Durning, and "Savage in Limbo," also directed by Durning, for which The Los Angeles Times touted her as "the sensational Michelle Stafford." An ardent sports fan, she also served as the "Best Damn Stanley Cup" correspondent on Fox Sports' "Best Damn Sports Show Period.” Michelle is the founder and CEO of “Skin Care Nation”, a skin care line of natural and organic products. She founded “Skin Care Nation” with the goal that everyone from all backgrounds should benefit from the use of clean, plant-based products.

Best selling author Lee Goldberg put himself through UCLA as a freelance journalist, writing for such publications as American Film, Newsweek, The Los Angeles Times Syndicate, The Washington Post and The San Francisco Chronicle. He's written the novels Lost Hills, True Fiction, My Gun Has Bullets, The Walk, King City, and Watch Me Die, which was nominated for a Shamus Award for Best Novel from the Private Eye Writers of America. He was also the co-author with Janet Evanovich of the five international bestselling Fox & O'Hare novels (The Heist, The Chase, The Job, The Scam and The Pursuit) and two New York Times bestselling prequel novellas (The Shell Game and Pros & Cons). His most recent books include Dream Town (the 5th novel in the Eve Ronin series), Malibu Burning (the first novel in the Sharpe & Walker series) and the genre-bending thriller Calico, a 2024 Spur Award finalist for Best Contemporary Western from the Western Writers of America. We chat today mostly about Eve Ronin and her latest escapade. Lee's TV writing & producing credits have covered a wide variety of genres, including sci-fi (seaQuest), cop shows (Hunter, The Glades), martial arts (Martial Law), whodunits (Diagnosis Murder, Nero Wolfe), the occult (She-Wolf of London), kid's shows (R.L. Stine's The Nightmare Room), T&A (Baywatch, She Spies), comedy (Monk) clip shows (The Best TV Shows That Never Were). He co-created the hit Hallmark movie series Mystery 101. His two careers, novelist and TV writer, merged when he wrote the eight books in the Diagnosis Murder series of original novels, based on the hit CBS TV mystery that he also wrote and produced. He followed that up by writing fifteen bestselling novels based on Monk, another TV show that he worked on. Lee's Webpage Show Host - Toni Ann Marcolini Follow the Podcast

Yelba Zoe McCourt was born in La Ceiba, Honduras and arrived in the US as a toddler. She grew up in New York City. She attributes her diverse upbringing with her ability to portray different characters and her facility with accents. She is a graduate of Stuyvesant High School and Barnard College, Columbia University in New York City. She studied acting and graduated from the American Repertory Theatre/Moscow Art Theatre Institute for Advanced Theater Training at Harvard University. Early on in her career she performed sketch comedy and improv in the West Village. Her television credits includes:Sesame Street, House of Buggin', Law & Order, First Time Out, Riot, Walker Texas Ranger, Local Heroes, Fired Up, Tracey Takes On, Diagnosis Murder, Moesha, On Common Ground, No Mother's Crying, No Babies Dying, Strong Medicine, The Mind of a Married Man, Hollywood 7, ER, For the People, and Kingpin. Her film credits include:Carlito's Way, No Exit, Slings & Arrows, The Pest, Ghetto Rhapsody, Road Dogz, King Rikki, Hustlas, Frozen Stars, Shut Up and Kiss Me! Valentina's Tango, and Griot's Lament. In 2015 she graduated from UCLA with a Masters of Science degree in Nursing. She most recently wrote and performed in “Where Y'All From?” a solo play directed and developed by Jessica Lynn Johnson at Solofest 2024. Her solo show will preview at the Hollywood Fringe Festival on June 6 at 8:15 pm at the Zephyr Theatre. To learn more about Yelba Zoe McCourt and her show “Where Y'All From: https://yelbazoe.blogspot.com/ https://www.facebook.com/YelbaZoeMcCourt https://www.instagram.com/yzmccourt/ https://www.linkedin.com/in/yelbazoemccourt/?trk=opento_sprofile_details https://www.imdb.com/name/nm0652205/

This Mother's Day we celebrate the women who raise us, nurture and help us find our inner strength and outer voice. Typically, they are our mothers or stepmothers—but they also can be foster moms, grandparents, neighbors, dance teachers—any woman who holds a mirror up to our potential. They often enter our lives without warning and change us forever—though sometimes it takes years for us to realize it.  These are my thoughts on Victoria Rowell's compelling 2007 memoir, “The Women Who Raised Me.” Ms. Rowell spent her youth in the foster care system. But with the help of many dedicated and caring women, she became an accomplished dancer and successful actor. Her memoir is a tribute to the women who raised her, and she describes them in loving and vivid detail.   “I was never meant to be raised by one mother, but by many.”  -Victoria Rowell  Ms. Rowell is a two-time Emmy Award nominee and has received 11 NAACP Image Awards. She is perhaps best known for her 20+ years on “The Young and the Restless” and eight seasons on “Diagnosis: Murder.” Rowell continues to act (look for “Summer Camp” in theaters May 31, 2024) and write, direct, and produce. Additionally, she has been recognized for her work with foster children and advocacy for education, the arts, and mental health awareness, support, and treatment.  As always, thank you for listening to Advanced TV Herstory. And, as we celebrate Mother's Day and National Foster Care Month, please show your gratitude to the women in your life. You know who they are. RESOURCES The Women Who Raised Me: A Memoir by Victoria Rowell https://www.barnesandnoble.com/w/the-women-who-raised-me-victoria-rowell/1100571768 Victoria Rowell: Featured Speaker for the Paul & Louise Miller Lecture Series https://youtu.be/A2CrcdUXRv8?si=Cow9hEBhED1jGMLx National Foster Care Month https://www.childwelfare.gov/fostercaremonth/ Summer Camp (in theaters 31 May 2024) https://www.imdb.com/title/tt26928684/?ref_=nm_flmg_unrel_1_act CYNTHIA BEMIS ABRAMS AND ATVH ATVH Newsletter – tvherstory.com Website - https://cynthiabemisabrams.com/  Podcast Archive - tvherstory.com Instagram - https://www.instagram.com/advancedtvherstory/ YouTube - https://www.youtube.com/@advancedtvherstory X (Twitter) - https://twitter.com/tvherstory Facebook - https://www.facebook.com/Media.Cynthia Bluesky Social - https://bsky.app/profile/cynthiabemisabrams.bsky.social PRODUCTION Video - Nivia Lopez - https://nivialopez.com/ Audio - Marilou Marosz - https://www.linkedin.com/in/mariloumarosz/ Music - https://freemusicarchive.org/music/Jahzzar/  

Welcome back to the podcast, I'm Jamie Baynes. Today's guest is a #1  New York Times bestselling author, and TV producer, Lee Goldberg. Lee has written sixty novels, that's 6-0, so far and has produced multiple television shows which include Monk and Diagnosis Murder. I recently began reading an advanced copy of Ashes Never Lie, the second in the Sharpe & Walker series and decided that I'd like to interview him for an episode. I went to his website, found a contact form and sent him an email. He responded back within a day, told me that he'd asked one of my favorite people, Yasmin Angoe, if I was legit and she told him that I was. Thank goodness!I hope you enjoy our interview. After you listen, drop me a line and let me know what you think.  I'm always humbled when people take time out of their day to talk to me about their life, their work and their views on how to live a positive life. Lee sums it up nicely when he said that even in the darkest of times, there's always humor to be found, and I couldn't agree more. I think that the old adage that laughter is the best medicine still applies today and we should all take a daily dose of that medicine,I want to thank Lee again for the laughter and the wisdom, and I hope that many more books are on the way. And I also hope that he was joking about killing a hooker after he hung up with me. You can check out the website below to peruse Lee's large library of books, as well as more biographical information on this amazingly talented and funny man.http://www.leegoldberg.comUntil next time, take care of one another and thanks for listening.

Harvey Brownstone conducts an in-depth Interview with Barbara Bain, Legendary Actress, “Mission Impossible” About Harvey's guest: Today's special guest, Barbara Bain, is a beloved actress who is perhaps best known for her portrayal of undercover agent “Cinnamon Carter” on the classic TV series, “Mission: Impossible”, for which she became the first actress in television history to receive 3 consecutive Emmy Awards for Outstanding Lead Actress in a Drama Series.   She also received a Golden Globe Award nomination and a Photoplay Award nomination for Best Female TV star.  She also created the iconic role of “Dr. Helena Russell” in the classic British science fiction series “Space: 1999” and the made-for-TV movies “Alien Attack”, “Destination Moonbase Alpha”, “Cosmic Princess” and “Journey Through the Black Sun”.    And over the years we've seen her in dozens of TV shows including “The Dick Van Dyke Show”, “Perry Mason”, “Get Smart”, “Moonlighting”, “Murder, She Wrote”, “Diagnosis Murder”, “CSI” and many more.  Her movie credits include “Savage”, “Skinheads”, “Panic”, “Bel Air”, “Trapped”, “Political Disasters”, “Nothing Special”, “On the Rocks”,  “American Gun”, for which she received a DVD Exclusive Award nomination for Best Supporting Actress, and 3 of my favourite  short films: “Reconnected”, for which she received a Best Actress nomination at the Madrid International Film Festival; “Take My Hand”, for which she won 3 prestigious film festival awards; and “Pacific Edge”, for which she won Best Actress Awards at the Golden Door International Film Festival AND the Los Angeles Independent Film Festival.   And I can't resist mentioning her hilarious performance as “Dr. Olga Schmetner” in the 1981 TV movie, “The Harlem Globetrotters on Gilligan's Island”.    On the stage, she's won Los Angeles Critic's Circle and DramaLogue Awards for her performances in "Wings", "Happy Days" and "The Chairs".    And in 2016 she received a star on the Hollywood Walk of Fame.   And if ALL OF THAT weren't enough, out guest founded a children's literacy program through the Screen Actors Guild called "Book Pals", which initially had hundreds of actors reading to school children in major cities across America.  And now it's an online program called “Storyline Online”, so kids all over the world can choose a famous actor to read them a story. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Barbara Bain, go to:https://twitter.com/thebarbarabain #BarbaraBain    #harveybrownstoneinterviews

TVC 637.5: Ed welcomes back New York Times bestselling author and Edgar Award-nominated writer and producer Lee Goldberg (Spenser: For Hire, Monk, Sliders, Diagnosis Murder). Lee's latest crime novels include Dream Town, the latest edition of the Eve Ronin mystery series, and Malibu Burning, a “dual track” novel about a con artist who uses a massive fire to masquerade an audacious heist and the arson investigators who stumble onto that heist. Topics this segment include how Walter Sharpe, one of the heroes in Malibu Burning, is a cross between Walter Matthau and Lieutenant Columbo; why research and authenticity are very important to all of Lee's books; and the need to have emotional stakes when creating villains for novels and TV shows. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 637.6: New York Times bestselling author and Edgar Award-nominated writer and producer Lee Goldberg (Spenser: For Hire, Monk, Sliders, Diagnosis Murder) shares the back story of “Hard Boiled Murder,” the famous episode of Diagnosis Murder that brought legendary TV detective Joe Mannix into the Mark Sloan universe (and vice versa). Lee's three new crime novels, Dream Town, Malibu Burning, and Calico, are all available wherever books are sold. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lee Goldberg is a two-time Edgar Award and two-time Shamus Award nominee and the #1 New York Times bestselling author of more than thirty novels. He has also written and/or produced many TV shows, including Diagnosis Murder, SeaQuest, and Monk, and is the cocreator of the Mystery 101 series of Hallmark movies. As an international television consultant, he has advised networks and studios in Canada, France, Germany, Spain, China, Sweden, and the Netherlands on the creation, writing, and production of episodic television series. You can find more information about Lee and his work at www.leegoldberg.com And for more about our host Lisa Kessler visit http://Lisa-Kessler.com Book Lights - shining a light on good books!

Novelist, screenwriter, producer and publisher Lee Goldberg knows what it is to work in collaboration. He has helped to write and produce a number of television shows, including “seaQuest” and “Monk,” and he also served as a supervising producer and executive producer of the long-running series “Diagnosis Murder,” starring Dick Van Dyke.  While working on “Monk” and “Diagnosis Murder,” he wrote several original tie-in novels based on those series. Lee is also an accomplished storyteller in his own right—the author of nearly 40 novels, including Lost Hills, True Fiction, and the first five books in the Fox & O'Hare series, written with best-selling mystery novelist Janet Evanovich. His latest book, Malibu Burning, tells the story of an elaborate heist staged in the middle of a raging California wildfire, and he's got two additional books coming out in the weeks ahead—Calico and Dream Town.   Join us for a fun and informative conversation on what it means to work in and around television, and how it is that one writer has been able to capture the imagination of audiences in a variety of mediums. Learn more about Lee Goldberg: Website Facebook Twitter/X Instagram Threads BlueSky Please support the sponsors who support our show. Daniel Paisner's Balloon Dog & Horizontal Hold Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Wow! What a great conversation Steven James had with Lee Goldberg, a veteran TV writer and novelist. Get your pen ready to take notes as Lee talks about what characters do in a story (surprise, surprise; they don't change), how to make compelling characters, where humor comes from, the secret to Monk's character, how to use a “living outline,” and his latest novel MALIBU BURNING. Check out this episode of The Story Blender. Author and screenwriter Lee Goldberg has topped bestseller lists, earned wide critical acclaim, and garnered a worldwide devoted fan base for his compelling and meticulously researched police procedurals and spy thrillers. His latest book, MALIBU BURNING, which Thomas & Mercer will publish on September 1, 2023, marks a brand-new direction in crime fiction for the talented storyteller. It's a relentless thriller tracking both a master thief with a conscience and the dogged investigators out to stop him from pulling off the ultimate heist in the midst of a raging wildfire. Lee Goldberg is a two-time Edgar Award and two-time Shamus Award nominee and the #1 New York Times bestselling author of nearly 40 novels, including Lost Hills, True Fiction, fifteen Monk mysteries, and the first five “Fox & O'Hare” books, co-written with Janet Evanovich. He's also written and/or produced many TV shows, including Diagnosis Murder, SeaQuest, and Monk, and co-created the Hallmark movie series Mystery 101. As an international television consultant, he has advised networks and studios in Canada, France, Germany, Spain, China, Sweden, and the Netherlands on the creation, writing, and production of episodic television series. 

Lee had me in stiches one minute and dropping knowledge that left me speechless in another. He is super talented and has written TV shows, books based on shows, Films, and including a book series with Janet Evanovich! he put himself through UCLA as a freelance journalist, writing for such publications as American Film, Starlog, Newsweek, The Los Angeles Times Syndicate, The Washington Post and The San Francisco Chronicle (He also wrote erotic letters to the editor for Playgirl at $25-a-letter, but he doesn't tell people about that, he just likes to boast about those "tiffany" credits). He published his first book ".357 Vigilante" (as "Ian Ludlow," so he'd be on the shelf next to Robert Ludlum) while he was still a UCLA student. The West Coast Review of Books called his debut "as stunning as the report of a .357 Magnum, a dynamic premiere effort," singling the book out as "The Best New Paperback Series" of the year. Naturally, the publisher promptly went bankrupt and he never saw a dime in royalties. (But the books are available on the Kindle as "The Jury Series") Welcome to publishing, Lee. His subsequent books include the non-fiction books "Successful Television Writing" and "Unsold Television Pilots" ("The Best Bathroom Reading Ever!" San Francisco Chronicle) as well as the novels "My Gun Has Bullets" ("It will make you cackle like a sitcom laugh track," Entertainment Weekly), "Dead Space" ("Outrageously entertaining," Kirkus Reviews), "Watch Me Die" ("as dark and twisted as anything Hammet or Chandler ever dreamed up," Kirkus Reviews).Goldberg broke into television with a freelance script sale to "Spenser: For Hire." Since then, his TV writing & producing credits have covered a wide variety of genres, including sci-fi (SeaQuest), cop shows (Hunter, The Glades), martial arts (Martial Law), whodunits (Diagnosis Murder, Nero Wolfe), the occult (She-Wolf of London), kid's shows (R.L. Stine's The Nightmare Room), T&A (Baywatch), comedy (Monk) and utter crap (The Highwayman). His TV work has earned him two Edgar Award nominations from the Mystery Writers of America. His two careers, novelist and TV writer, merged when he began writing the "Diagnosis Murder" series of original novels, based on the hit CBS TV mystery that he also wrote and produced, and later wrote the 15 bestselling novels based on "Monk," another show that he worked on. He is co-creator of the hit Hallmark movie series "Mystery 101." He also he teamed up with Janet Evanovich to write the #1 New York Times bestselling Fox & O'Hare novels ("The Heist," "The Chase," "The Job," "The Scam," "The Pursuit"). His most recent books include the thriller "True Fiction" and the police procedural "Lost Hills." But perhaps he's best known for his pioneering work mapping the human genome and negotiating the North American Free Trade Agreement. Goldberg lives in Los Angeles with his wife and his daughter and still sleeps in "Man From UNCLE" pajamas. His latest book is Malibu Burning! Its soo good! leegoldberg.com

Episode 202 - Jeffrey Weissman is an actor's actor. He would have been going by horseback or wagon from town to town before the advent of film and television, reciting Shakespeare or performing plays in small towns all over the countryside.  He acts, produces, writes, and directs, and has worked with legendary film actors such as Clint Eastwood and Michael J. Fox. Jeffrey has over 100 theater stage credits and over 80 film and TV credits and has been a working actor since the mid-1970's. He has been a player and artistic director in many improv troupes as well as co-starred in many storied Hollywood features such as Back to the Future II & III, Pale Rider, and Twilight Zone the Movie. On television, he has appeared in such fabled shows as Diagnosis Murder, Dallas, Saved by the Bell, Max Headroom, and Scarecrow and Mrs. King, just to name a few. Jeffrey continues to work in theater and film, while venturing into theme parks, trade shows, improv and sketch shows with a great deal of success. He is also a mentor, teacher, and coach. Join Jeffrey and I as we talk about his creative process of acting as well as all of the amazing roles he has had throughout his career in Hollywood. Enjoy! To learn more about today's guest Jeffrey Weissman please visit: Website: http://www.JeffreyWeissman.com Twitter Handle: @JefWeissman Facebook Page:  @JeffreyWeissmanActor Instagram Handle:  @jeffreyjweissman IMDB = https://www.imdb.com/name/nm0919297/?ref_=nv_sr_1 Back to the Future Reunion Charity Event: http://www.backto1885.com/ 

New York Times Bestselling author, screenwriter and TV producer Lee Goldberg joined the podcast to talk about his latest novel Malibu Burning. He also chatted about his Fox & O'Hare series with Janet Evanovich and his Eve Ronin series, writing and producing Diagnosis Murder, working with Dick Van Dyke, writing for the hit TV series Monk and so much more. Website Show Host - Toni Marcolini Twitter Podcast Podcast Instagram Plin-Mar Productions Video Podcast

Our guests ran into a scheduling conflict so we're replaying our November 30, 2022 talk with the amazing Amanda Wyss from Fast Times, Better Off Dead, Nightmare on Elm Street, Powwow Highway, Silverado, and so many other memorable roles. She's also appeared in shows like Buck Rogers, Cheers, St. Elsewhere, Murder She Wrote, CSI, Diagnosis Murder, and Dexter. You can follow Amanda on Twitter @_amandawyss and on Instagram @amandawyss. Meantime, please help support this show by subscribing to our bonus content at Bobcescashow.com. Music by Sammi Garett.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bill Blair: More Alien Than Human Bill Blair is the Guinness World Record Holder for most special effect makeup characters portrayed in a career. With over 200 roles under heavy prosthetics, including dozens in Star Trek DS9, Voyager, and Enterprise, Bill's face is hardly recognizable for the amount of work he's put in on-camera. Bill talks about growing up in a small town and finding his way into Hollywood, cutting his teeth in commercials along the way. We discuss his time in the first "Robocop," working on "Diagnosis Murder" and with Angela Lansbury in "Murder, She Wrote," his audition for "Star Trek: First Contact" and why he ultimately had to turn down the role, how he got into acting with prosthetics and transforming into countless aliens in the Star Trek universe as well as "Babylon 5", stories about Michael Westmore, and amazing tips and techniques, he learned along the way to be a better performer under heavy makeup plus, how to play dead on-screen, and the advice he received from Robin Williams that he never forgot. Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Bill Blair is the Guinness World Record Holder for most special effect makeup characters portrayed in a career. With over 200 roles under heavy prosthetics, including dozens in Star Trek DS9, Voyager, and Enterprise, Bill's face is hardly recognizable for the amount of work he's put in on-camera. Bill talks about growing up in a small town and finding his way into Hollywood, cutting his teeth in commercials along the way. We discuss his time in the first "Robocop," working on "Diagnosis Murder" and with Angela Lansbury in "Murder, She Wrote," his audition for "Star Trek: First Contact" and why he ultimately had to turn down the role, how he got into acting with prosthetics and transforming into countless aliens in the Star Trek universe as well as "Babylon 5", stories about Michael Westmore, and amazing tips and techniques, he learned along the way to be a better performer under heavy makeup plus, how to play dead on-screen, and the advice he received from Robin Williams that he never forgot. Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

In this podcast, Chris interviews Janelle McCallum, Chief Clinical Operations Officer with TCN and Alan Seivers, Partner with B2B CFO®.  Years ago, there was a great TV series called “Diagnosis Murder” with Dick Van Dyke where he, as a super sleuth, could solve any challenge, riddle, and murder.  Using this as a metaphor, Chris discusses with Janelle and Alan how they use their skill set to diagnose Hospice and Palliative Care programs.  Janelle and Alan share statistics, measures, and Key Performance Indicators (KPIs) that staff, leaders, and Boards should know about their organizations.  Chris rounds out the show with one key measure the TCN team has identified in the numerous assessments they have done and he also shares some key measures that can be used to diagnosis palliative care programs.This is a great listen for staff, leaders, and Boards of hospice and palliative care organizations.  Join us, this is timely and relevant.  Quote:   Not everything that can be counted counts, and not everything that counts can be counted. - John DoerrGuest: Alan Seivers, Partner with B2B CFO ®Janelle McCallum, Chief Clinical Operations Officer with TCNHost:  Chris Comeaux, President / CEO of TCNhttps://www.teleioscn.org/tcntalkspodcast/diagnosis-hopsiceTeleios Collaborative Network / https://www.teleioscn.org/tcntalkspodcast

Jake Longly, ex-pro baseball player turned restauranteur, is back where he belongs: relaxing on the beach in front of his restaurant in Gulf Shores, Alabama. His peace is interrupted, however, when he receives a call from his private investigator father—April Wilkerson has gone missing from Lindemann Farms, the rustic, yet posh, resort built by self-help and financial guru Jonathon Lindemann. Lindemann, founder of The Lindemann Method (TLM), recruits wealthy people to join his program, charging a hefty entry fee but in return promising huge financial gains and self-enlightenment. Jake's celebrity status makes him the best person for the case. When Jake and his girlfriend, Nicole, go on an undercover visit to Lindemann Farms, some suspicious activity makes them wonder about the legitimacy of TLM. Soon, a private conversation with one of the girls hired to work at the resort reveals their unorthodox, and immoral, recruitment methods. As the layers peel away, darker edges appear. Does Jonathon truly make money for his investors, or is he a scam artist? Is April merely the latest in a series of missing young women? Jake and Nicole need to find her, and soon, before TLM catches wind of their true reasons for visiting the farm. DP Lyle, MD is the Amazon #1 Bestselling; Macavity and Benjamin Franklin Silver Award winning; and Edgar (2), Shamus, Agatha, Anthony, Scribe, USA Today Best Book Award (2), and Foreward INDIES Book of the Year nominated author of 23 books, both non-fiction and fiction, including the SAMANTHA CODY, DUB WALKER, JAKE LONGLY, and CAIN/HARPER thriller series, and the ROYAL PAINS media tie-in novels. His essay on Jules Verne's THE MYSTERIOUS ISLAND appears in THRILLERS: 100 MUST READS and his short story “Even Steven” in ITW's anthology THRILLER 3: LOVE IS MURDER. He served as Editor for the Southern California Writers Association's short story anthology, IT'S ALL IN THE STORY as well as contributed the story “Splash.” His short stories “Bottom Line” appears in the Sherlock Holmes-inspired anthology FOR THE SAKE OF THE GAME and “Tonic” can be found in the anthology NOTHING GOOD HAPPENS AFTER MIDNIGHT. ​ He has worked with many novelists and with the writers of popular television shows such as Law & Order, CSI: Miami, Diagnosis Murder, Monk, Judging Amy, Peacemakers, Cold Case, House, Medium, Women's Murder Club, 1-800-Missing, The Glades, and Pretty Little Liars. ​ He has taught fiction writing at numerous writing conferences as well as classes at The Learning Tree University and the UCLA Extension Writing Program. ​ He was born and raised in Huntsville, Alabama where his childhood interests revolved around football, baseball, and building rockets in his backyard. The latter pursuit was common in Huntsville during the 1950s and '60s due to the nearby NASA/Marshall Space Flight Center. ​ After leaving Huntsville, he attended college, medical school, and served an internship at the University of Alabama; followed by a residency in Internal Medicine at the University of Texas at Houston; then a Fellowship in Cardiology at The Texas Heart Institute, also in Houston. For the past 40 years, he has practiced Cardiology in Orange County, California. ​ ​

Do you watch The Daily Show? If so, don't miss this awesome podcast episode featuring Vance DeGeneres!Show NotesVance on Wikipedia: https://en.wikipedia.org/wiki/Vance_DeGeneresVance's Instagram: https://www.instagram.com/vancenotvance/?hl=enVance on IMDB: https://www.imdb.com/name/nm0214699/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptMichael Jamin (00:00:00):To me, I'm guessing the goal of it was just to be creative and make music. That's still, that's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:00:13):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm going to get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough, right? I mean, it's just fun.Michael Jamin (00:00:49):You're listening to Screenwriters Need to hear this with Michael Jamin.Michael Jamin (00:00:56):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I got another good guest for you. This is another reason to sit through me talking because my guest is actually an old friend of mine. And his name is Vance DeGeneres, comedy writer, TV producer, film producer, film executive musician. And I met Vance many years ago and can tell Quick story, Vance. And then I'll let you chime in for the rest of the interview. Please. First of all, I first please. I gonna just get the elephant outta the room. Yes. Vance. His, his little sister is someone you may have heard of Ellen. Ellen Generous, but we're not talking about her now. We're talking about you Vance. So stop bringing her up. Vance DeGeneres (00:01:34):Yeah, yeah, please,Michael Jamin (00:01:35):Please. So, I'm met Vance many years ago. I'm a first job as a, as a comedy writer. I was a comedy writer and show on the Mike and Maddie show. It was a morning TV show. I was very nervous, very excited, didn't know anything about the business. And Vance was the other guy, the other comedy writer. And we shared an office. And I just did. I was like, Vance, I, I don't really know what I'm doing here. And Vance was like, it's okay. We'll be okay. I'm not sure if Vance knew what he was doing, but I did everything. You did Vance. I wore shoes to the set. I wore a a jacket to the set. I did whatever you told me to do. Whatever you did, I just copied. And you were, andVance DeGeneres (00:02:12):It, and look, look where you are today,Michael Jamin (00:02:14):. I'm sitting in front of my computer screen in my garage.Vance DeGeneres (00:02:18):, can I, can I, can I just say I I do have to to thank you because we're not for you. I wouldn't be able to do this.Michael Jamin (00:02:30):That's right. We did a lot of that. And you got, you got a nice lot of,Vance DeGeneres (00:02:33):You taught me toMichael Jamin (00:02:34):Juggle. I taught you that. I didn't, what else You taught me to juggle. Didn't I teach you how to love as well?Vance DeGeneres (00:02:40):Well, I was gonna say, yeah, I was gonna say that, but since you brought it up Yes,Michael Jamin (00:02:45):Vance has, go ahead.Vance DeGeneres (00:02:48):No, I was just gonna say, you know, we I think we laughed a lot in that, in that office. It, it was it was an interesting job.Michael Jamin (00:02:57):Did we make anyone laugh? , I'mVance DeGeneres (00:03:00):Six monthsMichael Jamin (00:03:02):. We made each other laugh and then on six month time they showed, they showed me to the door .Vance DeGeneres (00:03:10):Yeah. And yeah. And I didn't last a lot longer.Michael Jamin (00:03:13):You didn't, I don't remember. But you've had such an amazing career event cuz you have done something. Like you are truly a very creative person and you've made a career out of being creative, but not pigeonholed in any one category. Like, I'm gonna start, I'm gonna start by telling, refreshing your memory, how you've, how much you've worked in the business. I guess you first started, you were a musician, you in a, in a band called House of Shock, which was Gina Shock, who was in the Go-Go's. You formed a band with her, right? Was that your first band? IVance DeGeneres (00:03:43):No, no, no. I, no, I, well, very quickly, I, I had, I had been in bands since seventh grade. I had my first garage band. Right. and then I was in a s a really successful band in New Orleans called The Cold in the early eighties.Michael Jamin (00:04:01):Right.Vance DeGeneres (00:04:02):And and then I moved out to Los Angeles in 85. And the Gogos had broken up and a friend introduced me to Gina and we put together house of Shock. And so she and I were partners on that.Michael Jamin (00:04:17):And you toured a lot of with her?Vance DeGeneres (00:04:19):No, we didn't tour a lot, but we rec we Gina and I wrote, wrote the album and it came out, we were on Capital Records, Uhhuh . And and that came out in 88.Michael Jamin (00:04:30):Now, when you moved to LA was it to become, I mean, it's weird, you know, you're very, very funny, very talented comedy writer. But was it, is music really your first love and look at your background there?Vance DeGeneres (00:04:42):My first love is music. But I had done bef Okay. . I, I've got such a, such a a checkered a career path. Originally I had done, oh boy. Yeah, this is, it's too much to get into. But I, I was the original Mr. Hans with the Mr. Bill Show, and IMichael Jamin (00:05:04):Wanna talk about that. Okay. So that came firstVance DeGeneres (00:05:07):That Yeah. After yes, when I was 18, I guess I, I met this guy Walter Williams, and we, we got an apartment together and we started doing, we were both Big Bob and Ray fans. Right. you know Bob and Ray,Michael Jamin (00:05:25):Right? Yeah. Ellis dad . That's how I think about it. Yeah,Vance DeGeneres (00:05:28):Exactly. Exactly. but they used to do this improv improvisational comedy. And so we thought, yeah, we can probably take a crack at that. So we started doing little comedy bits and then started shooting little tiny movies. And Mr. Bill was one of the movies. And anyways, so, you know, what happened then?Michael Jamin (00:05:49):Well, for many people who, who don't, I wanted to tell them, so Mr. Like, Mr. Bill was a, a little claymation character on Saturday Live, A little sketch they did on Saturday Live, or in the early years of sa And this Mr. Bill was like, before the internet, it went viral before the internet virality was a thing. And it was like this, I remember everyone was talking about Mr. Bill, Mr. Oh, no, Mr. Bill. And it was Mr. Hand was the char, another character. And like everyone talked about Mr. Bill cuz it was like this sketch on Saturday. It was recurring sketch that everyone talked about. And so yeah. Go into that. That's a, that was when I found out you were Mr. Hand. I was like, you're Mr. Hand.Vance DeGeneres (00:06:26):Yeah. Well, oh yeah. Well, it's, it's a, it's a a very long and a very frustrating story actually. But I, I'll just tell you that we started it in New Orleans and we did these, you know, we, we started doing nightclubs in New Orleans there. This was before there was even a a comedy club in New Orleans. This was in 73 45 Uhhuh six. And so we would do these kind of live shows where we did comedy and we showed, we showed our eight millimeter films. We'd set up a screen, Uhhuh, and then when Sarah I live came on we sent in a reel of our shorts and they liked Mr. Bill and they put that on.Michael Jamin (00:07:11):How did you know, you just sent it to like, what do you mean you sent it? Vance DeGeneres (00:07:15):Because, because they they had a thing, Lauren, Michael said, Hey, if if, if you have some funny short films, send them to us and if we like it, we might put it on. Right. So we we sent 'em a, a reel of our, our shorts and they liked that particular one. So Lauren aired it and it was during Mardi Gras in New Orleans when it first aired. And, and Saturday Night Live was preempted for one of the parades, Uhhuh . So nobody in New Orleans got got to see it. But they invited us down to the N B C affiliate to watch it in the control room. Uhhuh . So we got to see speed.Michael Jamin (00:07:58):How, but how, but did you do several of them? There's We did,Vance DeGeneres (00:08:02):Yeah. Right. We did. And then we, we well we had a weekly radio show in New Orleans called the Mr. Bill Show, and where we did little sketches, and then we even did eight local TV show few episodes.Michael Jamin (00:08:17):Like 18 when you were doing this.Vance DeGeneres (00:08:20):In 19, yeah. 18, 19, 20, kind of a big. And and then once it was on Saturday Live, we we picked up a third, a third member named David Derickson. And we moved to, we got a, we got a loan for $3,000 and moved to New York and got a, a one bedroom sublet. And we did the the improv once a week on Monday nights, we would do our standup. And then we we made a couple of other Mr. Bills. And after the second season, I, I decided to, to leave the act. And I moved back to New Orleans. And then my friend Dave, who, who was a third member, took over as Mr. Hands.Michael Jamin (00:09:08):What, when you left what to go back to New Orleans, what, what were you, what was it to pursue at this point? What did you wanna do?Vance DeGeneres (00:09:15):Well, comedy, comedy, I, I went back to New Orleans and I, I wrote a a half hour, another comedy show, a full half hour like sketch comedy show and and cast it. And I got Loyola University gave me their TV station to shoot the thing in. But they said You got 12 hours because 6:00 AM tomorrow morning, we're tearing up the, the, the studio to redo it for the, for next semester. After we shot the first sketch, there was a power brown out on campus. And and that was it. I I, we were done. So I, I, I had no show. Right. I, I got, I was really depressed. It's like, Jesus, this is, you know what, I spent months putting this together and I just thought, you know, God show business kind of sucks. , whatMichael Jamin (00:10:12):AmVance DeGeneres (00:10:15):Oh, yeah, yeah, yeah, yeah. So, so I mean, what, what, what would you do if if you were in that position? I thought I'll join the Marines.Michael Jamin (00:10:27):Right. I forgot you were Marines, which is what I did. Yeah. Which is, that'll be easier than showbiz. . .Vance DeGeneres (00:10:36):You know, it, it's, I I'm not sure which is tougher.Michael Jamin (00:10:39):Yeah. . And so you, you were, I forgot you're a Marine. Like, oh my God, I got all the branches that I'll, I'll gimme the one that's the hardest to do.Vance DeGeneres (00:10:50):That's exactly what I wanted. I, I, I wanted, I wanted a real challenge. And and, and honestly, I wouldn't, I wouldn't trade you for anything. I'm glad I'm not still in it. Uhhuh . But boy, does it give you discipline?Michael Jamin (00:11:06):? Yeah. I'm so surprised. Cause you're not exactly you know, as a comment writer, you're like, anti-establishment. It's like, it's odd to say, well, I'll just join the establishment where, where I can't mouth off and I can't be a wise ass. I'll do that for three years. . So you got outta that andVance DeGeneres (00:11:22):. So, and, and, and so I came back, I came back to New Orleans in 79 and with the intent of continuing in, in tv, radio, comedy. And I, I got a job as a as the morning guy at a local fm radio station. And in the meantime, some friends started a, a new wave band. There were a couple of, there were just a couple of writers. They were journalists and could play guitar a little bit, but the whole new wave thing happening. And they said, Hey, you know you're a good musician. Why don't you, why don't you, you know, join? And so I did. And it was just gonna be a little side project, and it turned into something like really, really big in, in new Orleans and in the South. We put out a bunch of records. We had some hits. And and by 85, I couldn't go any further there. So my, my sister who you mentioned Yeah. Was living in LA and she said, you know, you should really come to live in Los Angeles. So I, I made the move and it was to continue in music at that point. So that's when I met Gina Shock. And we, we formed House of Shock. We did the record on Capital and by and by 89 that had that was ended at that point. Michael Jamin (00:12:52):Yeah.Vance DeGeneres (00:12:52):And that's, that's when I transitioned back into being a writer.Michael Jamin (00:12:57):And then, yeah. And how did, okay. What came, how did you do that? , everything, history, everything you've done sounds like a mystery. How did you do that? .Vance DeGeneres (00:13:06):It, it it's, it's crazy. I was I, I was actually, I was paying, I'm also a painter a little bit. And I, I did, I did a bunch of paintings. This couple came over to, to see some of my paintings that they were interested in buying. One, the guy happened to be a, a showrunner named Carl Schaffer. And he Carl Schaffer had a show on CBS b s called TV 1 0 1.Michael Jamin (00:13:39):Okay.Vance DeGeneres (00:13:40):And, and he had a place called the Fourth Floor on on Hollywood Boulevard on the corner of Kanga and Hollywood. What's that?Michael Jamin (00:13:49):Above the Pizza store, right? Yeah. Right. Yeah. Yeah.Vance DeGeneres (00:13:52):Right. And he, he had a deal with Hurst Entertainment, and they subsidized this whole floor and parted the second. And Carl rented it out to writers that he liked. Okay. and Carl, Carl knew that I had done Mr. Bill. We talked about that. And he said you know, you should really come take an office up on the fourth floor and just start writing again, Uhhuh. And it's like, yeah, okay, why not? Yeah, sure. Yeah. So, and he, he rented out for 125 bucks a month. Right. You got, you got an office. And and so I, I, I got an office. I, I had no computer. I didn't even have a typewriter. I said, I, I, you know, what should I write ? He said he said write a pilot. There's a there's a guy, a comedian. I like, let's create a show for him. I'll, I'll tell you the format. So I, so I started writing by hand. Right. and anyway so I went through this process with Carl wrote this, this pilot. And it, nothing happened with that. But Carl then got a show called, called Erie, Indiana Right. On nbc.(00:15:12):And he, he gave me my first job in 91 as a staff writer on Erie, Indiana. And I wrote, he gave me two episodes to write of that. And that that was my real start in tv.Michael Jamin (00:15:25):Yeah. Man, that's amazing. And then, and then what happened after that? You, cause you've bounced around you. I wanna say, you've done a lot of stuff, including, we'll get to all this, you we'll get to all this, but I want, just for people who are listening, like to know what to expect. You were also a daily show correspondent, like the first, this is the first season, right? When, when it was just starting?Vance DeGeneres (00:15:45):Well, it was, no, it had been when John Stewart took over, when John took over. But yeah. Skipping stuff.Michael Jamin (00:15:53):Is there stuff I should, I should talk about stuff in between. I don't wanna, but I wanna mention that. So, cuz I we're gonna talk about that. But what happened next?Vance DeGeneres (00:16:02):Well then after Erie, Indiana, Carl got a a blind pilot deal at a B, C, and he asked me to create a show with him for that. So he and I created a show. We wrote the pilot Uhhuh called Lost Angels for a abc. And it didn't go, never do. And then yeah. Yeah. and then my my agent called and said, Hey you like Dick Van Dyke, you wanna write a for Dick Van Dyke? Said, I love Dick Van Dyke. And it was diagnosis murder.Michael Jamin (00:16:35):All right. You always wanted to be a doctor, so if it fit right in. Yeah.Vance DeGeneres (00:16:39):Yeah. . Exactly. Anyway, so I, I wrote I wrote a couple episodes of Diagnosis Murder, and and then I think right after that was Mike and Matt was there right where, where weMichael Jamin (00:16:56):Met, we met, and that was, man, that was a trip. I really did. I really, I'm so grateful for You took me under your wing. It really was. What do I do? Vance . And we would sit in the morning, we'd come up with bits. A lot of them weren't used. I don't, I don't remember many of them make you there. .Vance DeGeneres (00:17:16):Well, well, well, here, well, here's the thing. There was absolutely no reason to have comedy writers on on that show. I mean, it was, it was a morning show. And although, although Mike you know, was a, he was a standup. He had been a standup and done, done warmup for sitcoms. There, just, there really, there shouldn't have been comedy on there. Yeah.Michael Jamin (00:17:42):But we didn't wanna, we didn't wanna bring it up that to anybody. Hey, you know, why are, you shouldn't be any . You don't need comedy in this show. But I remember when I took the job, there was Tamara Rawitz, she was a producer, and she produced Living Color. And her goal was, and I was so exci, I I was excited. This was my first job. She hired me and I was like, fantastic. And but her goal was like, she wanted to turn it into the Morning to Letterman show. Cause like, basically Letterman show in the morning. And I remember thinking about Letterman had a show in the morning and it didn't work.Vance DeGeneres (00:18:12):It didn't work.Michael Jamin (00:18:13):Don't say a word, but Yeah.Vance DeGeneres (00:18:15):Yeah. Now yeah, you're right. I mean, that was, that was the thing. Yeah. she, I mean, she sold me on the idea that this could be, you know, a really cool, you know, comedy show in the morning. And it, it just was not built for that.Michael Jamin (00:18:28):No.Vance DeGeneres (00:18:29):That particular show. So, butMichael Jamin (00:18:33):Recipe. But,Vance DeGeneres (00:18:34):But we, we met there and and went went on to bigger and better thingsMichael Jamin (00:18:40):We did. And so yeah, I was, but yeah, that was the first job. And I was, I felt rich for the first time. I wasn't rich, but I felt it because I felt like at the first time I had pride in myself. I was a comedy writer, and I, I was, I think I was making like 50,000 a year or something felt really good for me. And then, and then the back, the hammer came. Yeah. and then what happened? You, what did you do after that? I, I remember I went home crying. Vance DeGeneres (00:19:05):Well, it, well, in the in the meantime I was, I was shooting little episodes of a, a mock talk show called The Fourth Floor Show Right at the fourth at the record, which you, you rememberMichael Jamin (00:19:18):I was a part of it. I remember you had friends Help out, and some of your friends included George Clooney , and he was in it. Yep. and that was really, that was a really, I'm always fa like, I'm sorry that never went further than it did because it was such an interesting show, and it was so, what's the word I'm looking for? It was like, it is edgy, but it was like, also like anti, it was kind of counterculture. It was really interesting show. It was a talk show that took place in your office. That was the premise.Vance DeGeneres (00:19:45):Yeah. And a tiny office where it was me and Alex Hirschlag, my sidekick mm-hmm. Who who had to share his microphone with the guest. When the guest came in this, we had that one mic.Michael Jamin (00:19:59):The guest sat on the couch opposite you, . I mean, the,Vance DeGeneres (00:20:03):Well, the, the audience. There were five audience members who sat on the couch directly in front of us. So the whole, the whole concept was take away all the niceties of of a regular talk show. Yeah. And and then we actually, I don't know if you remember, but we actually e wanted to do it as their five night, a week late night show.Michael Jamin (00:20:27):What happened?Vance DeGeneres (00:20:27):And we, we, we shot, we shot the pilot and it aired, but it didn't, it didn't go to series.Michael Jamin (00:20:34):Oh, so you re reshot a pilot for e for Not the one I was in You Reshot something. Oh, wow.Vance DeGeneres (00:20:40):Re yeah, we re reshot it. Yeah. With Rob Robert Town. Robert Townson was the guest on that one.Michael Jamin (00:20:46):And so you basically rebuilt your office on a sound stage.Vance DeGeneres (00:20:49):Yeah.Michael Jamin (00:20:51):. Yeah. How fun. . Wow. Yeah. That's cool. And so right when that didn't go, you were obviously bummed out. Like e e everything's a matter of, everything's always a strikeout in Hollywood. You getVance DeGeneres (00:21:04):Closer. Well, you know, it's, I mean, it's, it's, it's all timing. If the internet had been around, that would've been the perfect thing to, you know, to go viral. Yeah. You know, these, these short episodes of this ridiculous talk show.Michael Jamin (00:21:19):Yeah, you'reVance DeGeneres (00:21:19):Right. But it was not around. SoMichael Jamin (00:21:22):Do you ever think of dusting it off and doing it again for the internet? Or why bother?Vance DeGeneres (00:21:26):You know, we had talked about it David Steinberg. Yes. You know, loved the show. And, and and we, we did talk about, you know resurrecting it years ago. But it, it just, it didn't happen.Michael Jamin (00:21:45):You gotta, it takes momentum. It just takes momentum, you know? Yeah. And so, okay, so then what happened after that? You,Vance DeGeneres (00:21:54):Well, let's let's say I then I wrote for a couple of sitcoms. I wrote I wrote for the, the coming out season of my sister's sitcom. Yeah.Michael Jamin (00:22:05):Your, your, your, it's funny, your comedy voice is, you know, is very similar to hers. And I remember you pitched jokes and you go, yeah, yeah, that's exactly something your sister would say. That's, that's the right tone. Like, you seem like you're the perfect writer for your sister.Vance DeGeneres (00:22:18):I'd like to think so. . But but so I, I wrote for that. And then I, I wrote for a couple of, when she hosted the Emmys, I, I wrote for a couple of notes. I wrote for a couple of Grammy awards and a couple of Oscars when she did those.Michael Jamin (00:22:35):So what is that like you're, you know, do they bring you in? Do you get an office and you're like, is there a small staff ofri joke writers coming up with bits? How does that work? I've never done an award show.Vance DeGeneres (00:22:46):Yeah. It's, it's a, well, yeah, it's a small staff. Well, she would, she would choose who she wanted to write, you know, it would be maybe five or six, seven people and months ahead of time. She would have us start writing bits and jokes and send them to her weekly. Right. And she would go through 'em and like this, I don't like that. And start honing in a little tighter on, on what she wanted to do. And then as it got closer the week of, then you go down to Kodak and and you have a meeting room where, you know, you're, you're all sitting around writing jokes and coming up with bits and and the tension gets more and more as you get closer to mm-hmm. to the day. And and I, I, I was lucky enough to besides writing, I wrote the opening song for the first Ox Oscars that she hosted where we had a gospel group come out Uhhuh on stage. Wow. And I wrote that song. So I, I had to deal with that as well as the other stuff. And that was that was a lot of pressure for that. ButMichael Jamin (00:24:13):Global audience is there, the part of my dr like, in my mind, the moment, like my fantasy, because when you, sometimes you're on a show and you pitch a lot story or a joke, and the actor goes, I'm not doing that. Right. And you're like, and my, my, in my fantasy, like some people think, well, can, can, can the writer just make the actor say it? Like, not unless they're a puppet. You can't make 'em say it, you can't put the words in their mouth. But my mind, like, because she's your sister, is there any of like, eh, pulling her aside and pressuring her? Did that ever work?Vance DeGeneres (00:24:42):No, no, no. You know, I tried, when I, when I write for Ellen, I, I, I always tried to make myself just one of the writers. I, I never wanted to have any kind of special influence. So that was, that was important that the other writers felt like I wasn't getting preferential treatment.Michael Jamin (00:25:01):I see. I would think that to the opposite. I, I would think that they say, come on, Vance, we like, we all like this joke. Like, you know, but no, you,Vance DeGeneres (00:25:08):Yeah. Yeah. No, no. I, I, I really, I thought it was important to yeah. To make that clear.Michael Jamin (00:25:15):Right, right. And so, okay, so you did the, you did all that, all that joke writing, which to me, I think I, it's a shame. Like I never got a chance to do that, cuz I, I feel like that would be really fun and excitingVance DeGeneres (00:25:26):And Yeah. You, I mean, you'd be good at that. So if, if you get the chance, do it.Michael Jamin (00:25:30):Never called my, the phone won't ring for that. I do know some writers, like, I knew writers that wrote for, like, I don't even if they have 'em anymore, the sbs, like the p n awards, I'm like, let me get me to do that show. I'll do that. No, no one's interested. Yeah. No. Like, isn't there, isn't there a court no one's ever heard of that they can get me? They can ask me to write for? No. all right. And so then was it after that that you did the Daily Show?Vance DeGeneres (00:25:57):Yeah. So this I then I, I, I, I wrote for another city com and then my agent called me and said Hey John Stewart is taking over the Daily Show, and they wanna know if you're interested in, in being a correspondent. They wannaMichael Jamin (00:26:17):How do they even, what do you mean they wanna know if you, how at this point you're just a comedy writer?Vance DeGeneres (00:26:23):Well, okay, well, I, I, I mean, I skipped over stuff. I, okay, so the fourth floor show was seen by some other people. They, they, they cast me to host a show called The Beef which was a show about it was almost like a daily show in a way where correspondents would go out and, and talk interview neighbors who had beats with other neighbors. And it was, it was comedy. Right. and, and I I was cast as the host of that. We, we did the pilot we went to Vegas to theMichael Jamin (00:27:03):Oh, you cast as the host of that. Did you audition? I mean, you auditioned for it, because that's a big jump from behind the camera to in front of the camera,Vance DeGeneres (00:27:10):Because they saw the fourth floor show and they, they loved the fourth floor show. And they, they asked me to do a, a story for the beef. Okay. So I went out as correspondent and shot a piece. And then when it came time to, to cast a host, they asked if, if I wanted to to audition to be the host. And so I said Sure.Michael Jamin (00:27:34):Did,Vance DeGeneres (00:27:35):Did no, no, not really. No. I, I just, I I thought it would be fun. Yeah. And because it, it, I was doing a character that I had established with the, with the fourth floor show.Michael Jamin (00:27:50):He was very lemme see if I can describe him. What, how would you describe him? He was very earnest, very he didn't, he almost, like, he didn't have much of a sense of humor. Right,Vance DeGeneres (00:27:59):Exactly. He, you know, very earnest a good guy. But the last guy you would, you would want hosting a talk show,Michael Jamin (00:28:06):, he's the Alaska . Right. That'sVance DeGeneres (00:28:10):Enough. So that was my character.Michael Jamin (00:28:12):Right, right.Vance DeGeneres (00:28:13):Yeah. And so, and so, I, I just did, when, when I did my audition to host, I, I just did my, my Ernest guy. Right. And they liked it, and I got the job. And anyway, so we went through all this stuff and it looked like it was gonna go, and then it didn't. And then when the original Daily Show was going on the air, they brought me in. They were looking for a host for that. They brought me in to, to interview me for, for that. I didn't get that right. But then when John Stewart took over, they've remembered me from bringing me in originally. Right. And so they gave me a story to, to go shoot a couple of months before John took over. So I flew up to to Saskatchewan, Canada, Uhhuh , and met one of the producers up there and shot shot a story. Was he, and then yourMichael Jamin (00:29:19):Idea was the story, like how does that work with your correspondent?Vance DeGeneres (00:29:24):No, that they they had a story and they just, they as they assigned it to me, they, who I guess they hadMichael Jamin (00:29:33):Who did they figure out? I mean, you have to figure out what's funny about it or you're just, I had loving on camera.Vance DeGeneres (00:29:37):Well, the way this worked was basically you're gonna go up to Canada and you're gonna interview this, this guy, he's a, a, a farmer, and he he's in the Farmer's Alman act for forecasting the weather by Licking Pig SpleensMichael Jamin (00:29:56):. Okay. All right. So that wasVance DeGeneres (00:29:58):Funny that that was it. That was, that's it. I mean, that's, that's the basis of the story. So so I met the producer. We drove four hours into the middle of nowhere and shot this story with this guy. I flew back to Los Angeles, they called a couple of weeks later and said Hey we, we love the story. Can you, can you come here in once it a week or two weeks? Right. so I, I flew to New York. It was the Monday John started and I worked with an editor and a producer editing the piece, putting it together. And then they, they aired it on, on the Thursday show of John's first week. And then the next morning they called me into the executive producer's office and said, how soon can you move here? And I said I guess I can be here in about a week. Ah, and I flew home put my stuff in storage and moved, moved to New York.Michael Jamin (00:31:05):How, and how, how long was your contract? Do you remember?Vance DeGeneres (00:31:09):Well, I was there. I don't remember how I, how, how long the contract was, but I was there for two and a half years.Michael Jamin (00:31:15):Right. And when you were coming, working as a correspondent, are you looking for storage? Are you coming up with the edge and what the angle, what makes it funny? Or you're working with other writers or what?Vance DeGeneres (00:31:25):Yeah, they ha well, you know, they've got writers, they've got field producers. So the field producers, that's their job is to scour, you know wherever looking for these, these stories. And so they would, they would assign different stories to different correspondence. And then you'd be assigned this producer or that field producer, and then you'd meet with them and you talk about the angle you want to take with the story. Then you fly out and you spend, you know, a whole day with these people shooting the story and come back and then spend a few days cutting it together. And then,Michael Jamin (00:32:04):But you're doing on the spot. You're ad you, I mean, you must be ad-libbing. A lot of, you know that you have to Right. That's just you thinking, oh,Vance DeGeneres (00:32:11):Yeah, yeah, yeah. Well, well, well, I mean, you know, I would go in, I would, I would write, I would write the opening standup. Right. we'd shoot that. And then I had, I would write, you know, a list of questions along with the, the field producer. You know, we'd have this list of questions, and so I knew what I wanted to ask. Right. but that everything else is just ad lib.Michael Jamin (00:32:33):Yeah. Is there any sense of your hope questions that you're hoping are, are you leading them at all? Are you hoping to get a certain answer? Are, are you hoping to corner them with an answer, a question, rather? Well,Vance DeGeneres (00:32:42):Sure. I mean, you, you, I mean, you're hoping that you hear something that you'll be able to you know, get in, you know, some, some kind of a a line. Because you, you, you never, you never knew you know, what, what was gonna happen or what they were gonna say. So, I mean, you're, you're just kind of bouncing around.Michael Jamin (00:33:03):And at this point, did the, did the audience, were they, whoever your interview, the guests rather I, are they aware that they're gonna be spoofed or no?Vance DeGeneres (00:33:13):Well, ba you gotta remember this, this was early on in the Daily Show. So we were lucky in that most of the people that, that I did stories on just thought we were this daily show that did, you know, stories of interest.Michael Jamin (00:33:28):Right.Vance DeGeneres (00:33:29):And because if they're in on the joke, it's not as funny.Michael Jamin (00:33:36):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:34:00):It's, and you make them, you're done. You get to sign that release, and then you put it on , put it on the air. Is there any ? Is there any blowback? And like, wait a minute. I didn't, I'm not supposed to look like an idiot. ,Vance DeGeneres (00:34:10):You, we, you know, I'm, I'm proud to say I never had, I never had one complaint. I mean, some, some of the stories that other, other people did, people did complain, but I always tried with all my stories, I tried to make myself look like the idiot. Right. as opposed to, I mean, it's, it's not fun to, to like, you know, poke, poke a finger at, look, look what an idiot this guy is. Of course. You know? Of course. Because for the most part, they were just, they were just very nice people who had an interesting or, you know, weird story.Michael Jamin (00:34:45):Yeah. Right. Right. Now, who were the other, let's talk about this. Who were the other correspondence that you, that two seasons that you were there?Vance DeGeneres (00:34:54):Yeah, probably nobody that you've heard of. Steve Corll. Yeah. Michael Jamin (00:34:59):Go on. I never heard Stephen.Vance DeGeneres (00:35:01):Stephen ColbertMichael Jamin (00:35:02):Doesn't ring a bell.Vance DeGeneres (00:35:04):Yeah. Nancy Corll moka.Michael Jamin (00:35:09):Right.Vance DeGeneres (00:35:10):Beth Littleford.Michael Jamin (00:35:12):Right. And so you were in good company. It really was a great ensemble. You were, you know, and that show was Yeah.Vance DeGeneres (00:35:20):Oh, they were, they were amazing. Yeah. They were all just so great. And all, all the writers and field producers were all super talented and funny. Yeah. And just made it a a a a great working environment.Michael Jamin (00:35:36):Did you get a sense that there are writers or producers on the show that wanted to get in front of the cameraVance DeGeneres (00:35:41):There? Yeah, there were a few.Michael Jamin (00:35:43):Yeah. Yeah. Yeah. Were they able to at some point? Or is it, are you not?Vance DeGeneres (00:35:48):I think, yeah, I think, yeah, a couple of couple of them did. And I, one friend of mine did a couple of stories and then kind of realized that he, he'd rather be back behind the camera.Michael Jamin (00:36:01):Why? What was the, what, what was let you know, what did he discover in front of the camera?Vance DeGeneres (00:36:08):I, I, I, I don't know. He just, I, I, I guess he just wasn't as comfortable right. In front. Right. But very funny. Right. You know, very funny writer.Michael Jamin (00:36:18):And so, and that was how you met, obviously, among one, you became close with Steve Corral and then Yeah. I, I imagine then, cuz after, after, and at some point you, you ran his production company.Vance DeGeneres (00:36:30):Yeah. This, I mean, if, yeah. If you want to jump I, let's see. Well, I, I started, I started it in the end of 98 on the Daily Show, and I left in the middle of 2001. Yeah. and then if you wanna jump ahead to,Michael Jamin (00:36:46):To when I, well, let's just talk about even leaving. Was, was it hard to lea anytime you leave a job or any kind of security in Hollywood, anything at all? It's scary.Vance DeGeneres (00:36:54):Well, well, here now, I, boy I decided that, first of all, I was not, I was not really a, a New Yorker. I didn't care for the cold winters. And I had I had broken up with my girlfriend of a year and a half. And my agent was saying, Hey, aren't you gonna come back here at some point and create your own show? And, and we were kind of hearing some rumors that maybe John might might move over to a, b, c with a late night show. And I just thought that, you know, this might be a good time to, to leave and go back to LA and try to create a show. So. Right. So that's why I did, if, look, in hindsight, I, I should have stayed another couple of years probably. But I, so I left and I I created a show with with a guy named Andy Lassner who had a deal at Fox. Okay. Do you know Andy?Michael Jamin (00:38:00):No, I don't.Vance DeGeneres (00:38:03):He had a deal over at Fox and he'd been a, a fan of mine on the Daily Show and said, Hey, I've got this deal. Let's create a show together. So we, we created a show called Your, your Local News that, that he and I wrote and I, I hosted, and we shot a pilot half hour pilot. And that didn't goMichael Jamin (00:38:25):Right.Vance DeGeneres (00:38:27):So yet another show that didn't, thisMichael Jamin (00:38:29):Is par for the court. It's not a knock on you or any, it's just this, this is how the business is, you know? Yeah. You get an at bat and you can, you can hit it outta the park and they go, you know what? We think someone else will hit it at the park further. , you know, this is how it'sVance DeGeneres (00:38:44):Exactly. Yeah, yeah, yeah, yeah. I've got, I've got so many of those shows that Yeah. That that didn't go, but like a lot of people. And so so then I, I produced a, a few other, other shows not, not really even worth mentioning. And then Steve got offered a, a production deal at Warner Brothers and he said, Hey, would you, would you be interested in, in running my production company?Michael Jamin (00:39:19):But what did you know about running a production company?Vance DeGeneres (00:39:24):What do you, what do you have to know, Michael? I don'tMichael Jamin (00:39:25):Know. , I, I often ask that people sitting desk, what do you know, , I mean, tell, tell people what, what it means to run a production company? Vance DeGeneres (00:39:35):Well, I, I think for Steve, he wanted, he wanted somebody to run it who, who he trusted and who he knew had the same kind of sense of humor that, that he did, because we, we would be, we'd be the comedy shingle at Warner Brothers. Right. and that's, that's why he decide to sign with Warner Brothers. So he, he asked me and a another friend of his, a writer actor named Charlie Hartsock. And so we became co-presidents of he named the Carousel Productions. Right. So we we had a deal for six years at Warner Brothers. And we produced crazy Stupid Love and What's thatMichael Jamin (00:40:25):Good movie. And so, but how does it, and, and Go, yeah, go on. What are the other projects?Vance DeGeneres (00:40:31):We did another movie called the Incredible Burt Wonderstone. Right. and then we did produced three seasons of Inside Comedy. I showed that David Steinberg hosted that we interviewed with all these comedians.Michael Jamin (00:40:45):Oh, it's funny. So that's how that came back. So, and so all this time though, Steve is doing other projects, so, you know, they're acting in other projects, but basically what it means, you're, you're running his studios, like you're looking, you're looking for scripts based. I'm, tell me if I'm wrong, you're looking for scripts that you think that he would be good in, but, but he wasn't. Yes. Did you, did you produce any think projects that he was Wait, that he wasn't involved the inside? Yeah. Yeah. That one you didn't, of course. But you're looking for script for him, and he's deciding whether he likes it or not. And then if he likes it, you take it to the studio and you see if the studio likes it. Right.Vance DeGeneres (00:41:22):Yeah. Yeah. That's, that's how it works. We would I mean, we took lots of meetings with with writers that, that their agents would submit scripts, would read 'em if we liked him, the writers would come in, would meet with him, and and then we'd, if we liked it enough, we'd we'd send it to, to Steve to read, to see if he was interested enough that we would we'd produce it.Michael Jamin (00:41:46):But was it would, so they would sometimes bring s scripts here, but sometimes you'd just, it was a general meeting and they, and they, they, they'd pitch you ideas too, right?Vance DeGeneres (00:41:55):Yes. Yeah. Yeah. Absolutely.Michael Jamin (00:41:57):Yeah. And then you, if they like it, and if Steve likes it, may, then you bring it to the studio, and then the studio's, like, now, whether they wanna put money on it or not, sometimes did you, you could, I'm sure you had a deal where you could bring it to Warner Brothers, and if they don't, it's a first look. If they don't like it, then you could bring it somewhere else.Vance DeGeneres (00:42:14):Yeah. Yeah. And that happened a lot. You know, Warner Brothers, you know, not every project was right for them. So we, you know, we'd wind up taking something over to Universal and, you know, we wound up developing a movie over there. And then a mo we Charlie and I sold a an idea for Movie two Lionsgate. And we wound up hiring David Jabba to write that. Do you know DJ Jabba? No. He was a, an executive producer on The Daily Show and Okay. Really funny writer. And it was, it was a movie that had a, at, at start a North Korean uhhuh. And we don't need to go into the whole story, but you know what happened with the thing at Sony withMichael Jamin (00:43:11):Yeah. My friend Dan Sterling wrote that mo that movie the what was it called? The what was it called? The North Korean movie? What was it called? TheVance DeGeneres (00:43:21):I can't, I can't remember.Michael Jamin (00:43:24):But it was him with, it was James Franco was in it. Right. And they go to North Korea. Yes. Yeah. And so, yeah, Kim Jong Gill took issue with it, and hacked Sony and Kim released everyone's private information, and that was the end of that. Froze.Vance DeGeneres (00:43:39):And, and then that was the end of, of our movie. Right.Michael Jamin (00:43:44):Right. Cause that could kill your movie. Right.Vance DeGeneres (00:43:46):It, it totally, there's like, they're like, Lionsgate was like, there's no way we can touch this right now. Yeah.Michael Jamin (00:43:53):So forever again. And so the, and that's not, has nothing to do with you. We saw the movie to 20th century Fox called Only Child, and everyone loved it until suddenly there was another movie in the works called Middle Child, and I'm not sure they had anything in common other than the world child , and suddenly ours was dead. It's like, we'll rename it. Nope. Sorry. Vance DeGeneres (00:44:16):God. Yeah. Yeah. It, it, it's, yeah. Projects die for so many different reasons. Yeah. But, but that was, that was a pretty insane reason to have a movie killed. Yeah. but, and we, we developed so many movies with so many different writers over, over the years and it's, it's just, it's tough to get a movie made. You know, even if you have a deal with a studio, it's, it's still toughMichael Jamin (00:44:46):With, with a major star attached to it. A major star willing to do this project. Major star an alien. Yeah. Yeah. And it's hard, it's hard to get something made. And so, and you ton of scripts I'm sure, which is hard, it's hard to go home and read a script, right? I mean, you know. Yes. Especially if it's bad. What are you, what, what do you see, I don't know, what were you looking for? I imagine some of these scripts were almost, I'm gonna say something and put words in your mouth, were almost written in crayon, right? I mean, some of them were kind of bad, or, no,Vance DeGeneres (00:45:19):I wouldn't mind a script written in crayonMichael Jamin (00:45:21):As a, as a, as a lark. I mean, there's a lot of, like, you read a lot of scripts that were, I'm sure were not good. Right.Vance DeGeneres (00:45:28):A lot. Yes. A lot. Yeah. It's, it's, it's, it's kind of shocking actually. How many scripts you get that we got submitted that just weren't just, were not good. Certainly we're not what we were looking for. Michael Jamin (00:45:41):And how far would you go into the script before tossing it? How many pages would you give it?Vance DeGeneres (00:45:48):I'm, I'm, I'll would give a script at at least, at least 20 or 30 pages.Michael Jamin (00:45:53):Generous estimate. I mean,Vance DeGeneres (00:45:54):If it, if, if it was really awful you know, maybe, maybe a few less than that. But I would, I would, I would tend to give it 20 or 30 at least.Michael Jamin (00:46:05):Right. But you're not gonna finish it if it's, there's no point. If you're, if you're not hooked in 2030, you're, why, why would you bother when you have a stack? Yeah. You know, youVance DeGeneres (00:46:15):Know, and, and, and, you know, we, we knew the kind of stuff we were looking for, you know, that the right tone of comedy you know, there's a lot of different, different tones of comedy and you know, maybe some of them were, were right for somebody else, but not for what we were looking for. Right. and in the, in the beginning we were really just looking for, for comedies and I guess four years into our deal the head of the, the, the studio came to our office and said Hey we need you guys to to really concentrate on on looking for tent poles, which was not what we were looking for in the beginning.Michael Jamin (00:47:02):Which, what is a tent pole? A big, a big giant blockbuster.Vance DeGeneres (00:47:07):A big, a big blockbuster.Michael Jamin (00:47:08):Yeah. As opposed to, it's hard to think of a big blockbuster comedy. I mean, there really aren't, you know, are there comedy zone? We're not talking about like, we're like a tent pole. You think it was like a Marvel movie or, you know, something like that. Or an action thriller, not a comedy. Right.Vance DeGeneres (00:47:26):Yeah. Yeah. No, that's, that's exactly right. I, I guess you, you could look at a film like The Hangover when that came out. Right. You know, that, that, that it was a little movie that just happened to do really well.Michael Jamin (00:47:39):Yeah. I, but I know, I can't imagine conceiving that, Ooh, wait, here's a tent pole. Like, no, here's a, here's a crapshoot that just worked, you know?Vance DeGeneres (00:47:46):Yeah. Yeah. So, but any, anyways, so we you know, we had to kind of turn the boat around a little bit and start looking for, you know movies that had the potential to be more international, I guess. Right. You know, and Right. They were very concerned.Michael Jamin (00:48:04):And that is hard because it, comedy is hard for, so you're talking for international means, I, I'm guessing means broader, more physical comedy, less reliant on joke, le less reliant on, well, maybe dumb, maybe, maybe dumber, maybe dumb dumb, maybe kind of dumbing it down a little. I mean, kind. Is that what that means? Broader?Vance DeGeneres (00:48:24):I don't, I don't know. I mean well, well, here's an example of, of something that, that we found that we, that we developed as, as a comedy, and that that could have been Big Acme mm-hmm. , you know, Acme the, the cartoons with Yeah. You know, the Road Runner and Right. We we developed a live, a live version, Uhhuh of of Acme. And the guys that directed crazy Stupid Love wrote the script for it. And it was, it was really good. It was really, it was funny and, and big. ButMichael Jamin (00:49:06):But Acme is basically, it was people running into walls and, and boxes. Right. That crates that say acne on it, that explode. Yes. That kind of thing. So it was very physical.Vance DeGeneres (00:49:17):Yeah. Yeah. And it actually would've made a, a really funny and, and a very big movie as well. Right. but but we didn't get to make that either.Michael Jamin (00:49:29):Right. Like, I mean,Vance DeGeneres (00:49:30):But that's just an example of, of how it's like, maybe we can take this and maybe this could be something that would be, you know, appealing internationally.Michael Jamin (00:49:40):Right. As opposed to like Little Miss Sunshine, which he was in, which is a small film, small little character study that blew up somehow, you know? Yeah,Vance DeGeneres (00:49:48):Exactly. And, and nobody, nobody knows what's gonna work and, and what's not.Michael Jamin (00:49:53):Was it hard for you to make the leap to executive? I mean, it's a whole different, you're, you're doing a lot of, you're, you're making the rounds, you're pitching more, you're, you're getting in that you have to get your lay of the land, you have to schmooze with other executives. I mean, it's kind of a, was that hard for you? That hard jump for you?Vance DeGeneres (00:50:11):Yeah. Yeah. It's, yeah. It was, it was, it was a little, little tough. I, I don't like being a salesman. Yeah. and there were times when, of course we had to, we had to go out and sell him. The, the o the other part of it, I did enjoy, I did enjoy meeting with, with writers and actors who would come in and and we, you know, we'd have great meetings and, you know, we, we would be pitching their projects, you know and that was, and that was, that was fun when we found projects that we'd liked and we would develop it with the, with the writer Uhhuh. So that, that, that part was, it was very creative and great. And that was, and that was a lot of fun. And it was, and it was also so great you know, getting to run Steve's company. Cuz you know, Steve's, he's one of my closest friends, and he is just, you know, he's such a great guy and he is so hilarious. Yeah. so I, you know, if I was to run anybody's company, I'm glad it I got to run his,Michael Jamin (00:51:17):See, that's another thing. So when a writer comp, so many people, you know, say I post a lot on social media and so many people are like I have a script I wanna sell, and, but I, I don't wanna change a word. I'm like, you have, what are you talking about? You come in, you with an idea, you picture show if someone else is interested, you play ball. You. It's a very collaborative, if you stay home, if you are not willing to take a note, you know, it, it's like,Vance DeGeneres (00:51:39):Yeah. That, I mean, that's, yeah. You gotta, you know. Yeah. If you don't, if you don't want to change a word you better have enough money to finance it yourself. Yeah.Michael Jamin (00:51:49):Right, right. You have to get people attached and it's, it's all about, yeah. So what, what advice do you have for people trying to break in the indu industry today? I mean, it's, it's changed even since you've left.Vance DeGeneres (00:52:04):There'sMichael Jamin (00:52:05):Former production of Shrugs, I don't know, , I don't know.Vance DeGeneres (00:52:10):God, it, I mean, it's, it's just so, it's just so scattershot now. I mean, I, I, I think, but at, at the, at the very base, I think it comes down to you have to wanna do something. If you want, if you wanna write, then you just have to write, just, you know, you know, get a, get a book on, on, on writing scripts and teach yourself and just write, write, write. And you know, it's not easy because it helps if you, if you know somebody to send it to, because you can't just send in scripts unsolicited generally. Right. but, you know, but a lot of, a lot of people get into it through doing improv and then, and then shooting little bits and, and you know, putting 'em, if they go viral,Michael Jamin (00:53:00):But, and that's basically what you did. I mean, you're, you're vi it's like you did long before Vi Viral was a thing, was you just did it. And, and I, I used to tell everyone, stop asking for permission. Just do it. You know,Vance DeGeneres (00:53:12):John, that, that's, no, that's, that's exactly right. W because we did the fourth floor show, because it, it entertained us. It was something that if we could do any show, this would be the show that we would do, so we just did it.Michael Jamin (00:53:27):Yeah. Yeah. Right. You get a bunch of people that kind of want the same thing and you do it. Yeah. Yeah. And then now, now you have this, you're basically back to your first love, your first love music. I'm not talking. Yeah,Vance DeGeneres (00:53:41):Yeah. Pretty, pretty much. I mean, af after, well, after Carousel, after we lost our deal I had a deal for God, another nine or 10 years at, at Warner Brothers at tele Pictures. Yeah. At tele Pictures at Warner.Michael Jamin (00:53:58):What are you doing there?Vance DeGeneres (00:53:59):I was developing TV shows.Michael Jamin (00:54:01):I didn't know that. I didn't know. Yeah,Vance DeGeneres (00:54:05):Yeah, yeah. My, my, my deal just ended in October.Michael Jamin (00:54:08):Oh, wow. I had no idea. And so you were, okay, you were for Warner Brothers, but not on a pro, not on a production shingle, but actually just for Warner Brothers doing the same.Vance DeGeneres (00:54:18):Yeah. Yeah. So, yeah, I, my, I mean, all told I was there at for 15 years,Michael Jamin (00:54:24):But at this point, you're more of a buyer as opposed to a seller if you're working on Warner Brothers. Right.Vance DeGeneres (00:54:29):Well, n no. No, I, no, I, I had a deal to, to develop shows. So that's what I was doing.Michael Jamin (00:54:36):You had Oh, your own deal. Okay. Yeah. It's your, wow. Good for you. That's unusual. Okay. You were Okay. You got a shingle, basically. Yeah. You, that's what you were Yeah. We weren't in studios. Exactly. Yeah. You're okay. Wow.Vance DeGeneres (00:54:48):Yeah, exactly. No, exactly. Exactly. And then, so, so now that my deal is done I'm, I'm still gonna take, I've g I got a couple of shows that that I'm gonna try to sell, but in the meantime, I'm, I'm doing a lot of music again. Right,Michael Jamin (00:55:05):Right. And let's, let's talk about that. You now, who's your band? Who and who are these people in your band?Vance DeGeneres (00:55:11):The band is called The Light Jackets. And it's been my, my project on the side for the last 10 years with the other Bandmates or Eddie Jemison, who's who's a great actor. You know 'em if you saw 'em. Okay. Tim Ford is the drummer Dermot Kieran is the keyboard player. And bill Angola is the lead guitar player. And, and GoMichael Jamin (00:55:39):Ahead. How often and how often do you guys meet and get together and jam and write and perform?Vance DeGeneres (00:55:45):Well, we've, we, we just released our fourth record about a week ago. Right. And we've, so we've got, yeah, we've got four, we've got three eps and one album that we've released over the past 10 years.Michael Jamin (00:55:58):Right.Vance DeGeneres (00:55:59):And so, you know, it's just, I mean, it's always been a passion. So I've, I've never really stopped playing music. I've always managed to do it, you know in my spare time.Michael Jamin (00:56:14):And so what ha, what happened was you posted this really cute video that you guys shot, and it was, you did with all the puppets, and it was wonderful and saw it. And I, I go, let's talk about this. Tell me, tell me how that came up together. And the song was great. And you know what? That's what, this is a perfect time. We're gonna play a clip from that song. We're gonna play it. We'll come back and you'll everyone have a listen, and then we'll talk about itSong Clip (00:56:40):All. Cause it's a better way. The outside world would never know that we were here. We have known interfere A Little Nation will be our salvation. I know. It's gone. Well get, join. We can leave right now.Michael Jamin (00:57:15):So yes, the song, I love that song you wrote that song? Yeah, yeah.Vance DeGeneres (00:57:19):One that you wrote. It's called, yeah, it's called Our Little Revolution. And it's, it's one of the five songs on our new ep. The EP is called fall So Far, if you look for it on iTunes or whatever.Michael Jamin (00:57:32):Yeah. Where, where should we look on iTunes, Spotify, everywhere.Vance DeGeneres (00:57:37):Yeah. All the usual places.Michael Jamin (00:57:38):Right. The light jackets stand.Vance DeGeneres (00:57:41):So I, I I decided that because of the theme of the song, which the theme, the theme of the song is really kind of about where we are in society right now, about how, how polarized we are. Yeah.(00:57:55): and I didn't want to do a video with depicting real people in the, in these, you know, angry situations. Yeah. but I've got, I've got some friends that have a puppet production company. They do these, they do these videos. They're called rag, mop and Goose. And it's my friend's Gus Renard and Jesse Cabalero they're married and they do these amazing little puppets. So I asked them if they would do a video for the song. And and they, they did such a great job. They did. Yeah. Really happy with it.Michael Jamin (00:58:37):How, how long of a shoot was that?Vance DeGeneres (00:58:41):It, it didn't take 'em long. We got together, I, I gave them, I gave them a very loose outline, and then they came up with the rest, and then they went off and shot it and cut it together. In, so youMichael Jamin (00:58:53):Weren't even involved in the shoot, you said, Hey, good run with this.Vance DeGeneres (00:58:57):No, I, I, I was very happy to farm it out. It's like, you know, this is this is what I'd like to, you know, to see. And then they went off and shot it, and they, and I have to say, it's probably the first time my, in my entire career where I was sent a project back where I didn't give them one note.Michael Jamin (00:59:16):Really? Wow. Yeah. You did a great job. And so, to me, I'm guessing the goal of it was just to be creative and make music. That's all. That's it. But do you have, are there, are, is there, are there other future ambitions? Is there more ambitions there more you hope to get outta this though?Vance DeGeneres (00:59:33):Just, just the enjoyment of, of being musically creative. Right. And and that, that's it. I mean, I, I'm under no illusions that I'm gonna get another record deal. Right. You know, capital Records is not gonna call and offer me a deal again. Right. but that's fi that's fine. You know, the, it's, you know, it's a fun band. It's, it's a good band. And we play lo we play live gigs, you know, like two or three times a year. Right. and we make, we make our records. And that's, that's enough. Right. I mean, it's just fun.Michael Jamin (01:00:09):That's it. That's it. And that's what I'm always telling people, just do it if, and there's so much in Holly, like, there's so much where you don't get paid in Hollywood. There's a lot of work that you do that you don't get paid. And if you're not enjoying the work, well, this is not for you then. I mean, you have to be , you know, whatever it is. Whether it's music or writing or acting. Like if you're not enjoying, you shouldn't be chasing the paycheck. You do it cause you enjoy it. Right.Vance DeGeneres (01:00:32):Yeah. No, that, and that, that's a good point. And that, you know, that's, that's also good advice for people who are looking to get into this business, is if, if you get asked, you know, to do a favor for somebody, just do it.Michael Jamin (01:00:45):Yeah. You don't know.Vance DeGeneres (01:00:48):Yeah. You don't know what it's gonna lead to and Right. You know, plus you're gonna be getting experience.Michael Jamin (01:00:54):Yep. Yep. What's so other than, so what's next for you? You're, you, you have a couple show ideas, you'll take 'em out, these ideas that you developed. Yeah, yeah,Vance DeGeneres (01:01:04):Yeah. Yeah. Michael Jamin (01:01:06):Warner Brothers must have really liked it. Yeah.Vance DeGeneres (01:01:08):It was it was, yeah. It, my my time was spent well over there. I, I like the people over there and yeah. It, it was, it was a, it was a good experience. And I've got, I, we may or may not still have one, one movie with Steve Corll over at Disney. It might be dead at this point. Charlie and I sold an idea for an updated Swiss family, Robinson to Disney. Right. Called called Brooklyn Family RobinsonMichael Jamin (01:01:39):.Vance DeGeneres (01:01:41):And oh, well, it was just a modern day version of the Family comes from Brooklyn. And and we, God, we probably have gone through four sets of writers over the years because we, we sold it while, while we still had Carousel open.Michael Jamin (01:02:02):But then why so many writers, like, what, what hap how does that work? Because youVance DeGeneres (01:02:09):You, you, you write, you the writer writes the draft, you bring it to Disney. They say, Hey, this is fantastic. Right. Let's bring in another writer to do to it even better. Yes. right.(01:02:22): and then the writer, you, you hire, you, you interview other writers. They give you different pitches on how we could make it even more fantastic. Right. you decide with Disney, okay, we'll, we'll, we'll pay this, this writer X amount to go off and write this new version. Right. they, they do that. In the meantime, this exec at Disney has been fired or left on their own. Yep. A new exec comes in that didn't know anything about this project. Right. You turn the script in and they say, this is really a fantastic script. Yeah. But why don't, why don't we bring in a different writer to, to let's try a little different,Michael Jamin (01:03:03):That way they can, the executive put their own stamp on it, basically.Vance DeGeneres (01:03:07):Yeah. Yeah. Yeah. Exactly. And that happened you know, several times with, with this project. And it's unfortunate it would've, it would've been a fun project, but I think at this point, it's probably probably not gonna happen.Michael Jamin (01:03:22):The maddening thing is, most executives, they tend to take a stay the jobb two or three years and, you know, and then it's a shop price somewhere else when their deals up. And that's not a lot of time to, you got e

Harvey Brownstone conducts an in-depth interview with Bill Mumy, Renowned Actor, Musician, Writer and Author, “Danger, Will Robinson: The Full Mumy, A Memoir” About Harvey's guest: Today's special guest, Bill Mumy, is an actor, musician and writer, who's been entertaining the world since he was 5 years old.   In fact, he was by far the most successful, recognizable and popular child star in the 60's and 70's.  He appeared in dozens of TV shows including “The Adventures of Ozzie and Harriet”, “Bewitched”, “The Twilight Zone”, “Alfred Hitchcock Presents”, “The Fugitive”, and many more.    But he's best remembered for playing “Will Robinson” on the iconic, classic TV series, “Lost in Space”, which holds a permanent place in pop culture history.   He starred in 4 Disney movies and appeared in many other films including “A Child is Waiting”, “Dear Brigitte”, “Palm Springs Weekend”,  and “Bless the Beasts & Children”.  In fact – and this is really jaw-dropping – this man worked with more legendary superstars by the time he hit puberty, than most A-list actors ever do in their entire lives.  He worked with everyone from Red Skelton, Loretta Young, Franchot Tone, June Allyson, to Bob Hope, Lucille Ball, Judy Garland, Gene Kelly, Jackie Gleason – and yes, even Brigitte Bardot.   And get this:  in a highly publicized interview, Jimmy Stewart said that our guest was the ONLY child actor he'd EVER worked with who was worth a damn.  What a compliment!   As an adult, he's appeared in many movies like “Papillon”, “Sunshine”, “The Twilight Zone movie”, “Double Trouble”, “Hard to Hold”, and the 1st “Captain America” feature film.  And on TV, he's appeared in “The Rockford Files”, “Star Trek: Deep Space 9”, “The Adventures of Superboy”, ”Matlock”, “Diagnosis Murder”, and he played “Lennier” for 5 seasons on “Babylon 5”.    And of course, EVERY “Lost in Space” fan was OVERJOYED to see him appear as “the real Dr. Smith” in the 2018 Netflix reboot of “Lost in Space”.    Throughout his life, he's been a highly accomplished and popular musician, both as a solo artist AND as a member of several bands, including “Redwood”, “The Generators”, “Action Skulls” and “Barnes & Barnes”, whose song, “Fish Heads” became a worldwide hit.  He's released over a dozen albums.  And he got an Emmy nomination for Outstanding Achievement in Music Direction and Composition.    Besides being an actor and musician, he's had a prolific voiceover career, and he narrated over 50 episodes of A & E Biography.  He was even the voice of Farmers Insurance for 11 years.  He's created and written numerous comic books, screenplays and novels.  And for 4 years, he produced, wrote and hosted his own weekly radio show.    And now, FINALLY, he's released his highly anticipated memoir entitled, “Danger, Will Robinson: The Full Mumy: A Memoir”, which gives us a very insightful, honest and entertaining look not only at his multi-faceted career, but more importantly, we get to know him as a son, grandson, husband, father, grandfather and human being. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Bill Mumy, go to:http://www.billmumy.com/https://www.facebook.com/bill.mumy/https://www.instagram.com/officialbillmumy/https://music.apple.com/ca/artist/bill-mumy/122971703 #billmumy   #harveybrownstoneinterviews

Celebrating Black HistorySpecial Interview with Calvin "Cylk" Cozart - Hollywood Actor, Film Director Calvin "Cylk" Cozart (known for his break out role in "White Men Can't Jump Movie)With 30 films and more than 20 television shows to his credit, over 75 million viewers in the United States alone have seen Cylk Cozart's work. But, for Cozart, it is his love of children and helping others less fortunate that led him to Hollywood and what continues to underscore his reason for being in show business. Cylk Cozart's wide range of talents as an actor, producer, writer, singer, model and songwriter have made him one of Hollywood's most sought after artists. Cozart has an impressive list of film credits to his name that have garnered well over a half a billion dollars at the box office, including: Conspiracy Theory (1997) (Mel Gibson and Julia Roberts); Ron Shelton's White Men Can't Jump (1992); Three to Tango (1999) (Matthew Perry and Neve Campbell); Love Affair (1994) (Annette Bening and Warren Beatty); Eraser (1996) (Arnold Schwarzenegger); Play It to the Bone (1999) (Antonio Banderas and Woody Harrelson); Blue Chips (1994) (Nick Nolte and 'Shaquille O'Neal (I)'); and In the Line of Fire (1993) (Clint Eastwood). Born in Knoxville, Tennessee, to a Native American mother and an African American father, Cylk was given the fuel he needed to fulfill his lifelong dream. A natural athlete, Cozart excelled at sports in high school and was one of the best players on both the basketball and football teams. Graduating with high marks and outstanding athletic skill, he was offered numerous basketball and football scholarships to colleges across the country. He chose King College in Bristol, Tennessee, where he majored in Child Psychology. After college, Cozart pursued his goal of playing professional basketball, but a foot injury while playing in the NBA Summer Pro League ended his dream. After a successful modeling career in Miami, Cozart made his feature film debut in Warner Bros. Blue Skies Again (1983) opposite Andy Garcia. Deciding to relocate to New York to study his craft, Cozart continued modeling and appeared in numerous publications such as Vogue, GQ, and Essence. His love for theatre soon led him to be in two prominent stage plays: "Diary of a Black Man" and "The Big Knife." He also trained at the American Repertory Theatre and the Sundance Institute under the tutelage of Robert Redford. Since then, Cozart has appeared in the movies-of-the week: Johnny Tsunami (1999) for Disney; Slam Dunk Ernest (1995) with Jim Varney and A Family Divided (1995) with Faye Dunaway, both for NBC. He also had recurring roles on NBC's Reasonable Doubts (1991) with Mark Harmon, ABC's Gabriel's Fire (1990) with James Earl Jones; and HBO's Dream On (1990). He guest starred on such shows as UPN's Sister, Sister (1994); CBS's Diagnosis Murder (1993) and Walker, Texas Ranger (1993); Fox's Ned and Stacey (1995) Roc (1991), M.A.N.T.I.S. (1994), and Living Single (1993); NBC's The Fresh Prince of Bel-Air (1990); ABC's Hangin' with Mr. Cooper (1992); and Lifetime's Any Day Now (1998) with Annie Potts in which Cozart also exhibits his singing talents. His early film work included roles in School Daze (1988) directed by Spike Lee, and Fire Birds (1990) with Nicolas Cage and Tommy Lee Jones. President of his own production company, Cozart is also Co-Chairman of the newly formed production entity, P.O.V. Planet, which recently created and produced the Wave to the World (2000) All-star Celebrity Recording and Video "Spirit of Life" for the 2000 Paralympic Games in Sydney, Australia. "Spirit of Life" has earned, to date, the prestigious Videographer and Aurora Awards, the NY Film Festival Bronze Award, and the Telly Award and so much more.....to find out more about Cylk Cozart visit his IMDb online.

Jeffrey Weissman (born October 2, 1958) is an American actor. He has appeared in dozens of motion pictures and TV shows, most notably as George McFly in Back to the Future Part II and III and as Teddy Conway in Pale Rider. He has guest starred spots on Scarecrow and Mrs. King, Max Headroom, Dallas, The Man Show, and with Dick Van Dyke on Diagnosis: Murder and as Screech's Guru on Saved by the Bell. Weissman is a teacher of commedia dell'arte and film technique, with students including both professionals and newcomers to the arts. He also teaches acting for film, directing, writing and improv at San Francisco School of Digital Filmmaking.

[Explicit Language] You might know the legendary Amanda Wyss from movies like Nightmare on Elm Street, Fast Times at Ridgemont High, Better Off Dead, Powwow Highway, Silverado, and The Id. She's also appeared in shows like Buck Rogers, Cheers, St. Elsewhere, Murder She Wrote, CSI, Diagnosis Murder, and Dexter. You can follow Amanda on Twitter @_amandawyss and on Instagram @amandawyss. Meantime, please help support this show by subscribing to our bonus content at Bobcescashow.com. Bob's Linktree.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Notes Join us as we dive into the mind of the great Charlie Schlatter as he takes us on his journey from Acting to Voice Acting in all of our favorites from the past to the present. This wont be over in a FLASH.. ————————————————— This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com ————————————————— Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/ https://teespring.com/stores/still-toking-with ————————————— Follow our guest https://www.imdb.com/name/nm0772116/ https://en.wikipedia.org/wiki/Charlie_Schlatter https://www.instagram.com/charlieschlatter/?hl=en https://www.thefamouspeople.com/.../charlie-schlatter... https://www.facebook.com/mrcharlieschlatter https://twitter.com/cschlatter2000?lang=en ————————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 Check out Green Matters: https://www.facebook.com/GreenMattersMiddleboro/ Charles Thomas Schlatter (born May 1, 1966) is an American actor who has appeared in films and television series. He is best known for playing Dr. Jesse Travis, the resident student of Dr. Mark Sloan (Dick Van Dyke) on the CBS series Diagnosis: Murder. Since the 1990s, he has continued to work mainly as a voice actor, with roles such as the Flash in various media, the titular character on Kick Buttowski: Suburban Daredevil and Wonder-Red in The Wonderful 101. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/c813709e-fb18-45e4-b94c-b42e7d6f22b2 This podcast is powered by Pinecast.

TVC 596.1: A return visit by Lee Goldberg, the New York Times bestselling novelist whose many credits as a television writer and producer include such shows as Diagnosis Murder, Monk, Psych, Hunter, Nero Wolfe, Sliders, and Spenser: For Hire. Lee is also the author / creator of the Eve Ronin novels, a page-turning series of murder mysteries, set in the otherwise sleepy community of Calabasas, California, that centers around the exploits of detective Eve Ronin, the youngest robbery homicide detective in the Los Angeles County Sheriff's Department. The latest entry, Movieland, follows Eve's investigation of a series of unreported sniper attacks in Malibu Creek State Park, the historic state park in the San Fernando Valley that has also served as the backdrop for many movies and TV shows. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

We are back from our spooky New Orleans Halloween trip and ready to answer the questions that nobody thought to ask while watching Interview with a Vampire from 1994.  We look at the culture and the box office of the day to see where this fit in.  It turns out this episode is actually dropping on the 28th anniversary of this film hitting theaters, Happy Birthday!!! Diversions and tangents abound.  Some of my favorites are Zack and his vampire contacts, trying to remember Jenny's quote "tits to the chin", Jenny's laughter breakdown about a dark joke in a movie, and Zack actually being right about something when it comes to Diagnosis Murder.

Hollywood + Marketing, Pixar Story Rules, Rule of 3 & Flash Gordon Himself, Sam Jones + Evil Dead's Bruce Campbell - BRT S03 EP50 (149) 10-9-2022   What We Learned This Week Pixar Story Rules – How a biz can use the Power of Stories in Mktg Sam Jones – of Flash Gordon fame, co-star of Ted, Movies, TV Bruce Campbell – of Evil Dead fame does it all, Movies, TV, & Hallmark TV Movies Rule of Three (3) – Complex Ideas, Stories, Events broken down into 3s is more Memorable & Effective.     Guests: SAM J. JONES is best known as FLASH GORDON (1980) in the Dino De Laurentis cult classic film of the same name, beating out Kurt Russell and Arnold Schwarzenegger for the role. He has over 65 films and hundreds of TV shows to his credits. He is currently co-starring in the movie AN UNLIKELY ANGEL, streaming on Pure Flix (www.pureflix.com) on August 26th with Jillian Murray (Sonny with a Chance), Aaron Mees (Christmas in the Pines) and Robert Amaya (Courageous).   Sam was born in Chicago but grew up in Sacramento, CA. He played football in the Marine Corp. and afterwards started acting in films including 10 (as Bo Derek's husband) and later as Flash Gordon in TED and TED 2 (Mark Wahlberg, Seth MacFarlane). His acting resume includes HBO's 1st & Ten, The A-Team, Baywatch, Diagnosis: Murder and Walker Texas Ranger.   Sam is best known as the Flash Gordon which required him to do many of his own stunts in the film. He worked alongside Timothy Dalton (who would later play James Bond).   Sam has endured the high and lows of a Hollywood career (including financial loss, divorce and depression) - when his acting roles paused he became a trained security professional. He appears regularly at comic book conventions. He also created the VOD documentary on his life titled Life After Flash   Sam is the father of five children and married to his wife Ramona Lynn. Social media: @RealSamJJones Facebook: SameJJonesOfficial   MOVIE OVERVIEW: AN UNLIKELY ANGEL   An Unlikely Angel is a heart-warming story about a successful NYC toy executive Janie Caswell (Murray) who faces her biggest challenge yet; being a mom. Although she is fully in control in the boardroom, she is a complete wreck at the thought of becoming a mom. She is afraid she will get it all wrong, or worse, get it right and then suffer the same illness that took her mom away from her so early in life.   Through an answer to prayer and the help of a New York Cabbie/angel (Robert Amaya), Janie gets a chance to see what her life could be in the future. Janie realizes that the baby years go by fast, and childhood is too precious a time to waste. Janie is miraculously offered the chance of a "do-over" and relishes every moment of being a wife and new mom.   Here's the trailer:   https://www.youtube.com/watch?v=EzKCphl2-z4        Guest: Bruce Campbell of THE EVIL DEAD, ARMY OF DARKNESS & the new film BLACK FRIDAY https://www.bruce-campbell.com/ https://www.imdb.com/name/nm0132257/   Bruce Campbell has been an actor in Hollywood for 40 years, starring in movies and TV. He started with the low budget Cult Classic horror series Evil Dead, directed by Sam Raimi.  He then starred in many more movies including, Crimewave, Maniac Cop, Congo and more, plus cameos in Sam Raimi's Spider-Man trilogy. His TV credits include, X-Files, Brisco County Jr, Hercules, Evil Dead, Burn Notice, and more. His most recent movies (both premiering in the 2021 Holidays) are Black Friday, and Hallmark Mystery Movie - One December Night, co-starring Peter Gallagher.  ABOUT BLACK FRIDAY, IN THEATERS & ON DEMAND NOVEMBER 19th (2021) On Thanksgiving night, a group of disgruntled toy store employees begrudgingly arrive for work to open the store at midnight for the busiest shopping day of the year. Meanwhile, an alien parasite crashes to Earth in a meteor. This group of misfits led by store manager Jonathan (Bruce Campbell) and longtime employee Ken (Devon Sawa) soon find themselves battling against hordes of holiday shoppers who have been turned into monstrous creatures hellbent on a murderous rampage on Black Friday. Here's the trailer: https://www.youtube.com/watch?v=M3H5Ye2BvUk     Notes:   Power of the Story - Lessons from Pixar  Marketing has shifted from running ad campaigns to social media. This requires connection with followers who may become your customers. But, how do you connect? The connection is made thru your content, and how your followers engage and enjoy it. Or reject and ignore it.  Human Beings have engaged with stories for a millennium or longer. Good content = good story telling. Understanding that people want to connect with people and a good narrative.  Now you need to learn how to tell a story. There's a company you can study that does a pretty good job at it, goes by the name Pixar.  There are elements to every good story, and sometimes even a guide to how it's done.  Here are Pixar's rules... Pixar's 22 Rules of Storytelling   These rules were originally tweeted by Emma Coates, Pixar's Story Artist. Number nine on the list — when you're stuck, make a list of what wouldn't happen next — is a great one and can apply to writers in all genres. 1. You admire a character for trying more than for their successes.   2. You gotta keep in mind what's interesting to you as an audience, not what's fun to do as a writer. They can be very different.   3. Trying for theme is important, but you won't see what the story is actually about 'til you're at the end of it. Now rewrite.   4. Once up on a time there was _____. Every day, _____. One day _____. Because of that, _____. Because of that, _____. Until finally, _____.   5. Simplify. Focus. Combine characters. Hop over detours. You'll feel like you're losing valuable stuff but it sets you free.   6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal? FULL LIST: HERE Apparently there's a Rule 23: Rule #23: There are no Rules except Rule #23.  This is all really important to keep in mind as you create your stories; rules are often accumulated wisdom from generations of people learning what works and what doesn't.  But in a creative field, sticking only to the rules is staid and boring. Find out how they came up with Rule 23: HERE       Rule of Three (3) is Everywhere   What do a Play, Chess Game, Magic Trick & The Slogan in the Declaration of Independence all have in Common? Play – 3 Acts, Setup, the Confrontation, & the Resolution Chess Game – 3 Phases, Opening, Middlegame, Endgame Magic Trick – 3 Parts, Pledge, Turn, Prestige Declaration of Independence – 3 Word Slogan, Life, Liberty & the Pursuit of Happiness Do you see a pattern? ‘Omne trium perfectum' - from Latin, means ‘Everything that comes in Threes (3) is Perfect' Rule of Three (3) People look for patterns, and three things is the smallest amount to have for a pattern. The Rule of Three has a natural feel to it, since it is so engrained in so many things we commonly see. People can typically remember 3 or 4 things, so a shorter list does not confuse. Complex Ideas, Stories, or Events broken down into 3s is more Memorable & Effective. I believe there is also something subconscious we like with simple math. Math and geometry underpin many things (design, architecture, city planning, etc), so we see it, but do not see it.  How widespread is the Rule of Three?   Article: https://www.linkedin.com/pulse/rule-three-3-everywhere-matthew-battaglia/     If you enjoyed this show, you may like: BRT Hollywood: HERE BRT Marketing: HERE   BRT Business: HERE More - BRT Best of: https://brt-show.libsyn.com/category/Best+Of     Thanks for Listening. Please Subscribe to the BRT Podcast.      Business Roundtable with Matt Battaglia The show where Entrepreneurs, High Level Executives, Business Owners, and Investors come to share insight and ideas about the future of business. BRT 2.0 looks at the new trends in business, and how classic industries are evolving.  Common Topics Discussed: Business, Entrepreneurship, Investing, Stocks, Cannabis, Tech, Blockchain / Crypto, Real Estate, Legal, Sales, Charity, and more…  BRT Podcast Home Page: https://brt-show.libsyn.com/ ‘Best Of' BRT Podcast: Click Here BRT Podcast on Google: Click Here BRT Podcast on Spotify: Click Here                    More Info: https://www.economicknight.com/podcast-brt-home/ KFNX Info: https://1100kfnx.com/weekend-featured-shows/   Disclaimer: The views and opinions expressed in this program are those of the Hosts, Guests and Speakers, and do not necessarily reflect the views or positions of any entities they represent (or affiliates, members, managers, employees or partners), or any Station, Podcast Platform, Website or Social Media that this show may air on. All information provided is for educational and entertainment purposes. Nothing said on this program should be considered advice or recommendations in: business, legal, real estate, crypto, tax accounting, investment, etc. Always seek the advice of a professional in all business ventures, including but not limited to: investments, tax, loans, legal, accounting, real estate, crypto, contracts, sales, marketing, other business arrangements, etc.    

DP Lyle is the Amazon #1 Bestselling; Macavity and Benjamin Franklin Award-winning; and Edgar(2), Agatha, Anthony, Shamus, Scribe, and USA Today Best Book(2) Award-nominated author of 22 books, both non-fiction and fiction (the Samantha Cody, Dub Walker, Jake Longly, and Cain/Harper thriller series and the Royal Pains media tie-in series). Along with Jan Burke, he was the co-host of Crime and Science Radio and hosts the podcast series Criminal Mischief. He has served as story consultant to many novelists and the screenwriters of shows such as Law & Order, CSI: Miami, Diagnosis Murder, Monk, Judging Amy, Peacemakers, Cold Case, House, Medium, Women's Murder Club, 1-800-Missing, The Glades, and Pretty Little Liars. And the Plot Thickens is copyrighted by Author on the Air Global Radio Network Website: http://www.dplylemd.com Blog: http://writersforensicsblog.wordpress.com Criminal Mischief Podcast Series: http://www.dplylemd.com/criminal-mischief.html Crime & Science Radio: http://www.dplylemd.com/crime--science-radio.html Twitter: https://twitter.com/DPLyleMD FaceBook: https://www.facebook.com/dplylemd LinkedIN: https://www.linkedin.com/in/dp-lyle-md-5368a816/ GoodReads: https://www.goodreads.com/user/show/4519359-dp-lyle BookBub: https://www.bookbub.com/profile/d-p-lyle InstaGram: https://www.instagram.com/dplylemd/

The power of appreciation, being grateful, reading can be fun, getting back into the gym, smiling can be contagious.   Diagnosis Murder, murder she wrote, Monday night football, storage wars, can we beat Bobby flay, Netflix wonders, finishing Animal Kingdom.   We should eat less bread, flavor God recipes, homemade salsa, baked fish, warm flavorful dishes, cooking easy leads to fun eating. Happy hump day

SAM J. JONES BIO SAM J. JONES is best known as FLASH GORDON (1980) in the Dino De Laurentis cult classic film of the same name, beating out Kurt Russell and Arnold Schwarzenegger for the role. He has over 65 films and hundreds of TV shows to his credits. He is currently co-starring in the movie AN UNLIKELY ANGEL, streaming on Pure Flix (www.pureflix.com) on August 26th with Jillian Murray (Sonny with a Chance), Aaron Mees (Christmas in the Pines) and Robert Amaya (Courageous). Sam was born in Chicago but grew up in Sacramento, CA. He played football in the Marine Corp. and afterwards started acting in films including 10 (as Bo Derek's husband) and later as Flash Gordon in TED and TED 2 (Mark Wahlberg, Seth MacFarlane). His acting resume includes HBO's 1st & Ten, The A-Team, Baywatch, Diagnosis: Murder and Walker Texas Ranger. Sam is best known as the Flash Gordon which required him to do many of his own stunts in the film. He worked alongside Timothy Dalton (who would later play James Bond). Sam has endured the high and lows of a Hollywood career (including financial loss, divorce and depression) - when his acting roles paused he became a trained security professional. He appears regularly at comic book conventions. He also created the VOD documentary on his life titled Life After Flash Sam is the father of five children and married to his wife Ramona Lynn. Social media: @RealSamJJones Facebook: SameJJonesOfficial MOVIE OVERVIEW: AN UNLIKELY ANGEL An Unlikely Angel is a heart-warming story about a successful NYC toy executive Janie Caswell (Murray) who faces her biggest challenge yet; being a mom. Although she is fully in control in the boardroom, she is a complete wreck at the thought of becoming a mom. She is afraid she will get it all wrong, or worse, get it right and then suffer the same illness that took her mom away from her so early in life. Through an answer to prayer and the help of a New York Cabbie/angel (Robert Amaya), Janie gets a chance to see what her life could be in the future. Janie realizes that the baby years go by fast, and childhood is too precious a time to waste. Janie is miraculously offered the chance of a "do-over" and relishes every moment of being a wife and new mom. Here's the trailer: https://www.youtube.com/watch?v=EzKCphl2-z4

Actress Kimberlin Brown, who has portrayed one of the most popular villainesses in daytime television history, “Sheila Carter,” on The Bold and the Beautiful joins me in The Locher Room. In her role of “Sheila Carter,” Brown debuted on The Young and the Restless in 1990 and crossed over to The Bold and the Beautiful in 1992. For the next three decades, Brown has played “Sheila Carter” on both shows. Brown's recent credits include the film Five Hour Friends, co-starring Tom Sizemore, American Hero, and the award-winning short The Necklace. Brown's career began when she was discovered by famed modeling agent Nina Blanchard. She soon began acting in films such as Who's That Girl with Madonna, 18 Again with George Burns, The Opposite Sex with Courtney Cox, and Eye of the Tiger, with Gary Busey. Brown guest-starred on many episodic prime-time television serials, including Matt Houston, TJ Hooker, Diagnosis Murder, and Six Feet Under. Her other daytime drama credits include long-time roles on One Life to Live, Port Charles, and All My Children. Brown is the recipient of two Soap Opera Digest Awards for Outstanding Villain/Villainess for her role as “Sheila Carter” on The Bold and the Beautiful. Brown enjoys skiing, boating, golfing, shooting, gardening, and most importantly, spending time with family. She spends her free time actively involved in charity work, including The Cystic Fibrosis Foundation and Susan G. Komen Foundation through American Airlines Celebrity Events and The Blue Angels Foundation, supporting our country's veterans. Most notably, and demonstrating her true hands-on spirit, she has twice been a bone marrow donor. She has never met either recipient but has been told they are both doing well. Don't miss the chance to catch up with Kimberlin next Monday when she sits down in The Locher Room with me.The Bold and the Beautiful is the most-watched U.S.-produced daytime drama series in the world. The show debuted on March 23, 1987, and is currently in its 35th season. The Bold and the Beautiful airs on the CBS Television Network (1:30 PM / ET and 12:30 PM / PT) produced by Bell-Phillip Television Productions, Inc. Bradley Bell is the executive producer and head writer.Original Airdate: 11/22/2021

What haunts you will find you.Men is a 2022 folk horror film written and directed by Alex Garland. The film stars Jessie Buckley and Rory Kinnear.A young woman goes on a solo vacation to the English countryside following the death of her ex-husband.00:00 Intro04:37 Horror News 26:34 What We've Been Watching52:04 Film Review2:39:17 Name Game2:44:22 Film Rating2:53:10 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/hawkandcleaverTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Luke - https://twitter.com/lukeofkondorBen - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesSpecial guest - Laura Kendrick (https://www.instagram.com/betterlatethannovel/)Laura Kendrick is a Manchester based Multi-genre author with a love of the strange and unusual. She has a masters in creative writing, a BA in Film studies and is the Author of Swashbuckling fantasy adventure The Search for Silverdeer. Alongside writing she is the proud owner of a small menagerie, a chaotic instagram and the complete collection of Diagnosis Murder episodes and books.Support this show http://supporter.acast.com/thehorrorhangout. See acast.com/privacy for privacy and opt-out information.

This week, we're pickin' it out with the man that has done it all, the great actor Eddie McClintock. He has guest starred on shows like Friends, Diagnosis Murder, Agents of S.H.I.E.L.D., Shooter, Bones and many more. He starred on the number one show Warehouse 13 and has worked on many movies as well. We had a great conversation about life, love, loss, death, money, fame, drugs, recovery, Dr Pepper, David Allan Coe and just about any other thing you can think of. This is one of my favorite episodes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode 9 This week on Small Screen 90s Barnes and AMJ start there epic task to rate every 90s TV show out of 90. Bear with us it's not as shit as it sounds This week's TV shows Heartbeat Diagnosis Murder Kenan & Kel Man o Man. What is this then ? Each episode Chris Barnes and AMJ (The King of Comedy ) sit down to rate 90s TV shows out of 90 and they won't give up until every single TV show is rated. Is this pointless yes --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/smallscreen90s/support

What's up, podcast people! We're back with S6 with a film befitting St. Patricks Day, Leprechaun 6: Back 2 Tha Hood.Lauren and Jared crack open the Negronomicon (04:65) to talk about the films they are looking forward to before springing (because according to Lauren it is SPRING) into the crit of the Leprechaun's return to tha hood. We talk kill scenes, way too much oregano,  alternative storylines, and what happens when Black characters are written from a white POV. Find Us Online- Website: www.scarycritpodcast.com- Twitter: http://twitter.com/scarycritpodcast- Instagram: http://instagram.com/scarycritpodcast   Credits- Host and Producer: Lauren La Melle Instagram: @laurenlamelle | Twitter: @laurenlamelle | Website: www.laurenlamelle.com- Host and Editor: Jared Hudson Instagram: @blossomsandbooks93 | Gems from E53:Creep (2014)Creep 2 (2017)Master (2022)Get Out (2017)The Last House on the Left (1972)The Last House on the Left (2009)The Babadook (2014)Killer Klowns from Outer Space (1988)Candyman (1992)Nope (2022)Leprechaun (1993)Leprechaun: Back 2 Tha Hood (2003)Malibu's Most Wanted (2003)Leprechaun in the Hood (2005)Leprechaun 2 (1994)Leprechaun 4: In Space (1996)Jason X (2001)Leprechaun 3 (1995)The Boys (2019)Boyz in the Hood (1991)Girlfriends (2000)South Park (1997)The Wire (2002)Dead Presidents (1995)Jason's Lyric (1994)Friday (1995)Grease (1978)Diagnosis Murder (1993)Soul Plane (2004)Ed, Edd n' Eddy (1999)The Simpsons (1989)Goosebumps (1995)Mighty Morphin Power Rangers: The Movie (1995)Charmed (1998)Teen Witch (1989)Carmen: A Hip Hopera (2001)Ghost (1990)Harry Potter (film series) (2001)Grand Theft Auto (video game series) (1997)Next Friday (2000)Paranormal Activity 2 (2010)Baby Boy (2001)Hairspray (2007)Serial Mom (1994)Pink Flamingos (1974)Shaft (1971)The Boondocks (2005)This Christmas (2007)Shout out to  AfroHorror on Clubhouse. We appreciate you for making spaces for Black horror nerds to commune and talk all things scary and spooky! 

Tools of the ScreenWriting Trade. From the top! Pilot program, audio podcast series for screenwriters. Donald Gold, writer-director-producer of classic TV including Miami Vice, Diagnosis Murder, CHiPs, Rockford Files, and scores of feature films (“You don't create characters around a plot. Characters create the plot.”); Jack Allen, former Vice President of Development (films & TV); screenwriter, Steve Young, who turned his back on Hollywood (and tells why), plus actor Jeff Evans sharing his view of what an actor needs from a screenplay, engage in a lively exchange of advice, warnings and valuable tips. Esther Luttrell (credits include CBS, MGM, screenwriter Te Ata, co-writer & producer Lithium Springs) plays host to these wise-but-irreverent professionals along with co-host, Mojave Beach Productions writer-producer, Patrick McGranahan. Their special guest, novelist Kyra Robinov, represents moviegoers-at-large. Podcast theme was created and performed by David Fesliyan of Fesliyan Studios. A Mojave Beach Production from its Writers Write Right theater. Running time: 1:39. Note: Luttrell's Tools of the ScreenWriting Trade is the only book on the subject endorsed by the Writer's Guild of America. --- Support this podcast: https://podcasters.spotify.com/pod/show/mojave-beach-productions/support

Season five has begun! A brand new cabal of 27 pop culture know-it-alls have thrown their hats into the ring, and are ready to show their stuff! We'll kick off the bracket with new players Nate and Seth, playing alongside Sean (returning from season one, and our music theatre special). We've got a tribute to the great trailer voiceover artist Don LaFontaine in round one before taking to the skies in round two as we test our players' memories of movies and tv set on airplanes. And as (almost) always, it all comes down to the lightning round! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

Season five has begun! A brand new cabal of 27 pop culture know-it-alls have thrown their hats into the ring, and are ready to show their stuff! We'll kick off the bracket with new players Nate and Seth, playing alongside Sean (returning from season one, and our music theatre special). We've got a tribute to the great trailer voiceover artist Don LaFontaine in round one before taking to the skies in round two as we test our players' memories of movies and tv set on airplanes. And as (almost) always, it all comes down to the lightning round!Support Us On Patreon

A conversation with Charlie Schlatter of All American Murder, Resurrection Mary and Diagnosis Murder. . www.thedollsofhorror.com --- Support this podcast: https://anchor.fm/thedollsofhorror/support

I am so honored to have Eric Leviton on the podcast today. With charm, humor and heart, he shares insightful ways to navigate the rough waters that can come with being an actor or creative person. Eric is an accomplished and well-loved performer who has been on stages his whole life.He shares meaningful stories as well as practical takeaways. I think you will absolutely love his depth as well as his levity. His warm heart will also keep you safe in his presence. I am so incredibly honored to have him on the podcast. *****ERIC LEVITON – Original Broadway cast of Kinky Boots. Eric has toured in such shows as Chicago (Amos Hart), The Full Monty (Dave Bukatinsky), Seussical, the Musical (Horton) starring Cathy Rigby, and Damn Yankees (Sohovik) starring Jerry Lewis also on The West End. Television credits include roles on “FBI: Most Wanted,” “Sneaky Pete,” “Boardwalk Empire,” “Blue Bloods,” “Law & Order,” “Desperate Housewives,” "Scrubs," "Diagnosis Murder," "Beverly Hills 90210," and Disney's "Annie," as well as a recurring role as The Heckler on "Late Night with Conan O'Brien." Eric is also the co-creator of the award-winning two-man show, “A Little Traveling Music,” the host/creator of the YouTube series, “Eric Leviton: Whiskey Aficionado,” as well as the host/creator of the podcast HOW WE TALK ABOUT SEX, which is on iTunes and Spotify.Ways to connect with Eric Leviton (he/him):Twitter: @LevitonEricHow We Talk About Sex PodcastLinks mentioned in this episode:Audition Psych 101 by Michael KostroffWays to connect with Sas (she/her):Instagram: @lori_saseSign up for her newsletter or find out about coaching: https://www.lorisase.com

"CHARLIE FAIRHEAD WILL GET TO F**K ANYTHING HE WANTS." Mike & Dan overtly over analyze Diagnosis Murder, bring that New Jack Swing to Home Schooling and learn how VAR was invented by a geography teacher. #PODCAST #TOPCONTENTPOD #RANDOM #WIBBLE #HOMESCHOOL #BELLBIVDEVOE #NEWJACKSWING #HOMESCHOOLHITS #GEOGRAPHY #BOBTRIPOD #REDCARD #VAR #JUMPERSFORGOALPOSTS #TOASTOFLONDON #TOASTOFTINSELTOWN #PAULDARROW #GEOFFMCGIVERN #BLACKADDER #JIMSWEENEY #STEVESTEEN #LIVEBOOGLING #LOVELJOY #CRIMINALMINDS #DHARMAANDGREG #HOMELAND #CHICAGOHOPE #CASUALTY #DIAGNOSISMURDER #DICKVANDYKE #JONSTEWART #UNCUTGEMS #ADAMSANDLER #MORRISSEY *A Top Content Production - TCP*

We've wicked had it with people looking at some accomplished white guy and saying “a guy like that wouldn't kill his wife (or family).” No, this isn't about Jeffrey MacDonald, though Mo does give an impassioned defense of Joe McGinnis and “Fatal Vision,” and then, yes, we look at another case where a guy “who […]

Today on The ProVision Brokerage Celebrity Segment, Eric Couch and Neil Haley will interview Don Most Of Happy Days. As a child growing up in Brooklyn, NY, Don Most wanted to be just like the entertainers in his favorite film, The Jolson Story. While in junior high school, Don committed to the professional study of acting, singing, and dancing. At fifteen, Don got his first big break as part of a teenage musical revue that played the famous “Borscht-Belt” circuit of New York's Catskill Mountains. At age twenty, Don Most catapulted into the American zeitgeist when he won the role of Ralph Malph on the television pilot Happy Days. The role was originally a stock jock character. Director Jerry Paris and Executive Producer Garry Marshall were so charmed by Don's charisma and natural comedic timing they reworked the part and transformed Ralph Malph into the beloved class comedian that won the hearts of America. In the two decades following the success of Happy Days, Don continued to entertain and inspire audiences and earned critical acclaim in a long list of television and film roles. His film credits include EDtv, Crazy Mama, The Yankles, and The Great Buck Howard, starring John Malkovich. Don's television roles include a recurring role in Glee, Men Of A Certain Age, Star Trek: Voyager, Sliders, Yes, Dear, The Crow, Sabrina, CHiPs, Baywatch, The Love Boat, Diagnosis: Murder, Century City, Dark Skies, and The Family Guy. www.donnymost.com

Comfort Monk’s thirteenth episode is full of hot takes. Lisa and Chuck draw a line in the sand against Scott Baio on Diagnosis Murder, take a stand against Marie Kondo, and rate the relative tastiness of varmints! All that and more! The post Ep. 13 – Lisa Walker & Chuck Cleaver (Wussy) first appeared on comfort monk.