Podcasts about double zero

In this conversation, Austin Federa, co-founder of DoubleZero, discusses the innovative vision behind the project aimed at revolutionizing internet infrastructure for blockchain technology. He explains the limitations of current systems and the need for a new physical fiber network that can support the demands of decentralized networks. The discussion covers the importance of multicast technology, the challenges posed by existing internet infrastructure, and the business case for upgrading to a more efficient system that can handle the future of blockchain transactions. He explains the significance of the internet's infrastructure in blockchain performance, the concept behind Double Zero, and the decentralized approach to building network contributions. The discussion also touches on the political landscape for crypto, the importance of incentivizing participation in the network, and the potential for repatriating crypto foundations to the U.S. as the industry evolves.Chapters00:00 Introduction to Double Zero and Austin Federa01:19 The Vision Behind Double Zero04:32 Innovative Technologies for Blockchain Connectivity11:48 Challenges of Current Internet Infrastructure15:40 The Business Case for Upgrading Internet Infrastructure21:13 The Future of Blockchain and Internet Integration22:23 Understanding Double Zero: The Name and Concept28:50 Integrating Double Zero Across Blockchain Networks32:49 The Centralization Threat in Technology34:30 Incentivizing Participation in the Network36:16 Mainnet Launch and Future Plans37:31 The Evolving Political Landscape for CryptoCheck out Plus500: https://plus500.comCheck out CoinFlip and use my code CRYPTO101 for a great deal: https://coinflip.techCheck out BODi and use my code CYPTO101 for a great deal: https://www.bodi.comCheck out NPR: https://npr.orgGet immediate access to my entire crypto portfolio for just $1.00 today! https://www.cryptorevolution.com/cryptnation-directGet your FREE copy of "Crypto Revolution" and start making big profits from buying, selling, and trading cryptocurrency today: https://www.cryptorevolution.com/freeMERCH STOREhttps://cryptorevolutionmerch.com/Subscribe to YouTube for Exclusive Content:https://www.youtube.com/@crypto101podcastFollow us on social media for leading-edge crypto updates and trade alerts:https://twitter.com/Crypto101Podhttps://instagram.com/crypto_101Guest Linkshttps://doublezero.xyz/https://x.com/Austin_Federa*This is NOT financial, tax, or legal advice*Boardwalk Flock LLC. All Rights Reserved 2025. ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬Fog by DIZARO https://soundcloud.com/dizarofrCreative Commons — Attribution-NoDerivs 3.0 Unported — CC BY-ND 3.0 Free Download / Stream: http://bit.ly/Fog-DIZAROMusic promoted by Audio Library https://youtu.be/lAfbjt_rmE8▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬Our Sponsors:* Check out NPR: https://npr.org* Check out Plus500: https://plus500.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Knowing full well the challenges of the restaurant business as a line cook at his family's Atlanta restaurant, Federico Castellucci chose to study finance at Cornell University. However, he switched to the university's hotel administration & hospitality program where his enthusiasm for the restaurant business was fueled by encounters with luminaries such as Danny Meyer and Michael Mina. Castellucci went on to assume a failed franchise location to create and launch Sugo, his first concept in Atlanta. “Passion alone can be a recipe for misery in this business,” he says, “but add a lot of hard work and a great team and it becomes magic.”  Sugo‘s first nine months were difficult, but the concept became established and profitable. Castellucci began planning his next concept. In September 2009, the Iberian Pig opened.  The transition from restaurant operator to owner of a restaurant company required changing his responsibilities and creating a support team. Family members along with management and key staff helped him develop his winning strategy, operate efficiently, and grow successfully.  By 2014, he added the concepts Double Zero, Cooks & Soldiers, Basque, and Mujo to the Castellucci family of restaurants. In this episode, Castellucci explains how his small support team is critical to the creation and management of the company's multiple concepts. “I prefer a horizontal structure and engagement from my operating partners in the field,” says Castellucci, adding “we include management in decisions and provide an incentive bonus program meant to share the wealth.” Castellucci Hospitality Group currently operates seven concepts in Atlanta and Nashville, with additional units being developed in Florida and North Carolina. “My role is to balance exploitation, the duplication of existing brands, with exploration, the creation of new concepts,” says Castellucci. “I try to choose the one best thing I think we can do each year."   

Place your bets with these old time radio mysteries involving gamblers and the (sometimes) crooked games they play. Sherlock Holmes and Dr. Watson find murder among the roulette tables of a French casino in "The Case of the Double Zero," starring Basil Rathbone and Nigel Bruce (originally aired on Mutual on November 19, 1945). Philip Marlowe tries to find a friend's stolen IOU but stumbles across a corpse during the search in "The Promise to Pay" (originally aired on CBS on May 14, 1949), and Nero Wolfe is hired to find out who dealt a deadly hand during a poker game in "The Case of the Killer Cards" (originally aired on NBC on January 12, 1951). Finally, Sgt. Joe Friday hunts for the man who's impersonating a cop to extort money from gamblers in "The Big Shakedown" from Dragnet (originally aired on NBC on May 22, 1952).

In this episode of Validated, Austin discusses his new venture DoubleZero with co-founders Andrew McConnell and Matteo Ward. They discuss the necessity of creating high-performance networking specifically tailored for blockchains, comparing it to the traditional internet and private networks. They delve into their backgrounds and how their experiences in telecom and high-frequency trading influence the development of Double Zero. This episode covers various technical topics including the limitations of the public internet, the importance of a purpose-built network, and how DoubleZero provides a decentralized, efficient, and secure connectivity for blockchain validators.  DISCLAIMER The content herein is provided for educational, informational, and entertainment purposes only, and does not constitute an offer to sell or a solicitation of an offer to buy any securities, options, futures, or other derivatives related to securities in any jurisdiction, nor should not be relied upon as advice to buy, sell or hold any of the foregoing. This content is intended to be general in nature and is not specific to you, the user or anyone else. You should not make any decision, financial, investment, trading or otherwise, based on any of the information presented without undertaking independent due diligence and consultation with a professional advisor. Solana Foundation Foundation and its agents, advisors, council members, officers and employees (the “Foundation Parties”) make no representation or warranties, expressed or implied, as to the accuracy of the information herein and expressly disclaims any and all liability that may be based on such information or any errors or omissions therein. The Foundation Parties shall have no liability whatsoever, under contract, tort, trust or otherwise, to any person arising from or related to the content or any use of the information contained herein by you or any of your representatives. All opinions expressed herein are the speakers' own personal opinions and do not reflect the opinions of any entities.

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

中目黒CHIYA-BAさんのチャイ／割りとステア／ゆっくり作ってゆっくり話す／ニッチなマネタイズ／独立系コーヒーとVinyl／カルチャーの香りがする／みんな飲食物の解像度高くね？／舶来品→意訳/ローカルビール旅／DSBとカレーペアリング／カレーが飲み物じゃなくなる瞬間／ドリル最高！／今だからこそのダークラガー／オタクでよかったねぇ～／AMRTA GIN 1-2でchill…▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

Join Ceteris and the Delphi Research team for an in-depth exploration of AI and decentralized infrastructure heading into 2025. The discussion examines the evolution of AI capabilities, agent platforms, identity solutions, and the growing intersection of AI with crypto. The team analyzes emerging DePIN sectors including wireless networks, fixed bandwidth infrastructure, and the future of decentralized data networks.

Recorded- December 5, 2024   Uploaded- December 7, 2024   We've made it to the big 3 0 0 and we'll spend it talking about 6 teams hiring coaches and general managers before getting to the American Association review. What else would you expect from the Indy Ball Report.

アーティストへのラブレター／オファーの話／ハンター試験はもう始まっているんだ！／界隈外／プロフィールによる自動マッチング／ハードスタイルやろうぜ！／I don't know／龍のマスク／外／非凡 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

Everyone loves pizza and we're trying different kinds of pizza in Italy and NYC. Katie Parla talks about the styles of pizza in Rome and why Double Zero flour is a marketing scam. Then, Marco Scapagnini tells Brent about the unique pizza of Sicily. And, Scott Weiner shares why there is no true NY style pizza. [Ep 305] Show Notes: Katie Parla's website The Joy of Pizza Niche Italy Scott's Pizza Tours

暑がり寒がりのジェンダーバイアス／デザインで解決できること／みんなの体感温度／あえて“ムラ”をつくる／ドープなお好み焼きと最先端のビリヤニ／俺たちの都知事選／約2週間の選挙／自分バイアスと世間／議論とは／答えはすぐに出ない／歴史はいつも動き過ぎてる／コテハンとエコーチェインバー／2ちゃんの想いで…／“本人”とインターネット／逆転するリアリティ／プリキュアが聞こえない！／みんな違う言語で ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

CDだぁ～！／上田暁さんのアートワーク／SEGA期の安室さん／艶っぽいキックは頭良さそう／顔の見えるクリエイティブ／長文オタク語りはしまっといてください！／ライブでのテクニック／VJさん呼びたい／水樹奈々さまのライブ／レジェンドはレジェンドやからね／視覚効果とパフォーマンス／お金が無限に出てくる桶 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

プロとはなんぞや／”無能”への責任／バウンダリー／尖らせたり均したり／シグネチャーの熟成／やらない！／心の生態系と禁猟区／プロデュースとボーカルディレクション／ストレスに気づけないキャラ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

またまた和歌山行ったよ！／全国棚田サミットin色川／「ギュギュっと和歌山」出演？／二度目の鹿解体ボランティア／みんなの自然体験／村人ジャッジ／おもてなしと労働者／現実逃避と消費 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

居場所、足りなくない？／東京／自由という名の不安／空き地がない！／尊厳と居場所／居場所を人質にとるカルト／時代はネットプリントZINE／依存しない居場所／なんでライブ・お店をやるのか／成長しました／podcastの戸建て感 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

Sherlock Holmes followed by Duffy's Tavern.

はじめての宿題／尊敬と尊重／”お客さん”が作りだす勾配／みんなのこと一般参加者だと思ってる！／言葉自体を問い直す／マーケティングによる少数派の切り捨て／プロモーションという名の搾取／本格的ってなんだ！／自分が”お客さん”の時／イナゴ問題／スケールさせないわかりにくさ／マイナージャンル者はマイナージャンル者へ／スーパー参加者／循環する生態系／売り場しか見てないと土の中のこと忘れちゃうかも／参加者になろう／ディテールと文脈／人をみる目／よかったですね～！ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

旅行の話？／圧倒的な美／よその国／排除ベンチの排除に成功／デザインと公共／調査、分析、合議／北欧ステレオタイプ／オーフス住みたい！／北欧列車の旅／ひつじぐも／音楽は…？／スウェーデンの月極集合スタジオ／北欧音楽体験／クリスチャニアの決断／大消費都市東京 Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

北欧行ってきました！／駅という優良企業／デンマークの超健全な地方財政／100年残すか、スクラップ&ビルドか／ヒュッゲな都市設計／ロンドン無料観光／アートと市民の距離感／植民主義と美術館／チルから苦悩まで／アーティストは何に美を捧げているのか／人は輪郭を発見した！／権力と表現 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

The legend of broadcast radio in Zimbabwe, Kimble "Double K" Rogers accidentally ends up on 2 Broke Twimbos. Enjoy!Subscribe and listen to 2 Broke Twimbos everywhere podcasts are available, support us by making a donation and keep up with all things 2BT via this link:2BT LinkPlease rate and review, and support us on Patreon!

The SKATCAST Network presents:The SKATCAST Show #92 with the Script KeeperToday's Poopies:This week we have TEN Skit-SKATs for the Ear-Testies![ Talking Pets | 1:15 ] - "Doorbell Day" - The dogs discuss the worst day of the year.[ Ambling Through Human History | 5:44 ] - "Napoleon is Above Average Height!" - Wonder if Napoleon knew people were gonna call him short in the future?[ Inside My Mind | 7:58 ] - "Spooky Candy" - What does the Script Keeper's mind say when it's presented with Halloween candy?[ Nurse Fairy Rhymes | 11:51 ] - "Anatomy of a NFR" - We go over the structure of a Nurse Fairy Rhyme.[ Black Sheep | 15:31 ] - "Same Shit" - Black Sheep has a quick message.[ Liam the Monster Hunter | 17:29 ] - "Return to the Halloween Forest" - Liam and the gang embark on a side-mission to find more legendary gear.[ Santa Claus: Crime Fighter | 23:09 ] - "Bat Shaped Things" - Batman and Santa pal around in the Batmobile.[ Buckcherry Jones and the Riverdance Kid | 27:11 ] - "Best Shot In the Gang" - In this episode the gang learns who the best shot out of the posse is. And it's not what they were expecting.[ The Adventures of Gunner Halifax | 31:49 ] - "Planet Halifaxia II" - Gunner finds himself on a familiar planet.[ Jeff Tooney's Coast 2 Coast AM | 40:00 ] - "Episode II" - Jeff Tooney sits in for George Noorey on Coast to Coast AM.Have an outstanding Tuesday Turds!!!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/mVFf2brAaFFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

ビール、国立、霹靂／妄想音大生／怖いオタクの話／ぷに電、すたんうぇいがいい！／ピアノという神秘／Recの思い出／で、出たー！音大のやつー！／アカデミックとストリート／みんなが対等に仕事ができる場／ハーベストを待つ／十徳ナイフ化計画／何筋が鍛わってんの！？／プロフェッショナルに囲まれて ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

冨田さん20thライブどうだった？／バンドセットとDJセット／仕事しに行く／虫じゃなかった！／”入っちゃった”歌唱体験／平陸さんのドラム／お休み期／トリガーハッピーなう！ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

理解曲線／適応と錯覚／内省、ナウい／こだわりのうつわ屋さん／”表参道”／反対側の正義／わかってくれるのをわかってる／スプーンとフォーク／ちくちく言葉／便利の功罪／ひとの幸せ／陰キャのアイデンティティとしての不幸／ネガティブな広告／「待つ」良さ／手間と暇／人の話を聞け！ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

いい道具／プロにお願いする部分／知り過ぎ？早すぎる？／習俗と理念／風俗と文化／多様な当事者／わたしはどこに居るか／我々は隣人である／人間の有限性／未来の文化とうっかり利他／利便性は高いのに包摂性がない公共／合理的なストレス／ちょっと遅くする／伸び縮みする時間／寿命と体感時間／いささか先生ありがてぇ／もたり、はしり、よごし。 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

Sherlock Holmes - The Case Of The Double Zero

信じる？疑う？／自立と信頼／安心安全／噂がバズる方程式／マウントの受け取り方／自己責任という責任転嫁／わかりやすいPR下さい！／究極まで疑った人が安全を作る／ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

シャリ過激派／”流し”の鮨職人になりたい！／サステナブル漁業？／鮨のモビリティ／AGI高めキャラ選びがち／安心と驚き／アテンションと物の価値／循環する生態系／浅瀬の魚と深海魚／メジャーもアンダーグラウンドも ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。@maticlog ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

New Twitter address- @1001podcast Follow Us! ANDROID USERS- 1001 Stories From The Old West- https://toppodcast.com/podcast_feeds/1001-stories-from-the-old-west/ 1001 Radio Crime Solvers- https://music.amazon.com/podcasts/a60ec356-c7d0-4535-b276-1282990e46ba/1001-radio-crime-solvers 1001's Best of Jack London- https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMMzA0OTMyMjE1Mg/episode/ZGZjY2U4ZmUtNzMzYi0xMWVkLWE3NzUtMmY1MGNmNGFiNDVh?hl=en&ved=2ahUKEwifjrqi8-L7AhViM1kFHQ1nA_EQjrkEegQICRAI&ep=6 1001 Radio Days right here at Google Podcasts FREE: https://podcasts.google.com/search/1001%20radio%20days 1001 Classic Short Stories & Tales at Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMNzU3MzM0Mjg0NQ== 1001 Heroes, Legends, Histories & Mysteries at Google Podcasts: https://podcasts.google.com/search/1001%20heroes 1001 Sherlock Holmes Stories (& Tales from Arthur Conan Doyle) https://podcasts.google.com/search/1001%20sherlock%20holmes 1001 Ghost Stories & Tales of the Macabre on Spotify: https://podcasts.google.com/search/1001%20ghost%20stories 1001 Stories for the Road on Google Podcasts https://podcasts.google.com/search/1001%20stories%20for%20the%20road Enjoy 1001 Greatest Love Stories on Google Podcasts https://podcasts.google.com/search/1001%20greatest%20love%20stories 1001 History's Best Storytellers: (author interviews) on Stitcher https://www.stitcher.com/show/1001-historys-best-storytellers APPLE USERS Catch 1001 Stories From The Old West- https://podcasts.apple.com/us/podcast/1001-stories-from-the-old-west/id1613213865 Catch 1001's Best of Jack London- https://podcasts.apple.com/us/podcast/1001-best-of-jack-london/id1656939169 Catch 1001 Radio Crime Solvers- https://podcasts.apple.com/us/podcast/1001-radio-crime-solvers/id1657397371 Catch 1001 Heroes on any Apple Device here (Free): https://podcasts.apple.com/us/podcast/1001-heroes-legends-histories-mysteries-podcast/id956154836?mt=2  Catch 1001 CLASSIC SHORT STORIES at Apple Podcast App Now: https://podcasts.apple.com/us/podcast/1001-classic-short-stories-tales/id1078098622 Catch 1001 Stories for the Road at Apple Podcast now:  https://podcasts.apple.com/us/podcast/1001-stories-for-the-road/id1227478901 NEW Enjoy 1001 Greatest Love Stories on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-greatest-love-stories/id1485751552 Catch 1001 RADIO DAYS now at Apple iTunes!  https://itunes.apple.com/us/podcast/1001-radio-days/id1405045413?mt=2 NEW 1001 Ghost Stories & Tales of the Macabre is now playing at Apple Podcasts! https://podcasts.apple.com/us/podcast/1001-ghost-stories-tales-of-the-macabre/id1516332327 NEW Enjoy 1001 History's Best Storytellers (Interviews) on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-historys-best-storytellers/id1483649026 NEW Enjoy 1001 Sherlock Holmes Stories and The Best of Arthur Conan Doyle https://podcasts.apple.com/us/podcast/1001-sherlock-holmes-stories-best-sir-arthur-conan/id1534427618 Get all of our shows at one website: https://.1001storiespodcast.com REVIEWS NEEDED . My email works as well for comments: 1001storiespodcast@gmail.com SUPPORT OUR SHOW BY BECOMING A PATRON! https://.patreon.com/1001storiesnetwork. Its time I started asking for support! Thank you. Its a few dollars a month OR a one time. (Any amount is appreciated). YOUR REVIEWS ARE NEEDED AND APPRECIATED! Learn more about your ad choices. Visit podcastchoices.com/adchoices

お断りコスト／アテンションエコノミーと内省／うちじゃないと思いますよ／窓口の在り方／「機」／フォルケホイスコーレってなーに？／教科書ではなく白紙を／コライトキャンブ ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。https://www.mechikuro.com/ ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

カルチャーギャップの翻訳コスト／音楽の仕事=ピアノの先生／さよひめぼうさんのNinja School／今日はどんな音聴きに来たんですか？／マイナージャンルは自給自足／教養の範囲／共通点を重ねて／産業としての推し活／リスナーさん達ヘルシーでいてね／カケラのようなきっかけを／共通言語としての文化 ▶︎▶︎ぷにぷに電機▶︎▶︎インターネットを中心に活動する作詞家、作曲家、歌手、音楽プロデューサー。 Jazz、Bossa Nova、Latinをルーツとしたプライベートな楽曲を制作する一方、MACROSS 82-99やNightTempo、80KIDZ、Mikeneko Homeless、Shin Sakiura、パソコン音楽クラブ、さよひめぼうなど、国内外のアーティストとのコラボレーションによりジャンルを越えた音楽を生み出している。https://www.punipunidenki.com/ ▶︎▶︎メチクロ [SF inc. / MHz]▶▶︎漫画・アニメのパッケージデザインや、オーディオのプロダクトデザインなど、質量を伴う製品のデザインをメインスキルとし、ブランディングからサウンドまでを補完するクリエイティブディレクター。カバーデザイン：『シドニアの騎士』『新装版BLAME! 』『ハイスコアガール』／プロダクトデザイン『TOON WORKSHOP THP-01』『Double Zero』など。https://www.mechikuro.com/ ▶︎▶︎さよひめぼう▶︎▶︎主にインターネットを活動の拠点とする、ミュータントFutureダンスミュージック製造工場！？米国「PLUS100」「BusinessCasual」など、Vaporwave～Experimental系レーベルから多数アルバムをリリース。日本ではNewMasterpieceからカセットテープを限定販売。2019年にはMaltine Records からEP「深圳DIVA」リリース。 https://twitter.com/sayohimebou

Oh dang we have enough episode to do reruns. We promise we'll use this power responsibly. To ring in New Years, please enjoy this throwback Hacked about the y2k bug. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Cooper welcomes "The Chief" of the Boston Celtics 1980's championships. Basketball Hall of Famer and 4x champion, Robert Parish joins Showtime to discuss Robert's career, his college SAT scandal, why he made the choice to go to the NBA over the ABA, His tenure playing with Rick Barry and Clifford Ray of the Golden State Warriors and of course, his illustrious career with the Boston Celtics during their Dynasty years facing the Showtime Lakers. They also touch on Boston Racism, Lakers and Celtics- behind the scenes and do a TON of epic trash talking like only NBA Legends can do. This episode is powered by: Shopify- Coop's preferred online store and consultancy. For free offer (and to support Coop in his effort to become CHAMPION of Lakers podcasts), please go to https://shopify.com/showtime (all lower case). and https://Betonline.ag > use coop's code CLNS50 for a huge bonus deposit. 02:30  Pleasantries. 3:30 Youth, College Career + SAT scandal 7:00  BOL Ad Read 8:00 why NBA nor ABA, Early Pro career. 8:50 Time w Golden State Warriors 08:00  Robert Humbled by Kareem 11:00 “Double Zero, Double Nothing” 13:34 “Joe Barely Cares” - the trade that changed the NBA 14:00 Boston & Racism: Chief first experiences in Boston. 16:30 KC Jones Story. 17:50 Tommy Heinsohn story. 18:57 Red Auerbach Story. 19:30 Coach Larry Little. 20:25 Dennis Johnson. 21:45 Larry Bird. 25:30 1984 and 1985 Championship. Listen and Subscribe to the Showtime Lakers Podcast with Michael Cooper and Ari Temkin on iTunes, Spotify, Stitcher, and the CLNS Media Network mobile app.   Learn more about your ad choices. Visit megaphone.fm/adchoices

SUMMARY In this episode Nick sits down with his friend, and YM360 General Editor and Content Director, Kerry Ray. Kerry is a veteran with over 3 decades of experience in church ministry, all in student ministry. Kerry and Nick talk about the ways in which technology has changed and shaped the ways of doing ministry. And Kerry also talks about the importance of going to a teenager's "turf" or showing up in their life, relationally. Come hang out with us on twitter at http://www.twitter.com/hybridministry Or grab show notes and transcripts at http://www.hybridministry.xyz SHOWNOTES YM360 http://www.ym360.com MINISTRY TO PARENTS https://ministrytoparents.com/ MY YOUTH MIN https://myyouthmin.com/ EPISODE 016 ON HOW THE IPHONE CHANGED THINGS WITH DERRY PRENKERT https://merry-swamp-3547.fireside.fm/016 TIMECODES 00:00-02:49 Intro 02:49-05:55 Kerry's Intro and Experience 05:55-09:12 What it's like no longer being in the trenches of ministry 09:12-13:44 What was life in ministry like before the cell phone and after? 13:44-16:22 Is technology what created FOMO? 16:22-21:00 What is contact work? 21:00-32:58 Can we use technology to our advantage in ministry efforts? 32:58-34:27 Outro TRANSCRIPT Nick Clason (00:01): Hey, what is up everybody? Welcome to another episode of the Hybrid Ministry Podcast, episode 19. We've been doing 19 of these. I can't freaking believe it in your catcher. It might be 20, because we posted as Double Zero pilot. I kind of hate when people do that, and then I, I went and did it. So, anyway, uh, as always, I am your host, Nick Clason, excited to be with you. And today you're in for a treat because number one, I'm not just gonna ramble in your ear holes the entire time, like I have been for the last several episodes, but two, I'm bringing on one of my really good friends. His name is Kerry Ray. He is the director of editing and publications right now at YM 360, which is, YM Youth Min, right? Youth Ministry 360. And he has 30 years of church ministry experience, particularly in the student ministry and youth ministry space. Nick Clason (00:58): So, let me caveat all of that to say this is a ministry podcast, not specific in particular to youth ministry. However, that being said, um, you know that I am a 12 year youth ministry veteran, and so a lot of my connections and conversations come in the youth ministry space. And so, um, I just will caveat all this to say that today is going to be a very youth ministry centric conversation. Um, but all of it is going to be couched sort of in, uh, digital, right? And, and so what Kerry is gonna be talking about, um, and what I did is I, we had an interview and it went really well, and it went really long. And so I decided, I think I'm actually gonna bite, uh, split this up into two more bite size pieces. And so, episode one is gonna come out this week, episode two, or part two of this, I should say, is gonna drop on Thanksgiving Day, so you can enjoy it on the way to your, um, grandmother's house over the river and through the woods. Nick Clason (01:59): So in this first part in particular, he's gonna talk a little bit about his experience, um, what he's seen and how he's seen digital play a role in that. And then he talks about, um, a thing that I first learned from him, but he says he's still primarily from young Life called contact work, right? And if you've been around this podcast at all, you've known, we talked about showing up where they are, um, which is what Jesus did, honestly, right? He, he showed up where we were, he put on skin, he became human. And so that's what he talks about, and he kind of gives the basis for it and why it's important. Um, and so that's gonna be today. Um, so hopefully you enjoy it. And so, without any further ado, we're gonna get started. And you'll notice just how well I am as a host when we plan this thing, when you hear how we get started. So here we go. 3, 2, 1. Check it out. Hey, Kerry Ray (02:50): Is whoa gonna go first on, Nick Clason (02:53): Man? Come on. Doesn't even listen to instructions. Kerry Ray (02:57): I did. I thought you said, I'll do a thing later. And then you go ahead and introduce Nick Clason (03:02): Yourself. I'm keeping all this in. This is Kerry, everybody. Kerry, introduce yourself to the tens and tens of listeners that I have. Kerry Ray (03:10): Hey, tens of listeners. My name is Kerry Ray. I am the director of publishing for Y M 360 in Birmingham, Alabama. Uh, YM 360 Youth Ministry 360. Uh, before that, uh, this is my first year actually as a director of publishing, whatever that means. Uh, I did, uh, before that, I did, uh, right about three decades in the student ministry seat, um, in multiple denominations of churches, in churches, multiple states, uh, different sizes, churches, different size, not sizes, different size churches, um, multisites single sites, uh, single sites that wanted to be multisite, uh, . I've been, I've been around the block and, and seen a lot of things, man. Um, but yeah, I've been in the youth ministry for right at 30 years. And, um, this was my first, actually at the time of this recording, this was my, this last Easter was my first Easter, uh, in, in here in 2022, was my first Easter in 30 years, not to be on staff at a church. Kerry Ray (04:15): So it was quite the different thing to sit in there as a regular person who could see all the things going wrong, but uh, was not responsible for, for fixing any of them. Um, and so it was great. It was, it was really great. Um, it's weird now on Saturday nights after, you know, you get in a routine for 30 years. Uh, Saturday nights are kind of a weird thing because you go to church on Sunday mornings, but you're not going to work, you know, to do all the things. Um, so, and you go with a family on, on a Sunday morning, it's whole thing. Just a different world, man. So I've, uh, like I said, I've been, I got to wife 360 in October of 2022, um, and started a, a new thing. We, we work in, uh, Y 360, if you don't know, we're, we're part, um, publishing. Kerry Ray (05:06): And, uh, we create content for student ministries, youth ministries, all over the world to use. Um, and we also do camps. We have a, a generate by Y 360, uh, which does camp all across different locations. We had this last summer, summer of 2022. We, I believe we were in 20, 23 or 24 locations, um, running camps, 20. We had three different teams spread out all over. Uh, so it was great. My, my section of that, we create all of the, uh, written material, all the devotional material, all of the, um, all the written material for camps. Um, so yeah, it's been a lot of fun. It's very different. And then I get to, uh, coach student ministries, youth pastors, all across the place. Um, I've been doing that for around seven years, so, yeah. Nice. Yeah. Lot of fun. Lot of fun. Nick Clason (05:59): So let me ask you this, just, this isn't one of the questions I sent you. I'm already going off script, but, uh, do you enjoy Saturday nights and Sunday mornings not being responsible for stuff, or is there like an element of you that misses it at all? Kerry Ray (06:15): Oh, absolutely. I think anytime you do something for a significant amount of your life, um, there's a part of you that missed that, um, that misses, um, you know, just being around and, and, and knowing all the faces and knowing who's where. And, um, yeah, there's just part of it that you kind of miss a little bit of it. There's some part, and maybe this will make sense for some of you listening who've done anything for a significant amount of time, there's parts that you miss that you don't know why you miss, or you don't even know what you miss. You just say something's weird and off and just seems a little different. Um, yeah. But yeah, there, there's pieces and parts. There's definitely pieces and parts that I don't miss. Kerry Ray (06:56): You know, I don't miss, you know, being gone all day on a Sunday. Um, I don't miss, um, I the whole getting to be a part like you go as a family and do stuff with as a family, uh, that's really brand new. Yeah. Um, and, and it's, it's been great. My, my kids, I, my wife and I have two kids. We have an eight year old and a 14 just turned 14 a couple days ago. And so this is such a significant time in both of their lives mm-hmm. that it is great to be, you know, just a dad and not a staff member. Um, and to get, to get to sit in, I'll tell you, you know, a little bit of a confession. It's also difficult. Um, we're at a smaller church now, and, um, having been in large church ministry for so long, um, now that my daughter is participating in ministry, and, you know, that ministry is, you know, trying to figure itself out and mm-hmm. and, and go through all the, you know, all the growing pains of, of a growing ministry. And I'm sitting on the sidelines and thinking, gosh, , that's awkward. I can help that, but I don't wanna, you know, I don't wanna white knight, you know, come in when my, on my high horse and, and quote unquote fix it for them. Especially with, Nick Clason (08:16): You're fixing it as the YM 360 guy. Are you fixing it as Madison dad, as dad? Are you fixing it as a church volunteer? Like, what, yeah. What's Kerry Ray (08:26): Your role, right? Or are you fixing as the guy that quote unquote knows it all right. So, you know, you don't, you don't wanna be that guy. Um, so yeah, it's, it's just been, it's been weird. That's, that's kind of the honest thing is to have done a thing, and I think this is true at anything, not just ministry, but having, you know, if you were, if you were a cabinet maker and you walked in and people were, you know, fumbling around with a hammer trying to build a cabinet, and you're just biting your, you know, biting your closed fist, going, oh, no, that's not how you, you do it . Um, so it, it's that, I mean, and not saying that they're not doing a great job. Um, they are, they're doing well in figuring it out. They're just, you know, figuring it out. Um, and they're going through some, some growing pain in that process. So yeah, that's, that's what we're doing as a family right Nick Clason (09:13): Now. So I'm, I'm curious, Kerry, like two or three episodes ago, I'll link it, you know, in the show notes, but I had, uh, my friend d Pinker on, and we talked about, um, how he, he has a similar longevity track record that you do, and he talked about how the invention of the iPhone was a pretty monumental, like, milestone marker for him in youth ministry. Like he kinda remembers ministry before the invention, um, and widespread use of the iPhone, and then post the invention and widespread use of the iPhone. Do you have, would you say you have a similar, um, experience with that? Like, did you, did you notice that being a pretty big milestone thing in student ministry and in your career noticing how students interacted? Did that change things? Did you, um, have to program or think about things differently because of technology and it's, you know, interwoven into the culture? Kerry Ray (10:11): Um, honestly, I, I think the iPhone changed not programming so much as it changed, um, advertising. And I know that's a big no-no word. You know, in the church world, you're not supposed to see the things you're doing as a quote unquote product or something you are promoting. Um, but you are, you're, you're promoting a thing, um, come be a part of this, whether it's a camp, a Wednesday night, a Sunday morning, you are trying to tell people this is a thing we have, um, otherwise you're sitting there by yourself. Um, and so I think it changed, I think it changed dramatically how we engaged with, with students. Hmm. , um, I don't think so much at all. It, it really changed programming. Um, but it definitely changed the way we engaged. It definitely changed, um, the level of intentionality that you had to put behind, uh, promotion and how you promoted and how you celebrated. Kerry Ray (11:15): Uh, it also gave you kind of an open door, you know, whether you want it to be or not. A lot of youth ministry is word of mouth. Yeah. Um, I always used to kinda call it the skating rink effect when I was a kid. You know, the skating rink was, was a thing. , sadly, that'll show you my age. The skating rink was a thing, and we didn't, in middle school specifically, you didn't know why it was a thing. Yeah. You just knew that's where everybody was. Mm-hmm. . And, uh, but it was word of mouth, you know? It was, it wasn't the, the skating rink when I grew up, the skating, it was called fun time, skate land. Uh, it wasn't that fun time. Skateland had this giant marketing, you know, this this monumental system or this, this thing that they were doing. They were like, come to fun time. Kerry Ray (12:01): It was just, it was word of mouth. And the middle school, you know, that that's where everybody was going on on a Friday night. They were going to fun time. And you talked about it in the hallways, and people do, and I think in cinema ministry, whether we want it to be or not, it, it's always been a word of mouth. You know, I'm, you know, why do, why do so many kids show up to this one event, this all nighter that you do? Well, because the word got out that these people are going and the other people wanna go. And then it snowballs into this thing. Um, and I think the word of mouth became digital. Word of mouth. Um, and you could, you could digitally have a megaphone to, to broadcast that thing versus just relying on word of mouth. Yeah. Um, and so that changed the game. Kerry Ray (12:47): So it changed. Um, the only thing I would say in programming, uh, uh, that it would change was that you had to be, or you started to be a little more intentional about recording the things that you were doing mm-hmm. and putting them out there for people to see later. Yeah. Uh, and to advertise with. Um, that's probably the only way it really changed. And I would say it changed programming. It would just, Hey, we want to capture certain things. And so we would talk about, as a team, uh, what are the things we wanna maybe capture tonight and, and broadcast so that people can see it and try to leverage the fomo, you know, the, the, that FOMO piece mm-hmm. is, is a real deal, the invention of the iPhone, Instagram, now TikTok, um, even, even be, you know, be real. It is that FOMO piece of what's happening in the moment. Who's doing what, Ooh, I wanna be a part of that. Mm-hmm. , that's what changed. I think that's what changed. Nick Clason (13:45): So would you say before that, that fomo for someone my age, who's only done ministry in an iPhone generation, is fomo a recent phenomenon since the invention of technology and things like that? Or was that always a part of it? Now you just can see it with your own eyes that you Oh, you're right now missing out. Kerry Ray (14:07): Yeah. No, FOMO has always existed. Um, it wasn't called that, but you know, there was always that, you know, nobody wants to be left out. Everybody wants to be, um, they did say it for hundreds, hundreds of years. They've been saying for years, you know, that, um, when you walk into a building, but think about yourself anytime, iPhone or not, you walk into a restaurant in a busy time of the day for a restaurant mm-hmm. , and you're the, there's maybe one other person in the restaurant. There's something inside of you that goes, it could be the greatest restaurant ever. It could be the best food, best atmosphere, but there's something inside you that intrinsically goes, huh, yeah, something's wrong. What's wrong with this, this ? And, and I think that's, I think that's who we are as, as human beings. When you walk into a store, there's nobody shopping there. When you, when you go to a gym and you work and there's, you're what, what's midnight? That's if you're doing it in a time where typically there would be people there, whether we walk into a church now, um, and there's, you know, there's nobody really attending. You go, huh? When you walk outta that, you don't say, you know, man, that was great. You go, man, that was great. I wonder why nobody goes. Nick Clason (15:27): Yeah. Well, it's interesting, right? Cause none of that's based on the actual content maybe. Nope. Of like, oh, that was a great message I really resonated with, or whatever. Like what you're noticing is like the social equity landscape of like, what's going on around you, looking around, no one's there. And Kerry Ray (15:44): It is a thing, and it is a thing. I think that thing has always existed. And I think whether it's the iPhone or social media, um, has just exacerbated that and made it, yeah. A more prominent thing turned the volume up, if you will, uh, has made it a more prominent thing, more obvious thing. Um, the, but I think it's always been there. Uh, I think it's, you know, when you were eight years old and didn't get invited to a birthday party and you knew other people did mm-hmm. , that's, you had fomo, you were missing out. Um, I think that's just a, a human thing. Nick Clason (16:22): Yeah. Yeah. Absolutely. So you and I connected, you were at a church in Cincinnati. I was at a church in Cincinnati, and we were on the doorstep of working together. Um, and so in that process, I guess, I mean, I guess it was even formal. We had formal interviews and stuff. Um, you explained to me, uh, a thing that, I don't know if you came up with this or coined it or whatever, but you called it contact work. Um, so explain a little bit to our listeners, like what that is, where it comes from, maybe the theological or biblical basis for it. Um, and, uh, like then I wanna kind of explore, is that type of work, is that type of ministry, is that possible more and more as we enter into this digital space? But first of all, give us just a little bit of like a background of like, what is it, um, what are you talking about with contact work? I think when I heard it, I never heard it called that, but it was very intrinsic to me. Like, I was like, oh, yeah, this makes sense, right? As a youth pastor, like, this is what I'm trying to do. I just never kind of put this label to it. So explain that a little bit. Kerry Ray (17:32): Yeah. Well, I definitely did not, uh, coin the phrase contact work. Um, that is, um, I served for a while, um, in young life, and that is a, that is a big, big piece of young life. If anybody's listening who has ever been a part or knows anything about young life, contact work is one of their core tenants. Um, they put a lot of, a lot of energy and effort and strategy Nick Clason (18:00): Into Andre good at contact work. That's, that's probably what they're best, I would say. Kerry Ray (18:04): Oh, they're, yeah, they're excellent at it. And it's because they value it. It's such a high value, um, for them. Like I said, it's one of their core tenants. Um, it's such a high value that they do it well. Um, and so borrowing that phrase from those guys, um, I just learned it and saw it done really well and saw it valued. Um, and so I, I kind of adopted it into early on into, um, what I was doing, and it was, it was going where they are versus expecting them to come to you. Hmm. Um, contact work at, at its core is, uh, young life would call it earning the right to be heard. Um, but it is, or maybe you hear them say, um, doing things on their turf mm-hmm. , um, so to speak. But basically it is, it is going to where the students are mm-hmm. versus sitting and expecting them to come to you, and then you're putting in the time with them in their places where they feel comfortable and confident, and where they maybe kinda run the show versus your place behind these walls, behind this door where you're in charge and are expecting them to, to do certain, certain things. Um, contact, contact work. Oops, sorry. Contact work is something that is something that we have done for years. It's an expectation. Kerry Ray (19:37): Sorry, my headphones went out for a second. Nick Clason (19:40): Oh, no, you're good. Contact work is sounds great to me. So, Kerry Ray (19:42): Okay. Contact work is, is something that, um, I have, you know, expected is the best word to use of any staff we have I've ever had on, on a, on a church staff. Um, it is, it's that big of a deal. Um, for example, when I had interns and, you know, we were only allowed, you know, what, 15 hours with an intern mm-hmm. mm-hmm. 10 of those hours with contact work, and I would ask them to, you know, fill out a form that tells me where they were going, what they were doing, who they, who they hung out with and talked to. Mm-hmm. , it was that big of a deal. I wanted them to value it. Um, that's when I first started in ministry. Early on, we didn't call it that. Um, but that was my role. Um, I had an older youth pastor who kinda looked at me and sat me down and said, Hey man, I, I'm too old to go run with the Bulls. Um, so , I'm gonna ask you to do that, and I'm gonna expect you to be in the school. I'm gonna expect you to be the one at the games. I'll still be the guy preaching, but, and you know, teaching, teaching you how to do those things, but, you know, you're the guy that's gonna run around with 'em. You can call it Tide Piper, whatever you wanna call it, but it is going and building relationships with students, with teenagers on their turf where they are at instead of expecting them to come to you. Nick Clason (21:02): Yeah. I think, and I think, like for me, man, the basis really of me starting this whole podcast is realizing that, uh, digital can play a role in that. You know, I think for churches, a lot of churches, uh, get stuck into their, like, programming schedule. It's Wednesday night, Sunday morning, whatever, and not realizing that there's another 167 unclaimed hours that students are living life doing their thing. Um, you know, so that can obviously be done in person, but how would you say, have you seen that be either possible, or would you say like, yeah, that's not even really a possibility, uh, to show up on their turf in like a digital or more of like a hybrid type of way? Kerry Ray (21:53): Lemme back up for a second first, and I can say that one, it's, it's part of what we're called to do. Mm-hmm. , if you're in ministry, um, we're supposed to be following and living as Jesus did. And what you never saw in the New Testament was Jesus just sit still somewhere and say, you know, everybody come to me. Mm-hmm. , I'm not going anywhere. I'm gonna sit here , you know, in Jerusalem. I'm just gonna sit here and expect you to come to me. He traveled, he, he went around from town to town, place to place sharing and talking. And part of that was, you know, just getting around the people. Mm-hmm. , um, the people that, you know, he came to this place to die for was just to be amongst and, and interact with those people. Um, and that's part of our calling we're, we can't just sit in a church. Kerry Ray (22:43): You could have the greatest program in the world, but you sitting in a church and just expecting people to come to you is one arrogant too. Mm-hmm. , it's foolish. Three, it's ineffective. Um, it just doesn't, it's not the thing you can't, that's not who you're called to be. You're called to, to be out and about. And with people, people, these students are, you're calling, they're, they're coming to know Christ is your calling. And, and it can't be, I'm just sitting here and the kids that get here, that's great. The kids who don't hate it for them, um, that that's not okay. Yeah. So let's start there. Uh, number two, um, it, it matters to your community. Um, you hopefully want your church, your ministry, your student ministry. You want that to, to have such an impact on the lives of the people in your community, no matter their age, that if it disappeared, people would care. Mm-hmm. Nick Clason (23:40): . Yeah. Kerry Ray (23:41): And to do that, you can't sit in your ivory tower literally and, and expect that to happen. You've got to go out and make some sort of impact, some sort of influence. Uh, and I think in the world we live in the, with the, um, deification, if you will, you know, all of the, you know, I am, you know, de deconstructing my, my religious experience. Um, people are weary. People are weary, people are leery I'll rhyme there. Uh, they're both, they are, they're, um, suspicious mm-hmm. of church. Like, what do you, you know, what do you want from me? Oh, you just want my money. Um, and we've got, if you're talking about students and general teenagers, uh, we've got, this is the first group generation that was raised by students who bowed out years ago. You know, statistically they're, they're called the nuns. N o n E S, not n u n S. Kerry Ray (24:42): But the parents are the people who were in student ministry, you know, maybe. And then they bowed out and their parents didn't, you know, didn't raise them in church. And so now they're having kids of their own. And, and so it's, it's blank slates. So you've got parents who don't know, who don't know church. You've got students who don't know church. Um, they're blank canvases. And so, uh, we are, should be out and about if nothing else trying to, trying to show and be the hands of Jesus Christ, the hands of beauty of Christ in these communities in which we are called the love administer to, um, digitally, um, I, I, let's be honest, we watched these last couple years with Covid shutting everything down. Mm-hmm. , we watched the churches who, and the student ministries who had embraced a, a different philosophy versus the come to me. Kerry Ray (25:40): Um, they transitioned better. I won't say, well, I will say they had, they made it through the Covid piece a little better mm-hmm. than the churches and the student ministries who lived in the come to us mentality. Um, but let's be honest, I think everybody struggled with it. Uh, because even young life, uh, who is excellent at contact work, I watched Young Life struggled to find themselves because they couldn't do that anymore. Yeah. They couldn't do the face to face interaction, and they had to try to do it in a digital format, and it didn't work as well. Sounds, um, it, it failed. Um, yeah. And it struggled. I mean, some of it, I mean, he, it kinda worked. Not really. I, I would say it failed. Um, even, you know, the big players in, in student industry, the people who were doing this, the guys out like, you know, um, fields and Josh, Doug Fields and Josh out in California went to a digital format. Kerry Ray (26:38): And I don't know, I, I haven't talked to these guys about it, so I'm gonna assume, but I, I would assume if you, you asked those guys, they would tell you that it was not what it was. Mm-hmm. , did they do the big digital thing? Well, sure they did. Yeah. But I don't, I don't think it was what it was before that. Yeah. I don't think they got the same interaction. It's a, it's a lot of work for a little payoff. Um, I know at the time of covid, I was in, uh, church in Cincinnati, Ohio, and our middle school ministry was tied to the weekends mm-hmm. , and it was kinda a show up to church, and you go to this thing, but our high school was built offsite. Um, and we had had multiple years where the students had built communities, it houses across the city, and those communities met offsite, and it was in that community that those students lived in with small group leaders that lived in that community that those students lived in. Kerry Ray (27:33): And those students were showing up and inviting people into this thing because it was their thing. Mm-hmm. , um, it was kind of their turf, but with our, uh, blanket over the top of it. Sure. It was, but it was still their thing. Um, and when Covid hit, I got to see firsthand middle school, they come to us, we shut that down for a little bit, then we tried to do it digitally. It just didn't fly. Um, it was a struggle to put, you know, 10 kids in the room, in, in a digital room, uh, high school. I don't think, if I looked at the numbers, and I tracked them every week, I think in total we lost two students. Wow. Two, why? And we actually picked up a few. Why? Because they had already built this community that was not attached to the come, come and see mm-hmm. , Kerry Ray (28:31): It was, it was a community. So when we took that community that already existed and just moved it to a digital format, they, they still do the same people. It was still, it was built on a different thing. Mm-hmm. , it was centered around community and not centered around come and see Yes. Or come and participate. Yeah. Um, so it, it, it, it mattered. It, it changed. And I, like I said, I watched, um, during those, during the covid years, got to see, you know, there were plenty of churches that that died. There were plenty of churches that are still, you know, where a year out now when this is being recorded. And they are still struggling with putting the pieces back together. I don't think, I don't think ministry, I don't think church will ever quite be the same. Um, post covid. Interesting. But, and I think youth ministry is harder, um, because I think students got realize they didn't have to be there. Kerry Ray (29:25): Mm-hmm. , uh, the church kids stopped going. The, the non-church kids never went. Uh, and we had a generation now that has been raised at least for a couple of years, you think of a sixth grader, they went through sixth, seventh, and part of grade without ever being in a so ninth grade in that time where it's already hard to be a part of a community because you drive for the first time, you've got some freedom in ninth and 10th grade. Yeah. Depending on your age and your state, uh, you start having freedom, you start working, um, you start doing other things. It's already hard in the, in the youth industry world. For those of you listening to this that are in, in ministry, you know, that time is already difficult anyway. But now you've got a group who went three years without engaging at all mm-hmm. , Kerry Ray (30:08): Uh, and then behind them is another group that went three years without engaging at all. And behind them is another group that, you know, hey, which is babies at the time. So it's going to be a difficult dig out. Um, and I think that that actually makes this contact work piece even more relevant. Mm-hmm. . Now to your question, if, can it be digital? I don't know. I, I have not seen that work super well. Um, now I will tell you this, we all know that, um, for a teenager, uh, when you, and I think of the friends we make, you know, they say, well, my friend, you know, you like, you think my friend that I play, you know, call on duty with, you know, that lives in California. You're like, you never, you, you live in Alabama, you don't know that kid , but you're like, no, I play with them every day. Kerry Ray (31:00): I, you know, I spend hours with them on a headset, you know, shooting people and, and you know, talking about stuff over the headset to them that is a real friend. Yeah. Um, that barrier has dropped mm-hmm. to us as adults. You know, I think, you know, for those of you that don't know, those of us, you know, over the age of, let's call it 27 ish, you know, we're digital. We're digital immigrants. Mm-hmm. , we're, we come with baggage of how technology works and how it should be used and utilized, and, uh, where our teenagers and below, or digital natives mm-hmm. , there's never been a time where they did not know technology. There's never been a time where social media was not interactive for them. Um, and so we as adults, as digital immigrants, let's use that instead of adults, us as digital immigrants, we look at, um, online friendships, online relationships, um, and go, that's weird. Kerry Ray (32:03): Um, that's not a thing. But to them as digital natives, that has always been the thing that has always been very real. Um, dating apps and, you know, swiping left and right. And I mean, that went from like a silly thing. Like, you know, this is those of us, again as digital immigrants, look at that and go, come on. Um, you know, you're just, you're just, you know, trying to find a hot dude or hot girl and hook up. But for them, they're like, no, I, I'm trying to find a relationship. I get to know people this way. Yeah. Um, it's, it's fascinating. Yeah. Um, so I think there is, there, there's gotta be a way for that to happen mm-hmm. , and we've gotta figure out this, and I'd go back to contact work. There's gotta be a way for contact work to happen in a digital context. But there is some, there is something to set for a loss of the, the face to face because the face to face is so significant. Nick Clason (32:58): Wow. Well, wasn't that awesome? I'm so excited for you to hear and learn from part two. Um, anything and everything that Kerry mentioned, uh, YM 360, my youth min, um, all those things. Um, and also Derry's episode. I'm gonna link all of those in the show notes, which you can grab a in your podcast catcher or be over at hybridministry.xyz. And I would really encourage you, because he said a lot of really good things. And if you're like me and you listen on 1.5 or two times speed, uh, you may have not caught it, or you're driving or you mowing the lawn or whatever you're doing, head to hybridministry.xyz and you can grab a full transcript of this episode so that you can have and use to utilize at your discretion. That's a thing that we do and produce for you, um, for a hundred percent free. Nick Clason (33:49): So we just wanna let you know that that is available there for you to check out at http://hybridministry.xyz If you found this helpful and I'm sure that you did, please give it a share. Send it to someone that you know, maybe in youth ministry, um, and leave us a rating or a review. That would be really, really helpful for us. We would love to, uh, hear that. So, um, we will chat with you guys next time. Excited to share with you part two of this episode. But until then, we'll talk again later by.

Sherlock Holmes

LBC Irregulars: A Sherlock Holmes Podcast Radio Show - Episode 01: The Double Zero from "The New Adventures of Sherlock Holmes" - Season 6, Episode 12 Welcome to the 1st episode of our coverage of Sherlock Holmes as he appeared on vintage radio shows! Join your host, Jarrod Alberich, The Yard Sale Artist, and friends, as we listen to an actual old-timey radio show together and then chat about it afterward. This episode's feature: The Double Zero from "The New Adventures of Sherlock Holmes" - Season 6, Episode 12 This episode's guest(s): Alan J. Porter, Pat Sampson, & Delvin Williams #LBCIrregulars Let us know what you think! Email the show at contact@longboxcrusade.com This podcast is a member of the LONGBOX CRUSADE NETWORK: Visit the WEBSITE: http://www.longboxcrusade.com/ Follow on TWITTER: https://twitter.com/LongboxCrusade Follow on INSTAGRAM: https://www.instagram.com/longboxcrusade Like the FACEBOOK page: https://www.facebook.com/LongboxCrusade Subscribe to the YOUTUBE Channel: https://goo.gl/4Lkhov Subscribe on Apple Podcast at: https://itunes.apple.com/us/podcast/the-longbox-crusade/id1118783510?mt=2 Thank you for listening and we hope you have enjoyed this episode of LBC Irregulars: A Sherlock Holmes Podcast - Radio Show. --- Send in a voice message: https://anchor.fm/longbox-crusade/message

Release Date: June 17, 2010While in the South of France at a Casino, death comes to two local gamblers and it's up to Holmes to find the truth.Original Air Date: November 19, 1945Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

Sherlock Holmes followed by Duffy's Tavern

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The Atlanta Story podcast features meaningful stories of Atlanta's builders, creators, and entrepreneurs. In this episode Jon Birdsong sits down with Fred Castellucci, President and CEO of Castellucci Hospitality Group.    Fred grew up in Atlanta before heading off to Cornell University. After interning in the consulting world, he quickly realized his heart was in the business of food. Upon returning to Atlanta, he re-ignited his family's 1 restaurant group and grew it to 7 (and counting) restaurants over the next 11 years. These restaurants include Iberian Pig, Cooks & Soldiers, Double Zero, and the newest one: Recess. In today's episode, they discussed restaurant branding, trends in the industry, how his company survived through Covid, and much more.      The Atlanta Story is put together by the folks at Atlanta Ventures -- and we can't wait to share some of the personalities behind the brand. Atlanta Ventures invests in entrepreneurs through community, content, and capital -- most notably through our Studio with companies like Greenzie and Intown Golf Club. We believe the best entrepreneurs learn from other great artists in different fields.   In this episode, we discuss… We dive into the pandemic and its effect on business.  Fred shares about his upbringing and the early days.   We talk about family life with Viv and Liv.  Fred tells us about the Castellucci group. What was it? What is it today?  We dive into the restaurants: Iberian Pig, Double Zero, Cooks & Soldiers, and more.  What's the next neighborhood you'll put a restaurant in?  What is the secret to a restaurant with integrity?  We talk about technology. Fred tells us about his love of technology and early investment in Gather.  What is a ghost kitchen? What's their future?  Why Atlanta and what has Atlanta done for him?    Resources discussed in this episode: Castellucci Hospitality Group Bar Mercado & Recess  Cooks & Soldiers  Double Zero  Sugo  The Iberian Pig Intown Golf Club How you can get involved:  Visit atlantaventures.com/studio if you're interested in learning more about Atlanta Ventures and the Studio.    Where you can find us: Website: www.atlstory.com Twitter: @theatlantastory Instagram: @theatlantastory YouTube: Here Subscribe to the newsletter here.

Back like cooked crack! --- Send in a voice message: https://podcasters.spotify.com/pod/show/pmg2020/message Support this podcast: https://podcasters.spotify.com/pod/show/pmg2020/support

In this episode, Remington and Kendra give you the inside scoop on where you can buy natural wine on the westside of Los Angeles. We'll share with you all our favorite wine shops on the westside and some restaurants around Venice that we frequent to find that coveted fermented grape juice in its raw, most naked form. Plus a bonus game of two truths and a lie where Remington may or may not have ever 'slapped the bag' in college. Wine shops talked about in this episode include: Lincoln Fine Wines (Venice), Simon's (Venice), Vin on Rose (Venice), Bar & Garden (Culver City), Stanley's Wet Goods (Culver City), Helen's Wine Shop (Brentwood), & Esters Wine Shop (Santa Monica). Venice neighborhood restaurants with a good natural wine program include: Gjelina group (Gjusta), Night + Market, The Rose Venice, Venice Beach Wines, Double Zero, South End, Great White.

How'd you spend your week and whatchu sippin' on? The Graybeards are joined by former NBA veteran and Kentucky Wildcats All-American, Tony Delk (8:00). Tony shares a great story about the last time he tried to dunk (10:30). We learn the magic words from Rick Pitino that changed his college choice from Arkansas to Kentucky (20:00). The fellas learn why Tony chose the number 00…every little brother can relate (30:00). Tony tells the Graybeards why Anthony Mason (RIP) and Larry Johnson are two of his favorites (40:30). Tony considers his time in Detroit a missed opportunity (45:45). Tony lets the audience know what it was like to score 53 points in an NBA game (49:00). Tony offers exclusive behind the scenes perspective on the infamous P.J. Carlesimo/Latrell Sprewell choking incident (53:30). Tony, who played against both MJ & LeBron, explains why he has neither as the GOAT (62:30).Follow the show on Twitter @gray_beards - Instagram gray.beards - Facebook @gray.beards100 and online at graybeardspodcast.com

CBS Radio Mystery Theater 76-12-23 (0570) Double Zero

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The New Adventures of Sherlock Holmes was an exceedingly popular Old-time Radio (OTR) show that aired in the United States, and starred Basil Rathbone and Nigel Bruce from October 1939 to July 1947. Edith Meiser, Dennis Green and Anthony Boucher wrote the episodes. Together, Basil Rathbone and Nigel Bruce appeared in 220 episodes as Sherlock Holmes and Dr. Watson. Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Podcast Service I Recommend https://redcircleinc.grsm.io/entertainmentradio7148 Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio Hosted on Acast. See acast.com/privacy for more information.

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In this Episode of The Plant Code Podcast (@theplantcode) Max is in New York joined by Marisa Miller Wolfson, writer and director of the documentary “Vegucated”, they discussed filmmaking, raising vegan children, US politics, the interpretation of dreams, feminism, the loss of human connection and much more!This episode is also available on our YouTube Channel: http://www.youtube.com/c/ThePlantCodeResources & Mentionswww.getvegucated.com @vegucatedWe Are All Noah - 1986Dr T Colin CampbellDr Joel FuhrmanPeaceable Kingdom - Tribe of Heart 2004www.veganessentials.com@forgoodnessseyks@patrikbaboumian@theinvisiblevegan@thedominionmovement@wthfilm@earthlingsfilmNY Restaurants recommend by Marisa: peacefoodcafe NY, Double Zero, Verde, Ravi DeRossi Night MusicA prayer for Compassionwww.vegnews.com

Anthony Davis went down, Aaron Gordon went off, and Tim Hardaway Jr. was horrendous. The Locked On Fantasy Basketball Show is brought to you by DraftKings, Blue Apron, SeatGeek, and Basketball Monster. DFS starts at 38:38Support me and the show at here I talked about it all recapping all the news from Tuesday, and previewing Wednesday. Learn more about your ad choices. Visit podcastchoices.com/adchoices