Podcast appearances and mentions of Nicholas Royle

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

“There's a great David Bowie song called ‘Memory of a Free Festival.' It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.' And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing. And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023."I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating.When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls."www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating.When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls."Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.“There's a great David Bowie song called ‘Memory of a Free Festival.' It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.' And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing. And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.“There's a great David Bowie song called ‘Memory of a Free Festival.' It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.' And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing. And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“There's a great David Bowie song called ‘Memory of a Free Festival.' It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.' And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing. And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.“My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”– Mother: A Memoirwww.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.Mother: A Memoir“Pre-word In my mind's eye she is sitting at the circular white Formica-top table in the corner. Morning sunlight fills the kitchen. She has a cup of Milky Nescafé Gold Blend and is smoking a purple Silk Cut. She is dressed for comfort in a floral bronze-and-brown blouse and blue jumper with light gray slacks and blue slippers. She is absorbed in a crossword (The Times) but not oblivious. She does what always takes me aback. She reads out one of the clues. As if I would know the answer. Her gift for crosswords is alien to me. I get stuck at the first ambiguity or double-meaning. Whereas she sweeps through all illusions allusions red herrings and anagrams and is done most days by lunchtime. But her fondness for crossword puzzles is inseparable from my interest in words. Where they come from. What they might be doing. Earliest recorded use of 'In my mind's eye': Shakespeare's Hamlet (around 1599). Referring to the Ghost.My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle's current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.“My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.”– Mother: A Memoirwww.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846 https://myriadeditions.com/creator/nicholas-royle/ https://quickfiction.co.uk/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"It's a quest to try to collect all of the Picadors..." Nicholas Royle is here to talk about White Spines: Confessions of a Book Collector, and his journey to find Picador books. You can buy the book here   Enjoyed this episode - why not send a small donation to support with the running costs! Thank you! - https://ko-fi.com/liambishop Rippling Points The Second Life of Books: the second-hand bookshop as a home for new, undiscovered and forgotten writers Got to Catch Them All: Is your favourite bookshop named?   Writers and Books AJ Ashworth Andrea Ashworth The Lake John Foxx (Nightjar Press) M. John Harrison Anna Kavan - Ice (Picador: 1967) Alberto Manguel (editor) Black Water: The Anthology of Fantastic Literature (Picador: 1983) Livi Michael - The Lake (Nightjar Press) Alison Moore Nicholas Royle - First Novel (Vintage: 2013) Nicholas Royle - Counterparts (Penguin: 1995) Nicholas Royle - Ornithology (Confingo: 2017) Nicholas Royle - An English Guide to Bird Watching (Myriad Editions: 2017) Nicholas Royle - Uncanny (Manchester University Press: 2003) Per Wahlöö - The Lorry (Picador: 1972) Conrad Williams Artists Paul Delvaux Salvador Dali  

Joining Tom Jackson to discuss the postcards from their pasts are writers Nicholas Royle (White Spines, First Novel, Regicide, Antwerp, London Gothic) and Clare Mackintosh (Hostage, After The End, Let Me Lie, I See You). We pull ourselves out of the quick mud and consider the grooves on Mummy Bunny's face with Aphrodite in the pink nightie; we discover the tantalising stories of postcards lost and found in secondhand books, and suffer les bunions de Paris with a surfeit of Eiffel Towers. Remember to use the postcode and mark it in Writer's Blood beside the vanishing signature of a Belgian surrealist. Wish you were here? See acast.com/privacy for privacy and opt-out information.

Leigh Chambers’ featured guest is Lucy Lewis, the UK's first female bomb disposal expert, talking about her memoir, Lighting The Fuse. Nicholas Royle chats about White Spines: Confessions of a […]

Many people describe themselves as book lovers but there is no doubt about Nicholas Royle's devotion to the printed word. As a writer, editor and creative writing teacher, books are fundamental to his life. Georgina Godwin meets Royle to discuss his new book. ‘White Spines: Confessions of a Book Collector' is part memoir, part non-fiction and explores the secondhand shops that Royle used to build his 1,000-book collection of Picador fiction.

It's our birthday! In this episode, we reflect on the first year of EcoCast, and then hear 25 environmentally-themed Quick Fictions. You can find bios of all the contributors below, in alphabetical order by first name. If you have an idea for an episode, please submit your proposal here: https://forms.gle/Y1S1eP9yXxcNkgWHA   Twitter: @ASLE_EcoCast Jemma: @Geowrites Brandon: @BeGalm If you're enjoying the show, please consider subscribing, sharing, and writing reviews on your favorite podcast platform(s)! CC BY-NC-ND 4.0   QUICK FICTION AUTHOR BIOS (alphabetical order by first name): Abi Curtis is Professor of Creative Writing at York St John University where she runs the MA and MFA programmes. She is the author of two poetry collections, Unexpected Weatherand The Glass Delusion, and a speculative flood novel Water & Glass. She is currently completing a novel set on the Kent coast featuring an alien, and writing a co-authored New Critical Idiom book Speculative Fiction. She is on the editorial board for Gold SF, an imprint for feminist science fiction from Goldsmiths Press. Andrew Hadfield is Professor of English at the University of Sussex. His most recent book is John Donne: In the Shadow of Religion (2021). Ashwarya Samkaria, a Masters in English Literature (University of Delhi) and a Masters in Performance Studies (Ambedkar University Delhi) is currently working as an independent researcher whose publications in journals on Ecocriticism in Indian Fiction and on Body and Performance are forthcoming. She is also trained in the (neo)classical dance form Odissi and has performed extensively in India and abroad. Her areas of interest are performance studies, ecocriticism, postcolonialism, gender studies, and creative writing. Barbara Krystal is a Marine Biologist and Author. She is writing a dissertation questioning the traits we use to define the human when we come into contact with marine invertebrates.  Basak Almaz is a graduate of English Language and Literature and a grad student of American Culture and Literature at Hacettepe University, Turkey. She is a research assistant at Istanbul Aydin University and writing her MA thesis on the relation between climate change and neoliberalism through sci-fi novels of Kim Stanley Robinson. Christopher Collier is an educator and ecological advocate, working at the intersection of art and cultural ecology. With a background in academia and community art, he currently teaches at Anglia Ruskin University, and City Lit college in London, England, as well as regularly facilitating workshops in a variety of contexts. He is a volunteer Ranger with the London National Park City organisation. Erik Lauks is a writer living in Munich. Currently occupied by consciousness. Huiying Ng works to expand the possibility of agroecological landscapes in Southeast Asia - she is a doctoral researcher at the Rachel Carson Centre for Environment and Society at the Ludwig-Maximilian University in Munich, and an occasional-editor of Foodscape Pages, a journa-zine dedicated to food, community and inspiration in Southeast Asia. She has performed and created installations in group residencies with soft/WALL/studs (Yogyakarta) and Heroines' Wave (Bangkok), and will have a speculative fiction piece in print in Antennae's next issue, Uncontainable Natures. She also writes a Substack on food, commons and ag! Find her on Twitter / Instagram @fuiin. Jada Ach is a lecturer for the Leadership and Integrative Studies Program at Arizona State University where she teaches classes in interdisciplinary and liberal studies. She is the author of Sand, Water, Salt: Managing the Elements in Literature of the American West, 1880-1925 (Texas Tech UP, in press) and coeditor of Reading Aridity in Western American Literature (Lexington Books, 2020). Her poetry has appeared in New South, The Dalhousie Review, and elsewhere. James Burt is a writer and computer programmer.  Kate Wright works at the interface of community-based social and environmental activism and environmental humanities research. She is currently completing her second book – an experimental environmental history of the Armidale Aboriginal Community Garden, co-authored with Anaiwan Elder Steve Widders, and is an Affiliated Researcher with the Rachel Carson Center for Environment and Society, Ludwig-Maximilians Universität in Munich. Maggie Light is Assistant Professor at Otis College of Art & Design. She teaches storytelling as a means to process the effects of the climate crisis. Her work is published in CleaverMagazine, Furious Gazelle, and The Free State Review, and she's represented by Bridget Smith at JABberwocky Literary Agency. Maggie is currently writing a YA cli-fi rom com.  Marula Tsagkari is a PhD candidate at the University of Barcelona, Spain. Her research focuses on energy transition and degrowth. Meenu Akbar Ali works as a Lecturer of English for HED Punjab, Pakistan. Her Masters was in English Literature from NUML, Islamabad. She was also a Research Scholar at The University of North Texas, Denton, USA. Her interests include Ecocriticism, Feminism and Postcolonialism. Michael Hewson is an environmental geographer at Central Queensland University (Australia). Michael's research interests include the spatial analysis of the atmosphere. A motivation for Michael's creative writing is to influence public policy with strategic storytelling.  Naomi Booth is a fiction writer and academic. She is the author of The Lost Art of Sinking, Sealed and Exit Management and her short fiction has been longlisted for the Sunday Times EFG Short Story Award and anthologised in Best British Short Stories 2019. Her debut collection of short stories, Animals at Night, will be published in 2022. She lives in Yorkshire and is Assistant Professor in English Studies at Durham University. Nicholas Royle is Professor of English at the University of Sussex. His books include Telepathy and Literature (1991), Jacques Derrida (2003), The Uncanny (2003), Quilt (2010), Veering: A Theory of Literature (2011), An Introduction to Literature, Criticism and Theory (with Andrew Bennett, 5th edition, 2016), An English Guide to Birdwatching (2017),Hélène Cixous: Dreamer, Realist, Analyst, Writing (2020), and Mother: A Memoir (2020). Current projects include a collaboration with Timothy Morton on Covid-19, and a new ‘comic history of England' focusing on David Bowie and Enid Blyton.  Patrycja Austin is a mother and an Assistant Professor at the Institute of English Studies, University of Rzeszów where she teaches literature and researches the way mosses, fungi and lichens feature in contemporary fiction.  Peter Boxall is Professor of English at the University of Sussex. He has written a number of books on the novel, and is currently writing a book on the precarious state of contemporary democracy entitled Fictions of the West. Scott T. Starbuck's book of climate poems Hawk on Wire was a July 2017 "Editor's Pick" at Newpages.com and selected from over 1,500 books as a 2018 Montaigne Medal Finalist at Eric Hoffer Awards for "the most thought-provoking books." His book My Bridge at the End of the World was a 2020 Finalist for the Blue Light Press Book Award. Starbuck taught ecopoetry workshops the past two years at Scripps Institution of Oceanography in UC San Diego Masters of Advanced Studies Program in Climate Science and Policy. His Trees, Fish, and Dreams Climateblog at riverseek.blogspot.com has readers in 110 countries. Sonakshi Srivastava is an MPhil candidate at Indraprastha University, Delhi. Her works have appeared in Rhodora Magazine, OddMagazine, Feminism in India. She has been the recipient of the national story writing competition, “MyStory Contest” organized by TATA LitLive, the international literature festival of Mumbai thrice. Her short stories have also been anthologized, and at the moment she is one of the current recipients of South Asia Speaks mentorship programme. Thea Verdak is a writer and minimalist.  Yazeed Dezele is a writer of Africanfuturism, published in sub-Saharan, omenana and lawino.

In our last episode of the season, we take one one of the most requested futures: telepathy! What would it be like to be able to link minds, and communicate brain to brain? And how likely is it that we’ll ever get this kind of technology?     We start the episode by talking to Roger Luckhurst, a Professor in Modern and Contemporary Literature at Birkbeck, University of London, who explains where the word telepathy comes from, and how it totally obsessed men of science in the early 1800’s. Then, futurist and science fiction author Ramez Naam walks us through both the current state of science and the futuristic world of his science fiction series Nexus, that centers around a drug that gives people telepathic powers. After that, we consider what a future full of telepathic people might mean for etiquette with Robin Abrahams, the etiquette columnist for the Boston Globe. And then we talk privacy and digital security with Kit Walsh, a a staff attorney at the Electronic Frontier Foundation. And we finish out the episode by talking to Lateef McLeod, a poet, blogger, activist and doctoral student in the anthropology and social change program at California Institute for Integral Studies, about how those with complex communication needs might appreciate a new form of communication.    Further reading: Science & history    The Neurologist Who Hacked His Brain -- And Almost Lost His Mind  When “I” becomes “We”: ethical implications of emerging brain-to-brain interfacing technologies  Conscious Brain-to-Brain Communication in Humans Using Non-Invasive Technologies  Brain-to-Brain Interfaces: When Reality Meets Science Fiction  The invention of telepathy, 1870-1901 by Roger Luckhurst  Telepathy and literature: essays on the reading mind by Nicholas Royle  “First Report of the Literary Committee by W.F. Barrett, C.C. Massey, Rev. W. Stainton Moses, Frank Podmore…. In Proceedings of the Society for Psychical Research”   Phenomena: the secret history of the U.S. government's investigations into extrasensory perception and psychokinesis by Annie Jacobsen  The 120-Year-Old Mind-Reading Machine  The Future of Human Evolution | Ray Kurzweil Q & A | Singularity University  Science Gave My Son the Gift of Sound  Understanding Deafness: Not Everyone Wants to Be 'Fixed'  Memory Implant Gives Rats Sharper Recollection  Building the Bionic Brain  A cortical neural prosthesis for restoring and enhancing memory  Computing Arm Movements with a Monkey Brainet  A Brain-to-Brain Interface for Real-Time Sharing of Sensorimotor Information  The Ultimate Interface: Your Brain  Reconstructing visual experiences from brain activity evoked by natural movies  Facilitation and restoration of cognitive function in primate prefrontal cortex by a neuroprosthesis that utilizes minicolumn-specific neural firing  Protect Your Right to Repair and Control the Devices in Your Life  Defend Your Right to Repair!    Flash Forward is produced by me, Rose Eveleth. The intro music is by Asura and the outtro music is by Hussalonia. The episode art is by Matt Lubchansky.    If you want to suggest a future we should take on, send us a note on Twitter, Facebook or by email at info@flashforwardpod.com. We love hearing your ideas! And if you think you’ve spotted one of the little references I’ve hidden in the episode, email us there too. If you’re right, I’ll send you something cool. Learn more about your ad choices. Visit megaphone.fm/adchoices

The writer Nicholas Royle is a passionate supporter of libraries and a devoted bibliophile. As a young man his passion for books was so strong, in fact, that some of the books he borrowed from libraries didn't manage to find their way back to their homes on the library shelves. Now, over three decades on, Nicholas is finally doing the right thing and returning the books to the places he first encountered them - Manchester, Paris and London - hoping to avoid any hefty fines in his attempt to straighten his accounts. Along the way he considers his evolving relationship with both books and libraries, meeting other writers such as Vahni Capildeo and Polar Bear to hear about books they have neglected to return because they loved them so much; he also speaks with others who would never dream of failing to take their books back, such as AL Kennedy. Nicholas also meets a successful journalist who went to the same school as him and was one of the last to borrow the novel before Nicholas himself took it on extended leave. Producer: Geoff Bird.

Hey Fat Roland is a new fortnightly podcast about meeting people by me, Manchester idiot Fat Roland. In the second of ten tragic episodes, I speak about the Man Booker Prize with Wyl Menmuir and Nicholas Royle. I also waffle French with Sarah Clare-Conlon and talk teachers with Alex Webb. Producer Lee hits my lobbed words straight back at me like, er, a tennis person as we ponder upon skydiving and footballing. Hat doff to Salt Publishing. Apparently if you give this five stars on iTunes, a fairy dies. Stupid fairies. Get those five stars rolling in.

In this cheery Christmas episode, Rob talks to Publisher/editor/writer/MA tutor/fine hat wearer, Nicholas Royle, about short stories, getting published, Doppelgangers, Bad sex and (weirdly) The Smiths. Special appearance by shit Parkour artists.

Wilfred Bion (1897 – 1979) was an influential (if at times 'gnomic') psychoanalyst who spent much of his working life at the Tavistock clinic in London.  He is perhaps best known for Experiences in Groups (London:Tavistock 1961), a key text in the emerging group psychotherapy and encounter group movements of the 1960s,and for Learning from Experience (1962) Podcast produced and presented by Naomi Wynter-Vincent. Naomi writes: The title of this podcast, Making the best of a bad job.'  refers to an essay written by Wilfred Bion in his final year (in 1979, when he was 81. Both the essay and its title are classic Bion: wryly self-deprecating, yet devastating in its emotional impact, the essay describes the way that 'when two personalities meet, an emotional storm is created' and the way that psychotherapy can only ever aim to 'make the best of a bad job' by turning that storm between the two people in the room to good account. I chose it as a title not least as an ironic reference to the progress of my own PhD. Naomi Wynter-Vincent is a PhD student at Sussex University, writing her thesis to demonstrate the many ways in which Bion's work can help us to think about writing. The writers she is looking at in detail include: JG Ballard, BS Johnson, Stevie Smith, Jean Rhys, Mary Butts, Sigmund Freud, and Nicholas Royle. As she says in the podcast, she thinks Bion is an interesting writer in his own right: he experiments with form and theory to 'dream' and 're-dream' the traumas of his own life, which include his experiences during the First World War.   Production:  This podcast was first developed as part of the Critical Waves project at Birbeck, University of London, and aired on ResonanceFM.   The male vocal part of Wilfred Bion is spoken by Dan Smith; thanks are due to him also for help with recording and sound engineering.'      

In this podcast we interview Stephen McGeagh, the author of Habit, a brand new horror novel from Salt Publishing. Topics [3:02] The genesis of Habit [5:00] Working with Nicholas Royle [5:44] Sense of place and Manchester in Habit [7:20] Critical response and praise from contemporaries [9:19] Twisted Tales event [11:20] The blurring of genres within Habit … Continue reading

With Mark Lawson. Anthony Hopkins plays "the Master of Suspense" in a new film which looks at how Hitchcock made one of his best known films, Psycho, and explores his relationship with his wife Alma, played by Helen Mirren. Novelist and Hitchcock aficionado Nicholas Royle reviews. Antony Sher discusses Richard III, gay marriage and taking the lead in satirical play, The Captain Of Köpenick. Described by its author, Carl Zuckmayer, as a German fairy tale, the story shows how an ex-convict shoemaker manages to impersonate an officer and as a result gains money and power. Novelist Michelle Paver, creator of a fantasy series set in the pre-agricultural Stone Age, joins Mark to discuss the British Museum's exhibition of Ice Age sculpture, ceramics and ornaments. World-renowned Swiss architect Peter Zumthor has been named as recipient of the 2013 RIBA Royal Gold Medal. He talks to Mark about his work and why it was so useful that his own father was a cabinet-maker. Producer Rebecca Nicholson.

With Mark Lawson, who talks to actor Tim Pigott-Smith as he takes the title role in King Lear at the West Yorkshire Playhouse in Leeds. Cultural Historian and Pre-Raphaelite biographer Fiona MacCarthy reviews the new Ford Madox Brown retrospective at Manchester Art Gallery. And novelist Nicholas Royle reviews Hidden, a new BBC One conspiracy thriller starring Philip Glenister. Producer Ekene Akalawu.