Podcast appearances and mentions of nick glennie smith

En este programa podrás escuchar una selección de temas de la edición expandida que ha editado Intrada de "La Roca". Cuando en 1996 se editó la música realizada por Nick Glennie Smith, Hans Zimmer y Harry Gregson-Williams apenas fueron 8 cortes de una hora total de duración. Ahora tenemos dos discos con 27 cortes más 8 de extras con un total de 3 horas y 5 minutos. Una gozada de banda sonora, la mejor de acción de los noventa. Espero que disfrutes de la proyección... Por cierto, "La Roca" ya tuvo monográfico junto a "Arma letal" y "Máximo riesgo" https://go.ivoox.com/rf/27288032 Lista de temas - Nick Glennie-Smith , Hans Zimmer y Harry Gregson-Williams - La Roca (edición expandida) - Programa 170 1. Opening–Naval Weapons Depot 2. Romance I–Tour's Over Bob 3. San Francisco Montage 4. Window Crash/Fairmont 5. Haircut/Escape: The Chase!! 27:32 6. Mason Into Furnace/SEALs Tunnel–SEAL Attack 7. Bombs 8. SEAL Attack (Alternate Segment) 9. Main Theme Idea (Nick's Demo Sketch) 10. Indiana Jones/Fight With Marines 51:51 11. Hammer Head 12. Mission's Over/Final Attack/Finale Despedida End Titles (Hummel / SEALs) Telegram: https://t.me/+RouezCycwBk1NGU0 X: @AcomodadorEl Bluesky: @elacomodador.bsky.social

Producer Stéphane Humez, sound engineer Maxime Marion, and film music journalist Kaya Savas take you behind the scenes into the approach for the newly expanded and remastered The Rock album for Intrada Records. Learn how the trio all know each other and how this release came to be. Stéphane takes us behind the presentation of the album, and why this album assembly makes the most sense for a listening experience. Stéphane also talks about the process of getting access to certain masters, and how all of that material made its way to Maxime. Maxime takes us behind his mastering process, including how it was important to stay true to the original sound of the score. Maxime also shares how certain tracks were badly damaged, and how he approached the restoration process. Kaya takes us behind the liner notes and how Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams and John Finklea were essential in helping piece together the picture of how the score was made. If you've ever been interested in what goes into producing an archival soundtrack album then come join us for the ride! A Film.Music.Media Production | Produced & Presented by Kaya Savas #therock #soundtrack #album #behindthescenes #musicproduction #nickglenniesmith #hanszimmer #harrygregsonwilliams #michaelbay #jerrybruckheimer #donsimpson #stephanehumez #maximemarion #kayasavas #intrada #intradarecords #90s #90smovies

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.徐鲤 - 我爱你中国弦乐版；2.徐鲤 - 新中国；3.Nick Glennie-Smith,Hans Zimmer,Harry Gregson-Williams - Hummel Gets the Rockets；4.天使vs恶魔 - 我和我的祖国 - 小提琴演奏版（Cover：李谷一）；5.中国国家交响乐团 - 长江之歌 (王世光曲)；6.徐鲤 - 我爱你中国现代抒情版。

Randall Wallace, graduate of Duke University, is an American NYT bestselling author of seven novels, as well as a screenwriter (TV and film), director, producer, songwriter, holder of a black belt in karate, and founder of Hollywood for Habitat for Humanity. He is perhaps best known for writing the historical drama Braveheart (1995), which earned him a Writers Guild of America Award for Best Original Screenplay and an Academy Award nomination in the same category, but has since directed The Man in the Iron Mask (1998), We Were Soldiers (2002), Secretariat (2010) and Heaven Is for Real (2014). Mr. Wallace also penned the lyrics to the acclaimed hymn Mansions of the Lord (music by Nick Glennie-Smith), featured in the soundtrack of When We Were Soldiers and performed as the recessional for President Ronald Reagan's funeral. Mr. Wallace and I discussed the power of art, music and story, his unlikely stint writing songs for an animal band, the profound influence of Biblical stories on his work and thought, the experience of depression, the necessity and significance of sacrifice, the general development of his career as a successful Hollywood writer and director, and his upcoming action movie about the Pope. This episode was recorded on March 9th, 2021. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Randall Wallace, graduate of Duke University, is an American NYT bestselling author of seven novels, as well as a screenwriter (TV and film), director, producer, songwriter, holder of a black belt in karate, and founder of Hollywood for Habitat for Humanity. He is perhaps best known for writing the historical drama Braveheart (1995), which earned him a Writers Guild of America Award for Best Original Screenplay and an Academy Award nomination in the same category, but has since directed The Man in the Iron Mask (1998), We Were Soldiers (2002), Secretariat (2010) and Heaven Is for Real (2014). Mr. Wallace also penned the lyrics to the acclaimed hymn Mansions of the Lord (music by Nick Glennie-Smith), featured in the soundtrack of When We Were Soldiers and performed as the recessional for President Ronald Reagan's funeral.  Mr. Wallace and I discussed the power of art, music and story, his unlikely stint writing songs for an animal band, the profound influence of Biblical stories on his work and thought, the experience of depression, the necessity and significance of sacrifice, the general development of his career as a successful Hollywood writer and director, and his upcoming action movie about the Pope.  This episode was recorded on March 9th, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

En los 90 se hicieron grandísimas películas, pero la forma de producir de Hollywood provocó un aluvión de cintas que en muchas ocasiones pasaron quizá más desapercibidas con el paso de los años. Hoy os traigo una de ellas. De manos de Nick Glennie-Smith, En Clave de Soundtrack abre sus puertas a la banda sonora de El Hombre de la Máscara de Hierro. Con las colaboraciones de Iñaki Sánchez (La Frikoteka) y Sodapop (Planeta Bob).

Jerry Goldsmith, John Barry, Michael Small, David Shire, Bruce Broughton, Mark Isham, John Debney, David Arnold y Nick Glennie-Smith. Magníficos compositores que han escrito los scores del programa dedicado al director Peter Hyams, uno de los realizadores más clásicos del cine de las últimas décadas. Un artesano que, por desgracia, no ha recibido el reconocimiento merecido. Las películas que he seleccionado son las siguientes: Capricornio Uno (Main theme) – La calle del adiós (Suite) – Atmósfera cero (Finale); Los jueces de la ley (Main title) - 2010: Odisea dos (New worlds) – Más fuerte que el odio (End credits) – Testigo accidental (Chopper chase) – Permanezcan en sintonía (Opening theme); Time cop (Main theme) – Muerte súbita (Main titles/Kitchen fight) – The relic (End titles) – El fin de los días (Main title); El mosquetero (Ceremony) – El sonido del trueno (End credits -fragm.-) – Más allá de la duda (Main theme). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Jerry Goldsmith, John Barry, Michael Small, David Shire, Bruce Broughton, Mark Isham, John Debney, David Arnold y Nick Glennie-Smith. Magníficos compositores que han escrito los scores del programa dedicado al director Peter Hyams, uno de los realizadores más clásicos del cine de las últimas décadas. Un artesano que, por desgracia, no ha recibido el reconocimiento merecido. Las películas que he seleccionado son las siguientes: Capricornio Uno (Main theme) – La calle del adiós (Suite) – Atmósfera cero (Finale); Los jueces de la ley (Main title) - 2010: Odisea dos (New worlds) – Más fuerte que el odio (End credits) – Testigo accidental (Chopper chase) – Permanezcan en sintonía (Opening theme); Time cop (Main theme) – Muerte súbita (Main titles/Kitchen fight) – The relic (End titles) – El fin de los días (Main title); El mosquetero (Ceremony) – El sonido del trueno (End credits -fragm.-) – Más allá de la duda (Main theme). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER. CONTENT WARNING: Discussionsof racism, transphobia, imprisonment and offensive tropes, toxic masculinity, murder, rape, death, plane crashes. Claudia Elvidge, creator of The Beacon, joins us this week for a discussion of a film renowned for its bonkers quotient. You know, that point where an objectively not great movie suddenly becomes awesome just by the sheer force of will of its cast and crew. This movie is one of the best examples of that phenomenon, bursting with incredibly talented actors across the board being asked to say and do ridiculous things. I mean, your three leads for this film are Nicolas Cage, John Cusack, and John Malkovich, all playing very against type at this point, and all going for broke even though the roles may or may not be right for them. There’s a very, very weird alchemy going on in this movie: its premise is enough to render the entire movie unbelievable, it’s got terrible dialogue and pretty big plotholes, and the director is all over the map on how he’s filming things. But it oddly works - it might be garbage, but it’s really, really fun garbage. We’re watching Con Air on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Con Air Theme,” composed by Mark Mancina and Trevor Rabin and conducted by Gordon Goodwin and Nick Glennie-Smith. Copyright 1997 Hollywood Records, Inc., Disney Enterprises, Inc. Clips taken from the film Con Air is © 1997 Buena Vista Entertainment. Clips taken from the film Once Upon a Time…in Hollywood is © 2019 Visiona Romantica , Inc. All Rights Reserved. Excerpt taken from “How Do I Live," written by Diane Warren and performed by Trisha Yearwood. Copyright 1997 MCA Records Nashville, a division of MCA Records, Inc.

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365) 微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. 中央芭蕾舞团交响乐团 - 五月的鲜花；2. 丁善德 - 第一乐章 踏上征途；3. 中国国家交响乐团 - Overture No.1 第一交响序曲；4. 丁善德 - 第五乐章 胜利会师；5. 中国国家交响乐团 - 送别(小号)；6. Nick Glennie-Smith,Hans Zimmer,Harry Gregson-Williams - Hummel Gets the Rockets；7. 群星 - 走向复兴。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365) 微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. 中央芭蕾舞团交响乐团 - 五月的鲜花；2. 丁善德 - 第一乐章 踏上征途；3. 中国国家交响乐团 - Overture No.1 第一交响序曲；4. 丁善德 - 第五乐章 胜利会师；5. 中国国家交响乐团 - 送别(小号)；6. Nick Glennie-Smith,Hans Zimmer,Harry Gregson-Williams - Hummel Gets the Rockets；7. 群星 - 走向复兴。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365) 微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. 中央芭蕾舞团交响乐团 - 五月的鲜花；2. 丁善德 - 第一乐章 踏上征途；3. 中国国家交响乐团 - Overture No.1 第一交响序曲；4. 丁善德 - 第五乐章 胜利会师；5. 中国国家交响乐团 - 送别(小号)；6. Nick Glennie-Smith,Hans Zimmer,Harry Gregson-Williams - Hummel Gets the Rockets；7. 群星 - 走向复兴。

(1:00) first X-Men movie not named X-Men, smart move Jackman missing this one, does the Dark Phoenix comic saga translate, changing channels with eyes mutant power, scrolling on Netflix, jostling around, Captain Marvel similarities, two '90 movies, Why aren't these characters old, want to see what aged X-Men between Dark Phoenix & X-Men 1, aging theory from Days of Future Past to fix the timeline!(12:31) Doctoring Dark Phoenix version #1, Apocalypse creates full nuclear disarmament, not so Apocalypse after all, creating a worldview only through television, downfall of Nightcrawler, X-Men attractiveness, James Marsden has charisma, bland actors becoming charismatic actors, two X-Men in Tragedy Girls, Jennifer Lawrence a bad actor if only basing off X-Men, thankfully we have David O. Russell movies, poorly used Mystique powers, Zoe Kravitz as Mystique, ugly uniforms, First Class only good scene is a brief Jackman cameo, Matrix leather costumes in first X-Men, Matthew Vaughan wanted Future's Past to be the trilogy ender, Tron with mutants, Oscar Isaac at Cinemacon, Vin Diesel as Apocalypse(27:05) defending Apocalypse, value in bad sequels, McAvoy going from drug addict to funny man to villain, his fear on two fronts, Is Nichols Hoult a good actor?, color changes in A Single Man, Tesla, blonde hair, lack of chemistry between Lawrence & Hoult, film only interesting considering production issues(34:54) Why is Jessica Chastain in this movie?, The Huntsman, love of Emily Blunt as an ice queen, Huntsman>Snow White,* hard for directors to convey tone, why a movie watch list given out, Kirsten Stewart as a James Marsden type [bland to charismatic](39:51) did Fox sabotage the film knowing it was Disney's loss, pushed back so Captain Marvel came out first, Simon Kinberg said ending was structured off of Captain America: Civil War, Sophie Turner is a star, why not focus solely on Jean Grey like Logan, why did that movie cost so much?, researching schizophrenia & dissociative personality disorder, doing bad things and it feels good, Stanford Prison Experiment & power dynamics, melding into groupthink & roles(46:50) digesting a film over time, low expectations, heavy dramatic music without building drama from previous iterations, loving Hans Zimmer's score, refusing to do comic book movies [temporarily], comparing versions of Spiderman, Amazing Spiderman mumblecore humor, Tom Holland as the 1st Peter Parker due to him looking young, what will Marvel do with X-Men in MCU, LSD X-Men, Total Rekall Stan Lee Cameos(53:03) Dark Phoenix=Captain Marvel, issue with female superheroes having undefinable powers, Storm has become Raiden, is Storm to blame for climate change, Skrulls suppose to be in Dark Phoenix, woman Don Draper(57:07) Magneto's storyline, island of outcast mutants, Hans Zimmer's desire to score every superhero character in existence, making music for 7th film in a series, his great understudies: Harry Gregson-Williams, Ramin Djawadi,Nick Glennie-Smith, John Powell, Marc Streitenfeld, collab w/ Pharrell & Junkie XL & Benjamin Wallfisch, Hans Zimmer as a brand name(1:03:09) why do the same storyline twice with the same guy to fix it, franchise shepherd, "a beautiful lie" from Batman v Superman is a great track, what really brought Hans Zimmer back, he's the best, are superhero movies a genre?, purple alien cloud diminishes story about mental breakdown, page vs screen, The Last Stand scene is great (even though we remember it differently), cafe at end of Dark Phoenix identical to cafe at the end of The Dark Knight Rises, the cafe of superheroes(1:11:12) opening identical to Shazam!, is every scene stolen from a different superhero film?, keep mother's death by Jean a secret to both her & the audience, not using Quicksilver right, Quicksilver Apocalypse> Quicksilver Future's Past(1:15:12) script doctor pitch time, smaller movie with Jean as the focale, why not start right after Apocalypse, nukes floating around in outer space, last week on... X-Men, mutants as fugitives on the run, genre diversification, changing how she murders her mom, seeing from Dad's point of view, Wanda Maximoff, Quicksilver MCU vs Quicksilver Fox, making mutants the majority(1:23:20) casting Scarlett Witch [little girl in Future's Past], other pitch based off House of M comic saga, retconning Apocalypse, Magneto as an absentee father, understanding reality, Magneto as the President, a Führer, becoming what he hates most, Elizabeth Olsen playing two Scarlett Witches, Florence Pugh & Jane Levy & Jessica Chastain, 13 going on 30 as an X-Men film(1:30:01) no Lana Condor, sad to see Deadly Class cancelled, Jubilee is an icon character, does this movie need to exist, Nathan Rabin, Dazzler party scene, Dreadlock snake mutant man, aliens that run directly into death, Kota Eberhardt, cinematography so important to making mutant powers believable(1:34:40) X-2 as a superior sequel, mutants using their powers in clever ways, Brian Cox as the best villain with no powers to boot, how much we love Brian Cox, Darren Aronofsky Wolverine flashbacks, Kelly Hu, overall its a bad movie worth watching for Fasbender & McAvoy & Turner, it's not painful to watch, Patrick Stewart is Professor-X, Angela Bassett as the perfect Storm & Bryan Singer's first choice, Angela Bassett as Professor-X, looking at Ben Foster as Angel, that person became the Ben Foster we know today, Galveston aka Cigarettes the movie,

Roxann Dawson's new film "Breakthrough", with a score by Marcelo Zarvos, is the featured new release and puts Matthew in mind of films that explore the mysterious realm between life and death. The programme features music from Danny Elfman, John Williams, Joseph Bishara, Alexandre Desplat, Michael Giacchino, Hans Zimmer, Maurice Jarre, Delia Derbyshire, Georges Auric, James Newton Howard and Nick Glennie-Smith. The Classic Score of the Week is John Corigliano's music for the 1980 Ken Russell film, 'Altered States'.

This week the guys talk about how movies can change how you listen to pop music, why Mary Poppins returning may not be a good thing and they decode the meaning of the Coldplay song 'Yellow.' Why Timothée Chalamet, why?  Movies Spoiled: The Predator (2018), Kill Bill: Volume 1 (2003) and The Nun (2018).  Music Used: Chick Habit by Serge Gainsbourg - performed by April March, Yellow by Guy Berryman, Jon Buckland, Will Champion and Chris Martin - performed by Katherine Ho. Boom Shakalaka by Nick Glennie-Smith and Hans Zimmer. 

In this episode we prepare for the Quickining as we hack our way through Highlander Endgame from 2000. It's the fourth theatrical release in the Highlander universe and crams together the film and the TV universe... sort of. So join us as we close our first series of Retrospection (we're back in a month). Intro: Highlander Endgame Theme by Nick Glennie-Smith with vocals by Loreena McKennitt - Outro: Bonnie Portmore by Stephen Graziano and vocals by Loreena McKennitt from Highlander Endgame 

[Watch the video interview on our YouTube Channel] On this All Access we have an intimate chat with the one and only Nick Glennie-Smith. We sat on Nick's patio overlooking the Pacific Ocean on a breezy and beautiful California day with cups of tea to discuss his varied career in music and film. Nick takes us back to his childhood growing up in the UK and how he formed early relationships and his love of gear that led him down a path that would eventually lead him to Hollywood. Nick shares some amazing stories that paint the picture of the origins of his friendships with other notable composers such as Richard Harvey, Mark Mancina and Hans Zimmer. We discuss all his films including those he composed for Randall Wallace, and iconic 90's action films like The Rock. Beyond that Nick talks about his career as a conductor and the role he plays during recording sessions, what he still hopes to accomplish in his career as a composer and so much more. Nick's optimism and warmth as a person are treasured characteristics in this industry, and to hear his story and insights is a true pleasure that should shine a light on a composer whose musical body of work means so much to so many. Interview Produced & Presented By:Kaya Savas Special Thanks:Nick Glennie-SmithStéphane Humez

... O no. O para animar un día; para celebrar un éxito o para ahorrarte la bebida energética. El propósito inicial esta ahí, una serie de temas de música de cine que puedes escuchar en una sesión deportiva acompañado de Zimmer, Goldsmith o Williams. Además las últimas novedades en bandas sonoras, el retrotáiler y claro, vuestras peticiones. Espero que disfrutes de la proyección y sudes mucho. Listado de canciones (Puede contener spoilers) Corte Inicial Aterriza como puedas Retrotráiler James Horner - Prologue & Main Title - Jumanji Sesión de bandas sonoras 1. Michael Giacchino - Planet of the Escapes – La guerra del planeta de los simios 2. Michael Giacchino – Theme (from Spider Man [Original Television Series – Spiderman: Homecoming 3. Michael Giacchino – Drag Racing , An Old Van Rundown – Spiderman: Homecoming 4. Bob & Earl – Harlem Shuffle – Baby driver 5. Hans Zimmer – Supemarine - Dunkerque 6. John Williams - Opening & Ending – Encuentros en la tercera fase 7. Max Richter - Lullaby From The Westcoast Sleepers - Regreso a Montauk 8. Burkhard Dallwitz - It's A Life – El show de Truman 9. Philip Glass - Truman Sleeps - El show de Truman 10. Burkhard Dallwitz - A New Life - El show de Truman 11. Frank Ilfman – Darknet - Down the deep darkweb 12. Alex Heffes – Earth - Earth 13. Matteo Curallo - Alla ricerca della perfezione - Raffaello, il principe delle arti 14. Jeff Beal - It's Time, Finale – Oliver Stone The Putin interviews 15. Trevor Morris – Main title - Castlevania Cachito infiltrado Cheb Khaled - Aicha (1996) Peticiones 1. Fernando Esteso – Tema inicial – Al este del oeste 2. Taro Iwashiro – main title – Crónicas de un asesino en serie 3. Jerry Goldsmith – Survival - Papillon 4. Jerry Goldmith – Main title – El otro 5. Nick Glennie-Smith, Hans Zimmer & Harry Gregson-Williams – The chase – La Roca 6. Eric Serra – Korben Dallas – El quinto elemento 7. Bernard Herrmann - Talos & The Boat & The Wreck – Jasón y los argonautas 8. Lalo Schifrin - The School Bus – Harry el sucio 9. Lalo Schifrin – Main title – Harry el fuerte 10. Jerry Goldmith – Cash – Traición sin límite 11. Jerry Goldmith – Lionheart – Lionheart, el luchador 12. George Delerue – End credits – Joe contra el volcán 13. Max Steiner - Main Title / Roark's Early Life – El manantial 14. Alan Silvestri – Suite – Forrest Gump 15. Maurice Jarre - Building The Barn (Orchestral Version) – Único testigo 16. Thomas Newman - That next place - ¿Conoces a Joe Black? 17. Bernard Herrmann – Overture – Con la muerte en los talones 18. Lennie Niehaus – Claudia´s theme – Sin perdón 19. Nikkfurie - The a la menthe – Ocean´s twelve Bandas sonoras de cine para hacer deporte (Comienza a los 153 minutos) 1. Tom Holkenborg - Brothers In Arms (Extended Version) – Mad Max: Furia en la carretera 2. Hans Zimmer - Lost But Won - Rush 3. Vangelis – Titles – Carros de fuego 4. Juno Reactor & Don David – Mona Lisa – Matrix reloaded 5. Rammstein - Du Hast – Matrix reloaded 6. Jerry Goldsmith – Tryouts – Rudy, reto a la gloria 7. Hans Zimmer - The Last Race – Días de trueno 8. Howard Shore - The Bridge of Khazad Dum – El Señor de los Anillos: La comunidad del anillo 9. Clint Mansell - Lux Aeterna – Requiem por un sueño 10. John Williams - Duel of the Fates – La Guerra de las Galaxias Episodio I: La amenaza fantasma 11. Randy Edelman – Finale - Dragonheart 12. Randy Edelman - The dragon's heartbeat – Dragón: La vida de Bruce Lee 13. Nick Glennie-Smith, Hans Zimmer & Harry Gregson-Williams – Rock house jail – La Roca 14. Jerry Goldsmith – The coach stays – Hoosiers, más que ídolos 15. John Williams – Journey to the island – Parque Jurásico 16. Bill Conti - Daniel's Moment Of Truth – Kárate kid 17. Hans Zimmer - Quantifiable Connection - Interstellar 18. Bill Conti - The Final Bell - Rocky Despedida Michael Giacchino – End credits – La guerra del planeta de los simios www.elacomodador.es @AcomodadorEl

Every year, CINEMATIC SOUND RADIO presents a year-end countdown of the best new film, TV and video game scores written that year. However, there was one year where I did not produce a year-end countdown and that was the very first year of the program back in 1996. The show had only been on the air for four months and I still only had roughly 60-70 albums in my collection and next to none released in 1996. Therefore, it was difficult for me to compile and present a definite… or at least an educated best of 1996 list at the time. Skip ahead 20 years, I have now own an enormous collection of 1996 released and I think now is the time to right a wrong as I present for you, for the very first time on CINEMATIC SOUND RADIO, my top 10 scores of 1996. The program today is part one of two as you will hear selections from albums 10 through to 6 as well as one honourable mention featuring music composed by Jerry Goldsmith, David Newman, Mark Mancina, Mark Isham, Nick-Glennie Smith, Hans Zimmer and Harry Gregosn-Williams. Two weeks from now I’ll conclude the program with selections 5-1 along another honourable mention. So with that… on with the show! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Tracklist: TRACK LIST: 1. Nick Glennie-Smith, Joseph Kilna Mackenzie - Final Battle / Sgt. MacKenzie – Soundtrack of We were soldiers 2. Oliver Ho, Tommy Gillard, Zov Zov – Spill (Original Mix) – Death & Leisure 3. Unspent – La verite (Chambray Remix) - Abstract Animal 4. Wehbba – Trust (Original Mix) – Bedrock 5. Razzo – Snapwave (Original Mix) – Upfront Recs 6. George Privatti – Picap (Original Mix) – Toolroom 7. Aitor Ronda, George Privatti – Lobster (Original Mix) - Toolroom 8. Konstantin Yoodza – Regression (Aitor Ronda Remix) – Funk´n Deep 9. Dj Rush, Aitor Ronda – When my heart beats (Agent Orange Remix) – Drakos Recordings 10. Kid Larssen – Lacasito (Original Mix) Upfront Records 11. Durtysoxxx – Disguise (Original Mix) Drakos Recordings 12. Jay Lumen - Old Machisnes (Original Mix) – Footwork 13. Richie Santan – Serve Beats (Original Mix) – Waveform 14. Aitor Ronda – Dominica (Original Mix) – TBC 15. Aitor Ronda – Tornado (Origjnal Mix) – Elevate 16. Dustin Zahn - Miss You (Truncate Remix) - Drumcode 17. Kollektiv Turmstrasse - Sorry I Am Late (Pig&Dan Remix) – FFRR 18. Aitor Ronda – Lince (Origjnal Mix) – Elevate 19. Aitor Ronda – Breath (Upgrade Mix) – Elevate 20. Secret Cinema, Egbert - Maximaal (Original Mix) – Drumcode

One podcast, double the fun! Jonge en oude versies van de X-men in verleden en toekomst met de nieuwe film in de populaire superhelden-franchise: Days of Future Past. De MovieInsiders doen daarnaast een dappere poging chocolade te maken van het aparte Enemy, met tweemaal Jake Gyllenhaal. En hoeveel gelijken zijn er in een top 5 dubbelrollen? 00:00 Introductie 02:25 Recensie: X-men: Days of Future Past 19:30 Filmmuziek: X-men: Days of Future Past (componist John Ottman) 22:40 Jee of Nee 24:16 Recensie: Enemy 37:18 Filmsong: David Bowie - I'm Deranged (uit Lost Highway) 40:21 Top 5: Dubbelrollen 59:26 Vooruitblik en Filmmuziek: The Man in the Iron Mask (componist Nick Glennie-Smith)

• Ben-Hur (Miklós Rózsa). • The Dark Crystal (Trevor Jones). • Major Barbara (William Walton). • White Fang (Basil Poledouris). • Angela’s ashes (John Williams). • The snows of Kilimanjaro (Bernard Herrmann). • Cutthroat Island (John Debney). • Monsignor Quixote (Antón García Abril). • The natural (Randy Newman). • Aspen Extreme (Michael Convertino). • Source code (Chris Bacon). • Signs (James N. Howard). • Hidalgo (James N. Howard). • The sound of thunder (Nick Glennie-Smith). • Jaws 2 (John Williams). • The Poseidon adventure (John Williams). • The killers (Miklós Rózsa). • El Cid (Miklós Rózsa). • The Shoes of the Fisherman (Alex North). • The last run (Jerry Goldsmith). • Howard the Duck (John Barry). • First knight (Jerry Goldsmith).

• Ben-Hur (Miklós Rózsa). • The Dark Crystal (Trevor Jones). • Major Barbara (William Walton). • White Fang (Basil Poledouris). • Angela’s ashes (John Williams). • The snows of Kilimanjaro (Bernard Herrmann). • Cutthroat Island (John Debney). • Monsignor Quixote (Antón García Abril). • The natural (Randy Newman). • Aspen Extreme (Michael Convertino). • Source code (Chris Bacon). • Signs (James N. Howard). • Hidalgo (James N. Howard). • The sound of thunder (Nick Glennie-Smith). • Jaws 2 (John Williams). • The Poseidon adventure (John Williams). • The killers (Miklós Rózsa). • El Cid (Miklós Rózsa). • The Shoes of the Fisherman (Alex North). • The last run (Jerry Goldsmith). • Howard the Duck (John Barry). • First knight (Jerry Goldsmith).