Podcast appearances and mentions of Mark Mancina

Sebastián Zuleta nació en Medellín, Colombia. Se ha consolidado como un talentoso compositor y editor musical con una destacada trayectoria en la industria cinematográfica y televisiva de Hollywood. Su nombre ya resuena en producciones de gran calibre, especialmente en el universo de Disney, donde su labor como editor musical ha contribuido al éxito de películas muy queridas por el público. Su historia es la de un muchacho apasionado por la música que, con esfuerzo y dedicación, ha logrado dejar una huella significativa en la meca del cine, demostrando que el talento colombiano tiene un lugar privilegiado en la creación de experiencias cinematográficas memorables. A lo largo de más de una década, Zuleta ha demostrado una versatilidad y un oído notable, colaborando con compositores de renombre como Heitor Pereira y Mark Mancina, participando en proyectos que abarcan diversos géneros, desde la animación hasta el drama y la ciencia ficción . Su doble faceta como compositor y editor musical le otorga una perspectiva única y valiosa en el proceso de creación sonora para la pantalla grande, pero su sabor tropical le revela infinitas posibilidades. Sólo por mencionar algunas participaciones: "Encanto", "Finch", "El Padre de la Novia", "WiFi Ralph" y "Mi Villano Favorito" son una lista corta. Pero ¿Qué hace un editor musical? ¿Cómo funciona la música para una película? ¿Qué le gusta realmente? Esta conversación con Sebastián Zuleta nos abre una ventana a la imaginación desde Disney.

Three-time Grammy-winning composer Mark Mancina speaks to Headliner about simultaneously returning to the world of Moana to score its sequel, while also working on Juror #2, rumoured to be Clint Eastwood's final film.

WELCOME BACK TO PURGATORY AND HAPPYNEW YEAR!!! This week the boys are back together again to discuss Money Train from 1995 and directed by Joseph Ruben and written by Doug Richardson & David Loughery. The film stars Wesley Snipes, Woody Harrelson, Jennifer Lopez, Robert Blake, Chris Cooper, Joe Grifasi, Vincent Pastore, Skipp Sudduth, Vincent Patrick, Aida Turturro, Bill Nunn and Dean Norris!!! Thanks for checkin us out, you can find our back catalog on Podbean.com and you can find us on where other podcasts are found. Outro track "Petty Theft" conducted & composed by Mark Mancina from the Money Train soundtrack https://youtu.be/TXXhvpafS2I?si=WNsjv06c54G8YKa-  

From a hijacked plane crashing towards the Las Vegas strip Pappy, Stevie, Mikey and Josh review Con Air (1997). Special thanks, Shad!!! ***** Just-paroled army ranger Cameron Poe (Nicolas Cage) is headed back to his wife (Monica Potter), but must fly home aboard a prison transport flight dubbed "Jailbird" with some of the worst criminals living. Along with Diamond Dog (Ving Rhames) and Baby-O (Mykelti Williamson), genius serial killer Cyrus "The Virus" Grissom (John Malkovich) unleashes a violent escape plot in mid-flight. Secretly working with U.S. Marshall Vince Larkin (John Cusack), Poe tries to foil Grissom's plan. Release date: June 6, 1997 (USA) Director: Simon West Music by: Mark Mancina; Trevor Rabin Budget: 75 million USD Distributed by: Touchstone Pictures, 20th Century Studios · See more Box office: $224 million

Send us a textJUROR #2 It's late-December and, foregoing our usual Christmas-adjacent movie watch, this year TGTPTU has a very special treat for the holidays. That's right, listener, we bring to you our hot takes on what may prove to be Clint Eastwood's final film--and even more likely his final theatrically-released film--JUROR #2 (2024) in time for its MAX streaming release so that you might celebrate with us and have yourself a very Merry Clint-mas. Eastwood's latest film with Warner Brothers continues what was a trend (excepting Cry Macho and The Mule) of not starring the star of the 70's ape comedies and the Dirty Harry series, instead keeping Eastwood off camera and bringing in a murderer's row (some pun intended) of character actors, including Nicholas Hoult from multiple Bryan Singer flicks as the titular Juror #2; Toni Collette from The Sixth Sense as Assistant DA Faith Killebrew who may put her career on the line to explore whether the person she put away for murder is guilty; J.K. Simmons from Postal (and likely some other films) as a former detective on the jury who also has suspicions of innocence; Cedric Yarbrough from Reno 911! as juror out for justice; Kiefer Sutherland from multiple Joel Schumacher flicks as Juror #2's AA sponsor and lawyer confidant; and even one of Eastwood's many children--Francesca Eastwood--giving the double bird in multiple, retold scenes Rashomon-style playing the once-and-future corpse.  From The Mule & Richard Jewell, cinematographer Yves Bélanger is back with Mark Mancina returning from Cry Macho for the score. And surprisingly and, as discussed, perhaps as a first for Eastwood as a director, the man who addressed an empty chair at the RNC and practices TM actually worked with the film's writer to GASP! rewrite the script, an act host Ken who has seen and reported back on every Eastwood film takes to mean Juror #2 is the 94-year-old director's swan song.   And the song is good! While the hosts conflict on where the movie lands politically in its cynicism and realism, all four of the folx talking in your earholes believe the moving picture a solid mid-budget thriller that harkens back to a time/era of pre-streaming moviegoing. Speaking of an era ending, Warner Brothers appears to believe the Time of Eastwood is done, releasing this latest film from the long-time collaborator in under 50 theaters seven scheduled weeks before releasing it for streaming on MAX.   So get your spoilers here, and listen to the end of the p for what starts as a rant against WB's treatment of Eastwood and becomes men complaining about previews and ads before films that eventually ends with the four hosts recapping their 2024 movie-going experiences before awarding their best films of the year. Also fun: Evidence is presented throughout by hosts Ken and Thomas for whether provisional cohost Ryan should be promoted to a full-time host. Congrats, newly fully-fledged host Ryan. Don't rush to mess this up. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

Daniel and Erwin review the long awaited sequel to Disney's 2016 hit, "Moana" with "Moana 2." They talk about the legacy of the original, the songs in comparison and the animation. Was it worth the wait? Does it live up to the first one? Did they love it, did they hate it, or are they Somewhere Between? Listen to find out!Description:Moana journeys to the far seas of Oceania after receiving an unexpected call from her wayfinding ancestors.Release date: November 27, 2024 (USA)Directors: Dana Ledoux Miller, Jason Hand, David Derrick Jr.Story by: Jared Bush; Dana Ledoux Miller; Bek SmithDistributed by: Walt Disney Studios Motion PicturesBox office: $600.0 millionMusic by: Mark Mancina; Opetaia FoaʻiCast:Dwayne Johnson as MauiAuli'i Cravalho as MoanaNicole Scherzinger as SinaTemuera Morrison as Tui

One of this year's biggest box office successes is Disney's "Moana 2", which reunites Moana and Maui three years later for an expansive new voyage alongside a crew of unlikely seafarers. After receiving an unexpected call from her wayfinding ancestors, Moana must journey to the far seas of Oceania and into dangerous, long-lost waters for an adventure unlike anything she's ever faced.   The film features a stunning score by Grammy-winning composer Mark Mancina. Known for his work on the original Moana as well as The Lion King, Speed, and Tarzan, Mancina's dynamic, emotional compositions are at the heart of the film's sweeping musical landscape. Moana 2 marks Mancina's return to the world of Oceania, alongside Grammy Award-winning songwriters Barlow & Bear, and Billboard Music Award- and American Music Award-winning songwriter and composer Opetaia Foa‘i, who also returned for the sequel. Recently, I got to speak with Mark about his work on "Moana 2", where he revealed some of the challenges working on the score and the impact of the project being flipped from a Disney+ Original series to a theatrical release.

One of this year's biggest box office successes is Disney's "Moana 2", which reunites Moana and Maui three years later for an expansive new voyage alongside a crew of unlikely seafarers. After receiving an unexpected call from her wayfinding ancestors, Moana must journey to the far seas of Oceania and into dangerous, long-lost waters for an adventure unlike anything she's ever faced.   The film features a stunning score by Grammy-winning composer Mark Mancina. Known for his work on the original Moana as well as The Lion King, Speed, and Tarzan, Mancina's dynamic, emotional compositions are at the heart of the film's sweeping musical landscape. Moana 2 marks Mancina's return to the world of Oceania, alongside Grammy Award-winning songwriters Barlow & Bear, and Billboard Music Award- and American Music Award-winning songwriter and composer Opetaia Foa‘i, who also returned for the sequel. Recently, I got to speak with Mark about his work on "Moana 2", where he revealed some of the challenges working on the score and the impact of the project being flipped from a Disney+ Original series to a theatrical release.

One of this year's biggest box office successes is Disney's "Moana 2", which reunites Moana and Maui three years later for an expansive new voyage alongside a crew of unlikely seafarers. After receiving an unexpected call from her wayfinding ancestors, Moana must journey to the far seas of Oceania and into dangerous, long-lost waters for an adventure unlike anything she's ever faced.   The film features a stunning score by Grammy-winning composer Mark Mancina. Known for his work on the original Moana as well as The Lion King, Speed, and Tarzan, Mancina's dynamic, emotional compositions are at the heart of the film's sweeping musical landscape. Moana 2 marks Mancina's return to the world of Oceania, alongside Grammy Award-winning songwriters Barlow & Bear, and Billboard Music Award- and American Music Award-winning songwriter and composer Opetaia Foa‘i, who also returned for the sequel. Recently, I got to speak with Mark about his work on "Moana 2", where he revealed some of the challenges working on the score and the impact of the project being flipped from a Disney+ Original series to a theatrical release.

Robert Winfree, Alexis Hejna and Mark Radulich present their Moana 2 2024 Movie Review!Moana 2 is a 2024 American animated musical adventure film produced by Walt Disney Animation Studios for Walt Disney Pictures. It is the sequel to Moana (2016) and the second installment in the Moana franchise. The film was directed by David Derrick Jr., Jason Hand, and Dana Ledoux Miller (in their feature directorial debuts) and produced by Christina Chen and Yvett Merino, from a screenplay by Jared Bush and Miller. Auliʻi Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk all reprise their roles from the first film, with Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, and Gerald Ramsey joining the cast.Development on a follow-up to Moana originally began as a long-form limited streaming series for Disney+, before it was reworked into a theatrical sequel by February 2024, with Derrick confirmed as both writer and director. The involvement of Hand, Miller, Chen, and Merino was confirmed in May; a month later, Bush was confirmed to be returning as a writer. Miller later replaced Derrick as a co-writer in August. Mark Mancina and Opetaia Foa'i, the composers and co-songwriters of the first film, returned to score and write the songs, while Abigail Barlow and Emily Bear replace Lin-Manuel Miranda as additional songwriters.Moana 2 premiered at the Lanikuhonua Cultural Institute in Kapolei, Hawaii, on November 21, 2024, and was released by Walt Disney Studios Motion Pictures in the United States on November 27. It received mixed reviews from critics and has grossed $389 million worldwide, setting several box office records.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

pWotD Episode 2768: Moana 2 Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 209,971 views on Friday, 29 November 2024 our article of the day is Moana 2.Moana 2 (also known as Vaiana 2 or Oceania 2 in some markets) is a 2024 American animated musical adventure film produced by Walt Disney Animation Studios for Walt Disney Pictures. It is the sequel to Moana (2016) and the second installment in the Moana franchise. The film was directed by David Derrick Jr., Jason Hand, and Dana Ledoux Miller (in their feature directorial debuts) and produced by Christina Chen and Yvett Merino, from a screenplay by Jared Bush and Miller. Auliʻi Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk all reprise their roles from the first film, with Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, and Gerald Ramsey joining the cast.Development on a follow-up to Moana originally began as a long-form limited streaming series for Disney+, before it was reworked into a theatrical sequel by February 2024, with Derrick confirmed as both writer and director. The involvement of Hand, Miller, Chen, and Merino was confirmed in May; a month later, Bush was confirmed to be returning as a writer. Miller later replaced Derrick as a co-writer in August. Mark Mancina and Opetaia Foa'i, the composers and co-songwriters of the first film, returned to score and write the songs, while Abigail Barlow and Emily Bear replace Lin-Manuel Miranda as additional songwriters.Moana 2 premiered at the Lanikuhonua Cultural Institute in Kapolei, Hawaii on November 21, 2024, and was released by Walt Disney Studios Motion Pictures in the United States on November 27. The film received mixed reviews from critics and has grossed $109.6 million worldwide.This recording reflects the Wikipedia text as of 13:59 UTC on Saturday, 30 November 2024.For the full current version of the article, see Moana 2 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

¡Vótame en los Premios iVoox 2024! CSLM y Michael Bay estaban destinados a cruzarse en algún momento, y qué mejor manera de hacerlo que dedicándole un dossier. En este primer episodio abordamos el debut en el largometraje del director californiano, una mítica película de acción quizás no tan buena como ha perdurado en nuestra memoria. Participan en el debate Lorenzo Ayuso, Tonio L. Alarcón y Yago Paris. El tema que cierra el episodio es "Bad Boys Main Title", compuesta por Mark Mancina y perteneciente a la BSO del filme: https://www.youtube.com/watch?v=vm-wCbAib1M&ab_channel=Sakado95

Join us as we dive into the exciting first official teaser for Moana 2, released by Disney and Dwayne Johnson! Directed by David Derrick Jr., Jason Hand, and Dana Ledoux Miller, this highly anticipated sequel features music by Grammy winners Abigail Barlow and Emily Bear, Grammy nominee Opetaia Foaʻi, and three-time Grammy winner Mark Mancina. Set to hit theaters on November 27, 2024, Moana embarks on a new adventure across the seas of Oceania after an unexpected call from her wayfinding ancestors. Returning cast members include Dwayne Johnson and Auli'i Cravalho. Don't miss this magical sneak peek! Moana 2, Moana 2 teaser, Disney, Dwayne Johnson, The Rock, Auli'i Cravalho, Moana sequel, Moana 2 release date, Moana 2 music, Moana 2 plot, David Derrick Jr, Jason Hand, Dana Ledoux Miller, Abigail Barlow, Emily Bear, Opetaia Foaʻi, Mark Mancina, animated movies, Disney animation #Moana2 #Disney #TheRock Tags:Hashtags:

Composer David Metzger sits down for a brand new Film.Music.Media conversation! Dave is an industry legend who has built an incredible body of work as a composer, orchestrator and arranger. Besides his incredible body of work as a composer, he's also been composers' and songwriters' secret weapon when it comes to orchestration and arranging. Composers like Mark Mancina, John Powell and Henry Jackman have relied on Dave's skills to bring their music to life. And without Dave, the songs of Frozen, Moana, Spirited and Disenchanted wouldn't have the orchestral colors that they do. We dive into Dave's gorgeous score to Disney's Wish, and how he approached scoring his first feature since Brother Bear 2. Learn how Dave got hired on the project, and how he approached bringing the world of Wish to life. Dave also shares his path to becoming a composer, and how the biggest breaks in his career came when he was ready to give up hope. We talk about his big break working on The Tonight Show With Jay Leno, how he formed a lasting creative relationship with Mark Mancina to become an essential part of his team, and much more! A Film.Music.Media Production | Produced & Presented by Kaya Savas

With the picture locked, SPEED needs a score! Enter newcomer Mark Mancina with a groundbreaking work of action film music composition. DUN DUN DUN DUN DUN DUN!

The cast and crew of 2003 film "The Haunted Mansion" reunited for the 20th anniversary on Friday the 13th on The Tammy Tuckey Show! *Note: Tammy's microphone did not connect properly for the beginning of the interview. Sorry about that! Guests include: Nathaniel Parker (Master Gracey) - @nathanielparker84 (Instagram) Mona May (Costumer Designer) - @itsmonamay (Instagram) Mark Mancina (Music Composer) David Berenbaum (Screenwriter) Rob Minkoff (Director) - @robminkoff (Instagram) Listen to Mark Mancina's brilliant score from "The Haunted Mansion" here: https://youtube.com/playlist?list=OLAK5uy_llr9yj7xMZkVicL4cEqqBYWIgIYwkK1aM&feature=shared Follow Tammy on:   Facebook - www.facebook.com/singertammytuckey Twitter & Instagram - @TammyTuckey www.tammytuckey.com

THE LION KING  Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi  |  Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda WoolvertonWorks Consulted & Reference :The Lion King (Original Production Directed by Julie Taymor)The Lion King (Original Film Directed by Roger Allers & Rob Minkoff)The Lion King: Pride Rock on Broadway by Julie TaymorThe Lion King - The Full Film Script by Bill Scollon & Marbara MontiniDisney Theatrical Productions: Producing Broadway Musicals the Disney Way by Amy S. OsatinskiThe Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen' Edited by George RodosthenousThe Lion King: A 'Blockbuster Feline' on Broadway and Beyond by Barbara Wallace GrossmanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"They Live in You" from The Lion King (Original Broadway Cast Recording)  | Music & Lyrics by Lebo M., Mark Mancina, & Jay Rifkin | Performed by  Samuel E. Wright & Ensemble - The Lion King"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Phil Collins and Mark Mancina VZ Adam Young by Joe MEMO Radio

We're covering the Disney seafaring animated classic(?) Moana, its themes of ancestry, forgiveness, and restorative justice, where it ranks among other classics when it comes to songs, sidekicks, and more, and discovering that we, too, are Moana.   Moana (also known as Vaiana or Oceania in some markets) is a 2016 American computer-animated musical fantasy action-adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The 56th Disney animated feature film, it was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and a story by Clements, Musker, Williams, Hall, Pamela Ribon, and the writing team of Aaron and Jordan Kandell. The film introduces Auliʻi Cravalho as the voice of Moana and also features the ensemble voices of Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. It features original songs written by Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina, and an orchestral score also composed by Mancina. Set in ancient Polynesia, the film tells the story of Moana, the strong-willed daughter of a chief of a coastal village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in the hope of returning the relic to Te Fiti and saving her people. The plot is original, but takes inspiration from Polynesian myths.

The movie that announced Keanu Reeves as an Action star, Speed is a non stop action thriller that will make your palms sweaty from the start. The BTW team start the timer and see if they can defuse the plot of Speed before it's too late.Released in 1994, Speed is a high-octane action thriller that revolutionized the genre and left audiences breathless with its relentless pace, heart-stopping suspense, and exhilarating set pieces. Directed by Jan de Bont and starring Keanu Reeves and Sandra Bullock, Speed takes viewers on a thrilling ride filled with explosive action, clever twists, and a race against time. With its captivating premise and dynamic performances, Speed remains a benchmark in action cinema.Speed follows LAPD officer Jack Traven (Keanu Reeves) as he tries to save innocent lives when a vengeful terrorist, Howard Payne (Dennis Hopper), plants a bomb on a city bus rigged to explode if its speed drops below 50 miles per hour. As Traven teams up with Annie Porter (Sandra Bullock), a courageous passenger, they must navigate through a series of high-speed challenges, including freeways, overpasses, and traffic jams, to prevent a catastrophe.The film's premise is both simple and ingenious, setting the stage for a gripping narrative that never loses momentum. The suspense is palpable as Traven and Porter face one obstacle after another, constantly raising the stakes and keeping the audience on the edge of their seats. The story is tightly woven, propelled by a relentless sense of urgency and a constant race against time.Keanu Reeves delivers a charismatic and intense performance as Jack Traven, a determined and resourceful cop faced with an impossible task. Reeves brings a blend of vulnerability and unwavering determination to the role, making Traven a relatable and likable protagonist. Sandra Bullock shines as Annie Porter, providing a perfect balance of wit, bravery, and vulnerability. The chemistry between Reeves and Bullock is undeniable, elevating their dynamic to a whole new level.Dennis Hopper delivers a chilling performance as the sadistic villain, Howard Payne. Hopper infuses the character with a twisted sense of menace, creating a worthy adversary for Traven. His calculated and sinister portrayal adds an additional layer of tension to the film.Speed is renowned for its jaw-dropping action sequences, each one designed to keep audiences on the edge of their seats. From the intense opening elevator rescue to the heart-pounding bus jump, the film never fails to deliver adrenaline-fueled thrills. The practical effects and stunt work add a level of authenticity that enhances the impact of each set piece.Jan de Bont's direction and cinematography capture the frenetic energy of the film. The camera work immerses the audience in the heart of the action, whether it's on the speeding bus, inside the explosive-filled elevator shaft, or on the precarious catwalks of a construction site. The use of wide shots and tight angles creates a sense of claustrophobia and urgency, heightening the suspense.One of Speed's greatest strengths lies in its ability to maintain a breakneck pace throughout the entire film. The tension is established early on and rarely lets up, as the characters are constantly faced with life-or-death situations. The skillful pacing ensures that there are no wasted moments, as each scene serves a purpose and drives the story forward.The sound design in Speed is impeccable, effectively immersing the audience in the chaos and danger of the situations. The roaring engines, screeching tires, and explosions contribute to the visceral experience, amplifying the tension and excitement. Mark Mancina's musical score complements the on-screen action, heightening the suspense and adding an extra layer of intensity.Speed remains a thrilling and pulse-pounding action masterpiece that has stood the test of time. With its gripping plot, dynamic performances, and exhilarating action sequences, the film continues to captivate audiences more than two decades after its release. Keanu Reeves and Sandra Bullock deliver memorable performances, while Dennis Hopper's portrayal of the villain leaves a lasting impression. Speed's relentless pace, tension-filled storytelling, and groundbreaking action sequences solidify its place as a timeless classic in the action genre.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

This episode features conversation with Music Composer 'Mark Mancina' behind films like 'Speed', 'Twister' and 'Bad Boys'Bad Boys is a 1995 American buddy cop action comedy film directed by Michael Bay in his feature directorial debut, produced by Don Simpson and Jerry Bruckheimer, and starring Martin Lawrence and Will Smith as two Miami narcotics detectives Marcus Burnett and Mike Lowrey. The film received mixed reviews from critics, but was commercially successful and spawned two sequels, Bad Boys II (2003) and Bad Boys for Life (2020)Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc.               

Cenephile and severe weather head Jackson Boren joins us to discuss 'Twister', one of the biggest hits of 1996. It's a film that takes several well-worn, sometimes quaint, and seemingly disparate cinematic tropes and combines them into a transcendent and irreplicable experience.We discuss the rise and fall of filmmaker Jan de Bont, from his time as one of Paul Verhoeven and John McTiernan's key collaborators, to his work on back-to-back 90s action hits (this film and 1994's 'Speed'), to his gun-for-hire status for the 2003 'Tomb Raider' sequel that stands as his last film as director to date. Then, we talk about the film's host of influences, most notably its screwball comedy premise wrapped in a disaster movie's skin. Finally, we discuss the movie's groundbreaking special effects and champion the film as a state-of-the-art blockbuster spectacle.Follow Jackson on Twitter. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Film Composer Mark Mancina talks about his career and work on films 'Twister' (produced by Steven Spielberg) and 'Speed' (directed by Jan De Bont). Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc.  

Alex Krueger (ComPOSERS: A Film Score Podcast) joins usual suspects Jon Mark & I for a discussion of the movie soundtracks minds Trevor Rabin and Mark Mancina, both of who got connections to so many industry talents from producer Jerry Bruckheimer to composer (and mentor!) Hans Zimmer to even working together with the music group YES!   Don't miss this hard-boiled discussion as we find some amusing trivia, some talent weighing on both the personas and how movie soundtracks started changing for better (and definitely for worser) throughout the '90s and '00s!                  MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222      

Original Airdate 11/29/2016 With Strange World in theaters this week we're looking back at another Disney animated feature from around the Thanksgiving season Moana! Moana (also known as Vaiana or Oceania in some markets) is a 2016 American 3D computer-animated musical adventure film produced by Walt Disney Animation Studios and distributed by Walt Disney Pictures. The 56th Disney animated feature film, the film is directed by Ron Clements and John Musker, and co-directed by Don Hall and Chris Williams, the film introduces Auliʻi Cravalho as Moana and features the voices of Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. The film features songs written by Lin-Manuel Miranda, Opetaia Foa'i and Mark Mancina, and an orchestral score also composed by Mancina.

Original Airdate 11/29/2016 With Strange World in theaters this week we're looking back at another Disney animated feature from around the Thanksgiving season Moana! Moana (also known as Vaiana or Oceania in some markets) is a 2016 American 3D computer-animated musical adventure film produced by Walt Disney Animation Studios and distributed by Walt Disney Pictures. The 56th Disney animated feature film, the film is directed by Ron Clements and John Musker, and co-directed by Don Hall and Chris Williams, the film introduces Auliʻi Cravalho as Moana and features the voices of Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. The film features songs written by Lin-Manuel Miranda, Opetaia Foa'i and Mark Mancina, and an orchestral score also composed by Mancina.

The credits kick into high gear with Mark Mancina's awesome opening title score as we continue down the elevator shaft. Thank you all for listening! You can interact with us below! Pop Quiz Hot Shot / Bus 2525 on Facebook / Twitter Email - speedmoviemin@gmail.com Bentley - @bentleywho - Twitter - Instagram - Fiverr Logo by: Kevin Zeigler - Instagram -Website --- Send in a voice message: https://podcasters.spotify.com/pod/show/speed-movie-minute/message

Today we present part two of a chat between host Erik Woods and Patreon member, William Welch, on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. William is one of three CINEMATIC SOUND RADIO PODCAST patrons who signed up for the exclusive top COMPOSER TIER at the CINEMATIC SOUND RADIO PODCAST Patreon. He took advantage of the tier's exclusive perk to co-host a program with Erik Woods and play whatever music he wanted. As with Joe Wiles' episodes, William and Erik talked for a considerable time so the show has been split into two parts. During this episode, William and Erik talk about the music from some classic scores like Patrick Doyle's MARY SHELLEY'S FRANKENSTEIN and James Newton Howard's SIGNS. They also talk about some lesser-known scores like Mark Mancina's underrated score to Disney's PLANES and the relatively unknown THE HIGHWAY RAT by René Aubry. You'll also hear selections from BLUE PLANET (Fenton), GOD OF WAR (McCreary), NOW YOU SEE ME 2 (Tyler), and THE WORLD IS NOT ENOUGH (Arnold). I hope you enjoy the show. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Saulo Ferreira, Risev, Mark Anderson, Rick Laird. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

"Máxima Velocidad" (1994), música de Mark Mancina.

Pop quiz, hotshot. There's a podcast on a bus. Once the bus goes 50 miles an hour, the podcast is armed. If it drops below 50, the podcast blows up. What do you do? WHAT DO YOU DO?!You listen to Filmshake, the 90's Movies Podcast, and their new episode on 1994's Speed, one of the greatest action movies of all time. We've got special guest, Jackson Boren, as our hostage, but instead of shooting him, we just talk about how awesome Speed is and how not awesome Speed 2: Cruise Control is for longer than it takes to drive the 105 in rush hour...which I guess would just be an hour? We're Filmshake, not Mathshake.Find Jackson at: https://twitter.com/JacksonBorenMusic Heard this Episode:"Main Title" -- Mark Mancina"The Rescue" -- Mark Mancina"The Gap" -- Mark Mancina"Twentieth Century Fox Fanfare / Motorcycle Chase" -- Mark Mancina"End Title" -- Mark MancinaSupport the show

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of terrorism, explosions, murder, bombs, bomb threats, car crashes, gunfire, police, death. By all logistical rights, this movie shouldn't exist, let alone be a massive hit. The director used a highway in construction to set up massive special effects sequences that quite often had to be done multiple times and reset in different locations to match continuity. And all of this is because the movie is about a bus. A bus that has to go faster than 50 miles per hour. Somehow, some way, Jan de Bont mustered up all of his filmmaking experience to come out swinging with a debut feature that redefined the action genre. And it doesn't hurt that a slow-burn action star and a breakthrough comedic actress had some of the best chemistry we've ever seen, and they're alongside Dennis Freaking Hopper. This is one of those movies that really makes you think of that term “movie magic.” Hold the remote real tight and don't drop it as we discuss Speed this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the motion picture soundtrack to the film Speed, composed by Mark Mancina. Copyright 1994 Fox Records, Inc. Excerpts taken from the film Speed are © 1994 Twentieth Century Fox Film Corporation. Excerpt taken from “Armenia,” written and performed by Einstürzende Neubauten. Copyright 1983 Some Bizarre Ltd.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, assassination, political murder, cover-ups, attempted murder, stalking, deception, gaslighting, peril. It's not too often you get a movie that stars two of the most outstanding and strong actors of a generation that is just plain boring. But this week's film is more than up to the task, with a political thriller that isn't very political and is absolutely not thrilling. To be fair, most political cover-up stories fall apart before the conclusion, but this movie ups the ante by ruining the plot within the first 10 or 15 minutes. The remaining two plus hours is spent just rehashing plot points and trying to save a script that was dead on arrival. It's not that this movie's bad, or badly made - it's so utterly meh that it'll bore you to tears. Read up on the brief and tell no one as we discuss The Pelican Brief this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the motion picture soundtrack to the film The Pelican Brief, composed by Jack Horner. Copyright 1993 Warner Bros. Inc., Giant Records. Excerpt taken from “Manual Burn” from the motion picture soundtrack to the film Apollo 13, composed by Jack Horner. Copyright 1995 Universal City Studios, Inc.; MCA Records, Inc. Excerpt taken from “Main Title” from the motion picture soundtrack to the film Speed, composed by Mark Mancina. Copyright 1994 Fox Records, Inc.

Lorne was a guest on Film.Music.Media for the first time 11 years ago, and he was the very first All Access video interview over 7 years ago. We've had many great conversations over the past decade, so it's a true pleasure to have Lorne back for a new All Access. For this conversation we discuss what has changed in the entertainment industry over the past decade, and what it means for younger people starting their careers now versus back then. We also discuss how integral music editors are on films and television, and why Lorne wholly believes that every aspect of filmmaking is a team effort including scoring. We dive into Top Gun: Maverick and how Lorne worked with Harold Faltermeyer, Lady Gaga and Hans Zimmer on the music for the film. He shares how they had to adapt during the pandemic, and the key to making a team effort be cohesive to serve the story. Lorne also talks about how much of a fan he was of 90's action films especially those from producer Jerry Bruckheimer. We talk about our shared love for 90's action, and how Lorne is now working with people like Michael Bay and Jerry Bruckheimer on different projects. We also talk about Lorne's scores to Bad Boys For Life, and how he made sure Mark Mancina's theme was front and center. Lorne also talks about working on Michael Bay's Ambulance. As always, it's a pleasure to have Mr. Balfe as a guest and this conversation is a fantastic insight and reflection on some of his current projects. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Swing on in and pull up a vine as we break down Tarzan, the final film of Disney's Renaissance era that goes hard on both the feels factor and the music, courtesy of Phil Collins. Don't miss: The heaping helping of gut punches this film delivers in its two opening sequences How this soundtrack masterfully interweaves story and character throughout its lyrics and music A discussion of the film's awards (and our back-and-forth about a particular Grammy category that seems a bit bogus) Our final score, which just barely squeaks into the top 10! PLUS, we talk through all the thoughts our audience had when they watched the movie, including those who joined us on our biweekly #ddpwatchnight on Twitter!   Links for you: Our website has our ranking spreadsheet for all the movies we've rated so far Become a Ko-fi member for exclusive content and access to your hosts and our team Join our ‘Ohana to be among the first to know about new content we're developing Follow us on Twitter @definingdisney and let us know your thoughts on Tarzan When our transcription is available, we'll link it here Don't forget to SUBSCRIBE so you don't miss a single episode, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we'll see ya real soon!

Godt nytår! Igen har ugens episode intet med den aktuelle højtid at gøre, men til gengæld er det en længe ventet episode, da vi har snakket om det i evigheder: We Adore Sandra Bullock. Og med 'We', så er det mest Anders. Peter og Tobias er dog også i studiet og giver deres besyv med, trods Tobias fastholder, at han ikke adorer særlig mange skuespillerinder. Eller gør han? Vi kommer ind på Sandra Bullocks største hits og hendes knap så store hits - og så fremhæver vi et par film, som ikke bliver nævnt særlig tit, når snakken falder på Sandra. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere George Clooneyer i det ydre rum. Yderligere informationer Citat fra film: The Lost City (Fortis Films, 3dot Productions, Exhibit A, Paramount Pictures - composer: Pinar Toprak), Speed (The Mark Gordon Company, 20th Century Fox - composer: Mark Mancina), Speed 2: Cruise Control (Blue Tulip Productions, 20th Century Fox - composer: Mark Mancina), While You Were Sleeping (Hollywood Pictures, Caravan Pictures, Buena Vista Pictures Distribution Inc. - composer: Randy Edelman), The Net (Columbia Pictures, Sony Pictures Releasing - composer: Mark Isham), The Unforgivable (GK Films, Fortis Films, Construction Film, Red Production Company, Netflix - composers: Hans Zimmer, David Fleming)  

La crítica de "Cry Macho" elaborada colectivamente en el podcast Découpage es de lo mejor que se puede encontrar en internet sobre la película. Por tanto, en CSLM hemos querido hacer un exploit de dicho podcast trayendo a Adrián Chamizo, para expandir el análisis sobre una película que, consideramos, quizás no está siendo leída en los términos adecuados. Completan el debate Ignacio Pablo Rico y Yago Paris. El tema que cierra el podcast es "Tex Mex", de Mark Mancina, perteneciente a la BSO del filme: https://open.spotify.com/track/5Kg9t7ZnL1hty8Mj13zOGE?si=4f318bac4544477b El programa de Découpage es el siguiente: https://www.ivoox.com/t3-e1-clint-eastwood-los-ultimos-heroes-americanos-cuando-el-audios-mp3_rf_75965700_1.html

Our Very Special Guests on Part II of The TJS Radio Interview with the Filmmakers of Miss Lillian" More Than A Presidents Mother with Director Vivian Winther + Composer John Van Tongeren and with Steven Ullman | Producer + Carol Swarbrick | Actor/Co-Writer + Jim Dries | Co-Writer. - - - About The Film: At 97 Jimmy Carter is the oldest living former US president. He only served a single term, but his dedication to humanitarian efforts and down-to-earth personality have made him a favorite amongst progressives. Documentarian Vivian Winther examines the woman who helped shape him in Miss Lillian: More Than A President's Mother. Lillian Carter was born in 1898 to a humble family in Southwestern Georgia. Her father ignored the segregationist norms of the time, preferring a hard work ethic over the color of someone's skin. A passion for helping people drove her to nursing school, after which she became a successful local nurse who treated the local African American community equally alongside her white patients. Lillian Carter later dedicated her life to social activism and served in the Peace Corps, where she treated lepers in India. When her oldest son was elected president, Lillian Carter became popular with reporters and Johnny Carson for her blend of Southern Hospitality and directness. She never hesitated to tell it like it was or put people in their place when they got out of line. Carter loved baseball, especially the Dodgers, and she became friendly with their manager Tommy Lasorda. - - - About The Filmamakers: Vivian Winther (Director) is a multifaceted creative producer, director, and writer. She was born in Toronto, Canada but has resided in the Unit- ed States for 30 years. Her career spans thirty years and three continents. Vivian started in front of the camera in the '80s as a top print model. Her work took her to Europe, Tokyo, and the United States. However, it is the behind-the-scenes aspects of film that has a much stronger pull for her. Initially, this translated to script development with a passion for develop- ing unknown writers. In order to realize these projects, Vivian began producing and started Harvest Table Pictures. She wound up in the documentary film world. Her premiere feature documentary is Miss Lillian: More Than A President's Mother, for which she won the award for Best Director of a Feature Length Documentary at The Seattle Film Festival. Her next project again teamed with producer Steven Ullman, is IMPERFECT, an empowering film about women's self-love as well as a cautionary tale about the side effects of breast implantation. The film is currently in post-production. She also has another project in post-production about photo-journalist Lisl Steiner called LislBaby. - - - John Van Tongeren (Composer) won the 2019 Emmy Award for Music Composition for his work on The Tom and Jerry Show for Warner Brothers Animation. He also won the Gemini Award (Canada's version of the Emmy Award) for Music Composition in both 2000 and 2001 for his work on The Outer Limits for MGM, which he worked on for seven seasons. He composed the scores for the films Swindle, Suite Life Movie, The Boy Who Cried Werewolf, Miss Congeniality 2, Malibu's Most Wanted, The Cheetah Girls, and Twitches 1 & 2. Other television series include The 4400, Poltergeist The Legacy, Thief, and Wanted. John was one of the original three members of Media Ventures, along with Hans Zimmer and Mark Mancina. With Hans Zimmer, we worked on Thelma and Louise, True Romance, and Drop Zone. With Mark, he worked on Speed, Assassins, and Twister. - - - Miss Lillian: More Than A Presidents Mother Website: misslillian.com On Facebook: The Lillian Carter Story Purchase the film: geni.us/MissLillian or on misslillian.com Principal Cast President Jimmy Carter Former First Lady Rosalyn Carter Sam Donaldson Tommy Lasorda Carol Swarbrick

O novo milénio estava próximo e a Disney em breve abandonaria da animação tradicional. Porém, e antes de se render aos computadores, ainda conseguiu bancar que nem gente grande com a sua versão de Tarzan.  O sucesso veio à boleia da banda sonora que juntou Phil Collins a Mark Mancina, o nosso convidado. É ele que nos vai contar como foi trabalhar ao lado do ex Génesis e de como Tarzan definiu a sua carreira como compositor daí em diante.O Paulo reuniu os descendentes Leonardo e Santiago para ver o filme e os putos acabaram por ficar, tornando este num podcast rated G, aprovado para toda a família.

This episode of Screenshot reminds us 'there's no place like home'. Featuring Disney's Moana and The Wizard of Oz. Playlist: "Short Short Short Long" performed by Peg + Cat, composed by Walter Hawkes  "Where You Are" performed by Christopher Jackson, Rachel House, Nicole Scherzinger, Auliʻi Cravalho, & Louise Bush; composed by Lin-Manuel Miranda,Opetaia Foa'i, & Mark Mancina  "How Far I'll Go" performed by Auliʻi Cravalho, composed by Lin-Manuel Miranda "If I Only Had a Heart" performed by Jack Haley, composed by Harold Arlen

El podcast de esta semana es de la película de Disney de 1999 TARZÁN, así es, el musical creado por los directores Kevin Lima y Chris Buck y que pasó a la historia por la maravillosa música de Phil Collins y Mark Mancina. Si te gusta, ¡compártelo! y síguenos en las redes sociales, búscanos como @delamusicaalcine en Instagram, Facebook y Twitter

In this episode we're waddling into the future with the David Carradine cult classic, Future Force from 1989. Along the way we invent a new form of golf, remember the days of having to rent B movies because they had nothing else on the shelf, and wonder if the script for this film was written or scrawled in crayon (like our scripts are). Music from the film by Tim James and Mark Mancina.

Come along for the journey with us as we discuss how Disney began to tie family and adventure together with Brother Bear, marrying together the emotional themes that made them so successful during the Renaissance with a more exploratory plot and story structure that had become commonplace during the Digital Age.  Don’t miss: The incredible symbolism and storytelling Phil Collins and Mark Mancina pulled off in the soundtrack How the sheer feels factor of this movie can induce tears, difficult conversations, and borderline discomfort Our discussion of the incredible setting of this film and the expert way the cinematography and animation show it off Our final score for the film, which is far closer to audience opinions than the published critics’ consensus PLUS, we talk through all the thoughts our audience had when they watched the movie, including our friends at Let’s Chat with Chris Revill! Podcast, where our guest Bri is from!    Links for you: Our website has our ranking graph for all the movies we’ve rated so far Become a Ko-fi member for exclusive content and access to your hosts and our team Join our ‘Ohana to be among the first to know about new content we’re developing Follow us on Twitter @definingdisney and let us know your thoughts on Brother Bear When our transcription is available, we’ll link it here Don’t forget to SUBSCRIBE so you don’t miss a single episode, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we’ll see ya real soon!

During this holiday break, I’m taking the opportunity to spotlight a few interviews that I really enjoyed on The Tomorrow Society Podcast. This year, I’m replaying two conversations with composers. The first is with Mark Mancina, who’s worked on so many great films and other projects.… Read more... The post REBROADCAST: 55. Composer Mark Mancina on the Music of Moana, Tarzan, and The Lion King appeared first on Tomorrow Society.

Esta semana en De la Música al Cine hablaré de dos películas, por primera vez de dos películas en un mismo episodio, hablaremos de Bad Boys I y Bad Boys II, protagonizadas por Will Smith y Martin Lawrence, dirigidas por Michael Bay y producidas por Jerry Bruckheimer, la primera con la música de Mark Mancina y la segunda con música de Trevor Rabin. ¡No te lo pierdas!

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER. CONTENT WARNING: Discussionsof racism, transphobia, imprisonment and offensive tropes, toxic masculinity, murder, rape, death, plane crashes. Claudia Elvidge, creator of The Beacon, joins us this week for a discussion of a film renowned for its bonkers quotient. You know, that point where an objectively not great movie suddenly becomes awesome just by the sheer force of will of its cast and crew. This movie is one of the best examples of that phenomenon, bursting with incredibly talented actors across the board being asked to say and do ridiculous things. I mean, your three leads for this film are Nicolas Cage, John Cusack, and John Malkovich, all playing very against type at this point, and all going for broke even though the roles may or may not be right for them. There’s a very, very weird alchemy going on in this movie: its premise is enough to render the entire movie unbelievable, it’s got terrible dialogue and pretty big plotholes, and the director is all over the map on how he’s filming things. But it oddly works - it might be garbage, but it’s really, really fun garbage. We’re watching Con Air on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Con Air Theme,” composed by Mark Mancina and Trevor Rabin and conducted by Gordon Goodwin and Nick Glennie-Smith. Copyright 1997 Hollywood Records, Inc., Disney Enterprises, Inc. Clips taken from the film Con Air is © 1997 Buena Vista Entertainment. Clips taken from the film Once Upon a Time…in Hollywood is © 2019 Visiona Romantica , Inc. All Rights Reserved. Excerpt taken from “How Do I Live," written by Diane Warren and performed by Trisha Yearwood. Copyright 1997 MCA Records Nashville, a division of MCA Records, Inc.

Episode 216: The Crew's on a bus rigged to explode if it drops below 50 mph, while watching Jan de Bont's Speed. Jan de Bont (the cinematographer of Die Hard) directs the best Die Hard knockoff that critics and audiences made a box-office hit in the summer of 1994. The pairing of Keanu Reeves and Sandra Bullock is brilliant and made both of them box-office draws. Everything works so well in the film, you'll believe a bus could fly. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

On this week's episode, we're watching the film known to Homer Simpson as, "The Bus That Wouldn't Slow Down". Climb aboard, this week we're discussing 'Speed' and Mark Mancina's weirdly impactful soundtrack.

Kelly & Joe continue their discussion on the quality of CGI to kick off the sixth minute of the movie Twister. Kelly takes a much deeper dive into the meteorological data and aspects mentioned or displayed by the film at NSSL headquarters while Joe talks about the film score by Mark Mancina. ----------------------- JMNJR Radio: www.jmnjrradio.com/ Solid F2 Podcast: www.jmnjrradio.com/solidf2podcast/ Facebook: www.facebook.com/SolidF2Pod Twitter: @JMNJR_Radio | @SolidF2Pod | @CoachJoeMays Email: joe@solidf2pod.com or kelly@solidf2pod.com --- Send in a voice message: https://anchor.fm/solid-f2-podcast/message

O nosso convidado ajudou a definir o estilo bombástico das bandas sonoras do cinema de acção dos anos 90. Apareceu no mapa com as batidas frenéticas que acompanharam o autocarro de Speed, ajudou os Bad Boys a terem muito mais estilo e pouca gente sabe que algumas das icónicas canções do Rei Leão também lhe saíram da pauta.Twister - Tornado foi um dos grandes filmes catástrofe daquela época e a 2ª colaboração do compositor Mark Mancina com o realizador Jan de Bont. Abriguem-se por isso das vacas voadoras que vamos prego a fundo até ao olho da tempestade.

Amigos y vecinos, ya podeis estar tranquilos, vuestro podcast favorito ¡ha vuelto! Vale, no nos hemos llegado a ir pero, no me negareis que siempre mola decir algo así despues del verano ¿no? El caso es que nos hemos reunido para charlar sobre The Boys, una serie que nos ha gustado mucho y que, por lo tanto, es buena XD Tambien hemos sacado un rato para recomendaros algún producto que estamos viendo/leyendo/jugando ultimamente y para leer vuestros comentarios. La música que suena de fondo, pertenece a la OSTde la propia serie. Tambien escucharemos a Mark Mancina, Hombres G, Sabrina Salermo y, como no, a Isabel Pantoja ¿te lo vas a perder? Si os gusta lo que hacemos, animaos a darnos un like y a recomendaros a vuestros amigos. Si no os gusta, o guardais algun tipo de rencor hacia nuestras personas (cosa que no tendría ningún sentido ya que somos unos individuos encantadores) tambien podeis dejarnos un mensaje odíandonos a gusto. A nosotros todo nos viene bien XD Ea, ya no os doy mas la turra. ¡Dadle al play!

Would you be surprised to learn there are seven Disney movies based on theme park attractions? In a world where every movie needs to be based on some existing source material, Disney has chosen to go one step further into their intellectual properties. This of course refers to making movies based on rides and attractions from their various Disney Parks. Music and audio from "Mission To Mars" is the property of Ennio Morricone, Tom Jacobson, Touchstone Pictures, and Spyglass Entertainment. Music and audio from "Tower of Terror (1997)" is the property of Louis Febre, Iain Paterson, Zaloom/Mayfield Productions, and Walt Disney Television. Music and audio from "Tomorrowland" is the property of Michael Giacchino, Damon Lindelof, Jeffrey Chernov, Brad Bird, Walt Disney Pictures, and A113 Productions. Music and audio from "Dinosaur" is the property of James Newton Howard, Pam Marsden, Walt Disney Pictures, Walt Disney Feature Animation, and The Secret Lab. Music and audio from "The Country Bears" is the property of Christopher Young, Jeffrey Chernov, Andrew Gunn, and Walt Disney Pictures. Music and audio from "The Haunted Mansion" is the property of Mark Mancina, Andrew Gunn, Don Hahn, and Walt Disney Pictures. Music and audio from "Pirates of the Caribbean: The Curse of the Black Pearl" is the property of Klaus Badelt, Jerry Bruckheimer, Walt Disney Pictures, and Jerry Bruckheimer Films. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

In one of our few direct sequel episodes, AJ and Ben The Movie Buff are re-joined by Ms. Dis to follow up on our previous conversation about the Disney princesses. Which virtue best represents each of the official Disney princesses? Who is the most virtuous princess? Who is the least virtuous? How much agreement is there among the hosts about who should be associated with what virtue? The song "When You Wish Upon A Star" is the property of Leigh Harline, Ned Washington, and The Walt Disney Company. Music and audio from "Beauty and the Beast (1991)" is the property of Alan Menkin, Don Hahn, Walt Disney Pictures, Walt Disney Feature Animation, and Silver Screen Partners IV. Music and audio from "Moana" is the property of of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Cinderella (2015)" is the property of Patrick Doyle, Simon Kinberg, Alison Shearmur, David Barron, Walt Disney Pictures, Kinberg Genre, Allison Shearmur Productions, and Beagle Pug Films. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

This week we are joined by Disney expert Ms. Dis to explore the magical realm of the Disney Princess franchise. How does one become a Disney princess? Who qualifies and who doesn't? Why is there a discrepancy between the theme park rules and the toy line rules? The song "When You Wish Upon A Star" is the property of Leigh Harline, Ned Washington, and The Walt Disney Company. Music and audio from "Ralph Breaks The Internet" is the property of Henry Jackman, Clark Spencer, Dorothy McKim, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Tangled" is the property of Alan Menken, Roy Conli, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Cinderalla III: A Twist in Time" is the property of Joel McNeely, Margot Pipkin, Walt Disney Pictures, DisneyToon Studios, DisneyToon Studios Australia, and Toon City Animations. Music and audio from "Robin Hood (1973)" is the property of George Bruns, Wolfgang Reitherman, and Walt Disney Productions. Music and audio from "Moana" is the property of of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Black Panther" is the property of of Ludwig Goransson, Kevin Feige, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

http://www.attractionchecklist.com - Join John and Grant as they venture to Disney's Animal Kingdom to watch the nighttime spectacular, Rivers of Light! Recorded on October 2, 2018. TRANSCRIPT: Welcome to Attraction Checklist. This episode takes us to Disney’s Animal Kingdom in Walt Disney World to experience the park’s nighttime spectacular Rivers of Light.  The guide map describes this show by saying, “Surrender to the beauty and harmony of all living things during this music-filled spectacle of water, light and legend.  This is an all ages attractions and FastPass+ is offered. Now before we hear the show, here are five fast facts about Rivers of Light at Disney’s Animal Kingdom. 1.  First announced in October of 2013, Rivers of Light officially opened at Disney’s Animal Kingdom on February 17, 2017.  It had been originally planned to open on April 22, 2016, but technical difficulties prevented it from doing so. 2.  The 15 minute long show is unique in that it is a Disney Park spectacular that features no fireworks.  The reason for this is because the fireworks would scare the animals that call the park home. 3. The animals that called DIsney’s Animal Kingdom home got a sneak preview of Rivers of Light before anyone else.  For months before the show opened, the soundtrack of the show along with prerecorded audience noise was played as the park’s animals were bedding down for the night so they could get used to the new sounds in their environment. 4.  The music for Rivers of Light was composed by the team of Don Harper, Mark Mancina and Dave Metzger with lyrics by Miriam Stockley who also performs some of the chants during the show.   5. The show's unique animal barges that float around the lagoon on Discovery River do not have drivers aboard as they are remotely controlled. Now it’s time for us to experience, Rivers of Light.  Joining me for the show is John B. deHaas and after the show we’ll give you our thoughts on this attractions.  This is a binaural recording so if you have headphones put them on now as we experience Rivers of Light at Disney’s Animal Kingdom.   The attraction audio recorded for this episode is available exclusively to the Saturday Morning Media Patron Patron.  Support the show and get fun Bonus content over at http://www.patreon.com/saturdaymorningmedia Episode edited by Stephen Staver FOLLOW US http://www.facebook.com/attractionchecklist  http://www.facebook.com/saturdaymorningmedia  http://www.twitter.com/SaturdayMMedia  https://plus.google.com/+Saturdaymorningmedia  https://www.linkedin.com/company/saturday-morning-media http://www.youtube.com/user/SaturdayMorningMedia?sub_confirmation=1 FOLLOW GRANT http://www.MrGrant.comhttp://www.twitter.com/toasterboy  https://instagram.com/throwingtoasters/ WALT DISNEY WORLD WEBSITEhttps://disneyworld.disney.go.com/entertainment/animal-kingdom/rivers-of-light/ WIKIPEDIAhttps://en.wikipedia.org/wiki/Rivers_of_Light ORLANDO SENTINEL https://www.orlandosentinel.com/travel/attractions/theme-park-rangers-blog/os-et-disney-rivers-light-first-look-20170213-story.html Show ©2019 Saturday Morning Media/Grant Baciocco

For the 10th episode, Chris and Alex travel to Polynesia to tackle their first computer-animated film - Walt Disney’s all-singin’, all-dancin’ and all-digital musical Moana (Ron Clements and John Musker, 2016). They are joined by Dr Catherine Wheatley (Senior Lecturer in Film Studies at King’s College London) to discuss the film’s gender politics and feminist register; its beautiful Samoan and Tokelauan-language soundtrack (with songs written and composed by Opetaia Foa’i, Lin-Manuel Miranda and Mark Mancina); its ambivalent status as typical Disney fare; and the ‘tiny details’ that comprise its message of diplomacy and female empowerment.

It’s easy to take movie scores for granted, yet they’re so important to a successful film. When the music clicks, everything feels right. This point especially applies to animated films, where songs combine with images to connect with our emotions. A perfect example is Disney’s Moana, which offers tunes that fit comfortably within the story.… Read more... The post 55. Composer Mark Mancina on the Music of Moana, Tarzan, and The Lion King appeared first on Tomorrow Society.

Produced and voiced by Colin Gomez, Movie Magic is a weekly movie review featuring recommendations of the classics and what's currently playing in the cinemas or on cable. First broadcast: 26 May 2018 Credits:  1. You're WelcomePerformed by Dwyane JohnsonMusic & Lyrics by Lin-Manual MirandaProduced by Mark Mancina, Lin-Manual Miranda and Opetoia Foa'i 2. ShinyPerformed by Jemaine ClementMusic & Lyrics by Lin-Manual Miranda and Mark MancinaProduced by Mark Mancina and Lin-Manual MirandaWalt Disney Records 3. Tulou Tagaloa Performed by Olivia Foa'iMusic & Lyrics by Opetoia Foa'iProduced by Opetoia Foa'i and Mark MancinaWalt Disney Records 4. An Innocent WarriorPerformed by Vai Mahina, Sulata Foai-Amiatu, and Matthew Ineleo.Written by Opetoia Foa'i Published by Opetoia Foa'i (APRA/AMCOS)Courtesy of Warm Earth Records/Spirit of Play ProductionsWalt Disney Records

This week, the guys discuss the new Spider-Man movie's title and what it means for the future of Spider-Man in the MCU. Will Sony resign their agreement with Marvel? Or will this be our last chance to see Tom Holland as Spidey? And who's ready for a new segment of the show? This week, we enter a contest of champions between two recent, popular Disney films. Who will emerge victorious in this smashdown of "Zootopia" and "Moana". Will Average Joe be able to keep an open mind on this subject? The next ten rounds will answer that! To avoid SPOILERS for "Zootopia" and "Moana, please skip over 39:45-1:03:15 of the episode. Music and audio from "Zootopia" is the property of Michael Giacchino, Clark Spencer, Walt Disney Pictures, and Walt Disney Animation Studios. Music and audio from "Moana" is the property of Mark Mancina, Osnat Shurer, Walt Disney Pictures, and Walt Disney Animation Studios. Special thanks to Jeremy Eckert for our theme song. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

País Estados Unidos Director John Musker, Ron Clements, Don Hall, Chris Williams Guion Jared Bush (Historia: Ron Clements, John Musker, Chris Williams, Don Hall, Pamela Ribon, Aaron Kandell, Jordan Kandell) Música Opetaia Foa'i, Mark Mancina, Lin-Manuel Miranda Fotografía Rob Dressel, Adolph Lusinsky Sinopsis La historia se desarrolla hace dos milenios en unas islas del sur del Pacífico. La protagonista es Vaiana Waialiki, una joven que desea explorar el mundo navegando por el océano. Ella es la única hija de un importante capitán que pertenece a una familia con varias generaciones de marinos.

Show Notes:  In this episode of The Tiara Talk Show, Mark Mancina chats with host Tammy Tuckey about composing the music score to 2003 film, “The Haunted Mansion,” recording the Dapper Dans/Graveyard Singing Busts cameo, working with Phil Collins on the soundtracks for “Tarzan” & “Brother Bear,” and more! Visit Mark Mancina’s official website here: www.mancinamusic.com Be sure to… - Follow us on Twitter at @TiaraTalkShow: www.twitter.com/TiaraTalkShow - ‘Like’ our Facebook page: www.facebook.com/TheTiaraTalkShow - Follow us on our Tumblr page: thetiaratalkshow.tumblr.com - Follow us on our Google+ page: google.com/+TheTiaraTalkShow - Follow us on our Instagram page: instagram.com/thetiaratalkshow Want to give us your thoughts on this episode? Call us at 1-407-413-9390 and leave us a voicemail! Thanks for listening! “The Tiara Talk Show” is edited, created and hosted by Tammy Tuckey. The Tiara Talk Show is Copyright © 2013-2017 by Tammy Tuckey. All rights reserved.

[Watch the video interview on our YouTube Channel] On this All Access we have an intimate chat with the one and only Nick Glennie-Smith. We sat on Nick's patio overlooking the Pacific Ocean on a breezy and beautiful California day with cups of tea to discuss his varied career in music and film. Nick takes us back to his childhood growing up in the UK and how he formed early relationships and his love of gear that led him down a path that would eventually lead him to Hollywood. Nick shares some amazing stories that paint the picture of the origins of his friendships with other notable composers such as Richard Harvey, Mark Mancina and Hans Zimmer. We discuss all his films including those he composed for Randall Wallace, and iconic 90's action films like The Rock. Beyond that Nick talks about his career as a conductor and the role he plays during recording sessions, what he still hopes to accomplish in his career as a composer and so much more. Nick's optimism and warmth as a person are treasured characteristics in this industry, and to hear his story and insights is a true pleasure that should shine a light on a composer whose musical body of work means so much to so many. Interview Produced & Presented By:Kaya Savas Special Thanks:Nick Glennie-SmithStéphane Humez

[Watch the video interview on our YouTube Channel] On this episode of All Access we are joined by composer Mark Mancina whose career has given us some of the most iconic scores of our generation. Mark takes us through his path to becoming a composer as well as his approach to some of his most memorable scores. We discuss Speed and how Mark worked with director Jan de Bont to craft the now iconic action score. Hear the stories behind some of his other scores such as Bad Boys, Twister, Con Air, Moll Flanders, Blood+, August Rush, Planes and Moana. Mark also shares why working with Jerry Bruckheimer and Michael Bay was a challenge, and why he decided to walk away from Bad Boys II. Also hear Mark talk about the challenges of bringing The Lion King to life as a musical. Mark's career has given us some amazing scores that spanned across so many genres, and each of them special in their own way. Enjoy this fascinating and fun interview with one of the most respected and influential composers in the industry. Interview Produced & Presented By:Kaya Savas Special Thanks:Mark MancinaMarlon Espino

Mark Mancina is one of the most iconic composers working today and it was a great honor to speak to him about his newest score to Disney's Planes. Mark shares a lot in this fantastic and informative interview. We chat about him taking over on Speed when Michael Kamen was supposed to score to why he is very selective with his film projects. We talk about 90's action scoring and how his genre defining music along with his friends Hans Zimmer and Trevor Rabin defined the decade. He doesn't hold back when discussing why he dropped out of Bad Boys 2 yet still took Speed 2 on with Jan de Bont. For Planes we discuss his approach, his discussions with John Lasseter and how his demo for the score led to a trailer that was 100% music; something that is never done. A true pleasure to chat with one of the great composer auteurs. Interview Conducted By:Kaya Savas Special Thanks:Mark Mancina

A huge thank you to the musicians, contributors of raffle prizes, volunteers, and everyone else who made last Sunday's MusicFest for KidZ such a success! Starz Musical Theater Summer Camp for Youth: Disney's The Lion King JR with Music & Lyrics by Elton John & Tim Rice. Additional Music & Lyrics by Lebo M. Mark Mancina, Jay Rifkin & Hans Zimmer. Book By: Roger Allers & Irene Mecchi and Based on the Broadway. Production directed by Julie Taymor.  Times: 9:00 am-3:00 p. Monday-Friday. Performances for all-island camp kids will take place July 25-30, 10:00 am. Adults $15; kids $7 each for these morning performances Thank you to Sponsors: 1st Bank VI, St. Thomas Health Care Management, Inc., VI Lottery, Viya, and VI Housing Finance Authority. Tickets to public/community performances: July 28, & 29, both at 7:00 pm &, July 30 at 2:00 pm. Meet Lauren Brody-Clarke, Musical Camp Director Lauren grew up on St. Thomas, attended Antilles School, & graduated from UCLA Theater Film & TV Dept with a minor in musical theater. She's traveled the world performing, appearing in 50+ musicals, appearing in national tours of Mamma Mia & All That Jazz in New York City. She's directed theater camps & theater youth programs for 15 years, spreading her passion for the arts to new generations.  Visit  at www.pistarckletheater.com/starz-summer-camp/ Our new theme song, Nova, from the CD, Clear Static, was written & performed by Angelo Ortiz.

Every year, CINEMATIC SOUND RADIO presents a year-end countdown of the best new film, TV and video game scores written that year. However, there was one year where I did not produce a year-end countdown and that was the very first year of the program back in 1996. The show had only been on the air for four months and I still only had roughly 60-70 albums in my collection and next to none released in 1996. Therefore, it was difficult for me to compile and present a definite… or at least an educated best of 1996 list at the time. Skip ahead 20 years, I have now own an enormous collection of 1996 released and I think now is the time to right a wrong as I present for you, for the very first time on CINEMATIC SOUND RADIO, my top 10 scores of 1996. The program today is part one of two as you will hear selections from albums 10 through to 6 as well as one honourable mention featuring music composed by Jerry Goldsmith, David Newman, Mark Mancina, Mark Isham, Nick-Glennie Smith, Hans Zimmer and Harry Gregosn-Williams. Two weeks from now I’ll conclude the program with selections 5-1 along another honourable mention. So with that… on with the show! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from 10 brand new albums. We open the program with music Abel Korzeniowski’s music from erotic thriller NOCTURNAL ANIMALS. Mica Levi scores only her second film with JACKIE. Dustin O’Halloran and Hauschka collaborate on the LION. Panu Aaltio provides an old school adventure score for ROLLI AND THE SECRET OF ALL TIME. Naoki Sato’s scores the Japanese animated feature RUDOLPH THE BLACK CAT. Lin-Manuel Miranda, Mark Mancina and Opetaia Foa’i bring the sounds of the south pacific to the silver screen with MOANA. Our video game selection of the week is Takeshi Furukawa’s THE LAST GUARDIAN. And we feature music from three Fernando Velázquez scores; A MONSTER CALLS, ZIP & ZAP AND THE CAPTAIN’S ISLAND and OZZY. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

It's time to set out on the seas as Chris and Mackenzie explore the depths of Disney’s latest film, Moana! How is Moana different from other Disney characters? What was different about the process of making Moana? Is there a “Disney formula?” What is the best song in Moana? How bad is Chris’ Lin-Manuel Miranda impression? Links Watch “You're Welcome” http://bit.ly/2gFlyzp Listen to Moana Deluxe Edition Soundtrack http://apple.co/2gFj6ZE Interview with directors Ron Clements and John Musker http://bit.ly/2gFggUC Interview with Opetaia Foa’i, Mark Mancina, and Lin-Manuel Miranda http://bit.ly/2gFhlf3 How Lin-Manuel Miranda Pays Tribute to David Bowie with Moana Song ‘Shiny’ https://www.yahoo.com/celebrity/lin-manuel-miranda-pays-tribute-124351410.html How Pacific Islanders Helped Disney’s Moana Find Its Way http://www.vanityfair.com/hollywood/2016/11/moana-oceanic-trust-disney-controversy-pacific-islanders-polynesia 34 Magical “Moana” Facts You Probably Don’t Know https://www.buzzfeed.com/keelyflaherty/magical-moana-facts-you-probably-dont-know?utm_term=.le2N2LXY9#.urXJevaDY The breakout star of Disney's 'Moana' was almost a totally different character http://www.businessinsider.com/disney-moana-breakout-character-2016-8 Why the Ocean Became a Character and More We Learned About the Making of Moana https://ohmy.disney.com/movies/2016/11/21/why-the-ocean-became-a-character-and-more-we-learned-about-the-making-of-moana/?cmp=emc%7Comd%7Cnatural%7Cdisney-omd%7C2016-11-22%7Comd%7Cbox1 Moana review: after 80 years of experiments, Disney has made the perfect Disney movie http://www.theverge.com/2016/11/26/13749060/moana-film-review-walt-disney-animation-dwayne-johnson-diversity Disney’s Moana is a powerful movie starring a brown girl—but I still have issues with it http://fusion.net/story/372646/moana/ 15 Fascinating Facts About the Making of Disney's Moana http://io9.gizmodo.com/15-fascinating-facts-about-the-making-of-disneys-moana-1786280909 The Controversy Behind Disney’s Groundbreaking New Princess http://www.bbc.com/culture/story/20161128-the-controversy-behind-disneys-groundbreaking-new-princess?ocid=global_culture_rss ‘Moana’ Is Just the Latest Feminist, Progressive Disney Hit http://variety.com/2016/film/news/moana-box-office-feminist-disney-1201927383/ ‘Zootopia’ Tops Annie Awards Nominations, ‘Kubo and the Two Strings’ in Close Second http://variety.com/2016/film/news/annie-awards-nominations-2017-zootopia-kubo-and-the-two-strings-1201927492/ Listen to our Zootopia episode http://bit.ly/wga-022

This week on The HMC's Now Playing Reviews, MOANA, the latest animated film from Disney Pixar studios, is set in Ancient Polynesia where a young girl, Moana (Auli'i Cravalho) embarks on a great quest to return a stone, The Heart of the Ocean, to its rightful owner restoring life to the island where her people live. Aiding her on her quest, Maui (Dwayne Johnson), a demo-God who thrust them into this fine mess by stealing The Heart of the Ocean, must recover his mystical hook to regain his shape shifting powers and redeem himself. The cast is rounded out by some veteran New Zealand actors including Jemaine Clement (Flight of the Conchords) and the amazing Rachel House (Hunt for the Wilderpeople) as Gramma Tala. Lin-Manuel Miranda (Hamilton) co-wrote the original songs along with Opetaia Foa'i, original score and songs by Mark Mancina. Despite the films stunning visuals and many fun moments (Look for Jemaine as a giant singing crab), the story itself has a dragging second act and too many unexplained anecdotes--Most notably; when Moana and Maui are attacked by a giant ship filled with coconut pirates who also want to recover The Heart of the Ocean in Moana's possession. It's one of the coolest sequences in the film from a visual perspective, but completely out of left field and these coconut pirates, though super fun, are never given an origin story or explanation as to why they too our pursuing the stone. Though it may not secure its position in the Pixar hall of fame, by our measure, MOANA is fun and entertaining and visually fantastic. And bonus! The Rock sings, can this guy do literally everything??? Justice for MOANA, it gets a 8.3/10 on the Justice & Doom Movie Meter 8.3/10

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from four brand new scores. The show opens with music by Carlo Siliotto from the film MIRACLES FROM HEAVEN. You’ll also hear selections from A LIGHT BENEATH THEIR FEET by John Swihart and Martin Phipps innovative score to the TV mini-series WAR & PEACE. And our video game selection of the week comes from the new game UNCHARTED 4: A THIEF’s END by Henry Jackman.Our John Williams album of the week is BSX Records brand new album THE MUSIC OF JOHN WILLIAMS ON SOLO PIANO featuring pianist Dan Redfeld.Our re-recording of the week is Tribute Film Classics outstanding recording of Max Steiner’s iconic 1948 score to THE ADVENTURES OF DON JUAN. William Stromberg conducted the Moscow Symphony Orchestra.Jerry Goldsmith’s score to 1981’s OUTLAND is our film music vault selection.And our lone end credit cue comes from TWISTER, which turns 20 years old this month. You’ll hear Mark Mancina and Alex & Eddie Van Halen’s outstanding composition “Respect The Wind.”Cinematic Sound Radiohttp://www.cinematicsound.netWROCK Radiohttp://www.wrockradio.comCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.comAlso available through Podtyranthttp://www.podtyrant.com