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Natalie and John Lobo of Cajonat Farm join us to talk about their Very Small Equine driving horses, Orion, Potter & Weasley. If you've been curious about combined driving, you definitely don't want to miss this episode! Natalie and John share stories of their driving adventures as well as some excellent advice for anyone thinking of jumping into the fun of combined driving.  Show Notes, Pictures & Videos: https://classroom.miniaturehorsemanship.com/21

Robert and Kenny begin the season finale episode talking about Robert's renovating of Fox's "Stage One," in 1994, which saved the famous recording stage that would become the Alfred Newman Scoring Stage. Then the guys reflect on their favorite moments from Season 1 of Score: The Podcast and make their epic Emmy Picks. Then Lorne Balfe joins to talk about his Mission: Impossible - Fallout score, and Ozzy Osbourne and others working with his dad, Stewart Copeland’s angry letter correcting his grammar, and how he crossed paths with Hans Zimmer and Christopher Nolan. Also, why he used 12 bongo players at the same time. Lastly, Lorne joins us to play a “Spy and Secret Agent Movie" edition of of Name That Score, where you — yes, you — could be a winner! Plus, an update on the final rankings for #NameThatScore. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

Robert and Kenny begin the show explaining the crucial role of a “music supervisor” in modern filmmaking, before interviewing Hollywood’s most in-demand music supervisor, Dave Jordan, responsible for some of the biggest Marvel projects and soundtracks of the last decade, including Guardians of the Galaxy and Black Panther. Robert and Kenny debate several “long overdue sequels/reboots” they’d like to see, including Robert’s “Sit and Deliver” and Kenny’s post-Breaking Bad/Jesse Pinkman spinoff "Science, Bitch!" Then Dave Jordan comes in to discuss his comic book collection and how it led him to a job as the preeminent music supervisor for Marvel films. In The Inside Track, music psychologist Dr. Siu-Lan Tan discusses the role of music and sound design on manipulating audiences, including a fascinating music psychology study. Then Dave talks about his work on Black Panther with Ryan Coogler, Ludwig Goransson and Kendrick Lamar, and delivering an entire soundtrack instead of just a few songs, and the incredible way the Guardians of the Galaxy soundtrack was born. Lastly, Dave joins us to play a “Famous Movie Songs 2.0” edition of Name That Score, where you — yes, you — could be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW ON TWITTER @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

Robert and Kenny begin the show talking through the World Soundtrack Award nominees and Matt gives his Summer Movie Review and rankings. Then Emmy-winning composer Sean Callery joins the show to talk about starting his career as a Disneyland Tokyo keyboardist, working with Mark Snow on the X-Files and later on Star Trek: Deep Space Nine, 24, Homeland, and how he scored still images from Jessica Jones before seeing picture. Then Sean talks about some last-minute additions to episodes he’s scored, including finishing music the day before a show airs and scoring shows year round. Lastly, Sean joins us to play a “TV Tunes” edition of Name That Score, where you — yes, you — could be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

Robert and Kenny begin the show talking about the upcoming Quincy Jones documentary and debate the Oscars’ new “Popular Film” category. Then Heitor Pereira comes in to discuss how his Brazilian family sold a car and he sold his only guitar to buy a ticket to New England on a cargo ship so he could study music. In The Inside Track, music psychologist Dr. Siu-Lan Tan discusses how TV shows tailor their tunes to support the ideas behind the show, with examples from Seinfeld to Lost and The Simpsons. Then Heitor talks about the origin of his “Backyard Industries” studio and how he convinced Hans Zimmer to use “a concerto” of guitars on Gladiator. Lastly, Heitor joins us to play a “Guitar Film Scores” edition of Name That Score, where you — yes, you — could be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

Kenny begins this extended edition of the show by talking about the sudden surge in vinyl sales, and argues there’s a huge future ahead for the medium, with major companies jumping into the industry. Then Matt presents his spoiler-free Summer TV roundup of recommendations and disappointments, and the guys tally the scores from their Emmy Nomination predictions. Then we’re joined by Tom Holkenborg, electronic DJ and composer of films including Mad Max: Fury Road, Deadpool, Tomb Raider, 300: Rise of an Empire and Peter Jackson’s upcoming Mortal Engines. Tom talks about first meeting Robert Kraft at Fox, years before his composer career took off, and getting kicked out of music school for his rebellious approach to drums. Then Tom talks about why he recorded custom drums for Mad Max, and his Studio Time series that breaks down his musical approaches. Lastly, Tom joins the guys for a “#1 Blockbusters of the 2000s” edition of Name That Score where you — yes, you — can be a winner! Play along for free by tweeting @ScoreThePodcast, where you could win a fabulous prize! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

This is a bonus episode and part of Score: The Podcast's extended conversation with Tamar-kali (Mudbound, Come Sunday, Between Earth and Sky). The full-length episode of Score: The Podcast with Tamar-kali is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Robert and Kenny begin the show from Kraftbox Studios talking about Robert’s surprise visit from Michael Jackson on the Fox studio lot, and the weird meeting with the iconic pop star, director Terrence Malick and composer Hans Zimmer while scoring The Thin Red Line.   Then Tamar-kali comes into the studio to discuss her score for the Academy Award nominated Mudbound from Netflix, her musical upbringing, and how she met director Dee Rees.   In The Inside Track, music psychologist Dr. Siu-Lan Tan breaks down classic film examples of “closeups on faces” and how they are radically changed by the presence of certain musical accompaniment.   Then Tamar discusses how she got the job for Netflix’s Come Sunday and her upcoming family drama Between Earth and Sky, the AfroPunk sound and her band, and how her career began by doing background vocals on Outkast’s “ATLiens” album.   Lastly, Tamar-Kali joins the guys to play an “famous film songs” edition of Name That Score, where you — yes, you — could be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

This is a bonus episode and part of Score: The Podcast's extended conversation with Christophe Beck about his love for modular synths and the changing form of film music, plus his first live performance in Holland and the premiere party for the film The 12th Man. The full-length episode of Score: The Podcast with Christophe Beck is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

This is a bonus episode and part of Score: The Podcast's extended conversation with Mychael Danna. Mychael Danna talks about working on Little Miss Sunshine and the band DeVotchKa and Nick Urata, and the quirky soundtrack that changed “indie” films forever. The full-length episode of Score: The Podcast with Mychael Danna is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Robert and Kenny begin the show talking about the new Halloween trailer, why the horror genre isn’t generally as widely respected for its music, and why some directors want to score their own movies.   Mychael Danna comes in to discuss Ang Lee stumbling into his music and collaborating on The Ice Storm, a score Elmer Bernstein originally slammed. Then Robert and Mychael recall working together on Life of Pi, and how Mychael was nearly fired before Robert and Mychael added a “shaker” sound to the score, and later won Danna his first Academy Award for Best Original Score.   In The Inside Track, music psychologist Dr. Siu-Lan Tan breaks down how sound design, including the “cocktail party effect,” can alter our perceptions in film and television, using examples from several classic films.   Then, Mychael talks about working with his brother Jeff Danna, and how they complement each other’s styles and approaches, and the music of The Good Dinosaur.   Lastly, Mychael joins Robert and Kenny to play a “Academy Awards” edition of Name That Score, where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

This is a bonus episode and part of Score: The Podcast's extended conversation with Jeff Russo (Legion, Fargo, Star Trek: Discovery). Composer Jeff Russo talks about the dreamlike nature of Legion's musical storytelling, including blending his score with music from Bon Iver, plus his use of his own original sound recordings for the music of Fargo, and how he gets along musically with showrunner Noah Hawley.   The full-length episode of Score: The Podcast with Jeff Russo is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Robert and Kenny begin the show talking about the boom in live concerts and how composers are going mainstream, previewing this week’s Behind the Score episode with Hans Zimmer. Then we review a few entries of our #NameThatScore theme-writing contest.   Then Jeff Russo comes in to discuss how he got the call to do Star Trek: Discovery, and his strategy for scoring the emotional core of the story instead of the action. Plus, who he often works with when scoring episodes, including working with Jonathan Frakes, who’s directing episode 2 of Season 2, and what kind of music to expect in the upcoming season.   In this week’s Behind the Score, Hans Zimmer discusses the Film Music Era and how composers are merging into rockstars, selling out concert tours and their music being played by orchestras all over the world, bringing in a new generation of popular music audiences.   Then Jeff dives into FX’s award-winning Fargo anthology series, and Legion (which we find out during the show has been renewed for season 3), and his scoring dreamscapes and dance battles.   Lastly, Jeff joins us to play a "Sci-fi Scores" edition of Name That Score, where you — yes, you — could be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

This is a bonus episode and part of Score: The Podcast's extended conversation with Kyle Dixon & Michael Stein. Robert asks the Stranger Things duo about their musical inspirations, including Tangerine Dream in Risky Business, and then they reveal how they "always" envisioned their music from their band SURVIVE as part of a "scene." Plus, their use of a thumb piano (kalimba) and starting out on Stranger Things season 3.   The full-length episode of Score: The Podcast with Kyle Dixon & Michael Stein is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Robert and Kenny begin the show talking about the trailer for Queen biopic Bohemian Rhapsody, and how much Robert once offered Led Zeppelin to use Stairway to Heaven in a Ridley Scott film.   Then Austin-based composing duo Kyle Dixon and Michael Stein of Stranger Things join to talk musical inspirations from 311 and Portishead to Radiohead, and their band SURVIVE getting a random email from The Duffer Brothers back in 2014.   In The Inside Track, music psychologist Dr. Siu-Lan Tan explores the fascinating ways music changes our perception of New York City.   Then our guests talk about sneaking onto the Predator set, and their film composing careers as they start scoring Stranger Things 3. Then, a '80s Movies edition of Name That Score, where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

This is a bonus episode and part of Score: The Podcast's extended conversation with Tina Guo. Tina talks about performing and recording for Wonder Woman with Hans Zimmer, and how her upbringing in Shanghai, China, helped to nurture her musical passion, and the “metal” sound she’s been able to bring to her otherwise traditional music. The full-length episode of Score: The Podcast with Tina Guo is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Tina Guo, a virtuoso cellist who has played on more than 50 Hollywood film scores including Inception, Wonder Woman, Dunkirk, the Fast & Furious series, Sherlock Holmes, and many of the Marvel and DC films. She is also a featured artist on Hans Zimmer’s international concert tour, and current nominee for Female Artist of the Year by the 2018 Classic BRIT Awards, which celebrate the best of classical and crossover musicians for her recent solo album “Game On!”   Robert, Kenny and Matt begin the show with an update on the new Leonard Bernstein biopic project Steven Spielberg has been secretly working on, and Bradley Cooper coming on to star and direct it, as well as the rival biopic on Bernstein recently announced starring Jake Gyllenhaal. Plus, we talk through why Leonard Bernstein’s life is such an interesting subject for biopics.   Then Tina Guo comes on to discuss how she connected with Hans Zimmer for the ‘Hans Zimmer Live” international tour, and how she financed her own music video which eventually led to a meeting with Hans and Guy Ritchie on Sherlock Holmes, and then composer John Debney for Iron Man 2.   In Behind the Score, composers Trevor Rabin, Lorne Balfe and Bear McCreary talks about one of LA’s unique landmarks: Billboards advertising films that aren’t finished yet. With tight schedules and heavy deadline pressure, the billboards literally loom over many composers in Hollywood.   Then, Tina plugs in her electric cello “White Walker” to talk about her album “Game On!” and play some recognizable video game themes in a Score: The Podcast musical first.   Lastly, Tina joins the guys to play Name That Score, where you — yes, you! — could be a winner! This week’s theme: Movies with Strong Female Leads.   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

This is a bonus episode and part of Score: The Podcast's extended conversation with John Powell. John talks about his father's advice leading him to composing for film rather than becoming a instrumentalist, and Powell's own worries about his music on the films he works on, including the new Solo: A Star Wars Story (May 25).  The full-length episode of Score: The Podcast with John Powell is available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes composer John Powell, Academy Award nominated composer of How To Train Your Dragon and How To Train Your Dragon 2, the Bourne franchise of films, Shrek, Antz, Happy Feet, Ice Age series, Rio, and the new Solo: A Star Wars Story (May 25).   Robert and Kenny begin the show talking about Deadmau5’s new comments about wanting to become a film composer and how often popular recording artists can cross over successfully. Robert gives examples of artists who’ve broken out into film music success immediately, including Trent Reznor and Atticus Ross, Junkie XL (Tom Holkenborg), Daft Punk and Joseph Trapanese and others.   Then John Powell enters the studio to talk about his new score for Solo: A Star Wars Story and working alongside John Williams. Plus, the groove of the Bourne series and why Powell says he thanks “Matt Damon’s backside” for making the music work.   A new episode of The Inside Track with Music Psychologist Dr. Siu-Lan Tan explores the musical foundation of film scores and how rhythms of twos and threes are the building blocks for great music.   Then John and the guys talk about How To Train Your Dragon and sitting next to Hans Zimmer when Trent Reznor and Atticus Ross’ The Social Network beat him for the Academy Award. Plus, his approach for getting multiple cues “spinning” until the last minute on an animated film where things can change until the very end, and his work with Blue Man Group and Rio.   Lastly, John and the guys play an animated film score edition of Name That Score, where you — yes, you! — could be a winner! Plus, John teases the unique sound of vuvuzelas he recorded for Solo: A Star Wars Story.   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

This is a bonus episode and an extra segment from Score: The Podcast's extended conversation with Mark Mothersbaugh.   Mark talks about working with Wes Anderson and navigating the specific artistic visions of an auteur director, including his rule: “no brass!”   The full-length episode of Score: The Podcast with Mark Mothersbaugh is also available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Mark Mothersbaugh, frontman of Devo and composer extraordinaire from Wes Anderson films, Rugrats, The Lego Movie, Thor: Ragnarok, Pee-Wee's Playhouse, Cloudy With A Chance of Meatballs, The Royal Tenanbaums, 21 Jump Street, Hotel Transylvania, and video games including Crash Bandicoot, Jak & Daxter and The Sims 2.   Robert, Kenny and Matt begin the show talking about the theme song Robert Kraft composed for “Who’s the Boss?” And some of their favorite memorable television show themes.   Then Mark Mothersbaugh joins the show to talk about his start composing music, after working with Devo, with Paul Ruebens and Pee Wee Herman, and his work with Taika Waititi on Thor: Ragnarok to evolve the “Marvel” sound.   In this week’s Behind the Score, composers discuss the temp score and how it impacts the creation and execution of music, and when it does (and doesn’t) work.   Then Mark returns to talk about the “post-ironic” era of superheroes and music, and how technology has changed the world’s listening habits and accessibility. Plus, The Simpsons’ parody of “Whip It” and how many parodies Mark’s heard of his hit Devo song and scoring The Lego Movie with a literal fader to switch between “orchestral” and “electronic.” Plus, Mark shares his many musical “orchestrion” inventions -- video available in our show notes below.   Lastly, Mark and the guys play a “animal movies”-themed edition of Name That Score, where you — yes, you! — could be a winner! Plus, a final question with the great Mark Mothersbaugh!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

This is a bonus episode and an extra segment from Score: The Podcast's extended conversation with Tyler Bates.   Tyler talks about his score for Watchmen and how he tries to tie in the visuals that are constantly changing. Plus, Tyler talks about the new soundtrack for Dark Nights: Metal.   The full-length episode of Score: The Podcast with Tyler Bates is also available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Tyler Bates, composer of films including Guardians of The Galaxy, John Wick, Watchmen, 300, Dawn of the Dead, Slither, Super, Atomic Blonde and the upcoming Deadpool 2 (May 18).   Robert, Kenny and Matt begin the show talking about who might be the next composers of James Bond, and each make their picks for the composers they’d love to hear. Then they talk about how the Academy Awards are changing their format for Best Original Score and Best Original Song and how it will affect which scores win awards.   Tyler Bates enters the studio to talk about producing and performing with Marilyn Manson, living in a haunted cabin and being part of two exorcisms. (What?!) Plus how he uses his music to accommodate the modern trend of films having a soundtrack — including Guardians of the Galaxy and Guardians of the Galaxy Vol. 2.   A new episode of The Inside Track with Music Psychologist Dr. Siu-Lan Tan explores the difference between music and noise, and how sound is incorporated into many modern scores with intense, dramatic results that often elevate a film.   Then Tyler talks about scoring striking visuals in the films of Zack Snyder and the upcoming Deadpool 2 releasing May 18.   Lastly, Tyler and the guys play a “space movie”-themed edition of Name That Score, where you — yes, you! — could be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

This is a bonus episode and part of Score: The Podcast's extended conversation with Steve Jablonsky. Steve talks about how his love for Zimmer's music led him to cold call Zimmer's studio to ask about an internship. Then, how hard work and sleepless nights opened the door to his working directly with then up-and-coming composer Harry Gregson-Williams, as well as his idol Hans Zimmer. The full-length episode of Score: The Podcast with Steve Jablonsky is also available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Steve Jablonsky, award-winning composer of Michael Bay films such as the Transformers film franchise, The Island and Pain & Gain; Peter Berg films such as Battleship, Lone Survivor and Deepwater Horizon; Keanu; Netflix's Game Over, Man; and the upcoming Dwayne Johnson summer blockbuster Skyscraper. He is also the composer of television shows such as Desperate Housewives and video games including Gears of War: Judgment, Prince of Persia: The Forgotten Sands, The Sims 3 and Transformers: The Game. Robert and Kenny begin the show discussing Ready Player One and how Alan Silvestri's score samples iconic music from the 1980s, true to the story's nostalgic subject matter. Silvestri is also scoring Avengers: Infinity War which releases this Friday. Robert shares a story about a mistake he made with Ennio Morricone and Warren Beatty while recording a score with a full orchestra in Rome.   Steve Jablonsky joins to talk about his work with Michael Bay on five Transformers films, The Island and Pain & Gain — and how Bay communicates his elaborate visual style and explosions, sometimes before the special effects even exist.    In Behind the Score, Trent Reznor and Atticus Ross discuss how David Fincher led to a thriving career scoring films after being in the recording and live performance industry with Nine Inch Nails.   Then Steve talks about the first cue with his name on it — "The Jablonsky Variations" from Tears of the Sun — and how Hans realized then Steve was destined to become a great film composer in his own right. And how films "based on a true story" or with real-life characters mean his music has to find the different kind of balance.   Lastly, Steve and the guys play a sports movie edition of the game “Name That Score,” where you — yes, you — can be a winner! Plus a story about Steve's first meeting with the great John Williams. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Ramin Djawadi, award-winning composer of Game of Thrones, Westworld, Prison Break, Person of Interest, Amazon's upcoming Jack Ryan series, Iron Man, Pacific Rim and A Wrinkle In Time. Robert and Kenny begin the show discussing AmperMusic.com and the new "computer learned" composing tools Silicon Valley is funding, as well as the retro 80s-inspired soundtrack of Steven Spielberg's Ready Player One. Ramin talks about the boom of interest in film scores and specifically his international Game of Thrones tour and its many spectacles accompanying the orchestral performances. Kenny and Robert ask Ramin about whether he gets special access to top-secret storylines in Game of Thrones, and how he tips off audiences to what may or may not happen next through the type of music he uses in the show. Ramin talks about meeting Hans Zimmer and Klaus Badelt and their invitation to him to join Remote Control Productions in Santa Monica. Score: The Podcast debuts "The Inside Track," a new music psychology segment featuring Dr. Siu-Lan Tan, a leading researcher into the effects of film music on audiences. In this first edition, Dr. Tan examines the use of music to signal "the end" of a scene or of a film, and how a composer can create audience satisfaction with examples of The Matrix, Inception and more.  Then they jump into Westworld (returning Sunday, April 22) and discover how his musical expertise informs other creative aspects of the show, including the opening theme and the player piano. Lastly, Ramin joins the guys to play a Hans Zimmer-themed edition of the game “Name That Score,” where you — yes, you — can be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes Brian Tyler, award-winning composer of the Fast and Furious and Marvel films, Now You See Me, and the upcoming film Crazy Rich Asians, plus television shows like Hawaii Five-0 and Scorpion and video game franchises Call of Duty, Assassin's Creed Black Flag and Need For Speed. Brian shares a story about first meeting Robert at Fox and it leading to his film career.   Robert and Kenny begin the show discussing how Marvel and Black Panther films are evolving the sound of Disney, and talk about "Hans Zimmer Live" documentary now on Netflix.   In "Behind the Score," Rachel Portman talks about her path in an industry made up of mostly men. The first female Oscar-winning composer talks about how determination helped her through musical training at an all-boys school in London. Finally, the team and Brian play a "robots and AI" themed edition of the game "Name That Score," where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

Score: The Podcast welcomes James Newton Howard, Oscar-nominated and Grammy Award-winning composer of films including Pretty Woman, The Fugitive, The Sixth Sense, Treasure Planet, Signs, The Village, King Kong, Blood Diamond, Michael Clayton, Defiance, Batman Begins & The Dark Knight, The Hunger Games series, Fantastic Beasts and Where to Find Them and most recently Red Sparrow. Robert and Kenny begin the show discussing the score-only release of Star Wars: The Last Jedi, which is a major indicator that audiences are expressing more interest than ever in the music of entertainment. Robert and Kenny discuss how the music of "Atlanta" and "The Chi" are evolving hip hop in music. James Newton Howard talks about working with M. Night Shyamalan on "Signs," Hans Zimmer on Batman Begins and The Dark Knight and scoring Peter Jackson's King Kong via video conference in four and a half weeks. In "Behind the Score," Hans Zimmer talks about the importance of capturing the first few frames of a movie to set its musical tone. Lastly, the guys play a Danny Elfman-themed edition of the game "Name That Score," where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media.

Score: The Podcast welcomes Harry Gregson-Williams, award-winning composer of epic films including The Martian, Chronicles of Narnia, The Town, Shrek, Prometheus, Kingdom of Heaven, Man On Fire, The Rock, Antz and Enemy of the State. Robert and Kenny begin the show discussing John Williams' donation of his entire sketchbook and score library to the Juilliard School of Music, and Steven Spielberg's rumored plans to direct a biopic about the great composer Leonard Bernstein. In "Behind the Score," Randy Newman, David Newman and Quincy Jones reflect on the birth of modern film scoring and the contributions made by the incomparable composer Alfred Newman, and the team and Harry play a superhero-themed edition of the game "Name That Score," where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media.

Score: The Podcast welcomes John Debney, Oscar-nominated composer of films such as The Passion of The Christ, Elf, Liar Liar, Iron Man 2, The Jungle Book, The Greatest Showman and dozens more over the past three decades.   Robert and Kenny begin the show with conversation about the music from Stranger Things and figure skater Tonya Harding’s original “Triple Axel” performance to Danny Elfman’s Batman.   Then, James Cameron takes us into the music of James Horner in “Behind the Score,” and the team and John Debney play the first edition of the game "Name That Score," where you — yes, you — can be a winner!   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media.