Podcast appearances and mentions of joseph trapanese

Emmy-nominated composer Jared Michael Fry on today's MOVIES WITH... Jared recently composed the music for Director David Ayer's global phenomenon, "The Beekeeper," starring Jason Statham. His diverse credits include blockbusters like "The Flash" and "Red Notice," action thrillers like "Alien: Romulus and Borderlands," and the horror sequel "It Chapter 2."Join us as Jared shares his extraordinary journey into creating music for films and other musical artists. After being nominated for an Emmy for his work at Hans Zimmer's Bleeding Fingers, Jared joined forces with renowned composers Steve Jablonsky, Benjamin Wallfisch, and Joseph Trapanese, as well as the electronic artist Luke Steele of Empire of the Sun, contributing to their latest album, "Ask That God."Jared has reunited with director David Ayer and is scoring his next film, "Levon's Trade," which again stars Jason Statham.Send us a textThank you for listening! Please visit our website at www.nrjmediagroup.com to learn more.

Danimal Cannon (Dan Behrens) is an artist and musician best known for his guitar-driven Gameboy/chiptune music. He's also a mixing and mastering engineer, and has toured and performed live extensively.DANIMAL CANNON LINKS:Website: https://www.danimalcannon.com/Youtube: https://www.youtube.com/channel/UC0AqwYovalxngrN9eVyiUXgFacebook: https://www.facebook.com/danimalcannonmusicX: https://twitter.com/armcannonBandcamp: https://danimalcannon.bandcamp.com/musicSpotify: https://open.spotify.com/artist/1RFcDZxxdM1jEchZNxJMAs?si=wmbYBTnVT7K-teJIiioqCAApple Music: https://music.apple.com/us/artist/danimal-cannon/617198535TIMESTAMPS:(00:00:00) Introduction(00:02:03) Finland trivia(00:03:59) About Danimal Cannon(00:09:37) Importance of music production(00:12:36) Working with non-musician clients(00:16:36) How people perceive music(00:20:30) Relationship between composition, arrangement, and orchestration(00:26:16) Danimal Cannon's mixing process(00:30:51) Danimal Cannon's reference audio tracks(00:33:11) Markus' musical background(00:38:51) Reference audio tracks (continued)(00:45:30) Thoughts on Hans Zimmer(00:52:30) Oblivion (movie) OST by M83 and Joseph Trapanese(00:55:29) Working on the video game Soundfall OST(00:58:52) Modern sample libraries(01:06:32) Soundfall OST continued(01:08:13) Creative constraints, creative block(01:17:15) Current work and life situation(01:21:23) Current gaming industry landscape(01:22:05) Balancing personal life with work(01:29:16) Luck and Preparation(01:31:28) Future of the industry and AI(01:45:01) Dealing with change(01:47:29) Staying a student and preparing(01:50:43) Perfectionism(01:54:07) Studying video game music(02:00:01) Chiptune music and the indie video game industry(02:01:30) Modern music technology(02:06:13) Music tool user interfaces, Sample libraries(02:10:12) How Danimal Cannon got into music(02:15:04) Central musical concepts(02:18:20) Musical notation/scores(02:30:02) Music engineering(02:33:04) Guitar playing(02:35:37) Collaboration, ego, competitiveness, trusting yourself(02:43:06) Retaining creativity; Obsession(02:49:13) Balancing personal life with work, Loneliness in creativity(03:05:03) Definition of an Artist(03:08:10) Sending a message to everyone's smartphone

This past summer, Kong got his own animated treatment with the Netflix anime(?) Skull Island. It isn't the first Kong cartoon, but it is the first these hosts have watched! Will the hosts crown this anime as king of the new gen kaiju cartoons? Or is this another forgettable jungle cruise? Listen and find out! Contact: stompthisway1954@gmail.com Website: www.stompthisway.wordpress.com Final track is Interview by Joseph Trapanese & Jason Lazarus Join us next week when we revisit Minus One with special guest Dylan!

For all its evil mages, freaky monsters, and conquest-minded kings, music has always been an important part of The Witcher. And while Dandelion may love to take credit, we know that it's really the hard work of some talented composers who have shaped and finessed the sound of this world that we've all come to love. In this episode, we're raising a glass to them as we revisit the music of Netflix's Witcher, discussing what we feel works and what doesn't on each of the five released soundtracks, and highlighting a few of our favorite songs from all three seasons of The Witcher, plus Nightmare of the Wolf and Blood Origin. It's everything you need to put together the perfect monster-slaying (or bottle-killing) playlist!

Horror and alien fans, it's our time. Slim sits down with Brian Duffield to chat about his movie No One Will Save You. Brian wrote and directed this alien home invasion story (with much more) and since release it's been one of the most-watched movies on Letterboxd. Aliens, no dialog, great lighting, gorgeous house, Kaitlyn Dever…what more do you need? Brian and Slim talk about his horror inspirations, Signs (of course), the design of that house, Kaitlyn's amazing performance, how he uses his own Letterboxd account, and much more. Credits: Recorded in Philadelphia PA and Burbank CA. Edited by ⁠Slim⁠. Music: “Into Town” by Joseph Trapanese. Editorial producer: ⁠Brian Formo⁠. Production manager: ⁠Sophie Shin⁠. The Letterboxd Show is a TAPEDECK production.

Since moving to Los Angeles from Boston, MA back in September 2019, Dan has been very busy working as a Film Composer. His time is filled with composing music for up and coming Directors and assisting some of Hollywood's top Film Composers, including Joseph Trapanese, Craig Deleon, Carlos Jose Alvarez, Jasha Klebe, and Edward Shearmur. In between all of that he is also arranging a song and composing themes for podcasts, art shows, etc! Most recently Dan has been diving into the world of Horror, where he loves to mix classic orchestral scoring techniques with his unique brand of sound design. He has also scored a Documentary about Feminist empowerment in Kenya. Many of these projects are currently being submitted to film festivals/being released soon..so stay tuned on Dan's instagram and his website for all updates and music releases. Dan enjoys collaborating and deeply appreciates the growth that the music goes through during the enigmatic process of scoring to media. He loves to stay busy, and is always finding ways to seek growth for himself, his music, and his composing process.

http://www.attractionchecklist.com -    It's time to enter the grid as we heard to Walt Disney World to preview TRON Lightcycle / Run at Magic Kingdom on this episode of Attraction Checklist. Attraction audio recorded on February 23, 2023. TRANSCRIPT: Welcome to Attraction Checklist. This episode we visit Magic Kingdom in Walt Disney World to preview TRON Lightcyle / Run. This attraction is not listed in the Magic Kingdom guidemap at the time of this recording but the Walt Disney World Website describes it by saying, “Speed across a world with no horizons in a high-stakes race based on the Disney sci-fi film TRON: Legacy.” Guests must be 48 inches or taller in order to ride and the Thrill Level describes the attraction as being a Thrill Ride in the Dark with Big Drops. Before we join Team Blue for our run, here are five fast facts about TRON Lightcycle / Run. 1. Tron Lightcycle / Run is a copy of an attraction located in Shanghai Disneyland where it's called Tron Lightcycle Power Run.  The Shanghai version of the attraction opened on June 16, 2016.  On July 15, 2017, Disney announced that Magic Kingdom would be getting its own version of the ride.  Originally scheduled to open in time for Walt Disney World's 50th Anniversary, the opening was pushed back due to the COVID 19 Pandemic. The ride is schedule to officially open on April 4, 2023. 2.   The attraction features a track that is 3,169 ft (or 966 meters) long and has a peak height of 78.1 ft (or 23.8 meters) 3. The attraction reaches speeds of nearly 60 miles per hour, the fastest for any Disney Roller Coaster. 4. The attraction features 7 trains with 7 cars per train.  While most of the seats on the attraction feature the lightcycle seating, a few of the trains have regular roller coaster seats in the back with a traditional lap bar for those who don't want the bike experience. 5. According to WIkiPedia, the music heard on the attraction was created by Joseph Trapanese and Daft Punk. Let's ride TRON Lightcycle / Run.  Argon for the ride is John B. deHaas and Shawn Walsh and after we ride we'l give you our thoughts on this attraction.  This is a binaural recording so if you have headphones put them on now as we preview TRON Lightcycle / Run at Walt Disney World's Magic Kingdom. The attraction audio recorded for this episode is available exclusively to the Saturday Morning Media Patron Patron.  Support the show and get fun Bonus content over at http://www.patreon.com/saturdaymorningmedia Episode edited by Stephen Staver FOLLOW US https://www.instagram.com/attractionchecklist/ http://www.twitter.com/SaturdayMMedia  https://www.linkedin.com/company/saturday-morning-media http://www.youtube.com/user/SaturdayMorningMedia?sub_confirmation=1 FOLLOW GRANT http://www.MrGrant.comhttp://www.twitter.com/toasterboy  https://instagram.com/throwingtoasters/ SOURCES: https://disneyworld.disney.go.com/attractions/magic-kingdom/tron-lightcycle-run/ https://en.wikipedia.org/wiki/Tron_Lightcycle_Power_Run Show ©2023 Saturday Morning Media/Grant Baciocco  

After a six-month hiatus, Ley Bricknell is back! In this twelfth FILMIC episode on THE CINEMATIC SOUND RADIO PODCAST you'll hear a mix of new and old featuring the works of Chris Egan, Robin Caolan, Sebastian Gainsborough, Joseph Trapanese, Piero Pichioni, Conrad Pope, Vangelis, Henry Mancini, Cliff Martinez, Howard Shore, Michael Giacchino, Fahir Atakoğlu, and Bear McCreary, Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Randy Andrews —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

"Navidad en 8-bits" (2021), música de Joseph Trapanese.

Welcome to Right on Cue, the podcast where we interview film, TV, and video game composers about the origins and nuances of their latest works and select commentaries from some of the score's most important tracks.   Today, we're talking about Spiderhead, the Netflix Original Movie that premiered last month, starring Chris Hemsworth and Miles Teller, directed by Joseph Kosinski (who's already flying high this year with the whirlwind success of Top Gun: Maverick). But where Maverick is all massive, big-screen spectacle and Tom Cruise at the literal height -- or, rather, altitude -- of his powers, Spiderhead feels more akin to the kinds of thinky, patient sci-fi spectacle Kosinski is known for.   It's an eerie, unsettling film, with a suitably quirky score to match, courtesy of Kosinski stalwart Joseph Trapanese. The composer is no stranger to this show, having discussed his score for Netflix's fantasy series Shadow and Bone with us, and he's been busy since, taking over for season 2 of Netflix's The Witcher, Prisoners of the Ghostland, Project Power, and more. Now he's returned to the show to discuss the delicate balance of haunting vocals and electronic elements that make up his minimalist score for Spiderhead and how they weave throughout the film's yacht-rock-heavy soundtrack.   After the interview, Joe talks us through some track commentaries from the score.   You can find Joseph Trapanese at his official website here.   Spiderhead is currently streaming on Netflix, and you can listen to the score on your preferred music streaming service courtesy of Maisie Music Publishing.

Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 125 - Rotten To The Score Original soundtracks, noir, GLS In this production our in-house 4:3 aspect ratio meets the 16:9 Gleichlaufschwankung for a mind experience in anamorphic widescreen. film classic soundtracks from the last 56 years come together. Gleichlaufgiribiki extract all that cruel & pleasant sounds from the background direct to your oul radio. what you hear is glorious stereo from the good analogue proceeding plus chiaroscuros effect. 1. intro. John Carpenter - music, sound effects and dialogue excerpts part 1 >>> Dark Star (John Carpenter / 1974) 2. Klaus Schulze - freeze >>> Angst (Gerald Kargl / 1983) 3. Zdeněk Liška - witches firewall >>> The Little Mermaid (Karel Kachyňa / 1976) 4. Angelo Badalamenti w/ The City Of Prague Philharmonic - mulholland drive >>> Mulholland Drive (David Lynch / 2001) 5. Hilmar Örn Hilmarsson - journey >>> Children Of Nature (Friðrik Þór Friðriksson / 1991) 6. Mike Patton - forest of conscience >>> A Place Beyond The Pines (Derek Cianfrance / 2013) 7. Charlie Clouser - main titles >>> Dead Silence (James Wan / 2007) 8. Lalo Schifrin - torture sequence / prison talk sequence >>> THX 1138 (George Lucas / 1971) 9. Joseph Trapanese, Aria Prayogi, Fajar Yuskemal - showdown >>> The Raid 2 (Gareth Evans / 2014) 10. Paul Hertzog - samoan balls >>> Bloodsport (Newt Arnold / 1988) 11. Trevor Jones w/ Courtney Pine - i got this thing about chickens >>> Angel Heart (Alan Parker / 1987) 12. Bernard Herrmann - diary of a taxi driver >>> Taxi Driver (Martin Scorsese / 1976) 13. Bernard Herrmann - vertigo prelude and rooftop >>> Vertigo (Alfred Hitchcock / 1958) 14. Clint Mansell - “we're not programs, gerty, we're people” >>> Moon (Duncan Jones / 2009) 15. Biosphere - field >>> Insomnia (Erik Skjoldbjærg / 1997) 16. Burkhard Dallwitz - underground / storm >>> The Truman Show (Peter Weir / 1998) 17. Vangelis - wait for me >>> Blade Runner (Ridley Scott / 1982) 18. John Carpenter & Alan Howarth - junkins >>> Christine (John Carpenter / 1983) 19. Daktari Lorenz - katzi >>> Nekromantik (Jörg Buttgereit / 1987) 20. Laibach - moon attack potpourri >>> Iron Sky (Timo Vuorensola / 2012) 21. Le Syndicat Electronique - passion >>> Lebenspornografie (Edwin Brienen / 2003) 22. Michel Rubini & Denny Jaeger - beach house >>> The Hunger (Tony Scott / 1983) 23. Alejandro Jodorowsky, Don Cherry, Ronald Frangipane - rainbow room >>> The Holy Mountain (Alejandro Jodorowsky / 1973) 24. Zhao Jiping - summer >>> Raise The Red Lantern (Zhang Yimou / 1991) 25. Joseph LoDuca - ascent / inflection >>> The Evil Dead (Sam Raimi / 1981) 26. Daniel Licht - blood theme >>> Dexter (2006-2013) 27. Hermann Kopp - drunk >>> Nekromantik (Jörg Buttgereit / 1987) 28. Mike Patton - weight of consequences (quod erat demonstrandum) >>> The Solitude Of Prime Numbers (Saverio Costanzo / 2010) 29. Howard Shore - accident… accident… >>> Crash (David Cronenberg / 1996) 30. Angelo Badalamenti - theme from twin peaks - fire walk with me >>> Twin Peaks - Fire Walk With Me (David Lynch / 1992) 31. Michael Galasso - angkor wat theme finale >>> In The Mood For Love (Wong Kar-Wei / 2000) 32. Keiichi Suzuki - a house on fire and massacres all over >>> Zatōichi (Takeshi Kitano / 2003) 33. The RZA - opening theme (raise your sword instrumental) >>> Ghost Dog: The Way Of The Samurai (Jim Jarmusch / 1999) # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/

Joseph Trapanese (The Greatest Showman, Tron: Legacy, Oblivion) talks about composing the score for The Witcher, his mission to get a real orchestra involved despite covid restrictions, and why he relies on JBL studio monitors every step of the way.

Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 127 - Suddenly… …there is a change! 1. Intro. The Big Lebowski - the Dude lies happily on his new rug, listening to a bowling game through headphones (film fragment) .Joel & Ethan Coen 2. Secret Boyfriend - summer wheels / mysterious fires .BLACKEST 023 3. +10 Acid Crew - rev 4 acid .NER 008 4. Same Actor - autumn (György Ligeti tribute) .GLT 008 5. Max Goldt - monolog des morganatischen maurers .FÜNFUNDVIERZIG 35 6. Za! - mr. reality .GAN 9; DISREC23 7. Shabazz Palaces - motion sickness .SP 1044 8. Francis Bebey - forest nativity .BB 064 9. Bayaka Pygmies - earth bow (song from the forest OST) .GRUEN 150 10. Patrick Franke - pfrtemp, 0 - 10, 140914, european red deer, 1, advertising call, ortf .Singwarte Media 11. Dean Blunt - hush .RTRADLP 725 12. DJ Detweiler Vs. Skype.exe - hold the line (bubble trap chi getotek remix) .Self Released 13. Oneohtrix Point Never - he she .WARPLP 240 14. Joseph Trapanese, Aria Prayogi & Fajar Yuskemal - Hammerballs .SL9-2004-1-7 15. Aphex Twin - fz pseudotimestretch+e+3 .WARPLP 247 16. Sensational - vibration .WSLP 022 17. Ovuca - untitled (F3-onclements) .CAT 104 LP 18. Die Antwoord - ugly boy .ZEF 003VL 19. Vangelis Katsoulis - improvisation .ITL 002 20. Jamie Lidell - the city .WAP 191 21. Sun Circle - for Yoshi Wada, 2010 .BLKPLN 01; IMPREC 263 22. Colin Stetson - awake on foreign shores .CST 075-1 23. Plaid - air locked .WARPLP 63 24. Servi - symplegaden .Amiga 25. Dream Koala - earth .Zuluzulu Records 26. Steve Hauschildt - intimate yell .EMEGO 178 27. The Short Wave Mystery - szabo (version) .GS 101; WS 2013001 28. Gaida Orchestra - rodopi posadnitsa (gaida solo) .JVC World Sounds 29. Momusmcclymont - eurabia .AMPATCH 013 30. Muslimgauze - untitled (track 4-turkish berlina) .STAALPLAAT-Archive 17 31. Sezen Aksu - zor yıllar .Fono Müzik 32. Transllusion - unordinary realities .TRESOR 270 33. Richrud D. Jomes - phonex balz .Self Released 34. Jeremiah Jae - cable .BF 030 35. Vangelis - chariots of fire (DJ Detweiler flute emotional remix) .CHNSTRK 005 36. David Fanshawe - kayamba dance: giriama wedding (rec. in kenya) .Elektra Nonesuch 37. Levon Vincent - no regrets .NS-05 38. Endphase - good bye virginity .TUT 030 39. LFO - blown .WARPLP 110 40. outro. The Big Lebowski - at the bowling alley, Donny misses a strike for the first time and puzzles over this as Walter drones about vietnam to Dude who doesn't seem to be paying attention as he paints over his fingernails with clear polish (film fragment) .Joel & Ethan Coen Sudden shouts to: Herztier my Deer, Gleichlaufschwankung inside Musikküche, Tshu Tshu the Zorn of Solaris, God KizZmoe, Invisible Miss ft. Sub Rosa, Karl Marx Nüschel, Goon vs. Brechtakt, Pork 4 Primecut, AlulaTon Singwarte, Cnc Eglersons, Hendrik's Rum, Dr. s/Ae. Cladding, Theremin van Interesse, cosey BoOmlounge of MK II, Bssmssg Crwd, Abbe from Eindhoven, Intergalactic's SEER, The Trilogy Tapes on Knyx, all Mamas & Papas… # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/

Composer Joe Trapanese talks about how long he can experiment to find a unique sound, why he doesn't mind long delays for his movies to come out, and his decision to take fewer scoring jobs, to ensure each one is something he can find fulfillment in. Plus, working for years on his upcoming thriller Spiderhead directed by Joseph Kosinski (TRON: Legacy, Oblivion, Top Gun: Maverick)

Musique Mécanique par le Théâtre Électrique ::"Ravka" by Joseph Trapanese

Original broadcast date July 16, 2020. The original podcast post is here: https://pixelatedgeek.com/2020/07/binary-system-podcast-227-welcome-to-night-vale-livestream-of-the-live-show-condos/ Just like last week we don't have a new episode of Welcome To Night Vale to recap. What we do have to talk about is the Welcome To Night Vale livestream, live performance of their first ever live show, "Condos". Eventually. We got distracted by this week's sitrep and a few other things (The Mandalorian, The Night Manager, Tron Legacy, San Diego ComicCon At Home, and this year's Hugo Awards), but we managed to talk about Condos about halfway through the episode. This week's outro is a clip from Synthwave F by TeknoAxe. The name we were trying to think of, the guy who orchestrated the Tron Legacy soundtrack, is Joseph Trapanese, he collaborated with Daft Punk for two years on the music, and we're really excited that he's currently signed on for the sequel. The Welcome to Night Vale live stream of Condos was broadcast from noonchorus.com/welcome-to-night-vale/ we can watch it again on our end since we already signed up for it, if you didn't see it live we're assuming you can donate $5 and watch it too? Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use http://www.scottishlaird.co.uk/#_a_2gk to get there, you can support this podcast too! If you want to follow along with Fanart Fridays, check us out on Facebook, Tumblr, Twitter, and Instagram!

Musique Mécanique par le Théâtre Électrique ::"Ravka" by Joseph Trapanese

Musique Mécanique par le Théâtre Électrique ::"Ravka" by Joseph Trapanesehhy

Musique Mécanique par le Théâtre Électrique ::"Ravka" by Joseph Trapanese

Musique Mécanique par le Théâtre Électrique ::"Ravka" by Joseph Trapanese

Stevie hosts Josh, Brett, Korey, and Pappy in spoiling the action classic: The Raid 2! After surviving a bloody fight with powerful gangsters, rookie Jakarta cop Rama (Iko Uwais) thinks he can resume a normal life. However, his exploits during that fateful incident have attracted the attention of criminals even more deadly than the last. His family at risk, Rama has no choice but to go under cover. He gets himself thrown in prison, where he befriends the son of a prominent crime kingpin. Rama must lay his own life on the line to finally destroy the criminal empire. Release date: March 28, 2014 (USA) Director: Gareth Evans Budget: $4.5 million Box office: $6.6 million (excluding Indonesia and Japan) Languages: Indonesian; Japanese Music by: Joseph Trapanese; Aria Prayogi; Fajar Yuskemal

Netflix’s brand new, highly anticipated fantasy series, Shadow and Bone has already secured a 92% critics rating on Rotten Tomatoes. Composer Joseph Trapanese (Tron: Legacy, The Greatest Showman), explains how fairytales, Russian stories, magic and fantasy inspired the soundtrack, and how he composed different sonic themes for each character in order to build a musical world to compliment this extraordinary and grand adventure.

Special guest Alisha Grauso joins the show for a bonus discussion of “Shadow and Bone,” a brand new dark fantasy series that just hit Netflix. We chat about how the show measures up to the first book in the Shadow and Bone trilogy by Leigh Bardugo, plus how newcomers to the story might get instantly hooked on this intriguing and unique world filled with “magic” (or small science?) and swashbuckling thieving crews. Links: Follow us on Twitter: Jon Negroni, Will Ashton Support our show on Patreon. Follow Cinemaholics on Facebook and Twitter.  Send us an email via cinemaholicspodcast [at] gmail.com. Leave us a voicemail on The “Swell” App. Shop our Cinemaholics merch page for hoodies, shirts, and more! Music in this episode: “Ravka” by Joseph Trapanese from the “Shadow and Bone” soundtrack.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

In the wake of Game of Thrones' ending, virtually every streaming service has tried its hand at vying for prestige-fantasy drama supremacy, adapting book series filled with sprawling worlds and dense mythologies. The latest of these, Shadow and Bone, based on the Grishaverse novels by Leigh Bardugo, is one of the lushest and most intriguing in a good long while -- set in a war-torn steampunk world split by various warring nations. The largest of these, Ravka, is split by a mysterious black fog called the Shadow Fold, which proves dangerous crossing due to all manner of horrifying creatures that lie in the darkness. The only hope of destroying the Fold lies with a young girl named Alina, a cartographer who suddenly discovers mysterious powers that thrust her to the forefront of a battle for the very soul of the planet. Such expansive genre fare requires a deft musical hand to manifest, and Shadow and Bone has that in the form of Joseph Trapanese, who burst onto the scene in 2010 with his collaboration with Daft Punk for the iconic score to Tron Legacy. Since then, he's worked with Legacy director Joseph Kosinski on Oblivion and Only the Brave and scoring other works like Straight Outta Compton, Tron: Uprising, and The Greatest Showman (alongside John Debney). With Shadow and Bone, Trapanese offers up a muscular, global-sounding score that steps up to the mighty challenge of sketching out the varying worlds and colorful characters of the Netflix series. He combines electronic elements with traditional orchestration to sell the fantastical sweep of Alina's journeys, while also incorporating Slavic voice and instruments like gamelans and balalaikas to flesh out the Russia-inspired climes in much of the series' first season is set. I sat down with Trapanese for a lengthy chat about the challenges of scoring an entire series of such grand scope, the creative inspirations he took from the books, and the interconnecting, interweaving musical motifs of the major characters. In a first for the podcast, Trapanese also provides commentaries explaining his process for the cues "Erase the Past" and "Royal Archives Heist." Shadow and Bone is currently streaming on Netflix, and you can stream the entire soundtrack for series 1 courtesy of Maisie Music Publishing.

In just over the past decade, Joseph Trapanese has made his mark in Hollywood with electric scores, orchestrations, and arrangements for popular films. Very notably, his orchestration for TRON: Legacy, composed by Daft Punk, has been recognized by the film community as one of the best scores in recent years. He is the composer behind Hollywood hits including Oblivion and Only the Brave and co-composed The Great Showman with John Debney, a past Notably Disney guest, among handling other scores. For Disney, he has also composed the score for the television series TRON: Uprising and the 2019 iteration of Lady and the Tramp. His experiences are vast in such a relatively short period of time, and it’s always dynamic to listen to his scores. Joe discusses all of this and more with Brett Nachman on this episode of Notably Disney. Learn more about Joe's music on his website (JoeComposer.com), and follow his work on Facebook (Joe Composer) and Twitter (@JoeComposer). Feel free to follow Brett on Twitter (@bnachmanreports), subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of the podcast debut on the first and third Tuesday of every month.

Featured this week is 'Project Power', a new film starring Jamie Foxx with music by Joseph Trapanese. The film is centred around a new drug which gives its recipient super powers for up to five minutes. Matthew Sweet foregrounds the music for this and other soundtracks to films inspired by the notion of empowerment. The programme includes music from ‘X-Men: First Class’, ‘Code 8’, ‘Spider-Man 2’, ‘Robocop’, ‘A.I.-Artificial Intelligence’, ‘The Devil’s Advocate’, ‘The Mephisto Waltz’, ‘Carrie’, ‘The Ninth Gate’ and ‘The Umbrella Academy’. The Classic Score of the Week is Miklos Rozsa’s music for ‘The Power’. Photo credit: Alfonso Bresciani/Netflix

Despite hailing from Jersey City, New Jersey, and only being 35 years old, composer Joseph Trapanese has rapidly ascended to join the ranks of today's most exciting composers. Due in no small part to the composer's work with such musical luminaries as French electronic acts M83 and Daft Punk (the latter of which he helped compose the massively-successful score for Tron: Legacy), along with his work composing scores for films as diverse as the live-action Disney remake of The Lady & the Tramp or musical The Greatest Showman, Trapanese seemingly defies categorization. It's a fascinatingly broad selection of work in a very short time, and so we were very excited to get the chance to speak with Trapanese about his career up to now.

In this episode, Host Jon Burlingame sits down with composer Joseph Trapanese to talk about his work on the live-action Lady and the Tramp, first Disney project Tron Legacy and his collaborations with Daft Punk, Dr. Dre and M83.

Présent lors du dernier PIFFF pour accompagner son excellent Gundala, le très cool Joko Anwar nous a parlé du cinéma de genre indonésien. Et c'était tellement passionnant qu'on a décidé de le nommer rédac' chef honoraire de ce PIFFFcast ! C'est donc parti pour une exploration en règle d'une cinématographie pas comme les autres, où mythes locaux, religion et inventivité bis font le bonheur des cinéphiles aventureux ! Avec Véronique Davidson, Xavier Colon, Laurent Duroche et Cyril Despontin. Réalisation : Véronique Davidson et Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Mais aussi sur Youtube : https://www.youtube.com/watch?v=528JqGazFYY Références des films cités : - Perfect Sense de David Mc Kenzie (2011) - Invisible Man de Leigh Whannell (2019) - Miracle à Milan de Vittorio De Sica (1951) - Il Boom de Vittorio De Sica (1963) - Le Jardin des Finzi-Contini de Vittorio De Sica (1970) - Garuda Power : The Spirit Whithin de Bastian Meiresonne (2014) - La Revanche de Samson de Sisworo Gautama Putra (1987) - Les Primitifs (alias "L'île de l'enfer cannibale") de Sisworo Gautama Putra (1978) - Gundala de Joko Anwar (2019) - Memories of my body de Garin Nugroho (2018) - The Raid de Gareth Evans (2011) - Killers de The Mo Brothers (2014) - The Night come for us de Timo Tjahjanto (2018) - Queen of Black Magic de Lilik Sudjio (1979) - The Warrior de Sisworo Gautama Putra (1981) - The One Armed boxer de Jimmy Wang Yu (1971) - Miracle Fighters de Yuen Woo-ping (1982) - Satan's Slave de Sisworo Gautama Putra (1982)   - May the Devil Take You de Timo Tjahjanto (2018) - Impetigore de Joko Anwar (2019) Le making of The Raid 2 : https://www.youtube.com/watch?v=kutD5VHUF9U La Bande Originale : The Raid composée par Mike Shinoda et Joseph Trapanese https://www.youtube.com/watch?v=nTEIsrBJJRM

JOSEPH TRAPANESE is best known for his sleek score work for blockbuster films like TRON: LEGACY, STRAIGHT OUTTA COMPTON, THE GREATEST SHOWMAN, OBLIVION and THE RAID series. As a composer, arranger, and producer for film, television, theater and video game music, he has collaborated with a number of mainstream musical acts such as Daft Punk, M83, Mike Shinoda, and Dr. Dre. His solo work also includes: Stuber, Arctic, Robin Hood, Only the Brave, Earth to Echo and two installments of the Divergent series. Now, a new live-action, "Lady and the Tramp," one of his latest works, was just released on the new streaming service, Disney+.The 2019 “Lady and the Tramp,” a timeless retelling of the 1955 animated classic of a pampered house dog and a tough but lovable stray, who embark on an unexpected adventure and, despite their differences, grow closer and come to understand the value of home. The film is directed by Charlie Bean and written by Andrew Bujalski and Kari Granlund, produced by Walt Disney Pictures and was released on November 12, 2019.In this episode, composer Joe Trapanese shares how he embraced the famous "Bella Notte" from the original "Lady and the Tramp" from 1955, while also writing his own original music and themes for this newest version. He reveals how he incorporated the original "Bella Notte," as well as creating his own, new arrangments of the unforgettably, romantic song. Trapanese also details a number of the key, original themes he wrote for the film and names a number of the talented musicians who performed them.ANNOTATED TRACKS / SEGMENTS02:40 - Main Title (Bella Notte)04:57 - The Tramp07:59 - Welcome to the Family10:53 - Getting on the Boat12:47 - Bella NotteSOUNDTRACKThe original score for Lady and the Tramp was released by Walt Disney Records on November 12, 2019, and can be purchased at Amazon.com, iTunes, or streaming on Spotify and Apple MORE ABOUT THE COMPOSERYou can find out more and hear more music by Joseph Trapanese at his official site, https://www.joecomposer.com/ or you can follow him on Twitter @joecomposer.ABOUT THE ANNOTATORThis podcast is produced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.SUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle PodcastsRSS Feed

On our Patreon, Daryl breaks free from the 90's and covers Daft Punk and Joseph Trapanese's synth/ orchestral score to the belated sequel, TRON Legacy (starring Jeff Bridges, Garrett Hedlund, Olivia Wilde, Michael Sheen and Bruce Boxleitner).  Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs!

With the release of 'Stuber' this week, Michael Dowse's action comedy about a taxi driver and a terrorist, with music by Joseph Trapanese, Matthew Sweet considers the differing ways in which cars appear in films, and the music that has been created to underscore them.

Capítulo cargado de noticias, novedades, estrenos, debate y música este 118 de Estamos de Cine. Esta vez abrimos fuego con Marta Lobera y conociendo, en nuestra ‘Newsroom', las últimas filtraciones sobre ‘Capitana Marvel', ‘Los Vengadores 4', el biopic de Elton Jonh, los nominados a los premios Forqué y las primeras protagonistas femeninas elegidas para recrear en televisión la historia de ‘Patria', la magistral novela de Fernando Aramburu. Con Juanra Fernández seguimos aprendiendo cine con pequeñas ‘masterclass' en las que este director de cine conquense nos explica términos como el que toca esta semana: la ‘localización' y su importancia en el resultado de una película. El debate más candente del momento llega en la sección ‘El Filtro Luchini'. Nuestro crítico de referencia, Alberto Luchini, desglosa las virtudes que han llevado a la película ‘Roma', de Alfonso Cuarón, no sólo a ganar el León de Oro en Venecia sino a estar siendo calificada como ‘obra maestra' por la crítica. ¿El problema? Que sólo cinco salas de toda España han apostado por proyectarla. El resto han preferido vetarla ya que, sólo una semana después, los abonados de Netflix podrán verla en casa. Es el primer caso llamativo de los muchos que están por venir y por eso queremos conocer todos los puntos de vista, el periodístico, el de los exhibidores, productores, responsables de festivales y, por supuesto, también el de Netflix. Pero además de ‘Roma' y del efecto ‘luz de gas' que ha sufrido en los cines, tenemos que analizar y puntuar otras novedades y regresos como el de Disney con ‘Ralph rompe internet', como el de Julia Roberts en ‘El regreso de Ben' o el de ‘Robin Hood', que resucita en modo milenial con el joven y sobrado Taron Egerton como protagonista. Un regreso, el del también llamado ‘Príncipe de los Ladrones', que aprovecharemos para hacer un completo recorrido musical a través de la evolución de este personaje en la historia del cine. Si Errol Flynn, un zorro dibujado por Disney, Kevin Costner, Russell Crowe y ahora Egerton han puesto rostro a Hood, compositores como Korngold, George Burns, Michael Kamen, Mark Streitenfeld y ahora Joseph Trapanese se han encargado de hacer volar sus aventuras con la música que analizaremos con nuestro experto, Ángel Luque. Escucha la versión completa y extendida de ‘Estamos de Cine' y disfrútala cómo, cuándo y donde quieras. Gracias por elegirnos.

Joe Trapanese is a friend, colleague, and film composer who has worked on some of the coolest project and film scores of the last 5-10 years including The Greatest Showman, Jean Claude Van Johnson, Straight Outta Compton, Tron: Legacy, Oblivion, Only the Brave, Unsolved: The Murders of Tupac and the Notorious B.I.G., and The Raid series (which is my #1 secret weapon as a film editor). Rarely is there an episode of TV where I don’t use a track from The Raid if I’m working with a fight scene or a suspense sequence. It’s MONEY. In this interview Joe and I break down his path from a kid in New Jersey to moving out to Los Angeles and how he climbed from nowhere to the top of his profession in record time. In addition, Joe and I also do a deep dive into the creative process of collaborating with composers. If you have ever wondered how composers approach their work, or more importantly if you’re an editor like me and you want to know some cool tips for working with composers, this is an incredibly useful and insightful interview. Win a One 1-Yr Subscription to Adobe Creative Cloud or Frame.io » Click here to leave a review of this episode in iTunes (or Apple Podcasts) Here's What You'll Learn: Focusing on what is in your control It's about who you know, so start meeting people Establishing relationships rather than networking for jobs "You won't get hired until you are the solution to someone's problem." Confidence vs. arrogance Keeping your cool in the reputation-driven world of professional composing How to searching for the best solutions in collaboration, rather than just inserting your own Dedicating yourself to a specific career ladder How to know when you're not getting enough in return for your work "Talking about music is like dancing about architecture" Useful Links: Joe Trapanese's IMDb Page Our Generous Sponsors: This episode is made possible by our proud supporters Adobe. Leave a review of this episode in iTunes or Apple Podcasts and you’ll be entered to win a yearly subscription to Adobe Creative Cloud, an essential package of video creation tools that I personally can’t live without. What’s so cool about creative cloud is how easily you can move from ingest to editing, and from color grading to 3D compositing, thanks to smooth integration between Premiere Pro, After Effects, and Audition. To win yourself that yearly subscription, just leave an honest review of this show in iTunes or Apple Podcasts. You can also enter to win the 12 month 'Pro Plan' from our sponsor Frame.io, an amazing online collaboration tool where you can comment and interact directly with your videos providing instant feedback, rather than constantly going back and forth via endless email chains. (And you know how I feel about email and productivity.) Even cooler your comments can be imported directly into your editing software of choice, and it’s so intuitive, easy to use, and dare I say “pretty” that Frame.io won an Apple Design Award. Leave a podcast review in iTunes to be entered to win your 12 month 'Pro Plan.' This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat. This episode is made possible by SitTight, my new #1 recommendation if you’re searching for a healthier, more ergonomically-friendly office chair that turns sitting into an activity that actually improves your health rather than damaging it. Yes, you can actually get fit while you sit. If you’ve never seen one, just imagine the most comfortable bar stool on the planet on top of a Bosu Ball. Trust me...it’s awesome. SitTight can provide fitness for your body, focus for your mind, and fun for your spirit. BONUS: Use the coupon code OPTIMIZE for 10% off your order! Guest Bio: Facebook|Twitter|Instagram Joseph Trapanese is best known for his sleek score work for blockbuster films like “Tron: Legacy,” “Straight Outta Compton,” “Oblivion,” and the “Raid” series. As a composer, arranger, and producer for movie, television, theater, and video game music, he has collaborated with a number of mainstream musical acts. His first major break came in 2010 when he worked with Daft Punk on the sweeping digital soundtrack to Disney's “Tron” reboot/sequel. Trapanese followed that success by creating a score with Mike Shinoda of Linkin Park for the American release of the 2011 Indonesian martial arts film “The Raid: Redemption” (he would continue without Shinoda in 2014 with “The Raid 2”). That same year, he helped with arrangements on a handful of tracks for M83's breakthrough hit “Hurry Up, We're Dreaming,” which led to the pair's collaboration on the 2013 Tom Cruise sci­fi epic “Oblivion”. For 2017’s “The Greatest Showman,” Trapanese worked alongside Pasek & Paul and John Debney, producing songs and co­ composing the score. Notable solo scores include “Only The Brave” (2017), the landmark rap biopic “Straight Outta Compton” (2015), the second and third installments of the “Divergent” series, “Insurgent” (2015) and “Allegiant” (2016); “Earth to Echo” (2014); USA’s “Unsolved” (2018); Amazon’s “Jean­Claude Van Johnson” (2017); ABC’s “Quantico” (2016­17) Freeform’s “Dead of Summer” (2016); EA’s video game “Need for Speed Payback” (2017); and Ubisoft’s video game “The Crew” (2014). In the studio and in concert, in addition to Daft Punk, M83, and Mike Shinoda, he has worked with Dr. Dre, Dierks Bentley, Zedd, Kelly Clarkson, Mike Shinoda, Kendrick Lamar, Moby, Aloe Blacc, Alessia Cara, Haim, The Glitch Mob, Active Child, Halsey, Sohn, John Newman, Dia Frampton, 3OH!3, Steven Price, and James Newton Howard. Born in New Jersey, Trapanese earned his B.A. in classical composition from the Manhattan School of Music. He went on to study at UCLA for his M.A. in music for visual media and taught electronic music composition at the school from 2008­2011. In 2016, he became a member of the Academy of Motion Picture Arts and Sciences. He is a founding member of The Echo Society. Show Credits: This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Elyse Rintelman. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet). Note: I believe in 100% transparency, so please note that I receive a small commission if you purchase products from some of the links on this page (at no additional cost to you). Your support is what helps keep this program alive. If you have any questions, please don’t hesitate to contact me.

Cinema's consistent love affair with the Robin Hood legend spawns a new film this week, "Robin Hood", starring Taron Egerton in the title role and with music by Joseph Trapanese - another take on the timeless myth of the man who took from the rich to give to the poor. Matthew Sweet examines Robin Hood's screen history and looks at how screen composers have portayed the legend in music . With music by John Barry, Geoffrey Burgon, Dorothy Carwithen and Korngold's Oscar winning score to the 1938 Errol Flynn classic.

Kirsten, Erik and Christopher are back to talk through six new soundtrack stories: Best 2018 Score (so far), Joseph Trapanese scoring the upcoming Robin Hood film, the new Mortal Engines trailer and their hopes and dreams for the film and score's composer, Gordy Haab and the future of Star Wars music, Willow sequel rumors, and is the Boba Fett film score a Marco Beltrami no-brainer?Episode Highlights03:41 - #1 - Best Score of 2018 ... so far14:13 - #2 - Joseph Trapanese on the new Robin Hood film22:39 - #3 - Mortals Engines: movie and music expectations35:54 - #4 - Gordy Haab: Future Star Wars?49:39 - #5 - Willow Sequel: it happens who you should score it?55:26 - #6 - Boba Fett: A Marco Beltrami no-brainer?Music Selections00:00 - "Star Wars" (Instrumental Party Hits Aus Kino Tv Werbung) by Jo Walter Goes Hammond13:55 - "OO-De-Lally" (Walt Disney's Robin Hood) by Roger Miller22:16 - "OO-De-Lally" (Walt Disney's Robin Hood) by Roger Miller35:29 - "Star Wars Remix" Jaden and The Beat Droids49:18 - "Willow's Theme" (Willow) by James Horner55:10 - "Imperial Starfleet Deployed/ City in the Clouds" (The Empire Strikes Back) by John Williams73:24 - "The Departure of Boba Fett" (Episode II) by Galactic EmpireNotes:Best of 2018 Twitter PollJoseph Trapanese Scoring Otto Bathurst's ‘Robin Hood'Mortal Engines TrailerAs Composer Gordy Haab Games the 'Star Wars' Universe, Could He Be John Williams' Heir Apparent?Ron Howard Says a ‘Willow' Sequel Could Still Happen [Updated]'Star Wars': Boba Fett Movie in the Works With James Mangold (Exclusive)Find and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow Erik Woods on Twitter - @cinsoundradioFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

The soundtracks for Children of Men (Sir John Tavener) and Oblivion (Anthony Gonzalez and Joseph Trapanese).

Score: The Podcast welcomes composer John Powell, Academy Award nominated composer of How To Train Your Dragon and How To Train Your Dragon 2, the Bourne franchise of films, Shrek, Antz, Happy Feet, Ice Age series, Rio, and the new Solo: A Star Wars Story (May 25).   Robert and Kenny begin the show talking about Deadmau5’s new comments about wanting to become a film composer and how often popular recording artists can cross over successfully. Robert gives examples of artists who’ve broken out into film music success immediately, including Trent Reznor and Atticus Ross, Junkie XL (Tom Holkenborg), Daft Punk and Joseph Trapanese and others.   Then John Powell enters the studio to talk about his new score for Solo: A Star Wars Story and working alongside John Williams. Plus, the groove of the Bourne series and why Powell says he thanks “Matt Damon’s backside” for making the music work.   A new episode of The Inside Track with Music Psychologist Dr. Siu-Lan Tan explores the musical foundation of film scores and how rhythms of twos and threes are the building blocks for great music.   Then John and the guys talk about How To Train Your Dragon and sitting next to Hans Zimmer when Trent Reznor and Atticus Ross’ The Social Network beat him for the Academy Award. Plus, his approach for getting multiple cues “spinning” until the last minute on an animated film where things can change until the very end, and his work with Blue Man Group and Rio.   Lastly, John and the guys play an animated film score edition of Name That Score, where you — yes, you! — could be a winner! Plus, John teases the unique sound of vuvuzelas he recorded for Solo: A Star Wars Story.   EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast   FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast   Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

大家好！赶在保护月的最后一天更新最后一集保护月节目，这集将由腐哥和森森聊一下《战狼2》、韩国主旋律电影《军舰岛》以及最近比较热门的台湾电影《目击者》。接下来还有新一集快闪，敬请期待。配乐：开头曲：〈Love Yourself〉- Justin Bieber主要配乐来源专辑：〈战狼2 电影原声带〉- Joseph Trapanese结尾曲：〈Mark My Words〉- Justin Bieber

大家好！赶在保护月的最后一天更新最后一集保护月节目，这集将由腐哥和森森聊一下《战狼2》、韩国主旋律电影《军舰岛》以及最近比较热门的台湾电影《目击者》。接下来还有新一集快闪，敬请期待。配乐：开头曲：〈Love Yourself〉- Justin Bieber主要配乐来源专辑：〈战狼2 电影原声带〉- Joseph Trapanese结尾曲：〈Mark My Words〉- Justin Bieber

In Episode 1 of The Cinescope Podcast, we talk about one of Joe's favorite movies, TRON: Legacy! *Please forgive for any excessive mouse clicks you may hear. I am aware of the problem and will work to eliminate them from future episodes. Thank you for listening!   Show Notes TRON: Legacy on iTunes TRON: Legacy soundtrack on iTunes Stats Released December 12, 2010 Dir. Joseph Kosinski (Oblivion) Written by Edward Kitsis and Adam Horowitz Music by Daft Punk (with Joseph Trapanese - went on to score TRON: Uprising TV show and Kosinski's Oblivion) Starring Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, and Michael Sheen Contact Joe JoeDarnell.com Twitter Top Brew Podcast Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Joe Darnell.

Matthew Sweet introduces a selection of film music inspired by visitors from outer space inspired by the week's featured new release: David Green's "Earth to Echo" with music by Joseph Trapanese. Featured scores include: Alan Silvestri's "Contact"; Tristram Cary's " Quatermass and the Pit"; Danny Elfman's "Men in Black" and Eric Serra's "The Fifth Element". The classic score of the week is John Williams's "E.T. - The Extra-Terrestrial". #soundofcinema.

Episode 61 - Star Man Trekking into Dark, Iron Oblivionness Michael Coleman (Soundworks Collection) and Kristen Romanelli (Film Score Monthly/ Watcher Junior) join the full cast and crew for a triple feature review! Three of this year's top action and sci/fi films are the topics of discussion: Michael Giacchino's STAR TREK INTO DARKNESS, Brian Tyler's IRON MAN 3 and M83 + Joseph Trapanese's OBLIVION. Episode Highlights 00:22 - Intro and Welcome: Michael Coleman and Kristen Romanelli 04:48 - Listener Feedback 07:40 - Star Trek Into Darkness - Movie talk 27:56 - Star Trek Into Darkness - Score in the film 38:15 - Star Trek Into Darkness - The soundtrack release 46:09 - Iron Man 3 - Movie talk 56:54 - Iron Man 3 - Score in the film 65:55 - Iron Man 3 - The soundtrack release 73:43 - Oblivion - Movie talk 80:49 - Oblivion - Score in the film 86:40 - Oblivion - The soundtrack releases 94:43 - Wrapping up the triple feature Music Selections 00:00 - "Star Trek Main Theme" (Star Trek Into Darkness) by Michael Giacchino 07:11 - "Pranking the Natives" (Star Trek Into Darkness) by Michael Giacchino 28:19 - "Spock Drops, Kirk Jumps" (Star Trek Into Darkness) by Michael Giacchino 32:37 - "Main Title" (Star Trek 2 - The Wrath of Kahn) by James Horner 33:32 - "London Calling" (Cloud Atlas) (Star Trek Into Darkness) by Michael Giacchino 35:27 - "Get Carter" (John Carter) by Michael Giacchino 42:15 - "The San Fran Hustle" (Star Trek Into Darkness) by Michael Giacchino 44:18 - "Star Trek Main Theme" (Star Trek Into Darkness) by Michael Giacchino 46:08 - "Iron Man 3 Main Theme" (Iron Man 3) by Brian Tyler 59:18 - "The Mechanic" (Iron Man 3) by Brian Tyler 64:25 - "Stark Goes Green" (The Avengers) by Alan Silvestri 65:00 - "New Beginnings" (Iron Man 3) by Brian Tyler 66:15 - "Iron Man 3 Main Theme" (Iron Man 3) by Brian Tyler 73:23 - "Waking Up" (Oblivion) by M83 and Joseph Trapanese 80:58 - "Fearful Odds" (Oblivion) by M83 and Joseph Trapanese 87:14 - "You Can't Save Her" (Oblivion) by M83 and Joseph Trapanese 99:00 - "Earth 2077" (Oblivion) by M83 and Joseph Trapanese Other notes: Michael Coleman Check out Soundworks Collection www.soundworkscollection.com Follow on Twitter (@soundworksvideo, @colemanfilm) Kristen Romanelli Read her articles on Film Score Monthly Only - www.fsmonlinemag.com Follow on Twitter (@watcherjunior) Download the Episode Subscribe and More Info

Episode 58 - 2013 Year in Preview (Video Games) Sophia Tong, Editor-in-Chief at GamesRadar, and host of SoundRadar, joins Christopher, Marius, Richard and Edmund to take a look at what video game scores the year of 2013 has in store for us. They discuss some of the many upcoming indie-games on the horizon as well as the big, AAA, games...including those that have released unseasonably early. Everyone shares "What They Have Been Listening To" as well as sidetracking on the latest Humble Bundle release and the first preview of M83 and Joseph Trapanese's score for Oblivion. Episode Highlights 00:00 Fifty FPS Forest (Scoreman Retro-Remix) 00:30 Welcome and Intros 08:11 WHYBLT. Marius? Sim City, Jack the Giant Slayer 16:22 WHYBLT, Edmund? Warm Bodies 17:49 WHYBLT, Richard? Shadow of the Colossus, Deus Ex: Human Revolution (again) 20:22 WHYBLT,Sophia? Ni No Kuni, Tomb Raider, Sim City 26:27 WHYBLT, Christopher? Company of Heroes (Frederick Wiedmann) 30:11 SIDETRACK: The New Humble Bundle 34:38 2013 Year in Preview: Indie Game Scores 46:29 2013 Year in Preview: AAA Game Scores 96:18 Will 2013 be better than 2012? Music Selections 00:09 " Fifty FPS Forest" (Fastfall: Dustforce) by Lifeformed 07:44 "03 Building the Foundation" (SimCity) by Chris Tilton 09:37 "Jack and Isabelle" (Jack the Giant Slayer)) by John Ottman 19:37 "Icarus" (Deus Ex: Human Revolution) by Michael McCann 20:35 "Morning of Beginning" (Ni No Kuni) by Joe Hisaishi 22:27 "Infiltrating the Bunker"(Tomb Raider) by Jason Graves 45:35 "Dune Storm" (Catacomb Snatch) by C418 47:31 "Virtual Reality (High)" (Metal Gear Rising: Revengeance) by Jamie Christopherson 50:00 "200 Years Ago On An Icy Planet" (Dead Space 3) by James Hannigan 52:15 "Main Theme" (Aliens: Colonial Marines) by Kevin Riepl 59:38 "Restless" (Gear of War 3) by Steve Jablonsky 62:25 "Arrival" (Battle LA) by Brian Tyler 64:44 "Bioshock Main Theme" (Bioshock) by Garry Schymann 73:39 "Suite from Star Trek" (Star Trek) by Michael Giacchino 81:20 "Conviction Main Theme" (Splinter Cell: Conviction) by Michael Nielsen, Kaveh Cohen 82:55 "Main Theme" (Assassins Creed III) by Lorne Balfe 86:16 "Besieged Village" (Castlevania: Lord of Shadows) by Oscar Araujo 93:37 "Arrival" (Halo 3) by Marty O'Donnell, Michael Salvatori 100:30 "Retreat" (Aliens: Colonial Marines) by Kevin Riepl Additional Notes: Visit GamesRadar Subscribe to SoundRadar Follows Sophia Tong (@sophiatong) Download the Episode Subscribe and More Info