Podcasts about Mark Snow

On today's program, I'm celebrating the 28th anniversary of CINEMATIC SOUND RADIO, which began on September 20th, 1996, at CHMR / C101.5 FM at Mohawk College in Hamilton, Ontario. The station is now called INDI 101. For all of our anniversary programs, and yes, some years I forget to do one, I try to create something new. Sometimes it's clever, and other times it's just a simple, dumb idea that's relatively simple to implement. This show is the latter. Since the show is now 28 years old, I've decided to base it on that number. So, you'll hear tracks that are either 28 seconds long, scores that are 28 years old, films with the number 28 in the title, the 28th track on the album, take place in 1928, or were written in 1928 featuring composers Mark Snow, John Murphy, Charlie Chaplin, Thomas Newman, Danny Elfman, Terence Blanchard, Joseph Conlon, Marc Sharman, David Arnold and Dominic Frontiere. Admittedly, this is silly, but it was quite enjoyable to put together. In any case, I hope you'll enjoy it. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

I denne uges udsendelse skal vi endnu engang beskæftige os med musik og det visuelle medie. Det er nemlig blevet tid til at tage fat i nogle af de TV-temaer som kom ud af vores favoritårti, 90'erne. Der er jo uendelig mange at vælge imellem, og vi har netop valgt en lang række temaer, som på hver deres måde var med til at definere 90'erne, hvad angår musik fra TV-serier. Vi kommer bl.a. til at gyse med X-Files, grine med Friends, græde til Dawson's Creek, mystificeres over Twin Peaks, være cool med Beverly Hills 90210 og rappe med The Fresh Prince Of Bel-Air. Vi tager desuden et lyt til en lang række temaer fra danske TV-serier som f.eks. Forsvundne Danskere, Taxa, Bullerfnis, Charlot & Charlotte og Hvide Løgne. Derudover er der masser af personlige anekdoter fra ungdomsdagene, Andy afslører at han muligvis er i familie med Svend Poulsen aka. Gøngehøvdingen, vi røber hvad Jamie Walters lavede i 1992, vi imponeres over alle Frasiers Emmypriser, vi snakker korruption i den lokale antenneforening, Pedersen fortæller om hvordan han jagtede Neve Campbell i London tilbage i 2006, vi snakker upassende ringetoner og så spiller vi et af de dårligste numre vi nogensinde har spillet i podcasten – et nummer som selvfølgelig gik nummer 1 på singlehitlisten i Storbritannien. Playliste: Angelo Badalamenti - Twin Peaks theme (fra Twin Peaks) DJ Jazzy Jeff & The Fresh Prince - The Fresh Prince of Bel-Air Theme (fra The Fresh Prince of Bel-Air) John David - Theme from Beverly Hills 90210 (fra Beverly Hills 90210) Peter Frödin og Hella Joof - Bullerfnis-sangen (fra Bullerfnis) Mark Knopfler - Irish boy (fra Forsvundne Danskere) P.M. Dawn - Set adrift on memory bliss (fra Damernes Magasin) Michael Elo - Luftens helte (fra Disney Sjov) Sebastian - Gøngehøvdingen (fra Gøngehøvdingen) The Heights - How do you talk to an angel (fra The Heights) Mark Snow - The X-Files theme (fra X-Files) Kelsey Grammar - Tossed salad and scrambled eggs (fra Frasier) TLC - All that (fra All That) BoDeans - Closer to free (fra Party Of Five) The Rembrandts - I'll be there for you (fra Friends) Joachim Holbek - Main theme (fra Riget I) R.E.M. - Bang and blame (Fra Charlot & Charlotte) James Price - Madsen og Co. tema (fra Madsen og Co.) Vonda Shepard - Searchin' my soul (fra Ally McBeal) Teletubbies - Teletubbies say eh-oh! (fra Teletubbies) Jacob Groth - Temaet fra Taxa (fra Taxa) Paula Cole - I don't want to wait (fra Dawson's Creek) Bobo Moreno & Michael Rupe - Hvide løgne tema (fra Hvide Løgne) Alabama 3 - Woke up this morning (fra The Sopranos)

This week we are trying to find our alien-abducted old partner and throwing water in the face of our new partner while we discuss “Within”! We're talking Mark Snow really banging on those pots and pans, how Falling Guy has turned into Mulder, Scully in her depression-beard era, how Skinner is doing everything humanly possible to get Scully not to be mad at him anymore, and how Kersh is back! That's right, the true hater is back in the building. We theorize whether there's been a third agent working in the basement this entire time, say hello to this Agent John Doggett guy, debate what Scully and Skinner's team name should be, get sad because Mulder has turned into an alien foosball man, and note that Scully is giving Doggett a true orientation into the X-Files by calling him up in the middle of the night and screaming at him. Get used to it, man. And the worst crime this show has ever committed: misspelling Teena's name on her own gravestone! Come on.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“Jurassic Park” (Steven Spielberg, 1993)“The X-Files” (Chris Carter, 1993-2002, 2016-2018)“Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (Stanley Kubrick, 1964)“Wag the Dog” (Barry Levinson, 1997)“Natural Born Killers” (Oliver Stone, 1994)“Citizen Kane” (Orson Welles, 1941)“Magnificent Ambersons” (Orson Welles, 1942)“It's All True” (Orson Welles, 1941-1942)“The Sound of Music” (Robert Wise, 1965)“West Side Story” (Robert Wise and Jerome Robbins, 1961)“The Day the Earth Stood Still” (Robert Wise, 1951)“Airport” (George Seaton, 1970)“Stunt Rock” (Brian Trenchard-Smith, 1978)“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Plato's Stepchildren” (David Alexander, 1968), November 22, 1968, Episode 10 of Season three of “Star Trek” (Gene Roddenberry, 1966-1969)“The Thing from Another World” (Christian Nyby, 1951)“Wanda” (Barbara Loden, 1971)“Get Carter” (Mike Hodges, 1971)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)Audio quotation:“The Andromeda Strain” (Robert Wise, 1971)Theme from “The X-Files” (Chris Carter, 1993-2002, 2016-2018), written by Mark Snow, https://www.youtube.com/watch?v=v4-GcS1UQyg“RUMSFELD / KNOWNS” https://www.youtube.com/watch?v=REWeBzGuzCc

This week we are accidentally following our long-lost twins around the country while we discuss “Fight Club”! We're talking Uncanny Valley Mulder and Scully, how something horrible must have happened to Mark Snow this week to produce this music, glasses that are just made for breaking, whether non-fraternal siblings are even a thing, and how a sewer cyclone took Mulder from us. We wonder what exactly they were trying to do with Argyle, wish we'd got more sewer adventures (maybe or maybe not involving ninja turtles and Pennywise creatures), laugh that it is apparently very easy for Scully to just forget about Mulder's existence, and give out a rare Scully Nation condemnation placard. Slide whistle sound effects: Yay or Nay? We're voting Nay.NOTE: Please submit Season 7 questions/comments by April 21st!Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

The extraterrestrial comedy podcast where we probe the New Year's Day 2024 extraterrestrial encounter at Miami's Bayside Mall aka Miami Marketplace. On this evening, a commotion ensued at or around a shopping mall and the police were, allegedly truthfully, not saying anything. What was going down? With a lack of information, people went looking for answers and answers, people did find. Those answers, were in the shape of extraterrestrials. Shadow aliens, to be more specific. Moments prior to this incident, a UFO may have been seen in the sky. Next, residents starting posting on social media about power cuts and the wifi went down. Something was happening. Something, with many witnesses. But had the police really kept quiet? Or was there a fight involving teenagers and did fireworks get mistaken for gunshot leading to the huge police response? That sounds like a cover up to us… Well, to one of us. The other one of us may have reverted back to their 2020 Scully persona and I'm not Moonwalker saying which one of us Moonwalker it is but Moonwalker we think you'll be able to Moonwalker figure it out without any Moonwalker clues. Alongside that, we ponder why aliens crash? All that and more on this week's file.     Patreon: https://www.patreon.com/butitwasaliens   Store: https://butitwasaliens.co.uk/shop/     Probe us: Email: butitwasaliens@gmail.com Instagram/Threads @ ButItWasAliens Twitter @ ButItWasAliens Facebook: @ ButItWasAliens - join Extraterrestrial Towers     Music:  Music created via Garageband. Additional music via: https://freepd.com - thank you most kindly good people. When Moonwalker who shall not be named started Scullying up (definitely covering up for THE MAN), you may have heard the X-Files theme from the television series. The famous instrumental usually known as ‘The X-Files' was composed by Mark Snow with the show creator being Chris Carter. We closed out the episode with the 'Staff Roll' aka credits theme from Nintendo's 1990-1992 Super Mario World from the Super Nintendo Entertainment System, composed by Hero of Sound Kōji Kondō.      Sources: The Miami Mall Walking Alien Video: https://m.youtube.com/watch?v=smEnuziEEL0    NBC Miami article on four teenagers being arrested after brawl: https://www.nbcmiami.com/news/local/4-juveniles-arrested-after-large-fight-breaks-out-in-bayside-marketplace-on-new-years-day/3195115/   CBS Miami summary news video: https://m.youtube.com/watch?v=Ek_8t1sdvGc   UFO seen in sky before the mall incident: https://www.1029thebuzz.com/2024/02/03/all-of-the-things-you-could-fit-in-this-pothole-on-i-440-in-nashville/   YouTube ‘Clean Footage' video of Miami Aliens: https://m.youtube.com/watch?v=1x6ohfnBS60   TikTok Witness: https://www.tiktok.com/@columbus__710/video/7321524987892944170?_t=8iqjZsKVJP9&_r=1   Twitter high resolution alien walk video: https://x.com/szuculo/status/1743282935359328679?s=46&t=EyKoa6miXYVfEvXv5EPXfg   Sosa Pippen witness account: https://x.com/ufonetwork_/status/1743294639333900783?s=46&t=EyKoa6miXYVfEvXv5EPXfg

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ABOUT DYNAMIC MUSIC PARTNERS: Emmy Award-winning composers Michael McCuistion, Lolita Ritmanis and Kristopher Carter, collectively known as Dynamic Music Partners, have created hundreds of hours of music for a variety of different genres, including TV series, independent films, video games and live performance events. They have collectively earned twenty-eight Emmy Award nominations and six Annie Award nominations as composers for Marvel's Avengers Assemble, Batman: The Brave And The Bold, Justice League, Teen Titans, Batman Beyond, The Zeta Project and The New Batman Superman Adventures. Original concert works and suites of their scores have been performed in festivals and special events; from New York's Lincoln Center to The Hollywood Bowl, The Kennedy Center, The Griffith Observatory in Los Angeles, Tenerife – Spain and beyond, their music has received critical acclaim. Their Prime-time Emmy Award nominated musical Batman: The Brave and the Bold: Mayhem of the Music Meister, starring Neil Patrick Harris was a historic first Batman musical to ever be composed. They began their careers composing music for Batman: The Animated Series, Superman: The Animated Series and Batman Beyond, for which they each received the Emmy Award in Music Direction and Composition. As orchestrators they have worked with many of Hollywood's A-list composers, including Michael Kamen, Basil Poledouris, Howard Shore, Carter Burwell, Elliot Goldenthal, Mark Snow and Shirley Walker. Kristopher, Michael and Lolita are currently working on the third season of Marvel's Avengers Assemble. They recently completed scoring a feature length documentary An Act of Love, which received the silver award at the Mill Valley Film Festival, as well as composed 4 hours of original music for radio-play audio book Rain of the Ghosts. Their feature film Marvel Superhero Adventures: Frost Fight will premiere in December 2015. They are working on 3 top secret feature length animated projects, with announcements coming in 2016. Kristopher, Michael and Lolita work both collectively and individually. Kristopher recently completed the score to the Webby-nominated short film The Birds Of Anger for G4TV and just returned from a series of lectures at the North Carolina School of the Arts. Michael recently scored the latest Griffith Observatory production Time's Up which is now playing at the observatory in the Samuel Oschin Planetarium. Lolita has been very active in the concert music arena this past season, having had works performed at The Kennedy Center in Washington, D.C, 2 original musicals – receiving performances in Latvia throughout 2014-2015, as well as the premiere of her symphonic work Overture to Light. This remarkable and very contemporary trio of composers and performers is an example of creative collaboration, business savvy, and artistic expression of the highest, most original level. They are currently working in today's industry and are examples and role models for aspiring film composers everywhere.

Somehow, someway the Aussies have won the ODI World Cup for a record sixth time! The bin lid comes through, the Aussies nail the conditions read and Cummins raises the cup! Also, a series wrap from Chris Goodrick and TK Hawkey heads out to sea. Featured clips and music this episode included We Are the Champions by Queen UMI 1977  Gala Performance Laurie Johnson 1969 KPM music, Pub with no Beer and Waltzing Matilda by Slim Dusty 1957, Tina Turner SImply the best  1989 Capitol Records and the X files theme by Mark Snow 1996 Warner Brothers Music. All music is used in conjunction with APRA AMCOS online mini licence, contact apra.com.au for details. You can check us out at gingersnapsydney.com .

Dans cette 3ème partie , Alain Carrazé nous parle de son émission culte Destination Séries , de l'arrivée des séries Urgences et X-Files et on évoque le F.E.S.T.I.F, le premier festival français consacré aux séries TV. Copyright générique X-Files : FOX télévision / Mark Snow. --- Send in a voice message: https://podcasters.spotify.com/pod/show/seriesblog/message

Mark Snow talks about the the Parks, Recreation and Cultural Services department wanting your input to help guide them in future recreational programs. Take the survey here.

Mark Snow talks about the the Parks, Recreation and Cultural Services department wanting your input to help guide them in future recreational programs. Take the survey here.

During KRDO's Midday Edition on Wednesday, Dan Cochell talked with Mark Snow, the Community Recreation Manager for Colorado Springs' Parks division, regarding the one-year anniversary of the Westside Community Center, and accepting proposals for leasing space at the WCC.

During KRDO's Midday Edition on Wednesday, Dan Cochell talked with Mark Snow, the Community Recreation Manager for Colorado Springs' Parks division, regarding the one-year anniversary of the Westside Community Center, and accepting proposals for leasing space at the WCC.

FOLLOW UP: BIDIRECTIONAL CAMERAS CATCH 3200 DRIVERS In the first 15 days of operation, the four bidirectional cameras, installed by Devon and Cornwall councils, has been triggered 3200 times. One camera was activated 120 times a day. Thanks to listener Mark Snow for bringing this to our attention! Click here to read more from the BBC News article. UK CAR INDUSTRY CALLS ON NEXT GOVERNMENT FOR HELPThe SMMT has moved on to calling to the next Government, whoever that is, to help secure the future of the car industry in the UK. They have laid out five pledges it hopes any of our politicians will pick up and run with. Click here, on this link, to learn more of this desperate move in the face of political apathy from all corners. SUPERMARKETS RIP MOTORISTS OFF Supermarkets have been found to have ripped the British motorists off, due to weak competition allowing them to charge 6p per litre more than they should have. One of the recommendations, from the Competitions and Markets Authority, is to force supermarkets to publish live prices in order that we consumers can compare and find the cheapest. There is no guarantee this will be implemented. Click this BBC News article here, to learn more. AUDI SACK CEO MARKUS DUESMANNThe CEO of Audi, Markus Duesmann, has been sacked following very public criticism from VW Group CEO Oliver Blume. Duesmann was brought in by Diess, from BMW. He will be replaced by Gernot Doellner, the current VW Group strategy boss. Whilst Audi's performance has not got close to the hopes from VW, there is context that shows it is not all his fault. Click this Twitter thread from Matthias Schmidt for context of what he inherited. To read more about the overall story, click this Forbes article link written by Michael Taylor. HYUNDAI AND TOYOTA EV ADS BANNEDAfter a brief spell of being in agreement with the Advertising Standards Authority over dealer price claims, we return to normal service. Toyota and Hyundai adverts for their EVs have been banned because they do not warn people there is only a small number of the very fastest charge points available. On top of that, the complaints stated to achieve the fastest charge there were a number of variables that could thwart the process. You can read more by clicking this article link from The Times. SURVEY SUGGESTS DEMAND FOR EVS BELOW REQUIREMENTS A survey by Auto Retail Bulletin has revealed that current demand for EVs falls below next year's imposed requirement by the Government of 22%. 60% of respondents state demand is below 15% and a third say it is below 10%. That would mean the car industry paying the UK Government a lot of money. However, most likely there will be a throttling of non compliant model availability, as we have seen previously. For more on this story, click this Auto Retail Network link. HMRC SAYS EV NUMBERS ARE CLIMBING AS DIESEL FALLSIn this week's...

Trust no one, except for Filmshake, the 90s Movies Podcast, as this episode we're covering 1998's The X-Files, aka The X-Files: Fight the Future.  Nic, a lifelong, diehard X-Phile, wants to believe that Jordan will enjoy this film, his first ever X-Files experience. Does Mulder and Scully's late 90s big screen foray hold up 25 years later? Also, even Nic can't put faith in 2008's The X-Files: I Want to Believe, this episode's punishment film. He does believe in Jordan, though, who fights for the ultimate trivia redemption in the episode-ending challenge. The Truth Is Filmshake!Music Featured This Episode:"The X-Files Theme" -- The Dust Brothers (originally by Mark Snow)"Threnody in 'X'" -- Mark Snow"Crystal Ship" -- X (originally by The Doors)"B.C. Blood" -- Mark Snow"Crater Hug" -- Mark Snow"The X-Files Theme" UNKLE (originally by Mark Snow)"Teotihuacan" -- Noel GallagherSupport the showConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

On revient sur les séries créés et produites par 3 grands producteurs à succès de la télévision américaine : Stephen j.cannell, Aaron Spelling et Glen A. Larson. Avec l'écoute en version longue de génériques cultes. Copyright musique : Mike Post, Mark Snow , Stu Philips et Jack Elliott, Don davis, Lee Holdridge, Pète Carpenter, Charmed est tiré de la chanson How Soon Is Now, du groupe américain Love Spit Love.

The X-Files, une série exceptionnelle à plus d'un titre que nous décortiquons à raison d'un podcast d'analyse sur chacune de ses saisons pour fêter comme il se doit, les 30 ans des enquêtes des agents Mulder et Scully. Ici, nous allons nous pencher sur le premier film qui lui, va fêter ses 25 ans.  Nous enregistrons le vendredi 10 février, il est 22h00 et l'agent spécial Guigui est accompagné par ses bandits solitaires : Mehdi, Manu et Mara de la chaîne Twitch c'est toi la radio. Musique d'ambiance : Mark Snow (tiré du film) BC Blood Goop Soda Pop Quitting Already dead Cave base Corn Hive Trust no One Mind Games Facts Pause musicale : One (Filter) Générique de fin : Remix du thème (Threnody of X : BO FTF) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

À l'époque, la saison 5 de The X-Files fut considérée par certains fans comme étant la moins bonne de toutes. D'ailleurs, elle était également la plus courte à ce moment là : seulement 20 épisodes à la place des 24 ou 25 épisodes. Cela s'explique par le fait que Chris Carter (à la demande de la FOX) a dût tourner le film " Combattre le futur " entre les saisons 4 et 5, ce qui plaça la post-production de ce dernier en plein dans la saison 5.   Cette saison a au moins le mérite de nous plonger dans les origines des X-Files en nous montrant ce qui s'est passé avant le début de la série à travers 2 épisodes flash backs mais pas que. Et on en parle avec l'agent spécial Guigui et ses bandits solitaires : Mehdi Achouche, Manu et Mara de la chaîne Twitch c'est toi la radio. Musique d'ambiance : Mark Snow (tiré des épisodes de la saison 5) Générique de la série Little Vials of Proof (Redux) Remission (Redux II) Suite 1 (The Post-Modern Prometheus) Post-Modern Pose(The Post-Modern Prometheus) Suite 1 (Christmas Carol) Resist or serve (The red and the black) Red letter (The red and the black) Baptism (All Souls) Closure (The End) Pause musicale : Walking in Memphis (Cher) Générique de fin : Remix du thème (Tubular X : BO FTF) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

La saison 4 de The X-Files a été diffusée d'octobre 1996 à mai 1997 sur la FOX aux USA et quelques mois plus tard chez nous, sur M6. Très noire, très dramatique, cette saison possède des qualités très appréciables. Scully sera au centre des évènements à cause de son cancer, ainsi l'épisode " Memento Mori " vaudra un Emmy Award à Gillian Anderson dans la catégorie meilleure actrice dramatique. La mythologie atteint aussi un haut niveau avec des loners mythologiques comme l'épisode sur l'homme à la cigarette par exemple.  Et pour fêter comme il se doit, les 30 ans à venir, des enquêtes des agents Mulder et Scully, l'agent spécial Guigui est accompagné par ses bandits solitaires Mehdi Achouche, Manu et Mara de la chaîne Twitch c'est toi la radio. En plus des extraits tirés des épisodes, voici les pistes musicales utilisées pour ce podcast : Musique d'ambiance : Mark Snow (tiré des épisodes de la saison 4) A place in History Chicken wire trap Newborn Johnny Mathis (Wonderful! Wonderful!) Jonestown cocktail Respect Watergate heart El camino Work rock Hanging Boy Nine minutes Deep Dupe Thawed  Pause musicale : Unmarked Helicopters (Soul Coughing) Générique de fin : Remix du thème (Dawn remix : song of the key of X) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

La saison 3 marque l'explosion X-Files.  La série devient la série culte des années 1990. Niveau épisode, la qualité est la même que celle de la saison 2, elle en est sa continuité, même atmosphère, même ton, même direction niveau mythologique. D'ailleurs cette mythologie commence vraiment à s'installer et à devenir l'élément essentiel de la série. On en parle avec les agents Manu, Djé, Mehdi, Mara & Guigui. En plus des extraits tirés des épisodes, voici les pistes musicales utilisées pour ce podcast : Musique d'ambiance : Mark Snow (tiré des épisodes de la saison 3) Smoky Gets in your eyes Dumpster Rail song Back in the hood Jose Chung from outer space Jose Chung from outer space (closure) Derailed Pause musicale : Hey man, nice shot (Filter) Générique de fin : Remix du thème (Robert Miles) Progigno de Axis (The Truth & The Light) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

Pour fêter comme il se doit les 30 ans de la série culte The X-Files, retrouvez-nous tous les 13 de chaque mois pour des analyses des enquêtes des agents Mulder et Scully. Pour cela l'agent spécial Guigui le gentil est accompagné par les bandits solitaires Mehdi Achouche, Manu, et Mara de la chaîne Twitch c'est toi la radio. La série revient avec une saison 2 très prometteuse mais son créateur, Chris Carter va faire face à un imprévu : l'actrice Gillian Anderson va accoucher et devra donc gérer son absence. Carter va alors développer la mythologie en faisant enlever Scully par les extraterrestres... En plus des extraits tirés des épisodes, voici les pistes musicales utilisées pour ce podcast : Musique d'ambiance : Mark Snow (tiré des épisodes de la saison 2) Dead Man's Thoughts Honey Wagon Prayer Trust Your Pistol Fish Food Two Miles Off Jersey Guillotined Lamenta Guardian Angel Players Suicid exam Snake Hold Hypothermia Showdown / Saving Mulder / Faith to keep looking Facetus Malum Flesh on bone Anasazi Pause musicale : Red Light Hand (Nick Cave & The Bad Seeds) Générique de fin : Remix du thème (Nick Cave & Dirty Three) Raptus (The Truth & The Light) Mercurata (The Truth & The Light) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

Dans ce deuxième podcast consacré à la série culte The X-Files, nous allons aborder cette fois sa première saison qui couvre 1993 à 1994. On y entrevoit déjà ce qui va créer le succès de la série : la relation particulière des 2 protagonistes, les agents Mulder et Scully et le mystère... Un début quand même un peu faible comparé aux saisons suivantes mais tout mythe a un commencement.  Pour cela l'agent spécial Guigui est accompagné des bandits solitaire que sont Mehdi, Manu et Mara... Ne faites confiance à personnes, sauf à eux. En plus des extraits tirés des épisodes, voici les pistes musicales utilisées pour ce podcast : Musique d'ambiance : Mark Snow (tiré des épisodes de la saison 1) Mr Deep Throat (1x01 Gorge profonde) UFO Kids (1x01 Gorge profonde) Transfer & release (1x01 Gorge profonde) Eye Poke (1x01 Gorge profonde) Confrontation (1x01 Gorge profonde) Trek to Yellow base  (1x01 Gorge profonde) Confrontation  (1x01 Gorge profonde) Slimed (1x02 Compression) Another X-Files (1x03 Enlèvement) Quotes from Ben (1x05 L'ombre de la mort) Suicide (1x07 Projet Artique) On the waterfront / Suspended Max (1x09 L'Ange Déchu) Here we go (1x17 E.B.E.) Woke up Hungry (1x19 Quand vient la nuit) Druid Hill (1x21 Tooms) The Wells Brain (1x23 Les Hybrides) Deverbero (The Truth & the Light) Cantus Exico (The Truth & the Light) Pause musicale : Rob Zombi & Alice Cooper (Hands of Death) Générique de fin : Remix du thème (Flexifinger Terrestrial Mix) Et Merci à George Caudron (voix VF de Fox Mulder) pour le jingle d'intro.

Nuestro programa hermano "Música en Viernes" se apodera de la emisión y escuchamos partituras y composiciones de Hans Zimmer, Akira Yamaoka, Nacho Canut, Gustavo Santaolalla o Mark Snow. Temas musicales extraidos de discos, bandas sonoras o videojuegos. ¡Y sin olvidar los temas que nos pedis!

Today we present part one of the fourth ALL REQUEST SHOW on THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this fourth all-request program, Jason Drury steps in as host and he requested our wonderful patrons to select music from 1980s and 1990s TV shows. Our participants in part one of this episode included Don Mase, Al Brown, Victor Field, Dave Williams, Alexander Schiebel, Eric Marvin, Jochen Stolz and Eldaly Morningstar. They requested tracks from such composers as Lalo Schifrin, Patrick Williams, Brice Broughton, Joseph LoDuca, Michiru Oshima, Bill Conti, Jim Meacock, Christopher Gordon and Mark Snow. If you made a request and you don't see your name here, your selection will be presented in part two. Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Saulo Ferreira, Risev, Mark Anderson, Rick Laird. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Efter en ufrivillig pause er vi tilbage med et nostalgisk trip down memory lane! I denne episode hopper vi nemlig tilbage til, hvad Peter gang på gang har betegnet som "det ufarligste årti": 1990'erne. Det bliver bl.a. et genhør med The X-Files, Rap Fyr i LA, Felicity, Friends og naturligvis Eleva2ren. I studiet joiner vores næsten faste gæst Ramesh Krishnasamy os igen. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen samt i denne episode Ramesh Krishnasamy - alle tidligere TV1000 abonnenter. Yderligere informationer Citat fra film/serie: The X-Files (Ten Thirteen Productions, 20th Century Fox Television, 20th Television, Fox - composer: Mark Snow), Eleva2ren (TV2, Nordisk Film TV), Friends (Bright/Kauffman/Crane Productions, Warner Bros. Television, Warner Bros. Television Distribution, NBC), The Fresh Prince of Bel-Air (The Stuffed Dog Company, Quincy Jones Entertainment, Quincy Jones-David Salzman Entertainment, NBC Productions, Warner Horizon Unscripted Television, Warner Bros. Television Distribution, NBC - composer: Quincy Jones III), Rescue 911 (CBS Entertainment Productions, CBS Productions, Arnold Shapiro Productions, MTM Enterprises, 20th Television, CBS Television Distribution, CBS), Keeping Up Appearances (BBC, BBC Worldwide, 2entertain, Universal Pictures, BBC1), The Nanny (Sternin & Fraser Ink Inc., TriStar Television, Highschool Sweethearts Productions, Sony Pictures Television, CBS - composer: Timothy Thompson), Felicity (Touchstone Television, Imagine Television, Buena Vista Television, The WB - composers: W. G. Snuffy Walden, Joseph Williams, Danny Pelfrey, Jon Huck, John Zuker), Predator (20th Century Fox, Lawrence Gordon Productions, Silver Pictures, Davis Entertainment, Amercent Films, American Entertainment Partners L.P.), Nissebanden (Danmarks Radio - composer: Hans Dal)

The Millennium Group Sessions Redux returns another fan favorite. Since it is Mark Snow's birthday, we thought it would be fun to revisit the very first time we interviewed Mark. We cover a variety of topics including his early days in music, The X-files, fandom and of course, his work on Millennium!Hosts - Troy L. Foreman and James McLeanSpecial guest - Mark SnowFollow us on Twitter - @tiwwammWebsite - www,thetimeisnowmm.comPodcast Intro - Roy Bunales

Annie and Jenn will be back next time with a new episode, but meanwhile, have a listen (or re-listen) to our Top Ten tracks from Mark Snow, composer for The X-Files! (Disclaimer: this was recorded in 2019, some opinions have changed since ;)

INE Instructor Rohit Pardasani brings longtime collaborators and experts Brian McGahan and Mark Snow on the show to discuss their accomplishments and where they see the industry heading.

INE Instructor Rohit Pardasani brings longtime collaborators and experts Brian McGahan and Mark Snow on the show to discuss their accomplishments and where they see the industry heading.

Getting Less. If you think you're going to be getting more…that's not what's going to happen. The coalition known as BRICS (Brazil, Russia, India, China, and South Africa) constitute 20% of the world's GDP and 40% of its population. The alignment of the world's order is coming to an end. Saudi Arabia, Egypt, and Turkey are all asking to be members of BRICS. They no longer want to use the U.S. dollar as the world's reserve currency. Instead, as one trading block use their own currency. They no longer use the IMF or World Bank and seek to change the United Nation's Security Council. Ending America's preeminence. MUSIC Edward Elgar, Prince, Mark Snow, Ron Grainer

A music TV series mix - My vacations TV show With Max Richter, Angelo Badalamenti, Ólafur Arnalds , Mark Snow ...... Selected & mixed by Absürda

EL FILTRO RACHEL Las plataformas no bajan la guardia. Títulos tan esperados como “Stranger Things”, “Obi-Wan Kenobi” o “Planeta prehistórico” están dejando datos de visionado y de suscriptores muy buenos a Netflix, Disney + y Apple Tv, pero el pulso con la pantalla grande se agiganta esta semana con la esperada y espectacular invasión jurásica. Para hacerle frente y mantener a los suscriptores en el sofá de casa, Disney + se vuelca en una serie fresca y familiar que se nutre del tirón de los superhéroes en“Ms Marvel”: ¿qué pasaría si una joven admiradora de Los Vengadores fuese también una super heroína? Siguiendo los pasos de Movistar + con “La Fortuna” de Amenábar, Prime Video tira la casa por la ventana con “Sin límites”, que recrea la histórica expedición alrededor del mundo de Magallanes y Elcano. Sin duda una de las apuestas fuertes de la temporada. Y el toque cinéfilo, sofisticado y diferente, lo pone HBO Max con “Irma Vep”, la elegante y divergente apuesta del aclamado creador francés Olivier Assayas. En “Irma Vep” convierte a una sensual Alicia Vikander en una actriz de moda que está a punto de cruzar una línea peligrosa por un reto profesional que le hará empatizar en exceso con una diva del viejo cine francés. ESPECIAL BSO ‘THE X FILES’ Son las tres propuestas que ha elegido esta semana la crítico experta en series de la revista “Hobby Consolas”, Raquel Hernández, defensora a ultranza de las series de ciencia ficción que, como “Expediente X”, forman ya parte de la historia de los mejores “tv shows” de todos los tiempos. Hoy nuestro experto en bandas sonoras, Ángel Luque, nos propone dejarnos hipnotizar por la inconfundible composición de Mark Snow. Un broche final que la convierte por derecho propio en candidata a ocupar el trono final de la selección Estamos de Cine. Edición Series.

Sejam bem vindos! Hoje, Jean "Jack", Wallace "Wally" e Fábio recebem a Jessica Gremling para bater um papo sobre jogos clássicos, jogos retrô, aqueles que são novos mas que parecem antigos e também tentamos desvendar qual o motivo do preconceito da galera mais velha quando vê alguém mais novo jogando os joguinhos de "antigamente".Arte da Vitrine: Wallace "Wally" Carlinihttps://www.scummvm.org/https://opentomb.github.io/Torne-se um colaborador do 1UP no PicPay! https://www.padrim.com.br/1uphttps://picpay.me/Podcast1UPAssiste a gente no roxinho!https://www.twitch.tv/podcast1upDúvidas, criticas, sugestões, elogios e listas de golpes podem ser mandados para:

O mundo precisa de mais heróis e mais 1UP! No episódio de hoje o Jean "Jack", Wallace "Wally", Miguel e Guilherme, o nosso Severino, conversam sobre o melhor jogo de e-sports de 2018, Overwatch! Canal de game streaming do Miguel:https://www.twitch.tv/migwara?fbclid=IwAR3U5v4nlL6T1zMfG-6B_Ju07QVed-7X66qi1sXRq2XkDeJAs1qX5HNvyx4Arte da Vitrine: Wallace "Wally" CarliniTorne-se um colaborador do 1UP no PicPay! https://www.padrim.com.br/1uphttps://picpay.me/Podcast1UPAssiste a gente no roxinho!https://www.twitch.tv/podcast1upDúvidas, criticas, sugestões, elogios e listas de golpes podem ser mandados para:

iTunes          Spotify          Youtube           Patreon Emmy-winning composer Sean Callery has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time. Callery scores Fox's upcoming series Next, starring John Slattery, which is set to premiere on October 6, 2020; Robert Lorenz's action/thriller feature The Marksman, starring Liam Neeson, which will come out in early 2021; and CBS All Access' Bull, starring Michael Weatherly. Callery recently completed the eighth and final season of Showtime's Emmy and Golden Globe Award-winning drama Homeland, starring Claire Danes and Mandy Patinkin, as well as the third and final season of Netflix's Peabody  Award-winning series Jessica Jones, starring Krysten Ritter. His music for Season 2 of the show was nominated for Outstanding Music Composition for a Series, earning Callery his 17th Emmy nomination. Callery won the Emmy Award for Outstanding Original Main Title Theme Music for Jessica Jones. He also received a nomination for his score on Fox's Steven Spielberg-produced TV series, Minority Report. With 10 Emmy nominations for Fox's 24, Callery is the only composer nominated every year for a series that ran more than three seasons. Callery won 3 Emmys for Outstanding Music Composition for his work on 24. He was also nominated for Outstanding Original Main Title Theme Music for CBS's Sherlock Holmes-inspired drama series, Elementary, starring Johnny Lee Miller and Lucy Liu, and was recognized in the same category for both Homeland and Reelz miniseries The Kennedys. Callery's music has also been heard on National Geographic's mini-series The Hot Zone, starring Julianna Margulies, ABC's Designated Survivor, starring Kiefer Sutherland, CBS's paranormal drama Medium, starring Patricia Arquette, Fox's longest running drama Bones, ABC's Marvel's Inhumans, and the feature film Small Time, starring Christopher Meloni and Dean Norris. Callery conducted his own works at the MOSMA Festival in Malaga, the Fimucite International Film Music Festival in the Canary Islands, Spain and the Krakow Film Music Festival. He also has three soundtrack albums featuring music from the 24 series, and two soundtrack albums featuring his score for Marvel's Jessica Jones. Sean resides in Los Angeles with his wife, Debbie. Special Mentions: RFR 021: Mark Snow, RC Garthe BOA GoFund Me, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87

Prolific musician and composer, Mark Snow, joins Mike on the podcast to discuss creating the score for the 2019 Josh Boone film, The New Mutants. Mark talks about his process crafting the soundscape for the film, his work on other films and television shows like The X-Files, being invited to compose music for the films of Alain Resnais, and other fun behind-the-scenes stuff. Music: "Control/Time To Sleep" (Mark Snow) Never miss an episode! Subscribe to the show on Apple Podcasts, Spotify, YouTube, and all good podcatchers. Check out the Official Site If you'd like to join the conversation follow us on Facebook or Twitter Please consider rating, reviewing, and sharing the show. Your support means a lot and goes a long way to helping grow the audience and the podcast so we can continue to bring you more fun and high quality FYC content in the future.

Programa Vivir Rodando 145 (5 Marzo 2022) Invitado: Javier Díez Ena Hay música creada para productos audiovisuales que inmediatamente nos evoca algo: un sentimiento, una sensación, un misterio... La música de Nino Rota para 'El padrino', la de Mark Snow para 'Expediente X', la de Bernard Herrmann para 'Psicosis'... hay cientos de casos. Caso aparte merece la música creada por un instrumento singular y casi mágico: el Theremin. Los sonidos ululantes creados por el instrumento que no se toca nos evocan al misterio que acompañaba su sonido: las películas de ciencia ficción y terror de los años 40 y 50. Pero eso no quiere decir que su sonido haya desaparecido; al revés, está muy vivo. Creado en el año 1920 por el científico y músico Léon Theremin, el instrumento es un emisor de campos magnéticos que convierte en señal acústica la alteración de los mismos, pudiendo crear música solo con el movimiento de las manos. Este aparato no fue la única creación de Theremin: ahí está el Rhytmicon, creada junto a Henry Cowell, una de las primeras cajas de ritmos de la historia. Pero el Theremin, por lo menos a nivel popular, está por derecho propio en la historia. Ahí está el ejemplo de maestros como Miklós Rózsa o Bernard Herrmann, que dieron un histórico uso en obras como 'Recuerda' o 'Ultimátum a la tierra'. Como se ha dicho antes, el Theremin no ha desaparecido. Un claro ejemplo lo tenemos en el música Javier Díez Ena. Es complicado resumir la carrera de Díez Ena en unas solas líneas. Miembro de las bandas Dead Capo, L'Exotighost, Ginferno y Forastero; estuvo en las bandas de Ainara LeGardon y Aaron Thomas, además de colaborar con músicos como Javier Colis, Wild Honey, Standstill... entre otros muchos. Pero, Javier Díez Ena, es un enamorado del Theremin, instrumento que descubrió en 2004. Con él ha publicado tres discos: Theremonial, Theremonial 2 y el más reciente Therematic. Además ha impartido talleres, participado en bandas sonoras y dado conciertos. El próximo 7 de junio de este año estará actuando en la sala Razzmatazz de Barcelona, dentro del Primavera Sound. El programa Vivir Rodando 145, con la participación de Javier Díez Ena, se adentra en el misterioso, fascinante y algo desconocido mundo del Theremin.

The extraterrestrial comedy podcast where we probe George O'Barski's Stonehenge sighting. No, not that Stonehenge. The other one. The apartment complex in New Jersey. Before we get in to that we cover whether it would be wise to have a Predator as a pet. This one starts out like any typical sighting but rather than run and hide, George decided to get in closer to probe. George was greeted by the sight of… Lifeforms. Were the lifeforms seen in todays episode Alakazam's? Or Tonberry's? On that note, what do Tonberry's eat? Another question asked today is whether a glass window can shatter on its own? How does this relate to Moonwalker being probed? Yes, today we cover the fact that Moonwalker has definitely been probed. The case we cover today has had MUFON and CUFOS all over it. But why didn't it make national headlines? All that and more on this week's file.     CUFOS Case File on Stonehenge Incidents, 1975: http://www.cufos.org/Abductions/The_Stonehenge_Incidents.pdf      Patreon: https://www.patreon.com/butitwasaliens   Store: https://butitwasaliens.co.uk/shop/     Probe us: Email: butitwasaliens@gmail.com Instagram @ ButItWasAliensPodcast Twitter @ ButItWasAliens Facebook: @ ButItWasAliens - join Extraterrestrial Towers     Music:  Music created via Garageband. Additional music via: https://freepd.com - thank you most kindly good people. Nintendo's Pokemon theme was also snuck in today - thank you to Nintendo, Game Freak and the original composer Junichi Masuda from whom's work the Pokemon series music grew - another franchise that enlightened our childhood and which we reference regularly on the show. We couldn't resist sticking in a snippet from the Final Fantasy 7 original soundtrack, Let The Battles Begin, composed by Nobuo Uematsu and produced by Uematsu and Minoru Akao. Because we'd utilised that, later on we snuck a second clip from the soundtrack entitled Lurking In The Darkness. Finally, because we got all nostalgic after the other two themes, the sad Aerith's Theme was also included at the end. To this day this one still hits us right in the feels. The Final Fantasy 7 soundtrack was released on 10/02/1997 and later rereleased directly by Square Enix on 10/05/2004. This Playstation game is in almost everybody's top 5 video games of all time list so thank you, Square Enix, on behalf of the world. Just before Aerith's Theme, whilst Mulder'ing up, the famous X-Files tune from the television series played. The famous instrumental, usually known as ‘The X-Files' was composed by Mark Snow. Thank you to Mark Snow and also show creator Chris Carter - whilst we parody at times, the show was a huge inspiration for this podcast as well as much of the modern paranormal field in general.

After two years of waiting we bring you our Bat-Jar ranking of comic book films released in theatres during the years of 2020 and 2021. To qualify, a movie must have played in theatres in North America and it's source material must originate in comic book form. Music and audio from "Birds of Prey and the Fantabulous Emancipation of One Harley Quinn" is the property of Daniel Pemberton, Margot Robbie, Brian Unkeless, Sue Kroll, DC Films, Lucky Chap Entertainment, Kroll & Co. Entertainment, and Clubhouse Pictures. Music and audio from "Black Widow" is the property of Lorne Balfe, Kevin Feige, and Marvel Studios. Music and audio from "Bloodshot" is the property of Steve Jablonsky, Neal H. Moritz, Toby Jaffe, Dinesh Shamdasani, Vin Diesel, Columbia Picturesm Bona Film Group, Cross Creek Pictures, Original Film, One Race Films, Valiant Entertainment, Annabell Pictures, and The Hideaway Entertainment. Music and audio from "Demon Slayer: Kimetsu no Yaiba- The Movie: Mugen Train" is the property of Yuki Kajiura, Go Shiina, Akifumi Fujio, Masanori Miyake, Yuma Takahashi, Ufotable, Toho, Aniplex, and Funimation. Music and audio from "Eternals (2021)" is the property of Rami Djawadi, Kevin Feige, Nate Moore, and Marvel Studios. Music and audio from "The King's Man" is the property of Matthew Margeson, Dominic Lewis, Matthew Vaughn, David Reid, Adam Bohling, 20th Century Studios, TSG Entertainment, Marv Studios, and Cloudy Productions. Music and audio from "My Hero Academia: Heroes Rising" is the property of Yuki Hayashi, Wakana Okamura, Yoshihiro Oyabu, Koji Nagai, Kazumasa Sanjoba, Bones, Toho, and Funimation. Music and audio from "My Hero Academia: World Heroes' Mission" is the property of Yuki Hayashi, Sokichi Onoda, Mirei Tsumura, Hiroya Nakata, Kazumasa Mijoba, Mari Kobayashi, Hayato Saga, Bones, Toho, and Funimation. Music and audio from "The New Mutants" is the property of Mark Snow, Lauren Shuler Donner, Simon Kinberg, Karen Rosenfelt, 20th Century Studios, Marvel Entertainment, Genre Films, and Sunswept Entertainment. Music and audio from "Shang-Chi & the Legend of the Ten Rings" is the property of Joel P. West, Kevin Feige, Jonathan Schwartz, and Marvel Studios. Music and audio from "Spider-Man: No Way Home" is the property of Michael Giacchino, Amy Pascal, Kevin Feige, Columbia Pictures, Pascal Pictures, and Marvel Studios. Music and audio from "The Suicide Squad" is the property of John Murphy, Charles Roven, Peter Safran, DC Films, Atlas Entertainment, and The Safran Company. Music and audio from "Venom: Let There Be Carnage" is the property of Marco Beltrami, Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, and Hutch Parker. Music and audio from "Wonder Woman 1984" is the property of Hans Zimmer, Charles Roven, Deborah Snyder, Zack Snyder, Stephen Jones, Patty Jenkins, Gal Gadot, DC Films, Atlas Entertainment, and The Stone Quarry.  The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Our Interview with Mark Snow (2013-01-14) about his Musical Education, The X-Files, Millennium, Michael Kamen and more.

Avec Aurélien Allin, le créateur et rédacteur en chef du magazine Cinémateaser puis Pacôme Thiellement, le grand exégète télévisuel Guigui termine son enquête sur la série MillenniuM avec sa pire époque : la saison 3 ! Musique (extraits) : Mark Snow

This Episode: The federal government says ‘no EI for you' for those fired for not disclosing their vaccination status. Then, a Canadian born economist wins a Nobel Prize for peddling economic fallacies, we'll set the record straight. Plus, the Ontario Libertarian Party elects a new leader, Mark Snow sits down with us for a one-on-one interview. Timeline: 00:00:50 - Opening thoughts 00:29:35 - Interview: Mark Snow, OLP Leader 00:40:42 - Final thoughts Show Notes: http://www.politicalparadox.ca/173  

This week The TV Boys sit down to talk about the one and only Terry O'Quinn. You know him as John Locke from Lost or maybe Peter Watts in Millennium or even the stepfather in The Stepfather. Whatever you've seen him in, you know he's great, we discuss these roles and much more!

Parlons d'une série qui va fêter ses 25 ans en octobre et qui n'est sur aucune plateforme, n'est diffusée nulle part et ce, depuis de très nombreuses années et qui même à sa première diffusion en France, l'a été sur France 2, passé minuit avec des épisodes dans le désordre et carrément des épisodes manquants… Cette série trop méconnue, que vous allez avoir du mal à voir, à moins de tomber sur des coffrets DVD d'occasion, c'est bien sûr : MillenniuM, la petite sœur de The X-Files, créée par Chris Carter en 1996 !  Et pour en parler, Guigui n'est pas tout seul car il a son propre groupe MillenniuM, composé d'Aurélien Allin, le créateur et rédacteur en chef du magazine Cinémateaser et de Pacôme Thiellement, le grand exégète télévisuel. Musique (extraits) : Mark Snow

Join Courtney and Alison as they recap S07E20 of The X-Files – "Fight Club” – and learn about amazing unsolved mysteries such as what Cathy is up to these days, all about Alison's days at make-out creek, and how you're supposed to know whether something is funny-- oh wait! Mark Snow's got your back. ;)

AVISO: SPOILERS a saco para quienes no hayan visto la serie The Terror o leído el libro de Dan Simmons. Para los Marcianos, la de AMC es una de las mejores series de 2018 y se merece un programa a la altura. Hablamos de la Expedición Franklin y otras exploraciones polares, del arte y literatura que generaron y, por supuesto, de esta excelente obra televisiva. Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Gonzalo Merat Participan: Andrés Merchán y Jose Ceballos Edición: Jose Ceballos Música: Jose Ceballos Temas: Gurt Lush Choir, Marcus Fjellström, Stan Rodgers, CapU Choral, Johnny Collins, Finnian McGurk, Elena Cinto, Moloney/O´Donnell/Egan, Seamus Egan, Pentangle, John Renbourn, Lea Sannacore, Wallace/Barham/Miller, Micheál O´Domhnaill, Cryo Chamber, Moya Brennan, Davide Saporito, Madi, Derek & Brandon Fiechter, Mark Snow, Soria Eyituk & Lusi Kuni, Tanya Tagaq, Buffy Saint Marie & Tanya Tagaq Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Un nuevo ejercicio de sinvergonzonería y desvarío, que no necesita tomas falsas, por ser una toma falsa en su totalidad. Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Gonzalo Merat Participan: Andrés Merchán y Jose Ceballos Edición: Jose Ceballos Música: Jose Ceballos y Toni Deloni Temas: Bombfunk MC, Ramin Djawadi, Vampire Weekend, Christopher Lennertz, Clinton Shorter, Gianluca Rughi, Davide Saporito, Starover Blue, Matthias, Weird Al Yankovic, Monty Norman, Mark Snow, Juan El Camas, Kate Perry, Sergey Kovchik y Fat Damon Feat. Wax + un audio de Unbreakable K. Schmidt Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

DOCTOR WHO TIN DOG PODCAST REVIEWS  Prologue [] "She Said, He Said" is a  to the episode, in which the Doctor and Clara each have a monologue about how little they know about each other and that they discovered each other's secret at Trenzalore. It was released on 11 May 2013 on  and on-line. Viewers using Red Button were able to access the prequel between 7:40 until midnight every evening, until "The Name of the Doctor" aired on 18 May 2013. Episode [] The  (Madame Vastra, Jenny Flint and Commander Strax) are given information concerning the Doctor by a man convicted of multiple murders in 1893, who speaks to himself in rhyme about "Whisper Men". They use  drugs to bring themselves, , and Clara Oswald across space and time to a dream realm as a sort of "conference call". Vastra repeats the man's words: "It is a secret he will take to the grave--and it is discovered," and reiterates the prophecy about the Doctor's name on the planet Trenzalore (""), as well as showing the planet's coordinates. During their conference, strange faceless humanoids called Whisper Men attack the gang and appear to kill Jenny in her trance. River shocks the others to wake them out of the dream to save themselves. Clara awakes in contemporary London to find the Doctor visiting her for their weekly outing. Clara retells the events from the conference call, and the Doctor, deeply shocked, decides he must go to Trenzalore to save his friends, even though visiting the location of his own grave is dangerous for a time traveller. The TARDIS resists the Doctor's efforts to pilot the machine, but they eventually arrive after a crash landing at Trenzalore. The planet is covered with tombstones, the result of a great war according to the Doctor, while a future version of the TARDIS, having deteriorated and grown to enormous size due to its failing transdimensional circuits, stands above the graveyard. The duo are attacked by Whisper Men. River, still telepathically linked to Clara but apparently unseen by the Doctor, helps direct the two to an escape route - disguised as her own grave - that leads to the giant TARDIS. River also reveals that she died saving the Doctor, and is now only the echo saved by him (in the episode ""). Meanwhile, Vastra and Strax awaken by the structure, and Strax revives the comatose Jenny. The three are surrounded by Whisper Men and meet their controller, the  in the form of Dr Simeon's body (""). The Doctor and Clara arrive at the TARDIS, and the Great Intelligence threatens to kill the Doctor's allies unless he says his true name to open the TARDIS doors. The Doctor refuses but River, still only visible to Clara, says the Doctor's name (unheard by the viewer) and opens the doors. Inside, a pulsating column of light representing the Doctor's traversal of time and space sits where the console would be. Crossing his own time stream sends the Doctor into convulsions. The Great Intelligence sees the light as a wound in the fabric of space-time and enters it in order to undo the Doctor's past as revenge for all the defeats it's been dealt; though this will kill it, the Doctor will be "destroyed." The Great Intelligence and its Whisper Men disappear, and Vastra finds the stars above are going out. Jenny too disappears, followed by Strax after he forgets his association with Vastra. Clara, who has had recollections of the erased timeline from "" due to the telepathic link with the TARDIS, realises that she has helped the Doctor in other places in time and space ("", "The Snowmen"). She decides to enter the column of light to restore the Doctor's timeline by helping to undo all the damage the Great Intelligence tries to do. The Doctor and River try to stop her, but she calls back "Run, you clever boy--and remember me" before disappearing into the light. Clara is seen falling through space-time and appearing throughout the Doctor's past incarnations. She now considers this the end of the "impossible girl." The Doctor, Jenny, Strax, and the universe are restored to normal. The Doctor prepares to enter the column to save Clara, instructing the others to get away in the TARDIS in case he fails to return, but River yells at him to stop, as it is perilous for him to enter his own time stream. The Doctor finally reveals that he could hear, see and even touch her all along but did not acknowledge it because it was too painful. They share a kiss, and River asks him for a goodbye spoken as if they will see each other again, which the Doctor grants her. After River disappears, the Doctor enters the column of light. Clara lands in a misty place and sees flashes of the various incarnations of the Doctor pass by her. Unseen, the Doctor calls out to her, telling her that she is caught in his timeline which is now collapsing on itself. He provides her with the leaf that was responsible for her existence ("") to guide her to him. After their reunion, Clara spots another figure in the shadows which she does not recognise from the Doctor's past. The Doctor reveals that this is another incarnation of himself, but not "The Doctor," explaining that his chosen name is a promise he made to himself, and that this incarnation is his secret: he is "the one who broke the promise." As Clara falls unconscious from exhaustion, the stranger defends himself, stating that his actions were done "in the name of peace and sanity", to which the Doctor replies angrily: "But not in the name of the Doctor!" As he leaves, carrying Clara, the figure () turns to look at them and the screen credits identify him as "The Doctor". Continuity [] Imagery of all the Doctor's prior incarnations is used during scenes in which Clara and the Great Intelligence interact with the Doctor. Archive footage of the  (colourised, from ), ,  (both from ),  (), () and  () Doctors is utilised, with doubles used for some other brief appearances (including all the other Doctors) during the final scenes. The opening scene also includes a representation of  and reference to the Doctor's original exodus from  (as a globed city, previously seen in "", and later seen destroyed in ), with Clara directing him to steal the Type 40 TARDIS as it would be much more of an adventure. Audio of the First (from ), Second (from ), Third (from ), Fourth (from ),  (from ),  (from ),  (from "") and  (from "") Doctors is also heard. The Great Intelligence says that the Doctor has been cruel several times, telling about the leader of the Sycorax, whom the  kills in "" (2005), Solomon the merchant, whom the Eleventh Doctor sent to his death in "" (2012), the  and the . The Great Intelligence also states that the Doctor will be known as the before the end of his life. The Valeyard appears in the 1986 serial , where he is described as an amalgamation of the darker sides of the Doctor's nature, somewhere between his twelfth and final incarnation. He also mentions the Doctor will be called the Storm - one of the names the Daleks have for the Doctor is the Oncoming Storm. He also mentions that The Doctor will be referred to as the beast. The reason for this is unclear. Vastra mentions the Doctor dying on Androzani. This is a reference to  in which the  regenerates. Production [] Lead writer  stated that he wanted to have a new monster in the finale, after the series had seen the reappearance of old monsters such as the , Weeping Angels,  and the . The idea of the Whisper Men came from "the thought of stylish whispering almost faceless creatures" which seemed frightening and appropriate for "an episode that looks forward and back". Broadcast and reception [] Leak [] On 12 May 2013, a week before the official premiere of "The Name of The Doctor", it was announced that a small number of Doctor Who fans in the  had received their  box set of the second half of the  early due to a production error, and asked for those who had received the final episode early not to spoil it for other fans. Ratings [] "The Name of the Doctor" received overnight ratings of 5.46 million viewers on the BBC. Critical reception [] This section requires . (May 2013) The episode received positive reviews. Mark Snow of  gave the episode 9.1/10, praising the final conversation between the Doctor and River Song, as well as the revelation about Clara, however he noted that the Great Intelligence was "a little underwhelming" and "not very threatening", and that while the Whispermen impressed initially, they did not "[make] a great villain." Michael Hogan of  said that the episode was "even better" than the previous two. He noted that it was "momentous, moving and thrilling". However, he also noted that the episode had "a tad too much clunking exposition, the odd spot of creaky CGI and some unconvincing metaphors about soufflés and leaves." Despite this, he called it a "breathless, brilliant finale". References []  . . 19 April 2013. Retrieved 19 April 2013.  . 26 March 2013. ^   . BBC. 27 April 2013. Retrieved 27 April 2013.  Jones, Paul (3 May 2013). . . Retrieved 8 May 2013.    Johnston, Rich (18 May 2013). . bleedingcool.com. Retrieved 19 May 2013.  . 12 May 2013. Retrieved 12 May 2013.  . 12 May 2013. Retrieved 12 May 2013.  . 12 May 2013. Retrieved 13 May 2013.  Rigby, Sam (12 May 2013). . . Retrieved 29 May 2013.  Golder, Dave (19 May 2013). . . Retrieved 19 May 2013.  Snow, Mike (18 May 2013). . .  Hogan, Michael (18 May 2013). . . External links [] Wikiquote has a collection of quotations related to:   at the   on   at 

TIN DOG PODCAST REVIEWS HIDE  FROM WIKI "Hide" is the ninth episode of the  of the British science-fiction drama . It first aired on  on 20 April 2013. It stars as the  and  as . This episode is based on ghosts and includes  playing a character called Emma Grayling and  in the role of a scientist named Professor Alec Palmer. Plot In 1974, Professor Alec Palmer and his assistant Emma Grayling collect photographic evidence of a ghost, known as the Witch of the Well, in the Caliburn mansion; Alec uses Emma's strong psychic powers to create an emotional connection that appears to summon the ghost. They are surprised by the arrival of the Doctor and Clara, claiming to be from military intelligence. The Doctor shows interest in the investigation after Clara points out that the ghost appears in the same position within each photograph. As they investigate, Clara finds that Emma has feelings for Alec but which are seemingly not reciprocated; at the same time, Emma warns Clara about sensing "a sliver of ice" within the Doctor's heart. The Doctor and Clara find a location in the mansion which is noticeably colder than the rest of the house, and the group feels as if they are being watched. Suddenly, the house grows cold, and Clara feels something holding her hand; the two race back to where Alec and Emma are waiting to see Alec's equipment activating on its own accord. A thin black disc materializes in front of them, and Emma senses something crying "help me" through her psychic abilities before the disc vanishes and the house returns to normal. The Doctor takes Clara in the TARDIS to examine the specific spot at several points during the Earth's history, and comes to the conclusion that there is a gateway to a pocket dimension there that is collapsing rapidly, and that someone - the person behind the ghost - is trapped within it. The Doctor asserts he cannot use the TARDIS as its energy would be drained as soon as it materialised, and instead helps to prepare a device to stimulate Emma's psychic abilities to open the gateway. He further constructs a tethered vest and means to pull him back across once he crosses over. When the Doctor crosses over, he finds himself in a forested area, a small bit of land floating in a void. He meets Hila Tukurian, a time traveller and the woman stuck in the pocket dimension, who warns him that something else is there, following them. They race to the gateway, seeing an echo of the Caliburn house appear in the pocket dimension and try to barricade themselves from the creature to give them time to return. The Doctor insists Hila go first, and though she is successfully saved, the gateway closes due to Emma's exhaustion, leaving the Doctor trapped in the forest with the fast-moving creature. Drawn by the sound of the TARDIS' , Clara races to the TARDIS, finding it locked. She pleads with the device to let them save the Doctor, and the TARDIS lets her in. The TARDIS briefly appears in the pocket universe, flying close to the ground to allow the Doctor to jump and hang onto it before the creature can grab him. The Doctor and the TARDIS safely reappear in the normal world. As the Doctor and Clara prepare to leave, the Doctor tells Emma the real reason he stopped at this point was to ask Emma if she could sense anything unusual about Clara, but Emma reveals that there is nothing strange, but does reveal that Clara is, "more scared than she lets on". The Doctor offers Hila a lift to any other place in history, but as he discusses the matter with her he reveals that she is the future descendant of Emma, and the blood connection is what allowed Emma to open the gateway to rescue her. Further, he states that Hila is also the future descendant of Alec. Contemplating the bonds that love can create, the Doctor then realises that there is another entity within the Caliburn house. He implores Emma's help one last time to rescue the creature from the pocket dimension and reunite it with its mate. []Continuity The blue crystal is from Metebelis III; the  () had stolen a blue crystal from the planet in  and returned it in . The Doctor mentions the Eye of Harmony, which was introduced in .The Doctor puts on the orange spacesuit he wore originally in "" / "" and wore on a number of occasions up to "". As in earlier episode , the TARDIS employs an emergency holographic service to communicate, though it did not previously broadcast this outside of its' control room. []Cultural references Clara introduces herself and The Doctor as . The Doctor recites in his dialogue the lyrics "Birds do it, bees do it, even educated fleas do it" from "" by . []Production Tyntesfield House, which was used as a filming location of the mansion. Writer  was a Doctor Who fan, but had never had the time to write an episode. Executive producer Caroline Skinner, who was new with the seventh series, knew him and offered to work his schedule around writing an episode; he was willing to do it. Executive producer and lead writer  was pleased to have Cross join, as he was a showrunner in his own right with . Cross also wrote the seventh episode of the series, "", which he was invited to do after the producers enjoyed "Hide". Cross wanted to write "a really old-fashioned scary episode of Doctor Who" targeted especially at children nine to twelve, which was how he remembered Doctor Who at that age. He aimed to show suspense and tension, as he felt it was more terrifying than "full-on shock horror blood and gore". Cross was inspired by  and its sequels, and originally intended to have the Doctor meet , though this was not possible due to copyright reasons. Cross was also inspired by Quatermass writer 's . The Crooked Man was something Cross said lurked in his imagination. Cross wanted to tell the story with "a small cast and as few locations as possible".  was offered the part of Emma Grayling, and later said that she had not realised "what an institution Doctor Who is" until she arrived on set. She said it was produced very differently from her series . Raine had also worked with Matt Smith before on a play. Cross said that Raine and co-guest star  were good at filling out their characters, as he found it difficult to fully "evoke the history of a quite complex relationship" between their characters with just the script. Subsequent to filming her appearance in this episode, Raine was cast as Doctor Who's original producer, , in the anniversary special . "Hide" was the first episode Jenna-Louise Coleman filmed as Clara. Scenes were filmed in  in June 2012. , a National Trust property near Bristol was used as the mansion. The scenes in the forest were filmed in a forest in Wales, with artificial mist. The Crooked Man's movements were done in reverse and then played forward, to give it an unnatural movement. []Broadcast and reception "Hide" was first broadcast in the United Kingdom on  on 20 April 2013. Overnight ratings showed that the episode was watched by 5 million viewers live. []Critical reception The episode received positive reviews. Neela Debnath of  praised how the episode blended a haunted house story with a science fiction tale, highlighting the twist at the end of "ugly aliens have feelings too".  reviewer Dan Martin said that it had "the hallmarks of an episode that will be discussed for years to come", including the guest stars and atmosphere. He praised the direction, but criticised some of the dialogue. Daisy Bowie-Sall of  gave "Hide" four out of five stars.  reviewer Patrick Mulkern gave "Hide" a positive review, highlighting Smith's performance and the spookiness. While he praised Raine and Scott, he felt that Hila was "shortchanged", and also criticised the "love story" ending. 's Alasdair Wilkins gave the episode an A-, praising the way it changed direction and the subtle hints about the Doctor. Morgan Jeffery of  gave the story four out of five stars, writing that it flowed better than Cross' last episode, "", and allowed for the exploration of several themes. While he was positive towards the way the story was tied back to a time traveller, he felt that the ending was "perhaps less interesting than what's come before, simply because it feels more familiar", though it was still "solid". 's Mark Snow gave the episode a score of 8.4 out of 10. He praised the smaller scope and focus on character, but wrote "the left-field genre detour didn't completely convince, and felt jarringly underwhelming considering the spooky set-up, but at least it tried something unique". Jordan Farley of  gave "Hide" four out of five stars. Farley felt that the science fiction element left too many answers, but said that it excelled as a love story. []References  . . Retrieved 8 April 2013.  . BBC Doctor Who. 16 March 2013. Retrieved 16 March 2013.  DW - List of characters with actors , , Retrieved on 20 April 2013. ^      . BBC. 20 March, 2013. Retrieved 20 March, 2013. ^   Mulkern, Patrick (20 April 2013). .. Retrieved 21 April 2013. ^   Radish, Christina (27 March 2013). . Collider. Retrieved 31 March 2013. ^   . . 5 April 2013. Retrieved 6 April 2013. ^      Jewell, Stephen (16 April 2013). . . Retrieved 16 April 2013. ^      (Video). BBC. 20 April 2013. Retrieved 21 April 2013. ^    McAlpine, Fraser (16 January 2013). . . Retrieved 24 March 2013.  . . 30 January 2013. Retrieved 18 April 2013. ^   Golder, Dave (1 June 2012). . . Retrieved 24 March 2013.  Eames, Tom (11 June 2012). . . Retrieved 24 March 2013.  Mulkern, Patrick (14 April 2013). . . Retrieved 14 April 2013.  . BBC. Retrieved 21 April 2013.  . . 21 April 2013. Retrieved 21 April 2013.  Debnath, Neela (20 April 2013). . . Retrieved 21 April 2013.  Martin, Dan (20 April 2013). . . Retrieved 21 April 2013.  Bowie-Sall, Daisy (20 April 2013). . . Retrieved 21 April 2013.  Wilkins, Alasdair (20 April 2013). . . Retrieved 21 April 2013.  Jeffery, Morgan (20 April 2013). . . Retrieved 21 April 2013.  Snow, Mark (20 April 2013). . . Retrieved 21 April 2013.  Farley, Jordan (20 April 2013). . . Retrieved 21 April 2013.

DOCTOR WHO TIN DOG PODCAST REVIEWS COLD WAR reprinted from wiki "Cold War" is the ninth episode of the  of the British science-fiction drama . It first aired on  on 13 April 2013. The episode stars as the  and  as . It is the first TV episode to feature the  since the  serial  in 1974. Contents   []  []Plot The episode opens on a  submarine sailing near the North Pole in 1983 during the . A nuclear weapons launch drill they are running is interrupted by Professor Grisenko. In the submarine's cargo hold a sailor prematurely begins to defrost a block of ice that Grisenko believes contains a frozen  and is attacked. The submarine begins sinking as the creature in the ice escapes and runs amok. The  materialises inside the submarine; Clara and the Doctor tumble out, believing that they are in . Although the sailors restrain them the Doctor convinces Captain Zhukov to maneuver the submarine to the side, landing it safely and preventing it from imploding. During this the TARDIS inexplicably dematerialises. The Doctor tells the captain and his crew that he and Clara are time travelers. They then encounter the escaped , Grand Marshall Skaldak. The Doctor convinces them that they must be peaceful, but a frightened soldier shocks Skaldak with a  knocking him out cold. The chained Skaldak calls for his brothers to find him. The Doctor convinces Captain Zhukov that someone must speak to Skaldak. The Captain insists but the Doctor refuses, saying that as an enemy soldier, Skaldak will not talk to him. Zhukov refuses to let the Doctor do it. As the only one who knows the Ice Warriors, the Doctor is too valuable to risk. Clara volunteers, and although reluctant, the Doctor allows her to go. She relays the Doctor's words to Skaldak but he knows that the Doctor is listening. After learning that he has been encased in the ice for 5000 years Skaldak laments the loss of his daughter and his people. Skaldak escapes from his armor, and stops broadcasting the signal to the other Ice Warriors, believing himself to be the only one of his kind left. The Doctor surmises that, thinking himself alone in the universe, Skaldak has nothing left to lose. Skaldak manages to grab and kill three members of the crew. Having learnt of the ongoing Cold War and the , Skaldak plans to use the submarine's nuclear missiles to provoke a global thermonuclear war and destroy humanity as revenge for the humans attacking him, as under Martian code humanity as a whole has declared war on the Ice Warrior race. Reaching the bridge, he is able to connect himself to the sub's missile guidance systems and activate the missiles. The Doctor and Clara attempt to persuade Skaldak to show mercy when the sub is rocked by a tractor beam from above. The Ice Warrior's people have arrived over the site of the submarine's undersea grounding, and haul it to the surface. Skaldak is beamed aboard the Ice Warriors spaceship, though the missile launch system is still active. Showing mercy, Skaldak deactives the missiles remotely. When the Doctor's sonic screwdriver informs him the TARDIS has reappeared, he informs Clara that it had "relocated" automatically as part of the H.A.D.S. (short for "Hostile Action Displacement System") at the South Pole. The Doctor sheepishly ask Zhukov for a lift. []Production Writer Mark Gatiss had been lobbying to bring back the Ice Warriors, and came up with new ideas which finally sold the episode. The Ice Warriors were a well-known villain of the original Doctor Who series. They appeared alongside the  () in  (1967) and  (1969) and returned in the  () stories (1972) and  (1974). Showrunner  had originally been hesitant to bring back the Ice Warriors, worrying that they were seen as "the default condition for what people thought of as rubbish Doctor Whomonsters — things that moved very, very slowly and spoke in a way that meant you couldn't hear a word they said." Writer , however, was a fan of the Ice Warriors' stories and had been campaigning to bring them back. In a phone conversation with Moffat that was originally supposed to be about their show , Gatiss pitched new and "very clever ideas" of what to do with the Ice Warriors, and Moffat agreed. What sold Moffat were the submarine setting and seeing what the Ice Warriors looked like underneath their suits. Gatiss felt that the Ice Warriors had a lot of gaps in their timeline and had not been featured in a while, which allowed a lot of room to explore them. The submarine was Gatiss's idea; he felt that Doctor Who called out to be set on a submarine. Executive producer Caroline Skinner described the story as "Letting a huge Ice Warrior loose at the heart of a classic  style submarine movie." Gatiss chose the time period because he was "kind of obsessed" with the Cold War, and felt that there were several times in the 1980s where the danger was close. Gatiss also described "Cold War" as a "love-letter" to the base-under-siege stories that were common during Troughton's time; the episode even contains a reference to Troughton's , which was the last time the TARDIS' HADS had been mentioned. The  for "Cold War" took place on 6 June 2012, with filming beginning on 13 June. For the submarine setting, the cast would be sprayed in between every take. The scenes in which the characters are drenched in water were achieved by constantly pouring "gallons and gallons of water" on the cast. Coleman found the experience fun, while Smith said that it made acting easier.Coleman said, "The whole make-up process was reversed as they would damp us down in the morning and rub my mascara off!" For the shots of the submarine in the ocean, a model was used. It was suspended upside-down with "shredded feathers" blown at it to give the effect of being under the sea. Unlike some other returning monsters, the Ice Warriors were not heavily redesigned. Gatiss insisted upon keeping the fundamentals of the original and Moffat explained that the original design was not well-known enough to put a new spin on it, and so Skaldak's shell is just a "super-version of the original". Of the original design, Millennium FX's Neill Gorton said, "My problem with the old ones is they had  hands and weird, spindly arms but a bulky body and these strange saddlebag hips, almost feminine. They had fur sticking out everywhere. So all of that together didn't suggest "ice warriors." They should be much beefier and stronger. We gave it more of a bodybuilder physique, changed the hands and styled the body to make it look more like armour-plating, even though it's reptilian." The costume was made of flexible urethane rubber instead of the fibreglass like the original, as it would damage less easily and be more comfortable to wear. The costume was made to specially fit . Though only some of the Skaldak's real appearance was shown on-screen, Gorton stated that they created a full animatronic body. []Broadcast and reception "Cold War" was first broadcast in the United Kingdom on  on 13 April 2013. Overnight ratings showed that 5.73 million viewers watched the episode live, a 28.8% audience share. The episode also received an  of 84. []Critical reception The episode received generally positive reviews. Dan Martin of  wrote that "Cold War" was "easily the best of this new series so far, and Mark Gatiss's finest contribution yet." He praised the reinvention of the Ice Warrior and felt that the elements came together to form a "tense, tightly wound, claustrophobic but also full of heart." 's Geoff Berkshire said that "Cold War" was better than Gatiss' previous episodes "" and "". He praised the guest cast, but wished "their characters had a bit more meat to them."  reviewer Neela Debnath described the story as "slick and intelligent" with "cinematic aesthetics and tone." Patrick Mulkern of  found an inconsistency with the TARDIS translation matrix, but overall was positive towards the acting, visual aspects, and story.  reviewer Gavin Fuller gave the episode four out of five stars, describing it as "finely crafted" and "thrilling." He praised the setting and the dialogue, but felt that the Russian characters were "perilously close to being ciphers." 's Morgan Jeffery awarded the episode five out of five stars, saying that it was "fresh and exciting" but also had a "wonderfully old-school tone." He wrote that it had "one of the best guest casts to have graced Doctor Who since the show returned in 2005" and also praised the reintroduction of the Ice Warriors and the production values. Alasdair Wilkins of  gave "Cold War" a grade of A, highlighting the tense atmosphere, the "bold new direction" taken with the Ice Warriors, the guest performances, and Clara's importance. Russell Lewin of  gave "Cold War" four out of five stars, praising the set and direction as well as the Ice Warrior. On the other hand, Lewin noted that, as a base-under-siege story, it did not play with the narrative form or "go anywhere we couldn't have predicted," with the exception of the Ice Warrior breaking out of its suit. 's Mark Snow gave the episode a rating of 8.3 out of 10. Snow praised the reintroduction of the Ice Warriors and called Skaldak "the show's most memorable villain in a while, thanks to his stern, occasionally psychopathic approach to problem solving, and an environment that helped make the bulky, heavy creature design imposing rather than laughably naff." However, he felt that some of Skaldak's effects were "laughably rubbery" and that his motivations were "psychotically random." []References ^    . SFX. 11 February 2013. Retrieved 16 March 2013. ^   . . 21 February 2013. Retrieved 19 March 2013. ^   Setchfield, Nick (18 March 2013). . . Retrieved 19 March 2013. ^       (Video). BBC. 13 April 2013. Retrieved 14 April 2013. ^   Setchfield, Nick (9 April 2013). . . Retrieved 10 April 2013.  Gatiss, Mark (13 April 2013). . . Retrieved 14 April 2013. ^    Mulkern, Patrick (13 April 2013). . . Retrieved 14 April 2013.  . . Retrieved 14 April 2013. ^    (Press release). BBC. 18 March 2013. Retrieved 24 March 2013. ^   Mulkern, Patrick (7 April 2013). . . Retrieved 7 April 2013.  . BBC. Retrieved 14 April 2013.  Golder, Dave (14 April 2013). . . Retrieved 14 April 2013.  Hilton, Beth (14 April 2013). . . Retrieved 14 April 2013.  . . 15 April 2013. Retrieved 16 April 2013.  Martin, Dan (13 April 2013). . . Retrieved 14 April 2013.  Berkshire, Geoff (13 April 2013). .. Retrieved 14 April 2013.  Debnath, Neela (13 April 2013). . . Retrieved 14 April 2013.  Fuller, Gavin (13 April 2013). . . Retrieved 14 April 2013.  Jeffery, Morgan (13 April 2013). . . Retrieved 14 April 2013.  Wilkins, Alasdair (13 April 2013). . . Retrieved 14 April 2013.  Lewin, Russell (13 April 2013). . . Retrieved 14 April 2013.  Snow, Mark (13 April 2013). . . Retrieved 14 April 2013.