Podcast appearances and mentions of tom holkenborg

Joe and Drew commentate over the highest grossing Godzilla movie ever. Patreon: https://www.patreon.com/godzillapodcast Discord: discord.gg/cFFx4N5 *** Directed by: Adam Wingard Screenplay by: Terry Rossio, Simon Barrett, Jeremy Slater Story by: Terry Rossio, Adam Wingard, Simon Barrett Based on: Godzilla and Mothra by Toho Co., Ltd. Produced by: Thomas Tull, Jon Jashni, Brian Rogers, Mary Parent, Alex Garcia, Eric McLeod Starring: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen Cinematography: Ben Seresin Edited by: Josh Schaeffer Music by: Tom Holkenborg, Antonio Di Iorio Production company: Legendary Pictures Distributed by: Warner Bros. Pictures (Worldwide), Toho (Japan) Release dates: March 25, 2024 (TCL Chinese Theatre), March 29, 2024 (United States) Running time: 115 minutes Country: United States Language: English Budget: $135–150 million Box office: $571.8 million  

Daniel and Erwin review the 3rd installment in Jeff Fowler's and Sega's "Sonic the Hedgehog" franchise. They talk about Shadow's great backstory, the great action, Jim Carrey, and if they should keep making more of these movies. Did they love it, did they hate it, or are they Somewhere Between? Listen to find out!Sonic, Knuckles and Tails reunite to battle Shadow, a mysterious new enemy with powers unlike anything they've faced before. With their abilities outmatched in every way, they seek out an unlikely alliance to stop Shadow and protect the planet.Release date: December 20, 2024 (USA)Director: Jeff FowlerAdapted from: Sonic the HedgehogDistributed by: Paramount PicturesBox office: $61.5 millionMusic by: Tom Holkenborg

The impulse to combine music and film goes back to the very beginning. The Lumiere brothers first silent film screening in Paris in 1895 was accompanied by a pianist. When films were added to vaudeville theaters at the beginning of the 20th century, music was provided by an in-house musician or organist, small ensembles, and even full orchestras. Pipe organs for theaters—at the time the most wide-ranging and loudest instruments available—were built by the American musical instrument company Wurlitzer. The famous "Mighty Wurlitzer" theatre organ was introduced in 1910, and was installed in theatres, museums, and churches around the world. Romantic-Classical styles and orchestration dominated the early years of sound films, and an emotional language of film music became widely understood. As film subject matter expanded, jazz and other "modernist" genres were added. Powerful rhythms, memorable melodic themes, and repeated motifs were common, as well as more subtle, quiet music to create mood and atmosphere. What we call ambient music today, was—and still is—a major part of film music, and came to be called the "underscore." On this transmission of Hearts of Space, ambient and atmospheric music for film, on a program called "UNDERSCORE 3." Music is by TIM STORY, LISA GERRARD & PIETER BOURKE, LUDOVICO EINAUDI, HANS ZIMMER, MYCHAEL DANNA, ENNIO MORRICONE, TOM HOLKENBORG, and featuring BRIAN KEANE'S score for DANTE: INFERNO TO PARADISE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Furiosa: A Mad Max Saga is a 2024 Australian post-apocalyptic action film directed, co-written, and co-produced by George Miller, who collaborated with Nico Lathouris on the screenplay. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), focusing on the character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. ⁠www.frumess.com⁠⁠⁠⁠⁠⁠ FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Furiosa: de la saga Mad Max" (2024), música de Tom Holkenborg.

Obsessie is het antwoord. Obsessie is je ondergang.Ik ben tomson darko en ik praat je graag in slaap vanavond als je dat oké vindt.Hier heb ik het dit keer over:Het ding met kunst maken is de obsessie.Paniekaanvallen ontstaan niet zomaar. Het is een uiting van iets dat zich jarenlang opbouwt. Dat vraagt tijd en geduld om uit te vogelen hoe dit kan en hoe je er vanaf komt.Als je weet hoe het zit, betekent het nog niet dat dit je gedrag laat veranderen. Er is altijd meer voor nodig, maar je weet niet wat. Daarna komt het moment dat je goede keuzes gaat maken die je helpen. Bijvoorbeeld veel sporten, gezond leven, andere baan nemen of verhuizen.Lees dit fantastische interview met Tom Holkenborg in de volkskrant. Hoe hij na zijn paniekaanvallen de bekendste filmcomponist van Hollywood is geworden. Dit is er genoemd:Volkskrant-artikelHet boek The body keeps the score. Je lichaam onthoudt de pijn van het trauma. Bessel van der Kolk.Mijn boek Ik hoop dat je gedachten lief voor je zijnSteun me en luister meteen naar mijn exclusieve weekupdate via petjeaf.com/tomsondarkoHandjes boven de dekens.Slaap lekker.Support the Show.1) Ontvang elke woensdagavond een mail van me over gevoelens waar niemand over praat. 2) Mijn shop vol boeken boeken, posters en tasjes3) Steun me via petjeaf.com/tomsondarko en luister exclusieve afleveringen.

Ça y est, il est enfin là et c'était l'une des plus grosses attentes 2024 de 24PS, le podcast ciné avec ou sans spoiler, Furiosa - Une Saga Mad Max de George Miller ! Les films précédents de la saga Mad Max ayant déjà été traités dans notre (double) épisode 73 en 2015, Jérôme et Julien attaquent tout de suite avec la partie sans spoiler où ils abordent les conditions de production du film ainsi que leur avis sans spoiler. C'est seulement après 1:44:00 d'émission que démarre la seconde partie, cette fois avec spoilers, de l'émission, où ils décortiquent toutes les scènes de Furiosa - Une Saga Mad Max. Bonne écoute, et n'hésitez pas à dire ce que vous pensez du prix des tickets de cinéma. Crédits musicaux : The Pole Of Inaccessibility et The Darkest Of Gods de Tom Holkenborg, issus de l'album Furiosa: A Mad Max Saga - Original Motion Picture Soundtrack 24FPS est un podcast du label PodShows

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/senornerdpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @senornerdpod on Twitter. Furiosa: A Mad Max Saga (or simply Furiosa) is a 2024 Australian[5] post-apocalyptic action film directed and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), and focuses on the Fury Road character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke). Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022. Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theatres in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $74 million worldwide against a budget of $168 million. Years after a global catastrophe, Australia is a radioactive wasteland and the Green Place of Many Mothers is one of the last remaining areas with fresh water and agriculture. Raiders discover the Green Place while two kids, Furiosa and Valkyrie, are picking peaches. Furiosa attempts to sabotage their motorbikes, but the raiders capture her as a prize for their leader, warlord Dementus of the Biker Horde. Furiosa's mother Mary pursues them to the Horde's camp, killing all but one raider. The last raider delivers Furiosa to Dementus, but Furiosa mortally wounds him before he can reveal the Green Place's location. Plot[edit]

Blockbuster film composer Tom Holkenborg — aka Junkie XL — returns to George Miller's post-apocalyptic dystopian world with his latest installment, “Furiosa: A Mad Max Saga.” Regular guest host Jon Burlingame joins the podcast to discuss Holkenborg's hands-on approach to crafting the music for this film, which included an unusual addition to his typical job of composer.“To find the right language for this film from a first-person perspective… I was able to be one of the re-recording mixers on this film, being responsible to mix the final results of the film that now people will hear in the theater, alongside [re-recording mixer] Rob Mackenzie. I don't know a film that has been mixed by a composer… at least in the years that I've been working in the film industry. To be able to take this on with George [Miller] and with Rob Mackenzie was just an amazing eight-week experience, to really get into the complete details. It's like, ‘how do you want the music to sound? How is it going to be spaced in an incredible Dolby Atmos theater? And how are you using all the speakers? How much do you push the music? And how do you create perfect handoffs with the sound design, working in conjunction together?' It was such a fascinating experience.”—Tom Holkenborg, Composer and Re-recording Mixer, “Furiosa: A Mad Max Saga”Be sure to check out “Furiosa: A Mad Max Saga,” now playing in Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

pWotD Episode 2584: Furiosa: A Mad Max Saga Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 128,336 views on Wednesday, 29 May 2024 our article of the day is Furiosa: A Mad Max Saga.Furiosa: A Mad Max Saga (or simply Furiosa) is a 2024 Australian post-apocalyptic action film directed and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), and focuses on the Fury Road character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke.Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke).Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022.Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theaters in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $67 million worldwide.This recording reflects the Wikipedia text as of 01:49 UTC on Thursday, 30 May 2024.For the full current version of the article, see Furiosa: A Mad Max Saga on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ivy Standard.

Furiosa: A Mad Max Saga is a 2024 Australian post-apocalyptic action film directed, and produced by George Miller, who wrote the screenplay with Nico Lathouris. It is the fifth installment in the Mad Max franchise, serving as a prequel and spin-off to Mad Max: Fury Road (2015), focusing on the character Imperator Furiosa. The film stars Anya Taylor-Joy and Alyla Browne as younger versions of Furiosa (originally portrayed by Charlize Theron), alongside Chris Hemsworth and Tom Burke. Set 15 to 20 years before the events of Fury Road, in a desert wasteland where warlords fight over the last remaining sources of water, food, weapons, and gasoline, Furiosa traces the young title character's life from her kidnapping by the forces of warlord Dementus (Hemsworth) to her revenge on the warlord for the loss of her mother. For over a decade, she struggles to survive as a slave and, eventually, a trusted lieutenant of the Citadel's cult leader, Immortan Joe (Lachy Hulme), and his military commander Praetorian Jack (Burke). Miller initially intended to shoot Furiosa back-to-back with Fury Road, but the former spent several years in development hell amidst salary disputes with Warner Bros. Pictures, Fury Road's distributor. Several crew members from Fury Road returned for Furiosa, including composer Tom Holkenborg, costume designer Jenny Beavan, editor Margaret Sixel (Miller's wife), and screenwriter Lathouris. Filming took place in Australia from June to October 2022. Furiosa: A Mad Max Saga premiered at the 77th Cannes Film Festival on 15 May 2024. It was released in theatres in Australia by Warner Bros. and Village Roadshow Pictures on 23 May 2024, and in the United States the following day. The film received positive reviews from critics and has grossed $65 million worldwide. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

For Monday, Crew Call is a conversation with Furiosa: A Mad Max Saga composer Tom Holkenborg.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In aflevering 11 van seizoen 3: In deze show wederom een Podgast, ditmaal met Neerlands grootste Hollywood carrière: Tom Holkenborg! Tom Holkenborg AKA Junkie XL Tom haalde wereldwijd een nummer 1 hit met de Junkie XL remix van Elvis - A Little Less Conversation in 2002 en besloot het jaar erop te verhuizen naar Hollywood voor een carrière in de filmmuziek. Tom heeft als componist inmiddels de allergrootste titels op zijn naam staan en was verantwoordelijk voor de muziek van; 300: Rise of an Empire, Divergent, The Amazing Spider-Man 2, Mad Max: Fury Road, Deadpool, Batman vs Superman, Brimstone, The Dark Tower, Tomb Raider, Mortal Engines, Justice League, Godzilla vs. Kong en nog veeeeeeel meer! We spraken met Tom in het Conservatoriumhotel in Amsterdam tijdens zijn Press Tour voor Furiosa over samenwerken met George Miller aan de Mad Max films, zijn vriendschap met Hans Zimmer en ander legendarisch werk uit zijn muzikale Hollywood carrière. Furiosa Na lange tijd keert Miller terug naar de iconische dystopische wereld die hij ruim dertig jaar geleden gecreëerd heeft met een splinternieuw, origineel, op zichzelf staand avontuur vol actie over het verleden van het populaire personage uit de met meerdere Oscars bekroonde wereldwijde kaskraker “Mad Max: Fury Road”. Na de ondergang van de wereld wordt de jonge Furiosa (Anya Taylor-Joy) meegenomen uit de Green Place of Many Mothers en komt ze in handen van een grote motorbende aangevoerd door Warlord Dementus (Chris Hemsworth). Op hun tocht door de woestijn bereiken ze de Citadel, waar Immortan Joe de baas is. Terwijl de twee tirannen om de macht strijden, moet Furiosa vele beproevingen doorstaan en een manier vinden om terug te kunnen keren naar huis. MoodQUIZ: Wederom in deze aflevering de "MoodQUIZ". Een inhoudelijke filmvraag voor echte filmkenners, waarbij er Nationale Bioscoopbonnen te winnen vallen! Ga snel luisteren dus... Voor meer informatie over de onderwerpen check onze site; www.moodfellas.nl, daar vind je oa ook geschreven reviews over films en series die niet in de afleveringen zitten en kun je alles nog eens rustig teruglezen over de besproken Wijnen en Hot Sauces. Abonneer je op oa. Spotify en volg de MoodFellas ook op Instagram, Tiktok en Threads (@moodfellaspodcast). Heb je iets gehoord wat niet klopt? Of wil je ons wat vragen? stuur ons een mailtje naar info@moodfellas.nl

Vandaag gaat de grote Hollywood blockbuster Furiosa in première, een nieuwe film in de reeks Mad Max films van de legendarische regisseur George Miller. Negen jaar geleden gaf die een vervolg aan de reeks die hij zelf in 1979 begonnen was, met de film Fury Road. Aan de twee moderne Mad Max films kleeft een Nederlands randje, want groot op de aftiteling zien we de naam Tom Holkenborg aka Junkie XL. Tom was deze week in Amsterdam, een mooie gelegenheid om over zijn ambacht te praten. En verder: Top Notch duikt in de kleutermuziek, dus wij ook!

Roos Moggré zit vanavond aan de zijde van Jeroen!  Vandaag werd het debat over het hoofdlijnenakkoord gevoerd in de Tweede Kamer. Voormalig VVD-minister van Buitenlandse Zaken Uri Rosenthal, politicoloog en schrijver Splinter Chabot en voormalig spindoctor van de PvdA Julia Wouter hebben dit debat voor ons gevolgd.   Hoe ga je door het leven als je armen en benen een flinke slag kleiner zijn dan anders? Eva Eikhout vertelt in haar boek dat dit gepaard gaat met een hoop overwinningen en ook struggles. Vanavond is zij te gast en deelt ze enkele verhalen uit haar openhartige boek.   De vijfde Mad Max film, ‘Furiosa', ging vorige week in première op het filmfestival in Cannes. Vanaf deze week is de postapocalyptische actiefilm in Nederland te bewonderen op het witte doek. Tom Holkenborg, ook bekend als Junkie XL, componeerde eerder de muziek voor ‘Mad Max: Fury Road' en nu ook voor ‘Furiosa: A Mad Max Saga'.     

Brought to you in association with BMW, Edith is joined by composer Tom Holkenborg - aka Junkie XL - post red carpet premiere in Cannes, and by director George Miller in London to discuss the music and making of Furiosa: A Mad Max Saga.

Our latest guest on Soundtracking is director Zack Snyder, joining Edith to discuss Part Two of Rebel Moon - entitled The Scargiver - which you can watch on Netflix now. Following on from the first installment of the saga, it sees our heroine Kora and a band of warriors defend their homeland, Veldt, against the tyrannical Motherworld. Both film are scored by friend of the podcast, Tom Holkenborg, aka Junkie XL.

Wir halten kurz inne im #ALIENAPRIL um über den aktuellsten Kinofilm mit unseren liebsten Radioaktivreptil und Riesenprimaten zu sprechen: "GODZILLA x KONG: The New Empire"! Philip und Chris stolpern direkt vom Kino in die diese Podcastaufnahme und lassen euch wissen wie sie den Film fanden - Und weil der Film ja so brandaktuell ist, gibt es zu Beginn einen spoilerfreien Part für die, die noch keine Chance hatten selbst ins Kino zu gehen. Checkt unsere Links zu allen Socials usw: https://linktr.ee/dinosdaemonendoktoren Godzilla x Kong: The New Empire OST by Tom Holkenborg & Antonio Di Iorio

Monsteriana, monsteriano, bienvenido a ¡Cosas de Monstruos! El programa en el que te enseñamos a sobrevivir a las amenazas más terroríficas: Las criaturas gigantes. Volvemos a estar de estreno y que gozada y que locura, la locura de los años 70 han llegado a la actualidad pero con los medios y efectos de Hollywood, esos momentos locos, tramas donde todo cabe, batallas multitudinarias y mucho más es lo que nos ha ofrecido la nueva película del monsterverse, si la anterior ya fue una locura en esta Adam Wingard da rienda suelta a sus gustos y nos da un espectáculo que parece estar triunfando en taquilla y que ojalá su éxito confirme nuevos proyectos en este monsterverse Programa: 00:00 Inicio y presentación 01:40 Noticias 07:10 Ficha de la película: Godzilla y Kong El nuevo imperio 12:30 Opinión sin spoilers 32:35 Análisis de la película con spoilers 1:29:20 Comentarios 1:36:55 Próximo programa y despedida Música: Godzilla x kong soundtrack main title theme por Tom Holkenborg y Antonio di Iorio Godzilla x kong soundtrack Leaving Coloseum por Tom Holkenborg y Antonio di Iorio Formas de contacto: Twitter: @monsterianos https://twitter.com/Monsterianos Facebook: www.facebook.com/cosasdmonstruos Twitch: https://www.twitch.tv/cosasdemonstruos Youtube: https://www.youtube.com/channel/UCGkf_fCXfvQ6ETO72b--i3g Ivoox: https://www.ivoox.com/podcast-podcast-cosas-monstruos_sq_f1391833_1.html

The MonsterVerse roars back into theaters with Godzilla x Kong: The New Empire! Dylan joins us this week to find out if the latest entry in this sprawling universe is a titan-sized fun time or another CGI-heavy slog. Listen in and see if you agree! Contact: stompthisway1954@gmail.com Website: stompthisway.wordpress.com The final track is the "Main Title" by Tom Holkenborg and Antonio Di Lorio Join us next week for Starship Troopers!

Welcome back to purgatory!!! This week the boys descend into Zack Snyder's hellscape of over used green screen, bad CG, bad acting, underdeveloped "characters", over abundance of slow motion, non creative ways of naming planets, people and cultures and ripping off everything Japanese, western and science fiction...YAY! The film stars Sofia Boutella, Dijmon Hounsou, Ed Skrein, Michiel Huisman, Bae Doona, Anthony Hopkins, Fra Fee, Staz Nair, Ray Fisher, Cleopatra Coleman, Ingvar Sigurdsson, Corey Stoll and Stuart Martin Thanks for checking us out, if you'd like to find our back catalog go to podbean.com Intro & Outro track composed and performed by Tom Holkenborg from the Rebel Moon-Part One: A Child of fire Prologue Antiphony https://youtu.be/vih1yvpJFiw?feature=shared   The Burning Mountain https://youtu.be/YW2-6nM9b-A?feature=shared  

Better late than never. Actually, I think this is the latest I've ever presented my year-end round-up program. I hope you enjoy it anyway. On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods presents music from some of his favourite scores written in 2022.  This is part one of a four-part series.  Today, you'll hear selections by such composers as Nigel Westlake, Tom Holkenborg, Michael Abels, Steve Jablonsky, Abel Korzeniowski, Olivier Deriviere, John Williams, William Ross, Michael Giacchino, Hesham Nazih and Danny Elfman. Part two will be online in a few days! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Featuring Natalie Marlin (https://twitter.com/NataliesNotInIt)! For some, MAD MAX: FURY ROAD was an amusement. For others, it shattered growing cynicism. It's an epic in the classic sense, thrilling and regaling with focused sights and sounds and craft so impactful it seems like wizardry. At the same time, it's a bountiful narrative that works with the barest materials – neologisms, post-consumer weaponry, and roving bands of apocalyptic automobiles abound – to tell a rich story of redemption, reclamation, hope, and escape. “The Art of the Car Crash: Mad Max: Fury Road” by Trylon volunteer and Trylove guest Finn Odum: https://www.perisphere.org/2023/01/13/the-art-of-the-car-crash/ “Ride the Brutal Euphoria Wave with Angel Electronics” by Natalie Marlin for Bandcamp Daily: https://daily.bandcamp.com/features/angel-electronics-ultra-paradise-interview Moo: https://mmfrconfessions.tumblr.com/post/125295076648/you-know-that-bit-when-rictus-erectus-drinks-some Find Natalie… On Twitter at https://twitter.com/NataliesNotInIt On Letterboxd at https://letterboxd.com/framingthepic/ On Trylove Episode 162: THE THIRD MAN (1949), Episode 182: CHESS OF THE WIND (1979), and Episode 197: RETURN OF THE LIVING DEAD (1985) Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Chapter Doof" by Tom Holkenborg from the MAD MAX: FURY ROAD soundtrack. Timestamps 0:00 - Episode 210: MAD MAX: FURY ROAD (2015) with Natalie Marlin 3:43 - The Patented Aaron Grossman Summary 5:13 - Rewatching this movie for the umpteenth time 22:38 - The little moments & how FURY ROAD is paced 40:27 - The movie's smart storytelling 58:56 - You can't run 1:03:51 - The technical achievements of MAD MAD: FURY ROAD 1:06:06 - Back 2 da politics 1:09:24 - The Junk Drawer 1:13:21 - Good Grief, Give Me a GIF! 1:18:23 - Cody's Noteys: Mad Maxes

Matthew Sweet talks with the wildly successful, classically trained Dutch composer Tom Holkenborg, a.k.a. Junkie XL, a star of club electronica, video games and film scores. Tom talks about looking to composition masters for influence, making brand new instruments and writing 95 melodies to find the perfect one for his latest film, Three Thousand Years of Longing.

Today on the pod we drink beer and discuss George Miller's passion project, Three Thousand Years of Longing, a movie where an Australian filmmaker takes an Istanbul-set, pre-Islamic Arabic tale, and creates a piece of fiction for Western audience. Well, worldwide audiences, likely, and the Djinn (Idris Elba) is very romantic! Tilda Swinton is back at it, there are sweeping scenes of fantasy, stories come to life... moviegoers are divided on the picture, but we're happy we saw it on the big screen. We discuss! Find all of our Socials at: https://linktr.ee/theloveofcinema Cast & Crew: George Miller, Tilda Swinton, Idris Elba, Pia Thunderbolt, Anthony Moisset, Alyla Brown, Lianne Mackessy, Augusta Gore, A.S. Byatt, Tom Holkenborg, John Seale, Junkie XL. Hosts: Dave Green, Jeff Ostermueller. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. additional tags: Herpes, House of the Dragon, Abortion Laws, Whiskey, Cannes Film Festival, Mad Max, Mad Max: Fury Road, Sheeba, Hotel Rooms, Bottles, The Staircase.

We had the pleasure of interviewing Rose Betts over Zoom video!Standout British singer/songwriter Rose Betts wears her heart on her sleeve in her triumphant debut full-length album, White Orchids, out now! Rose wrote and co-produced the entire album. To Rose, White Orchids represents a loss of innocence; a moment of pure youth and fragility where her heart was broken. Just as an orchid blooms once before it is usually discarded, it feels as though one can grasp on to youth for merely a fleeting moment. Rose released the emotional, self-reflective album single “Recovery” late last year, and it was recently synced for usage for the CW hit TV show "Legacies." Another album track, "Driving Myself Home," went supernova on Tiktok in January and is now closing in on 2 million combined streams and well over 5 million views. Rose also released “Song To The Siren” last year (producing the track as well as performing it), which served as the leading song of Zack Snyder's Justice League (Original Motion Picture Soundtrack), created by GRAMMY-nominated multi-platinum producer, musician, composer and educator Tom Holkenborg. Olympic Silver Medalist Alexandra Trusova used “Song to the Siren” in her recent Olympic run. ABOUT ROSE BETTSHailing from London, England, Rose Betts is a singer-songwriter with an uncanny ability to pen beautiful hooks and lyrics with a depth beyond her years. A regular on the London music scene and darling of Sofar Sounds, Rose toured the UK in 2017 and self-released her first EP The Stars Look Down. She has received major radio play on BBC 2 and BBC 6 and continues to blur the lines of conventionality through her collaborations with art, film, theatre and virtual technology. She is also involved in other collaborative projects, working on Bazzi's single ‘Young and Alive' which was nominated for Best Remixed Recording at the 63rd Annual GRAMMY Awards and “Song to the Siren,” her contribution to the Zack Snyder's Justice League (Original Motion Picture Soundtrack), which she performed and produced. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #RoseBetts #WhiteOrchids #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Dans ce nouvel épisode du Podcast de L'Univers des Comics, Max Chauvineau reçoit ses collègues Marlon Jousset et Timo Masson pour discuter de quatre sujets : - Pourquoi "League of Super-Pets" pourrait être la surprise de l'année ? - Pourquoi "Isle of the Dead" pourrait bien être le meilleur spin-off de "The Walking Dead" ? - Quels auteurs de comics aimerions-nous voir revenir sur leurs titres cultes ? - Présentation du compositeur Tom Holkenborg   Podcast initialement enregistré devant les viewers de Twitch le 15 mars 2022 Soutenez-nous !

EPISODE 157- MARK MANGINI- Sound Designer Team Deakins converses with sound designer Mark Mangini (DUNE, BLADE RUNNER 2049, MAD MAX: FURY ROAD, STAR TREK) about the world of sound. In this episode, Mark explains that his job is to tell stories with sound and to create universes that sonically don't exist. He walks us through designing the sound for the war rig in MAD MAX: FURY ROAD as well as his close collaboration with director Denis Villeneuve on BLADE RUNNER 2049, and Tom Holkenborg on BLACK MASS. We discuss how Mark decides when to use a music cue or sound effect cue, how you can earn loud sounds by buying silence early on in a film, and the creative necessity and financial incentive to capture production sound on set instead of recreating it in post. We learn a lot in this episode!! You don't want to miss it!  BONUS: Use this link to download a sound file that Mark makes reference to when speaking of "Bladerunner 2049".

Tom Holkenborg aka Junkie XL is the featured guest on this Score to Screen podcast. The Army of the Dead composer opens up about crafting the epic score alongside Zack Snyder for the zombie heist film. Beyond the score, Holkenborg speaks upon his past musical influences, working with esteemed Hollywood names and his passion towards music education. From filmmaker Zack Snyder, Army of the Dead takes place following a zombie outbreak that has left Las Vegas in ruins and walled off from the rest of the world. When Scott Ward (Dave Bautista), a former zombie war hero who's now flipping burgers on the outskirts of the town he now calls home, is approached by casino boss Bly Tanaka (Hiroyuki Sanada), it's with the ultimate proposition: break into the zombie-infested quarantine zone to retrieve $200 million sitting in a vault beneath the strip before the city is nuked by the government in 32 hours. With little left to lose, Ward takes on the challenge, assembling a ragtag team of experts for the heist. With a ticking clock, a notoriously impenetrable vault, and a smarter, faster horde of Alpha zombies closing in, only one thing's for certain in the greatest heist ever attempted: survivors take all. Tom Holkenborg, aka Junkie XL, is a Grammy nominated multi platinum producer, musician, composer and educator whose versatility puts him on the cutting edge of contemporary music, and whose thirst for innovation is helping to reimagine the world of composition. A full contact composer, Holkenborg is hands on at every stage of the composing process, a multi-instrumentalist who combines a mastery of studio engineering, classical musical training and an innate sense of curiosity. He is as adept working with a 50 piece philharmonic orchestra as he is with a wall of modular synths, playing a bass guitar or building his own physical and digital instruments. His drive to reimagine what's possible and share that knowledge with the next generation of composers is what makes Holkenborg a unique force, and one of the most in-demand film composers in the world. He has worked with directors including Peter Jackson, Robert Rodriguez, James Cameron, George Miller, Christopher Nolan, Zack Snyder and Tim Miller among many others. An educator as well as a creator, Tom is committed to breaking down the barriers of entry in the world of film composition, creating the free SCORE Academy program in Los Angeles, a music composition program at the ArtEZ conservationism in his home country of the Netherlands and on YouTube, where he hosts his educational series StudioTime, which has been watched millions of times. The Score to Screen podcast series is produced and hosted by Crossover Media's Max Horowitz. Listen to the Army of the Dead Soundtrack here. Listen to the official Junkie XL playlist here. Learn more about Sony Soundtracks here.

La primera parte de este 2021 nos ha ofrecido bandas sonoras francamente efectivas, obra de compositores como Roque Baños, James N. Howard, Tom Holkenborg o Marco Beltrami. He hecho una selección de algunas de las más destacables, en concreto Allen vs. Farrow (Theme)/Buckley’s chance (End theme). La calle del terror (Suite). El rey de Zamunda (Izzi and Bopoto)/Star Wars: The Bad Batch (Theme). Cruella (A great tribute)/30 monedas (Salto del campanario). Emily and the magical journey (The forest awakens)/Godzilla vs. Kong (Pensacola). Raya y el último dragón (Return). Olivia (To Olivia)/The United way (The final push). Wandavision (What am I)/Falcon y el soldado de invierno (Fall from Grace). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Justin Colletti shares his top 3 takeaways from Tom Holkenborg (AKA Junkie XL)'s MixCon Masterclass.

This week's podcast features an in-depth discussion with AmplifyX's CEO, Adam Cowherd. Built on Tezos, AmplifyX is a new investing platform that permits potential investors access to artist investment opportunities. Notably, Tom Holkenborg, aka Junkie XL, is dropping his debut NFT collection on AmplifyX. Learn more about this new kind of music marketplace, how Adam sees the NFT landscape evolve, and why he chose to build his platform on Tezos. 

Tom Holkenborg, also known as Junkie XL, is one of the biggest names in film score composing today.

Junkie XL ist nicht nur Komponist und Youtuber, sondern hat mit Orchestral Tools mittlerweile zwei Libraries veröffentlicht. Nach JXL Brass kommt Tom Holkenborg's Percussion. Damit hast Du Zugriff auf private Sounds von Junkie XL, die u.a. in Mad Max benutzt wurden.   Hier auf youtube ansehen: https://youtu.be/C-M2r2N47NY https://www.orchestraltools.com/store/collections/tom-holkenborgs-percussion   Fragen und Anregungen an sounthcast@sounth.de Newsletter abonnieren: http://eepurl.com/dJaBMD Spotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8I Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich

Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks.The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League, Godzilla vs Kong, and the riotous Netflix Zombie heist flick Army Of The Dead, which hadn't been released at time of recording.He was on BRILLIANT form - so we hope you enjoy the chat and, of course, his music as much as we do.

Los Angeles-based Italian composer Antonio Di Iorio has written the logo music for The Legacy of John Williams website and podcast show. From now on, the title theme will open the episodes of the podcast show and the future audio and video special features.   Antonio Di Iorio is a Los Angeles based award-winning composer for film, TV and concert hall. He graduated in Composition, Piano and Conducting in Italy and in Seattle. In 2014, he attended the coveted and highly selective ASCAP Film & TV Scoring Workshop with Richard Bellis in Hollywood. He has heavily worked alongside film composer Tom Holkenborg (aka Junkie XL) as additional composer for 4 years, and his music can be massively heard in such movies as Godzilla Vs Kong, Sonic The Hedgehog, Terminator: Dark Fate, Mortal Engines, Alita: Battle Angel, Tomb Raider, The Dark Tower.   Visit Antonio Di Iorio official website: www.antoniodiiorio.com

Panel discussion after Tom Holkenborg left.

Tom Holkenborg (Junkie XL) joins the Vodka Stream.

Tom Holkenborg has proved his versatility across many genres, and his most recent projects showcase his abilities to craft narratives from big action set pieces down to nuanced emotional character arcs. While Tom has been a guest on Film.Music.Media in the past, this is our first All Access and we take the time to dive into Army Of The Dead, Zack Snyder’s Justice League and Godzilla vs. Kong. Tom takes us through his thoughts and emotions when he finally learned that Zack would be returning to finish his vision of Justice League. Tom tossed out all his initial work and started fresh for Justice League, and he takes us through how exactly he mapped out and structured his approach in tackling this 4-hour epic. Tom also discusses working with Zack Snyder again for Army Of The Dead and how the film and score may play with expectations and provide some fun surprises for the action-horror zombie heist flick. We also touch on Godzilla vs. Kong and how Tom’s love for the entirety of the Godzilla franchise helped him shape his own take on the two titular screen monsters. We discuss the trick to scoring massive action fights, creating momentum through music, and how he approached each of them thematically to give unique musical identities. Tom also discusses where he sees himself currently in his career, and how his curiosity and thirst for knowledge has become almost an addiction that keeps him busy outside of his music career. Tom shares about learning new languages, perfecting a cup of coffee, and working on his culinary skills among many other things that help keep him craving to learn new things. We also chat about how his popular Studio Time series got started, and why he dedicates tons of time to providing knowledge for free to those who are interested. Tom’s passion for music, instruments, and gear shine through his warm personality. He’s one of the most creative minds in the industry, and it’s always an honor to have him sit down and share some stories and insight.

Robert and Kenny begin this Season Premiere (now with video!) with special guest Matt Schrader, discussing our new Patreon exclusive show MORE SCORE, The Oscars' rough ending, Composer Carol's new album "Smile" and much more. Later, composer Tom Holkenborg aka Junkie XL joins the show to share the unique story of getting fired from Justice League, only to be brought back years later to release the Snyder Cut. Tom details why he started from scratch on the four-hour score instead of continuing where he left off and the incredible challenges the pandemic brought along the way. This episode is presented by Spitfire Audio Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2021 Epicleff Media --- Support this podcast: https://anchor.fm/score/support

Company Logos Lightning and connections to BvS Character's emotional reactions Super vocals The start of Victor Stone's character arc Lex's communion and continuity questions The death scream in Atlantis with Mera The death scream in Themyscira with Philippus Tom Holkenborg's music TRANSCRIPT: http://comicandscreen.blogspot.com/2021/04/jlu-scene-by-scene-zack-snyders-justice.html Follow @JLUPodcast on Twitter Support the show at https://www.patreon.com/JLUpodcast GoFundMe #RestoreTheSnyderVerse https://www.gofundme.com/f/restorethesnyderverse-mobile-billboard-afsp https://dc.fandom.com/wiki/Sound_Manipulation https://www.hollywoodreporter.com/amp/features/ray-fisher-opens-up-about-justice-league-joss-whedon-and-warners-i-dont-believe-some-of-these-people-are-fit-for-leadership

Welcome, film fans, to our review of the latest installment in the Legendary Monsterverse, Adam Wingard's Godzilla vs. Kong! Epic Film Guy Nick is back to lay the smackdown on the film's human characters. LoySauce attempts in vain to make sense of the many tangled plot threads. Justin drools all over the balletic monster brawls and sequences of large-scale destruction. All this and much more entertainment awaits you on this spoiler-heavy, kaiju-sized episode, so crack open a beer and enjoy! Thanks for listening, and we'll see you at the movies!   Follow Nick on his cooking journey podcast, Mr. Nikoli's Kitchen: https://nikoliskitchen.com/   The 5th Annual Livestream for the Cure takes place May 19th - 23rd, 2021... mark your calendars! Every year, indie podcasters from around the world join us live for a podcast-a-thon to raise money for the Cancer Research Institute. We fight for a future #Immune2Cancer! Donate early: https://fundraise.cancerresearch.org/fundraiser/3094239  Buy a Livestream for the Cure t-shirt: https://shop.upstatemerch.com/livestreamforthecure/shop/product-detail/1000371   Where to Find Us Apple Podcasts: https://itunes.apple.com/us/podcast/epic-film-guys-podcast/id1027239734 Spotify: https://open.spotify.com/show/7HLugZWXbUgT6DlkuVz93R Google Podcasts: https://www.google.com/podcasts?feed=aHR0cDovL2VwaWNmaWxtZ3V5cy5wb2RiZWFuLmNvbS9mZWVkLw Podchaser: https://www.podchaser.com/podcasts/epic-film-guys-podcast-1724 The Hobster's Dumpster: https://www.facebook.com/groups/epicfilmguys Feed URL: https://epicfilmguys.podbean.com/feed/ Wordpress: http://epicfilmguys.wordpress.com YouTube: https://www.youtube.com/user/epicfilmguysny/live   You can also catch us on most every podcatcher under the sun! Search for us on BluBrry, Stitcher, Spreaker, Google Podcasts, Overcast, and many others. Search and you will find us!   There has never been a better time to join up with the elites at https://www.patreon.com/epicfilmguys! You can get access to pre-roll and outtakes from the show, exclusive episodes, free swag, and so much more. Tiers start as low as $1/month! Please consider supporting the show, and thank you for being one of the EFG faithful! Executive Producer: Jarrod Taylor Producers: Alan Gallauresi, Andrew Folloder, Brandon Frederick, Chris Yeany, Christopher J. Maltezos, The Countdown, Julio Olivera Mendoza, Justin Winters, Kate Maxwell, The Movie Journey, Nerdrovert, Patrick Sherwood, Reel Feels Podcast, Rob Trevino, Scott LaVare, Tony Dobish, TwistedPhilly, Two Peas on a Podcast, Tyler Dane Sutton   Meet the Epic Film Guys Epic Film Guy Justin lives in a suburb of Washington D.C. after moving from the Binghamton, NY area with his wife and daughter. He is our resident "encyclopedia of film" and chances are, if you've heard some film news, Justin already heard it before you. A massive fan of the '80s and horror flicks of all shapes and sizes! Catch him on Facebook or our Instagram account @EpicFilmGuys. Epic Film Guy Bryan/LoySauce/LoySocks/LoinSauce, AKA the God of Podcasting, lives in Virginia and is a creative director at the Alamo Drafthouse. He and Justin also host numerous screenings and the two share an avid love of horror. Find out what he's up to by following him on Twitter and Instagram @GoLoySauceGo! Learn the full history of the Epic Film Guys by visiting http://epicfilmguys.wordpress.com/about-us/.   Credits "Pensacola, Florida" and "Skull Island" from Godzilla vs. Kong (Original Motion Picture Soundtrack), composed by Tom Holkenborg. Evil Tea Company promo features "The Joker's Commercial" from Batman, composed by Danny Elfman.

Episode 125: Godzilla vs. Kong (w/ special guest Danny Lopez)Directed by: Adam WingardWritten by: Eric Pearson & Max BorensteinScore by: Tom Holkenborg aka Junkie XLBudget: $165 millionGross: ~$130 million worldwide currently (not including Thursday)Cast: Alexander Skarsgård as Nathan LindMillie Bobby Brown as Madison RussellRebecca Hall as Ilene AndrewsKaylee Hottle as JiaBrian Tyree Henry as Bernie HayesJulian Dennison as Josh ValentineDemián Bichir as Walter SimmonsShun Oguri as Ren SerizawaEiza González as Maya SimmonsKyle Chandler as Mark Russell Next EP:Godzilla vs. Mechagodzilla (1974) w/ special guest Danny “Godzilla Guru” Lopez Social Media:Email: popoholicscast@gmail.comFacebook: @PopOHolicsTwitter: @PopOHolicsInstagram: @popoholicscast

Um lagarto gigante e um gorila imenso a 80 km/h, quem leva a melhor? Todo mundo faz essa pergunta e filme sobre isso há quase um século, o que significa praticamente um gênero de trilhas sonoras. Neste episódio, o trabalho de Junkie XL para Godzilla vs Kong (2021) e uma retrospectiva de música para King Kong e Godzilla, incluindo a mais importante trilha da história do cinema. Não vai sobrar maquete de prédio em pé.

En este episodio, Rana Fonk les cuenta la historia de Thomas Holkenborg (Junkie XL), el multi instrumentista y compositor holandés que viene desarrollando una carrera impresionante en Hollywood. Desde sus comienzos como músico y productor de bandas electrónicas y de metal hasta sus bandas sonoras junto a Hans Zimmer y sus trabajos para películas como Mad Max: Fury Road, Deadpool, Zack Snyder's Justice League y el éxito de Godzilla vs. Kong.

It's Jon vs. Will on this week's bonus episode of Cinemaholics. Who will prevail? Hard to say. But they do their best to battle out their differing takes on not only Godzilla vs. Kong, but Legendary's overall "MonsterVerse" to date. Their latest effort comes to us from director Adam Wingard and stars Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, and Demián Bichir. Intro music: “Hong Kong," composed by Tom Holkenborg on the Godzilla vs. Kong official soundtrack LINKS Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Leave us a voicemail using The “Swell” App. We post new prompts every week or so. Check out our Patreon to support Cinemaholics! Email your feedback to cinemaholicspodcast [at] gmail.com. Connect with Cinemaholics on Facebook and Twitter.   Support our show on Patreon: https://www.patreon.com/cinemaholics See omnystudio.com/listener for privacy information.

Gudo en John duiken diep in de recent bekendgemaakte Oscarnominaties. Wat zijn de grootste verrassingen, wie zijn de kanshebbers en…waar gaan deze films eigenlijk over? Veel titels wachten immers nog met smart op een heropening van de bioscopen. Ook staan de heren stil bij Cherry, een serieus drama met Tom Holland (Spider-Man) als een drugsverslaafde oorlogsveteraan. En Gudo sprak met Tom Holkenborg alias Junkie XL die openhartig praat over zijn ‘Mount Everest': een compleet nieuwe soundtrack componeren voor de superheldenfilm Justice League die nu te zien is in een liefst vier uur durende alternatieve versie. 00:00 Introductie 04:37 Recensie: Cherry 20:59 Analyse Oscarnominaties 40:36 Jee of Nee 47:11 Interview met Justice League-componist Junkie XL 67:22 Vooruitblik Support the show: https://www.patreon.com/movieinsiders See omnystudio.com/listener for privacy information.

She's finally here! Captain Marvel has finally made her way to earth and is ready to take her place in the Marvel Cinematic Universe. Right along side of the MCU's newest hero comes composer Pinar Toprak, whose original score is the central topic for Dane Walker, Kristen Romanelli and Christopher Coleman. The trio discusses their thoughts on the film and the score overall and then share some of their favorite tracks from the soundtrack. To conclude, they compare and contrast Alita: Battle Angel both the film and Tom Holkenborg's (Junkie XL) original score. After the official conclusion of the episode, stay tuned for an extended Captain Marvel spoiler discussion.Episode Highlights03:51 - What did we know about Captain Marvel and when did we know it07:41 - Captain Marvel - General reaction to the film19:26 - Captain Marvel - General reaction to the score24:40 - Captain Marvel - Stand out tracks30:20 - Alita: Battle Angel - how does the film compare to Captain Marvel?40:54 - Alita: Battle Angel - how does the score compare?50:24 - BONUS - Captain Marvel - Spoiler discussionMusic Selections (Support these artists (and us) by buying these tracks from Amazon.)00:00 - "Captain Marvel" (Captain Marvel) by Pinar Toprak07:10 - "Waking Up" (Captain Marvel) by Pinar Toprak19:16 - "Let's Bring Him Home" (Captain Marvel) by Pinar Toprak24:25 - "Hot Pursuit" (Captain Marvel) by Pinar Toprak24:54 - "Captain Marvel" (Captain Marvel) by Pinar Toprak25:15 - "Hot Pursuit" (Captain Marvel) by Pinar Toprak25:26 - "Captain Marvel" (Captain Marvel) by Pinar Toprak26:06 - "Waking Up" (Captain Marvel) by Pinar Toprak27:05 - "Escaping the Basement" (Captain Marvel) by Pinar Toprak28:10 - "High Score" (Captain Marvel) by Pinar Toprak28:32 - "I'm All Fired Up" (Captain Marvel) by Pinar Toprak29:04 - "This Isn't Goodbye" (Captain Marvel) by Pinar Toprak29:49 - "Discovery" (Alita: Battle Angel) by Tom Holkenborg40:57 - "I Don't Even Know My Own Name" (Alita: Battle Angel) by Tom Holkenborg48:06 - "This Isn't Goodbye" (Captain Marvel) by Pinar ToprakNotes:Rottentomatoes - Captain MarvelBox Office Mojo - Captain MarvelFind and Follow:Follow Dane Walker on Twitter - @maestrodane or on Letterboxd @maestrodaneFollow Kristen Romanelli on Twitter - @kbfornow or on Letterboxd @kbfornowFollow Christopher Coleman on Twitter - @ccoleman or on Letterboxd @clcolemanFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Spotify: Find our Spotify Companion Playlist here! Find the Soundcast Six - The Bumpers Playlist here!Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRADIOPUBLICRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Deadpool 2 has been unleashed upon the world and Kristen Romanelli and Christopher Coleman explore the question of whether Tyler Bates' original score for the film is an improvement over Tom Holkenborg's (Junkie XL) original score for the first film. They discuss it from the angles of its operation within the film and also as a stand-alone listen. They also discuss Tyler's themes, groundbreaking choral work and the unique status of the Deadpool 2 original score being the first ever to earn a "parental-guidance" warning!Episode Highlights01:19 - Avengers to Deadpool03:36 - Deadpool 2: The Setup07:02 - Tyler Bates - announcement reaction08:39 - Tyler Bates expectations09:47 - Does the Deadpool 2 score work better in context than the first?17:45 - Does the Deadpool 2 score work better as a stand-alone listen than the first?21:54 - Final VerdictMusic Selections00:00 - "Mutant Convoy" (Deadpool 2) by Tyler Bates14:48 - "X-Men Arrive" (Deadpool 2) by Tyler Bates18:11 - "Hello Super Powers" (Deadpool 2) by Tyler Bates20:15- "Maximum Effort" (Deadpool) by Tom Holkenborg (Junkie XL)29:01 - "X-Men Arrive" (Deadpool 2) by Tyler BatesFind and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Episode 20 - Justice XLFman Justin Craig joins Christopher Coleman to discuss the recent news that composer DANNY ELFMAN would be replacing JUNKIE XL (TOM HOLKENBORG) as the composer for the original score for JUSTICE LEAGUE. They discuss their initial reactions, speculate on what might be behind the move, how it compares to the Age of Ultron situation, and what this change might signal for the future of the DCEU. Episode Highlights 00:00 - Audio* and Intro 02:54 - Breaking News and our Reaction 07:15 - Is this another Age of Ultron situation? 10:53 - Shift + Tone + Elfman 12:46 - What are you expecting from Danny Elfman here? 18:58 - Is this a Joss move? 20:17 - JunkieXL and The Dark Tower 28:00 - The destiny of the DCEU and Wrap Up Music Selections 00:00 - "The Little Things" (Wanted) by Danny Elfman 33:19 - "Rooster" (Terminator: Salvation) by Danny Elfman Notes: "Justice League": Danny Elfman to Composer Score (Exclusive) - The Hollywood Reporter http://www.hollywoodreporter.com/heat-vision/justice-league-danny-elfman-compose-score-1013319 Find and Follow: Follow Justin Craig on Twitter. @justin_m_craig Follow Tracksounds on Twitter. @tracksounds Follow Christopher Coleman on Twitter. @ccoleman Spotify: Find our Spotify Companion Playlist here! https://open.spotify.com/user/tracksounds/playlist/4y7SSy7HVfkj5DXKkPhNvM Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracks