Podcasts about remote control productions

In this episode Nathan & Craig chat with film/TV composer Ryan Leach. In this interview, he talks about growing up in Australia, getting into music and eventually going to the Berklee College of Music, working as an assistant at Remote Control Productions, starting a YouTube channel sharing educational content, Master The Score and much more. Subscribe to the Soundiron Podcast: https://anchor.fm/soundiron-podcast For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:00) Intro * (1:27) Growing up in Australia * (2:43) Playing guitar and bass * (5:00) Film scoring major at Berklee * (10:44) Working at Remote Control * (16:51) Branching out to library music * (21:07) Starting the YouTube channel * (33:00) Choosing video topics * (37:37) Average week in the life * (39:14) Setting a schedule * (46:09) Master the Score courses * (50:29) How you start writing a track * (55:36) Best recent purchase under $100 * (56:40) Man on the Inside * (57:11) What's next for Ryan? Welcome to Soundiron, where the world is your orchestra! We create professional virtual instrument plugins and sample libraries for music, media, cinema, games and education. Whether you're a musician, songwriter, composer, producer, sound-designer, student or teacher, or just want to have fun making your own music, we've got you covered! #soundiron #musicpodcast #ryanleach

This episode, Host Adam Burke sits down with the one and only Bryce Jacobs—a composer, multi-instrumentalist, and inventor who's got a seriously impressive CV.A Sydney Conservatorium of Music grad, Bryce has worked on countless film and TV projects like Happy Feet, Australia, Gabriels, Pirates of the Caribbean, Man of Steel, and Daybreak. He's also been part of Hans Zimmer's legendary team at Remote Control Productions, and scored for blockbuster video games like Call of Duty and Medal of Honor. Oh, and after finding inspiration in the power of the piano to distill the magic of full-orchestral works down to a single instrument, Bryce invented the seven-octave guitar.Bryce joins us to talk all this and more from his home studio in the San Fernando Valley.

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

This week we are joined by Berlin based game developer Seb Downie-Blackwell! Seb is a partner and Head of Productions at Remote Control Productions, as well as Managing and Creative Director at It Matters Games. Outside of work, Seb was also been instrumental in organising public viewings of all the Scotland games at the Kulturbrauerei in Berlin.We discuss Seb's successful efforts to gather his fellow Scottish brethren to celebrate and ultimately commiserate their football journey, and why not all Scotland fans are necessarily the same. We also find out how to get an invite to the British ambassador's house in Berlin, if only to enjoy the cocktails.Given Seb's chosen career, we also find out what it's like to work in the German games industry, the growth of creative industries in Berlin, and why Germany is quietly becoming a centre of the video games industry.For those of you looking to support Ukraine or the many refugees currently fleeing the conflict, please take a look at these different charities and consider donating if you can.Ukraine Crisis Media Centre - A list of different donation pages to help the Ukrainian military response.Disaster Emergency Committee - Ukraine Humanitarian Appeal Save the ChildrenÄrzte ohne GrenzenTheme tune courtesy of Kloß mit Soß

Our next guest was born and raised in London England, where he studied at the Royal Academy of Music and was mentored by the iconic Rupert-Gregson Williams. In 2009 he moved to Los Angeles to join Hans Zimmer's Remote Control Productions, where he worked on the music departments of various major studio films, before transitioning to solo work. Since then he has made a name for himself composing projects such as Amazon series Man In The High Castle, the Disney+ Monsters Inc. franchise series Monsters At Work, and Sony pictures films Peter Rabbit (2018), Peter Rabbit 2: The Runaway (2021), and Bullet Train (2022).  Most recently he completed the score Universal Pictures Film The Fall Guy starring Ryan Reynolds and Emily Blunt. I'm incredibly excited to chat with him on this episode! And the composer is… Dominic Lewis This episode was produced by Morgan Craig --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

▶ Dans le Tempo #64 C'est un épisode exceptionnel du podcast que Salman et Daz vous proposent. Nos deux compères ont en effet reçu Christophe Duquesne, créateur français d'instrument, auquel Hans Zimmer et ses équipes ont fait appel pour créer la musique du film Dune : Part Two. Christophe exerce son métier au sein de différents acteurs importants du monde de l'audio : Expressive-E, Haken Audio, ou encore La Voix du Luthier. Il a notamment créé des moteurs audio pour les synthétiseurs Continuum et Osmose, ou encore d'étonnants résonateurs en bois pour amplifier les instruments électroniques. Et c'est avec ces outils qu'il s'est envolé pour Santa Monica, afin de travailler au Remote Control Productions, le studio de Hans Zimmer. Entouré du compositeur, du réalisateur Denis Villeneuve, et de toutes les équipes de la BO du film, Christophe a connu une aventure musicale passionnante qu'il raconte dans DLT. Sommaire : 00:00 Introduction 08:07 Travailler sur la BO de Dune 2 41:30 Les outils audio utilisés sur Dune 2 1:00:14 Le sound design sur Dune 2 1:16:48 Créer des instruments, un métier 1:45:26 Recommandations Technique : La Bouclette Montage : François Brétéché

Geoff Zanelli makes his long-awaited Score debut after one of Netflix's most watched animated films of all-time, the Adam Sandler-produced LEO. In this episode, Kenny and Robert discuss the long-awaited arrival of MAESTRO, the Leonard Bernstein biopic, which we discussed on the 2nd episode of SCORE: THE PODCAST back when it was to be directed by Spielberg. Then, Robert and Geoff reminisce about drinking absinthe in Paris, before jumping into the challenge of making Adam Sandler laugh, and the paradox of writing “funny” music in animation. Plus, Geoff talks about his path from music school to being an intern at Hans Zimmer's Remote Control Productions in the early (Lion King era) 1990s, sitting in on Alan Meyerson mixes, and getting his first opportunities while working for John Powell on the movie Face/Off. 

Im Sommerinterview Talk haben wir den CEO von RC Remote Control Productions zu Gast. Wir plaudern über das große RC Remote Control Netzwerk und deren Spielprojekte. Außerdem reden wir über die Geschichte und über die aktuelle Politik der Spieleindustrie.

Today I'm Having a GAS™ with Brandon Campbell, composer of music for film, TV and video games. After interning for Hans Zimmer at Remote Control Productions and assisting Ramin Jawadi, Brandon offers us a unique insight into the day to day experience of a composer working across the mediums of film, tv and video games in 2023... More on Brandon Campbell here: http://www.brandon-campbell.com According to Wikipedia... Brandon Campbell is an American music composer for film, TV and video games and is best known for his music contributions to TV series' like Game of Thrones and Person of Interest and movies such as The Thinning and The Great Wall. After graduating from the University of Rochester he interned at Hans Zimmer's studio, Remote Control Productions and later served as an assistant to Ramin Djawadi. Campbell ventured off on his own in with the film Where Love Found Me, and later that year wrote the music for the thriller The Thinning. As an additional composer Campbell has written music for TV shows, films and video games like Breakout Kings (2011–2012), Medal of Honor: Warfighter (2012), The House of Magic (2013), Person of Interest (2011–2016), The Strain (2014–2017), Dracula Untold (2014), Warcraft (2016), Gears of War 4 (2016), Prison Break (2005–2017), A Wrinkle in Time (2018), The Ravine (2021) and Eternals (2021). In 2018, Campbell composed the score for the drama-comedy Funny Story. He co-composed the score for the film Slender Man with Ramin Djawadi, created additional music for Gears 5 and co-composed the second episode of Apple TV+'s series Amazing Stories with Djawadi. Campbell is also composing music for Netflix's The Letter for the King. He also scored music for Pacific Rim: The Black, the anime series based on Pacific Rim and Pacific Rim: Uprising. Campbell co-composed music for the Amazon Games video game New World and the Square Enix video game The Diofield Chronicle with Djawadi. Campbell received an Daytime Emmy Award in 2021 for Music Direction and Composition for a Drama Series for NETFLIX's The Letter for the King. Having a GAS™ is the podcast that talks to the great and the good of the creative industries, and in particular finds out what makes great music for film, for TV, for advertising; for dancing to, for cooking to, f*cking to, and more... GAS™ Music is a music production agency in Manchester, UK. We compose and produce original music, create awe inspiring sound design and have a fully integrated audio post-production studio. We also have a great record collection, and welcome any additions, recommendations or criticisms. http://www.gasismusic.co.uk​​​ © GAS™ Music 2023

With the season 3 premiere right around the corner, we've decided to drop an interview to tease your appetite. Dominic Lewis joins The Film Scorer to talk about his new score to the hit action film Bullet Train. Dom's score is a self-described concept album featuring numerous, far-reaching influences and a number of faux needle drops that completely fooled me when I watched the film. Dom also briefly talks about his two upcoming Christmas films (including Spirited, a musical starring Will Ferrell and Ryan Reynolds) and how to make Christmas music that doesn't sound like every other Christmas score. Finally, Dom ends the interview by talking about his time working at (and giving a rare peak behind the scenes into) Remote Control Productions, Hans Zimmer's film scoring production company. As I mention during the interview, hearing Dom's score is what sold me on the interview. It's such a wild genre mix that somehow works, ending up even more weird and gonzo than the underlying film. It's always exciting when composers try to push the boundaries a bit, and even more so when they can do it in an otherwise mainstream release. Bullet Train is available to watch in theaters. Dom's score, and all of his other music, is available digitally.

My guest today is Freddy Avis aka Arswain a composer, producer, and solo artist in the  indie/electronic band Arswain in Los Angeles, CA. Freddy got his start in composition under acclaimed Emmy-nominated composer James S. Levine (Glee, American Horror Story, Bloodline, Nip Tuck, The Last Ship) at Hans Zimmer's Remote Control Productions in Santa Monica, CA. Since then Freddy holds music credits on shows including Major Crimes, Why Women Kill, Instinct, Star, & Chambers, as well as placements on Tiger King, Shark Tank, Dateline, & The Dr. Oz Show.  He's contributed synth & percussion work on 8-time Oscar-nominated composer James Newton Howard's score for Walt Disney feature Jungle Cruise, as well as additional music for Steve Jablonsky's score for Why Women Kill. Freddy holds a pair of Bachelor's degrees in Music and Political Science from Stanford University, where he also pitched for the baseball team. In 2012 he was drafted by the Washington Nationals in the 25th round of the Major League Baseball Draft. Arswain has some amazing music and video productions that create sounds scapes and surreal worlds in a very cinematic way and today we will talk about how he creates in his studio and composing for film in LA. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/35Zu0aii0cGA9J3aQ4bKJ8?si=0ba1c99eb8774a62 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/363

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ALLYSON NEWMAN: Allyson Newman earned her Master's degree in Composition from the Sydney Conservatorium of Music. Her first feature film, Watermark, screened at the Cannes Film Festival in 2003. She then moved to LA to study film scoring at USC. Allyson has been awarded both an Australia Council for the Arts Grant and an Australian Guild of Screen Composers Award. Allyson scored the multi award winning documentary feature Limited Partnership that premiered on PBS Independent Lens in 2015. In 2016 Allyson scored the Emmy nominated media series Her Story. In July 2017 Allyson participated in the BMI Conducting Workshop and then went on to score Kusama-Infinity which premiered at Sundance and was released theatrically around the world in September 2018. Allyson collaborated with Oscar Winning directors Jeffrey Friedman and Rob Epstein to score State of Pride which opened the SXSW Film Festival 2019. In 2019 Allyson scored Making Waves: The Art of Cinematic Sound which had its premiere at the Cannes Film Festival. She is a member of the Television Academy and is on the leadership team for the Alliance for Women Film Composers. Most recently Allyson scored the HULU series First Day and is currently in production for Season 3 of The L Word- Generation Q as well as a new Netflix drama series called Partner Track. JASHA KLEBE Jasha Klebe is a composer known for emotive melodies and impactful scores. Most notably, Jasha co-scored the BAFTA and Emmy nominated music of BBC's Planet Earth II, alongside Hans Zimmer and Jacob Shea. He additionally provided music to the follow up series, Blue Planet II, as well as wrote the Emmy nominated music of National Geographic's Challenger Disaster: Lost Tapes. Jasha also composed the score to Netflix's Oscar nominated documentary, Winter on Fire: Ukraine's Fight For Freedom and National Geographic's, Diana: In Her Own Words. In 2019, Jasha composed the score to the Emmy-nominated Netflix documentary, The Black Godfather, directed by Reginald Hudlin and produced by Nicole Avant. In 2021 he scored FOX's Malika the Lion Queen narrated by Angela Bassett as well music for Garrett Bradley's Naomi Osaka series. He also wrote the music for Imperative Entertainment's podcast, The Agent, as well as Netflix/Plimsoll's nature documentary series, Animal. His music can be most recently heard on Peacock's upcoming reimagining of Queer As Folk, created by Stephen Dunn and executive produced by Russell T Davies. Jasha began his musical career at the age of 5, singing at his Grandparents' opera house, Cinnabar Theater, in Petaluma, CA. He studied classical piano and trombone for over 15 years before he moved to Los Angeles and started working at Remote Control Productions under Hans Zimmer. Over the 4 years with Hans, Jasha wrote on such films as The Dark Knight Rises, Rush, Man of Steel, and several other notable projects. Jasha was also the music arranger for the 84th Academy Awards, as well as keyboard/ synthesizer player within the event's orchestra. In 2013, Jasha began to serve as one of the headlining composers at Bleeding Fingers Music. Within this role, Jasha contributed countless hours of music to some of the most acclaimed series on television, including shows on ABC, CBS, MTV, Netflix, Lifetime, A&E, The Discovery Channel, The History Channel, National Geographic, BBC, and he performed live
on The Late Show with Colbert alongside Shea and Zimmer. Jasha currently lives and works in Los Angeles, CA.

On the final episode of Series 10, the boys travel to Arrakis to learn about spice and debate the merits of the latest attempt to bring Frank Herbert's science fiction masterpiece to the screen. It's Dune, with Oscar-winning music by Uncle Hans and the gang at Remote Control Productions!  A quick note to fans: we're taking a week off before Series 11 begins to record some specials, possibly a really exciting one (for us anyway). Stay tuned!

The Difference Music Makes with Ciara ProznikToday we welcome Ciara Proznik. Ciara is an award-winning film composer with an unstoppable determination to breathe life into stories with her music. She and I discuss her creative process, how music affects cinematic storytelling, and the story of her first time being deeply moved by a film score. Ciara also suggests some inspirational music for getting into a creative space. You can learn more about her and check out samples of Ciara's music on her website: www.CiaraProznik.com. Ciara Proznik's Bio:Born in Alberta, Canada, Ciara is best known for her work on the NBC Sports documentary Connor McDavid: Whatever it Takes. She excels in writing for an array of genres and was recently one of ten composers selected across Canada for SOCAN's Emerging Screen Composers Laboratory. After Ciara received her bachelor's degree in Music Composition from MacEwan University in 2017, she moved to Los Angeles and completed certificates in Film Scoring from Berklee College of Music and UCLA. Shortly after, she was hired to work at Remote Control Productions where she assisted Hans Zimmer's team, then worked at Kraft-Engel Management, one of the leading film composer's agencies in Los Angeles.Working out of a cutting edge studio she designed from the ground-up, Ciara loves to create soaring melodies, lush orchestration, and innovative harmonies while working with filmmaking teams to deepen a story's emotional landscape.Connect with Ciara:Website: www.CiaraProznik.com Host Hilary Adams is an award-winning theatre director, intuitive coach, equine-partnered facilitator, and founder of Story and Horse. She is all about supporting creative expression and sharing stories with the world.Connect with Story and Horsewww.storyandhorse.comFacebook: @storyandhorseInstagram: @storyandhorse Support the show (https://www.buymeacoffee.com/storyandhorse)

This week Declassify welcomes on aboard a guest that is quite remarkable and someone who reflects much of the spirit of the podcast – interdisciplinary practices, cross-genre listening and collaboration. Shruti is a composer, producer, and conductor from Los Angeles. Her work has spanned the film/tv, pop, and concert worlds, and she often finds herself involved in projects that mix genres and experiences. She has worked at Hans Zimmer's Remote Control Productions and collaborated with artists including Alicia Keys. Her work has been used by/for The National Geographic, The United Nations, The Late Show with Stephen Colbert, and the 2016 Summer Olympics. In fact, Shruti hosts her own show "Let's Shake On It" centered around bringing together esteemed and diverse musicians in conversation and collaboration in hopes of increasing transparency in the music industry and eliminating genre. And In March 2020, Shruti founded Sound Travels, a remote hire platform and educational resource to help musicians during COVID and beyond. In this episode, Shruti and Victoria examine what is means to make music that expands and breaks the mold of classical, and how we can make music new, exciting and imagination together. Resourceshttps://www.facebook.com/LivingMusicwithNadiaSirota/https://theculturejournalist.substack.com/p/the-digital-hustlehttps://www.shrutikumar.com/ Details about works:SALT (feat. London Contemporary Orchestra)'  Composer/Producer: Shruti Kumar Conductor: Hugh Brunt Recording Engineer: Fiona Cruikshank Mix Engineer: Eva Reistad Mastering Engineer: Heba KadryGuitar: Brandon Walters Sitar: Bishi BhattacharyaSynths: Shruti KumarElectric Bass: Emily Retsas (@emilyretsas)Artwork: Anna Azarov & Ellie Pritts (@annaazarov & @elliepritts) 'LAST CALL (feat. Shungudzo)'  Composer/Producer: Shruti KumarLyricist: Shungudzo KuyimbaFeatured Artist: ShungudzoSongwriters: Shungudzo Kuyimba, Shruti KumarVocal Arranging: Shungudzo KuyimbaEngineers: Fiona Cruikshank (Church Studios - London), Eva Reistad (EastWest Studios - Los Angeles), Shruti Kumar Mix Engineers: Vira Byramji, Shruti KumarMastering Engineers: Alex Sterling (Precision Sound), Heba Kadry Musicians-- Vocals: Shungudzo KuyimbaConductor: Hugh Brunt, featuring the London Contemporary OrchestraAdditional Violin: Stephanie MatthewsAdditional Viola: Marta HonerAdditional Cello: Ro RowanElectric Bass: Emily RetsasGuitar: Brandon WaltersSitar: Bishi BhattacharyaDrums: Aaron SteelePercussion: Hal Rosenfeld Piano: Shruti KumarSynths: Shruti KumarElectronics: Shruti KumarSampling, programming: Shruti Kumar Artwork: Anna Azarov & Ellie Pritts

In today's episode of The Action and Ambition Podcast, we are joined with Raul Vega, a Digital Instrument Designer at Remote Control Productions. He has been one of the two digital instrument builders for Hans Zimmer for nine years. He has also created a successful audio fiction podcast called Rose Drive, with over 250,000 downloads worldwide and featured in Forbes twice. Don't miss a thing on this!

Episode 273."Rocketman"Composer.Matthew Margeson.Matthew Margeson is a composer of film, television, and video game music best known for his diverse action and adventure film work that bridges orchestral and electronic music. He got his start as an assistant to composers on video games and film shorts, and worked as a technical score advisor, arranger, and synth programmer, among other roles, for Hans Zimmer's Remote Control Productions. His first main composer credits in film arrived in 2010 with Lunatics, Lovers & Poets and Burning Palms. A year later, Margeson scored the animated TV series Transformers Prime and the video game Carnival Island. In the meantime, his additional music for other composers could be heard in blockbusters such as X-Men: First Class and Pirates of the Caribbean: On Stranger Tides. In 2013, Margeson co-wrote the score for the franchise sequel Kick-Ass 2 with Henry Jackman. It incorporated rock elements into a symphonic base. That led to more action films, such as 2014's Kingsman: The Secret Service, also with Jackman. His work in other genres around that time included the 2016 biopic Eddie the Eagle and Tim Burton's Miss Peregrine's Home for Peculiar Children (with Michael Higham). He and Jackman teamed up again for 2017's Kingsman: The Golden Circle, and Margeson received sole credit for his music to the 2018 horror film Truth or Dare.The King's Man score is co-composed by Matthew Margerson and Dominic Lewis and can be heard in theaters now!Please Welcome, Matthew Margeson.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Matthew Margeson And Dominic Lewis are taking their friendship to the next level and are working side by side to co-compose The King's Man from director Matthew Vaughn. You've seen them on All Access before, but now we're diving into their latest collaboration together. Matt and Dom discuss how they met working for composer Henry Jackman early in their careers at Remote Control Productions. We talk about late night coffee chats at 3am, and how the two always wanted to co-compose a film together. Matt and Dom then take us into the world of Matthew Vaughn's Kingsmen films, and how the two of them came onboard together to work on The King's Man. Hear about the approach of how this new film gave them the opportunity to really start fresh and not feel obligated to reference the other two films given that it's not connected by timeline or characters. We end the interview by playing a little "Newlyweds" Co-Composer Edition! Matt and Dom are put to the test and see how much do they truly know about each other! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Sebastian Zuleta is a composer, arranger and music editor who has worked with composers such as Hans Zimmer, Heitor Pereira, Henry Jackman, and others. In this interview Sebastian takes us inside his work as a music editor and explains what role a music editor has on a production. Sebastian shares his approach working as the music editor for the Hulu series Wu-Tang: An American Saga and what it was like working with RZA on the series. We also dig into his work as the music editor for Finch starring Tom Hanks and scored by Gustavo Santaolalla. Sebastian also talks about growing up in Colombia and how his passion for filmmaking and music brought him to the US where he studied in Florida and eventually moved to Los Angeles where he got an internship at Remote Control Productions. Sebastian shares what those early years were like, and goes into detail about the working relationships his role as a music editor served between the director and composer. He also shares how his work as a music editor helps him become a better composer on his solo projects and vice versa. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

In this episode of Wassup Conversations, I had a chat with the amazing Brandon Campbell, , the co-composer of Amazon's New World. A fantastic MMO with great music from Ramin Djawadi and Brandon. He started his career at Hans Zimmer's Remote Control Productions and has been the co-composer of Ramin Djawadi on many great projects such as Westword, Person of Interest, Game of Thrones and Gears of War franchise.Wassup Conversations is on YouTube and all the major podcast streaming services:https://www.nikoofarmusic.com/wassupPlease consider donating and supporting Wassup Conversations via this link:https://www.nikoofarmusic.com/support-and-donationsHamidreza Nikoofar's Twitter:https://twitter.com/HRNikoofarThe video is done by:https://twitter.com/itsemadameriBrandon's Links on Social Media:https://twitter.com/bc3pohttp://www.brandon-campbell.com/#NewWorld #BrandonCampbell #InterviewSupport the show (https://www.nikoofarmusic.com/support-and-donations)

Overjoyed to have composer and singer/songwriter Jessica Rose Weiss join The Film Scorer Podcast! Jess's latest film score (co-composed with Mychael Danna) is for the new Amazon Prime retelling of Cinderella starring Camila Cabello. Jess and I talk about crafting their magical, romantic (and folk-influenced) score for this jukebox musical, as well as her mentorship with Mychael and her time spent working at Hans Zimmer's Remote Control Productions! We jump right into the conversation in this episode - no chit chat to start off - so don't think you've missed anything! While we unfortunately don't have a chance to discuss these, Jess just released two other scores as well, both for Netflix: the dramedy Afterlife of the Party and the animated feature film Dog Gone Trouble.   Find out more about Jess on her website. Cinderella is currently available on Amazon Prime while her and Mychael's score (as well as her score for Dog Gone Trouble and her score suite for Afterlife of the Party) are available on all platforms.

The Gamer Dads head to California (virtually) this weekend to hang out with Jon Ong aka Okri!Jon is a Singapore-born, LA-based film composer. He has worked on numerous top notch films and productions ranging from the Netflix series 'A Series of Unfortunate Events', box office smash 'Paddington' and the Tina Fey feature 'Whiskey Tango Foxtrot'.Jon currently works at Remote Control Productions, Inc., a film score company run by the legendary composer Hans Zimmer.

Sorry for the delay on this episode. I got a promotion at work, live shows are returning, and I have been quite overwhelmed. Rest assured, the podcast is still happening. I just needed to catch up on the things which pay money in order to get around to putting together the next few episodes. So, after much delay, here's our episode on composer Max Aruj. Up and coming Los Angeles based composer Max Aruj had two exciting projects release on June 25: the crime drama Lansky from Vertical Entertainment, profiling legendary gangster Meyer Lansky, and the Liam Neeson-starring action-thriller The Ice Road from Netflix. The composer got his start in the industry working at the widely known film music hub Remote Control Productions in Santa Monica, CA where he's worked closely with composer Lorne Balfe on numerous projects, including Ad Astra, Black Widow, and HBO's His Dark Materials. Max first collaborated with Lansky writer-director Eytan Rockaway on the psychological thriller The Abandoned. Their established working relationship allowed them to delve even deeper creatively this time around. The film takes place in two time periods: Lansky in his earlier years and him looking back at his life in the '80s. To reflect this, Max utilized some '80s Vangelis colors as the musical palette, mixed with orchestra. He wanted to create both a sense of darkness and sentimentality to capture both sides of such a complicated figure. The composer also leaned into his Jewish roots by including Jewish colors in the music to reflect Lansky's identity. For The Ice Road, Max collaborated with director Jonathan Hensleigh and his goal was to really play into the classic action tropes and create a next level, bombastic score. Having an archetypal character (led by the iconic Liam Neeson), allowed Max to really dig into the storyline. Once Max had the thematic tapestry nailed down, the rest of the music flowed out. I spoke by phone with Max Aruj about these two films, their differences, and his career.

Hot on the heels of our Hans Zimmer Appreciation Special comes this piece of shit. Join the boys as they welcome back Andrew "The Fifth Beatle" Young to discuss this incredibly boring failure of a blockbuster and its score by the gang at Remote Control Productions. 

Episode 5: Writing & Producing Music. Today we speak with the other mind behind In Process: Freddy Avis, a sharp, futuristic musician for the 21st Century. Based in Highland Park, Los Angeles, Freddy got his start working under acclaimed composer James S. Levine (Glee, American Horror Story, Bloodline, Nip Tuck, The Last Ship) for two years at Hans Zimmer’s Remote Control Productions in Santa Monica, CA. Since then Freddy holds music credits on hit shows including Major Crimes, Instinct, Star, & Chambers, as well as countless placements on Tiger King, Shark Tank, Dateline, & The Dr. Oz Show. He’s also contributed synth & percussion work on James Newton Howard’s scores for Walt Disney features Jungle Cruise and Raya and the Last Dragon. But even more enticing is Freddy's electronic alter ego, Arswain, under which he composes dark, inspiring, and profoundly eco-conscious music for our time. 2020 has seen the release of his debut album, Partitioning, as well as several music videos for the project.Freddy holds a pair of Bachelor's degrees in Music and Political Science from Stanford University. During his Stanford tenure, Freddy pitched for Stanford's baseball team and was drafted by the Washington Nationals in the 25th round of the 2012 Major League Baseball Draft.Instagram:  @arswain__ Websites: freddyavismusic.com, arswainofficial.comSoundcloudVideos:Pleasure (music video)In Process Instagram: @inprocess__showRecorded in Berlin/L.A. on 10.13.20

The coronavirus pandemic has been a disaster for many business but the gaming industry in Turkey is raking in serious money. American gaming giant Zynga recently bought Turkish firm Rollic Games, founded just 21 months ago, for $168 million. Zynga had acquired another Turkish mobile gaming company, Peak, for $1.8 billion in June. So, what led to these acquisitions and what's next for this thriving sector? ​​Ozgur Karayalçın ​Business Development Director at VLMedia ​Hendrik Lesser ​CEO of Remote Control Productions

Saudi Arabia is under fire for co​mmuting the death sentences of those convicted of murdering dissident journalist Jamal Khashoggi​. We delve into the verdict that's being called a 'mockery of justice.' Plus, the coronavirus pandemic has been a disaster for many business, but the gaming industry in Turkey is thriving. What's behind the success? ​Guests: James Dorsey ​Senior Fellow at the S. Rajaratnam School of International Studies Azzam Tamimi Chairman of Al-Hiwar TV Channel ​Ozgur Karayalçın ​Business Development Director at VLMedia Hendrik Lesser CEO of Remote Control Productions

In the fifth instalment of our gaming series, I enjoy an enlightening chat with a lively and straight-talking guest, Hendrik Lesser, CEO of Remote Control Productions, Europe's biggest game developer family with 20 teams in 4 countries. Based in Munich, Hendrik discovered a love of gaming at the age of 4 and this passionate hobby has also led him to become President of the European Games Developer Federation, EGDF. Hendrik formulates partnerships with game companies enabling them to focus on core development, while his team of experts manages all the other business functions. He is an avid believer in giving back and this year, Hendrik set up the European Games BizDev Gathering to support game developers survive during this unparalleled Covid-19 crisis. Hendrik gives a fascinating insight and shares some invaluable lessons he has learned over the years in the gaming industry. I hope you enjoy this conversation as much as I did

On this week's episode we drink our faces off while discussing Face/Off. Join us for our first episode of Summer Blockbuster Month as we break down John Powell's very Remote Control Productions-y, synthetic action score.

I'm very excited to announce the final guest for this first season of Composer Talk! This English composer is best known for his scores for animated films, including Antz, Chicken Run, Shrek (all three co-composed with Harry Gregson-Williams), Robots, Happy Feet, Happy Feet Two, three Ice Age sequels, Bolt, Rio, Rio 2, and the How to Train Your Dragon film series . His live action film scores for the Bourne films, Mr. & Mrs. Smith, United 93, Jumper, Green Zone and Solo: A Star Wars Story are widely studied by many composers around the world. His work on Happy Feet, Ferdinand and Solo: A Star Wars Story has earned him 3 Grammy nominations and he was also nominated for an Academy Award for How to Train Your Dragon. Formerly a member of Hans Zimmer's music studio, Remote Control Productions, he has collaborated frequently with other composers from the studio, including Harry Gregson-Williams and Zimmer himself. The composer is... John Powell --- Support this podcast: https://anchor.fm/composertalk/support

Filmmaking and visual storytelling overall are a team effort, and to truly understand the process it's important to shine the light on some of the amazingly talented people working behind the scenes. For this interview we have the pleasure of being joined by the talented Queenie Li.   Queenie is a Music Production Coordinator who has been working with composer Lorne Balfe over the past few years. Queenie is an integral part of Lorne's music team, and she has worked on everything from small dramas to some of the biggest blockbusters of the year. Take a unique inside look of what it's like to work with one of the most in-demand composers working today.   Queenie talks about how she applied for an internship at Remote Control Productions, which led to her meeting Lorne. We discuss what her responsibilities are, and what she's doing at every stage of the scoring process working alongside Lorne.   Queenie shares how Lorne has become more than a boss, but a friend and mentor who has helped her learn the ropes of the industry. We talk about some invaluable lessons that can only be learned by diving in and overcoming nerves. Queenie also shares some of the skills and programs that anyone looking to work in this industry should master.   Queenie is an incredibly talented and hard-working industry professional whose work is integral to how production moves forward during the scoring process. It was an absolute pleasure to gain her insight and hear her perspective on what it's like working in this industry.   A Film.Music.Media Interview | Produced & Presented by Kaya Savas    

Born in Costa Rica into a musical family, our next composer studied Jazz Arranging & Composition at the University of North Texas in Denton, Texas. After graduating in 2010, he moved full-time into session player work, primarily as a guitarist. His film and television work has included working as an assistant composer, arranger, and music team member for Klaus Badelt and Remote Control Productions (the studio owned by prolific composer, Hans Zimmer). His film projects have included songwriting for Money Monster, directed by Jodie Foster and starring Foster and George Clooney and Downsizing, directed by Alexander Payne and starring Matt Damon. Television composition work has included scores for The Demon Files featuring Sean Astin, Destination America, and True Nightmares featuring Tim Robbins. Currently, he is the series composer for Kipo and the Age of Wonderbeasts, a DreamWorks Animation television series, on which he composes both score music and songs. The composer is... Daniel Rojas --- Support this podcast: https://anchor.fm/composertalk/support

Edith is a composer and music producer. To date, her music has been placed in 790 episodes of 259 series.  Due to her rigorous 3-year training at Hans Zimmer's Remote Control Productions and Bleeding Fingers, and 2 years of full-time composing at Jingle Punks, Edith has acquired a comprehensive set of musical, technical, and collaborative skills.  Her composing credits include YouTube Premium series Step Up: High Water, Saturday Night Live, and Showtime's The Circus, as well as a plethora of reality TV series, including Queer Eye, Project Runway, and The Real Housewives franchise. She currently composes for TV, film, podcasts, live theater and more, with a specialty in electronic drama, synth pop, and choral music. She told me all about being one of few women in this space, and you can listen to her music right now.

AF goes mobile to visit Satnam in his Studio at Remote Control Productions. He and Jas go back to their roots in Saskatoon. A good talk on food, gigs, and making music for movies! www.patreon.com/absolutefocus

On this very special midweek episode, comPOSERS chats with a former Hans Zimmer intern and current film/tv/media composer Christian Jessup. Recently, Christian listened to our 'Pirates of the Caribbean' episode and contacted us saying he had some inside info on Hans Zimmer and his Remote Control Productions team. Today, we get the inside scoop.

As president and CEO of Bleeding Fingers Music and Extreme Music, Russell Emanuel is a trailblazing leader, innovator, and producer in the music industry. Bleeding Fingers is one of the leading producers of quality-crafted film and television scores in the world, bolstered by a unique creative association and business partnership with industry legend, Hans Zimmer, and his long-term business partner, Steve Kofsky. Russell’s vision for Bleeding Fingers led to a thriving collaboration with David Attenborough and BBC on the music for Planet Earth II – a score that contributed to the series’ record-breaking viewership, international acclaim, and BAFTA and Emmy nominations for Bleeding Fingers’ work. This paved the way to his most recent project - producing the score for the highly-anticipated BBC One natural history landmark, Blue Planet II, which premieres later this year. Alongside his work producing the series’ orchestral score, Russell creatively produced a track for the prequel, titled “(ocean) bloom,” featuring a collaboration with Radiohead, one of the world’s most acclaimed rock bands, and Hans Zimmer. Under Russell’s leadership, Bleeding Fingers has amassed an expert crew of over a dozen in-house composers leading to an unmatched balance of musical creativity, collaboration and efficiency. Bleeding Fingers’ music has strengthened countless projects, with their prolific and diverse output including scores featuring sweeping orchestral pieces, industrial rock and electronic sounds, Americana, and everything in between. Operating out of their twenty-studio Santa Monica facility on the same campus as Remote Control Productions, the company is producing carefully-tailored scores for some of the most acclaimed series on television. In addition to Planet Earth II and Blue Planet II, Bleeding Fingers’ musical efforts include Netflix’s Roman Empire, Amazon’s American Playboy, and Crackle’s Snatch. Before creating Bleeding Fingers, Russell had already made a name for himself as a titan within the composing industry, thanks to the tremendous success of Extreme Music, which he co-founded in 1997. Extreme Music was conceived as a business that would provide production music for projects that did not have access their own composers, while retaining incredibly high standards of passion and quality. The company soon became famous, not only for the music it offered, but also for the notorious punk energy and marketing that Russell channeled through the company (most famously, he sent condoms to numerous industry professionals, printed with the massage “the only safe thing you will ever get from us”). Russell grew the company to such a large success that it was purchased by SonyATV in 2008 for $110 million with Emanuel still remaining as the active CEO. Russell is not only an entrepreneur, but an experienced musician within his own right. For many years, he was a session musician, producer and manager, most notably managing The Jam and Stiff Little Fingers. He’s also collaborated with musical heavy-hitters such as George Martin, Snoop Dogg, Rodney Jerkins, and Quincy Jones, and spent an early stint of his career engineering at Abbey Road Studios. Russell currently lives in Los Angeles. When not working, he likes to perform with his twisted pop-hit cover band "Courtesy Flush,” ride his Harley Davidson and serve as a chauffeur and entertainment officer to his wife and five children.

Stefan Kreutzer von Remote Control Productions gibt Einblicke, wie man in Deutschland Videospiele produziert und wie man eine IP auf andere Medien überträgt. Remote Control Productions bildet das Dach für mehrere Games-Entwicklungsstudios in München. Business Development Manager Stefan Kreutzer gibt uns einen Überblick, wie Videospiele produziert werden, wie diese vermarktet werden und verrät uns, dass man Charaktere, Geschichten und Storywelten im besten Fall in mehreren Medien wieder findet.

Ashton Gleckman is a composer, musician, producer, and filmmaker from Indianapolis, IN. Ashton began studying music at the age of six and at 17 years old now he has accomplished so much at his age. With an overwhelming love for film and film scoring he shares with us how he got started and the driving force behind why he chose to become a film composer. Some of the things we discuss in this podcast: 1.) Starting music at the early age of 6 years old. 2.) What started his love for film music and why he chose to become a film composer. 3.) His experience being an intern at Remote Control Productions. 4.) How analyzing film scores has helped him develop as a composer. 5.) Mixing and orchestration Tips www.ashtongleckman.com Follow us on: Instagram: https://www.instagram.com/soundironaudio/ Facebook: https://www.facebook.com/soundironco/ Twitter: https://twitter.com/soundiron Subscribe to our YouTube channel: https://goo.gl/gnrrpY

Score: The Podcast welcomes Ramin Djawadi, award-winning composer of Game of Thrones, Westworld, Prison Break, Person of Interest, Amazon's upcoming Jack Ryan series, Iron Man, Pacific Rim and A Wrinkle In Time. Robert and Kenny begin the show discussing AmperMusic.com and the new "computer learned" composing tools Silicon Valley is funding, as well as the retro 80s-inspired soundtrack of Steven Spielberg's Ready Player One. Ramin talks about the boom of interest in film scores and specifically his international Game of Thrones tour and its many spectacles accompanying the orchestral performances. Kenny and Robert ask Ramin about whether he gets special access to top-secret storylines in Game of Thrones, and how he tips off audiences to what may or may not happen next through the type of music he uses in the show. Ramin talks about meeting Hans Zimmer and Klaus Badelt and their invitation to him to join Remote Control Productions in Santa Monica. Score: The Podcast debuts "The Inside Track," a new music psychology segment featuring Dr. Siu-Lan Tan, a leading researcher into the effects of film music on audiences. In this first edition, Dr. Tan examines the use of music to signal "the end" of a scene or of a film, and how a composer can create audience satisfaction with examples of The Matrix, Inception and more.  Then they jump into Westworld (returning Sunday, April 22) and discover how his musical expertise informs other creative aspects of the show, including the opening theme and the player piano. Lastly, Ramin joins the guys to play a Hans Zimmer-themed edition of the game “Name That Score,” where you — yes, you — can be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media

You'd be forgiven for thinking that the music for Ron Howard's film Rush, the 12 Monkeys TV series, and video game Medal of Honour, were all composed by different people. But composer and musician Bryce Jacobs has found a way to stand out from the crowd, through diversifying not only his compositions and playing, but also his mentality about it all. From engineering his own 7 octave guitar, to working for Hans Zimmer's Remote Control Productions, it's a podcast ramble of epic proportions when Bryce joins me in the chat cave.

Ashton Gleckman is a composer, musician, producer, and filmmaker from Indianapolis, IN. Ashton began studying music at the age of six and at 17 years old now he has accomplished so much at his age. With an overwhelming love for film and film scoring he shares with us how he got started and the driving force behind why he chose to become a film composer. Some of the things we discuss in this podcast: 1.) Starting music at the early age of 6 years old. 2.) What started his love for film music and why he chose to become a film composer. 3.) His experience being an intern at Remote Control Productions. 4.) How analyzing film scores has helped him develop as a composer. 5.) Mixing and orchestration Tips

无论东方西方，传统媒体都面临前所未有的挑战。刚刚过去的一年，美国媒体业并购重组的提议四起，传统媒体业通过资本运作寻回元气。 这样的续命之道能否奏效？对于中国媒体又有何启示？ 【主持】 程衍樑（新浪微博：@GrenadierGuard2 ） 杨一（新浪微博：@杨一1） 【嘉宾】 韩巍，资深媒体从业者（@韩巍在新闻别动队） 沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda） [02:20]为什么在2017年底会有媒体行业的并购出现 [05:30]TMT在美国的兼并重组有怎样的沿革 [07:30]美国电信行业与媒体融合的商业动力 [12:50]中美媒体商业化操作的差异 [12:10]媒体与资本关系紧密是否影响独立性 [21:50]媒体的市场化是否必然走向低俗 [25:00]媒体市场化是否是媒体的出路 [25:35]美国媒体商业化模式为何未给报业带来太多影响 [31:55]家庭娱乐习惯在延缓传统电子媒体的衰落 [34:50]纸媒的颓势是否不可挽回 [36:10]中国媒体如何找寻出路 [38:20]彭博“Michael Bloomberg joins 2020 US presidential race ” （BBC） [43:30]媒体对世界产生巨大影响的时代已经过去？ [48:10]媒体转型有“中国模式”吗？ 【推荐书目】 《抢滩传媒的傻子们》 《半路出家的投资银行家》 《被诅咒的巨头》 【影单】 007之明日帝国；罗杰·斯波蒂斯伍 德；1997 【音乐】 "World News Tonight open"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions） "World News Tonight close"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions） 您可以通过 网易云音乐 、 Spotify 搜索「忽左忽右BGM」，获得节目完整歌单。 【logo设计】杨文骥 【收听方式】 推荐您使用 「苹果播客」、Spotify或 任意安卓播客客户端订阅收听《忽左忽右》，也可通过 喜马拉雅FM、 蜻蜓FM、 荔枝FM、 网易云音乐收听。 【本节目由JustPod出品】 【互动方式】 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下

无论东方西方，传统媒体都面临前所未有的挑战。刚刚过去的一年，美国媒体业并购重组的提议四起，传统媒体业通过资本运作寻回元气。这样的续命之道能否奏效？对于中国媒体又有何启示？【主持】程衍樑、杨一【嘉宾】韩巍，资深媒体从业者（@韩巍在新闻别动队）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[02:20]为什么在2017年底会有媒体行业的并购出现●[05:30]TMT在美国的兼并重组有怎样的沿革●[07:30]美国电信行业与媒体融合的商业动力●[12:50]中美媒体商业化操作的差异●[12:10]媒体与资本关系紧密是否影响独立性●[21:50]媒体的市场化是否必然走向低俗●[25:00]媒体市场化是否是媒体的出路●[25:35]美国媒体商业化模式为何未给报业带来太多影响●[31:55]家庭娱乐习惯在延缓传统电子媒体的衰落●[34:50]纸媒的颓势是否不可挽回●[36:10]中国媒体如何找寻出路●[43:30]媒体对世界产生巨大影响的时代已经过去？●[48:10]媒体转型有“中国模式”吗？【推荐书目】《抢滩传媒的傻子们》 https://book.douban.com/subject/1425055/《半路出家的投资银行家》 https://book.douban.com/subject/3235606/《被诅咒的巨头》 https://book.douban.com/subject/24720279/【音乐】"World News Tonight open"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions）"World News Tonight close"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions）【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright

无论东方西方，传统媒体都面临前所未有的挑战。刚刚过去的一年，美国媒体业并购重组的提议四起，传统媒体业通过资本运作寻回元气。 这样的续命之道能否奏效？对于中国媒体又有何启示？ 【主持】 程衍樑（新浪微博：@GrenadierGuard2 ） 杨一（新浪微博：@杨一1） 【嘉宾】 韩巍，资深媒体从业者（@韩巍在新闻别动队） 沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda） [02:20]为什么在2017年底会有媒体行业的并购出现 [05:30]TMT在美国的兼并重组有怎样的沿革 [07:30]美国电信行业与媒体融合的商业动力 [12:50]中美媒体商业化操作的差异 [12:10]媒体与资本关系紧密是否影响独立性 [21:50]媒体的市场化是否必然走向低俗 [25:00]媒体市场化是否是媒体的出路 [25:35]美国媒体商业化模式为何未给报业带来太多影响 [31:55]家庭娱乐习惯在延缓传统电子媒体的衰落 [34:50]纸媒的颓势是否不可挽回 [36:10]中国媒体如何找寻出路 [38:20]彭博“Michael Bloomberg joins 2020 US presidential race ” （BBC） [43:30]媒体对世界产生巨大影响的时代已经过去？ [48:10]媒体转型有“中国模式”吗？ 【推荐书目】 《抢滩传媒的傻子们》 《半路出家的投资银行家》 《被诅咒的巨头》 【影单】 007之明日帝国；罗杰·斯波蒂斯伍 德；1997 【音乐】 "World News Tonight open"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions） "World News Tonight close"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions） 您可以通过 网易云音乐 、 Spotify 搜索「忽左忽右BGM」，获得节目完整歌单。 【logo设计】杨文骥 【收听方式】 推荐您使用 「苹果播客」、Spotify或 任意安卓播客客户端订阅收听《忽左忽右》，也可通过 喜马拉雅FM、 蜻蜓FM、 荔枝FM、 网易云音乐收听。 【本节目由JustPod出品】 【互动方式】 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下

无论东方西方，传统媒体都面临前所未有的挑战。刚刚过去的一年，美国媒体业并购重组的提议四起，传统媒体业通过资本运作寻回元气。这样的续命之道能否奏效？对于中国媒体又有何启示？【主持】程衍樑、杨一【嘉宾】韩巍，资深媒体从业者（@韩巍在新闻别动队）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[02:20]为什么在2017年底会有媒体行业的并购出现●[05:30]TMT在美国的兼并重组有怎样的沿革●[07:30]美国电信行业与媒体融合的商业动力●[12:50]中美媒体商业化操作的差异●[12:10]媒体与资本关系紧密是否影响独立性●[21:50]媒体的市场化是否必然走向低俗●[25:00]媒体市场化是否是媒体的出路●[25:35]美国媒体商业化模式为何未给报业带来太多影响●[31:55]家庭娱乐习惯在延缓传统电子媒体的衰落●[34:50]纸媒的颓势是否不可挽回●[36:10]中国媒体如何找寻出路●[43:30]媒体对世界产生巨大影响的时代已经过去？●[48:10]媒体转型有“中国模式”吗？【推荐书目】《抢滩传媒的傻子们》 https://book.douban.com/subject/1425055/《半路出家的投资银行家》 https://book.douban.com/subject/3235606/《被诅咒的巨头》 https://book.douban.com/subject/24720279/【音乐】"World News Tonight open"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions）"World News Tonight close"（Hans Zimmer·ABC NEWS·2012·Remote Control Productions）【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright

Primero fue Media Ventures y luego, tras una disputa profesional, Remote Control Productions. Jay Rifkin y Hans Zimmer estuvieron hasta finales de 2003 formando una pareja profesional que revolucionó el mundo de la música de cine. Desde su relación se impulsó a jóvenes compositores que son, hoy en día, algunos de los más prolíficos dentro de la industria, como por ejemplo Ramin Djawadi, Benjamin Wallfisch, Harry Gregson-Williams, Trevor Morris, Marc Streitenfeld o Steve Jablonsky.

Primero fue Media Ventures y luego, tras una disputa profesional, Remote Control Productions. Jay Rifkin y Hans Zimmer estuvieron hasta finales de 2003 formando una pareja profesional que revolucionó el mundo de la música de cine. Desde su relación se impulsó a jóvenes compositores que son, hoy en día, algunos de los más prolíficos dentro de la industria, como por ejemplo Ramin Djawadi, Benjamin Wallfisch, Harry Gregson-Williams, Trevor Morris, Marc Streitenfeld o Steve Jablonsky.

[Watch the video interview on our YouTube Channel] On this episode of All Access, we get to sit down with the extremely fun and talented Dominic Lewis. Dom worked with Henry Jackman on the score for the critically-acclaimed Amazon series The Man In The High Castle based on the classic novel by Philip K. Dick. Dominic gives us a fresh and unique perspective into the film music industry as he very quickly rose up the ranks at Remote Control Productions after working with such notable composers like Henry Jackman, Hans Zimmer and John Powell. We discuss the benefits of taking that path for a young composer, and all the opportunities that he was able to make happen with it. Beyond discussing his approach for scoring The Man In The High Castle, we also discuss certain trends in the industry such as "binge watching". Dom talks about being a new Dad and how he must balance family life with work life, and how as a young composer what challenges come with trying to form your own identity and voice in the industry. Dominic is a notable composer on the rise, but has the insight and talents of a weathered veteran which makes this episode of All Access a supremely informative and fun one! Interview Produced & Presented By:Kaya Savas Special Thanks:Dominic LewisChandler PolingBeth KrakowerKrakower Poling PR

Composer Sven Faulconer takes some time to talk about his recent score to Blood Father starring Mel Gibson. Over the past seven years, Sven has showcased his great talent by scoring several short films and documentaries. Sven has gained invaluable experience working on scores providing synth programming and/or additional music and arrangements on some of the biggest films in the industry. Through this, he was given the chance to perfect his talent working with some of the most high profile composers in the industry. From working as a scoring assistant on Ridley Scott's Robin Hood as well as Despicable Me at Remote Control Productions, to his current ongoing collaboration with James Newton Howard. Sven has worked on many of James' scores such as Nightcrawler, The Hunger Games, The Bourne Legacy, What Lives Inside, The Green Hornet, Snow White And The Huntsman, The Tourist, Maleficent, After Earth, Cncussion and many more. Interview Conducted By:Michael Hollands Special Thanks:Sven Faulconer

[Watch the video interview on our YouTube Channel] It's 10pm at Remote Control Productions, the clock is ticking, and composer Dominic Lewis has to make the finishing touches on his score for The Man In The High Castle: Season 2. Join us on this episode of All Access where we take a completely different approach by simply watching Dom work his magic. Get an amazing and unprecedented look as we sit down next to Dom in the final hours before the score is delivered, and get a first-hand look at the mammoth undertaking of writing a score for a rich and detailed TV series like The Man In The High Castle. Dom plays host and will entertain you with his charm and wit as he goes through his thought process and workflows in an All Access episode that is sure to delight and educate in equal measure. Interview Produced & Presented By:Kaya Savas Special Thanks:Dominic LewisDaniel Futcher

Dominic Lewis has been busy working alongside composers like John Powell, Hans Zimmer, Ramin Djawadi and Henry Jackman as an additional composer on amazing films. He makes his feature film debut as a composer with Free Birds, and it was a great pleasure to chat with him about it. Dominic shares how he got involved at Remote Control Productions, and everything he learned working under some of the best talents in the industry. We discuss how he got hired for Free Birds through John Powell's recommendation, and how he approached his first feature score. We talk about his musical goals for the film, what he wanted to accomplish musically and his methods. Dominic is a fantastic talent and proves it by handling his first feature with a masterful execution. Enjoy this fun and extremely informative interview with one of the best new voices in the industry. Interview Conducted By:Kaya Savas Special Thanks:Dominic LewisRay CostaAlbert TelloCosta CommunicationsStéphane Humez

Gardner-Webb senior, Christian Jessup, talks about his internship with film score company Remote Control Productions.

On this week's show, our very own Batman, Ross returns to the co-host chair, to chat about all the latest tv, film and gaming news, and we have a great interview for you with the brilliant composer Bryce Jacobs. Bryce is an Australian-born composer, and it would be fair to say, he’s an eclectic musician! He's worked across all sorts of genres in tv, film and gaming, including comedies, documentary and drama. He’s composed songs, written scores & orchestration, and worked as a session and touring musician for Australian artists including Josh Pyke and Genevieve Maynard, and international artists such as Sophie B. Hawkins. However, it was in film & tv composing he really discovered his passion. Moving to LA, he joined Hans Zimmer's legendary Remote Control Productions. There he worked on working closely with Grammy and Emmy Nominated composer Ramin Djawadi, and contributed to tv, film and games such as ‘Clash of the Titans’, 'Pirates of the Caribbean: On Stranger Tides', ‘Fifty Shades of Grey’, ‘Rush’, ‘Man Of Steel’, ‘Prison Break’, ‘12 Monkeys’, ‘Medal of Honor’ and ‘Call of Duty: Modern Warfare 3’. His dedication to film music led to the development of a guitar of his own design - a guitar that was based on the range and capabilities of a piano, which became a new and exciting platform to write and perform any style of music on. His most recent work has seen him composing the score for upcoming film ‘Random Tropical Paradise’, and you can find out more about him and his work at www.brycejacobs.com. Also On This Week's Show: Ross is back as the co-host, so we catch up with the tv shows, films & games we've been watching & playing, including 'The Crown', 'Colony', the return of 'Zoo', 'Crash Bandicoot' and 'Fallout 4'. We take a look at all the latest tv & film news, including casting for ‘Once Upon A Time’ (and the fate of E4's brilliant 'Wasted'), the ‘Heathers’ reboot, and Supergirl's new mum! We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.

Jim Dooley is an Emmy Award-winning composer/songwriter with a diverse repertoire spanning the film, television, video gaming and live theatrical industries. He has earned accolades for his solo work as well as proud collaborations with many of the top names in music. Jim is a graduate of New York University, and upon completion of his degree, moved to Los Angeles to study the art of film composing at USC with prolific scoring legends Christopher Young, Elmer Bernstein and Leonard Rosenman. He joined Media Ventures (now Remote Control Productions) in 1999 and collaborated with Hans Zimmer on DreamWorks’ “Gladiator” and as an additional composer, arranger and orchestrator on Columbia Pictures’ “The Da Vinci Code,” Disney’s “Pirates of the Caribbean: The Curse of the Black Pearl,” DreamWorks’ “The Ring,” and many others. Two projects featuring Jim’s music were also honored with Oscar nominations. In Television, Jim has written original music for shows on NBC, ABC, FX, CW, and Lifetime and his music on the critically acclaimed series, “Pushing Daisies,” won him the Primetime Emmy Award for “Best Original Music Composition for a Series.” In film, Jim composed has composed for many live action films, and animated films such as “Madagascar,” “Madagascar 2,” and the Penguins of “Madagascar.” the Oscar-winning “Wallace & Gromit: The Curse of the Were-Rabbit,” and “Operation Got Your 6” featuring First Lady Michelle Obama. Jim’s expertise in other mediums can be found in the complex, interactive scores for best-selling videogame titles such as “Epic Mickey,” “Disney Infinity: Marvel Super Heroes,” “Infamous” and “SOCOM 3: U.S. Navy Seals,” “U.S. Navy Seals: Combined Assault.” Jim is currently scoring TNT’s hit drama “The Last Ship” with collaborator James Levine. He recently emerged into the Sports industry with his theme for the 2015 Senior PGA Championship, heard on both NBC and the Golf Channel. Some topics we discussed: Jim's introduction to "Stairway to Heaven" and "Welcome Home (Sanitarium)" The percussion of Danny Elfman's "Nasty Habits" Patelson's Music Store in Manhattan The New York Times article "Cultivating the Art of Serendipity" Ordering music from (and finally releasing through) Varese Sarabande Records The joy of handwritten takedowns "You don't take as much ownership if you don't figure it out yourself." Playing a tragic Gladiator theme at Hans Zimmer's birthday party How an expert swinging a golf club correctly is more difficult than an expert playing a concerto  Ideas from Oliver Sacks's "Musicophilia" J.K. Rowling's commencement speech at Harvard about the importance of failure This podcast hosted by New York attorney Michael Prywes was sponsored by Prywes Schwartz, PLLC, a law firm devoted to artists and entrepreneurs. This podcast may contain attorney advertising. Prior results do not guarantee future outcomes.

Sam Hughes speaks to Sam Estes and Michael Hobe, founders of Sonicsmiths. Sam and Michael met while working at Remote Control Productions (2008-2012) and both left together to join the team at Cinesamples. During their tenure at Cinesamples (2012-2014) developing commercial libraries, they continued producing private sound design and samples for composers including Danny Elfman, Michael Giacchino, Junkie XL (Tom Holkenborg), and Christopher Lennertz. Sam and Michael left Cinesamples to form Sonicsmiths, a company dedicated to providing sound-design based soundtracks, unique sound design tools, and digital instruments. More great interviews at: www.thesoundarchitect.co.uk

Estelle Woodward Arnal (Director of Artist Services, Dance Theater Workshop) and Levi Gonzalez (dancer-choreographer) join me today to talk about DTW's Outer/Space Creative Residency Program. Levi Gonzalez is an independent choreographer living and working in New York City who has created a body of solo and group choreographic projects. He is interested in presenting work in a variety of venues and contexts, from small and intimate spaces to more traditional stages. Often the placement of the work in a certain environment shapes the content. Gonzalez is interested in furthering a dialogue of ideas about the body in society-at-large and about how we experience physical presence. He has gradually distanced himself from dance that concerns itself with the abstract designing of movement as an end in itself and towards work that addresses performance and the power and meaning of embodiment in daily life. His work and his choreographic collaborations with Luciana Achugar have been presented by Movement Research at Judson Church, Dance Theater Workshop, The Kitchen, Danspace Project, PS122, Dixon Place, and PS1 Contemporary Art Center. He has performed extensively with Donna Uchizono Company and John Jasperse Company, as well as ChameckiLerner, Jeremy Nelson and Dennis O’Connor. Additionally, he has worked for Michael Laub’s Remote Control Productions in Europe. Levi teaches technique and composition at Movement Research and with Dean Moss at The Kitchen. He was a Movement Research Artist in Residence from 2003-2004 and a 2006 NYFA Fellow in Choreography. He is an editor of Critical Correspondence, an online publication, and facilitates artist dialogues through Dance Theater Workshop’s Fresh Tracks Residency. LINKS: Dance Theater Workshop http://www.dancetheaterworkshop.org Movement Research (for Levi Gonzalez' upcoming workshop, "The Practice of Presence") http://www.movementresearch.org Critical Correspondence http://www.movementresearch.org/publishing/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.