Podcasts about Mychael Danna

No hay nada que podamos dar menos por obvio que el perdón. El mensaje de Pablo y Bernabé en la sinagoga de Antioquía en Hechos 13 une dos sentimientos que no podemos relacionar en nuestra mente, teniendo la misma actitud: o reclamamos justicia, o pedimos misericordia. Las dos se une, sin embargo, en Cristo Jesús (vv. 38-39). Tras la sintonía de "Ruta 66", a cargo esta vez del tempranamente fallecido cantante afroamericano de jazz en Kansas City, Kevin Mahogany, conocido por su técnica de "scat" en los años 90, oímos a uno de los representantes del "country" que se tildó de "forajido" (outlaw) por su abuso del alcohol, el sexo y la droga, que llevó a prisión y a una muerte temprana a Johnny Paycheck (1938-2003). Su canción "Yo soy el único infierno que mi Mamá crio" (I Am The Only Hell My Momma Ever Raised 1977) confiesa la culpa que la mayoría no quiere reconocer, pero también su recuerdo de la madre que le "intentó llevar a Jesús", pero él "siguió los caminos del diablo", aunque ahora quisiera oír el himno evangélico de Toplady en el siglo XVIII "Roca de la eternidad", sobre cómo sólo en Cristo hay salvación. El poeta cristiano de Liverpool, Stewart Henderson, se une a su esposa Carol y la cantautora escocesa de folk Yvonne Lyon en 1018, para poner música a sus versos sobre la realidad que vivimos "Después de la Caída" (After The Fall) basados en el tercer capítulo de la Biblia, que muestra el origen del mal. Es la dura realidad de una vida "Sin Gracia" (Graceless), sobre la que canta el grupo de Nueva York, The National en su disco del 2013, "El problema me encontrará" (Trouble Will Find Me). El conflicto entre la necesidad de justicia y la búsqueda de perdón se ve claramente en la forma cómo se enfrentan a la atrocidad del Holocausto, el superviviente que interpreta el director checo Jiri Menzel y el hijo del oficial de las SS que ha matado a sus padres, que hace el actor austriaco Peter Simonischek en la película eslovaca que se conoce en España como "Sin olvido" (2018) o "El interprete" en el resto del mundo. Escuchamos escenas de la versión doblada al castellano de su encuentro en Viena y el viaje que emprenden juntos, comentadas por José de Segovia con el fondo instrumental de la banda sonora original por Michal Pajdiak y la de Mychael Danna para la película de temática similar del canadiense Atom Egoyan en 2015 (Remember), así como de Max Richter para "La llave de Sarah" (2010). El guitarrista de Dylan, cantautor y productor de tantas bandas sonoras, T-Bone Burnett es probablemente el músico más conocido por su fe cristiana, ahora en Nashville. En su último disco muestra las paradojas de "Todo y nada" (Everything And Nothing 2024), que recuerdan el rechazo que sufre Pablo y Bernabé de los judíos de Antioquía. El también veterano músico, cantante y productor desde sus días con el grupo Genesis, Peter Gabriel, se enfrenta también al problema del perdón en su último álbum en "Vive y deja vivir" (Live And Let Live 2023).

Dana and Tom with returning guests, Christine Duncan (Wife of Dana and Mother of Tom) and Heather Stewart (The Revisionist Almanac's Senior European Correspondent), to discuss the indie comedy Little Miss Sunshine (2006) for its 20th anniversary: directed by Jonathan Dayton and Valerie Feris, written by Michael Arndt, cinematography by Tim Suhrstedt, music by Mychael Danna, edited by Pamela Martin, starring Greg Kinnear, Toni Collette, Alan Arkin, Paul Dano, Abigail Breslin, and Steve Carell.Plot Summary: Little Miss Sunshine is a comedy-drama about the Hoover family, a group of very different people trying to support one another. When young Olive Hoover (Abigail Breslin) qualifies for the Little Miss Sunshine beauty pageant, her parents—motivational speaker Richard (Greg Kinnear) and stressed but caring Sheryl (Toni Collette)—decide the whole family will travel with her from New Mexico to California. They pile into a rundown yellow van that becomes the setting for both humor and tension.Along the way, Olive's foul-mouthed grandfather Edwin (Alan Arkin), her depressed uncle Frank (Steve Carell), and her silent, angry teenage brother Dwayne (Paul Dano) each face their own struggles. As the trip goes wrong in unexpected ways, the family learns that winning is not as important as sticking together. The film balances comedy and emotion to show how love and acceptance can come from even the most imperfect family.Guests:Christine DuncanWife of Dana and Mother of Tom19x guestHeather StewartThe Revisionist Almanac's Senior European Correspondent@heatherjstewart on IG, X, LetterboxdPreviously on Monty Python's Life of Brian (1979), Requiem for a Dream (2000)Chapters:00:00 Introduction, Cast, and Background for Little Miss Sunshine02:57 Welcome Back, Heather and Christine!10:58 Why Are Comedies So Overlooked by Awards?17:50 Personal Relationship(s) with Little Miss Sunshine26:19 What is Little Miss Sunshine About?29:43 Plot Summary for Little Miss Sunshine31:00 Did You Know?39:26 First Break40:15 What's Happening with Heather and Christine43:54 Best Performance(s)01:03:46 Best Scene(s)01:21:50 Second Break01:22:40 Best/Funniest Lines01:27:27 The Stanley Rubric - Legacy01:39:27 The Stanley Rubric - Impact/Significance01:45:40 The Stanley Rubric - Novelty01:52:08 The Stanley Rubric - Classicness02:00:59 The Stanley Rubric - Rewatchability02:06:22 The Stanley Rubric - Audience Score and Final Total02:08:12 Remaining Questions for Little Miss Sunshine02:14:48 Thank You to Heather and Christine / Remaining...

Tras la noche más mágica del invierno, nuestro regalo de Reyes para dar la bienvenida a este año 2026 que acaba de empezar es un nuevo Episodio inspirado directamente por un firmamento lleno de estrellas, intentando evocar la emoción de los deseos cumplidos, pensado para escuchar con el corazón abierto y elevar la mirada hacia el cielo. En esta mañana de Reyes, el regalo de la música se convierte en un gesto, una promesa y un deseo compartido para que nos detengamos a mirar al cielo y dejar que la música abra camino hacia tus propios sueños en un amanecer bajo un manto de estrellas. Ashot Danielyan, Dexter Britain, Jeremiah Pena, Juliet Lyons, Daft Punk, Kenji Kawai, Steve Aoki, Johnny Jewel, John Padgett, Mychael Danna, Sofi Paez, Felsmann, Tiley, Al Gromer Khan, Yawning Portal, Todd Fletcher, Michael Griffiths. 🎧 El playlist detallado: lostfrontier.org/t30.html#1069

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La música ha servido principalmente para manifestar y exteriorizar estados de ánimo, pero no siempre ha de ser necesariamente así. En nuestro caso, buscamos estilos de música que sirven para mirar hacia adentro, para reconectarse con la calma y con la belleza esencial del mundo. Es música cuya mayor virtud es transformar el silencio en emoción y el tiempo en un lugar cómodo y habitable. Hay en ella un pulso humano, una suavidad que abraza sin peso. Es música que no busca destino, que llega sin prisa, apenas sugerida, como un recuerdo que no necesita palabras. Entre toda la música posible hay una que consigue construir un estado de quietud lúcida. No hay historia ni clímax, sólo una presencia que acompaña, que sutilmente acaricia más que destaca, como una especie de minimalismo romántico orquestal. Hans Zimmer, Aureon Vale, Keith Richie, No Rest for the Forsaken, Mychael Danna & Tim Clément, Hidden Tales. 🎧 El playlist detallado: lostfrontier.org/t30.html#1067Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Min 4: CAZA DE BRUJAS (3 estrellas) Caza de Brujas, la nueva película de Luca Guadagnino, con Julia Roberts y Andrew Garfield al frente del reparto, propone una mirada inquietante sobre la culpa, la paranoia y la necesidad de redención en una América dividida por el miedo. Lejos de la fantasía o el terror literal que sugiere su título, Caza de Brujas se adentra en un drama psicológico en el que la sospecha y la moral se enfrentan en un escenario dominado por la manipulación social y los juicios mediáticos. Min 12: LA VIDA DE CHUCK (3,5 estrellas) La nueva película dirigida por Mike Flanagan y protagonizada por Tom Hiddleston y Mark Hamill, lejos del terror clásico por el que viene apostando este cineasta, plantea un viaje emocional y metafísico que convierte la vida de un hombre corriente en una reflexión sobre el tiempo, la memoria y el sentido de la existencia. Basada en uno de los relatos más personales Stephen King, la cinta despliega tres actos que van desde la tragedia cotidiana hasta la fantasía cósmica, con la sensibilidad visual y narrativa que caracteriza a Flanagan. Su puesta en escena minimalista, su estructura fragmentada y una banda sonora cargada de melancolía convierten la historia en una experiencia profundamente humana. Min 18: LA CENA (4 estrellas) La cena, el nuevo largometraje de Manuel Gómez Pereira, combina sátira, memoria y suspense emocional. Ambientada en la España de posguerra, la historia arranca en una lujosa velada organizada para celebrar un supuesto triunfo social en plena dictadura franquista. A medida que avanza la noche, las apariencias se resquebrajan y lo que parecía un encuentro festivo se convierte en un inquietante retrato de las hipocresías, miedos y silencios de toda una generación. El reparto, encabezado por Mario Casas, Alberto San Juan, Asier Etxeandia, Antonio Resines y Nora Hernández, sostiene con precisión un guion que alterna la ironía con la tensión moral. Gómez Pereira firma una película elegante, incómoda y profundamente humana, donde cada gesto y cada silencio pesan tanto como las palabras. Min 24: LA DEUDA (3 estrellas) Después de A cambio de nada y Canallas, el director madrileño Daniel Guzmán firma una historia profundamente humana sobre la culpa, la redención y los lazos invisibles que unen a quienes comparten un pasado común. Protagonizada por Luis Tosar, María Vázquez, Salva Reina y el propio Daniel Guzmán, la película aborda el reencuentro de un grupo de antiguos amigos marcados por una promesa incumplida. Lo que comienza como una visita inocente se convierte en un ajuste de cuentas emocional donde cada gesto destapa las deudas morales que el tiempo nunca borra. MIn 31: UN SIMPLE ACCIDENTE (4,75 estrellas) Pocas veces una película logra el consenso entre crítica y público, pero Un simple accidente lo ha conseguido. En esta nueva entrega de “Estamos de Cine”, el equipo analiza el drama revelación del año, un filme que para nuestro crítico Alberto Luchini se sitúa entre las grandes obras de la temporada y se perfila, incluso, como la gran rival de Sitar en la carrera hacia los Oscar. Min 37: GOODBOY (3,5 estrellas) El cine de terror sigue reinventándose, y pocos títulos lo demuestran con tanta audacia como Good Boy, la perturbadora cinta noruega que ha sacudido los festivales y que llega ahora a las plataformas con una mezcla explosiva de humor negro, tensión psicológica y crítica social. Raquel Hernández destaca la película como una de las sorpresas más originales y efectivas del género en los últimos años, subrayando su capacidad para incomodar al espectador sin recurrir al susto fácil. Min 42: LA HERMANASTRA FEA (3,5 estrellas) A veces los cuentos de hadas esconden una verdad mucho más humana que mágica. En este nuevo episodio de “Estamos de Cine” nois adentramos también en la sorprendente revisión del mito de Cenicienta, que convierte a la villana en protagonista y desmonta, con ironía y ternura, los estereotipos del relato clásico. Min 46: LA PELÍCULA DE TU VIDA: CON UN PEQUEÑO GRAN "MR. RUVENS" Director, guionista, crítico casual e insobornable, autodefinido como anti-influencer para capaz de influir como pocos con su agudeza ácida en las redes...el joven albaceteño conocido como "Ruvens", colaborador de Abycine y rostro tan amado como criticado por su vinculación con Gran Hermano, ha respondido a la invitación de Roberto Lancha y es el protagonista de una nueva entrega de La Película de tu vida. Min 50: ESPECIAL BSO PEQUEÑA MISS SUNSHINE (4 estrellas) Hay películas que se recuerdan por sus personajes, otras por sus diálogos, y unas pocas por el modo en que la música las convierte en algo inolvidable. Ángel Luque repasa la partitura de Pequeña Miss Sunshine, una joya del cine independiente que marcó a toda una generación con su equilibrio perfecto entre melancolía y esperanza. Firmada por Mychael Danna y DeVotchKa, la banda sonora combina instrumentos acústicos, atmósferas folk y un aire de carretera que acompaña el viaje de la familia Hoover tanto física como emocionalmente.

The impulse to combine music and film goes back to the very beginning. The Lumiere brothers first silent film screening in Paris in 1895 was accompanied by a pianist. When films were added to vaudeville theaters at the beginning of the 20th century, music was provided by an in-house musician or organist, small ensembles, and even full orchestras. Pipe organs for theaters—at the time the most wide-ranging and loudest instruments available—were built by the American musical instrument company Wurlitzer. The famous "Mighty Wurlitzer" theatre organ was introduced in 1910, and was installed in theatres, museums, and churches around the world. Romantic-Classical styles and orchestration dominated the early years of sound films, and an emotional language of film music became widely understood. As film subject matter expanded, jazz and other "modernist" genres were added. Powerful rhythms, memorable melodic themes, and repeated motifs were common, as well as more subtle, quiet music to create mood and atmosphere. What we call ambient music today, was—and still is—a major part of film music, and came to be called the "underscore." On this transmission of Hearts of Space, ambient and atmospheric music for film, on a program called "UNDERSCORE 3." Music is by TIM STORY, LISA GERRARD & PIETER BOURKE, LUDOVICO EINAUDI, HANS ZIMMER, MYCHAEL DANNA, ENNIO MORRICONE, TOM HOLKENBORG, and featuring BRIAN KEANE'S score for DANTE: INFERNO TO PARADISE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

BELIEVE IT OR NOT, the combination of ambient nature sounds and electronic music was actually an innovation in the 1970s. And you may be surprised that the idea had a history in European classical music, especially in England and France. In England, it was the so-called "pastoral" composers like ARNOLD BAX and RALPH VAUGHAN WILLIAMS, who created orchestral images of nature. In France, it was the Impressionists, from CLAUDE DEBUSSY to OLIVIER MESSIAEN. They didn't have recordings, so they created new instruments and playing techniques to imitate natural sounds like wind and birdsongs. By the mid-20th century, we could record the sounds of nature, edit them and play them back at will. In the 1950s, avant-garde composers like JOHN CAGE were promoting an awareness of ambient sound as equal to music. Music...was how you listened. Incorporating nature sounds into music was the next step; beside, film soundtracks had been doing it for years. The psychology is foundational: humans evolved listening to natural sounds, and they send a message we respond to instinctively. For example, birdsong on a gentle summer morning is delightful and calming. Blend in some subtle synthesizers, season with gourmet reverberation and you have what two young Canadians named MYCHAEL DANNA and TIM CLÉMENT called "environmental electronic music." It's an idea that was embraced by New Age musicians and in time became a bit of a cliché. But it led to an electronic genre of extended tone-color journeys in virtual space, which is still alive and well. On this transmission of Hearts of Space, the fluid, airy sound of summer spacemusic, on a program called SUMMERTONES 3. Music is by MEG BOWLES, DANNA & CLÉMENT, CHRONOTOPE PROJECT, ALTUS, and STELLIA. [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

We're thinking differently on this one Settlers as Ky changes the game by bringing us our first ever sports film. On the eve of a trip to our hometown ballpark Camden Yards we're taking a listen to Mychael Danna's 2011 hit Moneyball. Ev's score: 8.4 / Al's score: 7.7 / Ky's score: 9 Musical term: Ostinato Instrumental Instrument: Cello If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok

In 1999, a 70-year-old Andrew Sarris spoke for the majority of critics about the Joel Schumacher-directed 8MM, when he said it  "...is clearly an evil film." Well, Mr. Sarris might have been a purveyor of auteur theory, but he's also a purveyor of being wrong. 25-years-later,  in a deep conversation that dissects this misunderstood Nic Cage gem like never before, Jordan and Nic reassess 8mm and find themselves at great odds with the 1999 critical establishment. But then they watch the punishment film, The Other Sister, and find that some of the time, maybe those critics were right.Music Heard this Episode:"Unsee" -- Mychael Danna"Hollywood" -- Mychael Danna"Missing Persons" -- Mychael Danna"366 Hoyt Ave." -- Mychael Danna"Come to Daddy" -- Aphex Twin Intro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Welcome to the episode 25 of "Women In The Music Industry", a podcast that shines a spotlight on the remarkable women who are breaking barriers and making their mark in an industry that has long been dominated by men. My guest on this episode is none other than composer, producer, musician and artist extraordinaire EmmoLei Sankofa, whose work spans music, visual media, and fine art.  EmmoLei's original music can be heard on the stand-out comedy, “Three Ways” on Hulu, Season 3 of STARZ's “Step Up” series, Lizzo's Emmy-Award winning series, “Watch Out For the Big Grrrls” on Amazon, Shudder/AMC's horror anthology film “Horror Noire”, and 2023's smash series on Hulu, “The Other Black Girl”.  These are just a few of her incredible credits!  Emmolei is a 2021 Sundance Composers Lab Fellow, where she worked closely with Film and Television composers on her craft. The creative advisors for the intensive included Kathryn Bostic, Laura Karpman, Blake Neely, Heather McIntosh, George S. Clinton, Mychael Danna, Jeff Rona, and Christopher Willis.  EmmoLei has also collaborated with some of the best emerging and award-winning filmmakers, including Jamal Dedeaux, Zandashé Brown, Rhea Dillion, Jonathan Lewis, Imani Dennison, Sekani Solomon, Ajiri Akpolo, and more.  Her original music has been married to films screened at HBO, the SAG-AFTRA Foundation, Lionsgate, Warner Bros, the Oakland Museum of California, and film festivals in Miami, Martha's Vineyard, Atlanta, Los Angeles, Chicago, Savannah, Las Vegas, London, and beyond.  EmmoLei has also worked with top brands like Nike, Vans, Buzzfeed, Pandora, Kamala Harris for the People, Pulse Films, and more via her creative audio company, Bèl Son. EmmoLei's discography encompasses over twenty-one independently released albums, EPs, and singles collectively, and embodies a mixture of genres but often integrates soul, jazz, classical, and rhythm & blues. Her single, Don't Fight, was included on Adult Swim's OPUS compilation album. As a musician, she has performed with Nelly, Ella Mai, Kurt Schneider, and more, and had her debut performance as a solo act on Mobley's “Devil in a Daydream” Virtual Tour. An alum of The Recording Academy's 2021 NEXT program, EmmoLei is an emerging talent and active voice among the next generation of music industry leaders. EmmoLei and her work have been featured on various platforms, including Lyrical Lemonade, LANDR, Saint Heron, OC Weekly, The Recording Academy, Gender Amplified, Billboard, and more. If you are enjoying this video series, please rate/review/subscribe/tell everyone about it. Every little bit helps. Instagram: @emmolei Web: www.e-sankofa.com

Musician and film writer Soraya Sebghati joins from Los Angeles to venture into the lurid, strange world of...Toronto, ON, Canada and its mesmerizing underbelly of desire, longing, and grief in Atom Egoyan's 1994 breakout feature, 'Exotica'.We discuss Atom Egoyan as director - his keen sense for the uncanny amongst the mundane, and the ways 'Exotica' plays with artificiality, performance, and facade. Then, we discuss the film's musings on routine and the rippling effects of grief, and praise Egoyan's (relatively) non-judgemental curiosity with regard to the habits we all adopt as a means of coping with loss and alienation. Finally, we consider the film's much-mulled over ending and how it offers both a quietly devastating moment of catharsis and a hopeful message of emotional solidarity. Follow Soraya Sebghati on Twitter.Read and subscribe to Soraya's Substack.Listen to and support Night Talks on Bandcamp. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

And we're back...sort of! This week, Aaron takes the boys deep into the wild world of math-based sports, which Krueger mostly understands. It's 2011's Moneyball, with music by Mychael Danna! NOTE: We recorded this in May, before one of us came up with the idea of doing June Williams. That's why you will hear no mention of our extended absence. Come back on August 20th for our newest-recorded episode and a full explanation of our new schedule!

Votre quotidienne d'info continue cet été! Et pour sauver le monde pendant les vacances, l'équipe de So good Radio vous propose une série d'entretiens avec des gens qu'on aime bien: des artistes, des spécialistes, des humoristes, des passionnés qui vont nous donner leur regard sur l'actualité. Dans cet épisode, nous recevons Fashion Quiche, créatrice de contenu et vulgarisatrice de mode. Elle va nous parler de ce qui lui a donné de la force cette année, notamment d'une alternative pour faire briller les vêtements; une autre pour faire briller nos visages; ou encore la découverte d'une marque d'upcycling d'une créatrice ukrainienne.En plus de votre fil info feel good, retrouvez Le peigne dans l'maillot, la recommandation de l'invitée pour s'endormir un peu moins con consacrée au podcast « LSD » de Perrine Kervran sur France Culture, une météo des émotions, et la chanson qui va bien, choisie par l'invitée: The Winner Is de DeVotchKa et Mychael Danna. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Colin Aguiar is an award-winning Indian-Candian composer based in Los Angeles who specializes in film scoring. In this conversation we talked about his youth, growing up across parts of India, the Middle East, Europe and Canada and studying the music of various cultures, learning different instruments with a start on drums as a toddler, as well as his love for the music of Arvo Pärt and other great composers.  Colins spoke about some of his mentors including  Mychael Danna.  This episode with Colin is the first release  of several film composers I have interviewed recently, and I find it fascinating how diverse their musical backgrounds are and what a challenging and little-understood part of the music world this is. During the episode you'll hear some clips from Colin's compositions, used with permission. Like all my episodes, this is available on your favourite podcast player as well as a video, and the transcript is linked as well to my website: https://www.leahroseman.com/episodes/colin-aguiar https://colinaguiar.com/ Help me keep this podcast going!! https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (02:18) toddler drum set, Dad's band (05:47) Parents' travels and emigration from India, different cultures (09:17) intro to music from Fly (12:41) music from Fly (16:01) intro to music from Torn from her Arms, Arvo Pärt (17:59) music from Torn from her Arms (19:42) synthesizers, working with session musicians who play by ear (22:51) immigration stories (25:15) arrangement of El Salvadorian anthem (26:25) learning drums and cultures through music (30:52) practicing 5 hours a day, learning different instruments (33:32) starting to compose and arrange (35:41) composition studio gear  (38:46) intro to music from film “Construct”, use of dubstep (39:45) music from “Construct” (40:43) Mychael Danna and learning the job of film scoring (48:14) Lou Natale, challenges of time pressure for composers (51:29) intro to palindrome  (52:18) clip from palindrome written for Construct (54:23) learning from other composers (56:55) composition Roman Toi (58:29) mentors Lou Natale, John Welsman, glenn Morley, Mychael Danna, Robert Dunca, Christopher Young (01:00:10) internal music soundtrack, being able to remember music with precision (01:02:41) Kathakali, other parallels with film music (01:06:00) different styles of film scoring, decision making, time crunches (01:13:16) use of temp tracks (01:16:27) Canadian film industry (01:17:46) pandemic shutdowns --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

This week we discuss the 2022 film adaptation of the best-selling novel Where The Crawdads sing; stylish marsh girls, the novel, nonsensical endings, undoing your own work, parallels to reality, plus a game of Log vs. Potato!   Where the Crawdads Sing is a 2022 American mystery and drama film based on the 2018 novel of the same name by Delia Owens. It was directed by Olivia Newman from a screenplay by Lucy Alibar, and was produced by Reese Witherspoon and Lauren Neustadter. Daisy Edgar-Jones leads the cast featuring Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr., Jojo Regina, Garret Dillahunt, Ahna O'Reilly, and David Strathairn. The story follows an abandoned yet defiant girl, Kya, who raises herself to adulthood in a North Carolina marshland, becoming a naturalist in the process. When the town's hotshot is found dead, she is the prime suspect and tried for murder. The film was released in the United States on July 15, 2022, by Sony Pictures Releasing under Columbia Pictures. It received mixed reviews from critics, who praised Edgar-Jones's performance and the cinematography, but found the film's overall tone incoherent. Audience reception was more positive and the film became a box office success, grossing $140 million worldwide on a $24 million budget. Canadian composer Mychael Danna composed the film's soundtrack, which includes the original song "Carolina" by American singer-songwriter Taylor Swift that has been nominated for a Critics' Choice Award, a Golden Globe Award, a Grammy Award, and a Satellite Award. I Love This You Should Too is hosted by Samantha & Indy Randhawa. We are Members of the Alberta Podcast Network.

Today we present part one of the fifth ALL REQUEST SHOW and the first ever CHRISTMAS ALL REQUEST SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this first-ever Patreon All Request Christmas show, we get to hear some Christmas favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Victor Field, Glenn McDorman, Douglas Lacey, Deniz Çağlar, William Welch, Don Mase, Thomas Tinneny, Angela Rabatin, Eldaly Morningstar, Carl Wonders, Jerome Flick, Alphonse Brown, Joe Wiles, Alan Rogers and Dave Williams. They requested tracks from such composers as John Williams, Irving Berlin, Marco Beltrami, Miles Hankins, Jerry Goldsmith, Michael Kamen, Danny Elfman, Craig Armstrong, Murray Gold, Mychael Danna, Harry Gregson-Williams, Darren Hendley and Marc Shaiman Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This episode is, as they say, NSFW.Somehow, Mychael Danna's beautiful and haunting score failed to get a single shoutout in over 137 minutes of podcasting. Terribly unfortunate oversight. Incredible work by him on this film.Next stop: New Canaan, CT!

Welcome to the return of Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse, foreign, or experimental film of their choice. For the fourteenth episode, I talked to the editor-in-chief/co-founder of The Film Stage, Jordan Raup, about Canadian auteur Atom Egoyan's 1994 erotic melodrama Exotica (available on a new Criterion Collection disc and alongside Calendar, The Sweet Hereafter, and The Adjustor on the Criterion Channel). At first blush, Egoyan's film defies easy categorization with its recursive structure, multiple central characters, and the director's own penchant for throwing viewers into previously defined relationships. Exotica's dizzying construction only amplifies those sensations with the characters' winding stream-of-consciousness monologues, DP Paul Sarossy's furtive camerawork, and Mychael Danna's Egyptian-influenced score. The plot isn't easily described, but it can be distilled down to the intersection of initially undefinable relationships of clientele and employees at the namesake's strip club. These oddballs range from lovelorn MCs to closeted bird egg collectors and Freudian father figures. Nearly every one of these characters meshes into a diagrammatic arc to reach the mosaic-esque climax, but those intricacies are a means to an end. Exotica (and arguably, Egoyan's body of work) traffic in the claustrophobically intimate, introducing dynamics that act as conduits for hard emotional truths. To remove the film from its obtuse contexts, consider instead that Egoyan's two primary influences for writing Exotica were being audited in real life and learning about the no-touch rule at strip clubs. Alike, today's podcast could be seen as an attempt to find a middle ground between these two perceptions of Exotica––one as a psychosexual nesting doll and the other as an emotionally linear inquiry into personal trauma and its ensuing repercussions. Along the way, we discuss the film's unexpected reception (one of two films to ever win awards at both the AVN Awards and Cannes), the shortcomings of its contemporary parallels, and Elias Koteas. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

The Breadwinner discussion with producer Anthony Leo and composers Jeff and Mychael Danna on Dec 3, 2017 at the Samuel Goldwyn Theater. Moderated by Jerry Beck.

Autumn brings transformations both subtle and powerful. The shadows lengthen as the focus of the sun moves south below the equator. Here in the Northern Hemisphere, we now experience rapid seasonal climate change on top of slow global climate change. It's a transition marked by familiar changes in temperature, color, and activity in the natural world, disrupted by increasingly extreme weather events. For ambient musicians, it's a time for complex tone colors burnished with glints of silver and gold, bittersweet harmonies, descending progressions, and gently melancholy emotions. On this transmission of HEARTS of SPACE, we transition to the darkening electro-acoustic soundscapes of autumn, on a program called SHADOWLANDS 2. Music is by MYCHAEL DANNA & TIM CLÉMENT, STEVE ROACH & MICHAEL STEARNS, MIGUEL NOYA, CLIFF MARTINEZ, ALEX HAAS, and LISA BELLA DONNA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Se conoce como crimen de Alcácer al secuestro, violación, tortura y asesinato de Míriam, Toñi y Desirée, tres adolescentes de catorce y quince años del municipio valenciano de Alcácer, España. Al juicio derivado de este crimen se conoce como caso Alcácer (o caso Alcàsser). Canciones: - “The Film” de Mychael Danna - “Cindy” de Mychael Danna Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Para los que ya amábamos esta música en el siglo XX. Christopher Dean, Medwyn Goodall, Deuter, William Aura, Johannes Schmoelling, Wavestar, Dan Hartman, Trapezoid, Steve Howe & Constance Demby & Paul Sutin, Klaus Schønning, Enigma, Tomás San Miguel, Kevin Braheny & Tim Clark, Erik Wøllo, Roger Eno, Nancy Rumbel, Mychael Danna & Jeff Danna, John Doan, Tom Vedvik. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/984.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

In this podcast, Gemma Creagh talks to Olivia Newman, the director of Where the Crawdads Sing, which is adapted from the best-selling novel by Delia Owens and produced by Reese Witherspoon and Lauren Neustadter. A captivating mystery. Where the Crawdads Sing tells the story of Kya, an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina. For years, rumors of the “Marsh Girl” haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh. 3000 Pictures presents in association with HarperCollins Publishers a Hello Sunshine production, Where the Crawdads Sing. Starring Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer, Jr., and David Strathairn. Directed by Olivia Newman. Produced by Reese Witherspoon and Lauren Neustadter. Screenplay by Lucy Alibar. Based upon the novel by Delia Owens. The executive producers are Rhonda Fehr and Betsy Danbury. The director of photography is Polly Morgan, ASC. The production designer is Sue Chan. The editor is Alan Edward Bell, ACE. The costume designer is Mirren Gordon-Crozier. The music is by Mychael Danna. Where the Crawdads Sing is released exclusively in cinemas on 22 July 2022. Cert 15a https://filmireland.net/

When the definitive history of cross-cultural musical fusions and hybrids is written, there will be an honored place for the congruence of Indian classical and ambient-electronic music. Of all the experiments that were attempted after electronic instruments matured to the point of viability in the mid 20th century, this combination was one of the earliest and most successful. Synthesizers expanded the role of microtones and drones in Indian music, while raga and tala—the traditional melodic and rhythm systems of Indian classical music—brought a welcome sophistication to electronic music. It's an area we've explored since the earliest days of this program. On this transmission of Hearts of Space, another journey where Indian classical meets ambient/trance, on a program called "INDO-TRONICA 4." Music is by DAVID HELPLING with NIDHI BHATMULEY and BENJY WERTHEIMER, DAVID PARSONS, WOUTER KELLERMAN & DAVID ARKENSTONE, DJ CHEB I SABBAH, MYCHAEL DANNA, BEN LEINBACH & JAI UTTAL, and AL GROMER KHAN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

In our latest episode of The Pop Disciple Podcast, we are joined by Jeff Danna, the decorated composer behind HBO Max's Julia, the charming series based on the life of legendary American cooking teacher, author, and television personality, Julia Child.  Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Jeff Danna

Desde que el Hombre ha levantado la mirada, se ha maravillado al contemplar el espectáculo del firmamento nocturno. Ahora que comenzamos a comprender algunos de los misterios del infinito, seguimos sintiendo esa misma fascinación al observar la inmensidad del Universo. Muchos artistas han encontrado la inspiración para sus obras en la magnitud del cielo nocturno; y algunos de ellos han tenido el privilegio de haber creado música para planetarios. AVAWaves, Narrow Skies, Endless Melancholy, Phil Thornton, Michael Whalen, David Salvans, Sam Vitoulis, Michael Stearns, Mychael Danna, Kevin Braheny, Mars Lasar, Jonn Serrie, The Expanding Universe. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/979

Додому significa hogar en ucraniano, o más exactamente vuelta a casa. El Episodio de hoy comienza con música dedicada a llevar apoyo, recursos y quizás un respiro a todos los que sufren. Como dicen los que han generado esta iniciativa: la luz sobre la oscuridad. La música a menudo supone el triunfo de la luz sobre la oscuridad. Nosotros, en nuestra modestia, queremos precisamente eso: traer luz con la música sobre las tinieblas que ensombrecen el mundo, música para otros soles. Rebecca Jean Rossi, Rabelius, Bruno Sanfilippo, Federico Truzzi, Airyn & JM Mantecon, JM Mantecon, Diane Arkenstone & David Arkenstone, David Arkenstone, Mychael Danna & Tim Clément, David Helpling featuring Nidhi Bhatmuley. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/975

What would you do if you could go back in time and talk to your 12-year-old self? What if you could also see a dead loved one again? For all the whiz-bang action-adventure stuffed into Ryan Reynolds' latest film, The Adam Project, composer Rob Simonsen's score never strays far from those sentimental questions.   The next collaboration between Reynolds and director Shawn Levy after last year's Free Guy, The Adam Project follows a time-traveling fighter pilot who flees his dystopian past to crash-land in 2022. And who should he meet but his younger, 12-year-old self, played by newcomer Walker Scobell, who tags along with him on an adventure not just to shake off bad guys from the future who are set to chase him down, but to reconnect with his long-dead father (Mark Ruffalo) and stop time travel altogether.   It's a film steeped in the nostalgia-friendly Amblin vibes of the 1980s, evoking everything from Flight of the Navigator to E.T., and that's a throughline Simonsen threads expertly. His is a deceptively simple score, pairing crackling, electronic synths for the high-tech action sequences with the tranquil piano and orchestra of its primary theme -- keeping the CG spectacle grounded in the achingly personal.   Easy work for Simonsen, who's proven himself a versatile composer since he came up in the early 2010s with indies like The Spectacular Now and Fast Color. And earlier this year, he primed the pump for the nostalgia well with his score for Ghostbusters: Afterlife. Now, he speaks to me on the podcast today about his early work as a composer, what lessons he learned from mentor Mychael Danna, and the myriad ways COVID complicated the process of scoring this film.   You can find Rob Simonsen at his official website here.   The Adam Project is currently streaming on Netflix. You can also listen to the score for The Adam Project on your preferred music streaming service courtesy of Sony Soundtracks.

How a human rights lawyer became a Hollywood composer, with Amritha Vaz '97 Arts, '02 Law When Amritha Vaz, got tendonitis at the age of 17, she thought her path in musical performance was at an end. But, after earning her law degree and working as a human rights lawyer, a few chance encounters led her back to music, this time as a composer. Vaz got her start as a composing career assisting Academy Award winning composer Mychael Danna on "500 Days of Summer". Nominated for her second Annie award for Best TV music, her credits include scoring Disney's popular animated series "Mira: Royal Detective '' and an episode of AppleTV's Emmy nominated “Home”. In this episode, hear how Vaz went from being an attorney with multiple degrees unrelated to music to being a successful TV and film music composer with a unique voice in L.A. Connect with your UAlberta community on Switchboard at uab.ca/sboard. WTJ is sponsored by TD Insurance. Got a question? Email us at: wtj@ualberta.ca What the Job? is a University of Alberta Alumni Association podcast Hosted by: Matt Rea Produced by: Matt Rea and Jennifer Jenkins Music: Cottages by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

GHOSTBUSTERS: AFTERLIFE composer Rob Simonsen talks about channeling Elmer Bernstein's original Ghostbusters music, going into top-secret studio vaults to read the script, and how he re-wired his musical brain in order to keep the music sounding true to the original. Then, he talks about how he knows when music fits the film, the rumored near-firing of his once boss, Mychael Danna, on Life of Pi, and why it's always crucial to dial in the perfect sound.

Normally, the scores we play on this show come from movies, TV shows or video games but this time on OBSCURE SCORES WITH ROBERT DANIELS we'll listen to some "alternatives". On this program you will hear selections from UNIVERSAL STUDIOS - ISLANDS OF ADVENTURE by William Kidd, Tony Humecke, Chip Smith, Howard Drossin and Peter Lehman, MEDIEVAL TIMES - THE KINGS CHOICE by Daniel May, and PLANETS, STARS AND GALAXIES by Mychael Danna. When Robert isn't in search for obscure scores you can find him every Saturday morning from 12-2am (EST) on VISIONS IN SOUND at 98.5 FM in Kitchener, Ontario, Canada or at ckwr.com. Visit VISIONS IN SOUND by going to http://visionsinsound.ca/ And you can listen to the show in podcast form by going to https://podcasts.apple.com/ca/podcast/visions-in-sound-podcast/id1498716815 Enjoy! Intro provided by SNUBS AND DUBS: A BEST PICTURE PODCAST Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman & Chris Malone. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Autumn brings transformations both subtle and powerful. The shadows lengthen as the focus of the sun moves south below the equator. Here in the Northern Hemisphere, we now experience rapid seasonal climate change on top of slow global climate change. It's a transition marked by familiar changes in temperature, color, and activity in the natural world, disrupted by increasingly extreme weather events. For ambient musicians, it's a time for complex tone colors burnished with glints of silver and gold, bittersweet harmonies, descending progressions, and gently melancholy emotions. On this transmission of HEARTS of SPACE, we transition to the darkening electro-acoustic soundscapes of autumn, on a program called SHADOWLANDS 2. Music is by MYCHAEL DANNA & TIM CLÉMENT, STEVE ROACH & MICHAEL STEARNS, MIGUEL NOYA, CLIFF MARTINEZ, ALEX HAAS, and LISA BELLA DONNA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Overjoyed to have composer and singer/songwriter Jessica Rose Weiss join The Film Scorer Podcast! Jess's latest film score (co-composed with Mychael Danna) is for the new Amazon Prime retelling of Cinderella starring Camila Cabello. Jess and I talk about crafting their magical, romantic (and folk-influenced) score for this jukebox musical, as well as her mentorship with Mychael and her time spent working at Hans Zimmer's Remote Control Productions! We jump right into the conversation in this episode - no chit chat to start off - so don't think you've missed anything! While we unfortunately don't have a chance to discuss these, Jess just released two other scores as well, both for Netflix: the dramedy Afterlife of the Party and the animated feature film Dog Gone Trouble.   Find out more about Jess on her website. Cinderella is currently available on Amazon Prime while her and Mychael's score (as well as her score for Dog Gone Trouble and her score suite for Afterlife of the Party) are available on all platforms.

The concept of a "soundscape" was defined in the 1960s as a combination of sounds that create an immersive environment. It includes sounds of the natural acoustic environment and weather—called the geophony; animals and insects—called the biophony; and sounds made by humans—the anthropophony. In Canada, the soundscape idea was established for a whole generation of musicians by composer and educator R. MURRAY SCHAFER. Among his students were two young Canadian electronic musicians — MYCHAEL DANNA and TIM CLEMENT. In the mid 1980s they were creating what they called "environmental electronic music" like this classic track from the album SUMMERLAND. DANNA went on to become an A-list film composer known for non-traditional scores for films like The Life of Pi, while the combination of natural acoustic environmental sounds and electronic music became one of the enduring trends in the ambient music of today. Like scores for imaginary films, they can entertain, challenge, or sooth us, sending signals to our ancient limbic alert system that tell us to be vigilant, or relax. On this transmission of Hearts of Space, a collection of immersive environments and electro-acoustic soundscapes called FLOATING WORLDS 3. Music is by DANNA & CLÉMENT, SINEPEARL, TOM EATON, ALPHA WAVE MOVEMENT, ALIO DIE & REMCO HELBERS, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Episode #14: Transcendent Space Uploaded: May 29, 2021 Charles Ives: Piano Sonata No. 2, “Concord, Mass., 1840-60” I. “Emerson” [17:44] II. “Hawthorne” [12:28] III. “The Alcotts” [6:03] IV. “Thoreau” [12:40] Samuel Baron, flute John Graham, viola Gilbert Kalish, piano ELEKTRA NONESUCH 9 71337-2 Bruce Hornsby: Every little kiss [5:49] Bruce Hornsby and The Range RCA VICTOR PCD1-5904 Mychael Danna and Tim Clément: Another Sun Mort de l'Emperor [2:55] Sunrise West [9:08] Hanging Flame [6:49] Sparrow Hill [6:43] Hyenas [5:36] Aurora Borealis [7:24] Persia [6:45] Antiphon [5:58] Mychael Danna, synthesizers; digital sampling keyboard; recorder Tim Clément, digital and analog synthesizers; tape manipulation CHACRA SLCD 0012

Working her way up through Studio 306, Digital Music And Post, and Manta Eastern Sound, her music engineering credits are prolific, and include such artists as Jennifer Lopez,  Dragonette, and Mychael Danna.  Manta also offered Annelise a wide variety of work in film scoring, advertising, and live-to-air studio recordings with many major label artists such as The Dixie Chicks, Blue Rodeo and Def Leppard. Throughout her time as an engineer, Annelise has also composed and has written music for placement in film and television, as well as teaching privately and for the Harris Institute. Annelise currently divides her time working between Toronto, and Prince Edward County.   https://www.annelisenoronha.com/engineer-producer

CÁNTICOS EN CASSETTES DIGITALIZADOS, VOL. 1-Esta es una edición especial del Podcast Tributo A La Música De Ayer, de 31 minutos de duración, en la cual escucharemos 7 cánticos grabados originalmente en las décadas de los años 1970 y 1980, qué han sido preservados en el formato digital. Ésta música del ayer sigue siendo relevante hoy debido a su mensaje bíblico qué nunca pasa de moda. Así qué, prepárate para viajar al ayer, escuchando música qué sigue impactando vidas hoy.Los cánticos seleccionados son: (1) «Vida Eternal» por Gloria González; (2) «Razón De Vivir» por el Grupo Creación; (3) «Tomado De La Mano» por Galilea Sound; (4) «¡Oh, Qué Amigo Nos Es Cristo!» por Intercant; (5) «A Ti, Señor» por Los Primogénitos; (6) «El Anticristo 666» por Antonio Lozano; y (7) «Bienvenido Espíritu Santo» por Juan Sebastía.[Podcast Tributo A La Música De Ayer | Música adicional: Solid Rock Orchestra; RiverTribe; Mark Edwards; Latin Siesta; Mychael Danna; y Christafari | Narrador: José M. Viera; Voces Adicionales: Landers Amaya; Leslie Ann Viera | Duración: 31:01 minutos | Episodio 39 de la Serie | Programa 284]Mis otros Podcasts• Hoy Es Mi Díahttps://www.spreaker.com/show/jose-vieras-show• Tributo A La Música De Ayerhttps://www.spreaker.com/show/tributo-a-la-musica-de-ayer• Reflexiones Del Génesishttps://www.spreaker.com/show/reflexiones-del-genesis• Orando Soy Más Fuertehttps://www.spreaker.com/show/orando-soy-mas-fuerte• Programación Especialhttps://www.spreaker.com/show/programacion-especial

Welcome to The Movie Planet Podcast Season 4 Episode 7.  This week, Joel has nominated Moneyball for the Sports Movie Pantheon.  Listen as JC, Joel, and Joe discuss another baseball movie and try to figure out if this movie gets paid to get on first, or if it gets thrown out at second.  Listen in and find out!   "On Its Head" by Mychael Danna from Moneyball soundtrack "Youth" by David Julyan from The Cabin in the Woods soundtrack   iTunes: https://itunes.apple.com/us/podcast/movie-planet-podcast/id1397030238?mt=2 GMAIL: movieplanetpodcast@gmail.com Twitter: @MoviePlanetPod Instagram: @movieplanetpod Facebook: /movieplanetpod   The Movie Planet podcast is not affiliated with, prepared for, approved or licensed by any entity that created any films discussed or reviewed herein. All movie clips and music included in the podcast are the intellectual property of the respective copyright holders. They are included here for the purpose of review, and no infringement is intended.

Marty & Will at long last break their podcast quarantine and ask "was there anything beautiful in this strange and frightening year?". download Catching Up: The QuarantineMusical excerpts from:Onward (2020) - Mychael Danna & Jeff Danna - Pixar Animation Studios (Dan Scanlon, dir.)Soul (2020) - Trent Reznor & Atticus Ross, Jon Batiste - Pixar Animation Studios (Pete Docter, dir.)The Last of Us Part II (2020) - Gustavo Santaolalla - Naughty Dog (Neil Druckmann, dir.)Star Wars: The Rise of Skywalker (2019) - John Williams - Lucasfilm Ltd. (J.J. Abrams, dir.)and featuring songs from: Silk Sonic, Dua Lipa, Arizona Zervas, Surfaces, Clairo, Hamilton, and Cuco For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please leave a review at Apple Podcasts or share with someone you love.

Welcome to The Movie Planet Podcast Season 4 Episode 6.  This week, JC has nominated Darby O'Gill and the Little People for the Family Film Pantheon.  Listen as JC, Joel, and Joe discuss this elder Disney film and try to figure out if this is truly a St. Patrick's Day emerald or if it should be taken out by a Banshee.  Listen in and find out!   "Pretty Irish Girl" arranged by Oliver Wallace from Darby O'Gill and the Little People soundtrack "On Its Head" by Mychael Danna from Moneyball soundtrack   iTunes: https://itunes.apple.com/us/podcast/movie-planet-podcast/id1397030238?mt=2 GMAIL: movieplanetpodcast@gmail.com Twitter: @MoviePlanetPod Instagram: @movieplanetpod Facebook: /movieplanetpod   The Movie Planet podcast is not affiliated with, prepared for, approved or licensed by any entity that created any films discussed or reviewed herein. All movie clips and music included in the podcast are the intellectual property of the respective copyright holders. They are included here for the purpose of review, and no infringement is intended.

This episode of Pulling Focus is an Oscar preview and features an interview with Hebert Peck, one of the producers of the Oscar nominated I Am Not Your Negro. Original air date on WPPM in Philadelphia, 2/21/2017. Featured artists include Maurice Jarre, Mychael Danna, Nicholas Britell, Little Jimmie Scott, Alexi Aigui, words by James Baldwin and more.

Welcome to another episode of "Listen to the Film". This podcast examines a soundtrack in detail and its relationship to the film. In this episode we examine " Little Miss Sunshine". The Mychael Danna and Devotchka composed soundtrack helps us relate to family and road journeys.  All clips and music are property of Fox Searchlight pictures and Lakeshore records. All clips are used for commentary and review. Intro and outro track used: "Cliffsides" by Dan Lebowitz from Youtube audio library (royalty free music) Follow me on social media by searching for "Listen to the film" on Instagram, Twitter and Facebook. If you enjoy please rate, review and subscribe, it is much appreciated. Visit: listentothefilm.com

¿Quién no se ha parado alguna vez a contemplar el cielo? Hoy presentamos MÚSICA PARA CONTEMPLADORES DE CIELOS. biomusique, Borrtex, Tangent, Epic Music VN, Central Europe Performance, Hammock, Mychael Danna, Jeff Russo, Roger Subirana, Tone (DC), Ocoeur, Lars Leonhard, Robert Reed, Connect.Ohm.

Michael Harrison interviews the brothers Mychael and Jeff Danna, the multi-award-winning composing team that wrote the musical score for the new Disney/Pixar animated film, "The Good Dinosaur." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hay música hechizante que nos llama como cantos de sirena. Ajeet Kaur, Jeanette Alexander, Jean Michel Jarre, Boys Noize, Vince Clarke, moonbooter, Bare Island, Mychael Danna, Brainvoyager, The Color of Sleep.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Inicio de nueva Temporada, con algunos de los temas emblemáticos que escuchábamos a finales del siglo pasado. Michael Nyman, Loreena McKennitt, Kitaro, Davy Spillane, Enya, Christian Buehner, Helge Schroeder, Clannad, Future World Music, David Lanz, David Antony Clark, Tim Wheater, Emerald Web, Thierry Fervant, Paul Mounsey, Tom Vedvik, Mars Lasar, The Penguin Cafe Orchestra, Mychael Danna y Tim Clément.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Bryan E. Miller is a creative film composer whose goal is to help maximize the emotional impact of visual media by creating powerful, evocative film scores. Bryan studied at the Grove School of Music, and UCLA Extensions Film scoring program. Early in his career Bryan honed his craft by assisting composer Mark Waters on more than 50 episodes for Disney and orchestrated and conducted for composer Mychael Danna who has since won an Academy Award. Bryan has composed and produced music for hundreds of projects including movies, television, commercials, documentaries, and DVD featurettes. His clients include Walt Disney, 20th Century Fox, Lionsgate, NBC Universal, CBS, ABC, A&E and The Style Network. You've probably heard his compositions in American Idol, Dancing with the Stars, Boston Legal, The Big Bang Theory, Next Top Model, The Shield, General Hospital, Southland, and Access Hollywood, or listened to his signature music for the Comcast Logo. It was based on his versatility in multiple musical genres and his passion for interesting and creative challenges that Bryan was chosen to compose the score for the new feature film by New York Times best-selling author-turned-filmmaker Dinesh D'Souza - America: Imagine the World without Her. Produced by Academy Award-winner Gerald Molen (Schindler's List, Jurassic Park), America was a hit in the box office, becoming the sixth highest grossing political documentary in history. Bryan has signed with Milan Records, which released the America soundtrack album. Though primarily a composer of dramatic and narrative films, Miller loves the documentary genre, and frequently takes time to compose music for charities and humanitarian organizations like St. Jude Children's Hospital, World Vision, Best Friends Animal Rescue, and The Museum of Tolerance. Bryan's view: “It's a wonderful feeling when you can be part of a passionate team that wants to bring positive change to the world.” Bryan E. Miller is a rising star in Hollywood who is refreshingly un-Hollywood. Originally from Albuquerque, NM, Bryan now lives in Los Angeles with his wife and 3 children. Bryan is equal parts pragmatist and idealist. He gets the job done in an efficient and ego-free way, all the while striving to create music that “stirs the soul” and “connects us to something bigger than ourselves.”

Hoy el Disco de la Semana está dedicado a un autor que hace música “de otro planeta”. Azam Ali & Loga Ramin Torkian, Australis, Vangelis, Claudio Casanueva, Craig Armstrong, Winona, Antti Paalanen, Philip Wesley y Mychael Danna.

Y... Si escuchamos música “no habitual”, “no corriente”... Estamos escuchando MÚSICA EXTRAORDINARIA. Mychael Danna, Lyubomir Yordanov, Peter Jennison, Kanae Nozawa, I'Anson, Ben Frost, Antti Paalanen, moonbooter, WellenVorm y The Alphabet Zero.