Podcasts about Mychael Danna

The impulse to combine music and film goes back to the very beginning. The Lumiere brothers first silent film screening in Paris in 1895 was accompanied by a pianist. When films were added to vaudeville theaters at the beginning of the 20th century, music was provided by an in-house musician or organist, small ensembles, and even full orchestras. Pipe organs for theaters—at the time the most wide-ranging and loudest instruments available—were built by the American musical instrument company Wurlitzer. The famous "Mighty Wurlitzer" theatre organ was introduced in 1910, and was installed in theatres, museums, and churches around the world. Romantic-Classical styles and orchestration dominated the early years of sound films, and an emotional language of film music became widely understood. As film subject matter expanded, jazz and other "modernist" genres were added. Powerful rhythms, memorable melodic themes, and repeated motifs were common, as well as more subtle, quiet music to create mood and atmosphere. What we call ambient music today, was—and still is—a major part of film music, and came to be called the "underscore." On this transmission of Hearts of Space, ambient and atmospheric music for film, on a program called "UNDERSCORE 3." Music is by TIM STORY, LISA GERRARD & PIETER BOURKE, LUDOVICO EINAUDI, HANS ZIMMER, MYCHAEL DANNA, ENNIO MORRICONE, TOM HOLKENBORG, and featuring BRIAN KEANE'S score for DANTE: INFERNO TO PARADISE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

BELIEVE IT OR NOT, the combination of ambient nature sounds and electronic music was actually an innovation in the 1970s. And you may be surprised that the idea had a history in European classical music, especially in England and France. In England, it was the so-called "pastoral" composers like ARNOLD BAX and RALPH VAUGHAN WILLIAMS, who created orchestral images of nature. In France, it was the Impressionists, from CLAUDE DEBUSSY to OLIVIER MESSIAEN. They didn't have recordings, so they created new instruments and playing techniques to imitate natural sounds like wind and birdsongs. By the mid-20th century, we could record the sounds of nature, edit them and play them back at will. In the 1950s, avant-garde composers like JOHN CAGE were promoting an awareness of ambient sound as equal to music. Music...was how you listened. Incorporating nature sounds into music was the next step; beside, film soundtracks had been doing it for years. The psychology is foundational: humans evolved listening to natural sounds, and they send a message we respond to instinctively. For example, birdsong on a gentle summer morning is delightful and calming. Blend in some subtle synthesizers, season with gourmet reverberation and you have what two young Canadians named MYCHAEL DANNA and TIM CLÉMENT called "environmental electronic music." It's an idea that was embraced by New Age musicians and in time became a bit of a cliché. But it led to an electronic genre of extended tone-color journeys in virtual space, which is still alive and well. On this transmission of Hearts of Space, the fluid, airy sound of summer spacemusic, on a program called SUMMERTONES 3. Music is by MEG BOWLES, DANNA & CLÉMENT, CHRONOTOPE PROJECT, ALTUS, and STELLIA. [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

We're thinking differently on this one Settlers as Ky changes the game by bringing us our first ever sports film. On the eve of a trip to our hometown ballpark Camden Yards we're taking a listen to Mychael Danna's 2011 hit Moneyball. Ev's score: 8.4 / Al's score: 7.7 / Ky's score: 9 Musical term: Ostinato Instrumental Instrument: Cello If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok

In 1999, a 70-year-old Andrew Sarris spoke for the majority of critics about the Joel Schumacher-directed 8MM, when he said it  "...is clearly an evil film." Well, Mr. Sarris might have been a purveyor of auteur theory, but he's also a purveyor of being wrong. 25-years-later,  in a deep conversation that dissects this misunderstood Nic Cage gem like never before, Jordan and Nic reassess 8mm and find themselves at great odds with the 1999 critical establishment. But then they watch the punishment film, The Other Sister, and find that some of the time, maybe those critics were right.Music Heard this Episode:"Unsee" -- Mychael Danna"Hollywood" -- Mychael Danna"Missing Persons" -- Mychael Danna"366 Hoyt Ave." -- Mychael Danna"Come to Daddy" -- Aphex Twin Intro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Welcome to the episode 25 of "Women In The Music Industry", a podcast that shines a spotlight on the remarkable women who are breaking barriers and making their mark in an industry that has long been dominated by men. My guest on this episode is none other than composer, producer, musician and artist extraordinaire EmmoLei Sankofa, whose work spans music, visual media, and fine art.  EmmoLei's original music can be heard on the stand-out comedy, “Three Ways” on Hulu, Season 3 of STARZ's “Step Up” series, Lizzo's Emmy-Award winning series, “Watch Out For the Big Grrrls” on Amazon, Shudder/AMC's horror anthology film “Horror Noire”, and 2023's smash series on Hulu, “The Other Black Girl”.  These are just a few of her incredible credits!  Emmolei is a 2021 Sundance Composers Lab Fellow, where she worked closely with Film and Television composers on her craft. The creative advisors for the intensive included Kathryn Bostic, Laura Karpman, Blake Neely, Heather McIntosh, George S. Clinton, Mychael Danna, Jeff Rona, and Christopher Willis.  EmmoLei has also collaborated with some of the best emerging and award-winning filmmakers, including Jamal Dedeaux, Zandashé Brown, Rhea Dillion, Jonathan Lewis, Imani Dennison, Sekani Solomon, Ajiri Akpolo, and more.  Her original music has been married to films screened at HBO, the SAG-AFTRA Foundation, Lionsgate, Warner Bros, the Oakland Museum of California, and film festivals in Miami, Martha's Vineyard, Atlanta, Los Angeles, Chicago, Savannah, Las Vegas, London, and beyond.  EmmoLei has also worked with top brands like Nike, Vans, Buzzfeed, Pandora, Kamala Harris for the People, Pulse Films, and more via her creative audio company, Bèl Son. EmmoLei's discography encompasses over twenty-one independently released albums, EPs, and singles collectively, and embodies a mixture of genres but often integrates soul, jazz, classical, and rhythm & blues. Her single, Don't Fight, was included on Adult Swim's OPUS compilation album. As a musician, she has performed with Nelly, Ella Mai, Kurt Schneider, and more, and had her debut performance as a solo act on Mobley's “Devil in a Daydream” Virtual Tour. An alum of The Recording Academy's 2021 NEXT program, EmmoLei is an emerging talent and active voice among the next generation of music industry leaders. EmmoLei and her work have been featured on various platforms, including Lyrical Lemonade, LANDR, Saint Heron, OC Weekly, The Recording Academy, Gender Amplified, Billboard, and more. If you are enjoying this video series, please rate/review/subscribe/tell everyone about it. Every little bit helps. Instagram: @emmolei Web: www.e-sankofa.com

Musician and film writer Soraya Sebghati joins from Los Angeles to venture into the lurid, strange world of...Toronto, ON, Canada and its mesmerizing underbelly of desire, longing, and grief in Atom Egoyan's 1994 breakout feature, 'Exotica'.We discuss Atom Egoyan as director - his keen sense for the uncanny amongst the mundane, and the ways 'Exotica' plays with artificiality, performance, and facade. Then, we discuss the film's musings on routine and the rippling effects of grief, and praise Egoyan's (relatively) non-judgemental curiosity with regard to the habits we all adopt as a means of coping with loss and alienation. Finally, we consider the film's much-mulled over ending and how it offers both a quietly devastating moment of catharsis and a hopeful message of emotional solidarity. Follow Soraya Sebghati on Twitter.Read and subscribe to Soraya's Substack.Listen to and support Night Talks on Bandcamp. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

And we're back...sort of! This week, Aaron takes the boys deep into the wild world of math-based sports, which Krueger mostly understands. It's 2011's Moneyball, with music by Mychael Danna! NOTE: We recorded this in May, before one of us came up with the idea of doing June Williams. That's why you will hear no mention of our extended absence. Come back on August 20th for our newest-recorded episode and a full explanation of our new schedule!

Votre quotidienne d'info continue cet été! Et pour sauver le monde pendant les vacances, l'équipe de So good Radio vous propose une série d'entretiens avec des gens qu'on aime bien: des artistes, des spécialistes, des humoristes, des passionnés qui vont nous donner leur regard sur l'actualité. Dans cet épisode, nous recevons Fashion Quiche, créatrice de contenu et vulgarisatrice de mode. Elle va nous parler de ce qui lui a donné de la force cette année, notamment d'une alternative pour faire briller les vêtements; une autre pour faire briller nos visages; ou encore la découverte d'une marque d'upcycling d'une créatrice ukrainienne.En plus de votre fil info feel good, retrouvez Le peigne dans l'maillot, la recommandation de l'invitée pour s'endormir un peu moins con consacrée au podcast « LSD » de Perrine Kervran sur France Culture, une météo des émotions, et la chanson qui va bien, choisie par l'invitée: The Winner Is de DeVotchKa et Mychael Danna. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Colin Aguiar is an award-winning Indian-Candian composer based in Los Angeles who specializes in film scoring. In this conversation we talked about his youth, growing up across parts of India, the Middle East, Europe and Canada and studying the music of various cultures, learning different instruments with a start on drums as a toddler, as well as his love for the music of Arvo Pärt and other great composers.  Colins spoke about some of his mentors including  Mychael Danna.  This episode with Colin is the first release  of several film composers I have interviewed recently, and I find it fascinating how diverse their musical backgrounds are and what a challenging and little-understood part of the music world this is. During the episode you'll hear some clips from Colin's compositions, used with permission. Like all my episodes, this is available on your favourite podcast player as well as a video, and the transcript is linked as well to my website: https://www.leahroseman.com/episodes/colin-aguiar https://colinaguiar.com/ Help me keep this podcast going!! https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (02:18) toddler drum set, Dad's band (05:47) Parents' travels and emigration from India, different cultures (09:17) intro to music from Fly (12:41) music from Fly (16:01) intro to music from Torn from her Arms, Arvo Pärt (17:59) music from Torn from her Arms (19:42) synthesizers, working with session musicians who play by ear (22:51) immigration stories (25:15) arrangement of El Salvadorian anthem (26:25) learning drums and cultures through music (30:52) practicing 5 hours a day, learning different instruments (33:32) starting to compose and arrange (35:41) composition studio gear  (38:46) intro to music from film “Construct”, use of dubstep (39:45) music from “Construct” (40:43) Mychael Danna and learning the job of film scoring (48:14) Lou Natale, challenges of time pressure for composers (51:29) intro to palindrome  (52:18) clip from palindrome written for Construct (54:23) learning from other composers (56:55) composition Roman Toi (58:29) mentors Lou Natale, John Welsman, glenn Morley, Mychael Danna, Robert Dunca, Christopher Young (01:00:10) internal music soundtrack, being able to remember music with precision (01:02:41) Kathakali, other parallels with film music (01:06:00) different styles of film scoring, decision making, time crunches (01:13:16) use of temp tracks (01:16:27) Canadian film industry (01:17:46) pandemic shutdowns --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

This week we discuss the 2022 film adaptation of the best-selling novel Where The Crawdads sing; stylish marsh girls, the novel, nonsensical endings, undoing your own work, parallels to reality, plus a game of Log vs. Potato!   Where the Crawdads Sing is a 2022 American mystery and drama film based on the 2018 novel of the same name by Delia Owens. It was directed by Olivia Newman from a screenplay by Lucy Alibar, and was produced by Reese Witherspoon and Lauren Neustadter. Daisy Edgar-Jones leads the cast featuring Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr., Jojo Regina, Garret Dillahunt, Ahna O'Reilly, and David Strathairn. The story follows an abandoned yet defiant girl, Kya, who raises herself to adulthood in a North Carolina marshland, becoming a naturalist in the process. When the town's hotshot is found dead, she is the prime suspect and tried for murder. The film was released in the United States on July 15, 2022, by Sony Pictures Releasing under Columbia Pictures. It received mixed reviews from critics, who praised Edgar-Jones's performance and the cinematography, but found the film's overall tone incoherent. Audience reception was more positive and the film became a box office success, grossing $140 million worldwide on a $24 million budget. Canadian composer Mychael Danna composed the film's soundtrack, which includes the original song "Carolina" by American singer-songwriter Taylor Swift that has been nominated for a Critics' Choice Award, a Golden Globe Award, a Grammy Award, and a Satellite Award. I Love This You Should Too is hosted by Samantha & Indy Randhawa. We are Members of the Alberta Podcast Network.

Today we present part one of the fifth ALL REQUEST SHOW and the first ever CHRISTMAS ALL REQUEST SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April 2021, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this first-ever Patreon All Request Christmas show, we get to hear some Christmas favourites from the biggest supporters of the Cinematic Sound Radio Podcast including Victor Field, Glenn McDorman, Douglas Lacey, Deniz Çağlar, William Welch, Don Mase, Thomas Tinneny, Angela Rabatin, Eldaly Morningstar, Carl Wonders, Jerome Flick, Alphonse Brown, Joe Wiles, Alan Rogers and Dave Williams. They requested tracks from such composers as John Williams, Irving Berlin, Marco Beltrami, Miles Hankins, Jerry Goldsmith, Michael Kamen, Danny Elfman, Craig Armstrong, Murray Gold, Mychael Danna, Harry Gregson-Williams, Darren Hendley and Marc Shaiman Thanks to everyone who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This episode is, as they say, NSFW.Somehow, Mychael Danna's beautiful and haunting score failed to get a single shoutout in over 137 minutes of podcasting. Terribly unfortunate oversight. Incredible work by him on this film.Next stop: New Canaan, CT!

Welcome to the return of Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse, foreign, or experimental film of their choice. For the fourteenth episode, I talked to the editor-in-chief/co-founder of The Film Stage, Jordan Raup, about Canadian auteur Atom Egoyan's 1994 erotic melodrama Exotica (available on a new Criterion Collection disc and alongside Calendar, The Sweet Hereafter, and The Adjustor on the Criterion Channel). At first blush, Egoyan's film defies easy categorization with its recursive structure, multiple central characters, and the director's own penchant for throwing viewers into previously defined relationships. Exotica's dizzying construction only amplifies those sensations with the characters' winding stream-of-consciousness monologues, DP Paul Sarossy's furtive camerawork, and Mychael Danna's Egyptian-influenced score. The plot isn't easily described, but it can be distilled down to the intersection of initially undefinable relationships of clientele and employees at the namesake's strip club. These oddballs range from lovelorn MCs to closeted bird egg collectors and Freudian father figures. Nearly every one of these characters meshes into a diagrammatic arc to reach the mosaic-esque climax, but those intricacies are a means to an end. Exotica (and arguably, Egoyan's body of work) traffic in the claustrophobically intimate, introducing dynamics that act as conduits for hard emotional truths. To remove the film from its obtuse contexts, consider instead that Egoyan's two primary influences for writing Exotica were being audited in real life and learning about the no-touch rule at strip clubs. Alike, today's podcast could be seen as an attempt to find a middle ground between these two perceptions of Exotica––one as a psychosexual nesting doll and the other as an emotionally linear inquiry into personal trauma and its ensuing repercussions. Along the way, we discuss the film's unexpected reception (one of two films to ever win awards at both the AVN Awards and Cannes), the shortcomings of its contemporary parallels, and Elias Koteas. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

The Breadwinner discussion with producer Anthony Leo and composers Jeff and Mychael Danna on Dec 3, 2017 at the Samuel Goldwyn Theater. Moderated by Jerry Beck.

Autumn brings transformations both subtle and powerful. The shadows lengthen as the focus of the sun moves south below the equator. Here in the Northern Hemisphere, we now experience rapid seasonal climate change on top of slow global climate change. It's a transition marked by familiar changes in temperature, color, and activity in the natural world, disrupted by increasingly extreme weather events. For ambient musicians, it's a time for complex tone colors burnished with glints of silver and gold, bittersweet harmonies, descending progressions, and gently melancholy emotions. On this transmission of HEARTS of SPACE, we transition to the darkening electro-acoustic soundscapes of autumn, on a program called SHADOWLANDS 2. Music is by MYCHAEL DANNA & TIM CLÉMENT, STEVE ROACH & MICHAEL STEARNS, MIGUEL NOYA, CLIFF MARTINEZ, ALEX HAAS, and LISA BELLA DONNA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Se conoce como crimen de Alcácer al secuestro, violación, tortura y asesinato de Míriam, Toñi y Desirée, tres adolescentes de catorce y quince años del municipio valenciano de Alcácer, España. Al juicio derivado de este crimen se conoce como caso Alcácer (o caso Alcàsser). Canciones: - “The Film” de Mychael Danna - “Cindy” de Mychael Danna Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Para los que ya amábamos esta música en el siglo XX. Christopher Dean, Medwyn Goodall, Deuter, William Aura, Johannes Schmoelling, Wavestar, Dan Hartman, Trapezoid, Steve Howe & Constance Demby & Paul Sutin, Klaus Schønning, Enigma, Tomás San Miguel, Kevin Braheny & Tim Clark, Erik Wøllo, Roger Eno, Nancy Rumbel, Mychael Danna & Jeff Danna, John Doan, Tom Vedvik. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/984.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

In this podcast, Gemma Creagh talks to Olivia Newman, the director of Where the Crawdads Sing, which is adapted from the best-selling novel by Delia Owens and produced by Reese Witherspoon and Lauren Neustadter. A captivating mystery. Where the Crawdads Sing tells the story of Kya, an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina. For years, rumors of the “Marsh Girl” haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh. 3000 Pictures presents in association with HarperCollins Publishers a Hello Sunshine production, Where the Crawdads Sing. Starring Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer, Jr., and David Strathairn. Directed by Olivia Newman. Produced by Reese Witherspoon and Lauren Neustadter. Screenplay by Lucy Alibar. Based upon the novel by Delia Owens. The executive producers are Rhonda Fehr and Betsy Danbury. The director of photography is Polly Morgan, ASC. The production designer is Sue Chan. The editor is Alan Edward Bell, ACE. The costume designer is Mirren Gordon-Crozier. The music is by Mychael Danna. Where the Crawdads Sing is released exclusively in cinemas on 22 July 2022. Cert 15a https://filmireland.net/

When the definitive history of cross-cultural musical fusions and hybrids is written, there will be an honored place for the congruence of Indian classical and ambient-electronic music. Of all the experiments that were attempted after electronic instruments matured to the point of viability in the mid 20th century, this combination was one of the earliest and most successful. Synthesizers expanded the role of microtones and drones in Indian music, while raga and tala—the traditional melodic and rhythm systems of Indian classical music—brought a welcome sophistication to electronic music. It's an area we've explored since the earliest days of this program. On this transmission of Hearts of Space, another journey where Indian classical meets ambient/trance, on a program called "INDO-TRONICA 4." Music is by DAVID HELPLING with NIDHI BHATMULEY and BENJY WERTHEIMER, DAVID PARSONS, WOUTER KELLERMAN & DAVID ARKENSTONE, DJ CHEB I SABBAH, MYCHAEL DANNA, BEN LEINBACH & JAI UTTAL, and AL GROMER KHAN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

In our latest episode of The Pop Disciple Podcast, we are joined by Jeff Danna, the decorated composer behind HBO Max's Julia, the charming series based on the life of legendary American cooking teacher, author, and television personality, Julia Child.  Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Jeff Danna

Desde que el Hombre ha levantado la mirada, se ha maravillado al contemplar el espectáculo del firmamento nocturno. Ahora que comenzamos a comprender algunos de los misterios del infinito, seguimos sintiendo esa misma fascinación al observar la inmensidad del Universo. Muchos artistas han encontrado la inspiración para sus obras en la magnitud del cielo nocturno; y algunos de ellos han tenido el privilegio de haber creado música para planetarios. AVAWaves, Narrow Skies, Endless Melancholy, Phil Thornton, Michael Whalen, David Salvans, Sam Vitoulis, Michael Stearns, Mychael Danna, Kevin Braheny, Mars Lasar, Jonn Serrie, The Expanding Universe. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/979

Додому significa hogar en ucraniano, o más exactamente vuelta a casa. El Episodio de hoy comienza con música dedicada a llevar apoyo, recursos y quizás un respiro a todos los que sufren. Como dicen los que han generado esta iniciativa: la luz sobre la oscuridad. La música a menudo supone el triunfo de la luz sobre la oscuridad. Nosotros, en nuestra modestia, queremos precisamente eso: traer luz con la música sobre las tinieblas que ensombrecen el mundo, música para otros soles. Rebecca Jean Rossi, Rabelius, Bruno Sanfilippo, Federico Truzzi, Airyn & JM Mantecon, JM Mantecon, Diane Arkenstone & David Arkenstone, David Arkenstone, Mychael Danna & Tim Clément, David Helpling featuring Nidhi Bhatmuley. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/975

What would you do if you could go back in time and talk to your 12-year-old self? What if you could also see a dead loved one again? For all the whiz-bang action-adventure stuffed into Ryan Reynolds' latest film, The Adam Project, composer Rob Simonsen's score never strays far from those sentimental questions.   The next collaboration between Reynolds and director Shawn Levy after last year's Free Guy, The Adam Project follows a time-traveling fighter pilot who flees his dystopian past to crash-land in 2022. And who should he meet but his younger, 12-year-old self, played by newcomer Walker Scobell, who tags along with him on an adventure not just to shake off bad guys from the future who are set to chase him down, but to reconnect with his long-dead father (Mark Ruffalo) and stop time travel altogether.   It's a film steeped in the nostalgia-friendly Amblin vibes of the 1980s, evoking everything from Flight of the Navigator to E.T., and that's a throughline Simonsen threads expertly. His is a deceptively simple score, pairing crackling, electronic synths for the high-tech action sequences with the tranquil piano and orchestra of its primary theme -- keeping the CG spectacle grounded in the achingly personal.   Easy work for Simonsen, who's proven himself a versatile composer since he came up in the early 2010s with indies like The Spectacular Now and Fast Color. And earlier this year, he primed the pump for the nostalgia well with his score for Ghostbusters: Afterlife. Now, he speaks to me on the podcast today about his early work as a composer, what lessons he learned from mentor Mychael Danna, and the myriad ways COVID complicated the process of scoring this film.   You can find Rob Simonsen at his official website here.   The Adam Project is currently streaming on Netflix. You can also listen to the score for The Adam Project on your preferred music streaming service courtesy of Sony Soundtracks.

How a human rights lawyer became a Hollywood composer, with Amritha Vaz '97 Arts, '02 Law When Amritha Vaz, got tendonitis at the age of 17, she thought her path in musical performance was at an end. But, after earning her law degree and working as a human rights lawyer, a few chance encounters led her back to music, this time as a composer. Vaz got her start as a composing career assisting Academy Award winning composer Mychael Danna on "500 Days of Summer". Nominated for her second Annie award for Best TV music, her credits include scoring Disney's popular animated series "Mira: Royal Detective '' and an episode of AppleTV's Emmy nominated “Home”. In this episode, hear how Vaz went from being an attorney with multiple degrees unrelated to music to being a successful TV and film music composer with a unique voice in L.A. Connect with your UAlberta community on Switchboard at uab.ca/sboard. WTJ is sponsored by TD Insurance. Got a question? Email us at: wtj@ualberta.ca What the Job? is a University of Alberta Alumni Association podcast Hosted by: Matt Rea Produced by: Matt Rea and Jennifer Jenkins Music: Cottages by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

GHOSTBUSTERS: AFTERLIFE composer Rob Simonsen talks about channeling Elmer Bernstein's original Ghostbusters music, going into top-secret studio vaults to read the script, and how he re-wired his musical brain in order to keep the music sounding true to the original. Then, he talks about how he knows when music fits the film, the rumored near-firing of his once boss, Mychael Danna, on Life of Pi, and why it's always crucial to dial in the perfect sound.

Normally, the scores we play on this show come from movies, TV shows or video games but this time on OBSCURE SCORES WITH ROBERT DANIELS we'll listen to some "alternatives". On this program you will hear selections from UNIVERSAL STUDIOS - ISLANDS OF ADVENTURE by William Kidd, Tony Humecke, Chip Smith, Howard Drossin and Peter Lehman, MEDIEVAL TIMES - THE KINGS CHOICE by Daniel May, and PLANETS, STARS AND GALAXIES by Mychael Danna. When Robert isn't in search for obscure scores you can find him every Saturday morning from 12-2am (EST) on VISIONS IN SOUND at 98.5 FM in Kitchener, Ontario, Canada or at ckwr.com. Visit VISIONS IN SOUND by going to http://visionsinsound.ca/ And you can listen to the show in podcast form by going to https://podcasts.apple.com/ca/podcast/visions-in-sound-podcast/id1498716815 Enjoy! Intro provided by SNUBS AND DUBS: A BEST PICTURE PODCAST Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman & Chris Malone. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Autumn brings transformations both subtle and powerful. The shadows lengthen as the focus of the sun moves south below the equator. Here in the Northern Hemisphere, we now experience rapid seasonal climate change on top of slow global climate change. It's a transition marked by familiar changes in temperature, color, and activity in the natural world, disrupted by increasingly extreme weather events. For ambient musicians, it's a time for complex tone colors burnished with glints of silver and gold, bittersweet harmonies, descending progressions, and gently melancholy emotions. On this transmission of HEARTS of SPACE, we transition to the darkening electro-acoustic soundscapes of autumn, on a program called SHADOWLANDS 2. Music is by MYCHAEL DANNA & TIM CLÉMENT, STEVE ROACH & MICHAEL STEARNS, MIGUEL NOYA, CLIFF MARTINEZ, ALEX HAAS, and LISA BELLA DONNA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Overjoyed to have composer and singer/songwriter Jessica Rose Weiss join The Film Scorer Podcast! Jess's latest film score (co-composed with Mychael Danna) is for the new Amazon Prime retelling of Cinderella starring Camila Cabello. Jess and I talk about crafting their magical, romantic (and folk-influenced) score for this jukebox musical, as well as her mentorship with Mychael and her time spent working at Hans Zimmer's Remote Control Productions! We jump right into the conversation in this episode - no chit chat to start off - so don't think you've missed anything! While we unfortunately don't have a chance to discuss these, Jess just released two other scores as well, both for Netflix: the dramedy Afterlife of the Party and the animated feature film Dog Gone Trouble.   Find out more about Jess on her website. Cinderella is currently available on Amazon Prime while her and Mychael's score (as well as her score for Dog Gone Trouble and her score suite for Afterlife of the Party) are available on all platforms.

The concept of a "soundscape" was defined in the 1960s as a combination of sounds that create an immersive environment. It includes sounds of the natural acoustic environment and weather—called the geophony; animals and insects—called the biophony; and sounds made by humans—the anthropophony. In Canada, the soundscape idea was established for a whole generation of musicians by composer and educator R. MURRAY SCHAFER. Among his students were two young Canadian electronic musicians — MYCHAEL DANNA and TIM CLEMENT. In the mid 1980s they were creating what they called "environmental electronic music" like this classic track from the album SUMMERLAND. DANNA went on to become an A-list film composer known for non-traditional scores for films like The Life of Pi, while the combination of natural acoustic environmental sounds and electronic music became one of the enduring trends in the ambient music of today. Like scores for imaginary films, they can entertain, challenge, or sooth us, sending signals to our ancient limbic alert system that tell us to be vigilant, or relax. On this transmission of Hearts of Space, a collection of immersive environments and electro-acoustic soundscapes called FLOATING WORLDS 3. Music is by DANNA & CLÉMENT, SINEPEARL, TOM EATON, ALPHA WAVE MOVEMENT, ALIO DIE & REMCO HELBERS, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Episode #14: Transcendent Space Uploaded: May 29, 2021 Charles Ives: Piano Sonata No. 2, “Concord, Mass., 1840-60” I. “Emerson” [17:44] II. “Hawthorne” [12:28] III. “The Alcotts” [6:03] IV. “Thoreau” [12:40] Samuel Baron, flute John Graham, viola Gilbert Kalish, piano ELEKTRA NONESUCH 9 71337-2 Bruce Hornsby: Every little kiss [5:49] Bruce Hornsby and The Range RCA VICTOR PCD1-5904 Mychael Danna and Tim Clément: Another Sun Mort de l'Emperor [2:55] Sunrise West [9:08] Hanging Flame [6:49] Sparrow Hill [6:43] Hyenas [5:36] Aurora Borealis [7:24] Persia [6:45] Antiphon [5:58] Mychael Danna, synthesizers; digital sampling keyboard; recorder Tim Clément, digital and analog synthesizers; tape manipulation CHACRA SLCD 0012

Working her way up through Studio 306, Digital Music And Post, and Manta Eastern Sound, her music engineering credits are prolific, and include such artists as Jennifer Lopez,  Dragonette, and Mychael Danna.  Manta also offered Annelise a wide variety of work in film scoring, advertising, and live-to-air studio recordings with many major label artists such as The Dixie Chicks, Blue Rodeo and Def Leppard. Throughout her time as an engineer, Annelise has also composed and has written music for placement in film and television, as well as teaching privately and for the Harris Institute. Annelise currently divides her time working between Toronto, and Prince Edward County.   https://www.annelisenoronha.com/engineer-producer

CÁNTICOS EN CASSETTES DIGITALIZADOS, VOL. 1-Esta es una edición especial del Podcast Tributo A La Música De Ayer, de 31 minutos de duración, en la cual escucharemos 7 cánticos grabados originalmente en las décadas de los años 1970 y 1980, qué han sido preservados en el formato digital. Ésta música del ayer sigue siendo relevante hoy debido a su mensaje bíblico qué nunca pasa de moda. Así qué, prepárate para viajar al ayer, escuchando música qué sigue impactando vidas hoy.Los cánticos seleccionados son: (1) «Vida Eternal» por Gloria González; (2) «Razón De Vivir» por el Grupo Creación; (3) «Tomado De La Mano» por Galilea Sound; (4) «¡Oh, Qué Amigo Nos Es Cristo!» por Intercant; (5) «A Ti, Señor» por Los Primogénitos; (6) «El Anticristo 666» por Antonio Lozano; y (7) «Bienvenido Espíritu Santo» por Juan Sebastía.[Podcast Tributo A La Música De Ayer | Música adicional: Solid Rock Orchestra; RiverTribe; Mark Edwards; Latin Siesta; Mychael Danna; y Christafari | Narrador: José M. Viera; Voces Adicionales: Landers Amaya; Leslie Ann Viera | Duración: 31:01 minutos | Episodio 39 de la Serie | Programa 284]Mis otros Podcasts• Hoy Es Mi Díahttps://www.spreaker.com/show/jose-vieras-show• Tributo A La Música De Ayerhttps://www.spreaker.com/show/tributo-a-la-musica-de-ayer• Reflexiones Del Génesishttps://www.spreaker.com/show/reflexiones-del-genesis• Orando Soy Más Fuertehttps://www.spreaker.com/show/orando-soy-mas-fuerte• Programación Especialhttps://www.spreaker.com/show/programacion-especial

Welcome to The Movie Planet Podcast Season 4 Episode 7.  This week, Joel has nominated Moneyball for the Sports Movie Pantheon.  Listen as JC, Joel, and Joe discuss another baseball movie and try to figure out if this movie gets paid to get on first, or if it gets thrown out at second.  Listen in and find out!   "On Its Head" by Mychael Danna from Moneyball soundtrack "Youth" by David Julyan from The Cabin in the Woods soundtrack   iTunes: https://itunes.apple.com/us/podcast/movie-planet-podcast/id1397030238?mt=2 GMAIL: movieplanetpodcast@gmail.com Twitter: @MoviePlanetPod Instagram: @movieplanetpod Facebook: /movieplanetpod   The Movie Planet podcast is not affiliated with, prepared for, approved or licensed by any entity that created any films discussed or reviewed herein. All movie clips and music included in the podcast are the intellectual property of the respective copyright holders. They are included here for the purpose of review, and no infringement is intended.

Marty & Will at long last break their podcast quarantine and ask "was there anything beautiful in this strange and frightening year?". download Catching Up: The QuarantineMusical excerpts from:Onward (2020) - Mychael Danna & Jeff Danna - Pixar Animation Studios (Dan Scanlon, dir.)Soul (2020) - Trent Reznor & Atticus Ross, Jon Batiste - Pixar Animation Studios (Pete Docter, dir.)The Last of Us Part II (2020) - Gustavo Santaolalla - Naughty Dog (Neil Druckmann, dir.)Star Wars: The Rise of Skywalker (2019) - John Williams - Lucasfilm Ltd. (J.J. Abrams, dir.)and featuring songs from: Silk Sonic, Dua Lipa, Arizona Zervas, Surfaces, Clairo, Hamilton, and Cuco For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please leave a review at Apple Podcasts or share with someone you love.

Welcome to The Movie Planet Podcast Season 4 Episode 6.  This week, JC has nominated Darby O'Gill and the Little People for the Family Film Pantheon.  Listen as JC, Joel, and Joe discuss this elder Disney film and try to figure out if this is truly a St. Patrick's Day emerald or if it should be taken out by a Banshee.  Listen in and find out!   "Pretty Irish Girl" arranged by Oliver Wallace from Darby O'Gill and the Little People soundtrack "On Its Head" by Mychael Danna from Moneyball soundtrack   iTunes: https://itunes.apple.com/us/podcast/movie-planet-podcast/id1397030238?mt=2 GMAIL: movieplanetpodcast@gmail.com Twitter: @MoviePlanetPod Instagram: @movieplanetpod Facebook: /movieplanetpod   The Movie Planet podcast is not affiliated with, prepared for, approved or licensed by any entity that created any films discussed or reviewed herein. All movie clips and music included in the podcast are the intellectual property of the respective copyright holders. They are included here for the purpose of review, and no infringement is intended.

This episode of Pulling Focus is an Oscar preview and features an interview with Hebert Peck, one of the producers of the Oscar nominated I Am Not Your Negro. Original air date on WPPM in Philadelphia, 2/21/2017. Featured artists include Maurice Jarre, Mychael Danna, Nicholas Britell, Little Jimmie Scott, Alexi Aigui, words by James Baldwin and more.

Thanksgiving. 1973. Or 1997. Or 2020. We revisit one of the unsung masterpieces of the decade: Ang Lee's "The Ice Storm". Aaron & Carlee discuss the film's once-in-a-generation cast, Mychael Danna's hauntingly evocative score, and the cyclical nature of our political and social malaise.

بیست و نهمین شمارۀ #رادیو_بقچه آمادۀ شنیده شدن است. باشد که به دل بنشیند. . ضمن تشکر از استودیو آرپا، این شماره (به ترتیب) مدیون آثار این هنرمندان است: - محسن نامجو و سعدی - جو رابینسون، ال جینی، سما قرایی و Mychael Danna - سعدی، گروه Cold play، نجوا خبازیان و آیدین شفیعی - جومپا لاهیری، معصومه عسکری، Quadro Nuevo، Fred Buscaglione، Andrea Bocelli، The jazzato band، ابراهیم معلوف و گلشیفته فراهانی - سعدی، جمال‌الدین منبری و محمد سریر - لویی فردینان سلین، فرهاد غبرایی، محمدرضا علیقلی، حسن شماعی‌زاده و اردلان سرفراز - سعدی، علیرضا قربانی و مهیار علیزاده - صادق هدایت و Johann Sebastian Bach - سعدی، فریدون فرخزاد و رامش - دست‌اندرکاران مجلۀ کتاب ماه هنر، دان ناردو، شهربانو صارمی، دست‌اندرکاران مجلۀ کتاب هفته، احمد شاملو، Brunuh Vile، Peter Pringle، Mihael Guinn، Ludwig van Beethoven، رامین جوادی و Boyce Avenue - سعدی و گروه تریوله - ؛ A. V. Williams Jackson، Clinton Scollard، منوچهر امیری، Duke Ellington، گروه Sparcling Diamonds، همایون شجریان، علی قمصری و سعدی - خواجه عبدالله انصاری، بایزید بسطامی، گروه circle band و مولانا . کانال تلگرام بقچه @bogh_cheh ارتباط با بقچه @RadioBoghcheh

This week we take a plunge into the unknown with a look back at Joel Schumacher’s, Eight Millimeter! New content every Friday with lots of news and recs to offer!Outro by: Admiral Atlas.Podcast music by: Onarres“Loft” track by: Mychael Danna.

This week we take a plunge into the unknown with a look back at Joel Schumacher’s, Eight Millimeter! New content every Friday with lots of news and recs to offer!Outro by: Admiral Atlas.Podcast music by: Onarres“Loft” track by: Mychael Danna.

Welcome to another episode of "Listen to the Film". This podcast examines a soundtrack in detail and its relationship to the film. In this episode we examine " Little Miss Sunshine". The Mychael Danna and Devotchka composed soundtrack helps us relate to family and road journeys.  All clips and music are property of Fox Searchlight pictures and Lakeshore records. All clips are used for commentary and review. Intro and outro track used: "Cliffsides" by Dan Lebowitz from Youtube audio library (royalty free music) Follow me on social media by searching for "Listen to the film" on Instagram, Twitter and Facebook. If you enjoy please rate, review and subscribe, it is much appreciated. Visit: listentothefilm.com

Episode 05 features recent music by Roger & Brian Eno, Woob, Lingua Lustra, Boris Lelong, Saphileaum, Ember, Federico Mosconi, and classics from Vangelis, Ishq and Mychael Danna. The Tranquility Tones mix series showcases harmonic drones and dreamy progressions, timeless music from then and now. Compiled & mixed by Mike G at Rubycon Sound, May 2020. Tracklist at http://ambientmusicguide.com

BABEL (Partes 1, 2, 3): LECCIONES DE LA TORRE DE BABELEl anticipado regreso del Podcast Reflexiones Del Génesis ya está cerca. La Tercera Temporada del Podcast continuará la Serie sobre las Lecciones «Para Hoy» de la Torre de Babel. Y para refrescar su memoria, hemos combinado los episodios 39, 40 y 41 (descritos a continuación). Y si todavía no estás familiarizado con ellos, pues, aquí tendrás la oportunidad de escucharlos consecutivamente. [Duración: 19:37 minutos; Episodio 42 de la Serie; Programa 250]BABEL: INTRODUCCIÓN (Parte 1)Episodio 39: Noé y sus descendientes recibieron el mandamiento de poblar nuevamente la Tierra, después del juicio universal del Diluvio. Sin embargo, los descendientes de Noé desobedecieron la Palabra de Dios; y decidieron construir una gigantesca torre (conocida como la Torre de Babel) como un emblema de su orgullo y obstinado corazón. Pero aquella rebelión no quedaría impune. Dios (Padre, Hijo y Espíritu Santo) descendieron poderosamente sobre Babel, y confundieron la lengua común que tenían los seres humanos en aquel entonces. La rebelión de Babel fue aplastada con el nacimiento de las diversas lenguas humanas. [Podcast: Reflexiones Del Génesis | Música: Mychael Danna | Narrador: José M Viera; Participantes: Landers Amaya; Leslie Ann Viera | Referencia Bíblica: Génesis 11 | Duración: 04:50 minutos | Episodio 39* de la Serie «Reflexiones Del Génesis» Segunda Temporada]BABEL (PARTE 2): AMBICIÓN DE POPULARIDAD Episodio 40: El deseo por la fama y la popularidad no es algo nuevo, sino que existe en los seres humanos desde el mismo comienzo de su historia. La construcción de la Torre de Babel, en parte, fue el resultado de obtener fama y renombre. Sin embargo, Dios frustró los planes de aquellos hombres orgullosos. Por eso hoy, debemos cuidarnos de esa ambición de popularidad, especialmente cuando se hace tan fácil obtener fama por medio de las redes sociales. [Podcast: Reflexiones Del Génesis | Música: Mychael Danna; River Tribe | Narrador: José M Viera; Participantes: Landers Amaya; Leslie Ann Viera | Referencia Bíblica: Génesis 11 | Duración: 07:12 minutos | Episodio 40* de la Serie «Reflexiones Del Génesis» Segunda Temporada]BABEL (PARTE 3): FALSA ESPERANZAEpisodio 41: Los descendientes de Noé, anhelaban una vida mejor. Querían paz, seguridad, y prosperidad; pero no buscaron estas cosas en la Presencia de Dios, sino que se llenaron de orgullo y vanidad. El resultado fue una falsa esperanza, que provocó su colosal fracaso. Por eso hoy, conviene preguntarnos: ¿En quién y en qué hemos depositado nuestra esperanza? [Podcast: Reflexiones Del Génesis | Música: Iona; Faith Massive | Narrador: José M Viera; Participantes: Landers Amaya; Leslie Ann Viera | Referencia Bíblica: Génesis 11; Salmos 127:1; 34:4-10 | Duración: 07:34 minutos | Episodio 41* de la Serie «Reflexiones Del Génesis» Segunda Temporada]Mis otros Podcasts• Hoy Es Mi Díahttps://www.spreaker.com/show/jose-vieras-show• Tributo A La Música De Ayerhttps://www.spreaker.com/show/tributo-a-la-musica-de-ayer• Reflexiones Del Génesishttps://www.spreaker.com/show/reflexiones-del-genesis• Orando Soy Más Fuertehttps://www.spreaker.com/show/orando-soy-mas-fuerte• Programación Especialhttps://www.spreaker.com/show/programacion-especial

NO ESTOY DERROTADO-Aunque pequeños y débiles, en Cristo somos más que vencedores; y Satanás simplemente es un enemigo que ya está derrotado. Así qué, no le creas a las mentiras del diablo. Confiesa y cree: «¡No Estoy Derrotado!» [Podcast: Hoy Es Mi Día | Referencia Bíblica: 1 Corintios 15:57; Romanos 8:37 | Duración: 05:58 minutos | Participantes: José M. Viera; Leslie Ann Viera; Landers Amaya | Música: Maranatha; Mychael Danna; Egleyda Belliard; Alex Zurdo; Michelle Khury | Episodio 100 de la Serie; Programa 249]Mis otros Podcasts• Hoy Es Mi Díahttps://www.spreaker.com/show/jose-vieras-show• Tributo A La Música De Ayerhttps://www.spreaker.com/show/tributo-a-la-musica-de-ayer• Reflexiones Del Génesishttps://www.spreaker.com/show/reflexiones-del-genesis• Orando Soy Más Fuertehttps://www.spreaker.com/show/orando-soy-mas-fuerte• Programación Especialhttps://www.spreaker.com/show/programacion-especial

Composer, producer, multi-instrumentalist, artist and co-founder of Los Angeles' artist collective The Echo Society, Rob Simonsen has contributed to almost a hundred film and television soundtracks in the two decades since he was first asked to provide piano solos to a movie made by high school friends. Having developed a presence in the Portland independent circuit with his first formal commission, Westender (2003), he was invited to assist veteran composer Mychael Danna, and in 2004 relocated to Los Angeles, where he contributed music to Danna's Academy® Award-winning score for 2012's Life of Pi, as well as Surf's Up (2007), The Imaginarium of Doctor Parnassus (2009), and Moneyball(2011). He and Danna also co-scored (500) Days of Summer in 2009, helping to establish Simonsen as a sought-after talent in his own right. Since then, Simonsen's composed music for 2015's The Age of Adaline – for which he co-wrote the end credits theme – in addition to a slew of other films, including The Spectacular Now (2013), The Foxcatcher (2015), Tully (2018), Love, Simon (2018) and Captive State (2019). In addition, Simonsen launched his solo artist career in 2019 with his debut full-length album, Reveries, for Sony Masterworks. WEBSITE: https://www.robsimonsen.com/ FACEBOOK: https://www.facebook.com/robsimonsenmusic/ INSTAGRAM: https://www.instagram.com/rob_simonsen/ TWITTER: https://twitter.com/robsimonsen REVERIES: https://terrorbird.com/albums/reveries   Simon Drew Links   Patreon: patreon.com/simonjedrew Coaching: simonjedrew.com/coaching/ Practical Stoic Mastermind: facebook.com/groups/practicalstoicmastermind Facebook: facebook.com/simonjedrew Instagram: instagram.com/simonjedrew LinkedIn: linkedin.com/in/simonjedrew Website: simonjedrew.com FEEDSPOT: https://blog.feedspot.com/stoicism_podcasts/

A PYRAMID SCHEME OF MURDER. David and Robert join Judy and Teresa to talk about episodes 3-4 of "Kingdom" (킹덤) Season 2, a Netflix mini-series starring Ju JiHoon and Bae DooNa. Science is important. Also, don't underestimate women.   Digressions: 1:53 – Listener E-mail! 8:52 – “Onward” 13:22 – “Recovery of an MMO Junkie” (ネト充のススメ) 18:08 – Tabletop Simulator and Tapletopia 23:50 – “FINAL FANTASY VII Remake”   Audio credits: Mychael Danna and Jeff Danna – “Onward” – “A Little Magic” Megumi Nakajima - "Recovery of an MMO Junkie" - "Saturday Night Question" Nobuo Uematsu – “FINAL FANTASY VII Remake” – “Opening” L’arc-en-ciel – “瞳の住人” (Hitomi No Jyuunin) Kazumi Totaka – “Animal Crossing: New Horizons” – “K.K. Samba”   Please send any questions, comments or suggestions on Facebook, Twitter and Instagram (@kdramamyeyesout) or e-mail us (kdramamyeyesout(at)gmail.com). You can become our patron at patreon.com/kdramamyeyesout for as little as $1 per month! Download this and other episodes and while you're there, write us a review: Apple Podcasts Google Play Music Stitcher Spotify Libsyn RSS The KDMEO theme music is 'Cute', by Bensound (www.bensound.com), and is licensed under Creative Commons Attribution Non-Commercial No-Derivatives 4.0 International.

For more information regarding COVID-19 and available health services in Canada, call 1-833-784-4397 or visit canada.ca/coronavirus.  Special thanks to Zencastr who made it possible for us to record this episode while practicing physical distancing in separate locations. This week we are joined by Ben The Movie Buff to discuss the latest Pixar movie, "Onward". Does this film stand up there with Pixar's best or does it fall short of greatness? How does it fit into the Pixar Theory? To avoid SPOILERS for "Onward", skip over 41:30-1:02:40 of the episode. Music and audio from "Onward" is the property of Mychael Danna, Jeff Danna, Kori Rae, Pixar Animation Studios, and Walt Disney Pictures. Click here to check out Ben The Movie Buff's YouTube channel. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Michael Harrison interviews the brothers Mychael and Jeff Danna, the multi-award-winning composing team that wrote the musical score for the new Disney/Pixar animated film, "The Good Dinosaur." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bryan E. Miller is a creative film composer whose goal is to help maximize the emotional impact of visual media by creating powerful, evocative film scores. Bryan studied at the Grove School of Music, and UCLA Extensions Film scoring program. Early in his career Bryan honed his craft by assisting composer Mark Waters on more than 50 episodes for Disney and orchestrated and conducted for composer Mychael Danna who has since won an Academy Award. Bryan has composed and produced music for hundreds of projects including movies, television, commercials, documentaries, and DVD featurettes. His clients include Walt Disney, 20th Century Fox, Lionsgate, NBC Universal, CBS, ABC, A&E and The Style Network. You've probably heard his compositions in American Idol, Dancing with the Stars, Boston Legal, The Big Bang Theory, Next Top Model, The Shield, General Hospital, Southland, and Access Hollywood, or listened to his signature music for the Comcast Logo. It was based on his versatility in multiple musical genres and his passion for interesting and creative challenges that Bryan was chosen to compose the score for the new feature film by New York Times best-selling author-turned-filmmaker Dinesh D'Souza - America: Imagine the World without Her. Produced by Academy Award-winner Gerald Molen (Schindler's List, Jurassic Park), America was a hit in the box office, becoming the sixth highest grossing political documentary in history. Bryan has signed with Milan Records, which released the America soundtrack album. Though primarily a composer of dramatic and narrative films, Miller loves the documentary genre, and frequently takes time to compose music for charities and humanitarian organizations like St. Jude Children's Hospital, World Vision, Best Friends Animal Rescue, and The Museum of Tolerance. Bryan's view: “It's a wonderful feeling when you can be part of a passionate team that wants to bring positive change to the world.” Bryan E. Miller is a rising star in Hollywood who is refreshingly un-Hollywood. Originally from Albuquerque, NM, Bryan now lives in Los Angeles with his wife and 3 children. Bryan is equal parts pragmatist and idealist. He gets the job done in an efficient and ego-free way, all the while striving to create music that “stirs the soul” and “connects us to something bigger than ourselves.”