Podcasts about popular film

Our next episode of This Queer Book Saved My Life drops June 2nd! In our off weeks we air episodes from The Gaily Show. It's the only daily LGBTQ news and talk show in the US! John hosts it and it airs on AM950-KTNF, WCPT 820 AM, and weekly on NewsTalk WHMP.Today:Ilana Masad and Stevie K. Seibert Desjarlais join us to talk about their new book: Here For All The Reasons Why We Watch The Bachelor.Then: Dr. Samuel Clowes Huneke joins us to talk about Texas Tech University banning LGBTQ research. Plus, MAGA is using federal funds to promote MAGA think tanks in Europe. And, the Virginia congressional map debacle: the State Supreme Court tossed out both the new voter approved map. Now what?Get Here For All The Reasons here: https://bookshop.org/a/82376/9781684426126Ilana Masad is a writer of fiction, nonfiction, and criticism whose work has been widely published. She holds a PhD from the University of Nebraska-Lincoln, and is the author of the novels All My Mother's Lovers and Beings.Stevie K. Seibert Desjarlais is an assistant professor at the University of Nebraska-Omaha. Her writing appears in the Quarterly Review of Film and Video, Journal of Popular Film and Television, and Pedagogy.Dr. Samuel Clowes Huneke is an award-winning associate professor of history at George Mason University. A historian of modern Germany, he is the author of numerous books and articles, including States of Liberation: Gay Men between Dictatorship and Democracy in Cold War Germany and A Queer Theory of the State. His new book I Will Not Abandon You Queer Women in Nazi Germany is out now.You can buy his books and learn more about his research at his website: samuelcloweshuneke.com.Buy A Queer Theory of State: https://bookshop.org/a/82376/9783982389462Buy States of Liberation: https://bookshop.org/a/82376/9781487542146Buy I Will Not Abandon You: https://bookshop.org/a/82376/9781487554347Watch on YouTubeWe're in video too! You can watch this episode at youtube.com/@thegailyshowCreditsHost/Founder: John Parker (learn more about my name change)Executive Producer: Jim PoundsProduction and Distribution Support: Brett Johnson, AM950Marketing/Advertising Support: Chad Larson, Laura Hedlund, Jennifer Ogren, AM950Accounting and Creative Support: Gordy EricksonSupport the show

Programming note: this week's episode is dropping on 30 April 2026. Smart Bitches Trashy Books, LLC, is withdrawing our labor on May 1, 2026, alongside other companies, school districts, and activists as part of the May Day Nationwide Day of Collective Action. For more information, visit MayDayStrong.org. ...Ilana Masad and Stevie K. Seibert Desjarlais are the editors of a new and excellent anthology called Here for All The Reasons: Why We Watch the Bachelor.The essays inside are incredible, and provide deep and incisive critique of The Bachelor franchise from people who love, or used to love it deeply. Some of the topics blew my mind. I was so excited to talk to Ilana and Stevie about their work, and we happened to record just as the latest season of The Bachelorette was cancelled, so we talk about that as well.If you like deep examinations of pop culture and of properties typically dismissed as meaningless fluff – hello, yes, I do! – you'll have fun with us today.We're going to talk about conservative fantasy, polyamory, grad school, changing portrayals of masculinity in reality tv, media literacy and so much more.As I say during our conversation, I think the best critiques of things come from people who are fans.TW/CW: At about 50 minutes into the interview, we discuss allegations of domestic violence from Taylor Frankie Paul, and at 1 hour and 20 minutes, we discuss the loss of their friend Dr. Katie McWain, to whom the book is dedicated....You can find Ilana Masad at her website, IlanaMasad.com. She's on Bluesky @IlanaSlightly, and on Instagram @Ilanaslightlyignorant.You can read Ilana's article, “How ‘The Bachelor' Franchise Celebrates Polyamory” from the March 2018 issue of Playboy via the Web Archive. Stevie's work can be found at The Quarterly Review of Film and Television, The Journal of Pedagogy, The Journal of Popular Film and Television, and The Popular Culture Studies Journal. You can read “From Nobody to Nurturing: Skeptical Action Heroes Seek (and Find) Different Masculinity” online in the Popular Culture Studies Journal, Vol. 13, Issue 2 (PDF)We also discussed:“Media Literacy and Education in Finland” – Finland ToolboxThe Finnish National Curriculum on Media Literacy: A Global Model for Education“Geriaction” The Call Your Coven podcast“Under the Mormon Influence: How the women of Utah blogged and posted their way into American hearts and Wallets” by Bridget Read, 9 Feb. 2026 – The Cut (Paywalled)...This episode is brought to you by Hatch.You know how you finish a romantasy and you just need the next thing immediately? Hatch made that thing.It's called Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it.Book one of the three part series is now available for free wherever you stream, with new chapters dropping every Tuesday. For books 2 and 3, check out hatch.co/Ophelia....Music: Purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

Programming note: this week's episode is dropping on 30 April 2026. Smart Bitches Trashy Books, LLC, is withdrawing our labor on May 1, 2026, alongside other companies, school districts, and activists as part of the May Day Nationwide Day of Collective Action. For more information, visit MayDayStrong.org. ...Ilana Masad and Stevie K. Seibert Desjarlais are the editors of a new and excellent anthology called Here for All The Reasons: Why We Watch the Bachelor.The essays inside are incredible, and provide deep and incisive critique of The Bachelor franchise from people who love, or used to love it deeply. Some of the topics blew my mind. I was so excited to talk to Ilana and Stevie about their work, and we happened to record just as the latest season of The Bachelorette was cancelled, so we talk about that as well.If you like deep examinations of pop culture and of properties typically dismissed as meaningless fluff – hello, yes, I do! – you'll have fun with us today.We're going to talk about conservative fantasy, polyamory, grad school, changing portrayals of masculinity in reality tv, media literacy and so much more.As I say during our conversation, I think the best critiques of things come from people who are fans.TW/CW: At about 50 minutes into the interview, we discuss allegations of domestic violence from Taylor Frankie Paul, and at 1 hour and 20 minutes, we discuss the loss of their friend Dr. Katie McWain, to whom the book is dedicated....You can find Ilana Masad at her website, IlanaMasad.com. She's on Bluesky @IlanaSlightly, and on Instagram @Ilanaslightlyignorant.You can read Ilana's article, “How ‘The Bachelor' Franchise Celebrates Polyamory” from the March 2018 issue of Playboy via the Web Archive. Stevie's work can be found at The Quarterly Review of Film and Television, The Journal of Pedagogy, The Journal of Popular Film and Television, and The Popular Culture Studies Journal. You can read “From Nobody to Nurturing: Skeptical Action Heroes Seek (and Find) Different Masculinity” online in the Popular Culture Studies Journal, Vol. 13, Issue 2 (PDF)We also discussed:“Media Literacy and Education in Finland” – Finland ToolboxThe Finnish National Curriculum on Media Literacy: A Global Model for Education“Geriaction” The Call Your Coven podcast“Under the Mormon Influence: How the women of Utah blogged and posted their way into American hearts and Wallets” by Bridget Read, 9 Feb. 2026 – The Cut (Paywalled)...This episode is brought to you by Hatch.You know how you finish a romantasy and you just need the next thing immediately? Hatch made that thing.It's called Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it.Book one of the three part series is now available for free wherever you stream, with new chapters dropping every Tuesday. For books 2 and 3, check out hatch.co/Ophelia....Music: Purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

Netflix's “KPop Demon Hunters” wasn't just one of the biggest movies of 2025; it was Netflix's most popular title — movie or show — ever. Four songs from the film's soundtrack also simultaneously cracked the top 10 on Billboard's Hot 100 list, a first for a movie soundtrack. Now, it's up for two Oscars at this year's Academy Awards: Best Animated Feature and Best Original Song.  For directors Chris Appelhans and Maggie Kang, the megahit is also a celebration of Korean culture. Kara, Chris and Maggie talk about the ways Maggie drew on her Korean heritage to expand the scope of the film, why the hit song “Golden” was so hard to write, and how they were able to make an original film at a time when studios are mostly looking to recycle IP. They also talk about the future of the animation industry amid the threat of A.I. and what's in store for the much anticipated “KPop Demon Hunters” sequel.  Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Go down the box office charts for 1992, and you need to look a long way before you find The Muppet Christmas Carol. Directed by Brian Henson, the movie was in 45th place at the box office that year, with surprisingly few choosing to check it out on its initial cinema release. The film had come together following the death of Muppets creator Jim Henson, and there'd been some difficulty cracking what the next Muppet film should be. Even when they settled on an adaptation of Charles Dickens' A Christmas Carol, there were a few different choices that were nearly made. The story of the film is told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

In our latest Conversation, Frank has something special for us!Following attempts at bringing together all their academic work, Frank goes into Star Trek proper for the first time in the podcast, surprisingly. In an attempt to articulate how the original 1966-1969 run articulated a certain version of the future that, while utopian, was still entrenched in Liberalism and certain elements of Empire from which it could not imagine a different outcome.So follow along as we dive into proto-Q, liberal visions of race, a mining colony, and the Cold War all over again! Enjoy!Episodes discussed:S1E17 - The Squire of GothosS1E21 - The Return of the ArchonsS1E25 - The Devil in the DarkS1E26 - Errand of MercyS2E19 - A Private Little WarS2E23 - The Omega GloryS3E15 - Let That Be Your Last BattlefieldSome bibliography from Frank's own current research into the topic:GOLUMBIA, David. “Black and White World: Race, Ideology and Utopia in Triton and Star Trek.” Cultural Critique v. 32, Winter 1995-1996. pp. 75-95.MCKAGEN, E. Leigh. “45. Colonialism and Imperialism” GARCIA-SIINO, Leimar; MITTERMEIER, Sabrina; RABITSCH, Stefan. (Ed.) The Routledge Handbook of Star Trek. New York: Routledge, 2022. pp. 332-339.RIEDER, John. “Chapter Two: Fantasises of Appropriation”. ______. Colonialism and the emergence of Science Fiction. Middletown: Wesleyan University Press, 2008. pp. 34-60.SPIEGEL, Simon. “60. Utopia” GARCIA-SIINO, Leimar; MITTERMEIER, Sabrina; RABITSCH, Stefan. (Ed.) The Routledge Handbook of Star Trek. New York: Routledge, 2022. Utopias in Star Trek pp. 471-472.STEPHENSON, Anders. Manifest Destiny: American Expansion and the Empire of Right. New York: Hill and Wang, 1996.WORLAND, Rick. “Captain Kirk, Cold Warrior” Journal of Popular Film and Television. Los Angeles, 16, n. 3, 1988. pp. 109-117.For more, keep an eye out on:https://www.patreon.com/leftpage Hosted on Acast. See acast.com/privacy for more information.

We're celebrating the 50th anniversary of Jaws by looking back at Spielberg's genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film's enduring cultural relevance? We're diving in today with spoilers, so stay tuned!ReferencesCaputi, Jane E. "Jaws as Patriarchal Myth." Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.Caputi, Jane. "Jaws as Patriarchal—and Ecocidal—Myth." "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 - 17.Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 - 45.Jackson, Kathy Merlock, and Philip L. Simpson, eds. " This shark, swallow you whole": Essays on the Cultural Influence of Jaws. McFarland, 2023.“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.Le Busque, Brianna, and Carla Litchfield. "Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films." Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 - 58.Melia, Matthew. "Relocating the Western in Jaws." The 'Jaws' Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.McFarland, 2023, pp. 46 - 58.Rubey, Dan. "⁠The Jaws in the Mirror⁠." Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23. Copyright Jump Cut: A Review of Contemporary Media, 1976, 2004.

Climate themes in science fiction are everywhere. Some of our favourite shows are telling important stories about our life on Earth. Sci-fi expert Jamie Uy joins Jack Board and Liling Tan to discuss environmental calamity, the end of the world, wars over resources and fantastic technological innovations in some of their favourites.See omnystudio.com/listener for privacy information.

In this thought-provoking episode of Parallax, Dr Ankur Kalra explores the unexpected intersection of cardiology and popular culture with Dr Kristen Shaw and Dr Kevin Harris from the Minneapolis Heart Institute. Their conversation centers around their recently published systematic analysis, "Portrayal of Acute Myocardial Infarction in Popular Film: A Review of Gender, Race, and Ethnicity". Through examination of 100 popular films, our guests unpack striking statistics: 90% of on-screen heart attacks occur in men, and symptom presentation is dramatically overplayed compared to clinical reality. The conversation delves into how these media portrayals potentially shape both patient behavior and public health outcomes, particularly for underrepresented populations. From exploring the stark disconnect between cinematic drama and clinical presentation to discussing practical solutions for improving public health messaging, this episode offers crucial insights for healthcare providers working to bridge the gap between media perception and medical reality. The discussion extends into broader themes of healthcare mistrust in the post-pandemic era, offering valuable perspectives on how improved representation could enhance patient education and emergency response outcomes. Essential listening for cardiologists, healthcare educators, and anyone interested in how media shapes public understanding of cardiovascular disease.

Mike Switzer interviews Ron Tucker, president and CEO of the Beaufort Film Society, host of the 19th annual Beaufort International Film Festival.

Episode SummaryIn this episode about Cars (2006), Erin and Rachel take a road trip to Radiator Springs, discussing Pixar history, environmentalism, and masculinity and masculinity along the way. Ka-chow! Episode BibliographyThe Amazing Double Life of Jorgen Klubien. (2013, October 15). FLIP. https://flipanimation.blogspot.com/2013/10/the-amazing-double-life-of-jorgen.htmlArnold, W. (2006, June 8). Cars is a joyous ride. Seattle PI. https://www.seattlepi.com/entertainment/movies/article/cars-is-a-joyous-ride-1205659.phpCars. (n.d.). Box Office Mojo. Retrieved January 17, 2025, from https://www.boxofficemojo.com/release/rl1195935233/Cars (2006) - Awards. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/awards/Cars (2006) - Full Cast & Crew. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/fullcreditsCars (film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_(film)Cars — Pixar Animation Studios. (2025). Pixar Animation Studios. https://www.pixar.com/carsCars Production Information. (n.d.). https://web.archive.org/web/20070308104817/http://adisney.go.com/disneypictures/cars/us/bios/CARSProdNotes.pdfCulbreth, S., & Huber, R. J. (2015). Cars and social interest. The Journal of Individual Psychology, 71(3), 327-336.Ebert, R. (2006, June 8). NASCAR + Pixar = Pixcars movie review (2006). Roger Ebert. https://www.rogerebert.com/reviews/cars-2006Gillam, K., & Wooden, S. R. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television, 36(1), 2-8. doi: 10.3200/JPFT.36.1.2-8Hill, J. (2011, July 6). The Roads Not Taken With Pixar's Cars Films. HuffPost. https://www.huffpost.com/entry/disney-cars-films_b_890538Hott, L. R., & Lewis, T. (Directors). (1997). Divided Highways: The Interstates and the Transformation of American Life [Film]. https://www.youtube.com/watch?v=PLr-8QPbiAYJoe Ranft. (n.d.). Wikipedia. Retrieved January 18, 2025, from https://en.wikipedia.org/wiki/Joe_RanftJørgen Klubien. (n.d.). Pixar Cars Wiki. https://pixarcars.fandom.com/wiki/J%C3%B8rgen_KlubienKinzler, K. D., & DeJesus, J. M. (2013). Northern = smart and Souther = nice: The development of accent attitudes in the United States. The Quarterly Journal of Experimental Psychology, 66(6), 1146-1158. DOI: 10.1080/17470218.2012.731695Klubien, J. (2024). Story Development. Jorgen Klubien. https://jorgenklubien.com/portfolio/story%20developmentLasseter, J. (Director). (2006). Cars [Film]. Pixar Animation Studios.Lowry, B. (2006, June 4). Film Review: Cars. Variety. https://variety.com/2006/film/reviews/cars-3-1200515758/Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). Ness, M. (2017, July 27). Driving Without Wonder: Pixar's Cars. Reactor. https://reactormag.com/driving-without-wonder-pixars-cars/Price, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Rahayu, N. (2019). The portrayal of gender and race in the Cars trilogy. Atavisme, 22,(1), 75-87. doi: 10.24257/atavisme.v22i1.532.75-87Reaves, J. (2006). Movie Review: 'Cars'. Metromix. https://web.archive.org/web/20060613101342/http://metromix.chicagotribune.com/movies/mmx-060609-movies-review-cars%2C0%2C997014.storyTenzek, K. E., & Nickels, B. M. (2019). End-of-life in Disney and Pixar films: An opportunity forengaging in difficult conversation. OMEGA-Journal of Death and Dying, 80(1), 49-68. doi: 10.1177/0030222817726258Travers, P. (2006, June 1). Cars. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-119316/Wilonsky, R. (2006, May 30). Running on Fumes. The Village Voice. https://web.archive.org/web/20140107215214/http://www.villagevoice.com/2006-05-30/film/running-on-fumes/WonderLand. (2020, November 8). Pixar Cars 2006 Behind The Scenes. YouTube. https://www.youtube.com/watch?v=uF40QwDZtXo

Episode SummaryFamily superhero saga, The Incredibles (2004), was another smash hit for Pixar. Although fun to watch, the focus on a middle aged male protagonist leads Erin and Rachel to ask once again, who is this movie really for?Episode BibliographyAl-Jbouri, E., & Pomerantz, S. (2020). A new kind of monster, cowboy, and crusader? Gender hegemony and flows of masculinities in Pixar animated films. Boyhood Studies, 13(1), 43-63. doi: 10.3167/bhs.2020.130104Barrier, M. (2005, February 27). Brad Bird. Michael Barrier. http://www.michaelbarrier.com/Interviews/Bird/Bird_Interview.htmBird, B. (Director). (2004). The Incredibles [Film]. Pixar Animation Studios. D, S. (2004, November 4). Michael Giacchino Interview. IGN. https://www.ign.com/articles/2004/11/04/michael-giacchino-interviewDesowitz, B. (2004, November 5). Brad Bird & Pixar Tackle CG Humans Like True Superheroes. Animation World Network. https://www.awn.com/animationworld/brad-bird-pixar-tackle-cg-humans-true-superheroesDVDXtras. (2024, February 7). The Incredibles (2004) | Behind the Scenes + Deleted Scenes. YouTube. https://www.youtube.com/watch?v=iimbuPBVrvYEbert, R. (2004, November 4). The Incredibles movie review & film summary (2004). Roger Ebert. https://www.rogerebert.com/reviews/the-incredibles-2004Edelstein, D. (2004, November 4). Reality Bytes. The Incredible Incredibles. https://slate.com/culture/2004/11/the-incredible-incredibles.htmlGillam, K., & Wooden, S. R. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television, 36(1), 2-8. doi:  10.3200/JPFT.36.1.2-8Hill, J. (2023, June 28). That Little Old Lady Bears an "Incredibles" Resemblance to ... Jim Hill Media. https://jimhillmedia.com/that-little-old-lady-bears-an-incredibles-resemblance-to/The Incredibles. (n.d.). Box Office Mojo. Retrieved July 12, 2024, from https://www.boxofficemojo.com/title/tt0317705/The Incredibles. (2005). Entertainment Magazine. https://web.archive.org/web/20170617231818/http://www.emol.org/film/archives/incredibles/index.htmlLee, M. J. (2004, October 17). Brad Bird, The Incredibles. RadioFree. https://movies.radiofree.com/interviews/theincre_brad_bird.shtmlMacaluso, M. (2018). Postfeminist masculinity: The new Disney norm?. Social Sciences, 7, 221-231. doi: 10.3390/socsci7110221McCarthy, T. (2004, October 31). The Incredibles. Variety. https://variety.com/2004/film/awards/the-incredibles-3-1200529884/Michael Giacchino. (n.d.). Wikipedia. Retrieved July 12, 2024, from https://en.wikipedia.org/wiki/Michael_GiacchinoMiller, G. E. (2018, June 14). 'Incredibles' Edna Mode is based on these fashion mavens. New York Post. https://nypost.com/2018/06/14/incredibles-edna-mode-is-based-on-these-fashion-mavens/Moriarity. (2004, November 5). AICN Animation Double-Header! Moriarty Interviews Brad Bird!! Ain't It Cool News. https://web.archive.org/web/20140415053240/http://www.aintitcool.com/node/18753Ocwieja, J. (2015, June 10). Exceptionalism and “The Incredibles” | by Jeff Ocwieja. Medium. https://medium.com/@jeffocwieja/exceptionalism-and-the-incredibles-3b0764f4de07Otto, J. (2004, November 4). Interview: Brad Bird. IGN. https://www.ign.com/articles/2004/11/05/interview-brad-birdPatrizio, A. (2005, March 9). An Interview with Brad Bird. IGN. https://www.ign.com/articles/2005/03/10/an-interview-with-brad-birdPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Rao, H., Sutton, R., & Webb, A. P. (2008, April 1). Innovation lessons from Pixar: An interview with Oscar-winning director Brad Bird. McKinsey. https://www.mckinsey.com/capabilities/strategy-and-corporate-finance/our-insights/innovation-lessons-from-pixar-an-interview-with-oscar-winning-director-brad-birdRouner, J. (2014, June 23). 5 Ways The Incredibles Is Ayn Randian Propaganda. HoustonPress. https://www.houstonpress.com/arts/5-ways-the-incredibles-is-ayn-randian-propaganda-6364574Sonnack, M. (2021, December 19). The Incredibles' Rejected Villain Xerek, Explained. CBR. https://www.cbr.com/xerek-incredibles-rejected-villain-explained/Travers, P. (2004, November 3). The Incredibles. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/the-incredibles-255640/Winter, J. (2004, October 26). Full Metal Racket. The Village Voice. https://web.archive.org/web/20110604015209/https://www.villagevoice.com/2004-10-26/film/full-metal-racket/Wooden, S.R., & Gillam, K. (2014). Pixar's boy stories: Masculinity in a postmodern age. Rowman & Littlefield Publishers. 

Rebecca and Tori review season 2 of Buffy the Vampire Slayer. We bid Jenny Calendar adieu as we discuss the season of love and misogyny, character arcs, award some best of thingies, and Bridgerton. Yes, Bridgerton. We tangent. No surprise.Print SourceOwens, A. Susan. 1999. "Buffy the Vampire Slayer: Vampires, Postmodernism, and Postfeminism. Journal of Popular Film and Television 27 (2): 24-31.Sad Music by Samuel F. Johanns from Pixabay. Award Music by Denis Maksimov from PixabayCrickets Sound Effect by felix_quinol from Pixabay.Infantilize pronunciation from Merriam Webster‘Buffy the Vampire Slayer': Every Episode Ranked From Worst to BestSlayage: The International Journal of Buffy+ - The Association for the Study of Buffy+ScreenRant |Buffy Best Episodes Season 2 Ranked - IMDBAll 22 episodes of ‘Buffy the Vampire Slayer' Season 2 (1997-98), rankedBuffy the Vampire Slayer Season 2 review

In today's episode, “one, two, Freddy's coming for you” in Wes Craven's A Nightmare on Elm Street (1984) and Chuck  Russell's A Nightmare on Elm Street 3: Dream Warriors (1987). In the original 1984 release, a group of teens attempt to outsmart Freddy Krueger, a supernatural killer who stalks them in their dreams. In the 1987 sequel, a band of institutionalized teens attempt to defeat Krueger and save the life of an innocent by intentionally entering Dreamland together to dire consequences. Aided by one of the most famous monsters in horror film canon, the films are considered essential viewing for fans of the slasher film, but is there more to this franchise than gore and Freddy's razor sharp wit? We're breaking it all down today with spoilers so stay tuned. Recommended Reading Christensen, Kyle. "The Final Girl versus Wes Craven's" A Nightmare on Elm Street": Proposing a Stronger Model of Feminism in Slasher Horror Cinema." Studies in Popular Culture 34.1 (2011): 23-47. Gill, Pat. "The monstrous years: Teens, slasher films, and the family." Journal of Film and Video 54.4 (2002): 16-30. Heba, Gary. "Everyday Nightmares: The Rhetoric of Social Horror in the Nightmare on Elm Street Series." Journal of Popular Film and Television 23.3 (1995): 106-115. Kendrick, James. "Razors in the Dreamscape: Revisiting" A Nightmare on Elm Street" and the Slasher Film." Film Criticism 33.3 (2009): 17-33. Nowell, Richard. Blood money: A history of the first teen slasher film cycle. Bloomsbury Publishing USA, 2010. Podoshen, Jeffrey Steven. "Home is Where the Horror Is: Wes Craven's Last House on the Left and A Nightmare on Elm Street." Quarterly Review of Film and Video 35.7 (2018): 722-729. Shimabukuro, Karra. "The Bogeyman of Your Nightmares: Freddy Krueger's Folkloric Roots." Studies in Popular Culture 36.2 (2014): 45-65. --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support

Rebecca and Tori reflect on Season 1 and bestow some WITS awards for their favorites and bests. We cover the gamut of topics from The Divine Comedy and Shakespeare to "Night of the Comet," the heroines journey, and post-feminist theory.CitationsGalati, C. A. (2022). Abandon All Hope Ye Who Enter...High School? Dante's Commedia and Buffy the Vampire Slayer. The Journal of Popular Film and Television, 50(2), 80–92. https://doi.org/10.1080/01956051.2022.2057406Owen, A Susan. 1999. “Buffy the Vampire Slayer: Vampires, Postmodernity, and Postfeminism.” The Journal of Popular Film and Television 27 (2). Washington, D. C: Taylor & Francis Inc: 24–31.Stratton, Jon. 2005. “Buffy the Vampire Slayer: What Being Jewish Has to Do with It.” Television & New Media 6 (2). Thousand Oaks, CA: SAGE Publications: 176–99. doi:10.1177/1527476403255828.Award Music by Denis Maksimov from PixabayHeroine's journey - WikipediaCollider: This 80s Cult Classic Influenced Buffy the Vampire Slayer

A misinformation campaign has politicized the exploitation of immigrant children as policies fail them.

Psychologist and mother of one, Stephanie Fornasier's ‘Psychocinematic Podcast' was born out her love of movies and tv, and passion to breaking stigma surrounding mental illness and disability. Stephanie, who also has a lived experience of depression and anxiety, is today's guest on our radio show Brainwaves. She will talk about her own mental health journey, why she became a psychologist and her podcast. She will also talk about depictions of mental illness and disability in popular films and TV and points out why we should care. Well worth tuning into! Join host Flic Manning and tune in on 3CR Community Radio!https://www.3cr.org.au/streamingAnd please make sure to subscribe to Steph's podcast and follow all her amazing social content at the following links:Podcast: Psychocinematic at www.psychocinematicpodcast.com or on all good podcast appsInstagram: @PsychocinematicpodcastTiktok: @PsychocinematicTwitter: @PsychocinematicWe also have a Patreon (HERE!) with lots of bonus content, currently Succession recaps, and subscription fees (from $3-10 a month) are regularly donated to causes close to our heart, currently going to Transcend Australia. You can follow our host Flic Manning here: www.flicmanning.com or on Instagram via @flicmanning

A popular lecturer in the Jungian world, Beebe has spoken on topics related to the theory and practical applications of Analytical psychology to professional and lay audiences throughout the United States and around the world. He has been especially active in introducing training in Jungian psychology in China. Beebe is the founding editor of The San Francisco Jung Institute Library Journal, now called Jung Journal: Culture & Psyche.[2] He was the first American co-editor of the London-based Journal of Analytical Psychology. Beebe has also published in The Chiron Clinical Series, Fort Da, Harvest, The Inner Edge, Journal of Jungian Theory and Practice, Psychoanalytic Psychology, Psychological Perspectives, The Psychoanalytic Review, Quadrant, Spring, The Journal of Popular Film and Television, Theory and Psychology, and Tikkun among others. He has contributed book chapters to The Anne Rice Reader, The Cambridge Companion to Jung, From Tradition to Innovation, House, Humanizing Evil, Initiation, Jungian Perspectives on Clinical Supervision, New Approaches to Dream Interpretation, Post-Jungians Today, Psyche & City, The Psychology of Mature Spirituality, Same-Sex Love, The Soul of Popular Culture, and Teaching Jung. With Donald Sandner, Beebe is the author of "Psychopathology and Analysis",[3] an article on Jungian complex theory used in many training programs, and with Thomas Kirsch and Joe Cambray the author of "What Freudians Can Learn from Jung".[4] He is the author of the book Integrity in Depth, a study of the archetype of integrity, and of Energies and Patterns in Psychological Type: The Reservoir of Consciousness.

Dahlia Schweitzer - a pop culture critic and writer. Described by renowned author Toby Miller as “one of the world's leading analysts of popular culture” and by Vogue as “sexy, rebellious, and cool,” Schweitzer writes about film, television, music, gender, identity, and everything in between. Her work can be found across mainstream, academic, and emergent channels. The Baton Rouge-born novelist, chanteuse, and performance artist studied at Wesleyan University, lived and worked in New York and Berlin, and moved to Los Angeles to complete her graduate work at the Art Center College of Design and the University of California-Los Angeles.Her latest book, Going Viral: Zombies, Viruses, and the End of the World, explores depictions of pandemics and outbreak narratives in contemporary American film and television.She is also the author of Cindy Sherman's Office Killer: Another Kind of Monster, a historical, political, and cultural analysis of Office Killer, the only movie directed by American photographer Cindy Sherman. This book, like her works of fiction, Queen of Hearts, Seduce Me, and Lovergirl, explores issues of feminism, identity, and the role of women in contemporary society. She also has essays in publications including Cinema Journal, Journal of Popular Film and Television, Hyperallergic, Jump Cut, Quarterly Review of Film and Video, and The Journal of Popular Culture, and she has released two albums of electronic dance music, Plastique and Original Pickup.

As visual effects technologies advance and audience engagement changes, what could movies look like in the future?In this episode, Sarah is joined by Dr Stuart Bender and VFX Supervisor Brendan Seals, who has worked on 30 movies, including the Oscar-nominated Spider-Man: No Way Home, for VFX vendor Luma Pictures. They discuss how visual effects are used on screen more than we realise, examine why audience reactions to visual effects have changed in the past 20 years, and predict how new technologies could transform the visual effects industry and even impact the real world.Brendan's visual effects work [01:19]How audience attitudes to visual effects have changed [05:14]LED StageCraft technologies as seen in The Mandalorian [13:02]Shooting on camera vs. adding visual effects: the case of Top Gun: Maverick [15:13]Deepfakes in the industry and the real world [19:05]Advice for future visual effects artists [26:42]What's next for Stuart and Brendan? [31:27]Learn moreCurtin University: Screen Arts Undergraduate majorYouTube: Spider-Man: No Way Home | VFX Breakdown | Luma PicturesIndustrial Light & Magic: StagecraftThe Guardian: What are deepfakes – and how can you spot them?Connect with our guestsDr Stuart Bender is the Major Coordinator for the Screen Arts program at Curtin University in the new Bachelor of Creative Arts.He has heavily researched psychological responses to high-emotion media, including cinema visual effects. In the past few years, he has frequently offered expert commentary on representations of violence, trauma and aggression in the media.Dr Bender's LinkedIn profileDr Bender's staff profileJournal of Popular Film and Television: Blood in the CorridorBrendan Seals is a Visual Effects Supervisor at Luma Pictures, a world-class VFX studio based in Melbourne, Australia. With a design background in FX, lighting and composition, Seals's credentials include working on the Oscar-nominated and critically acclaimed Spider-Man: No Way Home and Jojo Rabbit.He is a graduate of Curtin University's Bachelor of Arts program. Seals's LinkedIn profileLuma Pictures's websiteYouTube: Brendan Seals, visual effects artist | Curtin AlumniJoin Curtin UniversityThis podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.Work with usStudy a research degreeStart postgraduate educationGot any questions, or suggestions for future topics?Email thefutureof@curtin.edu.auSocial mediaTwitterFacebookInstagramYouTubeLinkedInTranscriptRead the transcriptBehind the scenesHost: Sarah TaillierResearcher and Editor: Daniel Jauk Recordist: Annabelle FouchardExecutive Producers: Anita Shore and Jarrad LongAssistant Producer: Alexandra EftosSocial Media Coordinator: Amy HoskingFirst Nations AcknowledgementCurtin University acknowledges the traditional owners of the land on which Curtin Perth is located, the Whadjuk people of the Nyungar Nation, and on Curtin Kalgoorlie, the Wongutha people of the North-Eastern Goldfields; and the First Nations peoples on all Curtin locations.MusicOKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library. Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University.

Episode SummaryErin and Rachel travel to masculinity and beyond in their discussion of Toy Story (1995), the first feature-length entirely computer-animated film. After a thorough discussion of the history of Pixar and the technology of computer animation, the hosts delve into the world of boy toys and wrestle over the problematic representation of female and disabled characters. Content warning: Discussions of workplace harassmentEpisode BibliographyAcuna, K. (2014, September 23). Joss Whedon Rewrote 'Toy Story' Script. Business Insider. https://www.businessinsider.com/joss-whedon-cowrote-toy-story-2014-9Al-Jbouri, E., & Pomerantz, S. (2020). A New Kind of Monster, Cowboy, and Crusader? Gender Hegemony and Flows of Masculinities in Pixar Animated Films. Boyhood Studies, 13,(1), 43-63. doi: 10.3167/bhs.2020.130104Ansen, D. (1995, November 26). Disney's Digital Delight. Newsweek. https://www.newsweek.com/disneys-digital-delight-181300Bradley, L. (2017, November 29). “He was inappropriate with the fairies”: Details on John Lasseter's alleged misconduct. Vanity Fair. https://www.vanityfair.com/hollywood/2017/11/john-lasseter-sexual-misconduct-pixar-fairiesEbert, R. (1995, November 22). Toy Story movie review & film summary (1995). Roger Ebert. https://www.rogerebert.com/reviews/toy-story-1995Ebrahim, H. (2014). Are the "boys" at Pixar afraid of little girls?. Journal of Film and Video, 66,(3), 43-56.Gillam, K., & Wooden, S. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television,36(1), 2-8. https://doi.org/10.3200/JPFT.36.1.2-8.Harmon, A. (1995, November 30). Like 'Toy Story,' Pixar Stock Is a Hit Its First Day on the Street. Los Angeles Times. https://www.latimes.com/archives/la-xpm-1995-11-30-fi-8751-story.htmlHernandez, P. (2018, June 28). Former Pixar employee details how the company's rampant sexism went far beyond John Lasseter. The Verge. https://www.theverge.com/2018/6/28/17514430/sexual-harassment-pixar-john-lasseter-cassandra-smolcic-metooHsu, J. (2012, April 3). Why “Uncanny Valley” human look-alikes put us on edge. Scientific American. https://www.scientificamerican.com/article/why-uncanny-valley-human-look-alikes-put-us-on-edge/Lasseter, J. (Director). (1995). Toy story [Film]. Walt Disney Pictures. Luisi, T. (2019). Toys will be toys: gendered interaction frames in the Toy Story trilogy. Journal of Children and Media, 13(1), 20-35. DOI: 10.1080/17482798.2018.1513852Many Jony. (2017, October 24). How are Characters Animated at Pixar? - Toy Story Behind the Scenes. YouTube. https://www.youtube.com/watch?v=5TqPl3MSSowMasters, K. (2017, November 21). John Lasseter's Pattern of Alleged Misconduct Detailed by Disney/Pixar Insiders. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594/Ness, M. (2017, January 26). The Pixar Rewatch: Breaking New Ground with Toy Story. Tor.com. https://www.tor.com/2017/01/26/the-pixar-rewatch-breaking-new-ground-with-toy-story/Persons, D. (2021, November 12). How Five Seconds in Toy Story Changed Animation Forever. Tor.com. https://www.tor.com/2021/11/12/how-five-seconds-in-toy-story-changed-animation-forever/Pixar. (n.d.). Wikipedia. Retrieved August 18, 2022, from https://en.wikipedia.org/wiki/PixarScanlon, D., & Rae, K. (n.d.). Our Story. Pixar Animation Studios. https://www.pixar.com/our-story-pixarSchippers, M. (2007). Recovering the feminine other: Masculinity, femininity, and gender hegemony. Theoretical Sociology, 36(1), 85-102.Schlender, B. (2006, May 17). Pixar's magic man. CNN Money. https://money.cnn.com/2006/05/15/magazines/fortune/pixar_futureof_fortune_052906/index.htmSchlender, B., & Furth, J. (1995, September 18). Steve Jobs' Amazing Movie Adventure. CNN Business. https://money.cnn.com/magazines/fortune/fortune_archive/1995/09/18/206099/index.htmShapiro, L. (2022, January 17). The undoing of Joss Whedon. Vulture. https://www.vulture.com/article/joss-whedon-allegations.htmlSherlock, B. (2020, January 7). Toy Story: 10 Actors Who Almost Voiced Iconic Roles. Screen Rant. https://screenrant.com/toy-story-famous-actors-almost-voiced-iconic-roles-disney-pixar/amp/Snider, B. (1995, December 1). The Toy Story Story. Wired Magazine, (3.12). https://www.wired.com/1995/12/toy-story/Three Pixar execs get special Oscars. (1996, February 1). SFGATE. https://www.sfgate.com/style/article/Three-Pixar-execs-get-special-Oscars-3152578.phpToy Story. (n.d.). Wikipedia. Retrieved August 4, 2022, from https://en.wikipedia.org/wiki/Toy_StoryToy Story Archive. (2021, June 27). Filmmakers Reflect - Toy Story. YouTube.  https://www.youtube.com/watch?v=adAYbs3oCZIVHSfx. (2013, February 12). The Making of Toy Story - (1995). YouTube. https://www.youtube.com/watch?v=1VdERcRJ3jIWooden, S., & Gillam, K. (2014). Pixar's boy stories: Masculinity in a postmodern age. Rowman & Littlefield.

Matt went to Iceland and had some hiccups in his plans, Andrew continues to have sauna issues. Watch the show on twitch.tv/bestfriends420

Dahlia Schweitzer - a pop culture critic and writer. Described by renowned author Toby Miller as “one of the world's leading analysts of popular culture” and by Vogue as “sexy, rebellious, and cool,” Schweitzer writes about film, television, music, gender, identity, and everything in between. Her work can be found across mainstream, academic, and emergent channels. The Baton Rouge-born novelist, chanteuse, and performance artist studied at Wesleyan University, lived and worked in New York and Berlin, and moved to Los Angeles to complete her graduate work at the Art Center College of Design and the University of California-Los Angeles.Her latest book, Going Viral: Zombies, Viruses, and the End of the World, explores depictions of pandemics and outbreak narratives in contemporary American film and television.She is also the author of Cindy Sherman's Office Killer: Another Kind of Monster, a historical, political, and cultural analysis of Office Killer, the only movie directed by American photographer Cindy Sherman. This book, like her works of fiction, Queen of Hearts, Seduce Me, and Lovergirl, explores issues of feminism, identity, and the role of women in contemporary society. She also has essays in publications including Cinema Journal, Journal of Popular Film and Television, Hyperallergic, Jump Cut, Quarterly Review of Film and Video, and The Journal of Popular Culture, and she has released two albums of electronic dance music, Plastique and Original Pickup.

"So they experienced this death. And then they all have to band together – ‘we're still going to make everything happen.' That's kind of how I felt after my dad passed away; I'm just going to do everything that I need to do." Angela Tabora This episode is part of a Breathing Wind miniseries titled Grief and Humor, co-hosted by Dara Kosberg and Sarah Davis. The Grief and Humor miniseries explores how humor allows people to get closer to their grief, explore it and better understand it, by creating a gateway into the hard feelings. This is a two-part episode. In this episode, Part 2, Dara and Sarah talk with Erin Lim and Angela Tabora, co hosts of Bitch Talk Podcast about grief and humor we saw in Little Miss Sunshine and other films. If you haven't listened yet, go back to Part 1, where we talk about our parents' humor, grief and humor, and humorous movies that remind them of their loved ones who passed away.  ​​To find out more about this episode and subscribe to the newsletter, visit the show notes. Connect with us on social media: Instagram

Conquistó Broadway siendo apenas una niña y volvió a España dispuesta a triunfar…y vaya si lo hizo. La historia de Concha Piquer -desde el “Conchita” al “doña”- rezuma copla por los cuatro costados.NOTASConcha Márquez Piquer, Así era mi madre: Biografía de doña Concha Piquer, Letra Clara, 2015 Miguel de Zárraga, “ABC en Nueva York. Panderetas para la exportación”, ABC, 24 de diciembre de 1921Antonio Suárez Guillén, “Y si, lector, dijeres ser comento…”, Popular Film, 17 de mayo de 1928Carla Berrocal, Concha Piquer. La rosa y la espina, Reservoir Books, 2021.Álvaro Retana, Historia del arte frívolo, Madrid, Tesoro, 1964Entrevista a Concha Piquer por Manuel Amado para Radio revista, 1976Breve entrevista a Concha Piquer por Andrés Caparrós, 2 de enero de 1968Para saber más: José Manuel G. Martín de la Plaza, Conchita Piquer, Alianza, 2001

Conquistó Broadway siendo apenas una niña y volvió a España dispuesta a triunfar…y vaya si lo hizo. La historia de Concha Piquer -desde el “Conchita” al “doña”- rezuma copla por los cuatro costados.NOTASConcha Márquez Piquer, Así era mi madre: Biografía de doña Concha Piquer, Letra Clara, 2015 Miguel de Zárraga, “ABC en Nueva York. Panderetas para la exportación”, ABC, 24 de diciembre de 1921Antonio Suárez Guillén, “Y si, lector, dijeres ser comento…”, Popular Film, 17 de mayo de 1928Carla Berrocal, Concha Piquer. La rosa y la espina, Reservoir Books, 2021.Álvaro Retana, Historia del arte frívolo, Madrid, Tesoro, 1964Entrevista a Concha Piquer por Manuel Amado para Radio revista, 1976Breve entrevista a Concha Piquer por Andrés Caparrós, 2 de enero de 1968Para saber más: José Manuel G. Martín de la Plaza, Conchita Piquer, Alianza, 2001

Conquistó Broadway siendo apenas una niña y volvió a España dispuesta a triunfar…y vaya si lo hizo. La historia de Concha Piquer -desde el “Conchita” al “doña”- rezuma copla por los cuatro costados.NOTASConcha Márquez Piquer, Así era mi madre: Biografía de doña Concha Piquer, Letra Clara, 2015 Miguel de Zárraga, “ABC en Nueva York. Panderetas para la exportación”, ABC, 24 de diciembre de 1921Antonio Suárez Guillén, “Y si, lector, dijeres ser comento…”, Popular Film, 17 de mayo de 1928Carla Berrocal, Concha Piquer. La rosa y la espina, Reservoir Books, 2021.Álvaro Retana, Historia del arte frívolo, Madrid, Tesoro, 1964Entrevista a Concha Piquer por Manuel Amado para Radio revista, 1976Breve entrevista a Concha Piquer por Andrés Caparrós, 2 de enero de 1968Para saber más: José Manuel G. Martín de la Plaza, Conchita Piquer, Alianza, 2001

A young man in his prime is exposed to strange chemicals and radiation that causes him to start shrinking one day & nothing seems to stop it. Tune in as Chris talks Condoms, Cats, & the unreliability of cake as the LSCE covers the Jack Arnold sci-fi classic "The Incredible Shrinking Man." Join us! Check us out at www.LSCEP.com Subscribe, Like, & Review. Did you know we are on Amazon Music Now? I KNOW! Awesome, right? Works Cited: Brog. “Film Reviews: The Incredible Shrinking Man.” Variety (Archive: 1905-2000). Los Angeles: Penske Business Corporation, 1957. Accessed 1/8/2022 https://www.proquest.com/docview/964049966?pq-origsite=primo Craig, Rob (2013). It Came from 1957: A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films. McFarland. Jefferson, NC. Cunnally, Ruthellen. “Mind Over Matter: Mental Evolution and Physical Devolution in The Incredible Shrinking Man.” The Journal of Popular Film and Television 41, no. 1 (2013): 2–9. Hendershot, Cyndy. “Darwin and the Atom: Evolution/Devolution Fantasies in ‘The Beast from 20,000 Fathoms, Them!', and ‘The Incredible Shrinking Man.'” Science-fiction Studies 25, no. 2 (1998): 319–335. Lucas, Tim(2017). Audio commentary with Tim Lucas (Blu ray). Arrow Films. FCD1628. Rosenheim, Shawn. “Extraterrestrial: Science Fictions in ‘A Brief History of Time' and ‘The Incredible Shrinking Man.'” Film Quarterly 48, no. 4 (1995): 15–21. Stafford, Jeff. The Incredible Shrinking Man (1957). TCM .Published 9/23/2005. Accessed January 7,2022. https://www.tcm.com/tcmdb/title/79182/the-incredible-shrinking-man#articles-reviews?articleId=103594 Vest, Jason. “Richard Matheson on Screen: A History of the Filmed Works.” Extrapolation. Liverpool: Liverpool University Press, 2012. --- Send in a voice message: https://anchor.fm/lsce/message

Can you guess today's movie which is in Portuguese? See omnystudio.com/listener for privacy information.

But it will be another language, and you'll have to identify the film/series! See omnystudio.com/listener for privacy information.

But it will be another language, and you'll have to identify the film/series! See omnystudio.com/listener for privacy information.

42. Bölüm: The Lion King – Aslan Kral, 1994 yılında Rob Minkoff ve Roger Allers tarafından yönetilen bir Disney animasyonu. Film hayvanlar aleminde  geçse de bizi bize anlatır. Nasıl mı? Bu kayıtta filmin farklı okumalarını yapıyoruz. Kulak verin.  Yararlandığım kaynaklarAnnalee Ward. The Lion King's Mythic Narrative. Journal of Popular Film & Television, 01956051, Winter96, Vol. 23, Issue 4.Harry M. Benshoff and Sean Griffin. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2004. Wiley-Blackwell.John Morton (1996) Simba's Revolution: Revisiting History and Class in The Lion King, Social Identities, 2:2, 311-317Joel Best and Kathleen S. Lowney. The Disadvantage of a Good Reputation: Disney as a Target for Social Problems Claims. The Sociological Quarterly , Summer, 2009, Vol. 50, No. 3 (Summer, 2009), pp. 431-449R. Gooding-Williams. (1995) 'Disney in Africa and the Inner City: on Race and Space in The Lion King', Social Identities, 1 (2): 373–79.Stephanie Mastrostefano. "Gender and Ideology in Disney's Beast Fables" (2013). Honors Projects Overview. 85.

Bill and Eddie chat with Robert Skvarla about the 1982 film "Halloween III: Season of the Witch," a bizarre piece of techno-folk horror. Tangents include the Havana Syndrome, Bowling Green's Wikipedia page, and the politics of Stonehenge.   Citations/links:   Martin Harris and Kathryn Conner Bennett, "You Can't Kill the Boogeyman: Halloween III and the Modern Horror Franchise," Journal of Popular Film and Television (2004): https://www.tandfonline.com/doi/abs/10.3200/JPFT.32.3.98-120   Ronald Hutton, "The Stations of the Sun: A History of the Ritual Year in Britain" (Oxford UP, 1996)   Fangoria's issue on "Halloween III": https://www.fangoria.com/archives/Halloween3-Fridaythe13thPart3-Creepshow/   Kevin Cooney, “Unlocking Nigel Kneale's Mythic Evil in 'Halloween III: Season of the Witch,” Diabolique Magazine (2018): https://diaboliquemagazine.com/unlocking-nigel-kneales-mythic-evil-in-halloween-iii-season-of-the-witch/

World War III commences with combined Soviet and South American forces invading the United States, causing a group of Colorado teens to take to the mountains to defend their town and their lives. Tune in as Chris chats up Alexander Haig, the ratings system, & jingoism as the LSCE screens the cult action classic- 1984's Red Dawn. Join Us! Check us out at www.LSCEP.com Subscribe, Like, & Review. Follow Us on Twitter @LsceP & on Instagram @ lsce_podcast Did you know we are on Amazon Music Now? I KNOW! Awesome, right? https://music.amazon.com/podcasts/c60fbdef-49de-4256-8d29-c5c0d0a4626d/I-Saw-It-On-Linden-Street Works Cited: Bart, Peter. “First Look: Famous Firings a Tough Ax to Follow.” Variety 416, no. 7 (2009): 2–2. Bart, Peter. 1997. "Inside Moves: Doing it McVeigh's Way." Variety (Archive: 1905-2000), Jun 16, 2-2, 52. https://www.proquest.com/magazines/inside-moves-doing-mcveighs-way/docview/1401405903/se-2?accountid=11578. Canby, Vincent. “FILM VIEW; COCKEYED AT ‘RED DAWN': REVIEW.” The New York Times. New York, N.Y: New York Times Company, 1984, Late Edition (East Coast) edition. Goldstein, Patrick (August 16, 1984). "'RED DAWN' IS MILIUS' KIND OF MOVIE: JOHN MILIUS". Los Angeles Times. p. i1 Higgins, Bill. “35 Years Ago, Red Dawn Ushered in the PG-13 Era.” The Hollywood reporter 425, no. 26 (2019): 72–72. Hill, Matthew B. “Revising (the) Resistance: American Guerrillas in Popular Film and Television.” Journal of popular culture 46, no. 6 (2013): 1289–1309. Karp, Alan. 1984. "RED DAWN." Boxoffice., Oct 01, R-118. https://www.proquest.com/magazines/red-dawn/docview/963010151/se-2?accountid=11578. KAUFFMAN, BILL. 2014. “John Milius: A Real Wolverine.” American Conservative 13 (3): 42. https://search.ebscohost.com/login.aspx?direct=true&db=f5h&AN=95853456&site=ehost-live&scope=site. Knight, Chris. “Spooning Charlie Sheen; War Is Hell, but Filming Red Dawn Was Pretty Rough, Too: Toronto Edition.” National Post (Toronto). Don Mills, Ont: Postmedia Network Inc, 2007. Maslin, Janet."FILM: 'RED DAWN,' ON WORLD WAR III". Nytimes.com. Archived from the original on October 18, 2017. Accessed, September 22, 2021. Rubenstein, Lenny. “Red Dawn.” Cinéaste. New York: Cineaste Publishers, Inc, 1984. 41-42 --- Send in a voice message: https://anchor.fm/lsce/message

Jaleh and Jessica host a podcast. WHOOPADEEDOO! It's a quote-fest on this week's episode, because we're talking about The Wedding Singer, and it's impossible not to quote along. We get intellectual about millennial 80s nostalgia before we devolve completely in classic Hart Chicks style. Now take off that Van Halen t-shirt, dear hearts, before you jinx the band and they break up.   Catch up with Dmitry @sigismundtryapkin on Instagram and TikTok #hartchickspresent #podcast #podcasting #contentcreators #ladypodsquad #TheWeddingSinger #romcoms #RomanticComedies #RomanticComedy Article referenced: Speed, Lesley. “Together in electric dreams: films revisiting 1980s youth.” Journal of Popular Film and Television 28, no. 1 (2000): 22-29.

When Dwayne "The Rock" Johnson debuted his Hollywood persona in World Wrestling Entertainment in 2003, he was two years removed from his first successful protagonist role in "The Scorpion King" and on the heels of more film success with roles in "The Rundown" and "Walking Tall."  Little did anyone foresee that "Hollywood" Rock would buoy the overall representation for Asian and Pacific Islanders in popular film for the next 20 years. Last week, the USC Annenberg Inclusion Initiative released a report documenting the prevalence of Asian and Pacific Islanders both on-and off-screen across the top-grossing films each year from 2007 to 2019.  Of the 1,300 films examined, only 44 featured API actors playing lead roles, nearly a third of which were played by Johnson.  The report offers more staggering statistics: In 2019, over a quarter of API characters in the top-grossing films died. Most died by drowning, explosions, stabbing or suicides Of the over 51,000 speaking characters in the 1,300 films examined, only 6% were Asian, Asian American or Native Hawaiian/Pacific Islanders Only 50 of the 1,447 directors in the 1,300 films examined were of API heritage. In 2019, 67% of API characters played stereotyped roles The release of this report comes at a time of rising anti-Asian hate crimes nationally, and the authors of the report believe the portrayal of Asian and Pacific Islanders in mass media contributes to that. Today on FilmWeek, we delve into the study's findings and discuss the history of API filmmakers and actors in Hollywood. Guests:  Nancy Wang Yuen, professor of sociology at Biola University in La Mirada; she is co-author of “The Prevalence and Portrayal of Asian and Pacific Islanders Across 1,300 Popular Films”; she tweets @nancywyeun Justin Chang, film critic for the Los Angeles Times and NPR’s Fresh Air; he tweets @JustinCChang

Kiss Me Deadly : Le dernier bon film américain. Kiss Me Deadly, réalisé en 1955 par Robert Aldrich est un film américain, le dernier bon film qui a été réalisé par les États-Unis depuis plus de 60 ans. Aucun film depuis 1955 n’est arrivé à la cheville de ce chef-d’oeuvre d’après-guerre. Film noir par excellence, Kiss Me Deadly est un film complexe, lugubre et déjanté qui doit être vu ; si vous n’avez pas vu Kiss Me Deadly, il en est grand temps! Dans le présent épisode, on découvre, décortique et déboulonne Kiss Me Deadly. Bonne écoute! Lien pour écouter Kiss Me Deadly : https://archive.org/details/kissmedeadly1955_202001 BIBLIOGRAPHIE - Lang, Robert. « Looking for the ‘Great Whatzit’ : Kiss Me Deadly and Film noir ». Cinema Journal 27, no. 3 (Printemps 1988) : 32-44. (via : https://drive.google.com/file/d/1sjhY0EJ4b1dzTL8s4I6kFsMqHOds3wEq/view?usp=sharing) - Meeuf, Russell. « Nuclear Epistemology : Apocalypticism, Knowledge, and the ‘Nuclear Uncanny’ in Kiss Me Deadly ». Lit : Literature Interpretation Theory 23, no. 3 (Été 2012) : 283-304. doi : https://doi.org/10.1080/10436928.2012.703593. (via : https://drive.google.com/file/d/1rVKdqo_Du8q-FbxoMvwc-ZIK-yMFtP6X/view?usp=sharing) - Schrader, Paul. « Notes on Film Noir. » In Film Noir Reader, édité par Alain Silver & James Ursini, 53-64. New-York : Limelight, 2006. (via https://drive.google.com/file/d/155yfdgCwmhdrDGrZFyWRatylaNKOyP2d/view?usp=sharing) - Telotte, J.P.. « Kiss Me Deadly’s Apocalyptic Discours ». Journal of Popular Film and Television 13, no.2 (1985) : 69-79. doi : 10.1080/01956051.1985.10661995 (via https://drive.google.com/file/d/1u1Q4HZaNm9d5taN1ayQGQoXcYmv1srTN/view?usp=sharing) NOTES https://drive.google.com/file/d/1FhuzTebVTaBlvROaSca7F-jhNcGV5ELS/view?usp=sharing

Help support this show:  www.patreon.com/filmchatterpodFollow us on Instagram: https://www.instagram.com/filmchatterpod/and Twitter:  https://twitter.com/filmchatterpodCheck out the films mentioned in this episode on our Letterboxd: https://letterboxd.com/filmchatterpod/Nirvana on their decision to turn down participation in the film "Singles" The making of "Dazed and Confused""The Shot" from "Donnie Darko" Thanks for tuning in!Powered and distributed by Simplecast

In this episode, hosts Katherine Troyer and Anthony Tresca discuss the 1984 film A Nightmare on Elm Street.  Episode Highlights: We argue that it is possible to read this film both as an affirmative film (ultimately supporting the status quo) and a disaffirmative film (ultimately saying that "we" are the real monsters). Exploring the film's ambiguous treatment of the patriarchal figure, its conflation of the house in the suburbs with the boiler room of Freddy, and the ways it treats death, we explore how this film manages to offer us multiple, sometimes contradictory perspectives. Also, Anthony tells his horror origin story. A Dose of Scholarship: We discuss David Kingsley's 2013 article in Journal of Popular Film and Television, which looks at how this film draws heavily on  the Gothic tradition and Jonathan Markovitz's 2000 article in Quarterly Review of Film and Video on female paranoia as a survival skill. Twitter/Instagram: @NightmarePod1; Email: suchanightmare.pod@gmail.com

Episode SummaryErin and Rachel travel to Sherwood Forest and discuss Robin Hood (1973), the first Disney film to feature a cast entirely composed of anthropomorphized animals! Although their qualms with the film include the limited agency of female characters and the derision of fat characters, they also enjoyed the exciting plot and folksy music. Episode BibliographyAsher-Perrin, E. (2018, April 18). The Robin Hood You Love is A Lie. Tor.com. Retrieved January 14, 2021, from https://www.tor.com/2018/04/18/the-robin-hood-you-love-is-a-lie/Billington, D. (1973, December 22). Sir Hiss is the Show Stealer in Walt Disney's Robin Hood. The Gazette, 23.Brown, N. (2015). Individualism and national identity in Disney’s early British films. Journal of Popular Film and Television, 188-200. Canby, V. (1973, November 9). Screen: 'Robin Hood': Animals and Birds Star in Disney Version The Program. The New York Times. Retrieved January 14, 2021, from https://www.nytimes.com/1973/11/09/archives/screen-robin-hoodanimals-and-birds-star-in-disney-version-the.htmlCartoon Hangover. (2017, September 22). Every Recycled Disney Shot & Why - Snow White, Frozen, Toy Story, Moana and More - Cartoon Hangover. YouTube. Retrieved January 15, 2021, from https://www.youtube.com/watch?v=JU21shbaVBoChrist, J. (1973, November 12). Calling the Blind Man's Bluff. New York Magazine, 6(46), 88-91. https://books.google.com/books?id=0eYCAAAAMBAJ&pg=PA90#v=onepage&q&f=falseConradt, S. (2015, November 23). 11 Oo-De-Lally Facts About Robin Hood. Mental Floss. Retrieved January 14, 2021, from https://www.mentalfloss.com/article/70981/11-oo-de-lally-facts-about-robin-hoodFinch, C. (1975). The Art of Walt Disney: from Mickey Mouse to the Magic Kingdoms. H.N. Abrams. https://archive.org/details/isbn_0810990075Finn, W. (2007, July 22). ROBIN HOOD CONFIDENTIAL pt. 2 : Keith Ward's "Reynard the Fox". Will Finn Blog. Retrieved January 15, 2021, from http://willfinn.blogspot.com/2007/07/robin-hood-confidential-pt-2-keith.htmlGilbert, R. (1973, November 26). Movies Around Town. New York Magazine, 6(48), 13. https://books.google.com/books?id=yeYCAAAAMBAJ&pg=PA13#v=onepage&q&f=falseHill, J. (2005, March 17). Why for? Jim Hill Media. Retrieved January 15, 2021, from http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2005/03/18/562.aspxJay, C. (1973, December 3). Cinema: Quick Cuts. Time Magazine. http://content.time.com/time/subscriber/article/0,33009,908239,00.htmlMartin, C. (2018, February 18). Let's "Hear" It for Robin Hood. YouTube. Retrieved January 17, 2021, from https://www.youtube.com/playlist?list=PLlBFtRrEDxXWGdSILXcDfLNdXj03zf0JuMcBride, C. (2019, September 3). How Furries Became a Fandom. SYFY Wire. Retrieved January 15, 2021, from https://www.syfy.com/syfywire/how-furries-became-a-fandomNess, M. (2016, September 22). Treading Ink: Disney's Robin Hood. Tor.com. Retrieved January 14, 2021, from https://www.tor.com/2016/09/22/treading-ink-disneys-robin-hood/Padnick, S. (2013, December 31). “Those Impudent Musical Peasants!”—Disney’s Robin Hood. Tor.com. Retrieved January 14, 2021, from https://www.tor.com/2013/12/31/rewatching-robin-hood-disney/Paschke, J. (2013, July). Where’s Robin Hood of Nottingham these days? British Heritage, 40-43.Patten, F. (2012, July 15). Retrospective: An Illustrated Chronology of Furry Fandom, 1966–1996. flayrah. Retrieved January 15, 2021, from http://www.flayrah.com/4117/retrospective-illustrated-chronology-furry-fandom-1966-1996Robin Hood (1973 film). (n.d.). Wikipedia. Retrieved January 12, 2021, from https://en.wikipedia.org/wiki/Robin_Hood_(1973_film)Reitherman, W. (Director). (1973). Robin Hood [Film]. Walt Disney Animation Studios.Sampson, W. (2009, May 27). Taking Another Look at Robin Hood. Mouse Planet. Retrieved January 11, 2021, from https://www.mouseplanet.com/8821/Taking_Another_Look_at_Robin_HoodSeal, G. (2009). The Robin Hood principle: Folklore, history, and the social bandit. Journal of Folklore Research, 46(1), 67-89.

How would you feel if one day you woke up and started to shrink? Join Hilary and Holly as they take a closer look at one of the most iconic science fiction films of the 1950s, The Incredible Shrinking Man. They break down the Cold War context, how the atom influenced science fiction at the time, what the film reveals about masculinity and the very ambiguous ending and the different ways to interpret it! Dr Miranda Corcoran also joins us to speak about her experience teaching the text and what it reveals about masculinity during the 1950s. Miranda Corcoran is a lecturer in twenty-first-century literature at University College Cork. Her research interests include Cold-War literature, genre fiction, popular fiction, sci-fi, horror and the gothic. She is currently writing a book titled Witchcraft and Adolescence in American Popular Culture: Teen Witches.Twitter: @middleagedwitch Works Cited:Craig, Rob (2013). It Came from 1957: A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films. McFarland. Cunnally, Ruthellen. "Mind over matter: mental evolution and physical devolution in The Incredible shrinking man." Journal of Popular Film and Television 41.1 (2013): 2-9.Haraway, Donna. "“A Cyborg Manifesto”(1985)." Cultural Theory: An Anthology (2010): 454.Hendershot, Cyndy. Darwin and the Atom: Evolution/Devolution Fantasies in The Beast From 20,000 Fathoms, Them!, and The Incredible Shrinking Man. JSTOR.Hendershot, Cyndy. Paranoia, The Bomb, and 1950s Science Fiction Films. Popular Press, 1999.Muller, Jurgen. Movie’s of the 50s. TASCHEN. Bibliothecca Universalis.Thompson, Kristin, and David Bordwell. Film History: An Introduction. 3 rd ed., McGraw-Hill, New York, 2010.Warren, Bill (2009). Keep Watching the Skies!: American Science Fiction Movies of the Fifties, The 21st Century Edition.Music:A Ghost Waltz by Loyalty Freak Music is licensed under a CC0, From the Free Music Archive.Monster Parade by Loyalty Freak Music is licensed under a CC0 1.0 Universal License, From the Free Music Archive.

In this episode, Sandeep Soparkar talks to Madhoo. She talks about her foray into Bollywood and freestyle dance forms from traditional forms like Bharatnatyam and Arangetram.

In this episode, Sandeep Soparkar talks to Madhoo. She talks about her foray into Bollywood and freestyle dance forms from traditional forms like Bharatnatyam and Arangetram.

The popular film Five Feet Apart tells the story of two young people, both living with cystic fibrosis, who fall in love. We talk with Mark Vaught, a cystic fibrosis behavioral health coordinator with St. Luke's.

On this week's show, film addicts E and King address the initial controversy of the Oscars committee announcement to add the "Most Popular Film" award, why the committee retracted the award, and why many people believe this was meant to be nothing more than a pat on the back for the record setting movie Black Panther.Plus, we'll share our thoughts on the need for a "Black" Oscars and what that would look like.Disclaimer: This episode as with its predecessors were recorded during the development phase of this podcast hence the poor audio quality. We apologize for any inconvenience and are working hard to ensure that top quality material is shared in future episodes.

Welcome to The Roundtable Club Podcast Episode 7 Follow along as Abel Rangel and Willy Kiyogera dive into the world of movie news with special guest Jesus Reynaga. today we discuss the first look images and synopsis revealed Captain Marvel, Dune adds Rebecca Ferguson, Academy puts popular film category on hold for now lastly we review the movies of the summer of 2018 and much more don't forget to leave feedback or a message like, Comment share and thank you for sticking along for the ride with us.

[ep.49] Ernest, Hunter, and Drew talk Disney's Christopher Robin, Succession and Hard Knocks on HBO, and the Oscars' proposed Popular Film category. Plus, new music from Travis Scott, and our Criterion Collection segment 'Crackin' Crite' returns with thoughts on Bottle Rocket, Midnight Cowboy, and Linklater's The Before Trilogy. WBAM! E-mail us: weboughtamic@gmail.com Follow WBAM: Instagram, Facebook, and Twitter. Subscribe on iTunes and leave us a review. Twitter: @caldernest @HuntMobley @DrewDietzen letterboxd: letterboxd.com/caldernest/ letterboxd.com/hearshot/ letterboxd.com/drewd/ Ep 49 Shownotes Intro News Goodbye Moviepass, Hello A-List (00:02:52) Oscars popular film category (00:08:08) Ben Schwartz is Sonic the Hedgehog (00:16:31) Listening Astroworld (00:19:04) Watching Succession (00:28:41) Demitri Martin: The Overthinker (00:39:52) Hard Knocks (00:44:59) Cracking Crite: Bottle Rocket (00:54:43) Midnight Cowboy (01:00:43) The Before Trilogy (01:06:19) Review: Christopher Robin (01:18:14) SPOILERS (01:31:12) Outro (01:43:09) --- Send in a voice message: https://anchor.fm/weboughtamic/message Support this podcast: https://anchor.fm/weboughtamic/support

In this week's episode, Kevin (@Gilligan_McJew) is joined by comedian & Flame Con performer, Bobby Hankinson (@bobbyhank) as they discuss the new teaser for American Horror Story: Apocalypse, the possibility of Gal Gadot playing Hedy Lamarr, and weigh in on the excitement and "controversy" over Ruby Rose playing Batwoman in This Week in Queer.  This Week's Topics Include: BIG OPENING: KEVIN: Oscars to add Popular Film category BOBBY: AHS: Apocalypse releases a teaser and announces returning cast   DOWN & NERDY:   KEVIN: Fantastic Four, Castle Rock, Crash Bandicoot BOBBY: Riverdale, WWE RAW, Fortnight     FLAME CON FAVES:   KEVIN: Cosplay Corner, Ultimate Clapback, Performances BOBBY: Jen Bartel     STRONG FEMALE CHARACTER: Gal Gadot in talks to play Hedy Lamarr in Showtime limited series   THIS WEEK IN QUEER: Ruby Rose cast as Batwoman   CLIP OF THE WEEK: New look at Ralph Breaks the Internet: Wreck-it Ralph 2                                            THE WEEK IN GEEK:   MOVIES Supergirl movie is being developed Sword and the Stone also being remade for Disney streaming Power Rangers sequel in the works Deleted scene from Deadpool 2 Ben Schwartz to voice Sonic the Hedgehog Trailer for Slaughterhouse Rulez Fox developing Simpsons sequel and Bob's Burgers movie Star Trek 4 may not happen   TV New trailer for Maniac starring Emma Stone New trailer for Netflix series The Innocents Cyborg added to cast of Doom Patrol First look at The Flash's new costume   COMICS X-Men: Disassembled coming in November DC comics teases a hero's death Image to feature special anti-censorship covers   VIDEO GAMES Gay gamer wins world title at the 2018 Evolution Championship Series

This week on The First Run, Chris and Matt discuss three, count ‘em three movies! First up, it's Bo Burnham's debut as writer/director of ‘Eighth Grade'. The slice of life crowd pleaser from this year's Sundance finally hits the local cinema. Is it as endearing and wonderful as the critics say? Or should Chris just rewatch ‘Princess Cyd' or ‘Lady Bird'? Matt reviews ‘Teen Titans Go To The Movies', the big screen version of the popular cartoon show. But who saw a better family-friendly film? Because Chris saw Disney's ‘Christopher Robin', the premiere of a live-action (sort of) Winnie the Pooh, along with his friends from the 100 Acre Wood. There's the always reliable rundown of the big releases on Blu-Ray & DVD, featuring the Straight to DVD and Streaming Picks of the Week. Then the show wraps with the return of ‘The Lounge' where your intrepid hosts tackle all the latest news; Ruby Rose as Batwoman and her quitting of Twitter, Idris Elba being looked at for Bond, and the Oscars' Popular Film category. It's a long one, so settle in for some top shelf movie talk!00:00-13:38: Intro/Eighth Grade13:39-24:00: Blu-Ray & DVD Picks24:01-30:06: Teen Titans Go The The Movies!30:07-35:03: Christopher Robin35:04-1:11:35: The Lounge1:11:36-1:13:15: Wrap UpTheme music provided by Jamal Malachi Ford-Bey

The Academy of Motion Picture Arts and Sciences just announced a new award for Outstanding Achievement in Popular Film, and everyone online is losing their minds. Is the outrage justified? How will this new award impact comic book, horror, and even animated movies? And is the Academy fixing a problem that isn't even broken? An emergency episode of the In Reel Deep Podcast has been convened; join us as we rant about the Oscars in August, which is breaking new ground even for us.