Podcasts about Sean Callery

Hemos oído hablar tantas veces de aquellas series de los 80 a punto de ser canceladas a los que llegaba un nuevo autor con una visión, las revolucionaba y convertía, no sólo en un éxito, sino en un clásico inmortal. El Daredevil de Frank Miller, La Cosa de Pantano de Moore, el Thor de Simonson… pero no es tan habitual una etapa de estas características en nuestro siglo. Cuando llegamos a finales de 2004, en un momento en el que estaba naciendo una nueva Marvel, el cambio de siglo no había sido especialmente amable con el Capitán América y las ventas no funcionaban. Fue entonces cuando llegó un guionista pujante, que se había granjeado cierta popularidad en DC con series como Batman, Catwoman o Gotham Central. Su nombre era Ed Brubaker y, para acompañarle, volvía a Marvel Steve Epting, un dibujante con una dilatada carrera con la casa de las ideas en series como Los Vengadores o Factor-X, que regresaba tras una temporada fuera. Mezclando la influencia de Steve Englehart o Jim Steranko con James Bond, Tom Clancy, El caso Bourne o la serie 24 e incorporando a lo gráfico los nuevos dictados que había venido marcando Bryan Hitch, nos daban una historia trepidante; una historia que mezclaba la tradición con una visión completamente nueva que se convertiría en un clásico instantáneo. Llegarían después para apoyar a Epting Butch Guice, Luke Ross. Mike Perkins, Michael Lark y tantos otros hasta dejar un total de 8 años de historias memorables en aquellos Estados Unidos muy marcados con el 11S y dejando surgir muchas de las aguas políticas en las que nadamos hoy en día y que Brubaker integra con la tradición del capi como si siempre hubieran formado parte. Más de 4 horas de monográfico para repasar este clásico moderno, que cumple 20 años. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 354 de ELHDLT Selección musical: 🎶 Real American, de Rick Derringer 🎶 Born In The U.S.A., de Bruce Springsteen 🎶 Season 3 Finale - Jack's Humanity , de Sean Callery (24 Banda sonora original)

On this epic James Bond Saga Ranking, you get the following material:   * JJ, Gil, Mike & Cam ranking the franchise from best to worst * Tom ranking the music and songs of the entire saga * Why OPERATION KID BROTHER and THE ROCK should count as part of the saga * Figuring out all the fan theories & producer's reasons that actuallly make better sense * Briefly mentioning some of the comic books * Endless Sean Connery impressions * and more notes on some of the character portrayals, tone of the eras, scenery chomping villains & amusing one-liners!   Check out our Exclusive Guests: Gamer & Podcaster "Nem" D.H. Howard: ⁠https://dwhoward.com/⁠ ⁠https://x.com/NemesisFC2⁠   Philip B. (Bond Only Bond): ⁠https://x.com/bondonlybond⁠         007 THEME SONGS USED: Parodi-Fair's Theme Version (Goldeneye Trailer) Moby's Remixed Theme (Tomorrow Never Dies promos) Sean Callery's Theme Version (Everything or Nothing Videogame)             MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

I do a spotlight on sound mixer-turned-music composer Sean Callery.   How many catchy tunes are on the 24 TV show soundtrack?   Is his videogame cover of the James Bond theme still one of the best takes on the iconic tune?   Why did Jessica Jones & La Femme Nikita get a soundtrack release yet Designated Survivor, Homeland, Bones & Halo still don't have any tracks available to stream?   All that and why he's got some nifty movie scores cooking lately!     MUSIC USED:  "Interloper" & "Gliss Arpeggios" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/           MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

We're going back to the heady days of licensed multi-platform games in the early 00s this month as we play 007: Everything or Nothing and talk about the era of arcane save processes, weird genre mashups, awful final missions, and the ways in which the whole medium could turn on a relatively short dime to become something new. Was this game an unheralded prelude to the next-gen era? Maybe! We talk about it. Thank you so much as always for listening, please rate and review the podcast, and tell all your friends on whatever social media you call home that they should check us out. See you next month!Send us questions about our game clubs, other games, or gaming in general to abnormalmappingpodcast@gmail.com!If you would like to support us please visit patreon.com/abnormalmapping for exclusive podcasts!Things Discussed: Final Fantasy XIII, Final Fantasy XIII-2, Final Fantasy Type-0, Final Fantasy XIV, GoldenEye, The Binding of Isaac, Star Ocean The Second Story R, Octopath Traveler II, 007: Everything or Nothing, 007: NightFireNext Month's Game Club: Prince of Persia: The Lost CrownMusic this EpisodeGun Barrel by Sean Callery and Jeff TymoschukEverything or Nothing by MyaTheme of RENA by Motoi SakurabaThe Leaflands (Day) by Yasunori NishikiNearly Civilized by EstheroTimestamps(00:00:00) - Segment 1: Games Played(00:32:00) - Segment 2: 007: Everything or Nothing(01:58:10) - Segment 3: Questions

Emmy-winning composer Sean Callery and David discuss true fearlessness, how Trungpa Rinpoche heard music, and the symphony of impermanence.Join David Nichtern and Robert Thurman to discuss teaching meditation and find out more about Dharma Moon and Tibet House's renowned mindfulness meditation teacher training: FREE ONLINE TALKIn this episode, David and Sean dive into:Sean's absolutely legendary Emmy-winning career as a humble composer you may not know, but have certainly heard and been touched bySuccess, aspiration, effort, persistence, happiness, fruition, and the journeyConnecting, acknowledging, authenticity, skillful means, confidence, and unique viewBlending spirituality and the Dharma with our jobs and work livesFear and fearlessness through the lens of Shambala and Chögyam Trungpa RinpocheUnderstanding impermanence as a rich symphonyHow Trungpa Rinpoche heard musicAn impromptu live jam session with Sean showcasing emotional change in musical scoresLinks from this episode:Garchen Rinpoche Doc: https://vimeo.com/544826314David on Merv Griffin: https://www.youtube.com/watch?app=desktop&v=2ZEu2oe2UEk&feature=youtu.be“What people have misunderstood about impermanence is, ‘Oh, it's just nullifying and void, nothing exists, emptiness,' but what we're saying is there's this rich symphony going on, and there is a pattern to it, but it will never be the same from one time to one time. That's true every moment of your life.” – David NichternSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

iTunes          Spotify          Youtube           Patreon Emmy-winning composer Sean Callery has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time. Callery scores Fox's upcoming series Next, starring John Slattery, which is set to premiere on October 6, 2020; Robert Lorenz's action/thriller feature The Marksman, starring Liam Neeson, which will come out in early 2021; and CBS All Access' Bull, starring Michael Weatherly. Callery recently completed the eighth and final season of Showtime's Emmy and Golden Globe Award-winning drama Homeland, starring Claire Danes and Mandy Patinkin, as well as the third and final season of Netflix's Peabody  Award-winning series Jessica Jones, starring Krysten Ritter. His music for Season 2 of the show was nominated for Outstanding Music Composition for a Series, earning Callery his 17th Emmy nomination. Callery won the Emmy Award for Outstanding Original Main Title Theme Music for Jessica Jones. He also received a nomination for his score on Fox's Steven Spielberg-produced TV series, Minority Report. With 10 Emmy nominations for Fox's 24, Callery is the only composer nominated every year for a series that ran more than three seasons. Callery won 3 Emmys for Outstanding Music Composition for his work on 24. He was also nominated for Outstanding Original Main Title Theme Music for CBS's Sherlock Holmes-inspired drama series, Elementary, starring Johnny Lee Miller and Lucy Liu, and was recognized in the same category for both Homeland and Reelz miniseries The Kennedys. Callery's music has also been heard on National Geographic's mini-series The Hot Zone, starring Julianna Margulies, ABC's Designated Survivor, starring Kiefer Sutherland, CBS's paranormal drama Medium, starring Patricia Arquette, Fox's longest running drama Bones, ABC's Marvel's Inhumans, and the feature film Small Time, starring Christopher Meloni and Dean Norris. Callery conducted his own works at the MOSMA Festival in Malaga, the Fimucite International Film Music Festival in the Canary Islands, Spain and the Krakow Film Music Festival. He also has three soundtrack albums featuring music from the 24 series, and two soundtrack albums featuring his score for Marvel's Jessica Jones. Sean resides in Los Angeles with his wife, Debbie. Special Mentions: RFR 021: Mark Snow, RC Garthe BOA GoFund Me, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87

I spoke to the composer for the Minority Report series plus he scored Homeland, and 24.

From the roundtables for Supergirl is Mechad Brooks who is the new James Olsen. Spotlight has Minority Report actors Stark Sands and Megan Good. I also chatted with the series composer, Sean Callery.

This episode of the Geektown Behind The Scenes Podcast features the wonderful composer, Sean Callery, the man behind the music on a huge array of brilliant tv series!If you've been paying attention to the credits on some of your favourite tv shows, the chances are you have seen Sean's name pop up. He has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time.He has worked on shows including '24', 'Bull', 'Jessica Jones', 'Homeland', 'Bones', 'Marvel's InHumans', 'Designated Survivor', 'Minority Report', and Nat Geo's 'The Hot Zone' which has just been renewed for a second season. Most recently he has been working on 'NeXt', which stars John Slattery as a former tech CEO who joins a Homeland Cybersecurity Agent to stop the emergence of a rogue Artificial Intelligence, and has been airing on FOX in the USA.This is the second time I've interviewed Sean, the first being back in 2013, so it was great to catch up again around after so long! Whilst this interview was initially set up to discuss 'NeXt', in the time between us arranging it and actually talking, FOX in their infinite wisdom, decided to cancel the show...In the interview, we discuss the series, but also the cancellation, along with his work on all the other shows he has provided the music for since we last talked. He chats about things such as how scoring a procedural like 'Bull' is not as straightforward as you may think, dealing with scoring generally in corona-times, and also gives a moving tribute to his agent and close friend, Cheryl Tiano, from the Gorfaine-Schwartz Agency, who passed away suddenly just days before this interview. Support this show http://supporter.acast.com/geektown. See acast.com/privacy for privacy and opt-out information.

If you missed Heresy - you can now download and listen to the podcast.Two hours of goth / post punk / industrial and more.PlaylistAlien Sex Fiend - Dead And BuriedSpecimen - SyriaSine ft Chris Connelly - Desolate DistrictNew Model Army - Small Town EnglandSiouxsie And The Banshees - Sick ChildTones On Tail - Christian SaysHelalyn Flowers - Metropolis NecropolisCelavi - BiteSex Gang Children - SebastianeDavid Bowie ft John Frusciante and Maynard James Keenan - Bring Me The Disco King (Danny Lohner Mix)Manuskript - Faking LiesPowerman5000 - Black LipstickThe Chameleons - Don't FallDead Or Alive - FlowersGary Numan - Ghost NationAm Tierpark - We're Not WelcomeThe Marionettes - ObsessionDepeche Mode - New LifeDepeche Mode - Where's The RevolutionDead Animal Assembly Plant - Colors Under AttackThe Jesus And Mary Chain - Happy When It RainsThe March Violets - Of RosesAll About Eve - Flowers In Our HairJohn Foxx And The Maths - Tarzan And Jain RegainedSwans - Children Of GodThe Awakening - The Safety DanceThis weeks bedding music was the theme from the TV show 24 by Sean Callery

We explore the comic books that were made into TV series. Here's a selection of the hits and the misses.  Credits:  1. Movie Magic Opening Theme Produced, Composed & Performed by Corey Gomez. 2. Theme from Daredevil. Composed by John Paesano. From Daredevil OST. 3. Theme from Jessica Jones. Composed by Sean Callery. From Jessica Jones OST. 4. Before and After. Composed by Mark Isham. From Dagger & Cloak OST.

Ahora si, nos despedimos de las series Marvel Netflix, con nuestra detective privada alcohólica con poderes preferida: Jessica Jones. En su tercera y última temporada, vemos como Jessica y su entorno lidian con un enemigo distinto, y con problemas con los que mucha gente puede identificarse. Bueno, sin los superpoderes. Ezequiel y MaGnUs reciben a Vicka para una completa y exhaustiva RE: seña que le dice adios a este rincón del MCU. Con música de The Warp Zone y Hari Sivan (interpretando a Sean Callery), y MetaCover (interpretando a Miley Cyrus). Próximo programa: Los Secretos Del Dragón (Curiosidades de Dungeons & Dragons).

Another week, another end of an era! This week, join host Aeric Azana on a deep dive into the final season of Jessica Jones. And it's not just the final season of one show, it's the final season for the Marvel Netflix universe! Plus, this episode features our news segment, "Weekly Review", "Comics Countdown" and more! CONNECT WITH US! IG & Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Jessica Jones Theme" by Sean Callery "Swamp Thing Theme" by Brian Tyler

Robert and Kenny begin the show talking through the World Soundtrack Award nominees and Matt gives his Summer Movie Review and rankings. Then Emmy-winning composer Sean Callery joins the show to talk about starting his career as a Disneyland Tokyo keyboardist, working with Mark Snow on the X-Files and later on Star Trek: Deep Space Nine, 24, Homeland, and how he scored still images from Jessica Jones before seeing picture. Then Sean talks about some last-minute additions to episodes he’s scored, including finishing music the day before a show airs and scoring shows year round. Lastly, Sean joins us to play a “TV Tunes” edition of Name That Score, where you — yes, you — could be a winner! EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes Executive Producer: Matt Schrader Copyright 2018 Score: The Podcast

We are beyond excited to have Sean Callery on the show this week. Our host headed out to Sean's studio in Los Angeles to discuss his recent Emmy nomination for Jessica Jones, and of course his work on Homeland, 24, Elementary, and so much more. The two dive into his creative process, his inspirations, how he approaches the score for specific characters in his shows, and his study of actors to aid him in the scoring process. It was a fascinating chat, so sit back and have a listen!

We are beyond excited to have Sean Callery on the show this week. Our host headed out to Sean's studio in Los Angeles to discuss his recent Emmy nomination for Jessica Jones, and of course his work on Homeland, 24, Elementary, and so much more. The two dive into his creative process, his inspirations, how he approaches the score for specific characters in his shows, and his study of actors to aid him in the scoring process. It was a fascinating chat, so sit back and have a listen!

From left: 'Jessica Jones' creator Melissa Rosenberg, Netflix's Ted Sarandos with Sean Callery with Emmy win for Outstanding Original Main Title Theme Music for Netflix's Jessica Jones (photo: Image24 PR) It doesn't get more Emmy-tastic in the Music Composition categories than Sean Callery. Callery has received 17 Emmy nominations and 4 wins, making him one of the most nominated composers of all time. 10 of his Emmy nominations are for the hit Fox drama 24, starring Kiefer Sutherland, where Callery composed all nine seasons and is the only composer to have been nominated every year for a series that ran more than three seasons. Altogether, Callery won three Emmys for Outstanding Music Composition for his work on 24.  His fourth, and most recent win, came in 2016 for Outstanding Original Main Title Theme Music for Netflix's Jessica Jones, starring Krysten Ritter. He also composes the music for hit series such as Showtime’s Emmy and Golden Globe award-winning drama Homeland, starring Claire Danes and Mandy Patinkin, ABC’s Designated Survivor, starring Kiefer Sutherland, and CBS’s Sherlock Holmes-inspired drama series Elementary, starring Lucy Liu and Jonny Lee Miller. I had the pleasure to chat with Sean about his prolific composing career, the intricacies of being a Television Academy judge in the Limited Series music sections, and how music is a primal form of human communication. In our conversation, Sean talks about his first major moviegoing experiences that helped shape his own likes and inspirations with composing, including 2001: A Space Odyssey and Jaws.  Describing creating the Emmy-winning theme for Jessica Jones, Sean found the voice of Jones through film noir but with an original spin, playing with the playful and hardened elements of the character.   Sean also reveals the golden piece of advice that every composer wants to hear before creating a score.  Sean resides in Los Angeles with his wife, Debbie. This interview opens with his Emmy-winning main title theme from Jessica Jones and closes with music from Homeland's 7th season and sixth episode, "Species Jump."

Llegó la hora de reseñar la segunda temporada de Jessica Jones, y MaGnUs tiene de invitados a Vicka y Ezequiel para hablar al respecto. Paso a paso, de manera desordenada pero minuciosa, analizan lo bueno, lo malo, y lo intermedio de esta temporada. Personajes, motivaciones, ritmo, argumento, todo, y algunos detalles sobre las referencias a elementos del comic. Por que no, también especulaciones. (Imagen: fragmento de la ilustración de Colleen Doran para el episodio 5 de Jessica Jones temporada 2, AKA The Octopus.) Con música de The Warp Zone (interpretando a Sean Callery), y MIA, Próximo programa: Juegos de mesa de Star Trek.

Emmy-winning composer, Sean Callery takes some time to chat about his work on the return of Jack Bauer in 24: Live Another Day. We discuss essentially returning to the show and picking up where the end of the series left off. Sean reflects on the 24 series from the start up till the point, and what it's like to have a project be in your life for that long. We also discuss Homeland and Elementary, plus Sean compares and contrasts his processes for these different series. Sean always gives the most fantastic and informative chats, and this one is no different. Enjoy! Interview Conducted By:Kaya Savas Special Thanks:Sean CalleryJana DavidoffAshley PattersonCW3PR

Emmy winning composer Sean Callery takes some time to talk about his work on the hit series, Homeland. Sean received his 12th Emmy nomination for his main theme to the show. We talk about how he found his way into music and ultimately composing. He discusses his methods and approaches on shows like 24 and Homeland, and the differences between cable and broadcast network television. Through that Sean reveals the importance of working with great showrunners and how that makes the difference when you're in the midst of composing a television series. This was truly one of the best interviews I've had and it's extremely informative. A fun chat with an amazing and talented guy. Sean's other credits include 24, Bones, Medium and La Femme Nikita among many others.

While at the 2016 Wondercon, I also had the chance to talk with some of the people at another panel, "Streaming Success: Behind-the-Scenes of Your Favorite Binge Worthy Shows". The panel discussed the original content of Netflix, Hulu, and Amazon, and some of the people that work on the various shows produced by them. My associate Hope Donoghue and I first talked to James ("Jimmy") Levine and Sean Callery. We then talked to David Van Dyke, VFX producer and (at the time) vice president of Shade VFX (he's now president). For complete show notes, go to my website.

Welcome back to Pilot Inspectors. On today's episode, we are talking about the premiere episode of the 2011 Showtime series Homeland, starring Claire Danes and Damien Lewis.   Today's intro music is the Homeland End Credits Theme by Sean Callery.

Mark Snow Interview. One television show that had a major impact on pop culture in the early nineties was The X-Files, created by Chris Carter. Equal parts mystery, science fiction and horror, the show was about two FBI Agents investigating paranormal phenomenon and other worldly encounters. One of the pillars of the show was the moody, spooky score which was composed by Mark Snow. In this supplemental episode of Melodic Treks, host Brandon-Shea Mutala joins Tony Black, host of The X-Cast Podcast, for an interview with Mark Snow. We discuss how he came to compose for The X-Files, The Lone Gunmen, and Millennium, as well as his current work on Blue Bloods and how he mentored composer Sean Callery into the composing business. Chapters Intro (00:00:00)  The X-Cast (00:01:25)  I'm Tony Black (00:01:57)  Welcome, Mark (00:06:08)  La La Land Records (00:14:25)  John Carpenter Influence? (00:16:03)  Season 10 (00:17:35)  Do You Compose to Video? (00:20:33)  "Babylon" (00:22:30)  Millennium, The Lone Gunmen, The Drum, and Minogue (00:25:58)  Scoring the Films (00:31:36)  Working With Jeff Charbonneau (00:37:10)  Mark's Influence (00:41:49)  What About Season 11? (00:43:58)  Sean Callery (00:45:26)  No, Really, What About Season 11? (00:48:05)  More La La Land to Come? (00:49:05)  Taxi Driver (00:52:42)  The Truth and the Light (00:55:22)  Final Thoughts (00:57:53)  Music composed by M. Snow Host Tony Black Guests Mark Snow and Brandon-Shea Mutala Production Tony Black (Editor) Brandon-Shea Mutala ( Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Charlynn Schmiedt (Executive Producer) Bobby Tucker (Associate Producer) Ken Tripp (Associate Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

Sweet Christmas, the UNT team has gone… streaming! For this episode, the Unfunny Defenders strive to find the Power, Man… while making a call to Alias Investigations about that guy in the red suit running around Hell’s Kitchen. In other words, they discuss the Marvel Netflix shows, Daredevil, Jessica Jones & Luke Cage, with somewhat surprising results. Even Joel Schumacher gets a mention. How? The Devil made us do it. Hosted by: Greig (@GreigT13). Featuring: Cristen (@wanda102), ‘Rabbi Dirtsheet’ Jared (@SuperJew75), Tim (@TimAgne), and ‘Captain Jack Heartless’ Jack Sullivan (@seejacktalkback). Music by: Ali Shaheed Muhammad (@AliShaheed), Sean Callery, John Paesano (@johnpaesano), and Nirvana (@Nirvana).

Sean Callery, Composer for 'Marvel's Jessica Jones,' talks working on the series, his background in music and much more!

¡Es jueves, día de Perdidos En El Eter! MaGnUs y el Profesor Dinosaurio comienzan y terminan el programa leyendo mensajes de los oyentes; y luego Peter y MaGnUs hacen una RE: seña (sin spoilers groseros del plot) de la temporada uno de Jessica Jones. Con musica de Porfiados, Sean Callery, The Police, y Gina Gershon/Clam Dandy. Proximo programa: Conozcan a la Tripulación: perfiles de personalidades detrás de las cámaras de Star Trek

Not only is Sean Callery an Emmy winning composer of some of our FAVORITE shows (including Homeland, 24, Elementary, Bones and Medium), he's a freaking nice guy, and shows it while diving into all things composing. Sean shares about interpersonal relationships and bringing your specific skillsets to the table, the standards of writing and presenting music within the television industry, and conducting a live orchestra. In this interview, we also cover:• how the music industry still looks for quality work in relation to receiving awards,• the process of writing music for screen• having a degree for a specific music skill versus experience• and how to get past writers block or composing frustrations Questions Asked During the Interview:What are 3 career highlights or events that have gotten you to where you are that you look back on fondly?What are some skills as a musician that are important for a strong composer to have?What is it like to have your original music heard with a live orchestra?How have awards and nominations helped you out in your career and how did you get to the point of being nominated?What is your composing process like for film or television?Should you get a certification/degree in arranging or conducting as to earn respect within the industry?Was or is there a Sinclavier community in LA and would you happen to know Steven Crowes?What motivates you to keep pushing yourself as a composer when things may get difficult? Links Mentioned:Seancallery.com MX4 Participants Interviewing Sean:Kasey PolkCharisse of Lake LadyMoldover Support the show (http://www.paypal.me/cbemusic)

Jessica Jones has taken over our lives since the premiere on Friday November 20th on Netflix. We have two segments where we speak with the Woman Up! Podcast team Sarah and Catrina about their thoughts on the series. Our second segment features Lauren and ReBecca to discuss dudebro culture and their response to seeing a female lead protagonist on one of the most popular Netflix series of all time. Music by Sammus and Jessica Jones theme by Sean Callery

Compilation des morceaux choisis par nos invités de la saison 1 de Paroles de Joueurs : Durée : 27:25 | Publié le : 31/12/14 1) Intro (proposé par Tmdjc) 2) Neo Geo Music Performance Group : Esaka Forever (proposé par Dooms) 3) Devo : Girl U Want (proposé par Flaoua) 4) Daisuke Ishiwatari et Koh-Ichi Seiyama : Existence (proposé par Cuongster) 5) Manami Matsumae et Yoko Shimomura : Zangief Stage (proposé par Michi) 6) Sean Callery : "24" Theme (proposé par Kx) 7) Koji Kondo : Gerudo Valley (proposé par Yumi) 8) Koji Kondo : Dire dire docks (proposé par Ken Bogard) 9) Bôa : Duvet (proposé par Fqpeh) 10) Outro (proposé par Tmdjc)

We're back! Did you miss us? We missed you. In this episode we discuss: How we spent our 4th of July Episode Recap What's Gone Wrong Across the Pond Jack's Kill Count Predictions Like 24 in 12 on FacebookFollow us on twitter: @sdhummer @jhetherten#24in12 Music: Jack in the Limo by Sean Callery, Shoot to Thrill by AC/DC, God Save the Queen, Jack's New Life by Sean Callery

After a week off we are back to talk about the latest hour of 24! Recap Geek Alert What's Gone Wrong Across the Pond Kill Count Predictions And more... Music: Jack in the Limo by Sean Callery, Shoot to Thrill by AC/DC, God Save the Queen, Jack's Humanity by Sean Callery Follow us on Twitter @sdhummer @jhethertenLike 24 in 12 on Facebook#24in12

This week I had the opportunity to talk to multi-Emmy winning composer Sean Callery, who is currently nominated for his 13th Emmy Award, for Outstanding Original Main Title Theme Music for Sky Living's Elementary. This nomination makes Callery one of the most Emmy-nominated television composers. Sean shows no signs of slowing as he continues to work on the third season of Channel 4's award-winning drama Homeland, the second season of Sherlock Holmes-inspired drama series Elementary, and the ninth season of Sky Living's Bones, the longest-running procedural drama on US network Fox.  He is also set to score the highly anticipated 24: Live Another Day, due in April 2014. Known for composing suspense-driven scores on the smash hit series 24, Callery earned 9 Emmy nominations throughout the course of the show, which ran for 8 seasons and also included the 2008 TV movie 24: Redemption.  Of those nods, he won Emmys for Outstanding Music Composition 3 times. Callery was also nominated for an Emmy... See acast.com/privacy for privacy and opt-out information.