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7 episodes with Steve Jablonsky
3 episodes with Steve Jablonsky
3 episodes with Steve Jablonsky
3 episodes with Steve Jablonsky
2 episodes with Steve Jablonsky
2 episodes with Steve Jablonsky
2 episodes with Steve Jablonsky
3 episodes with Steve Jablonsky
3 episodes with Steve Jablonsky
Sul sul ! Aujourd'hui on parle de Sonia Gothik des Sims ! Soap opera, aliens, amnésie, histoires de famille et d'argent, voyage dans le temps, tellement de choses c'est formidable tout ce qu'il se passe. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Groceries de Marc Russo, morceau de la BO des Sims 1 joué pendant l'épisode. - Mall Rat de Marc Russo, morceau de la BO des Sims 1 joué pendant l'épisode. - Goodbye for now de Steve Jablonsky, morceau de la BO de Desperate Housewives joué pendant l'épisode. - Strange Day de Kyle Johnson and Ian Stocker, morceau de la BO des Sims 2 DS joué pendant l'épisode. - The Sims 2 Theme de Mark Mothersbaugh, morceau de la BO des Sims 2 joué pendant l'épisode. - Good Evening Bella de Mark Mothersbaugh, morceau de la BO des Sims 2 Université joué pendant l'épisode. - The Sims 3 Theme de Steve Jablonsky, morceau de la BO des Sims 3 joué à la fin de l'épisode.
Emmy-nominated composer Jared Michael Fry on today's MOVIES WITH... Jared recently composed the music for Director David Ayer's global phenomenon, "The Beekeeper," starring Jason Statham. His diverse credits include blockbusters like "The Flash" and "Red Notice," action thrillers like "Alien: Romulus and Borderlands," and the horror sequel "It Chapter 2."Join us as Jared shares his extraordinary journey into creating music for films and other musical artists. After being nominated for an Emmy for his work at Hans Zimmer's Bleeding Fingers, Jared joined forces with renowned composers Steve Jablonsky, Benjamin Wallfisch, and Joseph Trapanese, as well as the electronic artist Luke Steele of Empire of the Sun, contributing to their latest album, "Ask That God."Jared has reunited with director David Ayer and is scoring his next film, "Levon's Trade," which again stars Jason Statham.Send us a textThank you for listening! Please visit our website at www.nrjmediagroup.com to learn more.
Concluimos la cobertura del reestreno de la trilogía arácnida de Sam Raimi abordando al patito feo del proyecto. Participan en el debate Pablo Muñoz y Yago Paris. El tema que cierra el programa es "Arrival To Earth", de Steve Jablonsky, perteneciente a la BSO de "Transformers" (Michael Bay, 2007): https://www.youtube.com/watch?v=0_FHPJIhNBw
Director Marcus Nispel, cinematographer Daniel Pearl, production designer Greg Blair, art director Scott Gallagher, supervising sound editor Trevor Jolly and composer Steve Jablonsky
So... you think you can remake a classic horror movie. That's what Michael Bay thought, anyway, when his production shingle Platinum Dunes embarked on a new adaptation of Jay Anson's tale of mayhem on Long Island. Citizen Kane the 1979 Amityville Horror may not be, but it holds a special place in the hearts of horror fans worldwide. So who's to blame for the mess that is the 2005 version? First (and last) time director Andrew Douglas? Frequently shirtless Ryan Reynolds, miscast as axe-wielding George Lutz? Or screenwriter Scott Kosar, who picks up a surprise nomination this week for the Michael Myers Award? Whatever your take is on this misbegotten footnote in the annals of horror history, we had a blast discussing it with Gretchen McNeil, back for her 5th episode, and the second in our Amityville mini-exploration. Due to some technical issues, the quality of some of the audio is below our standards. Apologies. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-23:30Honor Roll and Detention (spoiler-heavy): 23:31-1:06:30Superlatives (spoiler-heavier): 1:06:31-1:22:45 Director Andrew DouglasScreenplay Scott Kosar, based on the book by Jay AnsonFeaturing Jimmy Bennett, Melissa George, Philip Baker Hall, Jesse James, Chloe Grace Moretz, Rachel Nichols, Ryan Reynolds Gretchen McNeil is the author of several young adult novels including Dig Two Graves, Possess, 3:59, Relic, Get Even, Get Dirty, and Ten, as well as the horror/comedy novels #murdertrending, #murderfunding, and #noescape. Her most recent novel is Four Letter Word, pitched as an homage to Hitchcock's Shadow of a Doubt. "Ten: Murder Island," the film adaptation of Ten, premiered on Lifetime, and Get Even and Get Dirty have been adapted as the series “Get Even” and “Rebel Cheer Squad: a Get Even series” for the BBC and Netflix. Our theme music is by Edward Elgar, and, this week, by Duck Sauce. Music from The Amityville Horror (2005) by Steve Jablonsky. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Today we're continuing out conversation about the mechanics of storytelling [Part 2]. SOURCES: "How to Structure a Story: The Fundamentals of Narrative - article" (Author Learning Center), "How to Write a Better Novel: The 4 Most Common Story Structures" (MasterClass. 08/30/2021), "Story Structure: 3 Proven Templates for Timeless Storytelling" (Self-Publishing School, R.E Vance, 11/09/2021). Second City, accelerated writing (levels 1-3) under Jay Steigmann, February - April, 2019. MUSIC: "Agnate Ukuleles" (Steve Jablonsky). ©2022 The Furious Curious, Britton Rice
Today we're talking about The Mechanics of Storytelling: Part 1. I'm Brit, he's Ben Santoriello and this is The Furious Curious. SOURCES: "How to Structure a Story: The Fundamentals of Narrative - article" (Author Learning Center), "How to Write a Better Novel: The 4 Most Common Story Structures" (MasterClass. 08/30/2021), "Story Structure: 3 Proven Templates for Timeless Storytelling" (Self-Publishing School, R.E Vance, 11/09/2021). Second City, accelerated writing (levels 1-3) under Jay Steigmann, 02/19 -04/19). MUSIC: "Agnate Ukuleles" (Steve Jablonsky). ©2022 Britton Rice, Ben Santoriello.
Composer David Fleming (The Last of Us, Blue Planet II) talks about his inventive score for Prime Video's new Mr. & Mrs. Smith, working with Donald Glover, coming up through the Remote Control composer system with Atli Orvarsson, Steve Jablonsky and Hans Zimmer, and why the new Jim Henson documentary will melt everyone's hearts. Interview by Kenny Holmes, Matt Schrader and Robert Kraft.
Episode #314 of BGMania: A Video Game Music Podcast. Delays, delays, delays, but we're back. This week on the show, Bryan and Bedroth from RPGera whip up some of their famous baked goods and celebrate the Thanksgiving season with the Great BGMania Baking Show! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Home from Undertale [Toby Fox, 2015] Turkey Day from Animal Crossing: New Horizons [Kazumi Totaka, Yasuaki Iwata, Yumi Takahashi, Shinobu Nagata, Sayako Doi & Masato Ohashi, 2020] Action Type A from Yoshi's Cookie [Akira Satou, Nobuya Ikuta & Noriko Nishizaka, 1993] Zess T.'s Cooking from Paper Mario: The Thousand Year Door [Yoshito Hirano & Yuka Tsujiyoko, 2004] Garlic Bread from Bonnie's Bakery: Fresh Ingredients [Arsparkion, 2023] Brownie Town Theme from Fat Princess [Robb Mills, 2009] Haulin' Buns from Cook, Serve, Delicious! 3 [Jonathan Geer, 2020] Cranberry Crisis + Crusader + Crackdown + Crossbow from Copy Kitty [Azure Lazuline, 2018] Pumpkin Pie from The Sims 3 [Steve Jablonsky & Pieter A. Schlosser feat. Evan Taubenfeld, 2009] Primo from River City Girls 2 [Megan McDuffee, 2022] Game Intro from Comic Bakery [Martin Galway, 1984] Sliced Bread from Boomerang Fu [Paul Kopetko, Zorsy & Marskye, 2020] Oliver Age 24 - I Am Bread from I Am Bread [Black Heron feat. Oliver Age 24, 2015] Thanksgiving from Madden NFL 19 [John Debney, 2018] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message
Hello and welcome back to the podcast! In this episode, prepare to be transformed as I continue my mini-series entitled “TV Goes To The Movies” and now explore the music for THE TRANSFORMERS franchise. As before, my focus is musically what was or was not carried over from the television episodes of a particular series to its respective theatrical feature, such as the main TV theme or scoring style. During its near 40 year history, from the original 1984 syndicated cartoon series, to the animated and live action movies, the Japanese-only series and more, music for the THE TRANSFORMERS has been remarkably varied. The vocal and score tracks have often reflected current or trendy musical approaches, leading to elements of lush symphonic strains, synth pop, hard rock and jazzy funk all being heard in various incarnations. Now, hold on to your crankshafts and let's transform and roll out! Title playtime index: Intro - 00:00:00 THE TRANSFORMERS (US, 1984 cartoon series, theme by Anne Bryant & Ford Kinder, score by Johnny Douglas and Robert J. Walsh) - 00:06:17 TRANSFORMERS: THE MOVIE (US, 1986 animated theatrical film, songs by Stan Bush, Lion & Spectre General, score by Vince DiCola) - 00:16:45 THE TRANSFORMERS: HEADMASTERS (1987), TRANSFORMERS: SUPER-GOD MASTERFORCE (1988) and TRANSFORMERS: VICTORY (1989) (Japan, songs & score by Ishida Katsunori, Toshiya Igarashi, Michiaki Watanabe) - 00:31:45 TRANSFORMERS (2007), TRANSFORMERS: DARK OF THE MOON (2011), BUMBLEBEE (2018) and TRANSFORMERS: RISE OF THE BEASTS (2023) (US, live action theatrical films, song "What I've Done" by Linkin Park, scores by Steve Jablonsky, Dario Marianelli and Jongnic Bontemps) - 00:38:18* *This segment also contains an excerpt from BATMAN BEGINS (2005), composed by Hans Zimmer and James Newtown Howard Additional tracks heard but not referenced - "Calling You", Theme from TRANSFORMERS: SUPERLINK (Japan, 2004), by Takayoshi Tanimoto "Time Limit", from TRANSFORMERS: LEGEND OF THE MICRONS (Japan, 2002), composed by Hayato Matsuo Stay safe out there, take care of yourself and each other! Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod Email the show at ascoretosettlepodcast@gmail.com
Veteran composer Jongnic "JB" Bontemps took a long and winding road to film scoring. Despite showing an early passion for scoring (and studying music at Yale), he didn't immediately enter that world. Instead, he sought a tech career, becoming a software developer and entrepreneur. But music came calling again, and JB found himself studying film scoring and building a career as one of the industry's top composers. After years of building his bona fides working under various A-list composers and scoring video games like Redfall and shows like Godfather of Harlem, he's found himself with his highest-profile work yet: Transformers: Rise of the Beasts. Building off his childhood love for the robots in disguise and the groundwork that composer Steve Jablonsky had laid for him in the Michael Bay films before that, JB worked with Rise of the Beasts director (and longtime collaborator) Steven Caple Jr. to assemble a suitably robust, muscular, and era-appropriate score for the '90s-set throwback blockbusters. Together, JB and I talk about all of this -- his winding path to film composing, the value of building a team and working with valued collaborators, and using music to mark Rise of the Beasts' distinct globe-trotting adventure and '90s aesthetics. You can find Jongnic Bontemps at his official website. Transformers: Rise of the Beasts is currently playing in theaters, and you can listen to the score on your preferred platform courtesy of Milan Records.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Better late than never. Actually, I think this is the latest I've ever presented my year-end round-up program. I hope you enjoy it anyway. On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods presents music from some of his favourite scores written in 2022. This is part one of a four-part series. Today, you'll hear selections by such composers as Nigel Westlake, Tom Holkenborg, Michael Abels, Steve Jablonsky, Abel Korzeniowski, Olivier Deriviere, John Williams, William Ross, Michael Giacchino, Hesham Nazih and Danny Elfman. Part two will be online in a few days! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
In a year where several releases were pushed into 2023 and other titles chose to be only on streaming, we take a hard look and rank the remaining comic book movies that were released in theatres in 2022. Music and audio from "Black Adam" is the property of Lorne Balfe, Beau Flynn, Hiram Garcia, Dwayne Johnson, Dany Garcia, New Line Cinema, DC Films, Seven Bucks Productions, and FlynnPictureCo. Music and audio from "Black Panther: Wakanda Forever" is the property of Ludwig Goransson, Kevin Feige, Nate Moore, and Marvel Studios. Music and audio from "The Batman (2022)" is the property of Michael Giacchino, Dylan Clark, Matt Reeves, DC Films, 6th & Idaho, Dylan Clark Productions and Warner Bros. Pictures. Music and audio from "DC League of Super Pets" is the property of Steve Jablonsky, Patricia Hicks, Dwayne Johnson, Dany Garcia, Hiram Garcia, Jared Stern, Warner Animation Group, DC Entertainment, and Seven Bucks Productions. Music and audio from "Dragon Ball Super: Super Hero" is the property of Noaki Sato, Norihiro Hayashida, Toei Animation, and Crunchyroll. Music and audio from "Doctor Strange In The Multiverse of Madness" is the property of Danny Elfman, Kevin Feige, and Marvel Studios. Music and audio from "Jujitsu Kaisen 0" is the property of Hiroaki Tsutsumi, Yoshimasa Terui, Alisa Okehazama, Masaya Saito, Yuri Murai, Toshihiro Maeda, MAPPA, and Crunchyroll. Music and audio from "Morbius" is the property of Jon Ekstrand, Avi Arad, Matt Tolmach, Lucas Foster, Columbia Pictures, Marvel Entertainment, Arad Productions, and Matt Tolmach Productions. Music and audio from "One Piece Film: Red" is the property of Yatsutaka Nakata, Eiichiro Oda, Toei Animation, and Crunchyroll. Music and audio from "The Quintessential Quintuplets Movie" is the property of Hanae Nakamura, Miki Sakurai, Junichiro Tanaka, Tomoki Ueda, Makoto Furukawa, Tomoyuki Ōwada, Gōta Aijima, Mitsutoshi Ogura, Yūichi Izumi, Kento Yoshida, Bibury Animation Studios, and Crunchyroll. Music and audio from "Thor: Love & Thunder" is the property of Michael Giacchino, Nami Melumad, Kevin Feige, Brad Winderbaum, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.
Episode 345."Pig"Composer: Philip Klein.Philip Klein's music has been heard in film and television projects for Sony, Disney, Pixar, Lionsgate, ABC and CBS. Recent projects include Sony Animation's "Wish Dragon", “The Last Full Measure” and Neon's "Pig". He also penned 18 new orchestral arrangements for Aerosmith's Las Vegas residency, “Deuces Are Wild.” As an additional writer, Philip has collaborated with some of the finest composers working in film and TV, including Harry Gregson-Williams, Carter Burwell, Alex Heffes and Fil Eisler. He is also in demand as an orchestrator, having had the honor of working with James Newton Howard, Alexandre Desplat, Ludwig Göransson, Hildur Guðnadóttir, Steve Jablonsky, David Buckley, Stewart Copeland and several other amazing artists. Recent orchestration credits include the Oscar winning "Joker", Oscar nominated "News of the World" and Disney's "The Mandalorian".Philip studied trumpet performance and composition at Northwestern University. In 2011 he was selected as one of six fellows for the Sundance Institute's Film Composing Lab. Philip is infinitely indebted to his mentors: Harry Gregson-Williams, Alan Silvestri, Penka Kouneva and Peter Golub.Welcome, Philip Klein.Darek Thomas.Instagram, YouTube and Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticwww.imdb.com/title/tt12597724/www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com
My guest today is Freddy Avis aka Arswain a composer, producer, and solo artist in the indie/electronic band Arswain in Los Angeles, CA. Freddy got his start in composition under acclaimed Emmy-nominated composer James S. Levine (Glee, American Horror Story, Bloodline, Nip Tuck, The Last Ship) at Hans Zimmer's Remote Control Productions in Santa Monica, CA. Since then Freddy holds music credits on shows including Major Crimes, Why Women Kill, Instinct, Star, & Chambers, as well as placements on Tiger King, Shark Tank, Dateline, & The Dr. Oz Show. He's contributed synth & percussion work on 8-time Oscar-nominated composer James Newton Howard's score for Walt Disney feature Jungle Cruise, as well as additional music for Steve Jablonsky's score for Why Women Kill. Freddy holds a pair of Bachelor's degrees in Music and Political Science from Stanford University, where he also pitched for the baseball team. In 2012 he was drafted by the Washington Nationals in the 25th round of the Major League Baseball Draft. Arswain has some amazing music and video productions that create sounds scapes and surreal worlds in a very cinematic way and today we will talk about how he creates in his studio and composing for film in LA. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/35Zu0aii0cGA9J3aQ4bKJ8?si=0ba1c99eb8774a62 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/363
Amadea Bailey was born in Gottingen,Germany and spent her childhood in Kenya. She was educated at Yale University, studied dance and acting at the Royal Academy of Dramatic Art in London and the American Conservatory Theatre in San Francisco and finished her art studies at the New York Studio School in Manhattan. Bailey has traveled extensively and has lived in London, Paris, and New York. Currently she lives and works in Los Angeles, five minutes from the ocean. She designed her own studio, which has been featured in a number of nationally aired films, television shows, and commercials. Bailey is at heart an expressionist painter. Her work is emotionally driven, highly textured. and the result of the immediate process of painting. She does not paint according to plan but allows each painting to unfold as she goes along. As Bailey says, “I enter into a dance with each new canvas and never have a clue where I am going to end up.” She works in oil, mixed media, collage, and drawing. Bailey has shown in numerous galleries and her work is in many private and public collections across the country, including that of Halle Berry, Tia Carrere and Steve Jablonsky. She is also passionate about surfing, dance, architecture and fashion. In this episode we speak about everything from: ~ growing up internationally and how that affected her ability to be a truly sensual being ~ connecting to and trusting the wisdom of your body ~ combining practical methods to activate the masculine and feminine flow in your life ~ what it's like to live the life of a professional artist and how spirituality is a major key to her success ~ reaching milestones past the age of 50 and why that's a great thing ~ being ‘messy' (what that means and why it's critical to being a truly mojolicious woman) ~ and much more! Connect with Amadea Bailey Website | www.amadeabailey.com www.createandprospernow.com ***** MENTORING + FREE MOJO CHECK LIST Burnt out and Stressed? Disconnected from your body? Lost your enthusiasm for life? Craving confidence + feminine radiance? You need to talk with me ASAP. You are being gifted with an opportunity to have a complimentary Mojo Mentoring session with me*. And yes, we can uncover what's in the way and ignite your mojo…PLUS, as soon as you book your call, you receive a FREE Mojo Check List to get your engines revved right away. Click the link and reserve your spot now: https://mojo.deborah-kagan.com/mentoring * a limited number of sessions are available ***** Connect with Deborah Website | http://therealundressed.com/ Instagram | https://www.instagram.com/therealundressed/ https://www.instagram.com/deborahkagan/ Facebook | https://www.facebook.com/mojorecoveryspecialist/ Subscribe to The Real Undressed Podcast iTunes | https://podcasts.apple.com/us/podcast/the-real-undressed-with-deborah-kagan/id1494643770 Spotify | https://open.spotify.com/show/1eOQaw6kryBsXo7Jb6qEnv Please remember to: Subscribe Rate Review the podcast. I read every single one and your feedback is valuable.
Author of the international best selling books, Excelsior, and Ever Upward, George Sirius shares about how Steve Jablonsky's score to the 2011 Michael Bay film, Transformers: Dark of the Moon has directly inspired scenes in the Excelsior Journey series. While George is a fan of the majority of Jablonsky's work for Transformers, he explains why the score Dark of the Moon stands out in particular. We also chat about Jablonsky's filmography dating all the way back to when he was an understudy of Hans Zimmer and we discuss about how different composers from the Harry Potter franchise have helped inspire other scenes in his books and he shares about his quest to complete the Excelsior Journey trilogy and beyond! He is also the host of the Excelsior Journey Podcast and the From Duck Til Dark: Outside the Marvel Studios Podcast. More information about George and his work can be found at http://www.hesgotit.com He can be found on FB/IG/Twitter @georgesirois. --- Support this podcast: https://anchor.fm/soundtrackyourlife/support
Observers: John Pavlich, Hayley Mason Record Date: January 29, 2022, 09:50 AM Couch Surfing returns, as Hayley Mason joins the podcast to discuss the new Scream (2022)! 00:36:55 – SPOILERS BEGIN HERE! The following artists can be heard in this episode: Marina & The Diamonds, Sylvan Esso, Wolf Club, The Midnight & Nikki Flores, Timecop1983 & Sea Waves, Wayfloe, Low Roar, Steve Jablonsky, Big Giant Circles & Ashly Burch, Dabu & Brigitte Naggar, Gunship, Kate Brady, Jasper Byrne, Shana Falana, Volkor X, Bordeaux, Adam Jones, At Sea, French 79, Grimes, Kiile & Marvel83, M83, Driver86 & Oceanside85, Dead Man's Bones, Klergy & Valerie Broussard, Ben Howard, MS MR and All The Damn Vampires & Michelle Bensimon. Donate: John's PayPal!
After two years of waiting we bring you our Bat-Jar ranking of comic book films released in theatres during the years of 2020 and 2021. To qualify, a movie must have played in theatres in North America and it's source material must originate in comic book form. Music and audio from "Birds of Prey and the Fantabulous Emancipation of One Harley Quinn" is the property of Daniel Pemberton, Margot Robbie, Brian Unkeless, Sue Kroll, DC Films, Lucky Chap Entertainment, Kroll & Co. Entertainment, and Clubhouse Pictures. Music and audio from "Black Widow" is the property of Lorne Balfe, Kevin Feige, and Marvel Studios. Music and audio from "Bloodshot" is the property of Steve Jablonsky, Neal H. Moritz, Toby Jaffe, Dinesh Shamdasani, Vin Diesel, Columbia Picturesm Bona Film Group, Cross Creek Pictures, Original Film, One Race Films, Valiant Entertainment, Annabell Pictures, and The Hideaway Entertainment. Music and audio from "Demon Slayer: Kimetsu no Yaiba- The Movie: Mugen Train" is the property of Yuki Kajiura, Go Shiina, Akifumi Fujio, Masanori Miyake, Yuma Takahashi, Ufotable, Toho, Aniplex, and Funimation. Music and audio from "Eternals (2021)" is the property of Rami Djawadi, Kevin Feige, Nate Moore, and Marvel Studios. Music and audio from "The King's Man" is the property of Matthew Margeson, Dominic Lewis, Matthew Vaughn, David Reid, Adam Bohling, 20th Century Studios, TSG Entertainment, Marv Studios, and Cloudy Productions. Music and audio from "My Hero Academia: Heroes Rising" is the property of Yuki Hayashi, Wakana Okamura, Yoshihiro Oyabu, Koji Nagai, Kazumasa Sanjoba, Bones, Toho, and Funimation. Music and audio from "My Hero Academia: World Heroes' Mission" is the property of Yuki Hayashi, Sokichi Onoda, Mirei Tsumura, Hiroya Nakata, Kazumasa Mijoba, Mari Kobayashi, Hayato Saga, Bones, Toho, and Funimation. Music and audio from "The New Mutants" is the property of Mark Snow, Lauren Shuler Donner, Simon Kinberg, Karen Rosenfelt, 20th Century Studios, Marvel Entertainment, Genre Films, and Sunswept Entertainment. Music and audio from "Shang-Chi & the Legend of the Ten Rings" is the property of Joel P. West, Kevin Feige, Jonathan Schwartz, and Marvel Studios. Music and audio from "Spider-Man: No Way Home" is the property of Michael Giacchino, Amy Pascal, Kevin Feige, Columbia Pictures, Pascal Pictures, and Marvel Studios. Music and audio from "The Suicide Squad" is the property of John Murphy, Charles Roven, Peter Safran, DC Films, Atlas Entertainment, and The Safran Company. Music and audio from "Venom: Let There Be Carnage" is the property of Marco Beltrami, Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, and Hutch Parker. Music and audio from "Wonder Woman 1984" is the property of Hans Zimmer, Charles Roven, Deborah Snyder, Zack Snyder, Stephen Jones, Patty Jenkins, Gal Gadot, DC Films, Atlas Entertainment, and The Stone Quarry. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.
From 2018 we present the second of our three-part series Ode to Joysticks. Sit back as we move from 8-bit to 64-bit and find ourselves in worlds old and new, searching for mystical treasure, solving puzzles, joining ancient societies, driving fast cars or at the most fundamental level just trying to survive that new very scary looking new monster coming toward us. We learn how some of the top games composers, conductor and orchestral arrangers challenge themselves with each project to create something new: imagination and determination are needed in equal measure, and within the region of 100 years of experience between them there is plenty to talk about. We speak to composer Winifred Philips who alongside scoring some incredible games has encouraged others into her world with her book A Composer's Guide to Game Music. Composer Nitin Sawhney, who was awarded the Ivor Novello Lifetime Achievement award, but for him it was an invitation from actor and director Andy Serkis that began for a five year adventure scoring two stunningly successful games - soundtracking gamers' moments of frustrating and exhilaration. Composer Austin Wintory who was nominated for a Grammy for his score to Journey, has built a career through a sense of exploration and curiosity. Irish composer and conductor Eímear Noone, the world's current premier conductor of video game scores. As a composer, Eimear is part of the team writing the music for World of Warcraft: Warlords of Dreanor, and conducted of The Zelda Symphony, a full four-movement symphony created from the themes from the iconic video game. Film composer Inon Zur who started off writing music as in-house composer on the Power Rangers TV series, but ended up writing video games scores to be played by the London Symphony Orchestra.Danish composer Jesper Kyd, a self-taught musician who used the Commodore 64 and Amiga as his initial tool for composing - as the computer systems grew and expanded so did his ambition. And Bulgarian composer Penka Kouneva who has worked with the likes of Steve Jablonsky on orchestration the games score for some big franchise game such as Transformers and Gear of War. Finally we speak to professor of psychology Lauren Stewart from Goldsmiths University about how the beep beep 8-bit phenomenon of the earworm has become a common malady for the serious or even casual gamer. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.
Composer Steve Jablonsky joins us once again for a new All Access interview. Steve recently re-teamed with director Rawson Marshall Thurber for Red Notice, which just recently became the biggest opening weekend ever for a film debut on Netflix. We dive into Steve's score for Red Notice and talk about balancing tone to make sure the score is fun but still has weight and stakes. Steve talks about leaning into the genre of caper films and utilizing some elements in the score that give a great nod to the genre. We also rewind the clocks a bit to discuss Steve's score to Bloodshot starring Vin Diesel, which came out right at the start of the pandemic. Steve also shares his views about scoring a film for Netflix and what his take is on the debate of seeing films in a theater vs streaming at home. A Film.Music.Media Interview | Produced & Presented by Kaya Savas
The Island | Ewan McGregor | Scarlett Johansson | Michael Clarke Duncan | Michael Bay | [2005] Join Ruben and The Russian as they digest this 2005 Sci-Fi classic, directed by Michael Bay and starring Ewan McGregor and Scarlett Johansson. The Island is a 2005 American science fiction thriller film directed and co-produced by Michael Bay. It stars Ewan McGregor, Scarlett Johansson, Djimon Hounsou, Sean Bean, Michael Clarke Duncan, and Steve Buscemi. The film is about Lincoln Six Echo (Ewan McGregor), who struggles to fit into the highly structured world in which he lives, isolated in a compound, and the series of events that unfold when he questions how truthful that world is. After Lincoln learns the compound inhabitants are clones used for organ harvesting as well as surrogates for wealthy people in the outside world, he attempts to escape with Jordan Two Delta (Scarlett Johansson) and expose the illegal cloning movement. Principal photography for The Island began on Sunday, October 24, 2004. The ruined buildings where Jordan and Lincoln sleep after leaving the subterranean compound are in Rhyolite, Nevada. The city parts were shot in Detroit, Michigan, with Michigan Central Station one of the notable locations. Other portions of the film were shot in the Coachella Valley, California The Island has been described as a pastiche of "escape-from-dystopia" science fiction films of the 1960s and 1970s, such as Fahrenheit 451, THX 1138, Parts: The Clonus Horror, and Logan's Run. The Island cost $126 million to produce. The original score was composed by Steve Jablonsky, who went on to score Bay's further works. It opened on July 22, 2005, by DreamWorks Pictures in North America and internationally by Warner Bros. Pictures, to mixed reviews, earning $36 million at the United States box office and $127 million overseas for a $162 million worldwide total. #TheIsland #ScarlettJohansson #EwanMcGregor #MichaelBay #DjimonHounsou #SeanBean #MichaelClarkeDuncan #SteveBuscemi #KimCoates #EthanPhillips #TheIsland2005 #MauroFiore #PaulRubell #ChristianWagner #RogerBarton #JohnMurray #SteveJablonsky #AlexKurtzman #RobertoOrci #CaspianTredwellOwen #IanBryce #WalterParkes #DreamWorksPictures #WarnerBrosPictures #ParkesMacDonaldProductions #MovieByte #MovieBytePodcast #JustChillinEntertainment --------------------------------------------------------------------------- Follow Us: Facebook: https://www.facebook.com/moviebytepod... Instagram: https://www.instagram.com/movie.byte/ Twitter: https://twitter.com/byte_movie Podcast: https://anchor.fm/moviebyte A Just Chillin' Entertainment original production Follow Them: Facebook: https://www.facebook.com/justchillinent Instagram: https://www.instagram.com/justchillinentertainment Twitter: https://www.twitter.com/JustChillingEn1 --------------------------------------------------------------------------- This Podcast is a critique of the movie which falls within "fair use" under Section 107 of the US Copyright Act of 1976. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Getting back to the second half of my review of this spectacular horror movie soundtrack by one of my favorite composers, Steve Jablonsky. The Texas Chainsaw Massacre: The Beginning Links: iTunes: https://music.apple.com/us/album/the-texas-chainsaw-massacre-the-beginning-original/1443406962 Amazon: https://www.amazon.com/Texas-Chainsaw-Massacre-Beginning/dp/B000I2IQ9W/ref=sr_1_1?dchild=1&keywords=steve+jablonsky+texas+chainsaw&qid=1630968347&sr=8-1 Steve Jablonsky Links: Website: https://steve-jablonsky.com/ Facebook: https://www.facebook.com/SteveJablonskyOfficial Instagram: https://www.instagram.com/jablonsky_steve/ Twitter: @jablonsky_steve Apple Music: https://music.apple.com/us/artist/steve-jablonsky/21402948 Spotify https://open.spotify.com/artist/5Il8YjuVAWkWNH2xgjFMpF HaskinCast Podcast links: My Website: https://www.scotthaskin.com/podcast Official Facebook page: https://www.facebook.com/profile.php?id=1210703585754449&ref=br_rs Spotify: https://open.spotify.com/show/3hr9NNZSe6Q9tFOjD5bX8j?si=Tqme3XQXQXq8Qo4EDE2rjw https://open.spotify.com/show/3hr9NNZSe6Q9tFOjD5bX8j iTunes: https://itunes.apple.com/us/podcast/haskincast-podcast/id1437772872?mt=2 YouTube: https://www.youtube.com/user/ScottHaskinMusic Google Play: https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/Ipsjavxsi5u4l4t5xvzmxjess4i?t%3DHaskinCast_PodCast%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 Podbean: https://www.podbean.com/site/Search/index?v=haskincast #SteveJablonsky #Transformers #TexasChainsaw #TexasChainsawMassacre #Leatherface #TobeHooper #AndrewBryniarski #JordanaBrewster #LeeTergesen #Horror #Soundtrack #HorrorMovie #HorrorSoundtrack #EndersGame #DesperateHousewives #Battleship #LasVegas #Composer #Author #AudioEngineer #Drummer #Podcast #PodcastLife #HaskincastPodcast
Bringing Back Melodic Themes (Pieter Schlosser @pieterschlosser S01 E023) This Award-winning film and television composer is a world traveller and passionate road cyclist. He has worked alongside composers like Steve Jablonsky and Hanz Zimmer. His credits range from world-renowned video games like Destiny 2 and The Sims series to Television and Film credits like NBC's You, Me and the apocalypse, The Lying Game, The Client List, and other music franchises like Transformers, Resurrection and Desperate Housewives.You can hear his latest scores on Telemundo Channel's new drama Malverde: el Santo Patrón and The Secret of Sulfur Springs on Disney +. He's a fellow Berklee College of Music alumni and Spanish-speaking family man with us today on the show, Pieter Schlosser. Enjoy! We have episodes in English and Spanish, guest composers, producers, musicians who create tracks that tell inspiring stories. Thanks for listening!This episode is sponsored by El Luchador Audio, a company that produces beautifully crafted loops, samples, tools, and exclusive content for creating music with a focus on promoting Latin musical talent.Gracias, thank you for being with us today, thank you for making, listening and/or supporting music, if all is well, do not forget to subscribe and we will catch you in the next one. m.Support this podcast at — https://redcircle.com/elcomposerpodcast/donations
Let's dig into what is, in my opinion, one of the best horror soundtracks ever created. The Texas Chainsaw Massacre: The Beginning Links: iTunes: https://music.apple.com/us/album/the-texas-chainsaw-massacre-the-beginning-original/1443406962 Amazon: https://www.amazon.com/Texas-Chainsaw-Massacre-Beginning/dp/B000I2IQ9W/ref=sr_1_1?dchild=1&keywords=steve+jablonsky+texas+chainsaw&qid=1630968347&sr=8-1 Steve Jablonsky Links: Website: https://steve-jablonsky.com/ Facebook: https://www.facebook.com/SteveJablonskyOfficial Instagram: https://www.instagram.com/jablonsky_steve/ Twitter: @jablonsky_steve Apple Music: https://music.apple.com/us/artist/steve-jablonsky/21402948 Spotify https://open.spotify.com/artist/5Il8YjuVAWkWNH2xgjFMpF HaskinCast Podcast links: My Website: https://www.scotthaskin.com/podcast Official Facebook page: https://www.facebook.com/profile.php?id=1210703585754449&ref=br_rs Spotify: https://open.spotify.com/show/3hr9NNZSe6Q9tFOjD5bX8j?si=Tqme3XQXQXq8Qo4EDE2rjw https://open.spotify.com/show/3hr9NNZSe6Q9tFOjD5bX8j iTunes: https://itunes.apple.com/us/podcast/haskincast-podcast/id1437772872?mt=2 YouTube: https://www.youtube.com/user/ScottHaskinMusic Google Play: https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/Ipsjavxsi5u4l4t5xvzmxjess4i?t%3DHaskinCast_PodCast%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 Podbean: https://www.podbean.com/site/Search/index?v=haskincast #SteveJablonsky #Transformers #TexasChainsaw #TexasChainsawMassacre #Leatherface #TobeHooper #AndrewBryniarski #JordanaBrewster #LeeTergesen #Horror #Soundtrack #HorrorMovie #HorrorSoundtrack #EndersGame #DesperateHousewives #Battleship #LasVegas #Composer #Author #AudioEngineer #Drummer #Podcast #PodcastLife #HaskincastPodcast
[Rediffusion de l'émission du 7 avril 2020] Quelques semaines après l'accord de retrait des troupes américaines d'Afghanistan, le Collimateur se penche sur la situation politique et militaire du pays, au terme de bientôt deux décennies de présence américaine dans le pays ; avec Adam Baczko, chercheur au CERI, le centre de recherches internationales de Sciences Po. Avec Alexandre Jubelin, il commence par revenir sur le point de départ de cette guerre à partir de 1978 (2:00) puis de l'intervention soviétique en 1979, à laquelle s'oppose une insurrection soutenue par les Etats-Unis (10:00), et sur la période d'instabilité déclenchée par la chute de l'URSS et la guerre civile qui s'ensuit (15:00) et les facteurs qui amènent à la prise du pouvoir par les Talibans (20:00). Ils détaillent ensuite l'intervention occidentale en Afghanistan à la suite du 11 septembre, dans ses contours concrets (31:30) et sur le régime d'Hamid Karzaï que les Etats-Unis mettent en place (38:30), puis entrent dans la logique du « surge » de troupes occidentales en 2009 (45:00) et sur les problèmes inhérents à la présence américaine, où celle-ci se retrouve instrumentalisée dans des conflits locaux (53:00). Ils envisagent enfin le bilan de cette présence de près de 20 ans, à travers notamment les forces actuelles des Talibans (56:30), la faiblesse du gouvernement reconnu par les Nations unies, entérinée par l'accord de retrait récemment signé (1:04:00). Ils évoquent enfin le retour de la Russie dans le jeu afghan et la tendance au recours aux Talibans, pour faire face à la montée de l'Etat islamique dans le pays (1:08:00). Extraits audio : - "Bia ke berim ba mazar" , chanson traditionnelle afghane youtu.be/kyoSM7Ur3Pw - "Goat Herders" de Steve Jablonsky, sur la bande-son du film "Lone Survivor" (2013).
Original broadcast date January 24, 2019. The original podcast post is here: https://pixelatedgeek.com/2019/01/binary-system-podcast-161-bumblebee-and-other-transformers-topics/ It sure doesn't happen very often: both the East and West Coast branches of Binary System actually saw a movie before it left the theaters. But it was a Transformers movie, and the reviews were great, so how could they NOT go see it? Spoilers ahoy! Listen in as they break down everything they loved (and a couple teeny tiny things they didn't) about Bumblebee. After that they segued into...more Transformers stuff, including the Transformers The Movie mini-documentary that Kathryn recommends, IDW's Transformers: Historia, and, you know, all the other IDW Transformers books that they loved. This week's outro music is a clip from the Bumblebee score by Dario Marianelli which, seriously, if it's one thing we loved about the Michael Bay movies it was the score by Steve Jablonsky, but Marianelli did a hell of a job with the music in Bumblebee. https://www.amazon.com/Bumblebee-Motion-Picture-Score-Marianelli/dp/B07L46D6VY The mini-documentary Kathryn mentioned is called Really That Good - Transformers: The Movie (1986), and it takes a very in-depth look at how something that was basically a series of toy commercials leading to a ninety-minute toy commercial ended up being so meaningful to an entire generation of children. https://www.youtube.com/watch?v=_9iab0z6Kyg The Youtuber who talks about The Male Gaze and how it applies to the Michael Bay Transformers movie franchise is Lindsay Ellis https://www.youtube.com/channel/UCG1h-Wqjtwz7uUANw6gazRw, and her whole Transformers Film Studies series is really, really good. https://www.youtube.com/watch?v=PRXI__Wixas&list=PLJGOq3JclTH8J73o2Z4VMaSYZDNG3xeZ7 Correction: We referred to the main character in Michael Bay's first Transformers movie as Spike. His name was actually Sam. We got it wrong because we don't actually care.
Today you'll feel all nostalgic with my discussion about Transformers directed by Michael Bay. You'll hear me discuss the cast, background and the great score by Steve Jablonsky. Sit back and relax. Enjoy --- Support this podcast: https://anchor.fm/randy-andrews/support
Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — This episode is spoken by Rich Wilkerson Jr, Bayless Conley, Kevin Breel, George Watsky, Nick Vujicic, Kai Greene, Dwayne Johnson, Eric Thomas, Lecrae, Steven Furtick. The music is Tessa by Steve Jablonsky
This episode is spoken by Rich Wilkerson Jr, Bayless Conley, Kevin Breel, George Watsky, Nick Vujicic, Kai Greene, Dwayne Johnson, Eric Thomas, Lecrae, Steven Furtick. You can see more of Rich Wilkerson Jr at tr.im/RichWilkersonJr, Bayless Conley at tr.im/BaylessConley, Kevin Breel at tr.im/KevinBreel, George Watsky at tr.im/GeorgeWatsky, Nick Vujicic at tr.im/NickVujicic, Kai Greene at tr.im/KaiGreene, Dwayne Johnson at tr.im/DwayneJohnson, Eric Thomas at tr.im/EricThomas, Lecrae at tr.im/Lecrae, Steven Furtick at tr.im/StevenFurtick. The music is Tessa by Steve Jablonsky. You can see more of Steve Jablonsky at tr.im/SteveJablonsky.
The two versions of Title Theme from Observe and Report covered in this episode are soundtracks for the sci-fi audio drama Observe and Report, a story about an alien that gets stranded on earth. My name is Nate Fisher. I'm a writer and composer from Washington. I wrote the two versions of this piece to express the loneliness of an earthbound alien. The first version is a gentler solo piano piece while the second incorporates big orchestral elements for a grand cinematic feel. Let’s break it down! IN THIS EPISODE 01:33 My favorite score is Steve Jablonsky’s score for the first Transformers film. I’m also influenced by Martin O’Donnell and Michael Salvatori’s score for the Halo games. And, of course, Howard Shore and John Williams. 02:26 I’ve come to the conclusion that it’s better to start with a new project instead of a template. Templates save time, but end up making your music sound the same. I sit at the piano and just noodle around until something comes out. 03:00 Today we’ll look at two different versions of the same song. The first version (in C) is a solo piano with light orchestration. The second is bigger, with an epic cinematic sound (in G). One of my main goals with season 2 of Observe and Report was to take everything to the next level, including the theme song. 04:05 There’s a current trend in film trailers - slowing down familiar themes and giving them a big, epic sound. Listen to the trailer for The Rise of Skywalker and hear how the recognizable melody is played back in half-time and reharmonized. 04:58 When music is made to sound really big, it creates a dimension of space that dovetails well with the sci-fi idea of space. 06:55 What is epic? Some examples of how I do it include having layering melody instruments, big brass and drums, a wide dynamic range, melodies that span multiple octaves. I love the way the french horn adds a sense of adventure to my music. 08:10 There’s a nice chromatic descending line at this moment in the piece. 08:45 I avoid common pop progressions when writing for sci-fi. There’s nothing wrong with them but they don’t generally lend themselves to sci-fi themes in my opinion 09:11 In the season 2 version of the theme, I decided to use the clean electric guitar to convey the loneliness of space. And also to have an instrument that could bring some meat to the song when needed! 10:20 I had been avoiding the use of the theremin and its classic spooky sci-fi sound, but I decided I’d been staying away from it for too long and it was time to give it a spot. 10:58 There’s a nice big Hans Zimmer ‘drop’ moment where all the instruments hit together and the energy kicks in. It serves the purpose of being musical ear-candy. But it also allows a pause for when the credits begin to play. It was a balance between artistic and practical. SHOW NOTES Listen to Observe and Report https://observeandreportpodcast.com Follow Observe and Report https://twitter.com/OARPodcast MUSIC CREDITS Steve Jablonsky - Autobots John Williams - Star Wars: Rise of Skywalker Trailer ABOUT THIS SHOW How I Make Music is where behind-the-scenes musicians tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made. How I Make Music https://howimakemusic.com Subscribe to How I Make Music https://pod.link/1460793686 Contact How I Make Music https://johnbartmann.com/contact Host an episode of How I Make Music https://bit.ly/host-an-episode How I Make Music is created by John Bartmann https://johnbartmann.com
THIS WEEK: Peter dons the animal mask to take out the Russian mafia with synthwave ultraviolence in Hotline Miami and Joe creates characters to use omnipotence and have them suffer unfortunate fates with Steve Jablonsky's work in The Sims 3.
We had the great pleasure to site down and talk with one of the greatest modern composers out there working
With Mutants in Manhattan and Out of the Shadows both coming in the next few weeks, Teenage Mutant Ninja Turtles Awesomeness is right round the corner! The gang is here to get you up-to-date on the latest TMNT news as we prepare for one Shell of a Summer!-------------------------Quick News Bites-------------------------Best Seats at Yankee Stadium? You know you have to dress up for the occasion! #TMNT #MLB #GoNinjaGohttp://espn.go.com/mlb/story/_/id/15140645/teenage-mutant-ninja-turtles-get-premium-seats-new-york-yankees-gameTeenage Mutant Ninja Turtles Named City's Official Family Ambassadorshttps://www.dnainfo.com/new-york/20160420/gramercy/teenage-mutant-ninja-turtles-named-citys-official-family-ambassadorsHow we made Teenage Mutant Ninja Turtles - a short interview with Kevin Eastman and David Wisehttp://www.theguardian.com/culture/2016/may/10/how-we-made-teenage-mutant-ninja-turtlesDanica Patrick to drive 'Teenage Mutant Ninja Turtles' car at Chicagolandhttp://www.usatoday.com/story/sports/nascar/2016/04/26/danica-patrick-teenage-mutant-ninja-turtles-chicagoland/83543944/Nick Animation @NickAnimationHappy to announce the Nick Animation Podcast! Listen to the trailer:https://www.youtube.com/watch?v=vDcENC7aiqYIs May 5th the real TMNT Day???http://comicsalliance.com/tribute-teenage-mutant-ninja-turtles/The “Turtle Lair” is now available on AirBNBhttps://www.airbnb.com/rooms/12885815Teenage Mutant Ninja Turtles Porn Parody Has Inevitably Arrivedhttp://www.complex.com/pop-culture/2016/05/teenage-mutant-ninja-turtles-adult-film-parodyTrailer: https://www.youtube.com/watch?v=J9Lu2LieQTA-------------------------Video Game News-------------------------Teenage Mutant Ninja Turtles: Mutants in Manhattan Pre-Orders Bag Bonus Skinshttp://www.xboxachievements.com/news/news-23677-Teenage-Mutant-Ninja-Turtles--Mutants-in-Mayhem-Pre-Orders-Bag-Bonus-Skins.htmlTigerClaw @TigerClaw305 @TMNTPodcast @TMNTMiM It looks like the rock and roll costumes are based on the original figures.https://s-media-cache-ak0.pinimg.com/736x/88/0a/b2/880ab24e9e63191be732b53985562838.jpg-------------------------TV News -------------------------Rob Paulsen and Kevin Michael Richardson on TEENAGE MUTANT NINJA TURTLES' Animated '80s Crossoverhttps://www.youtube.com/watch?v=ZUYXX39rFAwMeet Ciro Nieli: The director of Nickelodeon’s ‘Teenage Mutant Ninja Turtles’http://gulfnews.com/tabloid/celebrity/meet-ciro-nieli-the-director-of-nickelodeon-s-teenage-mutant-ninja-turtles-1.1717984Season Finale Reviewhttp://www.ign.com/articles/2016/04/24/teenage-mutant-ninja-turtles-earths-last-stand-reviewbrandon_auman on InstagramTwo generations of Turtles recorded this morning! #TMNT #turtlepower #booyakasha #cowabunga #teenagemutantninjaturtleshttps://www.instagram.com/p/BEWWGYSIB9W/-------------------------Collecting News-------------------------UNBOXING: Teenage Mutant Ninja Turtles HeroClixVideo: https://www.youtube.com/watch?v=LfmFiXmyp9cMondo Updatehttp://mondotees.com/blogs/news/124311363-collectibles-update-from-brock-otterbacherPrime 1's Teenage Mutant Ninja Turtles Will Cost You a Radical Sumhttp://comicsalliance.com/prime-1-studio-tmnt-movie-statues/Pre-Order: http://www.sideshowtoy.com/collectibles/tmnt-teenage-mutant-ninja-turtles-prime-1-studio-902721/Lunar Toy Store on Facebook3rd Party First Gokin Shredder Updatehttps://www.facebook.com/Lunartoystore/posts/936439586463717Same creator of the First Gokin Cerebral Kranghttps://www.lunartoystore.com/first-gokin-25cm-metal-big-boss-cerebral-figure-862.htmlHEROCROSS Teenage Mutant Ninja Turtles Figures Previewhttp://news.toyark.com/2016/04/29/herocross-teenage-mutant-ninja-turtles-figures-preview-203061#imagesTeenage Mutant Ninja Turtles Leonardo Katana Prop Replica Now Available From @FactoryEnthttp://www.actionfigureinsider.com/teenage-mutant-ninja-turtles-leonardo-katana-prop-replica-now-available-from-factoryent/Order Here:http://www.factoryent.com/Teenage-Mutant-Ninja-Turtles-Leonardo-Katana-p/408981.htm-------------------------Comics News-------------------------‘Teenage Mutant Ninja Turtles Universe’ Expands IDW's TMNT Comic Worldhttp://www.ign.com/articles/2016/04/07/teenage-mutant-ninja-turtles-universe-expands-idws-tmnt-comic-worldPreview: Teenage Mutant Ninja Turtles Deviations #1http://comicbook.com/2016/03/28/exclusive-preview-teenage-mutant-ninja-turtles-deviations-1/Six of the Weirdest Moments in Teenage Mutant Ninja Turtles Comics Historyhttp://moviepilot.com/posts/3847000Turtle Flakes @TurtleFlakesHere's the IDW timeline of each TMNT story arc up to volume 12! #TMNT @TMNTPodcasthttps://twitter.com/TurtleFlakes/status/725982650553520128Out Now:IDW - IDW Series: #58 released May 11, 2016, #59 coming June 22nd.- Batman / TMNT #6 of 6 released May 11th, 2016, HC coming August 17th.- Deviations: Out Now- Bebop & Rocksteady Destroy Everything #1 of 5 coming June 1st, 2016. All 5 will be released throughout June.IDW Adventures- Amazing Adventures #10 coming May 25th, 2016. #11 coming June 8th.- TMNT Amazing Adventures: Carmelo Anthony Special coming May 25, 2016.Mirage - Tales of the TMNT, Volume 8 is out now! Collects Issues of Mirage Tales of the TMNT Vol.2, Issues 22-25. Volume 9 is scheduled for August 16th. Archie - TMNT Adventures Volume 11, collects issues 45-50, out now! Volume 12, collecting issues 51-54, coming September 13th, 2016.-------------------------Movie News-------------------------Several new trailers outhttp://www.youtube.com/tmntmovie1First Good look at Krang, thanks to @TigerClaw305https://twitter.com/TigerClaw305/status/731315054205911040TMNT: Out of the Shadows director Dave Green and producer Brad Fullerhttps://www.youtube.com/watch?v=GnxyKNd-jtQInternational (Korean) Posterhttp://www.comicbookmovie.com/teenage_mutant_ninja_turtles/some-great-new-footage-in-latest-tmnt-2-tv-spot-plus-a141465‘Teenage Mutant Ninja Turtles: Out of the Shadows': Stephen Amell Introduces Casey Jones, Talks Turtleshttp://collider.com/stephen-amell-teenage-mutant-ninja-turtles-2-interview-clip-megan-fox/Brittany Ishibashi talks Teenage Mutant Ninja Turtles: Out of the Shadows on iTalk Movieshttps://www.youtube.com/watch?v=hrHqxAjNzxIOut of the Shadows Set Visit Report – Den of Geekhttp://www.denofgeek.com/movies/teenage-mutant-ninja-turtles-out-of-the-shadows/39363/teenage-mutant-ninja-turtles-making-a-sequelSteve Jablonsky scoring TMNT: OOTShttps://twitter.com/jablonsky_steve/status/716672159729467392-------------------------Mutated Messages-------------------------Sanya PrestonHi guys, I thought you’d like to see this TMNT art video:https://www.facebook.com/memo.tv/videos/1149961535035659/?autoplay_reason=all_page_organic_allowed&video_container_type=0&app_id=2392950137Daniel-Paul Crowe @hampsterratHey peeps. Ep 3 of my podcast is up.https://soundcloud.com/menofgodpodcast/mog-episode-3Just want to say thanks to @yakkopinky @TMNTPodcast for inspiring me :)Jarrod Wilson @thejarrodwilson@kevineastman86 @TMNTPodcast I just this tattooed. #teenagemutantninjaturtles #MirageStudioshttps://twitter.com/thejarrodwilson/status/725883159389204480 Bert the Strmtrpr @BertTheStrmtrpr TMNT Out of the Shadows Toyline reviewsPart 1: https://www.youtube.com/watch?v=5qdQn15HW1gPart 2: https://www.youtube.com/watch?v=nam-P48jCHADavid McdonnellDIY TMNT Animatronic Headhttps://www.facebook.com/oldtrenchysgooksuit/videos/1001777896575400/?autoplay_reason=all_page_organic_allowed&video_container_type=0&video_creator_product_type=2&app_id=2392950137-------------------------Song of the Show-------------------------2-03 - Rock the PlankArranged by: Stemage feat. Viking GuitarSource: Skull & Crossbones (Stage 6 BGM)http://shellshocked.ocremix.org/Check us out on our official website: http://www.turtlepowerpodcast.comFollow us on Twitter: http://www.twitter.com/TMNTpodcastFollow Ryan: http://www.twitter.com/figdonpatFollow Alex: http://www.twitter.com/arodriguez2005Follow Darby: http://www.twitter.com/DarbyTPattonLike us on facebook: http://www.facebook.com/TurtlePowerPodcastSubscribe on YouTube: http://www.youtube.com/TurtlePowerPodcastShare your feedback with us via email: turtlepowerpodcast@gmail.comSubscribe and Rate us on iTunes: http://itunes.apple.com/us/podcast/turtle-power-podcast/id533316960Subscribe & Listen on Stitcher: http://www.stitcher.com/s?fid=55235&refid=stprComing Soon to Google Play Music! Search for Turtle Power PodcastPLAY VIDEOPLAY AUDIO
Quelques semaines après l'accord de retrait des troupes américaines d'Afghanistan, le Collimateur se penche sur la situation politique et militaire du pays, au terme de bientôt deux décennies de présence américaine dans le pays ; avec Adam Baczko, chercheur au CERI, le centre de recherches internationales de Sciences Po. Avec Alexandre Jubelin, il commence par revenir sur le point de départ de cette guerre à partir de 1978 (2:00) puis de l’intervention soviétique en 1979, à laquelle s’oppose une insurrection soutenue par les Etats-Unis (10:00), et sur la période d’instabilité déclenchée par la chute de l’URSS et la guerre civile qui s’ensuit (15:00) et les facteurs qui amènent à la prise du pouvoir par les Talibans (20:00). Ils détaillent ensuite l’intervention occidentale en Afghanistan à la suite du 11 septembre, dans ses contours concrets (31:30) et sur le régime d’Hamid Karzaï que les Etats-Unis mettent en place (38:30), puis entrent dans la logique du « surge » de troupes occidentales en 2009 (45:00) et sur les problèmes inhérents à la présence américaine, où celle-ci se retrouve instrumentalisée dans des conflits locaux (53:00). Ils envisagent enfin le bilan de cette présence de près de 20 ans, à travers notamment les forces actuelles des Talibans (56:30), la faiblesse du gouvernement reconnu par les Nations unies, entérinée par l’accord de retrait récemment signé (1:04:00). Ils évoquent enfin le retour de la Russie dans le jeu afghan et la tendance au recours aux Talibans, pour faire face à la montée de l’Etat islamique dans le pays (1:08:00). Extraits audio : - "Bia ke berim ba mazar" , chanson traditionnelle afghane https://youtu.be/kyoSM7Ur3Pw - "Goat Herders" de Steve Jablonsky, sur la bande-son du film "Lone Survivor" (2013).
In Episode 4 of Killer Influence, Alexa and Will interview Steve Schnur. Steve is a Nashville resident who works in Los Angeles, California as the Worldwide Executive and President of Music at Electronic Arts, also known as EA Music. He grew up in New Jersey and his passion for music began around age 7, when he was commuting to Carnegie Hall to study guitar, piano, composition, production and arrangement. Steve moved on to play in a rock band with seasoned musicians for a few years before leaving the band to attend college at New York University. Steve studied at New York University’s School of Music Business & Technology and came across a last minute internship opportunity at a company called, MTV. He later became part of the programming department at MTV and was part the video launches of Madonna, Michael Jackson, The Cure, Mötley Crüe. Schnur went on to hold various executive positions in promotions, marketing and A&R with Elektra Records. Steve worked at various labels where he helped to orchestrate the breakthroughs of many major artists. He also served as music supervisor for hit movies.Steve joined Electronic Arts as the Worldwide Executive of EA Music Group in 2001 and became responsible for the creation and development of the global vision for music integration and marketing surrounding EA games such as Madden, NHL, NBA, NASCAR, NFL, FIFA, Need for Speed. At EA, he has overseen the orchestration and production of 50+ EA soundtrack albums – including original scores for The Sims, Mass Effect, Dragon Age, Medal of Honor, and Star Wars: Battlefront with composers that have included Mark Mothersbaugh, Michael Giacchino, Junkie XL, Steve Jablonsky and Hans Zimmer. His efforts have earned EA over 50 soundtrack nominations over the last 10 years.Steve is very involved in the Nashville community and even taught a course at Belmont University called, Future of Technology. He give us tons of advice for students who are interested in working in gaming, composing, developing, and more. He stresses how critical internships are and that this is the time to work in gaming and the music industry. He believes in internships so much, that he has since hired several of his interns for full-time positions at EA. Steve spends a lot of time casting for the perfect composer and they could spend years working on a score for a video game. It’s no surprise that Steve works on multiple projects at a time. Steve also shares stories about a few “star-struck” moments. Some fun facts about Steve credits the game Fifa for his love for MLS, he loves juicing in the morning, and he’s obsessed with his service dog who has her own chair at Ocean Way Studios. “We’re not crazy, we’re just creative.” — Steve Schnur
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On episode eight of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO. Host Randy Andrews begins the show with selections from the video game-inspired anime, FINAL FANTASY UNLIMITED with music by Nobuo Uematsu, Shiro Hamaguchi, Kazuhiko Sawaguchi and Akifumi Tada. The music continues with selections from the visually stunning anime from the same director as AKIRA; STEAMBOY with music by Steve Jablonsky. Randy then presents music from an anime classic anime from, MY NEIGHBOR TOTORO directed by the legendary Hayao Miyazaki with music mostly composed by Joe Hisashi. The show closes out with music from the science fiction anime, BLUE GENDER with music composed by Kuniaki Haishima. So I hope you enjoy. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Episode #6 of the Close Encounters of the 4th Kind podcast sees Tee-J, Dan and Imran delve into the topic of reboots each addressing 3 questions: What's a reboot you hated? What's a reboot you loved? What's a reboot that you'd like to see? [The closing song on this episode is 'Arrival To Earth' composed by Steve Jablonsky for the film 'Transformers'.] www.4everinelectricdreams.com/ Emenating from London, UK, and hosted by Dan Collacott, Tee-J Sutherland and Imran Mirza, our 4ever in Electric Dreams website and accompanying podcast is designed to help us celebrate the things we loved growing up and the things that continue to excite and inspire us today. With podcast episodes due on the 1st and 3rd Mondays of the month, and articles from the three of us in support of each episode, there's lots of reasons to visit us again and again, and to join us in our ongoing celebration of the things we can't leave behind.
Esta semana he escogido seleccionar autores y piezas de la denominada música épica, un nuevo estilo, una subdivisión de la música cinematográfica o cinematic music, que se dedica especialmente a crear espacios sonoros para los tráileres cinematográficos. Esta semana escucharemos piezas de Ludovico Einaudi, Sebastian Plano, Patrick O'Hearn, Steve Jablonsky, Nico Cartosio, Adrian Von Ziegler, Antti Martikainen, BrunuhVille, Fringe Element, Immediate Music, Jo Blankenburg, Ivàn Torrent, James Paget y Two Steps From Hell.
Pour ce dernier épisode consacré aux adaptations de jouets et licences, le Lemon Adaptation Club se penche sur la saga Transformers, apparue en 1983 via une série animée et une première vague de jouets. Lancée en 2007 au cinéma avec Paramount et chaperonnée par Michael Bay, cette série de 5 films a dynamité le blockbuster moderne avec ses codes esthétiques et scénaristiques qui ne plaisent cependant pas à tout le monde. En compagnie de Aymeric, fan de Transformers; de @Wonder_Vesper, créatrice de la chaine Youtube "Les Chroniques de Vesper" ainsi que de Phobos (Twitter : @HiPhobos), contrebandière sur les podcasts Actioner et Outrider, Océane revient sur les hauts et les bas d'une saga devenue un plaisir coupable et je m'en-foutiste au possible, malheureusement pas sauvée du désintérêt croissant du public avec le spin-off "Bumblebee". Les remerciements vont à Phobos, chez qui le podcast a été enregistré, à nos invité.es, à JB, l'ingénieur son au top de l'enregistrement, ainsi qu'à Corentin, qui a monté le podcast aussi vite qu'un Transformer se transforme en camion ! Merci également à notre invité-surprise pour la qualité de ses interventions ! Comme d'habitude, n'hésitez pas à partager, commenter et à parler du podcast autour de vous ! On se retrouve très bientôt pour un nouveau cycle dédié à 3 oeuvres adaptées par le grand Steven Spielberg... Les musiques de l'épisode sont bien entendu "What I've Done" de Linkin Park pour la fin. Quant à l'introduction, il s'agit du fameux "Arrival on Earth" de Steve Jablonsky, le compositeur attitré de la saga.
Les sagas de l'été, ce n'est pas qu'à la télé ! Le PIFFFcast vous propose un nouveau format, où nous explorerons ensemble (non, ce n'est pas sale) une saga phare du genre. Et pour notre première incursion, direction le pays des rêves où vous attend le griffu de Elm Street, Freddy Krueger pour les intimes… Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami, Cyril Despontin et Aurélien Zimmermann. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/40t9IIhJ9IbKQUAvO9Vt0T ► Mais aussi sur YouTube : https://www.youtube.com/watch?v=i_HgGDcUUJ8 Lien vers le podcast hommage à Wes Craven : https://soundcloud.com/pifffcast/pifffcast-02 Références des films cités : • Never sleep again : The Elm Street Legacy de Daniel Farrands et Andrew Kasch (2010) • Les Griffes de la nuit / A Nightmare on Elm Street de Wes Craven (1984) • La Revanche de Freddy / A Nightmare on Elm Street 2: Freddy's Revenge de Jack Sholder (1985) • Les Griffes du cauchemar /A Nightmare on Elm Street 3: Dream Warriors de Chuck Russell (1987) • Le Cauchemar de Freddy / A Nightmare on Elm Street 4: The Dream Master de Renny Harlin (1988) • Freddy, le cauchemar de vos nuits (Série TV - 1988) • L'Enfant du cauchemar / A Nightmare on Elm Street 5: The Dream Child de Stephen Hopkins (1989) • La Fin de Freddy : L'Ultime Cauchemar / Freddy's Dead: The Final Nightmare de Rachel Talalay (1991) • Freddy sort de la nuit / New Nightmare de Wes Craven (1994) • Freddy contre Jason / Freddy vs. Jason de Ronny Yu (2003) • Freddy : Les Griffes de la nuit / A Nightmare on Elm Street de Samuel Bayer (2010) Extraits de Bandes Originales : • A Nightmare on Elm Street composée par Charles Bernstein • A Nightmare on Elm Street 2: Freddy's Revenge composée par Christopher Young • A Nightmare on Elm Street 3: Dream Warriors composée par Angelo Badalamenti • A Nightmare on Elm Street 4: The Dream Master composée par Craig Safan • A Nightmare on Elm Street 5: The Dream Child composée par Jay Ferguson • Freddy's Dead: The Final Nightmare composée par Brian May • New Nightmare composée par J. Peter Robinson • Freddy vs. Jason composée par Graeme Revell • A Nightmare on Elm Street (2010) composée par Steve Jablonsky
Vi presenterar, inte utan viss ansträngning, lika många anledningar att se alla filmer med Freddy Krueger som det finns filmer med Freddy Krueger: nio. Tomas omvärderar den djupt avskydda remaken där Rooney Mara är på god väg att sluta jobba som skådespelare och Lars gör vissa genealogiska utläggningar kring arvet efter Freddy. Vi pratar också om: Död puls, Flatliners, Wes Craven, Halloween, Michael Myers, Heather Langengkamp, Freddy´s Revenge, Sleepaway Camp, The Burning, Mats Strandberg, Hellraiser, Maniac, New Line Cinema, Bob Shaye, Dream Warriors, Patricia Arquette, Laurence Fishburne, Johnny Depp, Angelo Badalementi, Frank Darabont, Robert Englund, Mortal Combat, Sagan om ringen, John Saxon, The Dream Master, The Nun, James Cameron, Jason Lives, Renny Harlin, Die Hard 2, Geena Davies, The Long Kiss Goodnight, Exorcist: The Beginning, The Dream Child, Rosemary´s Baby, Stephen Hopkins, Rovdjuret 2, Rolling Stones, Terminator 2, Freddy´s Dead: The Final Nightmare, Alice Cooper, När lammen tystnar, Rachel Talalay, Tank Girl, Wes Craven´s New Nightmare, Jurtjyrkogården, The Shining, Scream, Wishmaster, Freddy vs. Jason, Final Destination, Alien vs. Predator, Ash, Pinhead, Jackie Earle Haley, Steve Jablonsky, Transformers, Star Wars, George Lucas, Michael Bay, Christopher Nolan, Denis Villeneuve, Blade Runner, OKEJ, Brad Pitt, M.R James och Ghost Stories. Nostalgi, löst tyckande och akademisk analys i en salig röra.
Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — This episode is spoken by Andy Frisella, Tony Robbins, Eric Thomas, Grant Cardone, Jesse Duplantis and Floyd Mayweather. The music is Battle by Steve Jablonsky
[Watch the video interview on our YouTube Channel] Steve Jablonsky joins us for a second All Access, this time to discuss his score for Skyscraper among many other topics. In this All Access, we get a bit of a refresher of how Steve ended up on the composing path plus his views on the action genre as a whole. We talk about how he approached Skyscraper, which stars Dwayne Johnson as a former FBI agent trying to save his family from a group of terrorists. Steve talks about working with a new director for the first time, finding the right tone that didn't make it too melodramatic and of course how action filmmaking has evolved since when he started working as a composer. We also discuss comedy scoring as well as touch upon some other projects he did recently like Game Over, Man! and the indie documentary Origin Story. Steve is one of the nicest and most humble composers working in the industry, and having him as a guest is always such a pleasure. Interview Produced & Presented By: Kaya Savas Special Thanks: Steve Jablonsky, Lori Castro, Jeff Sanderson, Chasen & Company
The gang visits Hotel Artemis and talk about a whole crop of movie trailers for 2018 movies. The guys express their feelings on Kelly Marie Tran and her social media debacle as well as the future of Pixar. The gang spoils the endings of Hotel Artemis (2018), Zootopia (2016), How to Train Your Dragon 2 (2014). (Musical selection this week is Bumblebee written for Transformers (2007) by Steve Jablonsky)
This is a bonus episode and part of Score: The Podcast's extended conversation with Steve Jablonsky. Steve talks about how his love for Zimmer's music led him to cold call Zimmer's studio to ask about an internship. Then, how hard work and sleepless nights opened the door to his working directly with then up-and-coming composer Harry Gregson-Williams, as well as his idol Hans Zimmer. The full-length episode of Score: The Podcast with Steve Jablonsky is also available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media
This is a bonus episode and part of Score: The Podcast's extended conversation with Steve Jablonsky from April 24, 2018. Steve talks about how his love for Zimmer's music led him to cold call Zimmer's studio to ask about an internship. Then, how hard work and sleepless nights opened the door to his working directly with then up-and-coming composer Harry Gregson-Williams, as well as his idol Hans Zimmer. The full-length episode of Score: The Podcast with Steve Jablonsky is also available now. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media
Score: The Podcast welcomes Steve Jablonsky, award-winning composer of Michael Bay films such as the Transformers film franchise, The Island and Pain & Gain; Peter Berg films such as Battleship, Lone Survivor and Deepwater Horizon; Keanu; Netflix's Game Over, Man; and the upcoming Dwayne Johnson summer blockbuster Skyscraper. He is also the composer of television shows such as Desperate Housewives and video games including Gears of War: Judgment, Prince of Persia: The Forgotten Sands, The Sims 3 and Transformers: The Game. Robert and Kenny begin the show discussing Ready Player One and how Alan Silvestri's score samples iconic music from the 1980s, true to the story's nostalgic subject matter. Silvestri is also scoring Avengers: Infinity War which releases this Friday. Robert shares a story about a mistake he made with Ennio Morricone and Warren Beatty while recording a score with a full orchestra in Rome. Steve Jablonsky joins to talk about his work with Michael Bay on five Transformers films, The Island and Pain & Gain — and how Bay communicates his elaborate visual style and explosions, sometimes before the special effects even exist. In Behind the Score, Trent Reznor and Atticus Ross discuss how David Fincher led to a thriving career scoring films after being in the recording and live performance industry with Nine Inch Nails. Then Steve talks about the first cue with his name on it — "The Jablonsky Variations" from Tears of the Sun — and how Hans realized then Steve was destined to become a great film composer in his own right. And how films "based on a true story" or with real-life characters mean his music has to find the different kind of balance. Lastly, Steve and the guys play a sports movie edition of the game “Name That Score,” where you — yes, you — can be a winner! Plus a story about Steve's first meeting with the great John Williams. EPISODE NOTES, PICTURES & VIDEOS: https://www.score-movie.com/podcast FOLLOW @ScoreThePodcast http://twitter.com/ScoreThePodcast Hosts: Robert Kraft and Kenny Holmes. Executive Producer: Matt Schrader. Copyright 2018 Epicleff Media
Are you ready to transform and roll out? AJ Squared are joined once again by special guest Optimus Prime to look over the live action Transformers films directed by Michael Bay. But first, DC Films' list of confirmed projects down to only 6 releases? Does this news worry or excite the guys? FULL SPOILERS for all the live-action Transformers movies in this episode. Music and audio from "The Transformers G1 Blaster" commercial is the property of Hasbro. Music and audio from "The Transformers (1984)" is the property of Hasbro, Sunbow Productions, Marvel Productions, Toei Animation, and AKOM. Music and audio from "Transformers: Animated" is the property of Andy Sturmer, The Answerstudio Co. Ltd., MOOK DLE, Hasbro, Studio 4C, and Cartoon Network Studios. Music and audio from "Transformers", "Transformers: Revenge of the Fallen", "Transformers: Dark of the Moon", "Transformers: Age of Extinction", and "Transformers: The Last Knight" are the property of Steve Jablonsky, Michael Bay, Ian Bryce, Tom deSanto, Lorenzo di Boneventura, Don Murphy, di Boneventura Pictures, Angry Films, and Hasbro Studios. Special thanks to Jeremy Eckert for our theme song. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.
Join Chris as he analyzes & reviews (with FULL SPOILERS) Transformers: Age of Extinction, the 2014 mega-blockbuster action movie sequel starring Mark Wahlberg and directed, once again, by Michael Bay. The maestro of destruction takes the director's chair to follow up, not reboot, his wildly divisive yet insanely successful Shia LaBoeuf trilogy. In this in-depth film review we dive into the ideas the writers came up with to draw Mr. Bay back for his 4th attempt at bringing the beloved 80s cartoon to life. Sam Witwicky is gone! We have a new, more adult, star in Dirk Diggler himself - Mark Wahlberg - and it's his most challenging role yet! Can Marky Mark pull off being a Texan inventor in this darker sequel that aims to change the game with multiple horrifying character deaths? And then it keeps going. We meet our new band of autobots as they explore the answers to both what the transformers are made of AND...what killed the dinosaurs! And then it keeps going. All 7000 'plot threads' collide in a 3rd act that features Megatron enacting his next plan for world domination, Optimus Prime going prehistorically OP and a human-built army of Transformers. And then it keeps going. !PLUS! "Family Comedy" Join us en route to the sure-to-be-great 5th entry in our retrospective series with 2017's Transformers: The Last Knight! TIMECODES ACT I - 18:13 ACT II - 43:19 ACT III - 1:13:50 DIFFERENT TAKES - 1:37:11 RATING/FINAL THOUGHTS - 1:40:47 Please be a good friend and subscribe to us on iTunes, Soundcloud, PodBean & Stitcher. Watch Transformers: Age of Extinction on Amazon & Listen to Steve Jablonsky's booming Score. We want to know your thoughts. Please connect with Welkin One on Twitter, Instagram & Facebook. We also have a monthly newsletter with short written reviews and our podcast schedule. Did this dinosaur-less entry crush your soul a bit as well?
Primero fue Media Ventures y luego, tras una disputa profesional, Remote Control Productions. Jay Rifkin y Hans Zimmer estuvieron hasta finales de 2003 formando una pareja profesional que revolucionó el mundo de la música de cine. Desde su relación se impulsó a jóvenes compositores que son, hoy en día, algunos de los más prolíficos dentro de la industria, como por ejemplo Ramin Djawadi, Benjamin Wallfisch, Harry Gregson-Williams, Trevor Morris, Marc Streitenfeld o Steve Jablonsky.
Primero fue Media Ventures y luego, tras una disputa profesional, Remote Control Productions. Jay Rifkin y Hans Zimmer estuvieron hasta finales de 2003 formando una pareja profesional que revolucionó el mundo de la música de cine. Desde su relación se impulsó a jóvenes compositores que son, hoy en día, algunos de los más prolíficos dentro de la industria, como por ejemplo Ramin Djawadi, Benjamin Wallfisch, Harry Gregson-Williams, Trevor Morris, Marc Streitenfeld o Steve Jablonsky.
Jacob Shea and Jasha Klebe are two composers who have produced exemplary work early on in their careers. Both Jacob and Jasha got their starts working with some of the most notable composers working today including Steve Jablonsky, Lorne Balfe and of course Hans Zimmer. The two of them found themselves working together when BBC Earth came knocking on the doors of Bleeding Fingers Music with their new show Planet Earth II. Hear Jacob and Jasha share their backgrounds and paths to film composing, and hear them discuss their approach to scoring Planet Earth II. They talk about the Bleeding Fingers Music model and how it has become a new platform for composers to become attached to some amazing projects. Go in-depth into how they split scoring duties on Planet Earth II, and the approach they took to scoring a massive TV nature documentary series. Jacob Shea and Jasha Klebe have already carved their own paths as musical storytellers early in their career, and Planet Earth II further demonstrates their talents. This interview shines a light on two emerging talents who without a doubt have many more stories to tell. Interview Produced & Presented By: Kaya Savas Special Thanks: Jacob Shea Jasha Klebe Chandler Poling Adrianna Perez White Bear PR
[Watch the video interview on our YouTube Channel] The one and only Steve Jablonsky joins us for a fantastic All Access interview. We sit down and Steve shares his unique path to film scoring as he grew up in the Los Angeles area, and was surrounded by film from an early age. He tells the story of how he he phoned up Hans Zimmer's studio to see if they needed any assistant work and how he ended up working for Harry Gregson-Williams for a few years, and through that he learned the business from the ground up. We discuss the early days of working on massive films like Armageddon and Bad Boys II as an additional composer, and how Michael Bay hired him to score The Texas Chainsaw Massacre remake based off of great recommendations. Steve shares fun and inspiring stories from many of his scores such as The Island, Pain & Gain, Lone Survivor, Deepwater Horizon, all the Transformers films, Steamboy, D-War, Gears Of War 2 and Desperate Housewives. We also discuss Steve's process for thematic writing and how he approaches certain films from different genres. Steve is one of the kindest and most talented composers working in the industry, and his versatility has been displayed in almost every genre. It was such an honor to have Steve return as a guest on Film.Music.Media, this time for this wonderful All Access interview. Interview Conducted By: Kaya Savas Special Thanks: Steve Jablonsky Jeff Sanderson Chasen & Company Lori Castro
Steve Jablonsky is one of the most prolific composers working in the industry and is a true musical auteur. His iconic music and recognizable style has won him over a huge fan base. In this detailed discussion Steve talks about growing up in Los Angeles and how starting out as Harry Gregson-Williams' assistant back in the mid 90's got him on the path he's on today. We really discuss his methods and approach, specifically for his newest score to Ender's Game. We go in-depth about his collaborations with director Michael Bay, including his early thoughts for Transformers: Age Of Extinction. Steve also shares about re-teaming with director Peter Berg for Lone Survivor and how he found himself working with the band Explosions In The Sky for the score. Steve is a personal inspiration so it was beyond an honor and a privilege to speak to him about his work. Enjoy this wonderful interview. Interview Conducted By:Kaya Savas Special Thanks:Steve JablonskyJeff SandersonDan BarryChasen & Company Photo Credit: Katia Lewin Jablonsky
Penka Kouneva takes some time to talk about her new album, A Warrior's Odyssey. Penka is no stranger to blockbusters as she has worked on films like Transformers, The Matrix Revolutions and Pirates Of The Caribbean: At World's End. She composed Midnight Movie and co-composed Prince Of Persia: The Forgotten Sands with Steve Jablonsky among many other projects. We talk about the inspiration for doing the album, which leads into a detailed discussion of sound and image. She explains how images inspire sound and how it works the other way where sound inspires images. Since the album is not composed for a specific picture she shares what her visual inspirations were for writing the pieces. She shares a bit about her upbringing and how she incorporated that into the music to make the musical journey a personal one. A terrific interview from a terrific composer. Interview Conducted By:Kaya Savas Special Thanks:Penka Kouneva
Composer Nathan Whitehead takes some time to talk about his recent score to The Purge. We chat about how he got into scoring including working with composers like Steve Jablonsky and Jim Dooley. Nathan shares things he learned while collaborating with Jablonsky and Dooley, and how that prepared him for his own work as a fantastic distinct voice in the scoring world. We discuss the difference between horror and thriller scoring, and how The Purge is a suspense thriller that required precision from the music. From spotting, building suspense and knowing when to let silence take over we discuss a lot of interesting topics. Please enjoy this fantastic interview with an extremely talented composer. Interview Conducted By:Kaya Savas Special Thanks:Nathan WhiteheadChandler PolingWhite Bear PR
Join Chris as he analyzes & reviews (with FULL SPOILERS) Transformers: Revenge of The Fallen, the 2009 live-action blockbuster movie sequel directed once again by the action master, Michael Bay, starring Shia LaBeouf and produced by Steven Spielberg! We journey back to sound effect heaven with our second entry in the Bayformers retrospective series leading to 2017's Transformers: The Last Knight. The cast is back together with Bay at the helm for a bigger, prettier and louder sequel. Now the Autobots are working together with the humans in a hilariously maddening plot to defeat an ancient evil Decepticon, The Fallen. We go to college with Sam, globe trot to Shanghai, explore prehistoric mythology, teleport.. to Egypt and experience Transformer heaven... This sequel goes dark with a major plot twist that concludes with another EPIC, climactic battle atop the great pyramid! Help Chris endure Bay's questionable 'comedy', an even hotter Megan Fox, embarassing college shenanigans, an overpowered Optimus Prime AND John Turturro's ass...Maybe some it matters? TIMESTAMPS 13:30 - Act I 42:00 - Act II 1:05:01 - Act III 1:24:29 - Different Take 1:31:06 - Ratings/Final Thoughts Watch Transformers: Revenge of The Fallen on Amazon & listen to Steve Jablonsky's score. Be a friend and subscribe to Welkin One on iTunes, SoundCloud, Podbean and Stitcher. Please subscribe to the Welkin One newsletter. Connect with us on Facebook Instagram and Twitter. Is this the worst big budget movie of all-time? Let us know!
À l'assaut de la planète Terre, Mélodie en sous-sol s'attarde cette semaine sur Transformers: The Last Knight et sa bande originale signée Steve Jablonsky.
主播打分： 杨超（《长江图》导演，国戏教师）：5分； “这部影片是好莱坞电影走向衰亡的一个先兆。” （杨超的其它打分：《爱乐之城》8分；《谍影重重5》8分；《萨利机长》7分） 波米：3.5分； “《变5》的又一次西方不亮东方亮，多么像《塑料王国》里的场景——美国人不愿接受的垃圾通通运来中国，因为他们既不愿受物质污染也不愿受精神污染；而我们呢？如获至宝。” 《变形金刚5：最后的骑士》(Transformers: The Last Knight)平均分：约4.3分 本期节目流程与目录： 开场曲：
Join Chris as he analyzes & reviews (with FULL SPOILERS) Transformers, the 2007 live-action blockbuster movie directed by the maestro of destruction himself, Michael Bay, and produced by Steven Spielberg! We enter sound effect heaven with our first entry in the Bayformers retrospective series leading to 2017's Transformers: The Last Knight. We approach this cartoon-to-film story with a boy and his car action adventure starring the stuttering Shia LaBeouf. We get never before seen action as well as stakes on a global scale! We explore the origins of the Transformers and explode with a big 3rd act full of robot on robot action - including our long-awaited showdown between Optimus & Megatron. Did you know Megan Fox is really hot? Help Chris endure Bay's huge cast and misguided 'comedy' while getting our epic introduction to the great Optimus Prime and his autobots. Do the multiple plotlines work together for a satisfying story?...Does it matter? TIMESTAMPS 10:58 - Act I 29:39 - Act II 43:41 - Act III 1:09:30 - Different Take 1:13:44 - Ratings/Final Thoughts Watch Transformers on Amazon & listen to Steve Jablonsky's score. Be a friend and subscribe to Welkin One on iTunes, SoundCloud, Podbean and Stitcher. Please subscribe to the Welkin One newsletter. Connect with us on Facebook Instagram and Twitter. Did Michael Bay grape your childhood? Let us know!
Además de reseñar TMNT 2: Out Of The Shadows, recordamos al fallecido Bud Spencer al principio del programa, mientras que al final charlamos de un monton de cosas como "desmitificar a los autores famosos", y terminamos hablando de la industria de compra de deudas y usura de la gente en EEUU por deudas médicas. Así de variados somos, casi que tuvimos una mini Mesa Redonda y un mini Titanes. Por supuesto también tenemos un Zapping con las tortugas y personajes especiales, con los actores invitados David Roizner e Inti Lencina. Con musica de los Beastie Boys, y Steve Jablonsky. Proximo programa: TITANES: Philip K. Dick.
Pieter Schlosser is an award-winning film, television and video game composer known for his work on NBC's hit show You, Me And The Apocalypse, as well as his collaborations with Steve Jablonsky on Desperate Housewives, the Transformers film, and Gears of War 2 & 3 video games. As a multi-cultural multi-instrumentalist, Pieter draws on an incredible reservoir of creativity and artistic versatility. I really love these shows where we get to talk to amazing composers and explore the creative process and inspirations behind their work. Pieter Schlosser is one of those musicians that needs the prefix “multi” in front of their name - multi-linguist, multi-genre, multi-talented. And a great suffix for him would probably be, “go-getter” - time and time again, Pieter's initiative has served him well, putting him in the company of great film composers like Hans Zimmer and opening some incredible opportunities in film, TV, and video games. Links Pieter's Website: http://www.pieterschlosser.com/ 8Dio high-end sample developer of virtual instruments: http://8dio.com/ In Saturn's Rings film project: http://insaturnsrings.com/
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from six brand new scores. We open the program with music from Brian Tyler’s new score to NOW YOU SEE ME 2. We’ll also be featuring music from the new video game OVERWATCH by Derek Duke, Neal Acree, Cris Velasco & Sam Cardon, ALICE THROUGH THE LOOKING GLASS by Danny Elfman, Cliff Martinez’s THE NEON DEMON, Ramin Djawadi’s WARCRAFT and Steve Jablonsky’s TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS.
ALAN WALKER - Faded Nº1 EN LAS MAÑANAS DE CADENA ENERGIA CON GUILLERMO NIETO, MES ABRIL 2016 Hijo de un británico y una noruega, nació el 24 de agosto de 1997 en Northampton, Inglaterra. Con dos años, se trasladó junto a su familia a Bergen, Noruega. En 2012, inspirado en los productores K-391 y Ahrix,1 que había descubierto en YouTube, y los compositores Steve Jablonsky y Hans Zimmer, empezó a crear su propia música con su ordenador portátil.2 En 2014 compuso Fade, canción que subió a su canal de Youtube1 y llamó la atención de algunas personas, entre ellas el sello discográfico NoCopyrightSounds (NCS) con el que firmó un contrato. NoCopyrightSounds lanzó Fade en su canal de Youtube el 19 de noviembre de 2014, consiguiendo un gran éxito y recibiendo más de 70 millones de reproducciones.3 Le siguieron las canciones Spectre y Force en 2015. En 2015 firmó con la compañía discográfica Sony Music Entertainment (SME). Su primera canción con Sony Music Suecia fue Faded, una versión vocal de Fade, con la voz de la cantante Iselin Solheim. Faded fue lanzado el 3 de diciembre de 2015 y a las pocas semanas del lanzamiento empezó a liderar las primeras posiciones de algunas listas europeas.4 Dos meses después, lanzó la versión acústica de Faded titulada Faded , un temazo que alcanza nuestro nº1 en CADENA ENERGIA en este mes de ABRIL 2016
Matthew Sweet introduces music for films exploring the theme of witchcraft prompted by the release of "The Last Witch Hunter" with music by Steve Jablonsky. The Classic Score of the Week is Roy Webb's "Cat People".
It’s not quite time for the fall TV season, but a handful of new shows are premiering soon nonetheless and this, along with a number of excellent episodes from continuing favorites, gives us plenty to discuss on this week’s podcast. First we look at a full week in comedy, including a preview of IFC’s upcoming ... The post The Televerse #153- SDCC 2014 Composer Roundtables, Part 1: Steve Jablonsky and Daniel Licht appeared first on PopOptiq.
Le voilà, il est là, le blockbuster explosif de l'été 2014, et c'est Transformers - L'Âge De l'Extinction, le quatrième épisode de la saga des robots géants venus se battre sur Terre, encore une fois signé par Michael Bay ! Bref, que du bonheur pour 24FPS, le podcast ciné avec ou sans spoiler...Ayant déjà évoqué l'ensemble de la filmo de Michael Bay dans un hors-série précédent, nous nous sommes cette fois concentrés uniquement sur la franchise Transformers, en partant de l'origine des jouets, en passant par les films animés des années 80, et en finissant bien sûr avec la trilogie originale via de nombreux avis et anecdotes. Dans la première partie sans spoiler, nous évoquons également les changements survenus dans la saga à partir de ce quatrième film, ainsi que notre avis sur le long-métrage. Puis, une fois que retentit le signal sonore qui marque le début de la partie avec spoilers, nous revenons sur les principales scènes de Transformers - L'Âge De l'Extinction avec nos analyses et remarques habituelles.Bonne écoute, et n'hésitez pas à nous dire ce que vous pensez de la saga !Crédits musicaux : Leave Planet Earth Alone de Steve Jablonsky, issu de l'album Transformers - Age Of Extinction - The Score (2014), et U Can't Touch This de MC Hammer, issu de l'album Please Hammer, Don't Hurt 'Em (1990)
Matthew Sweet introduces a selection of film music about war and military action behind enemy lines - inspired by this week's featured new release - Peter Berg's "The Lone Survivor", which has a new score by Steve Jablonsky, which will feature in the programme. The classic score of the week is Ron Goodwin's "Where Eagles Dare"; and Matthew also focuses on scores by Maurice Jarre; Anthony Collins, Hans Zimmer; Leighton Lucas; Stephen Warbeck and Dmitri Tiomkin. And there's a short tribute to the late Italian film composer Riz Ortolani. #soundofcinema.
In which Noel is completely incapable of judging heights....DOWNLOAD MP3A huge thanks to Lori Bowen for joining us on this episode. Follow her on Twitter and check out her awesome blog.Lori's music videos:World Collision "Essenger"World Collision "Sine"ObiShawnKenobi "Leave Yourself"John O'Keefe "Big Mistake"Didges Christ Superdrum "Black is the Colour"Didges Christ Superdrum "Snake Oil"Lori's short films:AftershockWithout/WithinA Hammer Fell in Jerusalem: AnathemaA Hammer Fell in Jerusalem: and be at restJustUsStella Buio (trailer)I Am Monster (trailer)This episode discusses A Nightmare On Elm Street (2010). IMDb. Wikipedia.Excerpts from the film's score composed by Steve Jablonsky.
Quand Hollywood s'attaque à un classique de la littérature de science-fiction comme La Stratégie Ender écrit par Orson Scott Card en 1985 dans le but d'en faire une nouvelle franchise à succès à destination du jeune public, c'est une mission pour 24FPS, le podcast ciné avec ou sans spoiler !Dans la première partie (sans spoiler) de l'émission, Jérôme et Julien reviennent donc sur le roman d'origine, son auteur, ainsi que sur quelques anecdotes ayant mené à ce long-métrage réalisé par Gavin Hood avant de livrer leur avis général mais en prenant bien soin de ne pas révéler le scénario. Et c'est seulement après le signal sonore que débute la seconde partie de l'émission où de très nombreux aspects du film sont analysés en détails, y compris le déroulement de l'histoire dans une discussion ou les spoilers sont légion.Bonne écoute, et n'hésitez pas à partager votre avis sur le film.Crédits musicaux : Ender's War et Ender's Promise de Steve Jablonsky, issus de l'album Ender's Game - Original Motion Picture Score (2013)
It's a different kind of show this week as we're joined by IGN EIC Casey Lynch as we talk about RAGE, Crysis on consoles, Max Payne 3, and more, and then move on to a nearly hour long, in-depth discussion about Gears of War 3, filled with spoilers. You've been warned! And, uh, we warn you again. During the episode. This week's show features selections from Steve Jablonsky's score for Gears of War 3.
Interview: Brian Tyler Composer Brian Tyler talks about his latest effort for FAST FIVE, TRANSFORMERS PRIME. He shares about how he came to work with director Justin Lin, his treatment of the Hawaii Five-0 original theme, what superhero he'd most like to write a score for, and what he has coming in the near future. Episode Highlights 00:34 — Introduction and welcome 03:00 — Meeting and working with director Justin Lin 06:56 — A new main theme and musical progression for the franchise... 18:08 — Musical progression within the franchise 14:10 — One upping yourself 16:00 — Twitter questions #1 "Which is more difficult drumming or conducting?" 20:23 — Hawaii Five-0 26:23 - Talking Transformers Prime 31:03 - What can a fan do to help get a score released? 32:30 - Twitter question #2 "Where you inspired by Steve Jablonsky's music for Transformers?" 37:16 — What superhero film would you like to score? 44:19 — Final Destination 5 and Expendibles 2 and more upcoming scores Music Clips (Select music clips contained in this podcast) 00:00 — "Fast Five" (Fast Five) by Brian Tyler 06:06 — "The Perfect Crew" (Fast Five) by Brian Tyler 13:50 — "Cheeky Bits" (Fast Five) by Brian Tyler 25:53 — "Transformers Prime" (Transformers Prime) by Brian Tyler 34:20 — "Lego Universe Coda" (Lego Universe) by Brian Tyler 36:55 — "The Touch" (Transformers: The Movie) by Stan Bush 46:36 — "Remote Intel" Fast Five) by Brian Tyler Download the episode here Subscribe and more info here
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