Podcast appearances and mentions of Mark Mothersbaugh

In which Robert goes solo, while Amy enjoys a Girls Night Out!   A discussion of Joy, Fun, Heartiness, Panaché, Joie De Vie ... Objectivism and the Lust For Life.  Being, doing, getting, having more of everything.  Also, Mount St. Helens, Halley's Comet, "No Dirty Dishes Day" (and Robert's GLO Rules), and Happy Birthday to Tina Fey, Mark Mothersbaugh, Rick Wakeman, Frank Capra, and Bertrand Russell & his Teapot!

Celebrating 40 years of the Dire Straits album Brothers in Arms, and 75 years of Devo frontman Mark Mothersbaugh! (62 minutes)

Celebrating 40 years of the Dire Straits album Brothers in Arms, and 75 years of Devo frontman Mark Mothersbaugh! (62 minutes)

Peace and reconcilation are possible. Devo's Gerald "Jerry" Casale and Mark Mothersbaugh being together on the road for their "50 Years of De-Evolution... Continued!" tour is evidence that warring parties can not only put down their arms, they can pick up their instruments and make the music that we all need right now. Find a Devo Summer 2025 tour date near you: https://clubdevo.com/tour Catch the VIDEO of Jerry spilling the tea about the time he and his brother-in-arms Mark had to pitch Devo's version of the Rolling Stone's hit "Satisfaction" to a moves-like-Jagger dancing Mick Jagger. WATCH HERE: https://youtube.com/shorts/XEyoBbllpqs Jerry Casale's epic Spinal Tap Moment stories in this episode run the gamut from Devo falling prey to the disease that's lethal to bands, "Lead Singer-itis"; how Budweiser got free product placement in the Whip It video; and why collaborating with David Bowie was the ultimate moment of vindication. --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

We present our review of A Minecraft Movie (2025)! A Minecraft Movie is a 2025 fantasy adventure comedy film based on the 2011 video game Minecraft by Mojang Studios. It was directed by Jared Hess and written by Chris Bowman, Hubbel Palmer, Neil Widener, Gavin James, and Chris Galletta, from a story by Allison Schroeder, Bowman, and Palmer. The film stars Jason Momoa, Jack Black, Danielle Brooks, Emma Myers, and Sebastian Hansen. In the film, four misfits are pulled through a portal into a cubic world that thrives on imagination, having no choice but to master the world while embarking on a quest with an expert crafter named Steve.Plans for a Minecraft film adaptation originated in 2014, when game creator Markus Persson revealed that Mojang was in talks with Warner Bros. Pictures to develop the project. Throughout its development, A Minecraft Movie shifted between several directors, producers, and story drafts. By 2022, Legendary Entertainment became involved, and Hess was hired as director with Momoa in talks to star. Further casting took place from May 2023 to January 2024. Principal photography began later that month in New Zealand and concluded in April 2024. Mark Mothersbaugh composed the score, and Sony Pictures Imageworks, Wētā FX, and Digital Domain provided the films visual effects.A Minecraft Movie had its world premiere at Empire, Leicester Square in London on March 30, 2025, and was theatrically released in the United States on April 4. The film received mixed reviews from critics, who praised the performances of the cast, though some were divided on its plot and faithfulness to the source material. It has grossed $317.7 million worldwide against a budget of $150 million, becoming the fourth-highest-grossing film of 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

A Minecraft Movie is a 2025 American fantasy adventure comedy film based on the 2011 video game Minecraft by Mojang Studios. It was directed by Jared Hess and written by Chris Bowman, Hubbel Palmer, Neil Widener, Gavin James, and Chris Galletta, from a story by Allison Schroeder, Bowman, and Palmer. The film stars Jason Momoa, Jack Black, Danielle Brooks, Emma Myers, and Sebastian Hansen. In the film, four misfits are pulled through a portal into a cubic world that thrives on imagination, having no choice but to master the world while embarking on a quest with an expert crafter named Steve.Plans for a Minecraft film adaptation originated in 2014, when game creator Markus Persson revealed that Mojang was in talks with Warner Bros. Pictures to develop the project. Throughout its development, A Minecraft Movie shifted between several directors, producers, and story drafts. By 2022, Legendary Entertainment became involved, and Hess was hired as director with Momoa in talks to star. Further casting took place from May 2023 to January 2024. Principal photography began later that month in New Zealand and concluded in April 2024. Mark Mothersbaugh composed the score, and Sony Pictures Imageworks, Wētā FX, and Digital Domain provided the films visual effects.A Minecraft Movie had its world premiere at Empire, Leicester Square in London on March 30, 2025, and was theatrically released in the United States on April 4. The film received mixed reviews from critics, who praised the performances of the cast, though some were divided on its plot and faithfulness to the source material. It has grossed $301 million worldwide against a budget of $150 million, becoming the fourth-highest-grossing film of 2025.

The joy of making a sound, meeting Mark Mothersbaugh in a dressing room, and the era of temping. Chris Cohen (Deerhoof, The Curtains, Cryptacize) "Chris Cohen has plied the inside and outside folds of pop musical possibility since at least 1978, when he first set infant drumstick to skin at the tender age of three, initiating decades of sonic experimentation across multiple bands and nearly a dozen recordings." Excerpt from https://chriscohen.bandcamp.com/album/paint-a-room Chris Cohen: Instagram: @chrifcohen Website: https://linktr.ee/chrifcohen Records: https://capturedtracks.com/artist/chris-cohen Merch: https://www.hardlyart.com/collections/chris-cohen The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Send us a message, so we know what you're thinking!Every band/artist has to have a first album.  Sometimes those albums are good, sometimes they're not, and sometimes they just show potential.  This episode, we look at some first albums over the gamut of the rock era that we regard as great, including some Australian albums. You've probably heard of most, but not all. In rock news, we look at Neil Young, The Wiggles (yes!), Joe Bonamassa, Jethro Tull and Billboard's new list – The Top 200 Albums of the 21st Century.  Our Album You Must Hear before You Die is Paris 1919 by John Cale. Mick regards this elegant 1973 album from the Velvet Underground co-founder as a stunning listen, and a great intro to John Cale.  Chris Thomas' production is, as usual, precise, while Cale presents some wonderful imagery in the lyrics.   References:  John Cale, Paris 1919, “A Child's Christmas in Wales”, Fragments of a Rainy Season, Brian Wilson, UCLA Symphony Orchestra, Words for the Dying, Dylan Thomas, Chris Thomas, Roxy Music, Eno, Sex Pistols, Pretenders, INXS, Bowie, Lou Reed, Queen, The Police, Outlandos d'Amour, “Can't Stand Losing You”, “Roxanne”, Stewart Copeland, Sting, Rod Stewart, The Tubes, “White Punks on Dope”, “What do you want from life?”, “a baby's arm holding an apple”, Kate Bush, The Kick Inside, David Gilmour, “Wuthering Heights”, Wuthering Heights Day, Roxy Music, Kari-Ann Moller, Chris Jagger, Andy Mackay, saxophone, “Re-make / Re-model", Bryan Ferry, Steely Dan, Can't Buy a Thrill, Jeff (Skunk) Baxter, “Do it Again”, “Reelin' in the Years”, “Only a fool would say that”, John Lennon, Imagine, Robert Dimery, 1001 Albums You Must Hear Before You Die, Peter Gabriel, The Cure, Three Imaginary Boys, Boys Don't Cry, "10:15 Saturday Night", Robert Smith, Television, Marquee Moon, Devo, Q: Are We Not Men? A: We Are Devo!, Rolling Stones, "Satisfaction", Mark Mothersbaugh, Violent Femmes, "Kiss Off", "Add It Up", “Glister in the sun”, "Blister in the Sun", Sex Pistols, Never Mind the Bollocks Here's the Sex Pistols, Marlon Brando, The Wild One, Malcolm McLaren, The Great Rock'n'Roll Swindle, “Ever get the feeling you've been cheated?”, Ramones, Mi-Sex, Graffiti Crimes, Midnight Oil, “Run by Night”, 2JJ, Cold Chisel, Khe Sanh, Skyhooks, Living in the 70's, “You just like me ‘cos I'm good in bed”, Neil Young, Oceanside Countryside, Joe Bonamassa, Adele, Taylor Swift, Jethro Tull, Donald Trump  Playlist – Everything we talked about in this episode The Wiggles' new album (snippet) Donald Trump strikes again! 

Tomas Anonymous and Chip Woode are trapped inside a sound recording studio with a strange robot forcing them to narrate imaginary music videos. The only way to escape this monotony is inter-dimensional time-space travel! Follow along to hear music by a doppelganger Devo band plus a trailer for the Limbo Calling podcast. More about Slumberland at this link. This Slumberland version of the Devo song "Shrivel Up" comes with apologies to Mark Mothersbaugh and Gerry Casale. This new version's music was produced by Kevin J Drieberg Check out KJD's music and more here! Limbo Calling appears in trailer form courtesy Limbo Tapes. HIGHLY recommend you listen to Limbo Calling here Also listen to Radio Limbo here Purchase Limbo Tapes music here "seven" from the album "LoFi Beats" by Cloudwarmer appears courtesy the creative commons license CC BY-SA 4.0 Purchase Cloudwarmer music at Bandcamp This episode is dedicated to the memory of David Lynch. Thanks for all the inspiration, David. Extra apologies to Daniel Pinkwater, author of the wonderful Snarkout Boys books. The sound design in this episode owes thanks to Freesound Project contributors: garyq, xenognosis, pushkin, splicesound, 0ktober, ccrev, robinhood76, kwahmah-02, studenttanita, kinoton, luffy, pastabra, sammycrerar98, guitarguy1985, danielad, garuda1982, taure, ssugg, juskiddink, nathvandykowi, ravenwolfprods, imnotdubmass, fodps3, colonnades, cognito-perceptu. Thank YOU for listening to Slumberland!

This is Play That Rock n' Roll's interview with Mick Strawn, author of "BEHIND THE SCREAMS: The Dream Masters Revealed"! In this conversation, Mick's work as a Production Designer on films like A Nightmare on Elm Street 3: Dream Warriors, A Nightmare on Elm Street 4: The Dream Master, Breakin' 2: Electric Boogaloo, and Blade! He also talks about working on the music videos for Dokken's "Dream Warriors" and "Are You Ready For Freddy" by the Fat Boys. Plus stories about Steven Seagal, Mark Mothersbaugh (from Devo), and Kris Kristofferson! Check out Mick's podcast at ‪@dreamwarriorreview7655‬ Mick on Instagram: https://www.instagram.com/mqmiq3/?hl=en Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Play That Rock n' Roll's interview with Mick Strawn, author of "BEHIND THE SCREAMS: The Dream Masters Revealed"! In this conversation, Mick's work as a Production Designer on films like A Nightmare on Elm Street 3: Dream Warriors, A Nightmare on Elm Street 4: The Dream Master, Breakin' 2: Electric Boogaloo, and Blade! He also talks about working on the music videos for Dokken's "Dream Warriors" and "Are You Ready For Freddy" by the Fat Boys. Plus stories about Steven Seagal, Mark Mothersbaugh (from Devo), and Kris Kristofferson! Check out Mick's podcast at ‪@dreamwarriorreview7655‬ Mick on Instagram: https://www.instagram.com/mqmiq3/?hl=en Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. Patrick worries that he could have accidentally ate a bug that might have possibly maybe snuck into his sandwich. Joe definitely ate a bug and is now battling a sickness (colloquially known as "bugs." (get it?)). Lev didn't get it. But he got something else. Was it a bug? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in October 2024. References may feel confusing and/or dated unusually quickly. 'Dumb and Dumber' is available on Blu-ray, DVD, & VHS (unrated????): https://www.amazon.com/Dumber-Unrated-Blu-ray-Peter-Farrelly/dp/B001IKKMD6/   Music from "Dumb and Dumber: The Animated Series Theme Song" by Bruce Berman and Mark Mothersbaugh and 'Dare to be Stupid' by "Weird" Al Yankovic   Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, dumb, dumber, daniels, ebert, halloween, joker, farrelly, green, book, dumberer

Hello Interactors,My daughter has developed a keen interest in synthesizers. She has even created illustrated characters named Morg and Snorf, inspired by keyboard brands like Korg and Nord. Recently, she borrowed an old Korg synthesizer and has begun composing her own music during what she calls, “Korg time”. The evolution of electronic music has been remarkable since its inception, with even classical composers now embracing technology in their work. Notably, Ada Lovelace, one of the earliest computer programmers, foresaw in 1842 that computers would eventually be used for music composition — a prediction that has come to fruition.The blending of acoustic music and computer-generated sounds prompts me to reflect on how we shape our environment, which in turn shapes us. This interplay mirrors the story of evolution: nature nurturing nature ad infinitum. However, I wonder if technology as we know it today will ever truly integrate into the fabric of nature. Will we see human-like robots or robot-like humans? What if technology is already embedded within nature, and we are on the brink of learning to program it just as we would a computer?Let's find out…MAN OR MACHINE?“Are we not men?” This was a question presumably posed to and by members of the band DEVO who masquerade as part human and part machine. The answer by the humorous humanoids was “We are Devo!”. This question and answer became the title of their first album in August of 1978. It served as both a declaration of their band name, DEVO, but also as a rhetorical question that questioned humanity during the early rise of digital technology and its perceived, and actualized, dehumanization.DEVO is an abbreviation of the term de-evolution. The band's founding member, lead singer, and keyboardist, Mark Mothersbaugh had come across a 1924 pamphlet produced by Rev. B.H. Shadduck titled “Jocko-Homo Heavenbound” which critiqued, often humorously, Darwinian evolutionary theory.“Jocko-Homo” translates to Ape-Man which refers to human's evolution from apes. The critique is born out of teleology — the belief organisms are the design of a Christian god…and may be subject to evolutionary decay. Some claimed that by not adhering to the moral precepts of strict forms of Christianity, like dancing or drinking alcohol, that you could pass along devolving genes to your children. As a society, it could lead to a backwards slide of humanity, a devolution.As art students at Kent State, Mothersbaugh and co-founding member and friend Gerry Casale were mostly drawn to the satire and comedic illustrations in ‘Jocko-Homo'. But the book's premise came to the fore when they witnessed the killing of student war protesters in 1973. It made them wonder if perhaps humans really were devolving. After all, the Ohio National Guard had acted more like killing machines, not thinking or feeling humans. They seemingly failed to ask themselves, “Are we not men?”Mothersbaugh and Casale had already begun experimenting with guitar laden punk rock when Mothersbaugh saw Brian Eno perform a synthesizer solo with the band Roxy Music. He'd heard plenty of synth solos from other bands of the 1960s and 70s, but no one played it like Eno — bending and twisting electronic knobs and dials like guitarists and singers bend strings and larynx muscles. Eno sounded and dressed like he'd been transported from the future or another planet.Just a few years later, Brian Eno became the producer for DEVO's first album, “Q: Are we not men? A: We are Devo!”. The album included the song “Jock-Homo” which featured short bursts of monkey sounds Eno synchronized with the machine-like beat of the song. Much like acts of the time, like Roxy Music and David Bowie, DEVO leveraged stage theatrics to convey their message. Their performances featured matching futuristic outfits, often with their red signature energy dome hats. Their choreographed robotic movements reinforced a cyborg-like identity serving as a visual critique of modern society's mechanization.As AI and robots of today have captured the attention of a global society seemingly in decay, it may sound cliché to say, but they, and their contemporaries, were ahead of their time. While I don't believe we are devolving, I do think DEVO accurately portrays, both theoretically and practically, a blending of man and machine that may just be part of developmental evolution — though perhaps not exactly as Darwin had envisioned. Interestingly, DEVO could not have known their band name would become part of a branch of evolutionary biology, called Evo-Devo, or evolutionary developmental biology. That abbreviated term emerged in the early 1980s, perhaps inspired by DEVO.GEOGRAPHY GUIDES GROWTHEvo-Devo, which evolved from 19th-century embryology, explores how the development of an organism grows and matures from a single cell into a fully formed adult. It considers how cell division, their differentiated specialization for specific functions, the development of the resultant organism's shape, and body structures and organs shape evolution.Early thinkers like Karl Ernst von Baer and Ernst Haeckel recognized how species shared similar early developmental stages but then differentiated at later stages. The genetic underpinnings of this wouldn't be fully understood until much later. Darwin recognized these genetic developments as potential drivers of evolutionary change, but it took the Modern Synthesis of the 1930s — which focused on genetics and natural selection — to realize these ideas.By the 1970s, the discovery of mutation genes like Hox genes (which control the body plan of animals) reignited interest in the connection between development and evolution. This research demonstrated how small tweaks in developmental processes could lead to dramatic changes in form. In the 1990s, Evo-Devo solidified as a field, with researchers like Sean B. Carroll emphasizing gene regulation's critical role in shaping life's diversity.Today, Evo-Devo has expanded, embracing genomics and epigenetics to explain how organisms evolve through the complex interplay of genetic and environmental factors, reflecting a broader and more dynamic vision of evolution. In a sense, DEVO's fusion of human and machine echoes these evolutionary dynamics, where both biological and technological systems evolve through reconfiguration and integration, creating emergent complexity that Darwin could not have imagined.While Darwin spent years observing the interplay between biology and the physical environments of the Galápagos and beyond, he also could not have fully anticipated the extent to which physical forces directly influence biological development and shape natural selection.Physical forces play a crucial role in shaping the development of complex biological structures. Mechanical stress, for instance, influences how cells behave during growth and regeneration. Cells respond to tension and pressure in their environment through mechanotransduction — where physical signals are converted into biochemical ones — allowing tissues to adapt to their surroundings.This process is essential, for example, for the simple healing of a small cut to the complex formation of organs where precise force patterns ensure proper development. Similarly, physical stressors like fluid dynamics and gravity are critical in determining the structural features of organisms. In mollusks, for example, the formation of their shells is heavily influenced by the mechanical forces exerted by water currents and the mollusk's own movements. These physical inputs guide how calcium carbonate is deposited, shaping the unique curvature and strength of their shells. These examples highlight how environmental forces and biological development are deeply intertwined, driving evolutionary change through the interaction of physical and genetic processes.This view aligns with the work of researchers like Michael Levin, who propose that environmental cues, including bioelectric and biochemical signals, play a crucial role in guiding the development and behavior of organisms. Michael Levin is a pioneering figure in the field of developmental biology and regenerative medicine, where his groundbreaking work explores how organisms use bioelectric signals to guide growth, regeneration, and even behavior.His research has expanded our understanding of how cells communicate beyond traditional biochemical and genetic pathways, showing that electrical signals between cells play a critical role in shaping an organism's development. Levin, and his collaborators, has demonstrated how manipulating these bioelectric signals with computer programs, they can reprogram biological processes — enabling, for example, the regeneration of complex structures like limbs in animals.This represents a major shift in biology, as it challenges the conventional view that genetic blueprints alone dictate development, highlighting instead the role of bioelectricity as an under appreciated but vital component of life's regulatory networks. In other words, genes can be thought of as hardware and they communicate, collaborate, and compete through bioelectronic circuitry, or software.BLURRING BOUNDARIES, REDEFINING LIFEMichael Levin's research, and others, emphasize that biological systems — whether single cells or complex organisms — operate through networks of bioelectrical, biochemical, and biomechanical signals, processing information much like computers. Cells communicate and make decisions through these signals, allowing them to respond to their environments. In this way, living organisms already function as computational entities, capable of performing sophisticated tasks typically associated with artificial systems.Levin's vision extends into synthetic biology, where organisms might be engineered to function like programmable devices. By manipulating bioelectric and cellular signals, scientists could design organisms capable of performing specific tasks, responding to commands, or adapting their behavior, effectively merging biology with computation. This concept could, for example, blur the distinction between biological pets and programmable machines, imagining a future where living systems are fully customizable.This integration of biology and technology is further reflected in the development of soft robotics and biohybrid systems, where machines incorporate biological tissues for enhanced sensory and adaptive functions. Levin's work on bioelectricity supports the idea that these biological machines could operate through naturally occurring computational processes, challenging traditional distinctions between organic life and artificial intelligence.Clearly these developments raise profound ethical questions, and Levin is the first to say it. It poses many questions about the nature of intelligence, the potential for sentient machines, and the rights of biologically-based computing systems. But these developments could also help advance some of our most pressing health problems.Including in the brain. There's already a brain grown in a petri dish that can learn to play Pong. Called organoids, these are lab-grown, miniature models of human organs, developed from stem cells, can replicate structural and functional characteristics of actual organs.Brain organoids, in particular, mimic basic aspects of brain architecture and neural activity, allowing researchers to study development, disease, and neurological functions in controlled environments. These "brains in a dish" have advanced to the point where they can exhibit learning behaviors, like playing Pong.In this experiment, a brain organoid was connected to electrodes, which allowed it to interact with a simplified version of game. Over time, the organoid learned to play the game by modulating its neural activity in response to feedback from the game environment. This groundbreaking demonstration revealed the potential of organoids not only for studying brain function but also for creating neural systems capable of learning and adapting, pushing the boundaries of artificial intelligence and bioengineering.Such advancements highlight the possibilities of merging biological neural systems with computational tasks, a direction that may influence both neuroscience research and the future of AI. I wonder if DEVO ever imagined their man-machine themes and robotic humanoid movements would have emerged, in experimental form, in their lifetime.DEVO and their contemporaries didn't just create music; they engineered an evolutionary shift in sound that mirrored both cultural and biological processes. By blending analog instruments with emerging technologies like synthesizers and drum machines, their work reflected the modularity featured in Evo-Devo, where biological traits evolve through the recombination of existing genetic modules. Just as Evo-Devo shows how small adjustments in developmental pathways lead to novel evolutionary outcomes, DEVO's music was a synthesis of tradition and innovation, where new soundscapes emerged from reconfiguring the familiar all influenced by the culture and environment in which they exist. This creative evolution parallels biological processes, where complexity arises not linearly but through recursive adaptation and innovation often resulting in sudden unexpected leaps.Much like geography's dynamic role in shaping biological evolution, DEVO's sound was also shaped by external forces — cultural, technological, and industrial. In biology, physical environments like mountains, rivers, and urban landscapes impose selective pressures that drive adaptation, and similarly, DEVO's music arose at the intersection of human creativity and technological advancement. These external forces didn't serve merely as a backdrop but as active, reshaping elements, much like how geographic isolation on islands drives rapid speciation. The adaptability of organisms to urban environments mirrors how DEVO adapted the rigid precision of machines into organic, expressive art, blending the mechanical with the human, much like how species blend with their changing habitats.This fusion of man and machine is now emerging in the cutting-edge field of synthetic biology, where organisms are engineered to function like programmable devices. In the same way that DEVO's music blurred the lines between human creativity and machine precision, synthetic biology allows for living systems to be designed with programmable traits, merging the biological with the technological. Maybe Morg and Snorf will not just be 3D models on a 2D screen, but real bio-sythentic musical pets that invent and collaborate on music together — and with us.These biohybrid systems, where living organisms can perform tasks traditionally associated with machines, further illustrate the evolution of complexity through reconfiguration. Whether in music or existence, the distinctions between what is natural and what is artificial are growing more ambiguous, illustrating the continuous evolution driven by adaptation, creativity, and the interaction with outside forces. References: Fortner, Stephen. "Devo: The Masters of Subversive Synth Rock Return." Keyboard, 1 Sept. 2010, https://www.moredarkthanshark.org/eno_int_keyboard-sep10.html.Wanninger, Andreas, and Tim Wollesen. "The Evolution of Molluscs." Frontiers in Ecology and Evolution 6 (2018): 1-22. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6378612/.Conversation with ChatGPT on intersections between Evolution, Geography, and Biological Computing. September, 2024. https://chatgpt.com/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

From early mystic folk inclinations to more fried and psychedelic work, Ben Chasny's Six Organs of Admittance project has never settled into an easy, definable zone. But 2024 sees the Six Organs sonic universe expanding kaleidoscopically, even by Chasny's prodigious standards. First was Time Is Glass, an album that documented his return to Humboldt County; then Jinxed By Being, a collaboration with ambient dub master Shackleton, and on September 27th, Companion Rises (Twig Harper Remix), which finds Chasny's 2022 album Companion Rises completely reimagined and re-created by sound artist Twig Harper. The results are unlike anything you've ever heard in the Six Organs catalog—though it's all part of the design, Chasny says. For this return visit to Transmissions, Chasny joins host Jason P. Woodbury to discuss his trio of 2024 releases, his experiences playing with David Tibet's apocalyptic avant-garde collective Current 93, his vision for the DIY recording zine Head Voice, the sounds of spiritualism, and cultivating online community through the Six Organs Patreon. Plus: Animator Mark Neeley drops in for a quick chat about Pure Animation for Now People, his new minute-long, hand drawn collaboration with Mark Mothersbaugh of Devo. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Send us a textTune in to this episode of "Music In My Shoes" as we unravel the fascinating story behind Neil Young and Crazy Horse's "Hey, Hey, My, My (Into the Black)" and its acoustic counterpart, "My, My, Hey, Hey (Out of the Blue)." Discover how Mark Mothersbaugh of Devo influenced the iconic line "it's better to burn out 'cause rust never sleeps.' We'll also reflect on the generational debates ignited by references to Elvis Presley and Johnny Rotten, celebrating Young's complex legacy as the "Godfather of Grunge."Take a nostalgic stroll through the golden age of rock and pop with us. From the Beach Boys' infectious "I Get Around" to the familiar sound of Peter and Gordon's "A World Without Love," we'll uncover the stories and secrets behind these timeless hits. Relive the vivid imagery of the Drifters' "Under the Boardwalk," the innovative sound of the Zombies' "She's Not There," and the emotive charm of the Shangri-La's "Remember Walking in the Sand." Each song is a testament to the creative genius of these legendary artists and their lasting impact on music history.Our journey continues as we delve into the unique sound of Big Star, drawing connections to the Rubber Soul-era Beatles and The Byrds, and celebrating their influence on bands like The Replacements. We'll share memories of an unforgettable live performance of Billy Idol's electrifying 1984 show at Nassau Coliseum. Finally, we'll reflect on the poignant farewell of the 8G Band on Late Night with Seth Meyers, featuring Bob Mould's intense rendition of "Makes No Sense at All." Join us for a heartfelt tribute to the enduring power of music and the unforgettable memories it creates.Please Like and Follow our Facebook page Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Learn Something New orRemember Something Old

Marcelo Pico is your host for this new show, which focuses on films and their soundtracks and scores. Thomas Mariani (Cinema to the Letter) is the first guest. Here, Marcelo and Thomas discuss Wes Anderson's The Royal Tenenbaums and the soundtrack and score by Mark Mothersbaugh. Listen to the extended version of this episode and future episodes on our Patreon: TalkFilmSociety.com/TheRecordParty Join our Discord for more film talk: TalkFilmSoc.com/Discord

While Devo is known as an early 80's new wave synth pop band, their history goes back to 1973.  The classic lineup of Mark Mothersbaugh, Bob Mothersbaugh, Gerald Casale, Bob Casale, and Alan Myers developed the name Devo from "De-evolution," the idea that mankind is regressing to a herd mentality.  This was a bit of a joke idea that Gerald Casale and co-founder Bob Lewis formed while at Kent State University.  The band gained some local fame in 1976, and were signed to Warner Brothers in 1978 with recommendations from David Bowie and Iggy Pop.Freedom of Choice is Devo's third studio album and their breakout commercial success.  While their first two albums had generated some following, the commercial success was not at the level Warner Brothers sought, and the third album was considered a "make or break," one with the studio ready to drop the group.  Success did follow this album, with Devo exploiting the upcoming popularity of new wave while drifting a little bit towards R&B and funk sensibilities within their synth-pop framework.The album was recorded and mixed in six weeks, with bass, guitars, and drums being recorded together live, and with synthesizers and vocals being overdubbed later.   The album peaked at number 22 on the Billboard 200, and the big single, "Whip It," reached number 14 on the Billboard Hot 100 singles chart.Rob brings us this synthisizer-driven new wave album for this week's foray into the early 80's.Freedom of ChoiceThie post-punk title song initially sounds like it is about freedom of choice.  However, it is really about people not really having freedom of choice.  Consumerism - choosing between green sneakers and blue sneakers for example - isn't really choice at all.  "Freedom of choice is what you got.  Freedom from choice is what you want."Whip ItEveryone knows this signature Devo song.  Mark Mothersbaugh has stated that the song was written as a subtle Dale Carnegie-esque message to Jimmy Carter, saying "you can do it."  The song benefitted greatly from airplay on the fledgling cable channel MTV, where their strange video involving a guy knocking the clothes off a girl with a bullwhip received continual play.Gates of SteelThe lead song from side 2 is a bit of a commentary on the mechanization of humanity.  No matter how much we believe mankind has accomplished, we're not far removed from the ape.  "A man is real, not made of steel."Girl U WantThis was the first single released from the album, though it did not chart well.  The song was supposedly inspired by The Knack, though the track reminds us more of The Cars.  "She's just the girl, she's just the girl, the girl you want." ENTERTAINMENT TRACK:Fame by Irene Cara (from the motion picture “Fame”)Irene Cara sings the theme song and stars in this teen musical drama about students auditioning to study at the High School of Performing Arts. STAFF PICKS:Crazy Little Thing Called Love by QueenLynch's staff pick is a song inspired by Elvis Presley.  Freddie Mercury wrote the song lyrics in about 10 minutes, and the band created the song in about 30 minutes.  Mercury played lead guitar for the original stuido recording.  It was the first number 1 hit that Queen had on the US Billboard Hot 100 singles chart.  Cars by Gary NumanWayne brings us the signature song from Gary Numan.  It was inspired by an incident of road rage Numan experienced in London, where he had to lock his doors and drive on the sidewalk to avoid getting attacked.  He was safe in his car, and inspired to write a song in about 30 minutes.  It is a signature song of the New Wave genre, and there are no guitars in this track.Two Headed Dog (Red Temple Prayer) by Roky EricksonBruce features a strange hard rock song with lyrics inspired by Soviet scientist Vladimir Demikhov.  Demikhov's research focusted on organ transplants, and he conducted dog head transplants in the 1950's.  This song is off Erickson's debut album with his band the Aliens, and is considered a cult classic.  Call Me by Blondie Rob finishes the staff picks with a hit that feaured in the film "American Gigolo."  It went to number 1 on the Billboard Hot 100 for six weeks, the biggest hit of Blondie's career.  Lead vocalist Debbie Harry wrote the lyrics from the perspective of the main character in the film, a male prostitute.   INSTRUMENTAL TRACK:Airlane by Gary NumanWe close out with a double dip on new wave synth artist Gary Numan this week. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Honoured to be joined by a true music legend on podcast this week. Mark Mothersbaugh, Devo frontman, artist and film composer. Mark discusses his beautifully designed mail-art book. ‘Apotropaic Beatnik Graffiti', which features Mark's wonderful drawings on small postcards.   Mail art, also known as postal art and correspondence art, is an artistic movement centred on sending small-scale works through the postal service. This lifelong passion of Mark's started back in 1969 and he now has over 700 red books of mail-art in his archives, including postcards from legendary artist, Andy Warhol. This book represents just 5 of those books from the collection. We also talk about 50 years of Devo and the story behind the look and visual aesthetic of the band. It's safe to say that band's visual style is as iconic as their music. There is no one else quite like them!   They are arguably one of the most influential bands of all-time and new documentary about the group premiered at Sundance Film Festival earlier this year. The film, which has had the odd screening in the UK, was directed by Chris Smith, who also made ‘Jim and Andy', a wonderful film about Andy Kaufman and the making of Man On The Moon.  

The great Amy Seeley comes back to Jagbags to talk the music of the legendary Akron-based band Devo. We go through their discography, discuss their enduring influence, what made them more than just a rock band, and offer reasons why they may now be even more popular than ever. Hear about Amy's Mark Mothersbaugh sighting in LA! We also construct our respective "Best of Devo" 45-minute playlists, and talk all-time favorite Devo albums. Remember -- we can have no serious discussions about Rock Hall nominees while Devo remain unenshrined. JAGBAGS!

National No dirty dishes day.  Entertainment from 1966.  Bath school massacre, Mt. St. Helens erupted, 1st female pilot to break the sound barrier.  Todays birthdays - Seth Wheeler, Big Joe Turner, Perry Como, Pope John Paul II, Pernell Roberts, Mark Mothersbaugh, George Strait, Tina Fey. Jill Ireland died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Too many dirty dishes - Albert CollinsMonday monday - Mamas and PapasThere goes my everything - Jack GreenBirthdays - in da club - 50 Cent    http://50cent.com/Shake rattle & roll - Big Joe TurnerPrisoner of love - Perry ComoBananza TV themeWhip it - DevoUnwound - George StraitExit - Its not love - Dokken   http://dokken.net/Follow Jeff Stampka on Facebook 

Henry Winkler talks about being the Fonz, his connection to Milwaukee and HBO’s ‘Barry.’ Also, actress Illeana Douglas on her love affair with Connecticut movies. And Mark Mothersbaugh on how DEVO predicted de-evolution fifty years ago.

Mark Mothersbaugh from DEVO discusses his new hardcover art book, APOTROPAIC BEATNIK GRAFFITI, how limited eyesight helped make him a visionary, a 2020 hospital admission for COVID-19 that changed his life forever, mail art and thousands of art cards, how visual art led to the pursuit of music and DEVO's formation, very old and very recent personal interactions with three Beatles, loving the Rolling Stones and avoiding LSD, the essay Ian Svenonius wrote for this book, the current state of devolution, what's next for him and DEVO, other future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #736: Douglas Andrew McCombsEp. #673: Sonic YouthEp. #659: Robin HatchEp. #550: Ian Svenonius & Rich Morel of Too MuchEp. #107: Friendly RichEp. #19: Ian F. SvenoniusSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This week we leap with composer Mark Mothersbaugh to one of his many great films to revisit classic Adam Sandler comedy Happy Gilmore. Is it as funny as it was when it came out in 1996? We find out!

Rex and Craig are on the case, from Luke Combs' "Fast Car" cover and performance at the Grammy Awards Show with songwriter Tracy Chapman; to our review of this year's Super Bowl halftime show starring Usher and friends; to our inquiring why some people get so triggered by Taylor Swift to Houston Astros pitchers and catchers reporting. Also, Craig has a couple of Tik Tok stories. Errata: Not really an error, but the quote from the Whatever Podcast is, "It's very convenient that women waited until after one of the most deadly and brutal wars to secure their right to vote." The vampire's name in "Nosferatu" (1922) was Graf Orlok, played by Max Schreck. The film starring Willem Defoe was "Shadow of the Vampire," not "Kiss of the Vampire." Craig replaced "Possum Kingdom" with Delta Spirit's "How 'Bout It." It's not made clear, but Nicky Minaj settled with Tracy Chapman. The "Mark" in Devo is Mark Mothersbaugh. Some LinksChris Willman, "Nicki Minaj Agrees to Pay Tracy Chapman $450,000 in Settlement Over Unauthorized Sample," Variety.com, January 8, 2021.Nick DeRiso, "Why Don't Rock Bands Play the Super Bowl Halftime Show Anymore?" at UltimateClassicRock.com, February 7, 2024.Max Pilley, "Dua Lipa thinks people don't want pop stars to be 'political' or 'smart'" NME.com January 21, 2024. -->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandrunsHooks & Runs - www.hooksandruns.comHooks & Runs on TikTok -  https://www.tiktok.com/@hooksandrunsHooks & Runs on Twitter - https://twitter.com/thehooksandrunsAndrew Eckhoff on Tik TokLink: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Music: "Warrior of Light" by ikolics (Premium Beat)     

This week, we present the first of our two-part episode with filmmaker, musician, and photographer DAVE MARKEY (‘1991: The Year Punk Broke,' ‘Lovedolls Superstar,' Painted Willie on SST records) about 'the change our lives forever' videotape for both of us: DEVO's ‘The Men Who Make The Music.'   We discuss how Devo has been the most influential influence on our life and creative work, getting picked on for liking DEVO and pushing back, Neil Young working with the band, the proper way to say Boojie Boy, Devo's video director (Chuck Statler) singular style and use of non-actors, the concept of selling out, early MTV, seeing Devo live, Dr. Demento & SNL, Devo being championed as a Los Angeles band, dealing with Whip It as a hit song, Dave's early work as a teenage filmmaker, Devo's evolution of songwriting, how sexy Mark Mothersbaugh is, CLUB DEVO, John Lydon almost joining Devo, bands jumping on the New Wave bandwagon and how the Devo's body of work could be absolutely frightening.  So take your hotsy-totsy swinger, put them under pressure, and watch them fall apart on this week's Revolutions Per Movie.David Markey:www.wegotpowerfilms.comRevolutions Per Movie:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Podcast for a deep examination into the career and life choices of Whoopi Goldberg. Hangin' Ten continues with film #12!? BONUS ROUND!! Oscar nominations are out for the 2023 films and the hosts sure do have opinions. There's also probably some discussion about this week's film. Lev tries to keep them on track, but then Godzilla comes stomping in. Is he in color or black & white? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in January 2024. References may feel confusing and/or dated unusually quickly. 'Nobody's Fool' is available Blu-ray & DVD: https://www.amazon.com/Nobodys-Fool-Blu-ray-Tiffany-Haddish/dp/B07K138V9D/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=1706913079&sr=1-7 Music from "Catfish Theme Song" by Mark Mothersbaugh and "Nobody's Fool" by Avril Lavigne   Artwork from BJ West   quixotic, united, skeyhill, vekeman, whoopi, goldberg, nobody, nobodys, fool, haddish, perry, BET, oscars, oppenheimer, nyad, barbie, godzilla

Jerry cools our swelling, itching brains with his tales about the time David Bowie wanted to produce Devo; when Virgin Records founder Richard Branson tried to get Sex Pistols lead singer Johnny Rotten to front the band; and what Rolling Stone Mick Jagger did the first time he heard their amazing version of “Satisfaction.” Chris Smith's new documentary, DEVO, premiered at Sundance Film Festival 2024. Catch Jerry & Mark Mothersbaugh at MoMa in NYC, Saturday, Jan. 27, 2024: https://www.moma.org/calendar/events/9300 Get the Celebrating 50 Years of De-Evolution box set: https://www.clubdevo.com/ See Jerry's video for "I'm Gonna Pay U Back": https://youtu.be/8kv2UMoynOw?si=77P8wvVyva7YRSfd -------------------------------------------------- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com IG + X: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary musician, composer, visual artist and co-founder of DEVO, Mark Mothersbaugh, talks to Danz about scoring Wes Anderson's 2004 film, The Life Aquatic with Steve Zissou, and about his new book, Apotropaic Beatnik Graffiti. This is the extended version of a conversation originally presented at one of the Synth History ‘Iconic Scores' screening series nights at the Vidiots Theater in Los Angeles, CA. 

Happy holidays! Is Santa just a weird peeping holiday cop? We get into the festive spirit (the ghost kind, of course) as we discuss 2015's yuletide cautionary tale, Krampus. Disclaimer: Kyle mixes up Danny Elman and Mark Mothersbaugh.

Bob Lewis is a poet, composer, and musician – probably best known as co-founder and early guitarist for the band DEVO. Bob attended Kent State University in the late 60s and after the Kent State shootings on May 4th, 1970, Bob and his friend Gerald Casale started exploring the theme of what they termed “de-evolution.” Peter Gregg joined them the following year and the trio recorded three proto-Devo songs ⁠—"I Been Refused", "I Need a Chick" and "Auto Modown"⁠.In 1973, they formed the band DEVO with Mark Mothersbaugh and made their debut performing at the K.S.U. Creative Arts Festival as the Sextet Devo. Bob stopped by our studio while he was in town for a Q. & A. event as part of the “DEVO 5-0: The Beginning was the End – A Fiftieth Anniversary Tribute to The De-Evolution Band.”See omnystudio.com/listener for privacy information.

Mark Mothersbaugh is a composer, and founding-member of DEVO. He is also a close personal friend of Tony, although they've never gone camping together. Check out https://WonderfulPistachios.com to learn more about how these little green wonders can power up your day! Thank you Bear for sponsoring! Click here https://bearmattress.com/HAWKWOLF to get 35% off your Bear mattress during their Labor Day. If you miss this limited time offer, you can still get 30% off using our link! Offers subject to change. Check out NOMAD at NomadGoods.com/HAWKWOLF. To see what living the NOMAD LIFE IS ALL ABOUT. Be sure to use code WOLF to save 10% on your first order. Head to https://TryFum.com and use code HVW to take 10% OFF when you get the Journey pack today. The Journey pack comes with three unique flavors and the new Version 2 Füm to help kick start your positive habits. Thanks to Uncommon Goods for sponsoring this video! To get 15% off your next gift, go to https://www.uncommongoods.com/podcast/hvw Listen to Hawk vs Wolf Spotify -- https://spoti.fi/3YmTQer Apple -- https://apple.co/3KYh3Rk Follow on Social Tony Hawk https://instagram.com/tonyhawk https://instagram.com/skateparkproject https://twitter.com/tonyhawk Jason Ellis https://instagram.com/wolfmate https://twitter.com/ellismate Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry Winkler talks about being the Fonz, his connection to Milwaukee and HBO's 'Barry.' Also, actress Illeana Douglas on her love affair with Connecticut movies. And Mark Mothersbaugh on how DEVO predicted de-evolution fifty years ago.

The lead singer and keyboardist for Devo, Mark Mothersbaugh, is an avant-garde, new wave pioneer. Although critics sometimes classify Devo as a joke band, the Akron, Ohio art-punks' ethos was created in response to a very serious event—the 1970 shooting at their college, Kent State. Following the incident, the band took on the name “Devo,” short for what they felt was organized society's “de-evolution.” Throughout the ‘70s and ‘80s Devo helped lay the groundwork for DIY, anti-establishment bands by releasing bizarre and left-of-center music and conceptual films that helped usher in the music video revolution. In addition to his work with Devo, Mark Mothersbaugh has also created a long and successful career scoring for TV and film. His credits include, Pee-Wee's Playhouse, The Rugrats TV show and movies, and he's scored several classic Wes Anderson-directed films including The Royal Tenenbaums and Rushmore. On today's episode Justin Richmond talks to Mark Mothersbaugh about how he developed his quirky sensibility as one of five kids growing up in a chaotic household with exotic animals. Mark also tells a story about the time Richard Branson suggested that Johnny Rotten join Devo after the Sex Pistols broke up. You can hear a playlist of some of our favorite Mark Mothersbaugh songs HERE.See omnystudio.com/listener for privacy information.

It's hard to overstate just how important record album art was to music in the days before people downloaded everything. Visuals were a key part of one's experience with a record or tape or CD. The design of the album cover created a first impression of what was to come. Album art was certainly important to reporter Sean Cole, one particular album by one particular band: Devo. This is the story of Devo's first record and the fight over the arresting image of a flashy, handsome golf legend on the cover.Plus, former 99pi EP Katie Mingle gets the backstory of the Langley Schools Music Project LP, a haunting and uplifting outsider artist masterpiece.This episode was originally broadcast in 2018Devolutionary Design

You're invited down into the semi-secret underground bar located beneath the Supper Shack. An establishment full of local lore and adult beverages. The nominal proprietor is Captain Delmar Silverfish, but his current catatonic state prevents you from really getting to know the good captain, just yet. Something sinister could be involved, and it's up to Tomas Anonymous to sort it out with some help from Omar Evanston and Chip Woode. More about Slumberland at this link. Audio Tape Narrator performed by Catty Donnelly visit Catty's website! This Slumberland version of The Red Eye legend comes with apologies to Ben Edlund. This Slumberland version of the Devo song "Red Eye Express" comes with apologies to Mark Mothersbaugh and Gerry Casale. This new version's music was produced by Kevin J Drieburg Check out KJD's music and more here! Songs by Fields Ohio appear courtesy the creative commons license CC BY-SA 4.0 Purchase Fields Ohio music at Bandcamp Winter Séance in Linden // Floating Down Iuka Ravine // Always Dreaming of Sandusky Bay // from the album "Our Paper Hearts Drift In Tunnels To Sleep In Little Boxes Under Ohia Seas" The sound design in this episode owes thanks to Freesound Project contributors: dymewiz, jhooper, roganmcdougald, sethlind, sethroph, epicwizard, klankbeeld, michaelvelo, genviou, nagwense, airblock, 14panska, kijjaz, juanfg, craigsmith, bojan_t95, nemodaedalus, kyles, samram21, maxman727, pogotron, morganjbryan, jeseid77. Thank YOU you for listening to Slumberland!

This week we pay a visit to Dracula's five-stake resort for monsters. Join us as we discuss the antics of a medley of spooky icons (and one regular guy) at Hotel Transylvania! Enjoy your stay. Listen on YouTube: https://youtu.be/O5jLXj5g4S0 TIME CODES: 00:00:00 - INTRO 00:01:16 - BASIC FACTS 00:04:33 - THE MEAT 00:45:25 - WHAT WE WATCHED 01:17:40 - OUTRO FILM INFORMATION: Hotel Transylvania (2012) “Welcome to Hotel Transylvania, Dracula's lavish five-stake resort, where monsters and their families can live it up and no humans are allowed. One special weekend, Dracula (Adam Sandler) has invited all his best friends – Frankenstein and his wife, the Mummy, the Invisible Man, the Werewolf family, and more – to celebrate his beloved daughter Mavis's (Selena Gomez) 118th birthday. For Dracula catering to all of these legendary monsters is no problem but the party really starts when one ordinary guy stumbles into the hotel and changes everything!” Directed by Genndy Tartakovsky, produced by Michelle Murdocca, Lydia Bottegoni, Adam Sandler (exec.), Allen Covert (exec.), Robert Smigel (exec.). Written by Peter Baynham, Robert Smigel, Dan Hageman, Kevin Hageman, Todd Durham, casted by Mary Hidalgo, edited by Catherine Apple, production design by Marcelo Vignali, art direction by Noëlle Triaureau, Ron Lukas, visual effects by Daniel Kramer, score composed by Mark Mothersbaugh, songs by Will.i.am, Becky G. Starring Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, Cee Lo Green. Read more about Hotel Transylvania on the official website: https://www.sonypictures.com/movies/hoteltransylvania Find where to stream this week's film on JustWatch: https://www.justwatch.com/us/movie/hotel-transylvania OUR LINKS: Host Webpage: https://podcasters.spotify.com/pod/show/recentlylogged Letterboxd HQ: https://boxd.it/30uy1 YouTube: https://youtube.com/@recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert “Robbie” Grawey Hosts - Micah and Robert “Robbie” Grawey Songs used - Church Bell Celebration by Doug Maxwell/Media Right Productions, Happy Haunts by Aaron Kenny, Slow Tango by Andrew Huang, 80's Vampire Car Chase by Sir Cubworth Editor - Robert “Robbie” Grawey Episode art designer - Robert “Robbie” Grawey Episode Description - Robert “Robbie” Grawey --- Support this podcast: https://podcasters.spotify.com/pod/show/recentlylogged/support

O cinema autoral e muito peculiar de Wes Anderson inclui muita música: de Mark Mothersbaugh a Alexandre Desplat, fizemos o dever de casa e passamos a limpo a filmografia adorável e neuroatipica do diretor.

The heat is (dun-dun-dun-dun-dun-dun-dun-dun) ON! Ending summer with a bang, the award-winning Lickers are discussing what they consider to be some of the most trusted record labels of all time. Even in the digital hellscape that is 2023, a reputable record label can be an important point of interest when discovering new bands, or music that may have been around a while but is new to you. Join the dysfunctional duo in a conversation built around the business entities that bring our favorite music onto our turntables and into our ears. Sonic contributors to the thirty-second episode of Lightnin' Licks Radio include:  Brothers Johnson, Lee Moses, Holland-Dozier-Holland, James Todd Smith, Height Keech, Drizabone, Kavinski, Khruangbin, Mark Mothersbaugh, Brian K., Paul Rubens, Chris Kline, Anthony Fantano, Damien Keyes, Joeski Love, Def Jeff, Dust Brothers, Tone Loc, Young MC, Masters of Reality, The Brand New Heavies, Nadia Davenport, Jimi Hendrix, The Pharcyde, De La Soul, The Strangeloves, The Music Machine, The Ramones, Yaz, Madonna, Echo & The Bunnymen, The Ruzillos, The Human League, Pavement, H.P. Zinker, Beck, Helium, Liz Phair, Peach Kelli Pop, Death Valley Girls, Ty Segall, Habibi, The Summer Twins, Cherry Glazerr, Easy Love, Cursive, Bright Eyes, The Faint, Desaparecidos, Tomberlin, 764-HERO, Modest Mouse, The Paranoyds, The Gun Club, Peanut Butter Wolf, madlib, Jay Dilla, OH NO, Homeboy Sandman, Jonwayne the producer, and John Wayne the famous actor, Georgia Muldrow, Pheobe Bridgers, Stella Donnelly, Faye Webster, Yoko Ono, John Lennon, Plastic Ono Band, Pale Jay, Kendra Morris, Black Market Brass, Durand Jones, Say She She, Monophonics, The Jive Turkeys, Okonski, Jacko Gardner, Alvvays, American Football, Xiu Xiu, Painted Palms, STRFKR, Adrian Quesada, Ikebe Showdown, robot Biden and The Clockers. Labels We Trust mixtape [SIDE ONE] (1) Painted Palms – Here It Comes [Polyvinyl Records] (2) Pale Jay – By the Lake [Karma Chief c/o Colemine Records] (3) Easy Love – I'll Be Fine [Burger Records] (4) Yoko Ono – Hirake [Secretly Canadian] (5) Homeboy Sandman – America the Beautiful [Stones Throw Records] [SIDE TWO] (1) The Coathangers – Sex Beat [Suicide Squeeze Records] (2) Liz Phair – Mesmerizing [Matador Records] (3) The Pharcyde – She Said [Delicious Vinyl] (4) The Rezillos – (My Baby Does) Good Sculptures [Sire Records] (5) Tomberlin – stoned [Saddle Creek Records] R.I.P. PWH For Ollie.

Episode 82 is a free-form conversation with TMpod bestie Sean Kelly (Tight Bros From Way Back When bassist, Derrick Tape originator, Father etc.) Together we talk: Sean's pre-punk years as a Marine kid moving around, Toronto radio in the early 80's, San Diego 'Alternative' format pioneer 91X, the lives and careers of Sinead O'Connor and Pee Wee Herman, UFO/UAP disclosure, the horrors of Late-Stage Capitalism, and our mutual rediscovered love of playing music and musical gear among other subjects. Content warning: We also get into some talk about pain and suicide. Hopefully we handle the subject respectfully but thought I'd let you know we do talk about it. Thank you so much for listening! Show note links: Maui Fire Support Rev Left Radio Podcast Wildfire Project Blindboy Podcast The Intercept article SUPPORT THE POD: Patreon THANK YOU!! Music: 91X clip from 08/01/1984 Pee Wee Playhouse theme by Mark Mothersbaugh, Paul Reubens and George McGrath Closing YouTube clip by James Rundle TMpod theme by Jason --- Support this podcast: https://podcasters.spotify.com/pod/show/jason-traeger/support

Episode #298 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera have a spin-off of the annual Masters of VGM event with a focus on composers that have primarily made a name for themselves in Hollywood! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS The Tanta of Justice from Forspoken [Bear McCreary, 2023] Main Theme from Fable [Danny Elfman, 2004] First Volley from The Sims 2 [Mark Mothersbaugh, 2004] Funk Music from Zyconix [Henry Jackman, 1992] Battle in the Sky from Injustice 2 [Christopher Drake, 2017] Alone in the Dark -Credits Theme- from Alone in the Dark: The New Nightmare [Stewart Copeland, 2001] Advanced Soldier Overture from Call of Duty: Advanced Warfare [Harry Gregson-Williams, 2014] (I've Had) The Crime of My Life from The Mighty Quest for Epic Loot [Jamie Christopherson, 2015] Oswald's Theme from Epic Mickey [James Dooley, 2010] The Doll That Bled from Splatterhouse [Howard Drossin, 2010] UEFA Champions League from FIFA 19 [Hans Zimmer, 2018] Kinu's Theme from Tengai Makyou II: Manji Maru [Joe Hisaishi, 1992] Honor for All -End Credits- from Dishonored [Daniel Licht feat. Jon Licht, 2012] Legacy from Saturday Morning RPG [Vince DiCola, 2013] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

Mark Mothersbaugh is the co-founder and lead singer of iconic American new-wave band, Devo. As the band embark on a global tour, Mark and Zakia reflect on the first 50 years of Devo and they speculate on what the next 50 years of the band will look like. Mark recalls some of his successful moments of subversion; placing subliminal messages into soda commercials and his other film and TV commissions. This Don't Assume conversation serves as a rallying call to mutate, not stagnate. Presenter - Zakia Sewell, Producer - Lizzy King, Sound Recording - Jennifer Walton, Editing - Femi Oriogun-Williams, Composer - Jennifer Walton, Talent & Outreach - Samuel Strang. This is an NTS Podcast, discover more at www.nts.live. Hosted on Acast. See acast.com/privacy for more information.

On this installment of SRR we get nerdy, horny and just plain weird with the 1980 Devo album Freedom of Choice!

Lisa Vandever is the co-founder and director of CineKink Film Festival, which is just entering its 20th anniversary season. A writer, producer and consultant in film and communications, Lisa was formerly the director of programming for a regional network of public television stations, worked as a development executive for two New York-based independent production companies, and she currently freelances with a wide range of organizations and companies. Active in local political organizing, she lives in Rahway, New Jersey with her husband and their two ginger tabbies, Clive and Radley. Leftscape co-hosts Wendy Sheridan and Robin Renée chat with Lisa about kink, the upcoming festival on August 2nd - 6th, and celebrating adult sexuality, connection, and self-expression. Robin is in the hot seat for the Artscape segment, as Wendy asks about their latest writing, gigs, and other musical projects. Earlier in the show, the Random Facts of the day involve the creature with the world's largest eyes and catching up with Christian Cooper, who was made famous for "birding while Black" in Central Park. In the News, there is the recent challenge to authority in Russia, a flurry of decisions from the US Supreme Court, hospitality workers on strike in Los Angeles, Australia becomes the first country to allow prescriptions for psilocybin and MDMA, and strides in renewable energy in Spain and Portugal. This is the last show of the season! Until next time, enjoy the redux episodes and stay connected on social media @Leftscape. Thanks for listening! Things to do: Attend CineKink! Save the dates: August 2 - 6, 2023 at Wild Project, in New York City. Follow CineKink on Facebook, Twitter, Instagram, and FetLife. Read Better Living Through Birding: Notes From a Black Man in the Natural World by Christian Cooper. Support QuEAR Candy! Listen to Saved By Zero on Yacht Rock Discord Sundays at 9pm ET, Radio PVS Thursdays at 9am ET, and anytime on Mixcloud. Watch a 1987 Hawaiian Punch commercial composed by Mark Mothersbaugh of Devo:   https://youtu.be/SIfh0XMrg6w   Sound engineering by Wendy Sheridan Show notes by Robin Renée Web hosting by InMotion Remote recording by SquadCast  

On this episode of the podcast, we revisit conversations with Devo co-founder and composer Mark Mothersbaugh, and Curt Smith of the band Tears for Fears. For full show notes, visit KTLA.com/FrankBuckleyInterviews. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We get back to covering actual Worst Picture Winners with 1998's An Alan Smithee Film: Burn, Hollywood, Burn, winner at the 19th Annual Golden Raspberry Awards! You can tell how excited we were to talk about this one by how long we talk about whether Batman's a fascist in the opening. We break down what did and didn't work about the movie, marvel at how anyone could possible cast Harvey Weinstein in an on-screen role, dig into what went wrong with this film's bizarre soundtrack, lambast Joe Esterhaz's lazy writing while defending his Wookiee-like appearance, and try to grasp how a movie like this can be so bad that the director took an Alan Smithee credit himself unironically. We come up with film aliases for ourselves, Jack recounts a bathroom crime, and Joe struggles and fails to remember the title of Comedy Central's single-season adult animated series Kid Notorious about producer Robert Evans. Get comfy, enjoy the episode, and please let us know if you know anything about Michael Ovitz. CW: Brief mention of Harvey Weinstein and the #MeToo movement; racism; sexism; Hollywood being obsessed with itself Link to our stupid short film, Knife-Bricker: The Brickening: https://youtu.be/JPkpfdmvlFU Podcast plugged in this episode: Making a Martini (@MartiniMaking on Twitter) Things Mentioned In This Episode: Mark Waid, Alex Ross, Grant Morrison, Alan Moore, Superman: Red Son, Knife-Bricker, Caligula, the Wu-Tang Name Generator, Joe Esterhaz, the Star Wars Christmas Special, Burt Reynolds, Demolition Man, Sylvester Stallone, Whoopi Goldberg, Jackie Chan, Richard Jeni, Ryan O'Neil, Eric Idle, Chuck D, Coolio, Spike Lee, La Brea Tar Pits, Robert Evans, Flashdance, Paul Verhoeven, Showgirls, Basic Instinct, Dark Knight Rises, The Stinkers Bad Movie Awards, Rotten Tomatoes, IMDB, The Avengers, Sean Connery, Ralph Fiennes, Meet The Deedles, Spice World, Scary Spice, Ilya Kazan, the House Committee on Un-American Activities, Dalton Trumbo, Stanley Kubrick, Sparticus, Kirk Douglas, the Hollywood Blacklist, Inside Baseball, Kathleen Kennedy, Kevin Feige, Michael Eisner, Bruce Willis, Armageddon, Mercury Rising, The Siege, Leonardo DiCaprio, The Man In The Iron Mask, Gas Van Sant, Paris Texas, Milk, My Own Private Idaho, Keanu Reeves, Cinema Sins, Monty Python, Sean Penn, Jon Peters, Pinnochio, Dragnet, Dan Aykroyd, Leslie Nielsen, Miramax, Eric King, Dexter, Arthur Hiller, The Directors' Guild of America, Rugrats, Mark Mothersbaugh, DEVO, Wes Anderson, Asteroid City, Hoopla --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support

On May 4, 1970, the Ohio National Guard opened fire on unarmed protestors at Kent State University in Ohio. Four students were killed and nine others were wounded. This episode examines that music that mattered to the students and the music that was made as a result of this tragedy. "Ohio" by Crosby, Stills, Nash, and Young stands alone as not only the most famous song to be associated with the massacre, but also as one of the greatest protest songs of all time. However, former Kent State students Chrissie Hynde of the Pretenders and Joe Walsh, who were on campus on May 4, 1970, were forever impacted by the shootings. So, too, were Gerry Casale and Mark Mothersbaugh, the founders of Devo, who have said that without the massacre, the band would not have existed. --- Send in a voice message: https://podcasters.spotify.com/pod/show/amy-lively/message