Podcasts about remai modern

Welcome to a special bonus episode of YXE Underground featuring a really wonderful person named Kyle Zurevinski. He is the Digital Media Program Assistant at the Remai Modern Museum and one of his largest responsibilities is curating and facilitating the film program at the museum. I have had the pleasure of working with Kyle on a few community projects in my role at Sherbrooke Community Centre over the past few years and he's just really great guy who loves his community and loves bringing people together. Kyle brings people together by selecting thought-provoking, interesting and compelling films to the Remai, and we discuss how he chooses the movies in this episode. He also talks about the role movie theatres can play in forming community in Saskatoon and what it feels like to experience watching a film in a packed theatre. I am so excited to be partnering with Kyle and the Remai Modern for a special community screening of the Pixar classic film, Wall-E, on April 17th. The show is free to the public (bring the entire family!) and will be screened at the Remai's theatre which you can find on the second floor. It starts at 7pm and I will be giving away free YXE Underground swag to everyone who comes! I love Wall-E and I think it connects in so many meaningful ways to the mission and values of the podcast. We will also be screening the short film that Saskatoon videographer, Molly Schikosky, and I made last summer to celebrate all things YXE Underground. I can't wait to see it on the big screen! I hope to see you on April 17th and a big thank you to Kyle for not only being on the podcast but for making this community screening event happen. You are awesome, Kyle!!Cheers...Eric   Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

Welcome to Valerie Veillard's sitting room. There's tea and snacks on the coffee table in front us and she's flanked on her couch by Nathalie Baudais and Twyla Yobb. Between the three of them, they have decades of experience in sponsoring refugees and helping them settle in Saskatoon. Valerie, Nathalie and Twyla are part of a sponsorship group working with the Mennonite Central Committee to bring a refugee family from Afghanistan to our city. The Jamili family has been waiting for months to learn if they will begin a new life in Saskatoon, while Valerie and the team have been working behind the scenes to ensure they will get to Canada safely. That means filling out forms, fostering relationships with organizations like the Saskatoon Open Door Society, and fundraising…lots and lots of fundraising.The group has already sponsored the settlement of two adult children from the Jamili family, and it is hoping to soon reunite the family here in Saskatoon. The world of refugee sponsorship is new to me, and I am grateful to Valerie, Nathalie and Twyla for walking me through the process of how it works, and why they commit so much of their time and energy to helping others in this way.If you would like to help bring the Jamili family to Saskatoon, please click the link below.DONATEYou can listen to YXE Underground wherever you find your favourite including Apple Podcast, Spotify, Goodpods or on yxeunderground.comPlease feel free to leave a 5-star review if you like what you hear. These positive reviews help the podcast show up in more podcast feeds so I really do appreciate the support. You can follow the podcast on Facebook, Instagram and Twitter. Simply search YXE Underground.I want to thank Rob Rongve and his team at RBC Dominion Securities in North Battleford for supporting this episode. Rob has been an incredible supporter of the podcast since day one and I really appreciate his continued generosity and kindness. If you need someone to manage and invest your money, you need to meet Rob and his team at RBC Dominion Securities.I also want to let you know of an exciting event I am working on with the Remai Modern. Please mark April 17th on your calendar as that's when YXE Underground will be presenting a movie at the Remai Modern's lovely theatre beginning at 7pm. We will be showing the short film Molly Schikosky and I made last summer celebrating the podcast followed by the Pixar classic, Wall-E because it's one of my favourite movies of all time and I think it connects nicely to YXE Underground in meaningful ways. The Remai does this with other community organizations who select a movie for the public to watch for free and it's really cool to partner with the gallery in this way. Plus, it's free to attend!So I would love to see you on the night of Thursday, April 17th, to celebrate the podcast and watch one of the best films of the past 20 years. Oh, and there will be free podcast swag if you come!Thank you for continuing to support a local, independent podcast here in Saskatoon. Cheers,Eric  Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

A cancer diagnosis at any age is scary and life changing, but receiving this news the you are at a point in your life where having children, starting a family or growing your family is on your mind, raises a different set of challenges. Saskatoon's Prairie Cancer Fertility Preservation charity supports cancer patients when it comes to fertility challenges. Helping patients navigate fertility issues during a cancer diagnosis is something Dominique Paulgaard and Lierin Baerg do in their roles as nurses at Royal University Hospital and with their charity, Prairie Cancer Fertility Preservation. The charity was started three years by a group of oncology nurses in Saskatoon and today features Jessica Smith, Taylor Huang, Lierin Baerg and Dominique Paulgaard as its members. The purpose of Prairie Cancer Fertility Preservation is to preserve the ability for cancer patients to have children. As I learned from Lierin and Dominique, this can either be through sperm or egg preservation, and as you are about to hear, it can be quite the journey. Lieren as been a Registered Nurse at Royal University Hospital's Inpatient Cancer and Stem Cell Transplant unit for the past 10 years. Dominique has been a nurse in the same unit for 13 years. They both have families with young children and find the time to run this charity.How the charity works, why it means so much to them, and what conversations are like with their patients when it comes to fertility are topics we cover in our conversation. We also discuss how overwhelming it is for someone who has just received a cancer diagnosis to think about if they want to preserve their ability to have children in the future and the financial challenges that come with their decision.Prairie Cancer Fertility Preservation has a fundraising event on Saturday, March 15th at Crossmount Cider Company. Tickets are 50 dollars and Saskatoon's Ross Nielsen will be playing live sets of music. You can learn more by following Prairie Cancer Fertility Preservation on Facebook and Instagram, or click this link to purchase tickets.You can listen to YXE Underground wherever you find your favourite including Apple Podcast, Spotify, Goodpods or on yxeunderground.com. Please feel free to leave a 5-star review if you like what you hear. These positive reviews help the podcast show up in more podcast feeds so I really do appreciate the support. I also want to let you know of an exciting event I am working on with the Remai Modern. Please mark April 17th on your calendar as that's when YXE Underground will be presenting a movie at the Remai Modern's lovely theatre beginning at 7pm. This is thanks to Kyle Zurevinski, who runs the theatre programming at the Remai, and his generous spirit. We will be showing the short film Molly Schikosky and I made last summer celebrating the podcast followed by the Pixar classic, Wall-E because it's one of my favourite movies of all time and I think it connects nicely to YXE Underground in meaningful ways. The Remai does this with other community organizations who select a movie for the public to watch for free and it's really cool to partner with the gallery in this way. Plus, it's free to attend!So I would love to see you on the night of Thursday, April 17th, to celebrate the podcast and watch one of the best films of the past 20 years.Thank you for continuing to support a local, independent podcast here in Saskatoon.Cheers...Eric  Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

Welcome to Sherbrooke is a podcast that takes you inside Sherbrooke Community Centre; a long term care home in Saskatoon, Saskatchewan where 263 residents live and which follows the Eden Alternative Philosophy of Care. In this episode, we learn the importance of Sherbrooke residents connecting with people and organizations in the greater community, and we take you to Saskatoon's Remai Modern Art Gallery to show how these connections make a difference in the lives of residents. One of the seven domains of well-being in the Eden Alternative Philosophy of Care is connectedness, which takes many forms in Sherbrooke. It can be the connection between a resident and their care staff. It can be the bond a resident feels with a cat who calls Sherbrooke home. For this episode, we are going to explore the connection that residents and staff can form within the greater community. There are many examples of community connections Sherbrooke has formed over the years, but we will focus on a recent example involving a local artist named Gabby DaSilva.Last year, Gabby worked on the second edition of her zine, ‘invisibly ill' with Sherbrooke residents and Grade 6 iGen students. The zine, which resembles a magazine, explored themes of disabilities and invisible illnesses through stories and artwork from residents and students iGen students. Gabby's work brought visibility to artists living with visible and invisible disabilities and we were proud to be included in this zine. We were also proud to partner on this project with Saskatoon's AKA Artist-Run Centre and the Remai Modern, which hosted a launch party for Gabby's zine. You are about to meet some very excited Sherbrooke residents, along with iGen students, Sherbrooke staff and Gabby DaSilva, on what this collaboration meant to them. Thank you for listening to the Welcome to Sherbrooke podcast. Please leave a 5-star review if you like what you hear and feel free to share the podcast with all of your friends!  Episode Credits:Produced, edited, mixed by Eric AndersonExecutive Producer is Kim SchmidtMusic licensed through APM MusicGathered on location at Sherbrooke Community Centre in Saskatoon, Saskatchewan, Canada

Welcome to season 4 of Art from the Outside! This episode we are thrilled to kick off the season with the artist Zadie Xa. Born in Vancouver in 1983 and now based in London, Zadie has developed an expansive practice that addresses the nature of diasporic identities, global histories, familial legacies and interspecies communication. Working across painting, sculpture, textile production, and performance, she draws upon her Korean heritage as she seeks to elevate narratives that have been erased or repressed by the West and occupying powers. Her work has been presented at venues around the world, such as the Whitechapel Gallery in London, Remai Modern, Saskatoon, Canada and Tramway, Glasgow, Scotland. In 2019, Zadie was invited to contribute to the performance program at the 58th Venice Biennale, which was also curated by Ralph Rugoff and Aaron Cezar - another Art from the Outside guest. In July Zadie opened the exhibition Nine Tailed Tall Tales: Trickster, Mongrel, Beast at Space K Seoul, South Korea. Some artists discussed in this episode: Benito Mayor Vallejo Ice Cube Mykki Blanco Azealia Banks For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy! https://www.instagram.com/artfromtheoutsidepodcast/

In this week's episode of Platemark (s3e38), host Ann Shafer talks with Jillian Ross, collaborative master printer and publisher with an eponymous imprint, Jillian Ross Print, in Saskatoon, Saskatchewan, Canada.   Ross returned to her native Saskatoon after many years in Johannesburg, South Africa, where she was the master printer at the David Krut Workshop (DKW) from 2003 to 2020.  There, she worked with over 100 South African and international artists, most notably William Kentridge. Ross and partner Brendan Copestake founded Jillian Ross Print in 2021 in Saskatoon, where they continue working on collaborative projects in South Africa as well as developing new relationships abroad.   Ross has collaborated with William Kentridge since 2006 on major, complicated, and multi-part print projects, including the Triumphs and Laments Woodcuts (2016–21), The Universal Archive (2011–15), The Noses (2006–10) at DKW, and the recently released Studio Life Gravures (2020–22) from Jillian Ross Print (co-published with DKW). Her collaboration with Kentridge continues.   Other recent projects include a partnerships with Latitudes Online, South African artists Cinthia Sifa Mulanga and Puleng Mongale, and the technical team at The University of Alberta in Canada. Ross recently realized an exhibition, William Kentridge: The Colander, at Griffin Art Projects in Vancouver, BC, with curator Lisa Baldissera, the Kentridge Studio, and David Krut Projects in Johannesburg.   Throughout her work, particularly in the publicly accessible open-studio format of DKW at Arts on Main in Johannesburg, Ross has promoted and enhanced artist, collector, and public knowledge of printmaking through mentorship, educational workshops, and knowledge sharing.   Episode image: Lucy MacGarry   USEFUL LINKS https://www.jillianrossprint.com https://www.instagram.com/jillianrossprint_/ https://www.facebook.com/jillian.ross.520 https://www.linkedin.com/in/jillianrossprint https://www.griffinartprojects.ca/exhibitions/william-kentridge-the-colander https://latitudes.online/artworks.html https://latitudesartfair.com/about-the-event/ https://remaimodern.org/about/remai-modern-museum/   Jillian Ross working on William Kentridge's photogravure plates at the University of Alberta, Edmonton. Jillian Ross (on ladder) working on William Kentridge prints at David Krut Workshop, Johannesburg, South Africa. William Kentridge looks at a print with (from l-r) Brendan Copestake, David Krut, Jillian Ross, Roxy Kaczmarek, and Kim-Lee Loggenberg. Jillian Ross (right) inspecting proofs with (from l-r) Sarah Judge, David Krut, and William Kentridge at David Krut Workshop, Johannesburg, South Africa. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with Arakaji Natural Gampi and White Gampi MM20 chine collé on Hahnemühle Natural White 300gsm paper. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Universal Archive: Big Tree, 2012. Linoleum cut on 15 sheets of Encyclopedia Britannica pages. Sheet: 82 x 90 cm. (32 ¼ x 35 3/8 in.); image: 77 x 72.4 cm. (30 3/8 x 28 ½ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Nose: #25, 2009. Drypoint, etching, and liftground aquatint. Plate: 35 x 14.9 cm. (13 ¾ x 6 in.); sheet: 40 x 35 cm. (15 ¾ x 13 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Jillian Ross creating assembly instructions, charts, and maps for Kentridge's Triumphs and Laments, 2018–19. Jillian Ross working on the complicated print Triumphs and Laments: Refugees, 2018–19, by William Kentridge. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Mantegna, 2016–17. Relief printed from 13 woodblocks and 1 linoleum cut on Somerset Velvet Soft White 300 gsm. Overall: 76 ¾ x 78 3/8 (195 x 199 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021. William Kentridge and DKW printer Kim-Lee Loggenberg. A scene from William Kentridge's Self-Portrait as a Coffee Pot. Giorgio Morandi (Italian, 1890–1964). Grande natura morta con la caffettiera (Large Still Life with Coffeepot), 1933, printed later. Etching. Plate: 11 11/16 x 15 3/8 in. (29.7 x 39 cm.); sheet: 15 1/16 x 20 1/8 in. (38.3 x 51.1 cm.). Published by Calcografia Nazionale, Rome. Museum of Modern Art, New York. William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published by Jillian Ross. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with chine collé. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge in studio. Components of William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published David Krut Projects, Johannesburg, South Africa. David Krut watches William Kentridge work in his studio on Eight Vessels. Installation view of William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021, featuring Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge's Triumphs and Laments, Tiber River. William Kentridge (South African, born 1955). Tree (17), 2022. Direct gravure with drypoint on gampi chine with red pencil. 563.5 x 62.9 cm. Published by David Krut Workshop and Jillian Ross Print. Cinithia Sifa Mulanga (South African, born 1997). Vulnerable, 2022. Direct gravure with photogravure on chine collé and collage. Plate: 40.5 x 30.2 cm.); sheet: 51 x 40.5 cm.). Published by David Krut Projects, Johannesburg, South Africa. Puleng Mongale signing the edition of Grounded, 2021. Photogravure with etching with color roll on surface Gampi chine collé. 48.5 x 62.5 cm. Co-published by Latitudes Online and Jillian Ross Print. William Kentridge (South African, born 1955). The Old Gods Have Retired, 2022. Photogravure with liftground aquatint, direct gravure, drypoint and chine collé with found ledger paper and hand painting. Sheet: 175 x 210 cm. Co-published by David Krut Projects and Jillian Ross Print. Jillian Ross assembling a multi-part Kentridge print. William Kentridge working on Mantegna from the Triumphs and Laments series. Latitudes Online website. Shepstone Gardens, site of the RMB Latitudes Art Fair. Johannesburg, South Africa. RMB Latitudes Art Fair. Johannesburg, South Africa. Remai Modern Museum, Saskatoon, Sasketchawan. Nick Cave (American, born 1959).  Spinner Forest, 2020. Installation view at Remai Modern, 2023. Photo: Carey Shaw. Chad Cordiero and Sbongiseni Khulu printing one of 77 elements for Kentridge's Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Robyn Penn prints in process. Lithographs on Awagami Kitkata chine collé pn Zerkall White. Each: 76 x 63.5 cm. Published by Jillian Ross Print. William Kentridge at work. William Kentridge and David Krut inspect an impression of Tree (17).

Interdisciplinary artist Lisa Birke's work results from the collision of video, performance art, and installation. She is interested in the stories that we re-cite and re-brand and how these inform our conception of the world and the tragi-comic perception of ourselves. Recently, Birke has been exploring immersive multi-media approaches using special effects, AR, and 360 videos. Her award-winning video work has seen more than100 screenings and installations at film festivals, media centers, and in galleries and museums internationally, including the Vancouver International Film Festival, Slamdance Film Festival, Florida Film Festival, International Short Film Week Regensburg, TIME is Love, The New Museum of Networked Art, and Remai Modern. Birke is an Assistant Professor of Digital and Extended Media and area chair of the Digital and Integrated Practice area in the Department of Art & Art History at the University of Saskatchewan. --- Support this podcast: https://podcasters.spotify.com/pod/show/experimentalfilmpodcast/support

The Saskatchewan Roughrider Foundation is having an awesome fundraiser for mental health tonight at the Remai Modern. Pete Zedlacher will be one of the comedians telling jokes tonight. He shared some funny Saskatchewan stories and how to pull off the bald-bearded look! Rider QB Trevor Harris is going to be there too! Get your tickets at the riders website. riderville.com #yxe #StacieAndClayton

Elaine Cameron-Weir, photo by Isabel Asha Penzlien    Elaine Cameron-Weir (b. 1985, Red Deer, Alberta, Canada). Elaine Cameron-Weir's contemplative objects made from carefully sourced materials allow us to consider the ways in which artifice and spectacle have been used to perpetuate systems of belief. Her major installation from the most recent Venice Biennale in 2022 invoked sites of provisional operations and religious reflection by transforming the gallery with modular steel subflooring, neon and electric flicker lights, and repurposed objects previously used for military and industrial purposes. In addition to the Venice Biennale, Cameron-Weir recently opened a solo exhibition at Hannah Hoffman in Los Angeles, CA. Other solo shows from the past two years include the SCAD Museum of Art (2022) and the Henry Art Gallery University of Washington (2021). Recently her work was on view at the University of California, Berkeley Art Museum as part of an important exhibition titled “New Time: Art and Feminisms in the 21st Century.” Other select solo exhibitions include "exhibit from a dripping personal collection," Dortmunder Kunstverein (2018); “Outlooks: Elaine Cameron-Weir,” Storm King Art Center, New York (2018) where the artist installed a steel mesh sphere for motorcycle stunts known as “globe of death” on the top of a hill; and “viscera has questions about itself,” New Museum, New York (2017). She has shown both in the U.S. and abroad, in group exhibitions at the Philadelphia Museum of Art; Remai Modern, Saskatoon; GAMeC, Bergamo; FUTURA, Prague; among many others. installation view, The Milk of Dreams, curated by Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, IT, April 23 - November 27, 2022 Photography by Andrea Rosetti Elaine Cameron-Weir Low Relief Icon (Figure 1), 2021 (detail) US military body transfer cases, aluminum, flicker bulbs, electrical wiring, conveyor belt, pewter, chain, pulleys, aircraft cable, hardware overall dimensions: 281 × 202 × 28 1/2 in (713.7 × 513.1 × 72.4 cm); case with candles: 26.5 × 89 × 28.5 in (67.3 × 226.1 × 72.4 cm) Elaine Cameron-Weir Right Hand Left Hand, Grinds a Fantasizer's Dust, 2021 (detail) concrete textile, funerary backdrop stand, neon tubing, transformers, spot lights, silk gauze 85.5 x 112 x 24 in 217.17 x 284.48 x 60.96 cm

A conversation with the artists who created Taken Before Birth: playwright Jennifer Dawn Bishop, dramaturg and director Donna-Michelle St. Bernard, assistant director Amanda Trapp*, actors Raven Dallman, Ezra Forest, and Erroll Kinistino*, sound designer Tim Bratton, artistic director Stephen Waldschmidt. With original music by Darryl Dozlaw, Jordan Daniels, Marc Okihcihtaw and Donny Speidel.    Gratefully created on Treaty 6 Territory and the traditional homeland of the Métis.    If you're listening for the first time, we encourage you to start from episode one.   Subscribe or follow so you don't miss an episode. See artist bios, upcoming episodes, and support our work with a donation at https://burntthicket.com.    Free to stream on-demand on our website, Apple Podcasts, Spotify or wherever you get your podcasts, with English subtitles/closed captions available on our YouTube channel. Audience advisory: Content may not be suitable for children.   One way to learn and take action: Find an Indigenous art piece or performance you might not normally visit, go with a friend you don't normally hang out with, and talk about your experience together. (some options in Saskatoon: downtown murals & public art - see iMaps on Saskatoon.ca, Wanuskewin, Gordon Tootoosis Nīkānīwin Theatre, Remai Modern, USask Art Galleries) We want to hear what you think – leave a comment on our social media or send your feedback through the widget on our website.  Burnt Thicket Theatre is committed to creating spaces for diverse artists to be honest and open about their experiences and perspectives even when those views don't necessarily represent those of Burnt Thicket Theatre as an organization. We invite you as an audience member to lean in to hear those who are different from you, to be brave and to allow the space between all of us to be one of respect. This project is made possible by a Digital Now Grant from Canada Council for the Arts, and by our major sponsors Shercom Industries, SK Arts, and Creative Saskatchewan.  *The participation of these Artists is arranged by permission of Canadian Actors' Equity Association under the provisions of the Dance Opera Theatre Policy (DOT), and under ACTRA's National COVID-19 Response Initiative.

Nic Monisse reflects on what we've learned in the design industry this year. Plus: we explore Remai Modern, a public art museum in Saskatoon, Canada.

March 20th was the first day of spring and it felt like a day to be outside. I woke up early to go for a haircut and run a few errands, including picking up lunch for my wife who was at home participating in an all day zoom conference. I think seeing her sitting in front of her laptop inspired me to make the most of the afternoon and headed out for a walk.I parked off of 14th Street close to Broadway and headed towards the Broadway Bridge. I knew I wanted to end at the Remai Modern and enjoy the Meewasin Trail and River Landing, but as I approached the Broadway Bridge, I wanted to get away from the sound of cars. So I veered left towards the Traffic Bridge.I haven't walked that bridge in months and you'll hear more people and bikes in this part. I forgot how great the views are of the river on the Traffic Bridge. I also saw lots of lovely puppy dogs and it took all my strength not to walk up to them and say hello...Social distancing played a role in that decision as well!Once I hit the Meewasin Trail, I headed west towards River Landing and the Remai Modern. You'll hear snippets of conversations from people walking by and one very excited kid who couldn't throw enough rocks in the river. The end was my favourite part of the walk. The birds were really singing near the Remai and you can hear a bit of the echo coming off the building. You will also hear a group of eight young adults who belonged to a church youth group and were handing out free lunches to members of our community. One of the members had an acoustic guitar so I motioned for him to strum as I approached them. What I didn't expect was for the group to burst out into song but they sounded wonderful and I appreciate them playing music for an absolute stranger holding a microphone. I've been listening to a podcast called Field Recordings which features sound from audio-makers from around the world. I just think it's so neat to hear real life in your headphones and so I wanted to capture a little bit of that in this bonus episode.  I hope you all are doing well and staying healthy and safe these days. A brand new episode drops on April 8th featuring the team at the Ronald McDonald House in Saskatoon. I think you'll really enjoy it!Thank you for listening and supporting a local, independent podcast. I really do appreciate it.Cheers...Eric 

Knowles, Perehudoff, Lindner, Kenderdine, Bornstein. If you’re from Saskatchewan, these are names you know and revere. Or perhaps you’ve never heard of them. Sandra Fraser, Curator of Collections at the Remai Modern Art Museum in Saskatoon helps unveil the not-so-secret history of Saskatchewan art. Follow Pamela Wallin on Social Media:https://twitter.com/NoNonsensePWhttps://twitter.com/SenatorWallinhttps://www.facebook.com/SenPamelaWallin/Remai Modern online:https://twitter.com/RemaiModernhttps://remaimodern.org/https://remaimodern.org/program/learning-and-engagement/talks-symposia/curators-tour-sandra-fraserMusic in this podcast is used under a Creative Commons CC BY-NC3.0 Licensehttps://freemusicarchive.org/music/Chad_Crouch/Motion/Life_And_Timeshttps://www.soundofpicture.com/

Quote of the morning: 'I always fall for the chocolate covered almonds fundraiser. They're like $14 and you only get like 9 almonds. Everytime I buy one from a kid I'm like... why did I do this again?!' Also... The Remai Modern is doing unreal, confused lyrics, how to fall asleep faster, and what to do if you run into someone you know at the pot shop

One time at a party, someone took a few spoonfuls of Clayton's cereal when he put it down on a coffee table. Same spoon and everything. She thought cereal was a food you share with other people...

What's it like to open a major project for Saskatoon, Saskatchewan, and Canada? Alison Murawsky is Director of Marketing for the Remai Modern, and walks us through the opening and getting ready for a new operation. Alison shares the breadth of programming that occurs at the Remai, which highlights the marketing challenge her small team faces. We talk about target audiences and messages for...

What's it like to open a major project for Saskatoon, Saskatchewan, and Canada?Alison Murawsky is Director of Marketing for the Remai Modern, and walks us through the opening and getting ready for a new operation.Alison shares the breadth of programming that occurs at the Remai, which highlights the marketing challenge her small team faces.We talk about target audiences and messages for those...

Artist Kara Uzelman discusses her five-week project at the Saskatoon Farmers' Market for Remai Modern.

Artist Jordan Schwab and Remai Modern Curator Sandra Fraser discuss Jordan's sculptural installation for the Remai Modern's Three Seeds and a Hen's Tooth at the Saskatoon Farmers' Market.

Artist Linda Duvall and Curator (Exhibitions) for Remai Modern Rose Bouthillier discuss The Unacknowledged, an art project honouring forgotten individuals.

Troy Gronsdahl, Remai Modern curator of Live events, discusses LUGO, the gallery's art party whose seventh edition will be taking place Saturday, April 16th at Obrian's Event Centre.

Gregory Burke, Executive Director of the Remai Modern, discusses current and future programming as well as providing insight into projected construction delays and budget overages for the gallery. Hosted by Michael Peterson.

Troy Gronsdahl, Associate Curator for Remai Modern, speaks about Supercommunity Live: The Climatic Unconscious, a series of lectures, screenings, and performances with a program of international artists and thinker. Hosted by Michael Peterson.