Podcasts about Kentridge

durée : 00:58:49 - LSD, la série documentaire - par : Johanna Bedeau, Nicolas Champeaux - William Kentridge n'occulte pas l'horreur. Il contourne même le pittoresque et cherche la laideur, pour une œuvre qui finit par être belle. Il a commencé dans les années 70 dans la nuit de l'apartheid, et il continue, car malgré Nelson Mandela, le sombre demeure.

In this week's episode of Platemark (s3e38), host Ann Shafer talks with Jillian Ross, collaborative master printer and publisher with an eponymous imprint, Jillian Ross Print, in Saskatoon, Saskatchewan, Canada.   Ross returned to her native Saskatoon after many years in Johannesburg, South Africa, where she was the master printer at the David Krut Workshop (DKW) from 2003 to 2020.  There, she worked with over 100 South African and international artists, most notably William Kentridge. Ross and partner Brendan Copestake founded Jillian Ross Print in 2021 in Saskatoon, where they continue working on collaborative projects in South Africa as well as developing new relationships abroad.   Ross has collaborated with William Kentridge since 2006 on major, complicated, and multi-part print projects, including the Triumphs and Laments Woodcuts (2016–21), The Universal Archive (2011–15), The Noses (2006–10) at DKW, and the recently released Studio Life Gravures (2020–22) from Jillian Ross Print (co-published with DKW). Her collaboration with Kentridge continues.   Other recent projects include a partnerships with Latitudes Online, South African artists Cinthia Sifa Mulanga and Puleng Mongale, and the technical team at The University of Alberta in Canada. Ross recently realized an exhibition, William Kentridge: The Colander, at Griffin Art Projects in Vancouver, BC, with curator Lisa Baldissera, the Kentridge Studio, and David Krut Projects in Johannesburg.   Throughout her work, particularly in the publicly accessible open-studio format of DKW at Arts on Main in Johannesburg, Ross has promoted and enhanced artist, collector, and public knowledge of printmaking through mentorship, educational workshops, and knowledge sharing.   Episode image: Lucy MacGarry   USEFUL LINKS https://www.jillianrossprint.com https://www.instagram.com/jillianrossprint_/ https://www.facebook.com/jillian.ross.520 https://www.linkedin.com/in/jillianrossprint https://www.griffinartprojects.ca/exhibitions/william-kentridge-the-colander https://latitudes.online/artworks.html https://latitudesartfair.com/about-the-event/ https://remaimodern.org/about/remai-modern-museum/   Jillian Ross working on William Kentridge's photogravure plates at the University of Alberta, Edmonton. Jillian Ross (on ladder) working on William Kentridge prints at David Krut Workshop, Johannesburg, South Africa. William Kentridge looks at a print with (from l-r) Brendan Copestake, David Krut, Jillian Ross, Roxy Kaczmarek, and Kim-Lee Loggenberg. Jillian Ross (right) inspecting proofs with (from l-r) Sarah Judge, David Krut, and William Kentridge at David Krut Workshop, Johannesburg, South Africa. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with Arakaji Natural Gampi and White Gampi MM20 chine collé on Hahnemühle Natural White 300gsm paper. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Universal Archive: Big Tree, 2012. Linoleum cut on 15 sheets of Encyclopedia Britannica pages. Sheet: 82 x 90 cm. (32 ¼ x 35 3/8 in.); image: 77 x 72.4 cm. (30 3/8 x 28 ½ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Nose: #25, 2009. Drypoint, etching, and liftground aquatint. Plate: 35 x 14.9 cm. (13 ¾ x 6 in.); sheet: 40 x 35 cm. (15 ¾ x 13 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Jillian Ross creating assembly instructions, charts, and maps for Kentridge's Triumphs and Laments, 2018–19. Jillian Ross working on the complicated print Triumphs and Laments: Refugees, 2018–19, by William Kentridge. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Mantegna, 2016–17. Relief printed from 13 woodblocks and 1 linoleum cut on Somerset Velvet Soft White 300 gsm. Overall: 76 ¾ x 78 3/8 (195 x 199 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021. William Kentridge and DKW printer Kim-Lee Loggenberg. A scene from William Kentridge's Self-Portrait as a Coffee Pot. Giorgio Morandi (Italian, 1890–1964). Grande natura morta con la caffettiera (Large Still Life with Coffeepot), 1933, printed later. Etching. Plate: 11 11/16 x 15 3/8 in. (29.7 x 39 cm.); sheet: 15 1/16 x 20 1/8 in. (38.3 x 51.1 cm.). Published by Calcografia Nazionale, Rome. Museum of Modern Art, New York. William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published by Jillian Ross. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with chine collé. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge in studio. Components of William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published David Krut Projects, Johannesburg, South Africa. David Krut watches William Kentridge work in his studio on Eight Vessels. Installation view of William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021, featuring Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge's Triumphs and Laments, Tiber River. William Kentridge (South African, born 1955). Tree (17), 2022. Direct gravure with drypoint on gampi chine with red pencil. 563.5 x 62.9 cm. Published by David Krut Workshop and Jillian Ross Print. Cinithia Sifa Mulanga (South African, born 1997). Vulnerable, 2022. Direct gravure with photogravure on chine collé and collage. Plate: 40.5 x 30.2 cm.); sheet: 51 x 40.5 cm.). Published by David Krut Projects, Johannesburg, South Africa. Puleng Mongale signing the edition of Grounded, 2021. Photogravure with etching with color roll on surface Gampi chine collé. 48.5 x 62.5 cm. Co-published by Latitudes Online and Jillian Ross Print. William Kentridge (South African, born 1955). The Old Gods Have Retired, 2022. Photogravure with liftground aquatint, direct gravure, drypoint and chine collé with found ledger paper and hand painting. Sheet: 175 x 210 cm. Co-published by David Krut Projects and Jillian Ross Print. Jillian Ross assembling a multi-part Kentridge print. William Kentridge working on Mantegna from the Triumphs and Laments series. Latitudes Online website. Shepstone Gardens, site of the RMB Latitudes Art Fair. Johannesburg, South Africa. RMB Latitudes Art Fair. Johannesburg, South Africa. Remai Modern Museum, Saskatoon, Sasketchawan. Nick Cave (American, born 1959).  Spinner Forest, 2020. Installation view at Remai Modern, 2023. Photo: Carey Shaw. Chad Cordiero and Sbongiseni Khulu printing one of 77 elements for Kentridge's Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Robyn Penn prints in process. Lithographs on Awagami Kitkata chine collé pn Zerkall White. Each: 76 x 63.5 cm. Published by Jillian Ross Print. William Kentridge at work. William Kentridge and David Krut inspect an impression of Tree (17).

A conversation with artist William Kentridge. The world-renowned Kentridge is a multifaceted artist whose work includes prints, drawings, animations, sculptures and design collaborations for the stage. He took time out to speak from his home's garden studio in Johannesburg, South Africa about his creative process, the value of ambiguity, the importance of place and his latest show opening September 12 at Marian Goodman Gallery in New York.https://www.mariangoodman.com/exhibitions/william-kentridge-ny-2023/https://www.kentridge.studio/

What happens when a biology teacher transforms into an NFL official? On today's episode, we're joined by none other than Craig Wrolstad, who has been making significant calls in the NFL since 2003.   Craig was my biology teacher way back in 1992 and our paths woudl later cross during my days playing quarterback at Central Washington University.  You will find the story funny....so listen for it!Venturing back in time, we explore Craig's formative years in Renton, the impact of his encouraging parents, and his passion for sports. We discuss how his father's job at Continental Airlines sparked his love for travel. The conversation takes an inspiring turn as we chart Craig's transition from teaching to officiating in the NFL. He also shares his teaching experiences, illuminating the drastic changes in education, particularly in science and technology.  Craig will tell a story about Brett Favre, along with his journey from the Pac-12 that led him eventually to the NFL.At the end of our conversation, we delve into Craig's advice for dads, the need for positivity and mentoring, and the power of instilling self-belief in kids.  We also highlight a pressing issue - the need for officials in youth sports. Craig lends his insight into how belief shapes our lives and perspectives.   The wise Bruce Brown also is highlighted in this episode, given the impact that he had on Craig and me.This episode is a must-listen for dads, sports enthusiasts, and anyone seeking an inspiring life story.Lattitude Sitka Our sea adventures cover fishing, wildlife tours, beach excursions, scuba diving, snorkeling, paddleDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Please don't forget to leave us a review wherever you consume your podcasts! Please help us get more dads to listen weekly and become the ultimate leader of their homes!

To wrap up Unearthed! for spring 2023, we've got potpourri, jewelry and adornments, edibles and potables, mistaken identity stories, repatriations, and the always popular shipwrecks. Research: Agence France-Presse. “New Easter Island moai statue discovered in volcano crater.” The Guardian. 1/3/2023. https://www.theguardian.com/world/2023/mar/02/new-easter-island-moai-statue-discovered-in-volcano-crater Alberge, Dalya. “‘Incredible' Roman bathers' gems lost 2,000 years ago found near Hadrian's Wall.” The Observer. 1/28/2023. https://www.theguardian.com/uk-news/2023/jan/28/roman-bathers-gems-carved-stones-archaeologists-hadrians-wall Amador, Marisela. “Swiss museum returns two artifacts to the Haudenosaunee (Iroquois) confederacy.” The Canadian Press. Town and Country Today. 2/22/2023. https://www.townandcountrytoday.com/beyond-local/swiss-museum-returns-two-artifacts-to-the-haudenosaunee-iroquois-confederacy-6589516 Amundsen, Bard. “World's oldest rune stone found in Norway, archaeologists believe.” Science Norway. 1/17/2023. https://sciencenorway.no/archaeology-language-runes/worlds-oldest-rune-stone-found-in-norway-archaeologists-believe/2141404 1/12/2023. “Archaeology: 4,500-year-old ostrich eggs found in Israel.” https://www.ansa.it/ansamed/en/news/sections/culture/2023/01/12/archaeology-4500-year-old-ostrich-eggs-found-in-israel_899fa202-941d-4520-8be4-28397c1d89fc.html ArtNet News. “Art Industry News: The Met Will Repatriate 15 Sculptures Linked to Disgraced Dealer Subhash Kapoor + Other Stories.” 3/31/2023. https://news.artnet.com/art-world/art-industry-news-march-31-2023-2278598 ArtNet News. “Researchers in Vietnam Discovered That Two Deer Antlers Languishing in Museum Storage Are Actually 2,000-Year-Old Musical Instruments.” 2/27/2023. https://news.artnet.com/art-world/deer-antler-long-an-museum-storage-earliest-known-stringed-instruments-2261298 Bacon, B., Khatiri, A., Palmer, J., Freeth, T., Pettitt, P., & Kentridge, R. (2023). An Upper Palaeolithic Proto-writing System and Phenological Calendar. Cambridge Archaeological Journal, 1-19. doi:10.1017/S0959774322000415 BBC News. “Londoner solves 20,000-year Ice Age drawings mystery.” 1/5/2023. https://www.bbc.com/news/uk-england-london-64162799 BBC News. “Oldest tartan found to date back to 16th Century.” 3/26/2023. https://www.bbc.com/news/uk-scotland-65081312 “Comb made from human skull found among A14 artefacts.” 2/28/2023. https://www.bbc.com/news/uk-england-cambridgeshire-64797376 “Mary Queen of Scots: Secret letters written during imprisonment decoded.” 2/8/2023. https://www.bbc.com/news/uk-scotland-64568222 Begg, Tristin James Alexander et al. “Genomic analyses of hair from Ludwig van Beethoven.” Current Biology. 3/22/2023. https://www.cell.com/current-biology/fulltext/S0960-9822(23)00181-1 Berger, Michele W. “At a southern Iraq site, unearthing the archaeological passing of time.” Penn Today. 1/23/2023. https://penntoday.upenn.edu/news/lagash-southern-iraq-site-unearthing-archaeological-passing-time Bernardi, Dan. “In “an international act of diplomacy,” Syracuse University alumnus Brennen Ferguson '19 helps repatriate ceremonial Native American items from a museum in Geneva, Switzerland..” Syracuse 3/10/2023. https://thecollege.syr.edu/news-all/news-2023/sacred-indigenous-objects-find-their-way-home/ Brooks, James. “Oldest reference to Norse god Odin found in Danish treasure.” Associated Press. 3/8/2023. https://apnews.com/article/gold-god-odin-norse-denmark-buried-ca2959e460f7af301a19083b6eec7df4 Burakoff, Maddie. “What made Beethoven sick? DNA from his hair offers clues.” Associated Press. 3/22/2023. https://apnews.com/article/beethoven-dna-hair-deaf-liver-d2d8c50fdd951eb5f5b9fdae00f795a3 Cascone, Sarah. “Ancient Stone Tools Once Thought to be Made by Humans Were Actually Crafted by Monkeys, Say Archaeologists.” ArtNet. 1/3/2023. https://news.artnet.com/art-world/ancient-tools-monkeys-2237820 CBS Baltimore Staff. “Maryland archaeologists find West African spirit cache at Harriet Tubman's birthplace.” 2/14/2023. https://www.cbsnews.com/baltimore/news/harriet-tubman-west-african-spirit-cache-found-dorchester-county-maryland/ Correa-Lau J, Agüero C, Splitstoser J, Echenique E, Martens T, Santoro CM (2023) Inka Unku: Imperial or provincial? State-local relations. PLoS ONE 18(2): e0280511. https://doi.org/10.1371/journal.pone.0280511 Davies, Caroline. “‘Remarkable': Eastbourne shipwreck identified as 17th-century Dutch warship.” The Guardian. 1/27/2023. https://www.theguardian.com/culture/2023/jan/27/remarkable-eastbourne-shipwreck-identified-as-17th-century-dutch-warship De Cupere, Bea. “Newly discovered crocodile mummies of variable quality from an undisturbed tomb at Qubbat al-Hawā (Aswan, Egypt).” PLOS One. 1/18/2023. https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0279137#sec024 Dedovic, Yaz. “Mysterious new behavior seen in whales may be recorded in ancient manuscripts.” EurekAlert. 2/28/2023. https://www.eurekalert.org/news-releases/980816 Devlin, Hannah. “Discovery of 3m-year-old stone tools sparks prehistoric whodunnit.” The Guardian. 2/9/2023. https://www.theguardian.com/science/2023/feb/09/discovery-ancient-stone-tools-prehistoric-mystery-whodunnit Dijkstra, Mischa. “‘Golden boy' mummy was protected by 49 precious amulets, CT scans reveal.” EurekAlert. 1/24/2023. https://www.eurekalert.org/news-releases/977129 Duncan-Pitt, Lindsey. “It's not a Roman dildo, it's a drop spindle.” The Guardian. 2/26/2023. https://www.theguardian.com/science/2023/feb/26/its-not-a-roman-dildo-its-a-drop-spindle El-Aref , Nevine. “Ancient Egypt's Ramses II temple reveals animal mummy menagerie.” AhramOnline. 3/25/2023. https://english.ahram.org.eg/News/492386.aspx Enking, Molly. “Archaeologists Find 2,000-Year-Old Gemstones in Drain Beneath a Roman Bathhouse.” Smithsonian. 2/2/2023. https://www.smithsonianmag.com/smart-news/lost-gems-over-2000-years-old-found-in-roman-baths-180981566/ Feldman, Ella. “French Museum Will Return ‘Talking Drum' to Ivory Coast.” Smithsonian. 2/6/2023. https://www.smithsonianmag.com/smart-news/french-museum-returns-talking-drum-to-ivory-coast-180981577/ Field Museum. “Authentic 3,000-Year-Old Bronze Age sword put on display at Field Museum.” 1/16/2023. https://www.fieldmuseum.org/about/press/authentic-3-000-year-old-bronze-age-sword-put-on-display-at-field-museum Gammelby, Peter. “New research uncovers the "water" mystery of the first large city in southern Africa.” EurekAlert. 1/24/2023. https://www.eurekalert.org/news-releases/977674 Handwerk, Brian. “This Man Underwent Brain Surgery 3,500 Years Ago.” Smithsonian. 2/22/2023. https://www.smithsonianmag.com/science-nature/in-roughly-1500-bce-this-middle-eastern-man-underwent-brain-surgery-180981679/ Henton, Lesley. “Texas A&M-led research team identifies oldest bone spear point In the Americas.” Texas A&M University via EurekAlert. 2/2/2023. https://www.eurekalert.org/news-releases/978632 Hirsch, Arthur. “How the $75,000 Whaling Museum thefts went down.” New Bedford Light. 2/21/2023. https://newbedfordlight.org/how-the-75000-whaling-museum-thefts-went-down/ Kuta, Sarah. “5,000-Year-Old Tavern With Food Still Inside Discovered in Iraq.” Smithsonian. 1/1/2023. https://www.smithsonianmag.com/smart-news/5000-year-old-tavern-discovered-in-iraq-180981564/ Kuta, Sarah. “Archaeologists Unearth 3,000-Year-Old Wishing Well in Germany.” Smithsonian. 1/18/2023. https://www.smithsonianmag.com/smart-news/archaeologists-discover-3000-year-old-wishing-well-in-germany-180981428/ Kuta, Sarah. “Iraq dig uncovers 5,000 year old pub restaurant.” Phys.org. 2/15/2023. https://phys.org/news/2023-02-iraq-uncovers-year-pub-restaurant.html Kuta, Sarah. “Is This Wooden Artifact an Ancient Roman Phallus?” Smithsonian. 2/27/2023. https://www.smithsonianmag.com/smart-news/what-was-this-2000-year-old-phallus-used-for-180981693/ Kuta, Sarah. “Neanderthals Hunted and Butchered Massive Elephants 125,000 Years Ago.” Smithsonian. 2/3/2023. https://www.smithsonianmag.com/smart-news/neanderthals-hunted-and-butchered-massive-elephants-125000-years-ago-180981578/ Kuta, Sarah. “Neutron Imaging Reveals Tiny Bones Inside 800-Year-Old Pendant.” Smithsonian. 1/17/2023. https://www.smithsonianmag.com/smart-news/neutrons-help-scientists-see-inside-800-year-old-pendant-and-find-tiny-bones-180981444/ Larson, Shannon. “‘It gives me chills': Messages found in bottle on Cape Cod may have been left by World War II POWs.” Boston Globe. 2/1/2023. https://www.bostonglobe.com/2023/02/01/nation/it-gives-me-chills-messages-found-bottle-cape-cod-may-have-been-world-war-ii-pows/ Lawson-Tancred, Jo. “Dispelling Rumors, Greece Has Rejected the British Museum's Offer to Return the Parthenon Marbles as a Long-Term Loan.” ArtNet. 1/11/2023. https://news.artnet.com/art-world/greece-rejects-british-museum-loan-deal-parthenon-marbles-2241261 net. “Heart-shaped pendant discovered in England.” 2/2023. https://www.medievalists.net/2023/02/heart-shaped-pendant-discovered-in-england/ Metcalfe, Tom. “Bronze Age ice skates with bone blades discovered in China.” LiveScience. https://www.livescience.com/bronze-age-ice-skates-with-bone-blades-discovered-in-china Metcalfe, Tom. “Painful 'cross-shaped incision' in medieval woman's skull didn't kill her, but second surgery did.” LiveScience. 2/25/2023. https://www.livescience.com/painful-cross-shaped-incision-in-medieval-womans-skull-didnt-kill-her-but-second-surgery-did “Milk residue found at ancient site on Tibetan Plateau.” China Daily. 2/14/2023. https://www.chinadaily.com.cn/a/202302/14/WS63eade74a31057c47ebae956.html Morris, Steven. “‘3D medieval puzzle': Newport ship to be reassembled from 2,500 pieces of timber.” The Guardian. 1/19/2023. https://www.theguardian.com/science/2023/jan/19/3d-medieval-puzzle-newport-ship-reassembled-2500-pieces-timber Niazi, Asaad and Tony Gamal-Gabriel. “Iraq dig uncovers 5,000 year old pub restaurant.” Phys.org. 2/15/2023. https://phys.org/news/2023-02-iraq-uncovers-year-pub-restaurant.html Nowakowski, Teresa. “Neanderthals Dined on Crab 90,000 Years Ago.” Smithsonian. 2/8/2023. https://www.smithsonianmag.com/smart-news/neanderthals-dined-on-crab-90000-years-ago-180981604/ 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Exhumation may help solve puzzle of 1933 Reichstag blaze.” The Guardian. 2/26/2023. https://www.theguardian.com/world/2023/feb/26/blind-chance-or-plot-exhumation-may-help-solve-puzzle-of-1933-reichstag-blaze Orie, Amarachi. “World's oldest dated runestone discovered in Norway -- with a mysterious inscription.” CNN. 1/18/2023. https://www.cnn.com/style/article/worlds-oldest-runestone-norway-intl-scli-scn/index.html Osborne, Margaret. “Ancient DNA Confirms the Origin Story of the Swahili People.” Smithsonian. 3/31/2023. https://www.smithsonianmag.com/smart-news/ancient-dna-confirms-the-origin-story-of-the-swahili-people-180981909/ Parker, Christopher. “129-Year-Old Vessel Still Tethered to Lifeboat Found on Floor of Lake Huron.” Smithsonian. 3/3/2023. https://www.smithsonianmag.com/smart-news/ironton-shipwreck-lake-huron-180981741/ “Looted ancient sarcophagus returned to Egypt from US.” 1/2/2023. https://phys.org/news/2023-01-looted-ancient-sarcophagus-egypt.html Public Library of Science. “Mummified crocodiles provide insights into mummy-making over time.” Phys.org. 1/18/2023. https://phys.org/news/2023-01-mummified-crocodiles-insights-mummy-making.html Schmall, Emily. “Stripping Confederate Ties, the U.S. Navy Renames Two Vessels.” New York Times. 3/11/2023. https://www.nytimes.com/2023/03/11/us/navy-ship-confederate-robert-smalls.html Shaw, Garry. “'Where the swords met bone': Archaeological evidence found of Ancient Egyptian rebellion mentioned on the Rosetta Stone.” The Art Newspaper. 1/27/2023. https://www.theartnewspaper.com/2023/01/27/where-the-swords-met-bone-archaeological-evidence-found-of-ancient-egyptian-rebellion-mentioned-on-the-rosetta-stone Sherburne, Morgan. “Yak milk consumption among Mongol Empire elites.” Michigan News. 3/31/2023. https://news.umich.edu/yak-milk-consumption-among-mongol-empire-elites/ Siegel-Itzkovich, Judy. “Luxury fabrics from 1,300 years ago apparently from China, India and Sudan found in Arava.” The Jerusalem Post via MSN. 1/18/2023. https://www.msn.com/en-us/news/world/luxury-fabrics-from-1300-years-ago-apparently-from-china-india-and-sudan-found-in-arava/ar-AA16uFqX Sivaraman, R. “New York's Metropolitan Museum of Art to return 15 sculptures to India.” The Hindu. 3/31/2023. https://www.thehindu.com/news/national/us-museum-to-return-15-antique-sculptures-linked-to-subash-kapoor/article66683728.ece “National Museum of Asian Art Announces Historic Partnership With Republic of Yemen Government as U.S. Government Repatriates 77 Cultural Objects to Yemen.” 2/21/2023. https://www.si.edu/newsdesk/releases/national-museum-asian-art-announces-historic-partnership-republic-yemen-government The History Blog. “Medieval chess set DNA tested.” 3/26/2023. http://www.thehistoryblog.com/archives/66860 The History Blog. “Replica” sword is authentic Bronze Age artifact.” 1/21/2023. http://www.thehistoryblog.com/archives/66223 The History Blog. “Scotland's oldest tartan found in Highlands bog.” 3/31/2023. http://www.thehistoryblog.com/archives/66890 “The King's Mirror - Speculum regale-Konungs skuggsjá.” https://www.gutenberg.org/files/61264/61264-h/61264-h.htm Topping, Alexandra. “‘He did not want this': one man's two-decade quest to let the ‘Irish Giant' rest in peace.” The Guardian. 1/14/2023. https://www.theguardian.com/culture/2023/jan/14/he-did-not-want-this-one-mans-two-decade-quest-to-let-the-irish-giant-rest-in-peace University at Albany. “New poem by famed early American poet Phillis Wheatley discovered.” Phys.org. 1/24/2023. https://phys.org/news/2023-01-poem-famed-early-american-poet.html University of South Florida. “A researcher's life's work uncovers first ancient DNA from Swahili civilization.” PhysOrg. 3/29/2023. https://phys.org/news/2023-03-life-uncovers-ancient-dna-swahili.html University of York. "Neolithic ceramics reveal dairy processing from milk of multiple species." ScienceDaily. ScienceDaily, 14 March 2023. sciencedaily.com/releases/2023/03/230314205400.htm Voigt, Kathrin. “Neanderthals hunted elephants: Earliest evidence found of humans killing elephants for food.” EurekAlert. 2/2/2023. https://www.eurekalert.org/news-releases/978530 “1,300-year-old rice residue found at Tibetan ancient site.” 3/14/2023. https://english.news.cn/20230314/e547b3ff93c5458b8e9413ee389f3ac8/c.html Yirka, Bob. “Trove of spices from around the world found on sunken fifteenth-century Norse ship.” Phys.org. 2/10/2023. https://phys.org/news/2023-02-trove-spices-world-sunken-fifteenth-century.html See omnystudio.com/listener for privacy information.

The first part of our spring 2023 edition of Unearthed! features updates, books and letters, fabric, mummies, and a whole bunch of stuff involving skulls or bones. Research:  Agence France-Presse. “New Easter Island moai statue discovered in volcano crater.” The Guardian. 1/3/2023. https://www.theguardian.com/world/2023/mar/02/new-easter-island-moai-statue-discovered-in-volcano-crater Alberge, Dalya. “‘Incredible' Roman bathers' gems lost 2,000 years ago found near Hadrian's Wall.” The Observer. 1/28/2023. https://www.theguardian.com/uk-news/2023/jan/28/roman-bathers-gems-carved-stones-archaeologists-hadrians-wall Amador, Marisela. “Swiss museum returns two artifacts to the Haudenosaunee (Iroquois) confederacy.” The Canadian Press. Town and Country Today. 2/22/2023. https://www.townandcountrytoday.com/beyond-local/swiss-museum-returns-two-artifacts-to-the-haudenosaunee-iroquois-confederacy-6589516 Amundsen, Bard. “World's oldest rune stone found in Norway, archaeologists believe.” Science Norway. 1/17/2023. https://sciencenorway.no/archaeology-language-runes/worlds-oldest-rune-stone-found-in-norway-archaeologists-believe/2141404 1/12/2023. “Archaeology: 4,500-year-old ostrich eggs found in Israel.” https://www.ansa.it/ansamed/en/news/sections/culture/2023/01/12/archaeology-4500-year-old-ostrich-eggs-found-in-israel_899fa202-941d-4520-8be4-28397c1d89fc.html ArtNet News. “Art Industry News: The Met Will Repatriate 15 Sculptures Linked to Disgraced Dealer Subhash Kapoor + Other Stories.” 3/31/2023. https://news.artnet.com/art-world/art-industry-news-march-31-2023-2278598 ArtNet News. “Researchers in Vietnam Discovered That Two Deer Antlers Languishing in Museum Storage Are Actually 2,000-Year-Old Musical Instruments.” 2/27/2023. https://news.artnet.com/art-world/deer-antler-long-an-museum-storage-earliest-known-stringed-instruments-2261298 Bacon, B., Khatiri, A., Palmer, J., Freeth, T., Pettitt, P., & Kentridge, R. (2023). An Upper Palaeolithic Proto-writing System and Phenological Calendar. Cambridge Archaeological Journal, 1-19. doi:10.1017/S0959774322000415 BBC News. “Londoner solves 20,000-year Ice Age drawings mystery.” 1/5/2023. https://www.bbc.com/news/uk-england-london-64162799 BBC News. “Oldest tartan found to date back to 16th Century.” 3/26/2023. https://www.bbc.com/news/uk-scotland-65081312 “Comb made from human skull found among A14 artefacts.” 2/28/2023. https://www.bbc.com/news/uk-england-cambridgeshire-64797376 “Mary Queen of Scots: Secret letters written during imprisonment decoded.” 2/8/2023. https://www.bbc.com/news/uk-scotland-64568222 Begg, Tristin James Alexander et al. “Genomic analyses of hair from Ludwig van Beethoven.” Current Biology. 3/22/2023. https://www.cell.com/current-biology/fulltext/S0960-9822(23)00181-1 Berger, Michele W. “At a southern Iraq site, unearthing the archaeological passing of time.” Penn Today. 1/23/2023. https://penntoday.upenn.edu/news/lagash-southern-iraq-site-unearthing-archaeological-passing-time Bernardi, Dan. “In “an international act of diplomacy,” Syracuse University alumnus Brennen Ferguson '19 helps repatriate ceremonial Native American items from a museum in Geneva, Switzerland..” Syracuse 3/10/2023. https://thecollege.syr.edu/news-all/news-2023/sacred-indigenous-objects-find-their-way-home/ Brooks, James. “Oldest reference to Norse god Odin found in Danish treasure.” Associated Press. 3/8/2023. https://apnews.com/article/gold-god-odin-norse-denmark-buried-ca2959e460f7af301a19083b6eec7df4 Burakoff, Maddie. “What made Beethoven sick? DNA from his hair offers clues.” Associated Press. 3/22/2023. https://apnews.com/article/beethoven-dna-hair-deaf-liver-d2d8c50fdd951eb5f5b9fdae00f795a3 Cascone, Sarah. “Ancient Stone Tools Once Thought to be Made by Humans Were Actually Crafted by Monkeys, Say Archaeologists.” ArtNet. 1/3/2023. https://news.artnet.com/art-world/ancient-tools-monkeys-2237820 CBS Baltimore Staff. “Maryland archaeologists find West African spirit cache at Harriet Tubman's birthplace.” 2/14/2023. https://www.cbsnews.com/baltimore/news/harriet-tubman-west-african-spirit-cache-found-dorchester-county-maryland/ Correa-Lau J, Agüero C, Splitstoser J, Echenique E, Martens T, Santoro CM (2023) Inka Unku: Imperial or provincial? State-local relations. PLoS ONE 18(2): e0280511. https://doi.org/10.1371/journal.pone.0280511 Davies, Caroline. “‘Remarkable': Eastbourne shipwreck identified as 17th-century Dutch warship.” The Guardian. 1/27/2023. https://www.theguardian.com/culture/2023/jan/27/remarkable-eastbourne-shipwreck-identified-as-17th-century-dutch-warship De Cupere, Bea. “Newly discovered crocodile mummies of variable quality from an undisturbed tomb at Qubbat al-Hawā (Aswan, Egypt).” PLOS One. 1/18/2023. https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0279137#sec024 Dedovic, Yaz. “Mysterious new behavior seen in whales may be recorded in ancient manuscripts.” EurekAlert. 2/28/2023. https://www.eurekalert.org/news-releases/980816 Devlin, Hannah. “Discovery of 3m-year-old stone tools sparks prehistoric whodunnit.” The Guardian. 2/9/2023. https://www.theguardian.com/science/2023/feb/09/discovery-ancient-stone-tools-prehistoric-mystery-whodunnit Dijkstra, Mischa. “‘Golden boy' mummy was protected by 49 precious amulets, CT scans reveal.” EurekAlert. 1/24/2023. https://www.eurekalert.org/news-releases/977129 Duncan-Pitt, Lindsey. “It's not a Roman dildo, it's a drop spindle.” The Guardian. 2/26/2023. https://www.theguardian.com/science/2023/feb/26/its-not-a-roman-dildo-its-a-drop-spindle El-Aref , Nevine. “Ancient Egypt's Ramses II temple reveals animal mummy menagerie.” AhramOnline. 3/25/2023. https://english.ahram.org.eg/News/492386.aspx Enking, Molly. “Archaeologists Find 2,000-Year-Old Gemstones in Drain Beneath a Roman Bathhouse.” Smithsonian. 2/2/2023. https://www.smithsonianmag.com/smart-news/lost-gems-over-2000-years-old-found-in-roman-baths-180981566/ Feldman, Ella. “French Museum Will Return ‘Talking Drum' to Ivory Coast.” Smithsonian. 2/6/2023. https://www.smithsonianmag.com/smart-news/french-museum-returns-talking-drum-to-ivory-coast-180981577/ Field Museum. “Authentic 3,000-Year-Old Bronze Age sword put on display at Field Museum.” 1/16/2023. https://www.fieldmuseum.org/about/press/authentic-3-000-year-old-bronze-age-sword-put-on-display-at-field-museum Gammelby, Peter. “New research uncovers the "water" mystery of the first large city in southern Africa.” EurekAlert. 1/24/2023. https://www.eurekalert.org/news-releases/977674 Handwerk, Brian. “This Man Underwent Brain Surgery 3,500 Years Ago.” Smithsonian. 2/22/2023. https://www.smithsonianmag.com/science-nature/in-roughly-1500-bce-this-middle-eastern-man-underwent-brain-surgery-180981679/ Henton, Lesley. “Texas A&M-led research team identifies oldest bone spear point In the Americas.” Texas A&M University via EurekAlert. 2/2/2023. https://www.eurekalert.org/news-releases/978632 Hirsch, Arthur. “How the $75,000 Whaling Museum thefts went down.” New Bedford Light. 2/21/2023. https://newbedfordlight.org/how-the-75000-whaling-museum-thefts-went-down/ Kuta, Sarah. “5,000-Year-Old Tavern With Food Still Inside Discovered in Iraq.” Smithsonian. 1/1/2023. https://www.smithsonianmag.com/smart-news/5000-year-old-tavern-discovered-in-iraq-180981564/ Kuta, Sarah. “Archaeologists Unearth 3,000-Year-Old Wishing Well in Germany.” Smithsonian. 1/18/2023. https://www.smithsonianmag.com/smart-news/archaeologists-discover-3000-year-old-wishing-well-in-germany-180981428/ Kuta, Sarah. “Iraq dig uncovers 5,000 year old pub restaurant.” Phys.org. 2/15/2023. https://phys.org/news/2023-02-iraq-uncovers-year-pub-restaurant.html Kuta, Sarah. “Is This Wooden Artifact an Ancient Roman Phallus?” Smithsonian. 2/27/2023. https://www.smithsonianmag.com/smart-news/what-was-this-2000-year-old-phallus-used-for-180981693/ Kuta, Sarah. “Neanderthals Hunted and Butchered Massive Elephants 125,000 Years Ago.” Smithsonian. 2/3/2023. https://www.smithsonianmag.com/smart-news/neanderthals-hunted-and-butchered-massive-elephants-125000-years-ago-180981578/ Kuta, Sarah. “Neutron Imaging Reveals Tiny Bones Inside 800-Year-Old Pendant.” Smithsonian. 1/17/2023. https://www.smithsonianmag.com/smart-news/neutrons-help-scientists-see-inside-800-year-old-pendant-and-find-tiny-bones-180981444/ Larson, Shannon. “‘It gives me chills': Messages found in bottle on Cape Cod may have been left by World War II POWs.” Boston Globe. 2/1/2023. https://www.bostonglobe.com/2023/02/01/nation/it-gives-me-chills-messages-found-bottle-cape-cod-may-have-been-world-war-ii-pows/ Lawson-Tancred, Jo. “Dispelling Rumors, Greece Has Rejected the British Museum's Offer to Return the Parthenon Marbles as a Long-Term Loan.” ArtNet. 1/11/2023. https://news.artnet.com/art-world/greece-rejects-british-museum-loan-deal-parthenon-marbles-2241261 net. “Heart-shaped pendant discovered in England.” 2/2023. https://www.medievalists.net/2023/02/heart-shaped-pendant-discovered-in-england/ Metcalfe, Tom. “Bronze Age ice skates with bone blades discovered in China.” LiveScience. https://www.livescience.com/bronze-age-ice-skates-with-bone-blades-discovered-in-china Metcalfe, Tom. “Painful 'cross-shaped incision' in medieval woman's skull didn't kill her, but second surgery did.” LiveScience. 2/25/2023. https://www.livescience.com/painful-cross-shaped-incision-in-medieval-womans-skull-didnt-kill-her-but-second-surgery-did “Milk residue found at ancient site on Tibetan Plateau.” China Daily. 2/14/2023. https://www.chinadaily.com.cn/a/202302/14/WS63eade74a31057c47ebae956.html Morris, Steven. “‘3D medieval puzzle': Newport ship to be reassembled from 2,500 pieces of timber.” The Guardian. 1/19/2023. https://www.theguardian.com/science/2023/jan/19/3d-medieval-puzzle-newport-ship-reassembled-2500-pieces-timber Niazi, Asaad and Tony Gamal-Gabriel. “Iraq dig uncovers 5,000 year old pub restaurant.” Phys.org. 2/15/2023. https://phys.org/news/2023-02-iraq-uncovers-year-pub-restaurant.html Nowakowski, Teresa. “Neanderthals Dined on Crab 90,000 Years Ago.” Smithsonian. 2/8/2023. https://www.smithsonianmag.com/smart-news/neanderthals-dined-on-crab-90000-years-ago-180981604/ Oltermann, Philip. “‘Blind chance' or plot? Exhumation may help solve puzzle of 1933 Reichstag blaze.” The Guardian. 2/26/2023. https://www.theguardian.com/world/2023/feb/26/blind-chance-or-plot-exhumation-may-help-solve-puzzle-of-1933-reichstag-blaze Orie, Amarachi. “World's oldest dated runestone discovered in Norway -- with a mysterious inscription.” CNN. 1/18/2023. https://www.cnn.com/style/article/worlds-oldest-runestone-norway-intl-scli-scn/index.html Osborne, Margaret. “Ancient DNA Confirms the Origin Story of the Swahili People.” Smithsonian. 3/31/2023. https://www.smithsonianmag.com/smart-news/ancient-dna-confirms-the-origin-story-of-the-swahili-people-180981909/ Parker, Christopher. “129-Year-Old Vessel Still Tethered to Lifeboat Found on Floor of Lake Huron.” Smithsonian. 3/3/2023. https://www.smithsonianmag.com/smart-news/ironton-shipwreck-lake-huron-180981741/ “Looted ancient sarcophagus returned to Egypt from US.” 1/2/2023. https://phys.org/news/2023-01-looted-ancient-sarcophagus-egypt.html Public Library of Science. “Mummified crocodiles provide insights into mummy-making over time.” Phys.org. 1/18/2023. https://phys.org/news/2023-01-mummified-crocodiles-insights-mummy-making.html Schmall, Emily. “Stripping Confederate Ties, the U.S. Navy Renames Two Vessels.” New York Times. 3/11/2023. https://www.nytimes.com/2023/03/11/us/navy-ship-confederate-robert-smalls.html Shaw, Garry. “'Where the swords met bone': Archaeological evidence found of Ancient Egyptian rebellion mentioned on the Rosetta Stone.” The Art Newspaper. 1/27/2023. https://www.theartnewspaper.com/2023/01/27/where-the-swords-met-bone-archaeological-evidence-found-of-ancient-egyptian-rebellion-mentioned-on-the-rosetta-stone Sherburne, Morgan. “Yak milk consumption among Mongol Empire elites.” Michigan News. 3/31/2023. https://news.umich.edu/yak-milk-consumption-among-mongol-empire-elites/ Siegel-Itzkovich, Judy. “Luxury fabrics from 1,300 years ago apparently from China, India and Sudan found in Arava.” The Jerusalem Post via MSN. 1/18/2023. https://www.msn.com/en-us/news/world/luxury-fabrics-from-1300-years-ago-apparently-from-china-india-and-sudan-found-in-arava/ar-AA16uFqX Sivaraman, R. “New York's Metropolitan Museum of Art to return 15 sculptures to India.” The Hindu. 3/31/2023. https://www.thehindu.com/news/national/us-museum-to-return-15-antique-sculptures-linked-to-subash-kapoor/article66683728.ece “National Museum of Asian Art Announces Historic Partnership With Republic of Yemen Government as U.S. Government Repatriates 77 Cultural Objects to Yemen.” 2/21/2023. https://www.si.edu/newsdesk/releases/national-museum-asian-art-announces-historic-partnership-republic-yemen-government The History Blog. “Medieval chess set DNA tested.” 3/26/2023. http://www.thehistoryblog.com/archives/66860 The History Blog. “Replica” sword is authentic Bronze Age artifact.” 1/21/2023. http://www.thehistoryblog.com/archives/66223 The History Blog. “Scotland's oldest tartan found in Highlands bog.” 3/31/2023. http://www.thehistoryblog.com/archives/66890 “The King's Mirror - Speculum regale-Konungs skuggsjá.” https://www.gutenberg.org/files/61264/61264-h/61264-h.htm Topping, Alexandra. “‘He did not want this': one man's two-decade quest to let the ‘Irish Giant' rest in peace.” The Guardian. 1/14/2023. https://www.theguardian.com/culture/2023/jan/14/he-did-not-want-this-one-mans-two-decade-quest-to-let-the-irish-giant-rest-in-peace University at Albany. “New poem by famed early American poet Phillis Wheatley discovered.” Phys.org. 1/24/2023. https://phys.org/news/2023-01-poem-famed-early-american-poet.html University of South Florida. “A researcher's life's work uncovers first ancient DNA from Swahili civilization.” PhysOrg. 3/29/2023. https://phys.org/news/2023-03-life-uncovers-ancient-dna-swahili.html University of York. "Neolithic ceramics reveal dairy processing from milk of multiple species." ScienceDaily. ScienceDaily, 14 March 2023. sciencedaily.com/releases/2023/03/230314205400.htm Voigt, Kathrin. “Neanderthals hunted elephants: Earliest evidence found of humans killing elephants for food.” EurekAlert. 2/2/2023. https://www.eurekalert.org/news-releases/978530 “1,300-year-old rice residue found at Tibetan ancient site.” 3/14/2023. https://english.news.cn/20230314/e547b3ff93c5458b8e9413ee389f3ac8/c.html Yirka, Bob. “Trove of spices from around the world found on sunken fifteenth-century Norse ship.” Phys.org. 2/10/2023. https://phys.org/news/2023-02-trove-spices-world-sunken-fifteenth-century.html See omnystudio.com/listener for privacy information.

Simona Bartolena"Da Monet a Picasso"Capolavori della Johannesburg Art GalleryPalazzo Barolo, Torino - Fino al 7 maggio 2023https://operabarolo.ithttps://mostrajag.it“ Tutti discutono la mia arte e affermano di comprenderla, come se fosse necessario comprendere, quando invece basterebbe amare.”Claude MonetLa mostra evento che racchiude le opere originali dei maggiori protagonisti della storia dell'arte di tutti i tempi: Monet, Signac, Courbet, Degas, Cézanne, Sisley, Derain, Picasso, Matisse, Rossetti, Modigliani, Bacon, Warhol, Lichtenstein, Kentridge.A Palazzo Barolo un racconto visuale in sessantatré opere, una collezione che sarà un viaggio composito nella storia dell'arte internazionale, ma anche una suggestione culturale su una scena artistica e realtà museale poco conosciuta, come la Johannesburg Art Gallery.La mostra riflette, di fatto, proprio il percorso di crescita artistico-culturale della città di Johannesburg e in particolare della JAG, Johannesburg Art Gallery, fondata nei primi anni del 1900 dalla collezionista Dorothea Sarah Florence Alexandra Ortlepp Phillips, meglio nota come Lady Florence Phillips, con l'intento di trasformare un centro minerario, cresciuto intorno alla ricchezza dei suoi giacimenti, in una città improntata sui modelli delle capitali europee, con un museo che non fosse solo uno spazio nel quale raccogliere opere d'arte ed esporle, ma un luogo per la società civile, dove fare e promuovere cultura; un riferimento per tutti, non solo per gli appassionati d'arte. L'obiettivo di lungo termine era quello di preparare la strada per la crescita di una Scuola d'Arte Sudafricana, incentivando gli artisti locali, per una crescita culturale di tutta la popolazione.Next Exhibitionin collaborazione conVidi srlOno ArtSimona Bartolena, storica dell'arte contemporanea, è presidente dell'Associazione Heart – pulsazioni culturali. Curatrice di mostre ed esposizioni presso enti pubblici, associazioni culturali e gallerie, svolge il ruolo di consulente artistica per musei e istituzioni culturali. Tra i suoi ambiti di interesse vi è il processo di rinnovamento artistico avvenuto tra la seconda metà dell'Ottocento e il primo Novecento, tra impressionismo e avanguardie storiche. Su questi temi è autrice di diverse pubblicazioni, tra cui: Dagli impressionisti a Picasso (a cura di, Milano 2019).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Based in Johannesburg, South Africa, internationally acclaimed artist William Kentridge engages with politics and memory through a variety of forms – from charcoal drawings, animation and sculptures, to immersive videos, theatre and opera. His 2022 exhibition at London's Royal Academy was hailed as "enthralling," an "operatic epic," while Kentridge's current retrospective at L.A.'s Broad Museum has been called "extraordinary." He spoke to Eleanor Wachtel about his work and career, as well as his recent "lockdown" project, a series of films about Kentridge's life in the studio, called "Self-Portrait as a Coffee Pot," which had its world premiere at the Toronto International Film Festival last fall.

World-renowned South African artist William Kentridge discusses the process of making the 2019 chamber opera Waiting for the Sibyl. He also touches on why artists should stay open to new ideas, the complex relationship between humans and algorithms — "one has to make space for that which does not compute," he says — and the "unavoidable optimism" in the activity of making.During the 2022-23 academic year, Cal Performances, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the Townsend Center for the Humanities at UC Berkeley are participating in a campuswide residency with Kentridge.Cal Performances will present the U.S. premiere of SIBYL on March 17-19. SIBYL is comprised of two parts: The first part of the program, The Moment Has Gone, is a film by Kentridge with live music featuring a piano score by Kyle Shepherd and an all-male vocal chorus led by Nhlanhla Mahlangu; the second part is the chamber opera Waiting for the Sibyl. Learn more about the residency and upcoming events.Read a transcript and listen to the episode on Berkeley News.Music by Blue Dot Sessions.Photo by Marc Shoul. Hosted on Acast. See acast.com/privacy for more information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!William Kentridge uses drawings to create films. In his works, unlike in traditional animation that employs multiple drawings to denote change and movement, Kentridge erases and alters a single, stable drawing while recording the changes with stop-motion camera work. He modifies the drawing slightly, goes to the camera, and begins what he calls “the rather dumb physical activity of stalking the drawing, or walking backwards and forwards between the camera and drawing; raising, shifting, adapting the image.” The result is a hybrid of drawing and film that has been highly praised for both its innovative manipulation of media and its ability to look at troubling social issues in a way that is neither sentimental nor aggrandized.   South Africa, where Kentridge was born and continues to work, is the focal point of his studio practice. Kentridge addresses apartheid and other social wounds without tackling the issues head-on, making them susceptible either to redemption that comes too easily or to a rendering of their history that is too spectacular. He enters into historical discussions through the lives of three fictional characters: Soho Eckstein, Mrs. Eckstein, and Felix Teitelbaum. Their individual lives are set against the wide, political landscape of South Africa as well as the deeper forces of life like renewal and destruction. The various vectors of thoughts, feelings, and inner turmoil of the characters, represented sometimes by animals or lines or other markings, spill across Kentridge's images and frames. The personal and public become critically mixed, neither free of guilt nor completely capable of redemption.  In Stereoscope, 1999 Soho Eckstein is portrayed as interconnected with both images of the social injustices and upheaval of South Africa and his own sort of primal, fractured existence. The stereoscope, a device used to unite split images into the illusion of a coherent visual field, represents exactly what Kentridge does not allow in the film. He instead uses his method of erasure to move between disparate images and situations, not a presentation of a unified field but a shifting scene of energetic connections and splits. The result is a work that can face the humanity of the individual without expunging guilt and address larger issues in society without trite, easy solutions. From https://www.thebroad.org/art/william-kentridge. For more information about William Kentridge:Previously on The Quarantine Tapes:William Kentridge: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-064-william-kentridge“William Kentridge: In Praise of Shadows”: https://www.thebroad.org/art/special-exhibitions/william-kentridge-praise-shadowsWilliam Kentridge: In Praise of Shadows: https://www.amazon.com/William-Kentridge-Shadows-Ed-Schad/dp/1636810667“Lexus L/Studio - Conversation Portrait, William Kentridge”: https://www.youtube.com/watch?v=jNx0lH090IM“A Show About Colonial Power, Born From the Freedom to Make Mistakes”: https://www.nytimes.com/2022/11/15/theater/houseboy-kentridge-lace-phala.html“William Kentridge: ‘The history of the 20th century shows us the danger of all claims to certainty'”: https://www.ft.com/content/5589fd2b-6fb1-4d77-a90d-ac44a1d2fd52“William Kentridge wows the world”: https://mg.co.za/friday/2022-11-11-william-kentridge-wows-the-world-and-his-centenarian-father/

16.11.22 Pt 2 - This week Gareth has a candid conversation with Thomas Grant KC - an English barrister, author and polemicist. His latest book on Sir Sydney Kentridge, called The Mandela Brief, is the incredible story of one of Apartheid South Africa's most infamous trials. In this discussion, he and Gareth talk about Kentridge, the law, oligarchs, mock trials of the dead and lots more.

Thomas Grant KC is an English barrister, author and polemicist. His latest book on Sir Sydney Kentridge, called The Mandela Brief, is the incredible story of one of Apartheid South Africa's most infamous trials. In this discussion, he and Gareth Cliff talk about Kentridge, the law, oligarchs, mock trials of the dead and lots more. www.cliffcentral.com

Thomas Grant KC is an English barrister, author and polemicist. His latest book on Sir Sydney Kentridge, called The Mandela Brief, is the incredible story of one of Apartheid South Africa's most infamous trials. In this discussion, he and Gareth Cliff talk about Kentridge, the law, oligarchs, mock trials of the dead and lots more.

Guest: Author Thomas Grant joins John to discuss ‘The Mandela Brief: Sydney Kentridge and the Trials of Apartheid.'See omnystudio.com/listener for privacy information.

Ben Luke talks to William Kentridge about his influences—from the worlds of literature, music, film and, of course, art—and the cultural experiences that have shaped his life and work. Kentridge was born in 1955 in Johannesburg, South Africa, and began his career making large-scale drawings. But his work has grown to encompass film and video installation, sculpture, tapestry, sound, performance, and puppetry. It teems with imagery and ideas, reflecting on his autobiography, on the inequities of Apartheid South Africa, but also on broader histories from colonialism to communism and beyond. He discusses being surrounded by Miró and Matisse as a child, his homages to Beckmann and Manet, the enduring power of composers like Shostakovich and early filmmakers like Georges Méliès, and the poetry of Vladimir Mayakovsky. Plus, he gives insight into life in his studio, and answers our usual questions, including the ultimate: what is art for?William Kentridge, Royal Academy of Arts, London, until 11 December; William Kentridge: Oh To Believe in Another World, Goodman Gallery, London, 1 October-12 November. William Kentridge: In Praise of Shadows, the Broad, Los Angeles, 12 November-9 April 2023. William Kentridge: That Which We Do Not Remember, M. K. Čiurlionis National Museum Of Art, Kaunas, Lithuania, until 30 November. William's series of short films, Self Portrait as a Coffee Pot, is shown at the ICA, London, as part of the BFI London Film Festival on 7 October. Hosted on Acast. See acast.com/privacy for more information.

Lola Arias is a well-known and influential Latin American theatre director, writer and filmmaker. Her powerful stage pieces are created from real life testimony. She gathers material for these works by talking to and workshopping with people who have witnessed, or been part of a particular, sometimes traumatic, shared experience. These people then become her actors, performing their lives in the theatre. She tells Tina Daheley about her working methods and her works including ‘Minefield', where she brought together British and Argentinian veterans from the 1982 Falklands war, ‘The Day I Was Born' which included people from different political sides during the Chilean dictatorship of Augusto Pinochet and her latest piece, Lengua Madre, Mother Tongue, exploring motherhood in the 21st Century. This year Kaunas, Lithuania's second largest city, is one of the three European Capitals of Culture 2022. It's a place with a troubled past and one the topics being explored during this year of Culture is its forgotten or suppressed history. One of the artists who's exhibiting there is William Kentridge. His family emigrated to South Africa from Lithuania more than a century ago to escape antisemitism and the pogroms. For years, the internationally acclaimed artist admits he was reluctant to visit the land of his ancestors. Kentridge, who combines his trademark charcoal drawings with animation and sculpture, is well known for tackling difficult subjects such as racial and financial inequality. Lucy Ash met him at the National Art Museum in Kaunas at his exhibition called That Which We Do Not Remember. Sophie Jai's debut novel Wild Fires is set on the Caribbean island of Trinidad. When her main character Cassandra returns home from abroad for the funeral of her cousin Chevy, she's confronted by her intergenerational family, all living in different parts of the same house, together but separate, and the family secrets and hidden memories that have dominated their lives for decades. Sophie Jai herself was born and spent her early childhood in Trinidad until moving to Canada and she explains what drew her back to writing about Trinidad and the memories of her childhood. (Photo: An image from Lola Arias' Minefield. Credit: Tristram Kenton)

Marcus, Dorotheawww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

William Kentridge est l'un des artistes contemporains les plus en vue aujourd'hui. Il travaille une multitude de médiums : dessin, écriture, film, performance, musique, théâtre et pratiques collaboratives, pour créer des œuvres d'art qui sont ancrées dans la politique, la science, la littérature et l'histoire, tout en maintenant un espace pour la contradiction et l'incertitude. Les œuvres de Kentridge ont été montrées dans des musées, des galeries et des théâtres du monde entier depuis les années 1990, notamment au Museum of Modern Art de New York, au Albertina Museum de Vienne, au Musée du Louvre de Paris, au Louisiana Museum de Copenhague, au musée Reina Sofia de Madrid et au Kunstmuseum de Bâle. Ses œuvres figurent dans les collections de musées et d'institutions artistiques du monde entier. Ses productions d'opéra comprennent La Flûte enchantée de Mozart, Le Nez de Chostakovitch et les opéras Lulu et Wozzeck d'Alban Berg. Elles ont été montrées, entre autres, au Metropolitan Opera de New York, la Scala de Milan, l'English National Opera de Londres, l'Opéra de Lyon, l'Opéra d'Amsterdam, l'Opéra de Sydney et le Festival de Salzbourg. En 2016, Kentridge fonde le Centre for the Less Good Idea à Johannesburg : un espace de réflexion et de création réactive par le biais de pratiques artistiques expérimentales, collaboratives et transdisciplinaires. Le Centre accueille un programme continu d'ateliers, de performances publiques et d'activités de mentorat. Titulaire de doctorats honorifiques de plusieurs universités, dont Yale et l'université de Londres, William Kentridge a notamment reçu le prix Kyoto (2010), le prix Princesa de Asturias (2017) et le prix Praemium Imperiale (2019). Il dialogue avec Marie-Laure Bernadac, conservatrice générale honoraire du Patrimoine, notamment en charge de l'art contemporain au Musée du Louvre et commissaire de nombreuses expositions dont celle sur William Kentridge organisée au LaM Villeneuve d'Ascq en 2020. Conservatrice générale honoraire du Patrimoine, Marie-Laure Bernadac a été conservatrice au musée Picasso, au Centre Pompidou, en charge du cabinet d'art graphique, au capc musée d'art contemporain de Bordeaux, puis en charge de l'art contemporain au musée du Louvre. Elle fut commissaire de nombreuses expositions sur Pablo Picasso, sur Louise Bourgeois, Anish Kapoor, Jenny Holzer, Cindy Sherman, Jan Fabre, Wim Delvoye, MIchelangeo Pistoletto, William Kentridge... Elle fut également co-commissaire de fémininmasculin, le sexe de l'art, au Centre Pompidou en 1995, de Présumés innocents, l'art contemporain et l'enfance, à Bordeaux en 2000, D'Africa remix, au Centre Pompidou, 2002 ; de Leiris & Co. au Centre Pompidou-Metz, 2015…. Elle a publié les Ecrits de Picasso (1989, réédition Quarto Gallimard, en 2021), la première biographie de Louise Bourgeois, femme-couteau (Flammarion, 2019), Annette Messager, mot pour mot (Presses du réel, 2006). La chaire Dessin Extra-Large est réalisée avec le soutien de la Maison Chaumet. Vendredi 4 mars 2022 Amphithéâtre d'Honneur Crédit photo : Norbert Miguletz

Vienas įspūdingiausių „Kaunas – Europos kultūros sostinė 2022“ renginių – litvakų kilmės pasaulinio garso menininko iš Pietų Afrikos respublikos Williamo Kentridge‘o paroda „Tai, ko nepamename“. Būtina ją aplankyti ir pamatyti gyvai – ji tęsis iki lapkričio 30 d. Jei negalite to padaryti – mes transliuojame tiesiai iš Čiurlionio muziejaus ir kalbame apie parodą ir įspūdingus kūrinius su parodos kuratore dr. Virginija Vitkiene. Jos pasakojimas pinasi su filmų ir instaliacijų garsais, specialiai parodai sukurtomis melodijomis. Ved. menotyrininkė Laima Kreivytė

Kentridge, Williamwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

The world wide connection of mokuhanga is a vast one. Working and living in Cape Town, South Africa; Natasha Norman is a talented artist involved in several types of printmaking. One of those types of printmaking is, of course, mokuhanga. Along with her independent work as a mokuhanga printmaker, Natasha is involved in the Mokuhanga-kai, a group she co-founded with printmaker Oliver Hambsch, where as a group, they attempt to spread the message and ideals of mokuhanga and Japanese culture. In this episode of The Unfinished Print I speak with Natasha Norman about her mokuhanga journey, from MI Lab to her current mokuhanga works. Natasha also speaks on what it's like to source materials for her mokuhanga work while living in South Africa.  Please follow The Unfinished Print and my own print work on Instagram @popular_wheatprints, Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Mokuhanga-Kai - website Natasha Norman - website, Instagram University of Cape Town - founded inn 1829 and became a full university between 1880-1900. More info can be found, here.  Jennifer L. Roberts Mellon Lectures -  Contact: Art and the Pull of Print is a series of online lectures dedicated to the art of printmaking and the relationship between the person making it and the essence of the medium. It can be found, here.  Idyllic Colonial Postcards - Natasha speaks on the South African colonial project through idyllic postcards. More information can be found, here via the Library of Congress.  South African Art History - South African art has a long and distinguished history. The Contemporary African Art website has a very good introduction to the history of South African art, here. Some history of the South African modernists, here. Contemporary artist landscape, here.  Black Consciousness Movement - led by anti-apartheid leader Steve Biko (1946-1977), the BCM was a movement which empowered South African black people to believe that they have the power to organize and control their own destiny. More info can be found, here.   Nelson Mandela - (1918-2013) was a black nationalist and the first black Prime Minister of South Africa from 1994-1999. He was jailed from 1964-1990 for his political beliefs, being deemed a threat to the South African colonial government. More information about his life and legacy can be found here, at the Nelson Mandela Foundation.  Rainbow Nation - used first by Desmond Tutu (1931-2021), it is a term used to describe a post-apartheid South Africa, to describe the country as multicultural and as a call for unity of all South African peoples.  South African Biennale - held from February 28 - April 30, 1995, this biennale was hosted by Johannesburg and contained 63 national pavilions and 20 South African pavilions. It was the first biennale held in a post-apartheid South Africa focused on "decolonizing the mind." More information can be found, here. Link to the 2nd biennale held in 1997 can be found, here. Mongezi Ncaphayi - is a South African artist who lives and works in Cape Town. His medium is Indian ink and watercolour on Fabriano. Lots of colour and a very unique perspective. His Instagram can be found, here. His work can be found, here.  South African Printmaking - there is a long history of printmaking in South Africa. From apartheid South Africa to post-apartheid South Africa printmaking has made an indelible difference to the landscape of South African art through resistance and dialogue. More information can be found, here, here, and here.  Printmaking Today - is a printmaking magazine published by Cello Press in the UK and began in 1991.  Embassy of Japan in South Africa - located in Pretoria. Information for the Culture and Information Centre can be found, here.  Japanese Relations with South Africa - Japan has had a long history of relations with South Africa since the 19th Century, with trade beginning in 1910. Although raw material trade began in earnest in the 1960's. For more information on Japan's, at times tenuous, relationship with South Africa look, here. monotype printmaking - a type of printmaking which creates a "painted" type of print. More information can be found by the MoMA, here.  The Printing Girls - is a printmaking collective based in South Africa in which Natasha Norman is a member. More information can be found, here.  Ozuwashi - is a brick and mortar paper store located in the Nihonbashi district of Tokyo. It has been in business since 1653. More info can be found, here. Cameron Bailey - is a mokuhanga printmaker who focuses on reduction woodblock. His Unfinished Print interview can be found, here. website, Instagram.  mokulito - a type of lithography which incorporated woodblock. Artist Danielle Creenaune uses mokulito in her work. She has a fine detailed explanation on its uses, here.   Winsor & Newton - is an artist supply company based in the UK. website. kiaat - is a hardwood, also called muninga. More information can be found, here.  Woodstock, Cape Town - is an old suburb of Cape Town, South Africa known for its shopping and art galleries. More info can be found, here.  Salon Ninety One - a gallery located in Cape Town with a focus on contemporary artists of all mediums. Yoshida Hiroshi (1876-1950) - originally a watercolorist and painter Yoshida started designing woodblock prints for Watanabe in 1920. By 1925 he was designing prints for his own studio. The works which came from his studio were meticulous and masterpieces of the medium in their own right.  Ukiyoe.org has a good collection of Yoshida works. Andy Warhol (1928-1987) was an influential artist and filmmaker who ushered in the genre of art considered "pop art."  Roy Lichtenstein (1923-1997) was another artist considered a part of the pop art movement through imitation. The MoMA has a great description of his work, here.  Benoit Varaillon -  is a mokuhanga printmaker based in France. His interview with The Unfinished Print can be found, here.  William Kentridge - is an award winning South African artist, animator and printmaker. An interesting studio visit with Kentridge can be found, here.  japonisme - is the influence of Japanese art on Western art practices, specifically in Europe of the 19th Century. The  MET Museum has a fine essay on the subject, here.  Waza - is an importer, retailer, and distributor of Japanese goods into South Africa. website  opening and closing credit background sound from the 2021 Mokuhanga Conference, discussing how animals are involved in mokuhanga, and whether we can, as artists, be sustainable.  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) if you find any issue with something in the show notes please let me know. The opinions expressed in The Unfinished Print podcast are not necessarily those of Andre Zadorozny and of Popular Wheat Productions.      

Den kritikerhyllade irländska författaren Claire Keegan kommer ut med en ny bok och är på Sverigebesök. P1 Kulturs Lisa Bergström har träffat henne. WILLIAM KENTRIDGE EN AV DE RIKTIGT STORA KONSTNÄRERNAI helgen gjorde den sydafrikanske konstnären William Kentridge  ett uppmärksammat gästspel på Dramaten med musikföreställningen Sibyl. P1 Kulturs kritiker Cecilia Blomberg och Karsten Thurfjell var där och kom därifrån rejält uppiggade. Hör också en intervju med Kentridge.  LUKE JERRAMS KONSTVERK GAIA ÄR KLIMATKONFERENSENS BACKDROPLuke Jerram är en 45-årig färgblind brittisk konstnär, som ofta jobbar tematiskt med människans förhållande till klimatförändringarna. På National Musesums i Edinburgh i Skottland finns hans Extinction bell, utrotningsklockan, som klämtar varje gång en växt- eller djurart försvinner från jorden. Idag är han gäst i P1 Kultur.  SAMLANDET - DÖDSTÄDANDETS MOTRÖRELSEDen som samlat på sig mycket saker och sedan går och dör, kan i bästa fall erbjuda ett universum av minnen för de efterlevande. Konsthistorikern Pontus Kyander slår ett slag för samlandets värde i dagens OBS-essä. Programledare: Lisa BergströmProducent: Ulph Nyström

On this episode of the Japan Station podcast, we're joined by Hannah Kentridge of the popular YouTube channel MissHanake. About Hannah Kentridge Hannah Kentridge is a content creator with over 100,000 subscribers on YouTube. Known as MissHanake on YouTube, Hannah has spent over 10 years producing videos in Japanese about her life and the Japanese language. Topics Discussed Hannah's perennially popular "Hiragana Song" video The origins of the MissHanake YouTube channel How creating YouTube content in Japanese motivated Hannah to keep learning Japanese and improving Receiving constructive criticism via YouTube comments How listening to herself speak in Japanese helped Hannah keep improving her Japanese Hannah's time at Kobe University Hannah's decision to go to graduate school On learning the kind of advanced Japanese that is usually not taught in the classroom About the MPhil in Japanese Studies at Oxford University What onee kotoba is On doing research on the way some gay men speak in anonymous online situations Using language to construct one's identity Hannah's plans for her master's research Japanese internet slang Gendered language in Japanese Hannah's tentative plans for after completing her master's program And much more! Support on Patreon If you enjoy Japan Station and want to ensure that we're able to produce more episodes, then please consider becoming a patron on Patreon.com. For a minimum pledge of $1 a month you'll get early access to all JapanKyo podcasts, bonus content, and more. And for $3 a month, you'll get access to Japanese Plus Alpha, a podcast produced by me (Tony Vega) that focuses on the Japanese language and all of its fascinating quirks. Also, all pledges get a shout-out on the show and my undying gratitude. Thank you in advance! Support Japan Station on Patreon Links, Videos, Etc. To check out Hannah on YouTube use the link below. MissHanake YouTube Channel You can watch Hannah's "Hiragana Song" video below. The Hiragana Song ★ ひらがなのうた To follow Hannah on Twitter use the link below. @misshanake on Twitter To listen to Hannah on the KoreKara Podcast see below. Talking with MissHanake - YouTuber Studying Japanese at Oxford University | KoreKara Podcast Use the link below to check out the latest episode of Japan Station. Maiko Masquerade: Crafting Geisha Girlhood in Japan (Dr. Jan Bardsley) | Japan Station 65 If you would like to support the show by picking up some merchandise, make sure to visit KimitoDesigns.com. KimitoDesigns.com Special Thanks Opening/Closing song: Oedo Controller (大江戸コントローラー) by Yunomi featuring Toriena (Used with permission from Yunomi) To listen to more of Yunomi's music, check out his Soundcloud page or YouTube channel. Japan Station cover art: Provided by Erik R. Featured image: Courtesy of Dr. Katarzyna Cwiertka Featured image: Courtesy of Hannah Kentridge Follow Japankyo on Social Media Facebook (@JapankyoNews) Twitter (@JapankyoNews) Full Show Notes Get full show notes at www.japanstationpodcast.com

“Napoli, l'arte contemporanea e il San Carlo”ANGELA TECCE, Presidente della Fondazione Donnaregina per le arti contemporanee - Museo MADRE - NapoliProtagonista della dodicesima puntata di “Voci di Memus” - la prima serie di podcast prodotta dal Teatro di San Carlo, che affida alle voci della comunità il racconto del patrimonio- è Angela Tecce, specialista di arte contemporanea già dirigente del MiBACT, docente dell'Accademia di Belle Arti di Napoli, e membro del Comitato scientifico della Collezione Farnesina del Ministero degli Esteri, nominata dal 2021 Presidente della Fondazione Donnaregina per le arti contemporanee -Museo MADRE di Napoli, aperto nel 2005, dunque una istituzione ancora giovane. “Per me che ho sempre lavorato nei musei e per l'arte contemporanea a Napoli è un grande onore dirigere la prima istituzione della nostra città , esclusivamente deputata all'arte contemporanea così come è interessante rintracciare la relazione del Teatro di San Carlo con le arti del nostro tempo”: con queste parole Angela Tecce comincia il suo viaggio alla scoperta del rapporto del San Carlo, simbolo culturale napoletano e meridionale, con le arti della contemporaneità, molto più forte e fruttuoso di quel che si pensi normalmente. Per la studiosa è anche un'occasione per un viaggio autobiografico attraverso i lunghi anni della scoperta dell'arte contemporanea a Napoli, dall'ingresso di Burri e Warhol a Capodimonte alle mostre a Villa Pignatelli, Castel Sant'Elmo e poi il racconto delle aperture del Teatro San Carlo dagli anni Cinquanta ad artisti come Prampolini, Manzù e poi Rauschenberg e, in maniera più sistematica dopo il 2000, con il coinvolgimento negli allestimenti operistici di Paladino, Pomodoro, Adami, Kiefer, Kentridge. E il dialogo tra le arti continua…Estratti musicali:“Elektra” | Richard Strauss, Teatro di San Carlo, Stagione Lirica 2016-2017 - “Achille in Sciro” | Domenico Sarro, Sinfonia dall'opera (revisione critica Ivano Caiazza), registrazione effettuata presso il Teatro di San Carlo, settembre 2016 – “Die Walküre” | Richard Wagner, Teatro di San Carlo, Stagione Lirica 2018-2019 – “Lucia di Lammermoor” | Gaetano Donizetti, Teatro di San Carlo, Stagione Lirica 1955-1956 (Maria Callas).

Ann McCoy is a New York-based sculptor, painter, and art critic, and Editor at Large for the Brooklyn Rail. She was awarded a 2019 John Simon Guggenheim Foundation Fellowship. She lectured on art history, the history of projection, and mythology in the graduate design section of the Yale School of Drama until May 2020, and taught in the Art History Department at Barnard College from 1980 through 2000. She has written about artists working with projection including William Kentridge, Tony Oursler, Nalini Malini, and Krzysztof Wodiczko.  Ann McCoy and Kentridge did a conversation at the American Academy in Rome for his Tiber project, “Triumphs and Laments”, which was published in the Brooklyn Rail. Ann McCoy’ work is included in the following collections: the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Museum of Modern Art, the National Gallery of Australia, the Roy L. Neuberger Museum, the New Orleans Museum of Art, the San Francisco Museum of Modern Art, and the Whitney Museum of American Art, among others. Ann McCoy has received the following awards: the John Simon Guggenheim Fellowship, the Asian Cultural Council, the Pollock Krasner Foundation, the Adolph and Esther Gottlieb Foundation Award, the Award in the Visual Arts, the Prix de Rome, the National Endowment for the Art, the Berliner Kunstler Program D.A.A.D., and the New Talent Award of Los Angeles County Museum of Art. Ann McCoy has exhibited in the Venice Biennale and the Whitney Annual, and has had one-person exhibitions in New York, Los Angeles, New Delhi, Poland, and Berlin. She is known primarily known for her large format drawings, work with projection, installation, and bronze sculpture. Ann McCoy worked with Prof. C.A. Meier, Jung’s heir apparent for twenty-five years in Zurich. She has a background in Jungian psychology and philosophy. She has studied alchemy since the early seventies in Zurich, and Rome at the Vatican Library.  Most of her work is based on her dreams, and their relationship to alchemical texts, and Christian alchemy in particular.  For McCoy, alchemy is a symbolic language of processes dealing with spiritual transformation.  Incarnation of spirit into matter is the key concept of the alchemical practice.  The imagination is the gateway to the gods. Dream of the invisible College  (Size: 9 x 14 ft. ) pencil on appear on canvas (2018) photo credit: Peter Dressel Processional with Resplendor (Size: 19" by 7 ft. 2" by 9 inches) cast bronze with silver crown (installation 2018) photo credit: Peter Dressler

Gregory is the author of the 2020 International Dance Day message – which so poignantly addresses the fragility of the world and humankind.Gregory’s dance journey provides a powerful insight to the dance of dance as a political voice and his voice has carried across the world. His insightful, unflinching, International Dance Day message speaks to his empathy and insight as an activist and artist.Gregory became interested in dance in the late 1980s as a means to escape the political tensions growing in his place of birth. He started his formal dance training in 1990 at Moving Into Dance wherein 2002 he became the Associate Artistic Director. Maqoma has established himself as an internationally renowned dancer, choreographer, teacher and director. He founded Vuyani Dance Theatre (VDT) in 1999 when he was undertaking a scholarship at the Performing Arts Research and Training School (PARTS) in Belgium under the direction of Anne Teresa De Keersmaeker.Maqoma is respected for his collaborations with artists of his generation like Akram Khan, Vincent Mantsoe, Faustin Linyekula, Dada Masilo, Shanell Winlock, Sidi Larbi Cherkaoui, Nhlanhla Mahlangu and Theatre Director James Ngcobo.Several works in his repertoire have won him accolades and international acclaim. This includes FNB Vita Choreographer of the Year in 1999, 2001 and 2002 for Rhythm 1.2.3, Rhythm Blues and Southern Comfort respectively. He received the Standard Bank Young Artist Award for Dance in 2002. Maqoma was a finalist in the Daimler Chrysler Choreography Award in 2002 and in the Rolex Mentorship Programme in 2003. He is the recipient of the 2012 Tunkie Award for Leadership in Dance. In 2014 he received a “Bessie”, New York City’s premier dance award for Exit/Exist for original music composition. He served as a nominator in the 2016–2017 Rolex Arts Initiative as well as curating the 2017 Main Dance Program for The National Arts Festival. His current works ‘Via Kanana’ and ‘Cion: Requiem of Ravel’s Bolero’ were touring in Africa and Europe when Covid colosed borders and dancers were forced to return to South Africa.In 2017 Maqoma was honoured by the French Government with the Chevalier de l’Ordre des Arts et des Lettres (Knight of the Arts & Literature) Award. In 2018 was honoured by the South African Department of Arts & Culture with the inaugural Usiba Award for dedication to dance teaching.In 2018 Maqoma collaborated with William Kentridge as a choreographer and performing in Kentridge’s opera ‘The Head And The Load’ toured to the UK, Germany, Austria, Holland and New York.In 2019 Maqoma Collaborated with Idris Elba and Kwame Kwei-Armah in the production “Tree” produced by Manchester International Festival and the Young Vic. He is also part of the selection committee for Dance Biennale Afrique Festival which was to take place in Marrakech in 2020.

Today, I get to pay tribute to Coach, Teacher, Father, and Athletic Director, Marty Osborn.  For the last 30 years, Coach Osborn has impacted the lives of many young student-athletes and he has been one of the biggest mentors in my life.  Today, he shares his wisdom as a father and teacher.  You will hear laughs and some tears if you listen closely.  Thank you to Coach for everything you've done for me and so many others who you've impacted throughout your career.Thank you to Catch Sitka Seafoods for their continued support and sponsorship of The QB DadCast!  Please visit them at their website (linked above) to receive a 15% discount by using promo code QBDADAK at checkout!!!  If you're looking for great recipes and amazing, FRESH fish, then you must check them out!  They are a small business hit by the COVID-19 pandemic and it would mean the world to me if you could support them by ordering some of the best fish you will EVER eat!!!!We also thank Chris Rohrbach from Hughes Marino who has stepped up to sponsor The QB DadCast too!   Hughes Marino is an award-winning commercial real estate company specializing in helping companies develop strategic solutions for all of their real estate needs. Hughes Marino's unique approach of only representing tenants and buyers removes any conflicts of interest that can arise during the leasing and disposition process. Hughes Marino was built on culture and core values and their approach aligns well with my personal values and what the QB DadCast stands for. Vice President Chris Rohrbach focuses on tenant representation in the greater Puget Sound area. Email him at chris@hughesmarino.com or find him on LinkedIn to discuss how he and his team can help you with your real estate needs.Catch Sitka Seafoods Use promo code TAKE15 at checkout for a 15% discount on the BEST FISH EVER!Hughes Marino Hughes Marino is an award-winning commercial real estate company specializing in helping companies d

In recent weeks, the United States and various countries in Europe have sought to remove colonial-era statues from public view. On episode 064 of The Quarantine Tapes, Paul Holdengräber and artist William Kentridge discuss what it means for a country to confront its violent colonial history, and the many imperfect solutions involved in that process.William Kentridge (born Johannesburg, South Africa, 1955) is internationally acclaimed for his drawings, films, theatre and opera productions.His method combines drawing, writing, film, performance, music, theatre, and collaborative practices to create works of art that are grounded in politics, science, literature and history, whilst yet maintaining a space for contradiction and uncertainty.His aesthetics are drawn from the medium of film’s own history, from stop-motion animation to early special effects. Kentridge’s drawing, specifically the dynamism of an erased and redrawn mark, is an integral part of his expanded animation and filmmaking practice, where the meanings of his films are developed during the process of their making.Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including Documenta in Kassel, the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid and the Kunstmuseum in Basel.Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose, and Alban Berg’s operas Lulu and Wozzeck, and have been seen at opera houses including the Metropolitan Opera in New York, La Scala in Milan, English National Opera in London, Opera de Lyon, Amsterdam opera, and the Salzburg Festival.The Head & the Load, with music by composer Philip Miller and Thuthuka Sibisi and choreography by Gregory Maqoma, interweaves music, dance, projection, shadow-play and sculpture. It premiered at the Tate Turbine Hall in July 2018 and went on to the Park Avenue Amory, in New York, and the Holland Festival, in Amsterdam.In 2016, Kentridge founded the Centre for the Less Good Idea: a space for responsive thinking through experimental, collaborative and cross-disciplinary arts practices. The Centre has quickly gathered momentum and in 2020 launches a mentorship programme.Kentridge is the recipient of honorary doctorates from several universities including Yale and the University of London. In 2010, he received the Kyoto Prize. In 2012 he presented the Charles Eliot Norton Lectures at Harvard University. In 2015 he was appointed an Honorary Academician of the Royal Academy in London. In 2017, he received the Princesa de Asturias Award for the arts, and in 2018, the Antonio Feltrinelli International Prize. In 2019 he received the Praemium Imperiale award in painting in Tokyo.

Kentridge standout and USC commit Jordyn Jenkins will miss the season with a torn ACL. How does the 4A girls hoops landscape change? Why not more in-state boys nominees for the McDonald's All-American game? Who in 4A has the best chance of catching the Union boys? Plus, Skyview coach Matt Gruhler joins Dickau (27:17 minute mark), as well as Brandon Evenson, head coach at Ephrata (36:57). Host: Andy Buhler Panelists: Dan Dickau and Todd Milles Guest: Matt Gruhler, Brandon Evenson Bring the LINKS! Dan's - www.espn.com/nba/story/_/id/28485732/zion-williamson-preparation-preservation-no-precedent Todd's - www.kxly.com/kobe-bryant-visits-cashmere-to-watch-high-school-basketball/ Andy's - theathletic.com/1531666/2020/01/16/brandon-roy-talks-retirement-inner-peace-shooting-portland-trail-blazers-return/ Subscribe to Scorebook Live Today: -TuneIn: tunein.com/podcasts/Sports--Re…ive-Today-p1224534/ -Spotify: open.spotify.com/show/5sSG12zXwfF…bOTxa5LR2HtpIDCQ -Google Play: play.google.com/music/listen?gcli…qxtaj7mbevvvvyjoq -Apple Podcasts: podcasts.apple.com/us/podcast/scor…ay/id1463193961 -Stitcher: www.stitcher.com/podcast/scorebook-live-today

Who are the biggest winners of the holiday hoops tournament season? A look at Union, Eastside Catholic, Mount Si boys as well as Beamer and Kentridge girls. Plus, open division playoffs with the top talent exist in Arizona and California. What would it look like in Washington? Host: Andy Buhler Panelists: Dan Dickau and Todd Milles For statewide high school sports coverage, head to www.scorebooklive.com/washington Subscribe to Scorebook Live Today: -TuneIn: tunein.com/podcasts/Sports--Re…ive-Today-p1224534/ -Spotify: open.spotify.com/show/5sSG12zXwfF…bOTxa5LR2HtpIDCQ -Google Play: play.google.com/music/listen?gcli…qxtaj7mbevvvvyjoq -Apple Podcasts: podcasts.apple.com/us/podcast/scor…ay/id1463193961 -Stitcher: www.stitcher.com/podcast/scorebook-live-today

This episode is taken from a conversation hosted at David Krut Projects on 17 November 2019, in conjunction with the exhibition - William Kentridge: 27 Years of collaboration with David Krut. http://davidkrutprojects.com/exhibitions/52442/52442 The panel discussion unpacked the most common questions that crop up around Kentridge’s printmaking – the creation, the editioning, the gallery presence, and how it all comes together. William Kentridge is one of the great multi-disciplinary artists of our time, whose voice resonates not only in South Africa, but all over the world. As a modern pioneer in the medium, printmaking plays a foundational role in Kentridge’s practice, with series of works overlapping and informing large-scale projects in other media. Making up the Q&A panel are individuals that have their finger on the pulse, so to speak, of Kentridge’s practice and the presence of his work in both primary and secondary markets. Master Printer Jillian Ross has been working with the David Krut Workshop since 2003 and has collaborated with Kentridge on a number of print series, including the iconic Nose series of thirty etchings, the Universal Archive extensive body of linocuts and, most recently, the large-scale Triumphs and Laments Woodcut Series. With her nuanced understanding of the role of printmaking in Kentridge’s practice, as well as the complex relationship between artist and print workshop, Ross is an expert on the fascinating process and technical aspects of the work. Amé Bell is the Director of the David Krut Projects galleries and has an immersive understanding of the “front of house” aspect of Kentridge’s work, from, documentation, to presentation in the form of exhibitions and publications, to administration and promotion of Kentridge’s work on the primary market. Dealing with questions on a daily basis from those coming in to see and purchase Kentridge’s work has given Bell an understanding of what aspects of the prints people are most intrigued by in the gallery. James Sey is the Marketing and Media Manager at Aspire Art Auctions, a progressive and dynamic South African auction house specializing in curated selections of the best art being produced on the African continent. Considering that Kentridge is one of the only living South African artists with a strong and stable presence on the secondary market, Sey’s insight into Kentridge’s work answers some of the many questions collectors have around the value and longevity of the artist’s output. The discussion will be facilitated by Jacqueline Flint, an independent writer, curator and researcher who has been engaging with Kentridge’s printmaking oeuvre to varying degrees since 2008. As with any artist, research is a vital component in making sense of the work – knowledge of the different aspects of an artist’s practice in any single work, or body of works, leads to a nuanced understanding and appreciation. In the case of Kentridge’s prints this is especially significant. David Krut Podcast is a production of David Krut Projects. Edited and produced by Hagen Gersie.

In this episode, we focus on the presence of rhinos in the work of William Kentridge. Here we present to you two related extracts about rhinos and the making of them, taken from publications on the artist’s work. Both of these extracts focus on work made around the time of William Kentridge’s production of Mozart’s The Magic Flute, in which the rhino plays a central role via on-stage projections. Listening Time | 15 Minutes 1. Extract from ‘I am the Bird Catcher’, essay by Kate McCrickard, in Flute – p150 The book, William Kentridge Flute, published by David Krut Publishing in 2006 traces the creative project of Kentridge’s production of the opera. 2. Extract from Double Vision: Albrecht Dürer / William Kentridge – Transformations of the Rhinoceros in William Kentridge – pp88-89 PREFACE: Double Vision is the catalogue that was produced to accompany an exhibition of the same name, which had the ambitious plan to simultaneously investigate the work of Albrecht Dürer and William Kentridge, and their approaches to printmaking. William Kentridge: 27 Years of collaboration exhibition at David Krut Projects 2019: http://davidkrutprojects.com/exhibitions/52442/52442 The David Krut Podcast is a production of David Krut Projects Produced and edited by Hagen Gersie, research and curation of text by Jacqueline Flint & hosted by Britt Lawton

Independent curator John Schuerman thoroughly enjoyed Elizabeth Garvey’s solo exhibition “Omphalos” at Future Tense gallery in Minneapolis. The name of the exhibition comes from the Greek work for “navel” or “belly button” – it also refers to a sacred site believed by Greeks to have been the center of the world. Schuerman says Garvey contemplates what it means to be centered – physically and spiritually – with a lighthearted touch. On display through Nov. 9. Avid theater-goer Candice Beckham-Chasnoff is looking forward to seeing “The Mess in Murder Manor” at Strike Theater. “The Mess” is an improv comedy group and “Murder Manor” is a spooky show perfect for the lead-up to Halloween. Each performance begins with the same premise – six guests arrive at a stately manor for the reading of a will – but from there, it’s a mystery as to where the improv will take you. Beckham-Chasnoff saw the show last year; she says it’s always smart, funny, and a great evening’s entertainment. Performances are Oct. 19, 25, 26 and 31. Flaten Art Museum Director Jane Becker Nelson recommends paying a visit to the Perlman Teaching Museum in Northfield. There you can see two exhibitions of work by South African artist William Kentridge. Becker Nelson says Kentridge does a wonderful job of wrestling with the legacy of apartheid in a way that’s intimate and accessible. She’s particularly fond of his animation, “Second Hand Reading,” in which you can watch Kentridge (in the form of a drawing) stroll through pages of a book. On view through Nov. 20.

In this episode of the David Krut Podcast we are going to step outside and wander into the forest. A forest that is, populated with trees drawn and printed by William Kentridge. We are going to hear thoughts and extracts relating to the presence of trees in Kentridge’s body of work. Here we present to you a collection of thoughts and writings about trees and the making of them. Enjoy! SELECTED PRINTS: Universal Archive, tree singles – Ref 37 – 42, Ref 46, Ref 47, Ref 49 – 52 Universal Archive, two-plate trees – Ref 55, Ref 56 Universal Archive: Nine Trees Universal Archive: Big Tree Lekkerbreek If you have no eye Walking Man (cf Telephone Lady) Staying Home (Sleeping on Glass) – cf. WK Prints p80 / 81 This is How The Tree Breaks (Sleeping on Glass) – cf. WK Prints p80 / 83 Terminal Hurt, Terminal Longing (Sleeping on Glass) – cf. WK Prints p80 / 83 David Krut Podcast is a production of David Krut Projects. Producer and editor was Hagen Gersie Narration and Curation of text by Jacqueline Flint Hosted by Britt Lawton

Thank you for listening to this talk, produced by the Art Gallery of South Australia. In this recording, contemporary artist William Kentridge discusses his creative practice and processes ahead of his exhibition at AGSA, 'William Kentridge: That which we do not remember'. About the exhibition: Described as one of the most powerful voices in art today, William Kentridge emerged as an artist during the apartheid regime in South Africa. 'That which we do not remember', an exhibition curated by the artist himself, traces the arc of Kentridge’s thirty-year career and draws connections between the myriad aspects of his work including drawing, collage, stop-motion animation, performance, theatre, tapestry and sculpture. For further information visit: www.agsa.sa.gov.au image: William Kentridge, courtesy Naomi Milgrom Foundation

This episode is part of of the "Talk” component of Unframed, as opposed to the “Interview” which is an interview directly with your host Anthea Pokroy. The “Talk” component features art dialogues, talks and panel discussions that happen around the country outside of this podcast, but where we are lucky enough to add the content to this platform for many to hear. I was fortunate to attend this one in September 2018, between artists William Kentridge and Yinka Shonibare. Shonibare, a British-Nigerian artist based in the UK, came to South Africa in September for the opening of his exhibition at the Goodman Gallery. As part of the Centre for the Less Good Idea's Once Off program, Kentridge hosted Shonibare for a conversation between the two prolific artists. Thank you so much to the Centre, the Goodman Gallery and the FNB Art Fair for allowing the recording of this dynamic conversation to be aired on Unframed. Enjoy listening to William Kentridge and Yinka Shonibare in dialogue about their art practices

Unframed — This episode is part of of the "Talk” component of Unframed, as opposed to the “Interview” which is an interview directly with your host Anthea Pokroy. The “Talk” component features art dialogues, talks and panel discussions that happen around the country outside of this podcast, but where we are lucky enough to add the content to this platform for many to hear. I was fortunate to attend this one in September 2018, between artists William Kentridge and Yinka Shonibare. Shonibare, a British-Nigerian artist based in the UK, came to South Africa in September for the opening of his exhibition at the Goodman Gallery. As part of the Centre for the Less Good Idea’s Once Off program, Kentridge hosted Shonibare for a conversation between the two prolific artists. Thank you so much to the Centre, the Goodman Gallery and the FNB Art Fair for allowing the recording of this dynamic conversation to be aired on Unframed. Enjoy listening to William Kentridge and Yinka Shonibare in dialogue about their art practices

With the artist William Kentridge, who talks about his performance project, The Head & the Load, as its world premiere takes place at Tate Modern. Kentridge discusses how the piece strives ‘to register and record' the experience of Africa during the Great War, and to commemorate the African soldiers, carriers and civilians who lost their lives in the conflict. Presented by Thomas Marks

Raman Djafari ist Illustrator & Animator aus Hamburg & Berlin. In unserem kleinen Philosophieexkurs reden wir über exstatische Höhen beim animieren, Mr. Kentridge als Inspiration, unserer alten Liebe zu Muskeln und Schwertern und wie wichtig Dehnübungen für workaholic Zeichnerhände sind. Raman im Netz: http://ramandjafari.tumblr.com/ https://vimeo.com/ramandjafari https://www.instagram.com/ramandjafari/ Das Musikvideo für Fjaak: https://www.youtube.com/watch?v=UYtwNQGmLfQ Der "It`s Nice That" Artikel: https://www.itsnicethat.com/articles/raman-djafari-fjaak-snow-music-video-animation-020218 Raman`s Inspiration: William Kentridge https://www.youtube.com/watch?v=G11wOmxoJ6U Raman`s Künstlergruppe "OK Dog": https://www.facebook.com/okdogcollective/ _______________________________________________ Podcast Intro/Outro by Kirrin Island @kirrinisland kirrinisland.bandcamp.com/ www.youtube.com/user/heifirec

This podcast contains a number of audio snippets from a CD-ROM on William Kentridge published by David Krut in 1997. The first part (Techniques & Processes) deals with how Kentridge generates his ideas through drawing and that the unexpected transformative value of drawing inspires his process. Through the process of drawing, he evokes meaning. Last, Kentridge discusses scale, light and space in regards to movement, mark making and "finding the drawing" The second part covers Kentridge's Work, Life & Influences. Kentridge talks about growing up in Johannesburg and his relationship with the landscape. His University years ignited his interest in different fields of activity such as politics, drawing, theater and film-making which is noticeable in the constructed dramatic scenes of his drawings. Willam Kentridge’s collaboration with the Handspring Puppet Company catapulted him into Theater and opera. Combining animation and Puppetry on live stage inspired his installation at the Havana Biennal in Santa Fe giving way to more layers of meaning and a richer experience. Kentridge elaborates on this unique relationship. Last, Kentridge reveals his constellation of influences throughout his art career. His ways of seeing were not only developed by the lecturers, masters and artist he was exposed to but also the surroundings of the Johannesburg landscape he describes as line work in itself. Part 3 takes a look at various of Kentridge's artworks up until 1997. CHAPTERS: 1. On Techniques & Processes - 0:06 1.1 Generating Ideas Through Drawing - 0:06 1.2 Evoke Meaning Through Drawing - 2:51 1.3 Scale, Light & Space - 5:32 2. Work, Life & Influences - 9:52 2.1 Growing Up in Johannesburg - 9:52 2.2 Collaboration with Handspring Puppet Company - 12:52 2.3 Constellation of Influences - 17:00 3. Artworks - 21:33 3.1 Art in a State - 21:33 3.2 Little Morals - 22:44 3.3 Heads and Irises - 23:32 3.4 Colonial Landscapes - 25:14 3.5 UBU - 26:14 3.6 Sleeper & Sleeper Etchings - 27:37 davidkrutprojects.com

OVERVIEW William Kentridge’s large-scale new body of work, ‘Triumphs and Laments Woodcuts’, is described by Master Printer Jillian Ross and associate printers Sbongiseni Khulu and Chad Cordiero. THE HOSTS Jillian Ross – Introduces the Project Ross, the David Krut Workshop Master Printer, oversaw the project and conceptualized it closely with William Kentridge. Ross introduces the woodcut series, it’s history, concept and each exhibiting artwork. Sbongiseni Khulu – A Personal Perspective Sbongiseni, a David Krut Printer, reflects on the uncertainty and complexity inherent in a print workshop-artist working relationship. Sbongiseni explains an error on Kentridge’s Mantegna and how this resolved, revealing what it is like to work with Kentridge. Chad Cordeiro – The Wood Chad, a David Krut Printer, explains the complex technical aspects of choosing and carving wood as well as the sudden mishaps that arise which make printing a highly skilled task! BACKGROUND ‘Triumphs and Laments Woodcuts’ consists of three large-scale woodcuts, ‘Mantegna’, ‘The Flood’ and ‘Lampedusa’, based on the initial drawings of the artist’s monumental 'Triumphs and Laments' frieze across the Tiber River in Rome. The exhibition also showcases a state proof of ‘Mantegna’ with William Kentridge's edits pinned onto it; the original woodblocks used to print ‘The Flood’ - which will continue to be used – and an exploded version of ‘Lampedusa’ which shows the woodcut unassembled as it is made on various papers and stitched together. Each print is made from multiple blocks of wood, prepared from a variety of wood timbers, and printed on several sheets of paper that, when assembled, fit together like pieces of a puzzle. Some sheets were cut at sharp angles, others torn. Pieces were also attached to the work by Kentridge in the last stages of production and allowed for overlaps of image and movement. The works are so complex, guidelines for assemblage are provided on a map made on acetate and an accompanying instruction manual. www.davidkrut.com

Facciamo tappa a Como, per un progetto che vuole fotografare la città; in India, a conoscere la strana città di Auroville, e a Roma per raccontare del fregio lungo 500m sui muraglioni del Tevere dell'artista sudafricano William Kentridge, che rischiava di essere praticamente coperto dalle bancarelle di un mercato. C'è, come sempre, la psicoradio!

Facciamo tappa a Como, per un progetto che vuole fotografare la città; in India, a conoscere la strana città di Auroville, e a Roma per raccontare del fregio lungo 500m sui muraglioni del Tevere dell'artista sudafricano William Kentridge, che rischiava di essere praticamente coperto dalle bancarelle di un mercato. C'è, come sempre, la psicoradio!

Kentridge’s work has been exhibited widely throughout the world and appeared in this year’s Summer Exhibition at the RA, where the Small Weston Room was dedicated to a display of his ink drawings and prints of indigenous South African trees. In this podcast, the RA’s Artistic Director Tim Marlow talks to the recently elected Honorary Royal Academician about his diverse artistic practice, which encompasses films, drawings, theatre and opera productions.

Kirsty Young's castaway this week is Sir Sydney Kentridge QC. Widely regarded as a leading advocate of the 20th century, he continues to make his mark in the 21st; he recently appeared for the first time in the European Court of Justice and at the end of last year he spent the actual day of his 90th birthday working in the English Supreme Court. Born in South Africa, he was first called to the bar there at the end of the 1940s and played a leading role in some of the most significant political trials of the apartheid era. 'Understated, controlled, relentlessly rational' - and with devastating cross-examination skills - the verdict of one of his clients - Nelson Mandela. He himself says "I hope there's only one thing about my professional life of which I've boasted and which I think, as a lawyer, is unique on my part - I have acted as an advocate for three winners of The Nobel Peace Prize. I don't think anyone else has done that." Producer: Isabel Sargent.

Sarah Simonson, Brian Wolf, Jaroslaw Kapucinski, and Erik Flatmo discuss the PBS film "Anything is Possible" featuring South African artist, William Kentridge. The panel discusses Kentridge's work at the nexus of film and performance. (November 10, 2010)