Podcasts about Mantegna

El último peldaño (14/02/2025) EL TAROT, SIGNIFICADO E HISTORIA. El tarot es un antiguo sistema de adivinación que se originó en el siglo XV en Europa, probablemente en Italia. Originalmente, las cartas del tarot eran utilizadas para jugar a juegos de mesa. Sin embargo, en el siglo XVIII, empezaron a asociarse con la cartomancia, la práctica de la adivinación mediante el uso de cartas. Las cartas del tarot están compuestas por 78 naipes, divididos en Arcanos Mayores y Arcanos Menores. Los Arcanos Mayores representan arquetipos universales y lecciones de vida, mientras que los Arcanos Menores se asemejan más a una baraja de cartas tradicional y tratan sobre aspectos cotidianos. A lo largo de los siglos, el tarot ha sido utilizado no solo para la adivinación, sino también como herramienta de meditación y autoconocimiento. Con el ingeniero, doctor en Historia del Arte, escritor y gestor cultural Pedro Ortega, que acaba de publicar "Tarot, significado e historia" y autor también de "El Tarot de Mantegna, la sabiduria del renacimiento", vamos a conocer las claves de este juego de cartas que se convirtió en símbolo de esoterismo. LOS CASOS DE LOS OYENTES: EXTRAÑAS LUCES EN UNA CÁMARA DE VIGILANCIA Una cámara de seguridad de una finca en Casabermeja (Málaga) ha captado dos extrañas luces que se mueven ante su objetivo. Es uno de los casos que os ofrecemos esta semana enviados por nuestros oyentes, dentro de esta sección "aperiódica" que dedicamos a dar a conocer las informaciones, comentarios y opiniones que nos enviáis los que escucháis el programa. Con Antonio Tapia analizamos algunos de los documentos que nos han llegado a nuestro whatsapp 644823513. LAS EMOCIONES FÓSILES Las emociones fósiles son sensaciones y sentimientos intensos que permanecen en nuestro subconsciente a lo largo del tiempo, a menudo desde experiencias de la infancia o eventos significativos del pasado. Estas emociones pueden resurgir en momentos inesperados, influenciando nuestras reacciones actuales y comportamientos sin que seamos plenamente conscientes de ello. Comprender y reconocer estas emociones ayuda a gestionar mejor nuestras respuestas emocionales y mejorar nuestro bienestar. Vamos a profundizar en los misterios de nuestras emociones con el psicólogo y profesor de la Universidad de Murcia, Pedro Jara Vera, que acaba de publicar el libro "Las emociones fósiles". Programa emitido en Onda Regional de Murcia Dirección y presentación: Joaquín Abenza. Producción y documentación: María José Garnández. Blog del programa: http://www.elultimopeldano.blogspot.com.es/ WhatsApp +34 644 823 513

In this week's basketball coaching conversation, Blair Academy head coach Joe Mantegna shares his insights on teaching the game and radical transparency.Since arriving at Blair in 1999, Mantegna has transformed the school into a national prep basketball powerhouse. Under his leadership, Blair boasts an impressive record of 464-159, securing 16 Mid-Atlantic Prep League (MAPL) titles and 21 trips to the NJ prep “A” state finals, with state championships in 2009, 2011, 2014, 2019, and 2024.Blair's program has produced six NBA players, including Luol Deng '03 and Charlie Villanueva '03, who both played in the 2003 McDonald's All-American Game. Additionally, nine Blair alums have participated in the NCAA Final Four, with three winning National Championships. Over 80 players have moved on to Division I rosters, while ten have played professionally overseas. Many former players also coach at the NBA, NCAA, and prep school levels.Before Blair, Coach Mantegna was an assistant coach at four colleges, including Boston University and Lehigh University. His extensive coaching experience also includes international success. In 2023, he helped lead the South Sudan Men's National Team to three wins at the World Cup in Manila, a historic achievement for African basketball, qualifying them for the 2024 Paris Olympics. At the Olympics, South Sudan became the second African nation to ever win a basketball game.Mantegna's international coaching accolades include guiding the USA team at the 2022 NIKE Hoop Summit to victory and assisting South Sudan to a fifth-place finish at the 2021 FIBA AfroBasket. He also played a key role in South Sudan's qualification for the 2023 FIBA World Championships in Asia. Additionally, Mantegna served as the defensive coordinator for the U.S.-Select U-18 team at the Albert Schweitzer Games in Germany in 2014 and 2016, later becoming the head coach in 2018.

Depois de mais de um ano fechado para reformas, o museu Jacquemart-André, de Paris, reabre com uma exposição de obras-primas da Galeria Borghese, de Roma, um dos principais endereços culturais da capital italiana. O empréstimo inclui quadros de Ticiano, Rafael, Boticelli, Rubens e Caravaggio, obras que raramente viajam. Patrícia Moribe, de ParisA Galeria Borghese é fruto de um colecionador compulsivo e pouco escrupuloso, o cardeal Scipione Caffarelli-Borghese (1577-1633), sobrinho de Camillo Borghese, eleito papa Paulo V. Numa era em que a igreja era sinônimo de poder, o cardeal amealhou uma impressionante coleção de esculturas antigas e pinturas – no final do século 17, a família Borghese possuía cerca de 800 peças.Para abrigar o acervo, Scipione construiu a suntuosa Villa Borghese, inspirada em mansões romanas, em meio a um parque em uma das sete colinas de Roma.Uma parte da coleção de antiguidades foi vendida à Napoleão Bonaparte e transferida para o Louvre após o casamento arranjado de sua irmã Pauline com um rico príncipe da família Borghese. Para evitar a dispersão do tesouro, o Estado italiano compra a coleção e transforma a magnífica mansão em museu público, a Galeria Borghese.A história conta um episódio que demonstra bem o caráter pouco lícito do cardeal amante das artes. Ele convence o tio papa a confiscar, em 1607, mais de cem obras de Cavalier d'Arpino (1568-1640), então um dos artistas mais cotados de Roma. O pretexto foi posse ilegal de armas de fogo. Em seguida, o generoso papa presenteia o sobrinho com o espólio retido de d'Arpino.“A exposição é o resultado de um encontro incrível com Francesca Capelletti, diretora-geral da Galeria Borghese, que estava procurando um local para exibir sua coleção fora de Roma, durante reformas”, explica Christophe Beth, administrador do museu Jacquemart-André. “E o que poderia ser melhor do que uma exposição sobre essas obras-primas absolutas da coleção Borghese para a reabertura do museu?”, diz.“O objetivo foi escolher as obras mais emblemáticas e, ao mesmo tempo, que fossem compatíveis com o museu Jacquemart-André, que era uma residência, uma mansão do século 19. Os espaços são de tamanho humano, portanto, não pudemos trazer grandes esculturas. Mas trouxemos quadros de Da Vinci, Caravaggio, Rafael e muitos outros. E criamos um espaço para as esculturas de Bernini”, diz o administrador francês.O conjunto das obras a serem expostas foi escolhido em colaboração entre a Galeria Borghese e o curador da exposição, Pierre Curie, que é conservador do museu Jacquemart-André.A exposição vem atraindo muitos visitantes, ocasionando filas e opiniões variadas.“A exposição me surpreendeu. Ela é pequena, distribuída em algumas salas. As obras mostram o gosto refinado dos colecionadores. Mas é muito cheio, as pessoas se empurram e não há espaço para se apreciar as obras”, conta a guia turística Zilda Figueiredo.“É uma coleção interessante, gostei da ideia de ver essas obras em Paris, pois assim não preciso viajar até Roma”, disse a aposentada holandesa Kathleen.“O museu Jacquemart-André é uma residência concluída em 1875, encomendada por Édouard André, seu proprietário, um rico herdeiro de uma família de banqueiros de Paris. O hedonismo foi algo que ele buscou ao longo de sua vida, enriquecendo sua casa com coleções de arte, quadros, esculturas, móveis e objetos. Com sua esposa Nelly Jacquemart, ele viajou o mundo para adquirir obras de arte”, relata Beth.A visita à suntuosa mansão do casal Jacquemart-André é uma viagem no tempo, com obras do século 15 ao século 18, incluindo quadros de Van Dyck, Rembrandt, Canaletto, Mantegna, Botticelli, Fragonard e outros. O casal, que não tinha filhos, legou tudo ao Instituto da França para que fosse transformado em museu, inaugurado em 1913. A exposição “Obras-Primas da Galeria Borghese” fica em cartaz até 5 de janeiro de 2024, no Museu Jacquemart-André, em Paris.

ROMA (ITALPRESS) - Oltre 120 tra dipinti, acquerelli, sanguigne, carboncini, sculture e altre opere inedite, prestate per l'occasione: con la prima e più completa mostra di pittura mai realizzata in Italia, Palazzo Bonaparte a Roma rende omaggio a Fernando Botero, artista colombiano tra i più importanti e amati del ventesimo secolo. L'esposizione, aperta fino al 19 gennaio, racconta la maestria di Botero nelle varie tecniche, dalla pittura alla scultura, ripercorrendo allo stesso tempo il suo intero percorso artistico, un universo esuberante e magico. 60 anni di carriera racchiusi nell'esposizione curata da Lina Botero, figlia dell'artista, e Cristina Carrillo de Albornoz, grande esperta della sua opera. La mostra è prodotta e organizzata da Arthemisia in partnership con la Fondazione Terzo Pilastro - Internazionale, presieduta dalla professoressa Alessandra Taccone, e Poema, e in collaborazione con la Fernando Botero Foundation. Il progetto curatoriale è di Lina Botero e Cristina Carrillo de Albornoz.Alla conferenza stampa di presentazione erano presenti tra gli altri anche Alessandra Taccone, presidente della Fondazione Terzo Pilastro Internazionale, il professor Emmanuele Emanuele, mecenate e filantropo, storico presidente della Fondazione, e Iole Siena, presidente del Gruppo Arthemisia. La mostra, che esplora anche la grande relazione tra Botero e l'Italia, si apre con un'opera mai esposta prima: Omaggio a Mantegna. Altra creazione inedita - perché da sempre appesa nello studio parigino di Botero - è una versione dell'infanta da “Las Meninas” di Velázquez, pittore che Botero copiò durante il suo apprendistato al Prado da giovane studente.xi2/f04/fsc/mrv

Welcome to the eleventh of our eighteen shows celebrating the centenary of the Paris edition of Hemingway's book of vignettes, in our time.Listeners might be familiar with this vignette as the short story "The Revolutionist" from Hemingway's bigger collection In Our Time published in 1925.  How does the vignette characterize the post-WWI communist revolution and its revolutionaries as well as counter-responses in Hungary, Italy, and Switzerland? Why does the narrator seem to fixate on classical painters, particularly the work of Mantegna? What are the connections between this story and other Hemingway works like A Farewell to Arms? In this episode, we respond to these questions and many more as we delve into a vignette that often gets glossed over!  Join us as we explore in our time before it became In Our Time!

Our Paris Correspondent Shelly Mantegna paints the picture of whats going on in Paris for the Olympics.

Are you ready to leap ahead in the cybersecurity field? In this video, we reveal how to get ahead of 90% of people in cybersecurity! Whether you're just starting out or looking to advance your career, this episode is packed with essential advice. We cover everything from crafting a standout resume to optimizing your LinkedIn profile, effective networking strategies, and more. Discover the tips and tricks that will set you apart and propel you to success in the competitive world of cybersecurity. Don't miss out on these valuable insights that could make all the difference in your career!Kenneth Underhill:YouTube:https://www.youtube.com/channel/UCWpsCeUK8Wz58mFOm1vvGugLinkedIn:https://www.linkedin.com/in/kenunderhillCyber Life Podcast:https://podcasts.apple.com/us/podcast/cyber-life/id1469224570Books:The Master Key System by Charles HaanelThe Five Lessons by Neville GoddardYou are the Way by Mantegna and Locker JrInfluence by Robert CialdiniCues by Vanessa Van EdwardsHack the Cybersecurity Interview (shameless plug)The Lazy Man's Way to Riches (1st edition only) by KarboThe Number by Eisenberg (for planning their retirement money)Beginner's Guide to Value Investing by Freeman Publications (for investing)Vacation Rental Millionaire (ebook) https://programs.valkereacademy.com/store What It's Like To Be...What's it like to be a Cattle Rancher? FBI Special Agent? Professional Santa? Find out!Listen on: Apple Podcasts SpotifySupport the Show.

Get your good pants on because it's a Roommate only party, squeak squeak! Things in this episode:How to watch your neighbors get raided?Who would die in the Quiet Place?and another SUGGESTION BOXLINKS:Want your question answered on the show? CALL us at 989-442-7575 -- (989) 44-ASK-RL Submit ANONYMOUSLY through our Google FormEmail us at roommateloverspod@gmail.comFind bonus episodes and more on our Patreon. Check out our:YouTubeInstagramTikTokOr heck, just VISIT OUR HOMEPAGE if you like stuff.Roommate Lovers Podcast is: Produced by Maggie Smith, Kyle Mantegna, Associate produced by Alex Romero, Mariah Michael, Clark Pavlik. Theme music by Kyle Mantegna and Maggie Smith. Edited by Kyle Mantegna.

No, non sarà mai un Mohamed Alì o un Nino Benvenuti o un Maywheather o Usik. Ma Luigi Louis Mantegna, in arte petto d'angelo, 48 anni da Ceccano, in provincia di Frosinone, pugile professionista categoria pesi leggeri, ha una carriera e una vita che non potevano non essere raccontate qui a Olympia. Per lui la passione per il pugilato è una costante invariabile, l'incrocio con la vittoria quasi come quello con la cometa di Haley, capitato non più di un paio di volte in oltre cento incontri. Mestieranti, li chiamano i pugili come lui, bravi soprattutto a restare in piedi, e ad avviare alla boxe chi è dotato di talento e qualità superiori, ma non certo di un cuore più grande. Luigi Mantegna si racconta a Olympia.

In this episode of Pop Culture Weekly, join Kyle McMahon for an unforgettable experience at the rehearsals for the National Memorial Day Concert 2024, straight from the heart of our nation's capital. Listen in as Kyle has the distinct privilege of speaking with the venerable Joe Mantegna and Gary Sinise, who open up about their enduring devotion to this poignant even. Their reflections on the solemnity of Memorial Day and its true meaning as a day of remembrance for those who've made the ultimate sacrifice for our freedoms, rather than just the onset of summer, are both moving and powerful.Further enriching this special episode is the talented BD Wong, who joins to celebrate his dynamic career, from the 'Jurassic Park' franchise to his recent theatrical ventures, and shares his insights on the significance of the Memorial Day tribute.  Tony Award winner Ruthie Ann Miller discusses the history of 'Aloha 'Oe' and it's special connection in honoring the men and women we've lost. And Bryan Cranston discusses growing up in a military family, what Memorial Day is really about and much more.This episode promises a mix of heartfelt reverence and exciting peeks into the lives and projects of beloved personalities. Don't miss out on the full conversations, which also offers vital resources for military and veterans in crisis, and learn how you can show support through volunteering, all while marking your calendar for the concert's broadcast on PBS and streaming platforms, Sunday May 26, 2024 at 8pm EST on PBS. Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/---------------Get all the Pop Culture Weekly podcast info you could want including extra content, uncut interviews, photos, videos & transcripts at: https://podcast.popcultureweekly.comWatch celebrity interviews at: https://www.facebook.com/realkylemcmahon/videosor Pop Culture Weekly YouTube at: https://www.youtube.com/@popcultureweeklyRead the latest at http://www.PopCultureWeekly.comFollow Kyle on:Facebook: http://www.facebook.com/realkylemcmahonInstagram: http://www.instagram.com/kmacmusicYouTube: http://www.youtube.com/officialkylemcmahonWebsite: http://www.kylemcmahon.me

Full Hour | Today, Dom led off the Dom Giordano Program by first offering thoughts on the continued back and forth over a potential debate, telling that Bill O'Reilly will be joining today at 12:30 to offer his analysis on Trump's decision to accept. Then, Dom tells about a condemnation by the NFL of Kansas City Chiefs kicker Harrison Butker over faith-based comments he made in a commencement speaker, expressing his frustration at the double standard after years of political comments made by progressive-leaning players. Then, Dom welcomes in Criminal Minds actor Joe Mantegna, who has some great news about this year's 35th Anniversary Broadcast of PBS' National Memorial Day Concert, live from the U.S. Capitol on May 24th at 8:00PM ET. Mantegna tells all about the event, explaining why Breaking Bad actor Bryan Cranston has signed on for a World War II memorial. Also, Mantegna discusses his deep ties to the military, telling a story of the time he tried joining the Marines as a pilot during Vietnam. After that, Dom welcomes famed political commentator Bill O'Reilly back onto the Dom Giordano Program to hear his analysis of Trump's decision to accept a challenge of two debates by President Joe Biden ahead of the upcoming 2024 election. O'Reilly explains that, while he's looking forward to the debates, he thinks Trump should've pushed for more negotiation, particularly over the moderators and networks in which the debate will appear. O'Reilly sets his sights on CNN's Jake Tapper, one of the expected moderators, reading back a direct quote from the CNN host that compares Trump to Adolph Hitler, pointing to the extreme bias that he would bring as moderator to a debate. Then, O'Reilly tells what conditions he thinks Trump should've asked for, and reflects upon times that he hosted debates in his past. (Photo by Jason Hanna/Getty Images)

Dom welcomes in Criminal Minds actor Joe Mantegna, who has some great news about this year's 35th Anniversary Broadcast of PBS' National Memorial Day Concert, live from the U.S. Capitol on May 24th at 8:00PM ET. Mantegna tells all about the event, explaining why Breaking Bad actor Bryan Cranston has signed on for a World War II memorial. Also, Mantegna discusses his deep ties to the military, telling a story of the time he tried joining the Marines as a pilot during Vietnam. (Photo by Theo Wargo/Getty Images for Capital Concerts)

March is afoot and that means one thing -- MARCH MATENESS!Episode includes:Which transformer would you transform into?Who is John Smith?It's Mario Day this week AND the Oscars?! LINKS:Want your question answered on the show? CALL us at 989-442-7575 -- (989) 44-ASK-RL Submit ANONYMOUSLY through our Google FormEmail us at roommateloverspod@gmail.comFind bonus episodes and more on our Patreon. Check out our:YouTubeInstagramTikTokOr heck, just VISIT OUR HOMEPAGE if you like stuff.Roommate Lovers Podcast is: Produced by Maggie Smith, Kyle Mantegna, Associate produced by Alex Romero, Mariah Michael, Clark Pavlik. Theme music by Kyle Mantegna and Maggie Smith. Edited by Kyle Mantegna.

Hearts are all around and so is that dang Taco Bell bell -- it's Valentine's week, room rats!In this episode:the SUGGESTION BOX is back!Would we like each other in elementary schooL?and Dominic stops by with some HOT intel?!?LINKS:Want your question answered on the show? CALL us at 989-442-7575 -- (989) 44-ASK-RL Submit ANONYMOUSLY through our Google FormEmail us at roommateloverspod@gmail.comFind bonus episodes and more on our Patreon. Check out our:YouTubeInstagramTikTokOr heck, just VISIT OUR HOMEPAGE if you like stuff.Roommate Lovers Podcast is: Produced by Maggie Smith, Kyle Mantegna, Associate produced by Alex Romero, Mariah Michael, Clark Pavlik. Theme music by Kyle Mantegna and Maggie Smith. Edited by Kyle Mantegna.

In this webinar, just in time for the 2023-Christmas season, Dr. Anthony Esolen walked viewers through four seminal pieces of art including: "The Nativity" by Giotto (1314-1315), "The Presentation of the Holy Family" by Mantegna (1455), "Christ among the Doctors" by Dirck van Baburen (1622), and "The Holy Family" by Bartolomé Esteban Murillo (1650).The beauty we see, hear, or touch has the power to enter our minds and memories more powerfully than do philosophical or political abstractions expressed in words. As teachers, we must remember this, especially when we want to introduce our students to ways of life embodied in another culture. A painting -- even the decorated hilt of a sword -- can work wonders. Dr. Anthony Esolen received his A.B. in English Literature from Princeton University and his M.A. and Ph.D. in Renaissance English Literature from the University of North Carolina at Chapel Hill.Dr. Esolen has been a professor of literature and humanities for 35 years and is the author or translator of more than 30 books, which include a range of English translations, analyses of culture, literary and Biblical criticisms, meditations on modern education, meditations on the Christian life, and original poetry. Dr. Esolen is a senior editor and regular writer at Touchstone magazine and has published well over 1000 articles in a wide variety of journals. With his wife, Debra, he writes a daily a web magazine, Word & Song, dedicated to language, music, poetry, and classic film.

Un parco pieno zeppo di cerbiatti mansueti che nonchiedono altro che di mangiare i tuoi crackers. Nara è un posto magico. TRASCRIZIONE [ENG translation below]Visto che questi sono i 3 minuti grezzi edizione speciale giapponese continua a parlarvi delle nostre avventure giapponesi.Oggi è stato il giorno della visita al Parco di Nara, è diciamo un'oretta da Kyoto ed è conosciuto perché a Nara, oltre a esserci un sacco di templi, il Buddha più grande al mondo, tutte queste cose qua, c'è una una colonia molto grande, molto massiccia di cerbiatti - cerbiatto che ancora non ho capito, avrei dovuto cercare prima di fare i 3 minuti grezzi, io ho questa impressione che i cerbiatti siano i piccoli e le femmine dei cervi, ma non so magari sto sbagliando io, me lo sto inventando - comunque parliamo di cerbiatti, 'deers' in inglese.Sono protetti perché sono considerati sacri, perché uno degli dei è apparso mentre cavalcava uno di questi cerbiatti bianchi e da allora sono sacri.Il parco di Nara è bello perché tu arrivi, è gratuito tra l'altro entrare, e puoi acquistare per poco prezzo questi biscotti, questi crackers che poi dai da mangiare ai cerbiatti, cerbiatti che sono mansueti, sono abituati alla presenza umana, anzi fanno anche affidamento sulla presenza umana per mangiare, perché altrimenti il parco non sarebbe sufficiente per dare da mangiare a questa grandissima quantità, sono più di 1000 i cerbiatti che abitano lì.È molto divertente perché quando si arriva si vede, naturalmente fa un certo effetto vedere questi cerbiatti con le ciglia lunghe lunghe che ti vengono dietro e fanno così col muso perché sanno che c'hai i crackers e li vogliono e a volte non accettano neanche no come risposta, ma li cercano col naso nelle tasche, ti spingono e anche nelle borse, è divertente vedere i diversi modi in cui si comportano le persone.Ci sono sempre queste grandi scolaresche giapponesi di ragazzine che fanno i gridolini, sanno benissimo che ci sono i cerbiatti, hanno i biscotti, i crackers in mano per darli cerbiatti, però nel momento in cui il cerbiatto si avvicina e te lo prende dalla mano "Ahhh..." questi gridolini così, è divertente.Poi ripeto, ci sono tantissimi templi dentro e fuori al parco di Nara e però ti viene un po la sindrome di Stendhal. Io penso sempre che sia come un asiatico, una persona che viene dall'Asia, dove non ci sono le grandi cattedrali europee, e si trova a passeggio per Roma, che vede la prima cattedrale coi dipinti del Mantegna, poi quest'altra e dopo la centesima chiesa che vede antichissima dice e vabbè ne abbiamo visto abbastanza chiese.No però continuiamo a guardare anche templi.TRANSLATIONSince this is the 3-minute podcast Japanese special edition, I continue to tell you about our Japanese adventures.Today was the day to visit Nara Park, it's let's say an hour or so from Kyoto and it's known because in Nara, besides there being a lot of temples, the largest Buddha in the world, all these things here, there is a very large, very massive colony of fawns - fawns that I still don't understand, I should have looked it up before I did the raw 3 minutes, I have this impression that fawns are the young and the females of the deer, but I don't know maybe I'm doing it wrong, I'm making it up -- anyway we talk about fawns , 'deers' in English .They are protected because they are considered sacred, because one of the gods appeared while riding one of these white deers, and they have been sacred ever since.Nara Park is nice because you come, it's free by the way to enter, and you can buy for cheap these cookies, these crackers that you then feed to the deers, deers that are tame, they are used to human presence, in fact they even rely on human presence to eat, because otherwise the park would not be enough to feed this very large number, there are more than 1000 deers living there.It's a lot of fun because when you get there you can see, of course it's quite an effect to see these deers with long long eyelashes coming after you and they do this with their snouts because they know you have crackers and they want them and sometimes they don't even take no for an answer, but they look for them with their noses in your pockets, they push you and even in your bags, it's fun to see the different ways people behave.There are always these big Japanese school groups of little girls who do the little shrieks, they know very well that there are deers, they have the cookies, crackers in their hands to feed the deers, however the moment the deer comes up and takes it from your hand "Ahhh..." these little shrieks like that, it's funny.Then again, there are so many temples in and around Nara Park, and yet you get a little Stendhal syndrome. I always think it's like an Asian, a person who comes from Asia, where there are no big European cathedrals, and they are walking around Rome, and they see the first cathedral with Mantegna paintings, then this other one, and after the hundredth very ancient church that they see they say, oh well, whatever, we've seen enough churches .No, anyway, we keep looking at temples as well.

It's the end of the month, so we're doing another Batman movie! This week we've got new friends of the pod, Kyle Mantegna and Maggie Smith, the titular roommates/lovers of the podcast Roommate Lovers! Check out their show wherever you get your podcasts. We had a blast discussing this surprisingly excellent movie with them, talking about what they like about Star Wars, and playing the IMDB game with them! Enjoy! You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms. You can also follow Mike @MikeGospel on Twitter and @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media and on his website josiahrobinson.biz. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

Calling all witches! This week on GMTD, we are wrapping up the iconic Halloweentown franchise with Return to Halloweentown! And here to help us, as is tradition, are Maggie Smith and Kyle Mantegna of the Roommate Lovers podcast! This movie has a lot going on, but the most notable (and questionable) thing is that Marnie, our main character, is RE-CAST! Halloweentown without Kimberly J. Brown feels downright disrespectful (though we do love Ms. Sara Paxton). Not to worry though, there's plenty of things to make up for it. Like, no magic being allowed at a Witch University, (Ok?? What's the point???), time travel, witches phoning each other through soup pots and washing machines, an ancient prophecy, a new crush on an old enemy, and a really, really bad witch's broom. Katelyn couldn't be here this week (she's experiencing deep FOMO) but she can attest that this episode is a goodie! Have funnnnn!

Biennale di Venezia deludente.TRASCRIZIONE [ENG translation below]Quando abitavo fuori dall'Italia la visita alla Biennale di Venezia è sempre stata una tradizione, un passaggio obbligato, obbligato, voluto e anche goduto, e di solito ci si organizzava così: un giorno dedicato interamente ai padiglioni delle nazioni e un giorno invece dedicato all'Arsenale. Queste due giornate erano sempre pienissime. Si cercava di stare a Venezia prima dell'apertura, così da potersi mettere in fila, entrare subito e girare tutti i padiglioni e l'arsenale. Raramente si faceva in tempo a vedere qualcuna delle mostre collaterali, se non mentre ci si passava davanti da un posto all'altro e si entrava un attimo così. E la sensazione che avevo sempre avuto visitando la Biennale, sia quella di architettura che quella dell'arte, era sempre quella di non fare in tempo a vedere tutto. Infatti si iniziava pianino, si leggeva tutto, poi alla fine, appunto per riuscire a vedere tutte le cose che c'erano, non dico che si andasse di corsa ma quasi.E ripeto, alla fine delle due giornate c'era questo grande senso di spossatezza, come quando si va a Roma per la prima volta e si vedono tutte le chiese, alla decima chiesa col quadro del Mantegna, dici beh sì l'abbiamo già vista, andiamo avanti.Ecco questo mio viaggio, questi giorni che sto nel continente, come noi sardi chiamiamo il resto dell'Italia che non ci appartiene, sì, mi ero organizzata per vedere un giorno i padiglioni e un giorno e i giardini l'Arsenale. E invece niente. Per la prima volta son rimasta molto delusa dalla Biennale di Venezia, quest'anno architettura che tra l'altro ho sempre detto, io preferisco quella d'architettura a quella dell'arte, perché c'è più struttura. È vero, è vero, ma quest'anno, sia per le scelte fatte da alcuni padiglioni che erano vuoti, non c'era niente da vedere, anche quelli che esponevano qualcosa erano cose che guardavi, avevi visto anche se ti mettevi a leggere tutto. Non c'era, non ho visto questa profondità. E poi tant'è che dopo mezza giornata che era che eravamo lì ci siamo guardati, ma vabbè, visto che ci siamo, abbiamo già finito qua andiamo a vedere anche andiamo a vedere l'Arsenale.L'Arsenale è leggermente meglio però non c'è nemmeno una cosa che ho visto che mi abbia colpito che mi abbia... Di solito c'erano sempre quelle due tre cose che mi rimanevano impressi e mi ricordo ancora cose viste quattro cinque anni fa, bellissime. Invece quest'anno niente. Non so perché, ma addirittura all'Arsenale, lo spazio dell'Arsenale era quasi vuoto. Cioè per andare da un un posto all'altro da un display all'altro facevi chilometri dove non c'era niente quindi non lo so. Mi è piaciuto il padiglione australiano, quello mi è piaciuto molto però per il resto no.TRANSLATIONWhen I lived outside of Italy, a visit to the Venice Biennale was always a tradition, an obligatory, required, wanted and enjoyed passage, and we usually arranged it this way: one day devoted entirely to the pavilions of the nations and one day instead devoted to the Arsenale. These two days were always packed. We tried to be in Venice before the opening, so we could get in line, get in right away and tour all the pavilions and the arsenal.Rarely did we make time to see any of the side exhibits, except as we walked past them from one place to another and walked in for a moment just like that. And the feeling I had always had visiting the Biennale, both the architecture and the art Biennale, was always that I would not make it in time to see everything. In fact you would start off slowly, read everything, then at the end, just to be able to see all the things that were there, I don't say you would rush but almost.And again, at the end of the two days there was this great sense of exhaustion, like when you go to Rome for the first time and you see all the churches, at the tenth church with the Mantegna painting, you say well yeah we've seen it already, let's move on.Here is this trip of mine, these days that I am in the continent, as we Sardinians call the rest of Italy that doesn't belong to us, yes, I had arranged to see one day the pavilions and one day and the gardens the Arsenal. Instead, nothing. For the first time I was very disappointed with the Venice Biennale, this year architecture which by the way I have always said, I prefer the architecture one to the art one, because there is more structure. It's true, it's true, but this year, both because of the choices made by some of the pavilions that were empty, there was nothing to see, even those that exhibited something were things that you looked at, you had seen even if you put yourself to read everything. There wasn't, I didn't see this depth. And then so much so that after half a day that it was that we were there we looked at each other, but whatever, while we're at it, we're already done here let's go see also let's go see the Arsenal.The Arsenal is slightly better however, there is not a single thing that I have seen that has impressed me that has... Usually there were always those two or three things that stuck with me, and I still remember things I saw four five years ago that were beautiful. Instead, nothing this year. I don't know why, but even at the Arsenal, the Arsenal space was almost empty. I mean to go from one place to another from one display to another you were doing kilometers where there was nothing so I don't know . I liked the Australian pavilion, that one I liked a lot however otherwise no.

Il y a des histoires d'amour que l'on qualifie de véritables « contes de fées »… on les trouve dans les livres, les films, les chansons… elles nourrissent notre imaginaire, dessinent parfois nos espoirs, nos rêves... mais qui vous dit qu'elles ne pourraient pas prendre forme dans la réalité ? C'est ce que Carine Vanni Mantegna di Gangi va vous prouver ! Elle, la petite française des montagnes, qui a passé son enfance face au Mont Blanc, ce point culminant qui se partage entre la France et l'Italie. Dès son plus jeune âge, aurait-elle dû y voir comme un signe de la vie qui l'attendait ?! Peut-être ! Car non seulement son destin va être relié au « Bel Paese »… mais aussi à un homme qui va faire basculer sa vie... un Prince Sicilien, de ceux que l'on appelle les derniers « Guépards » ! Une histoire d'amour ou l'évidence d'une vie qui va lui ouvrir les portes d'un monde inconnu, celui de l'aristocratie sicilienne. En devenant princesse, elle va hériter d'un Palais, mais pas n'importe lequel : le Palazzo Gangi ! Près de 6 siècles d'histoire, situé en plein cœur de Palerme, l'un des joyaux de l'ère baroque sicilienne, et l'une des dernières demeures dynastiques en Europe entièrement décorées d'origine. Un lieu que vous connaissez probablement puisqu'il a été immortalisé dans un chef d'œuvre du cinéma italien, « Le Guépard » de Luchino Visconti ! Une palme d'or à Cannes qui fête d'ailleurs cette année ses 60 ans ! Mais le plus fascinant à travers l'histoire de Carine, c'est que derrière ce « clinquant » titre de Princesse, se cache une réalité tout autre ! Une vie de combat, de conviction et de transmission afin de sauver un patrimoine historique et culturel unique, en voie de disparition. C'est ce que je vous propose de découvrir... Bell'ascolto ! ✨ · Les inspirations italiennes de Carine : Des lectures... L'incontournable « Guépard » de Giuseppe Tomasi di Lampedusa, mais aussi « Les Princes de Francalanza » de Federico de Roberto. Le livre qui transporte Carine sur les petites « piazzetta » italiennes : « Je vous écris d'Italie » de Michel Déon.  Un film, évidemment... « Le Guépard » (Il Gattopardo) réalisé par Luchino Visconti, Palme d'or au Festival de Cannes 1963. La chanson culte qui fait voyager Carine en Italie, dès les premières notes : « Felicità » du duo Al Bano et Romina Power ! La photographe et photojournaliste Letizia Battaglia qui a milité contre la mafia à travers ses clichés, telle une « héroïne sicilienne ». La personnalité à ajouter sur la liste des futurs invités d'allora : l'écrivain et essayiste italianiste, membre de l'Académie française, Dominique Fernandez. Ses lieux de « dolce vita » italiens : Le hameau de Mascognaz dans le Val d'Ayas et les îles éoliennes siciliennes ! La devise que Carine a fait sienne : « La beauté sauvera le monde » signée Dostoïevski. · Il mondo de Carine : Retrouvez Carine et Le Palazzo Valguarnera-Gangi Piazza Croce dei Vespri, 6, Palerme, Tel. : +39 (0)91 616 2718 E-mail : palazzogangi@hotmail.com    Conçu, réalisé et présenté par Claire Plantinet Montage Générique : François Praud Mixage épisode : Alice Krief - Les belles fréquences Musique : Happy Clapping Cinematic Score / PaBlikMM / Envato Elements Création visuelle : Thomas Jouffrit Podcast hébergé par Ausha.    · Contattami, Scrivimi ! Suivez allora sur Instagram @allora.lepodcast & Facebook @alloralepodcast ! Si le podcast vous plaît, et vous inspire des idées, des suggestions… n'hésitez pas à m'écrire sur les réseaux sociaux ou à l'adresse suivante : alloralepodcast@gmail.com ! Vous pouvez aussi me laisser des “stelle” ou des commentaires sur iTunes, Spotify, ApplePodcast, ou GooglePodcast. C'est tellement précieux ! Grazie Mille !

In this week's episode of Platemark (s3e38), host Ann Shafer talks with Jillian Ross, collaborative master printer and publisher with an eponymous imprint, Jillian Ross Print, in Saskatoon, Saskatchewan, Canada.   Ross returned to her native Saskatoon after many years in Johannesburg, South Africa, where she was the master printer at the David Krut Workshop (DKW) from 2003 to 2020.  There, she worked with over 100 South African and international artists, most notably William Kentridge. Ross and partner Brendan Copestake founded Jillian Ross Print in 2021 in Saskatoon, where they continue working on collaborative projects in South Africa as well as developing new relationships abroad.   Ross has collaborated with William Kentridge since 2006 on major, complicated, and multi-part print projects, including the Triumphs and Laments Woodcuts (2016–21), The Universal Archive (2011–15), The Noses (2006–10) at DKW, and the recently released Studio Life Gravures (2020–22) from Jillian Ross Print (co-published with DKW). Her collaboration with Kentridge continues.   Other recent projects include a partnerships with Latitudes Online, South African artists Cinthia Sifa Mulanga and Puleng Mongale, and the technical team at The University of Alberta in Canada. Ross recently realized an exhibition, William Kentridge: The Colander, at Griffin Art Projects in Vancouver, BC, with curator Lisa Baldissera, the Kentridge Studio, and David Krut Projects in Johannesburg.   Throughout her work, particularly in the publicly accessible open-studio format of DKW at Arts on Main in Johannesburg, Ross has promoted and enhanced artist, collector, and public knowledge of printmaking through mentorship, educational workshops, and knowledge sharing.   Episode image: Lucy MacGarry   USEFUL LINKS https://www.jillianrossprint.com https://www.instagram.com/jillianrossprint_/ https://www.facebook.com/jillian.ross.520 https://www.linkedin.com/in/jillianrossprint https://www.griffinartprojects.ca/exhibitions/william-kentridge-the-colander https://latitudes.online/artworks.html https://latitudesartfair.com/about-the-event/ https://remaimodern.org/about/remai-modern-museum/   Jillian Ross working on William Kentridge's photogravure plates at the University of Alberta, Edmonton. Jillian Ross (on ladder) working on William Kentridge prints at David Krut Workshop, Johannesburg, South Africa. William Kentridge looks at a print with (from l-r) Brendan Copestake, David Krut, Jillian Ross, Roxy Kaczmarek, and Kim-Lee Loggenberg. Jillian Ross (right) inspecting proofs with (from l-r) Sarah Judge, David Krut, and William Kentridge at David Krut Workshop, Johannesburg, South Africa. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with Arakaji Natural Gampi and White Gampi MM20 chine collé on Hahnemühle Natural White 300gsm paper. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Universal Archive: Big Tree, 2012. Linoleum cut on 15 sheets of Encyclopedia Britannica pages. Sheet: 82 x 90 cm. (32 ¼ x 35 3/8 in.); image: 77 x 72.4 cm. (30 3/8 x 28 ½ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Nose: #25, 2009. Drypoint, etching, and liftground aquatint. Plate: 35 x 14.9 cm. (13 ¾ x 6 in.); sheet: 40 x 35 cm. (15 ¾ x 13 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Jillian Ross creating assembly instructions, charts, and maps for Kentridge's Triumphs and Laments, 2018–19. Jillian Ross working on the complicated print Triumphs and Laments: Refugees, 2018–19, by William Kentridge. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge (South African, born 1955). Triumphs and Laments: Mantegna, 2016–17. Relief printed from 13 woodblocks and 1 linoleum cut on Somerset Velvet Soft White 300 gsm. Overall: 76 ¾ x 78 3/8 (195 x 199 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021. William Kentridge and DKW printer Kim-Lee Loggenberg. A scene from William Kentridge's Self-Portrait as a Coffee Pot. Giorgio Morandi (Italian, 1890–1964). Grande natura morta con la caffettiera (Large Still Life with Coffeepot), 1933, printed later. Etching. Plate: 11 11/16 x 15 3/8 in. (29.7 x 39 cm.); sheet: 15 1/16 x 20 1/8 in. (38.3 x 51.1 cm.). Published by Calcografia Nazionale, Rome. Museum of Modern Art, New York. William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published by Jillian Ross. William Kentridge (South African, born 1955). Studio Life: Hope? On special offer, 2022. Photogravure and drypoint with chine collé. Sheet: 17 3/10 × 21 3/10 in. (44 × 54 cm.); plate: 9 ¼ x 16 ½ in. (23.4 x 42 cm.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge in studio. Components of William Kentridge (South African, born 1955). Eight Vessels, 2020–21. 4-plate photogravure with hand painting. 64 x 96 cm. (28¾ x 39¼ in.). Published David Krut Projects, Johannesburg, South Africa. David Krut watches William Kentridge work in his studio on Eight Vessels. Installation view of William Kentridge | The Colander. Exhibition curated by Lisa Baldiserra. Griffin Art Projects, Vancouver, BC. May 29–September 4, 2021, featuring Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. William Kentridge's Triumphs and Laments, Tiber River. William Kentridge (South African, born 1955). Tree (17), 2022. Direct gravure with drypoint on gampi chine with red pencil. 563.5 x 62.9 cm. Published by David Krut Workshop and Jillian Ross Print. Cinithia Sifa Mulanga (South African, born 1997). Vulnerable, 2022. Direct gravure with photogravure on chine collé and collage. Plate: 40.5 x 30.2 cm.); sheet: 51 x 40.5 cm.). Published by David Krut Projects, Johannesburg, South Africa. Puleng Mongale signing the edition of Grounded, 2021. Photogravure with etching with color roll on surface Gampi chine collé. 48.5 x 62.5 cm. Co-published by Latitudes Online and Jillian Ross Print. William Kentridge (South African, born 1955). The Old Gods Have Retired, 2022. Photogravure with liftground aquatint, direct gravure, drypoint and chine collé with found ledger paper and hand painting. Sheet: 175 x 210 cm. Co-published by David Krut Projects and Jillian Ross Print. Jillian Ross assembling a multi-part Kentridge print. William Kentridge working on Mantegna from the Triumphs and Laments series. Latitudes Online website. Shepstone Gardens, site of the RMB Latitudes Art Fair. Johannesburg, South Africa. RMB Latitudes Art Fair. Johannesburg, South Africa. Remai Modern Museum, Saskatoon, Sasketchawan. Nick Cave (American, born 1959).  Spinner Forest, 2020. Installation view at Remai Modern, 2023. Photo: Carey Shaw. Chad Cordiero and Sbongiseni Khulu printing one of 77 elements for Kentridge's Triumphs and Laments: Refugees, 2018–19. 26 woodcuts printed on 77 sheets. Overall: 188 x 350 cm. (74 x 137 ¾ in.). Published by David Krut Projects, Johannesburg, South Africa. Robyn Penn prints in process. Lithographs on Awagami Kitkata chine collé pn Zerkall White. Each: 76 x 63.5 cm. Published by Jillian Ross Print. William Kentridge at work. William Kentridge and David Krut inspect an impression of Tree (17).

Joe Mantegna grew up around multiple family members who were combat veterans of World War II. He tried to become a pilot in the U.S. Marine Corps during the Vietnam War but was dismissed due to poor eyesight. But for more than 20 years, Mantegna has been a very active supporter of our active duty military, veterans, and families of the fallen. Since 2002, he has been a part of the National Memorial Day Concert, serving almost all of those years as a host or co-host alongside fellow veterans advocate Gary Sinise.In this edition of "Veterans Chronicles," Mantegna shares his story from growing up in Chicago to becoming a successful actor on stage and screen. He also explains how his understanding of Memorial Day changed drastically once he was asked to be a part of the concert. Mantegna also tells us how the powerful stories that get presented each year are chosen and what it is like to share such emotional moments in front of the families who lived it and often lost their loved ones.

Mantegna the Psychic, from a previous podcast episode called "Lake Torment," is back. This time, his job is a bit easier since he'll be visiting a lovely woman in an old house. But, is a psychic's job ever easy? Geoffrey Marshall is a writer in Aurora, Canada. He knows just enough to be dangerous (mostly to himself) in several different fields. You can find his work in The Ansible, Academy of the Heart and Mind and the September 2022 issue of MoonPark Review. His education never really took, through no fault of his instructors (debatable) but he did manage to acquire a BA in English Literature from Carleton University. Find him on twitter @g_k_marshall.You can read "The House of Many Rooms" at https://www.kaidankaistories.com.Click here to learn about the 2023 Kaidankai contest for writers.Website: kaidankaistories.comFollow us on: TwitterInstagramYouTubeFacebookPhoto by Dima Pechurin on Unsplash

GUANTI VERDI a cosa fanno riferimento? Può darsi che siano un incantesimo di fertilità. Anche la dama nella carta dell'Amore li ha, come tutte le figure del seme di Bastoni, guanti o maniche verdi. Il verde è associato all'elemento ARIA, alla primavera, che è il periodo in cui molti animali hanno i loro piccoli. Le doghe sono lance o clave di legno, nei mazzi dei Tarocchi di Marsiglia sono colorate di verde o da cui escono germogli verdi, come gli alberi potati in primavera. C'è anche la tradizione di cui "Greensleeves" è un tardo esempio, una canzone inglese i cui testi, secondo Wikipedia, seguono una struttura formale italiana.l'Imperatrice è sempre giovane, bella e lontana. Sempre giovane, sempre incoronato, con una bacchetta e la sfera del potere. Ci sono solo due carte Imperatrice dipinte a mano che sono sopravvissute ai secoli. Entrambi sono stati realizzati dallo stesso artista per ordine della corte milanese.L'immagine qui sopra è la carta Imperatrice del mazzo Visconti Sforza. La carta è conservata presso la Morgan Library. L'Imperatrice del mazzo Visconti di Modrone, Trionfi del 1442, conservata nella collezione Cary della biblioteca Beinecke della Yale University.Nessuna carta Imperatrice della corte ferrarese è sopravvissuta al tempo. Le incisioni del Mantegna hanno solo figure maschili a livello di società. E anche i trionfi di Sola Busca sono solo maschi. Contatti radioalchimia@gmail.com - Telegram/WhatsApp 3342239007 - TikTok

Dom welcomes in famed actor Joe Mantegna onto the Dom Giordano Program to preview the upcoming 50th anniversary of PBS Memorial Day Concert on Sunday, May 28th, at 8PM. First, Mantegna explains his connection with Veteran's, explaining why he long-ago got involved with the annual event honoring our service members. Then, Dom and Joe delve into the great actor's career, with Mantegna discussing his long reign as 'Fat Tony' on the Simpsons and Agent David Rossi in the crime standard Criminal Minds. Joe tells about the incredible luck he's had in the industry, landing two long-running staples, and takes us back to the start of his career, when he starred as Joey Zasa in The Godfather Part III . For the remainder of the hour, Dom discusses the local election result of Cherelle Parker as the winner of the Democratic primary for Philadelphia's next Mayor, and tells about his time spent with Dan Abrams last night on his NewsNation show. (Photo by Paul Morigi/Getty Images for Capitol Concerts)

Full Hour | Today, Dom led off the Dom Giordano Program by telling of a new debate by the Supreme Court over whether internet companies should be held responsible for material that leads to horrific things such as terrorism. Then, Dom delves into a new hot topic on Capitol Hill as members of Congress and Senate debate whether a work requirement should be set in place for access to things like welfare and Medicare. Then, Dom welcomes in famed actor Joe Mantegna onto the Dom Giordano Program to preview the upcoming 50th anniversary of PBS Memorial Day Concert on Sunday, May 28th, at 8PM. First, Mantegna explains his connection with Veteran's, explaining why he long-ago got involved with the annual event honoring our service members. Then, Dom and Joe delve into the great actor's career, with Mantegna discussing his long reign as 'Fat Tony' on the Simpsons and Agent David Rossi in the crime standard Criminal Minds. Joe tells about the incredible luck he's had in the industry, landing two long-running staples, and takes us back to the start of his career, when he starred as Joey Zasa in The Godfather Part III . For the remainder of the hour, Dom discusses the local election result of Cherelle Parker as the winner of the Democratic primary for Philadelphia's next Mayor, and tells about his time spent with Dan Abrams last night on his NewsNation show. (Photo by Kevin Winter/Getty Images)

In Australia per la prima volta, il soprano palermitano Roberta Mantegna interpreta Elisabetta I nell'opera Roberto Devereux di Gaetano Donizetti all'Opera House di Sydney.

Khalid and Jamal are joined by legendary Blair Academy head coach, Joe Mantegna. Mantegna talks about how it all started for him, coaching the likes of Charlie Villanueva, Luol Deng and Royal Ivey as a young coach, the state of the global game, having coached the USA Nike Hoop Summit Team, and much more.

Finalmente ci risentiamo con la nostra amica Sabrina Cavallari per parlare della Natività. Questi incontri di arte ci sono mancati tantissimo, ecco perché siamo particolarmente felici di presentarvi questa puntata festiva. Diversamente dal solito oggi parleremo del simbolismo del presepe, poco conosciuto, e forse anche poco osservato, per poi finire di parlare di alcuni famosi dipinti come: ‘L'adorazione dei Magi' del Mantegna che introduce il primo Re Magio nero; Gherardo delle Notti ‘L'Adorazione del Bambino'; ‘La Natività' di Giotto e ‘La Natività' di Caravaggio, un quadro scomparso nel 1969 e mai ritrovato.  Ci auguriamo che questa puntata vi possa trasportare nel presepe affinché possiate vedere questo incantesimo della Nascita con occhi diversi. Buone Feste! Dani & Lia   Finally we meet again with our friend Sabrina Cavallari to talk about the Nativity. We have missed these art meetings, that is why we are especially happy to present you this festive episode. Today we will talk about the symbolism of the Nativity scene,  perhaps little observed. We will be talking about some famous paintings such as: Mantegna's 'Adoration of the Magi' which introduces the first black Wise Man; Gherardo delle Notti 'The Adoration of the Child'; 'The Nativity' by Giotto and 'The Nativity' by Caravaggio, a painting that disappeared in 1969 and has never been found. We hope that with  this episode you can see this the Nativity in Art with different eyes. Happy Holidays!    

Joseph Anthony Mantegna is an American actor. Mantegna began his career on stage in 1969 in the Chicago production of the musical Hair. Learn more about your ad choices. Visit megaphone.fm/adchoices

Valeria Corciolani"Di rosso e di luce"Rizzoli Editorehttps://www.rizzolilibri.it“Le storie di Valeria Corciolani sono dense di ironia e giocosità, ambientate in una Liguria solare e inquieta.” Luca CroviNonostante faccia di tutto per restare fuori dai guai, Edna Silvera, storica dell'arte e restauratrice di grande talento, finisce coinvolta in una nuova indagine. Questa volta il mistero riguarda il furto di una preziosa statuetta, sottratta dalla magnifica villa di un collezionista sulle colline genovesi di Albaro. Insieme al pezzo, di grande pregio, di proprietà del cavalier Petracchi sono scomparse anche le pagine di tre manoscritti medievali. Così Edna si troverà a seguire lo strano filo rosso che, dalle miniature sui volumi antichi, si snoderà tra Genova, Roma, Venezia fino alle morbide colline piemontesi, lasciandole anche il tempo per un'inaspettata sintonia con Giacomo, il fratellastro del cavaliere.In un tiepido novembre della Riviera ligure, fra impeccabili maggiordomi, silenziosi gabbiani, pesci scarlatti e segreti inconfessabili, sarà proprio quel filo rosso che viene da un passato fatto di donne, arte e colori a cucire le pieghe di un'affilata e imprevedibile commedia nera.Valeria Corciolani è nata e vive a Chiavari. Laureata all'Accademia di Belle Arti di Genova, è scrittrice e illustratrice. Tra i suoi libri ricordiamo Lacrime di coccodrillo (2010), Il morso del ramarro (2014) e la serie della colf e l'ispettore, inaugurata nel 2017 con Acqua passata. Per Nero Rizzoli ha pubblicato Con l'arte e con l'inganno (2021).IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

IT'S THE SEASON 4 PREMIER! We. Are. Back!! Come on, you didn't think we'd miss spooky season did you?? Like we could abstain from talking about these Halloween classics; including this weeks movie, Halloweentown High! Of courseeee we had to ask the Roommate Lovers themselves, Maggie Smith and Kyle Mantegna back to break it down with us. Now, for a movie with the tittle Halloweentown High it might surprise you that we don't step foot in Halloweentown. Marnie (Kimberly J. Brown, greatest mouth actor of our generation) brings Halloweentown (people? Creatures? Beings?) teens to the mortal world as a sort of study abroad/peace treaty with the human world, except no on in the mortal world knows they're there or doing that??? You might also come to expect certain moral themes from a Disney movie; Love, friendship, acceptance, and surprisingly the theme of this film seems to be the opposite, unless you're taking your unconscious crush on a broom ride there doesn't seem to be much mixing and mingling between the worlds. That's okay! We still get kooky Grandma Aggie (Debbie Reynolds) as a teacher, an inexplicable Knight subplot and an alligator purse that goes on a tear. What a trick-o-treat! Have fun with this one, we certainly did (amends were made.)

As a player, Joe Mantegna says he was the college basketball equivalent of Rudy. But even before his playing days at Ithaca College were over, the coaching seeds sown by his father, who's in the Massachusetts Basketball Hall of Fame, had begun to germinate, and he soon found himself on the sidelines at Boston University and Lehigh University. But when he came to a fork in the road, he decided that he wanted to have the same kind of impact on teenagers' lives as his dad had, and so took the head coaching job at Blair Academy. It's rare for a rookie high school coach to win immediately, and more unusual still to be blessed with pro-level talent, but Joe had both when future All-Star Luol Deng and longtime NBA vet Charlie Villanueva showed up in his first recruiting class. Since then, Mantegna has built Blair into a national powerhouse, winning four national titles and, more importantly, developing many more high quality young men. In this can't miss episode, Joe gets raw about: What moves him when he thinks about the players whose lives he has touchedHow rooming with future NBA coach Steve Clifford gave him a coaching masterclass Why he teamed up with Royal Ivey and Luol Deng to coach the South Sudan national teamWhat role the principles of grit,  gratitude,  joyfulness + selflessness play in Blair's cultureHow mudita - finding joy in other people's success - is his team's equivalent of Doc Rivers's UbuntuKeep learning from Joe on his Twitter feed and at his basketball camps. 

Joe Mantegna served as head coach of the 2022 USA Nike Hoop Summit Team and led the squad to a 102-80 victory over the World Select Team on April 8 in Portland, Oregon, in his first official game as a USA Basketball coach. Mantegna previously worked as a court coach for the USA Basketball Junior National Team program at the 2019 USA Men's Junior National Team October minicamp and the 2019 USA Men's Junior National Team April training camp at the NCAA Men's Final Four. The head coach at Blair Academy in New Jersey since 1999, Mantegna in 2018-19 led his team to a New Jersey Prep A Championship. Visit www.unitedbasketballplus.com and use Coupon Code - UBPlus for 20% off an annual membership. Visit www.unitesbasketballplus.com and use Coupon Code - UBPlus for 20% off an annual membership. This episode is sponsored by the Dr. Dish Basketball. Mention "United Basketball & Leadership Podcast" and receive $300 off on the Dr. Dish Rebel, All-Star, and CT models. Connect with Dr. Dish on Twitter or Instagram @drdishbball

You may not believe it, but Joe Mantegna has musical roots. The actor, known to many for his role in the hit television series “Criminal Minds,” is also a board member and ambassador for the Illinois Rock & Roll Museum. Mantegna joined Bob Sirott to talk about his career on stage and on screen, as […]

Francesca Rossi"Caroto e le arti tra Mantegna e Veronese"Verona, Palazzo della Gran Guardiahttps://mostracaroto.it/Fino al 2 ottobre a Verona, negli spazi monumentali del Palazzo della Gran Guardia, la grande esposizione su Giovan Francesco Caroto (1480 circa - 1555). E' la prima mostra dedicata interamente all'artista, con oltre 100 opere provenienti da alcune delle più prestigiose collezioni italiane e internazionali, che presenta l'evoluzione del grande pittore, seguendolo dagli esordi giovanili al riconosciuto ruolo di artista.Attraverso una serie di restauri sostenuti per la mostra e un'estesa campagna di analisi diagnostiche, l'esposizione diventa anche l'occasione per approfondire la conoscenza dell'operatività tecnica del pittore e degli interventi che nel corso del tempo hanno interessato le sue creazioni.La storia che ha legato la città di Verona a uno dei suoi pittori più affascinanti e rappresentativi, Giovan Francesco Caroto (1480 circa-1555), negli ultimi anni si è arricchita di nuove testimonianze e significati, primo dei quali ci viene dal gesto generoso di cittadini veronesi a favore dell'artista e del Museo di Castelvecchio.Nel 2019, infatti, è giunta alla Pinacoteca del Museo, in dono dalla famiglia Arvedi, la splendida Veritas filia Temporis (la Verità è figlia del Tempo) una grande tela ottagonale che decorava in origine la volta dello studiolo privato del gentiluomo e intellettuale veronese Giulio Della Torre. L'opera è uno dei capolavori della maturità dell'artista ed è databile all'inizio degli anni Trenta del Cinquecento.Con questa importante donazione, la famiglia Arvedi ha assunto simbolicamente il ruolo di portavoce dei cittadini che hanno affiancato i Musei Civici partecipando attivamente, negli ultimi quattro anni, alle acquisizioni critiche e alla definizione del progetto scientifico della mostra in programma alla Gran Guardia dal 13 maggio al 2 ottobre 2022.Veritas filia Temporis. Costituisce uno dei punti focali del percorso. Una sezione della mostra è intesa proprio a ricostruire idealmente lo studiolo Della Torre, insieme ad altri dipinti, disegni, medaglie e monete romane, marmi antichi e bronzetti moderni, libri e manoscritti. Nella tela ottagonale campeggiano tre figure allegoriche. Il Tempo, raffigurato come un vecchio con le ali e una clessidra nella mano destra (uno strumento che misura appunto lo scorrere del tempo) sostiene la Verità, sua figlia, una giovane donna nuda. Questo sta a significare che con il tempo la verità viene sempre a galla. Era consuetudine rappresentare la Verità senza vesti, perché essa non conosce finzioni né inganni. Si vede anche una terza figura, un giovane con le orecchie deformi che tiene con la mano destra alcuni serpentelli eccitati e aggressivi. Egli raffigura l'inganno, che cerca di trascinare verso il basso la Verità per avvolgerla nelle tenebre. Quindi il significato della scena nel suo insieme è la lotta tra il bene e il male, tra la verità e la menzogna. È probabile che sia stato lo stesso committente, Giulio Della Torre, a scegliere tale soggetto. Egli infatti fu autore di trattati di argomento etico e filosofico nei quali si mostra vicino alle posizioni del vescovo di Verona Gian Matteo Giberti sulla riforma della Chiesa ed è possibile che con questo tema intendesse alludere alle dispute religiose che all'inizio del Cinquecento dilaniavano anche il mondo cattolico.Caroto era un intimo amico di Giulio Della Torre, ne realizzò il ritratto e dipinse a fresco il salone di rappresentanza della sua abitazione: è rimasto solo un frammento che raffigura le Virtù cardinali e teologali, datato 1524, ora in collezione privata.Qualche tempo dopo, all'inizio degli anni Trenta, decorò anche lo studiolo con un ciclo di tele di cui sono note, oltre alla Veritas filia Temporis, altri tre elementi: una Tentazione di Cristo e un San Michele arcangelo precipita Lucifero del Museo di Castelvecchio e un'altra raffigurazione di San Michele conservata al Museo di Belle Arti di Budapest.Madonna della farfalla. Un'opera fra le più belle e più famose del pittore. Si tratta di un lavoro giovanile, un dipinto eseguito a olio su tavola, risalente agli anni 1510-1515 e al clima stilistico dell'esperienza a fianco di Mantegna e a contatto con la cultura mantovana e leonardesca. Non ne conosciamo la destinazione originaria. Essa è nota solo dall'inizio del Novecento, quando si trovava nella collezione viennese del barone Heinrich von Tucher. Dopo la morte del proprietario vagò a lungo tra collezioni private per ricomparire poi a New York e infine, negli anni Novanta, tornare di nuovo in Italia, nella collezione Martello di Fiesole. Le sue traversie tuttavia non erano finite. Trasferita nuovamente negli Stati Uniti, sembrava dispersa per sempre. Nelle ricerche effettuate per la mostra è stata finalmente rintracciata presso un collezionista privato che gentilmente ha accolto la proposta di presentarla al Museo di Castelvecchio in anticipo sulla mostra in Gran Guardia, a partire dal 4 marzo 2022, per poi esporla alla mostra.Nella Galleria di Castelvecchio e nella Gran Guardia il dipinto viene posto in dialogo con una replica del soggetto, leggermente diversa, facente parte delle collezioni civiche, la Madonna con il bambino. I due dipinti sono identici nelle due figure principali ma presentano varianti compositive nel paesaggio sullo sfondo e nel disegno del seggio sul quale le Madonne sono sedute. Era una pratica comune nelle botteghe artistiche del tempo replicare attraverso cartoni, cioè disegni con i contorni bucherellati per il trasposto su altri supporti, oppure carte lucide, le composizioni che avevano incontrato il favore del pubblico, soprattutto nel caso di piccoli dipinti devozionali come questo, che erano molto richiesti. Nel periodo dell'esposizione le due opere verranno sottoposte a indagini scientifiche per il confronto del disegno preparatorio sottogiacente usato dal pittore nell'una e nell'altra versione, allo scopo di verificare differenze ed elementi comuni nella tecnica esecutiva e nelle modalità di riproduzione dei modelli adottate nella bottega dell'artista.In attesa di approfondimenti, si ipotizza che la Madonna della farfalla costituisca un prototipo rispetto all'altra versione, purtroppo penalizzata da un mediocre stato di conservazione e perciò più difficile da studiare. Colpisce invece della versione in collezione privata l'ottimo stato di conservazione che consente di apprezzare l'eccellente qualità della stesura pittorica. In questa si distingue anche la maggior ricchezza di particolari, descritti amorevolmente con l'abilità del miniatore. Spicca in particolare il bracciolo della elegante seggiola, finemente intagliato, che reca la firma del pittore (“IO. F. CHAROTVS. F.”) e, sul pomello, una farfallina dalle ali bianche che ilbambino tiene legata con un filo sottilissimo. L'insetto non è solo un prezioso elemento decorativo, ma anche un sottile riferimento iconografico alla resurrezione di Cristo. EÈ tanta l'attenzione alla natura che Caroto - il quale, ricordiamolo, era anche un pittore naturalista e uno speziale, titolare di una farmacia in piazza delle Erbe - pone nella resa dei particolari, per esempio nelle venaturedelle ali, che è stato possibile riconoscere la farfalla come una pieride del biancospino (Aporia crataegi). Oltre 100 opere provenienti da alcune delle più prestigiose collezioni italiane e internazionali, formeranno il percorso espositivo articolato in 10 sezioni, che comprenderà anche 3 istallazioni multimediali. Per rendere più fruibile il percorso è stato previsto un supporto didattico accessibile tramite App in italiano ed inglese, oltre ad una ricca proposta di percorsi didattici pensati per tutti i pubblici. Il catalogo è edito da Silvana Editoriale.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Today I'm sharing a 'picture of practice' from art facilitator and English teacher Elisa Mosele. We're talking all how she uses thinking routines to overcome the fear of speaking a language and encourage all her students to participate. We also explore how she combines slow looking, church art and spirituality in her work as an art facilitator. Elisa Mosele is a English language teacher and an art facilitator.  She currently collaborates with the https://www.veronaminorhierusalem.it/chi-siamo/?lang=en (Verona Minor Hierusalem Foundation).  She introduced the concepts of VTM and thinking routines to the foundation and in 2020 initiated their first virtual sessions looking slowly and carefully at artworks from local churches. Elisa wrote a https://thinkingmuseum.com/2020/12/10/first-virtual-art-facilitation/ (blog for me in 2020) about her very first experience facilitating with thinking routines virtually and it was great to hear in our chat about how she is now facilitating sessions in person too.  In today's chat we talk about how Elisa uses thinking routines to develop vocabulary and how she combines Visible Thinking with spirituality in her work at the foundation.  Links Episode Web Page https://buymeacoffee.com/clairebown (Support the Show)  What I learned from my first virtual facilitation session with art https://thinkingmuseum.com/2020/12/10/first-virtual-art-facilitation/ (https://thinkingmuseum.com/2020/12/10/first-virtual-art-facilitation/) https://www.linkedin.com/in/elisa-mosele-307202136/ (Elisa Mosele) on LinkedIn https://www.veronaminorhierusalem.it/?lang=en (Home - Fondazione Verona Minor Hierusalem) https://museodicastelvecchio.comune.verona.it/nqcontent.cfm?a_id=80570 (Museo di Castelvecchio - Caroto e le arti tra Mantegna e Veronese: dal 13 maggio al Palazzo della Gran Guardia)

Adam heads to a Hogsmeade tavern to meet up with some Hogwarts second years, James Grubbly-Plank and Fidget Little (Kyle Mantegna and Maggie Smith of the podcast Roommate Lovers), otherwise known as the band Phantom Menace (name pending) to talk about a lack of arts programming, a famous student, and more. For more with Maggie and Kyle check out an extended interview while supporting the show over on our Patreon. https://www.patreon.com/myneighborsaredead SHOW INFORMATION Twitter: @MyDeadNeighbors Instagram: @MyNeighborsAreDead Email: MyNeighborsAreDead@gmail.com Patreon: https://www.patreon.com/myneighborsaredead Merchandise: TeePublic Subscribe: Apple Podcasts Subscribe: Spotify

This week on GMTD, “some of them are goblins, some of them are ghouls and some of them are a little weird” it's Halloweentown II: Kalabar's Revenge! We have the roommate lovers themselves Maggie Smith and Kyle Mantegna here to keep us laughing the entirety of this episode. Never have we been more grateful for a recap on a past movie because HUH?!! We have TWO stolen spell books, (which apparently only belong to one witch family?? Where are the other witches??) a Gollum- which of course is a man made out of frogs, 2 Halloween parties that are a town MUST, a countdown to midnight of Halloween (a classic tradition) a grey town, a love interest that can't even bring hot to the table and the majority of the film in a hoarders house. This movie has it all and also nothing! Enjoy!

"Quanto hanno pesato le malattie fisiche e mentali di certi personaggi sul corso della storia? Come sarebbero cambiati gli eventi se fossero stati curati?"L'autore del momento ci sorprende con un testo brillante e dal taglio narrativo sulle patologie di alcuni dei personaggi più conosciuti del Rinascimento.Insieme a Massimo Citro, potrai intraprendere un viaggio a ritroso nel tempo e fare visita a illustri personaggi del Rinascimento, a corte, nelle botteghe degli artisti, in ville e castelli.“Il medico che viene dal futuro” smaschererà il finto male del Brunelleschi, curerà i calcoli di papa Eugenio IV e la gotta di Lorenzo de' Medici. A Milano sarà convocato per le viscere malate di Gian Galeazzo Sforza, a Mantova per l'artrosi del Mantegna e a Ferrara per la malinconia di Lucrezia Borgia.Ne parliamo con Massimo Citro autore del libro.Segui Massimo qui:Sito: www.idras.org@auscultandoilpassato #BenessereBellessere #MassimoCitroConducono: per @MRTV Italia Marco Ludovico, per @Border Nights Fabio Frabetti, per @Serena Pattaro Serena Pattaro #MRTVItalia #BorderNights #SerenaPattaro MRTV Italia: Movimento Roosevelt: www.movimentoroosevelt.com MRTV: www.mrtv.it Seguici sui social Facebook, Twitter, Odyssée e iscriviti al canale Telegram https://t.me/MRTVitalia Border Nights: Canale Youtube: https://www.youtube.com/c/BorderNightsOfficial Pagina Facebook: https://www.facebook.com/BorderNIghtsRadio Serena Pattaro: Canale Telegram: https://t.me/meravigliosamenteserena Sito internet: www.meravigliosamenteserena.com Pagina Facebook: https://www.facebook.com/serena.pattaro.fs

Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet.Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.www.joemantegna.com · www.creativeprocess.info

Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet.Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.

In this episode of Personally Speaking, Msgr. Jim Lisante is joined once again by veteran actor Joe Mantegna for part two of his interview. Joe has had a long, successful career that spans nearly fifty years and 150 credits, from “The Money Pit” and “Three Amigos” to “The Simpsons” and “Criminal Minds”. His latest project is the new Amazon series “As We See It”. The series follows three young adults on the autism spectrum as they maneuver through life and try to fit into society. Joe plays the father of one of the characters, Jack. Joe's own daughter Mia is on the autism spectrum and it's his personal experience that made him feel a deep emotional connection to this role. Joe talks about his own experience, his life, his career, his family and the values that matter most to him.Support the show (http://closeencountertv.com/cetvdonate.asp)

Chicago actor and icon Joe Mantegna was a guest on the inaugural episode of the Backstage Chicago Podcast, and revealed that a reboot of the smash crime series 'Criminal Minds,' which aired on CBS for 15 seasons, was "getting close." The reboot would air on the Paramount+ streaming service. Mantegna said more would be known in the new year, but things were "moving in that direction." Listen to the full interview with Mantegna, actor Ronnie Marmo, and Newsradio WBBM's Lisa Fielding on 'Backstage Chicago.' https://omny.fm/shows/backstage-chicago-with-lisa-fielding/joe-mantegna-ronnie-marmo-lessons-we-still-need-to

Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet.Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.· www.joemantegna.com· www.creativeprocess.info

"When I was growing up and studying to be an actor as a young man, I'd read plays that were most often based in New York City. A lot of the writers came out the New York writing school, per se, and while I could understand it and relate to it and growing up in Chicago it wasn't that difficult for me to somewhat decipher the nuances of that, but when I read Mamet, to me, it was almost like–Yeah! I get it. This is a language I understand. It felt very comfortable to me. And I know he has told me that he has written characters with my voice in his mind as he wrote them, and so, again how lucky for me that that's the case, so it would at least make sense that I would have a certain degree of comfort and familiarity to that kind of Mamet-speak, whatever it may be. I feel very lucky that it's worked out that way that he's the writer that I ended up hooking up with."Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet.Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.

Welcome back! Or welcome for the first time! Whatever! Chance intro's the show with a very thoughtful and nuanced take on the situation in Afghanistan, CM Punk returning, and answers some listener questions, comments, and concerns! Come see Chance this weekend at the Lincoln Lodge in Chicago! Campfire Stories Friday night at 7 and Chicago Fight Club Saturday night at 10. Get tickets at thelincolnlodge.comToday's guest is Kyle Mantegna! Kyle is a producer, editor, filmmaker, co-creator of Make It Up Media, and co-host of the podcast Roommate Lovers with friend of the show Maggie Smith! Chance and Kyle talk their difficult friendship, working together at Second City, skateboarding, creating your own content, and much more! Follow Kyle! @kylemantegna Follow Make It Up Media! @makeitupmediaFollow and listen to Roommate Lovers! @roommatelovers Follow the show! @wedidntpeak Like us on Facebook! We Didn't Peak with Chance Nichols Follow Chance! @chanceisloud 

Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet. Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.

Actor, producer, writer and director, Joe Mantegna began his career on the stage with the 1969 musical Hair. He later earned a Tony Award for portraying Richard Roma in the first American production of David Mamet's play Glengarry Glen Ross, the first of many collaborations with Mamet.Mantegna has appeared in Three Amigos, The Godfather Part III, Forget Paris, and Up Close & Personal and other films. From 2007 to 2020 he starred in the CBS TV series Criminal Minds as FBI Supervisory Special Agent David Rossi. Since 1991, he's had a recurring role on The Simpsons as mob boss Fat Tony. He earned Emmy Award nominations three miniseries: The Last Don, The Rat Pack, and The Starter Wife. He's executive produced for various films and TV movies, including Corduroy, Hoods, and Lakeboat, which he also directed.www.joemantegna.com · www.creativeprocess.info

Episode 6: The Renaissance Nude at The Royal Academy discussed by Caz Murray, Vikki Kosmalska & Laura Lennard.Sending Nudes is all the rage these days, why not check out the Royal Academy's show for some Renaissance style inspo for your next shoot? Rumour has it a classical contrapposto stance can be very lengthening...Jokes aside, this riotous exhibition showcases 85 glorious Renaissance nudes and uses them as a lens through which to explore key themes of the period: from religious art to classical mythology; from patronage to advancements in artistic skill. So much of this exhibition surprised us: we discuss what Northern European artists such as Durer brought to the Renaissance; we explore whether deeply religious art can also be erotic, and we launch an impassioned appeal to bring back the cult of the male nude in art!The Renaissance greats are all there (Leonardo, Michelangelo, Titian, Raphael, Donatello...) but there is so much more beyond.This is the final episode of Series 2, but stay tuned to our feed for news of our summer specials.Thank you so much for listening, and please remember to 'Ask the Artcast' any art related questions you might have for us. You can email them to helloartcast@gmail.com and we will do our best to feature your question in an upcoming episode!@theartcast on Instagram