Podcasts about Peabody Essex Museum

Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women's hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and extremely fragile set of trophies, inspired by an NPR interview with a trophy maker, who stated that frequently people commission trophies for themselves.  In complex and decorative glass aviaries, Russell-Pool often showcases her husband and collaborative partner Marc Petrovic's glass birds, a combination that is at once technically superlative and aesthetically enchanting. Her most recent collaborative series with Petrovic – Our Distilled Life Series – examines the individual amidst the complexity of societal and global challenges and distillates them into a series of vignettes within bottles.  Russell-Pool states: “I communicate using objects as metaphors. From quilts and teapots, to sailors' valentines and cages, I am interested in the stories objects tell and how we elevate them into heirlooms. Filled with personal content and commentary about society, the hard work of relationships, and my experience as a mom, my work tells many stories. The work is autobiographical, and although objects are my vehicle, I think of them as self portraits as each series reflects the timely concerns of my life.” Russell-Pool graduated from the Cleveland Institute of Art in 1990. She has taught and exhibited all over the world, and her work has been published in Glass Magazine and American Craft Magazine. Her public collections include the American Glass Museum, the Baltimore Museum of Art, the Cincinnati Art Museum, the Corning Museum of Glass, the Niijima Museum of Glass (Tokyo), the Racine Art Museum, the Seattle Art Museum, the Smithsonian Museum of American Art (DC), the Tacoma Museum of Glass, the Tucson Museum of Art, and the Peabody Essex Museum. Russell-Pool was awarded the Ohio Arts Council Individual Excellence Award in 2017 and 2019. Pulling her own glass rods or canes using soft glass or traditional blowing glass, Russell-Pool can more easily incorporate blown work by Petrovic into her pieces. They gather clear glass from their melting furnace and color it by rolling the hot clear glass through powdered colored glass, and then encasing the color in another thin layer of clear. These gathers of glass are pulled into 40′ lengths while still hot, and then cut down into 1.5′ lengths. Coloring her glass this way allows Russell-Pool to both mix colors and control their densities. She uses these colored glass canes in a torch flame to sculpt petals, leaves, and small components, which she further colors using more glass powders. Having some color in the base canes allows the artist to work much as a watercolorist would, using washes to achieve subtle or dramatic color changes. Each piece begins with a design drawn out on a piece of ¼-inch clear plate glass. Russell-Pool then bends all her glass canes exactly to that pattern using a torch with a warm flame. “By layering the color and manipulating the density, our hope is the flow between the blown and flameworked glass appears effortless. In glass there is often a right way to do things. I am more a proponent of the cowboy way. The cowboy way invites invention and serves the master of the final result rather than proper technique. I am proud to be called a craftsman, because craftsmanship underlies all I do, even if I am occasionally caught being an artist.” Russell-Pool and Petrovic have collaborative work on view now as part of the Jonathan Adler Show at the Museum of Art and Design in New York City featuring Adler's ceramic work and pieces curated from the permanent collection. The show will run through April 2026. Rusell-Pool's work is also being exhibited in On Fire Part II: Surveying Women in Glass in the Late-Twentieth Century now through January 24, 2026 at Racine Art Museum, Racine, WI. An expanded version of the 2022 show offers a deeper dive into this vital period in contemporary craft by outlining the concerns of artists who explore the sculptural, visual, metaphorical, and creative potential of glass. Seen through the eyes of women, it reflects developments with the medium as an art material two and three decades after Studio Glass concepts were being implemented into university programs and contemporary practices.  

What if the secret to better museums was … neuroscience? How can museums inspire human creativity? How much media should be in a gallery — or should there be any? How soon should you get feedback on your exhibition ideas? Can museums help us all “escape the algorithm”? What does knitting have to do with visitor satisfaction? In this episode, we'll learn some unexpected tricks of the trade from a renowned museum leader. Lynda Roscoe Hartigan (The Rose-Marie and Eijk van Otterloo Executive Director and CEO of the Peabody Essex Museum) discusses “Creating Effective Museum Experiences” with host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio). Along the way: standup comedy, Iris Apfel, and moon chairs.  Talking Points: 1. Embrace Human Creativity2. Design is Critical — Use Media Wisely3. Knit Experiences4. Escape the Algorithm5. Know Your Audience — Get Feedback Early6. Consider the NeuroscienceHow to Listen: Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify: https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website: https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor: https://makingthemuseum.transistor.fm/ Guest Bio: Lynda Roscoe Hartigan is The Rose-Marie and Eijk van Otterloo Executive Director and CEO of the Peabody Essex Museum. As a curator, scholar and museum executive, Lynda Roscoe Hartigan brings a wealth of knowledge and experience to PEM. During her time as Chief Curator at the Smithsonian American Art Museum, she led an internationally recognized acquisition initiative to build collections of works by Black, self-taught and modern and contemporary artists. In 2003, Lynda was appointed as PEM's first Chief Curator and in 2016 became Deputy Director. Overseeing the interpretation and installation of PEM's new wing, she was integral to developing and advancing the museum's innovative exhibition program, collection stewardship, fundraising, education, publishing, digital and global leadership initiatives. Most recently, she was Deputy Director for Collections and Research and Chief Innovation Officer at the Royal Ontario Museum, Canada's largest museum dedicated to art, culture and the sciences. Lynda has returned to PEM to become the museum's first woman director and to boldly lead the nation's oldest continually operating and ever-evolving museum forward.About Making the Museum: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio. Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode: Lynda's Email:lynda_hartigan@pem.org Lynda on LinkedIn:https://www.linkedin.com/in/lynda-hartigan-762b475/ Lynda's Thesis:"Grandma Moses and the Implications of Memory,' in Grandma Moses in the 21st Century, Jane Kallir, ed., Art Services International, Alexandria, VA, 2001, pp. 64-79.https://www.amazon.com/Grandma-Moses-Century-Jane-Kallir/dp/0300089279Calder exhibition: https://www.pem.org/exhibitions/calder-and-abstraction-from-avant-garde-to-iconic Ansel Adams exhibition: https://www.pem.org/exhibitions/ansel-adams-at-the-waters-edge Escape the Algorithm, PEM's latest ad campaign:https://www.pem.org/blog/turning-heads-pems-chief-marketing-officer-gives-the-scoop-on-the-museums-new-brand-campaign Neuroscience initiative: https://www.pem.org/about-pem/pem-initiatives/neuroscience-initiative Art Pharmacy from Mass Cultural Council:https://www.artpharmacy.co/ FutureMuseum (PEM will be hosting museum leaders for this event on May 28 and 29, 2025):https://www.museumbooster.com/future-museum Links for Making the Museum, the Podcast: Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter: Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.) Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management. Subscribe to the newsletter:https://www.makingthemuseum.com/

Episode No. 695 features artist Cannupa Hanska Luger and curator Ken Myers. The Nasher Museum of Art at Duke University is presenting "Cannupa Hanska Luger: Speechless," an examination of the complications of colonial histories from an Indigenous perspective. "Speechless" particularly focuses on how narratives, myths, and histories are constructed through the concept of the cargo cult, which developed as a result of Western military campaigns that delivered supplies to foreign lands inhabited by Indigenous peoples. These cults formed around the provisions that were delivered by the imperial forces (such as radios), the very groups that were colonizing Indigenous lands. The exhibition was curated by Apsara DiQuinzio and remains on view through July 6. Concurrently, Luger's work may be seen in the 16th Sharjah Biennial, "Breath(e): Toward Climate and Social Justice" at the Moody Center, Rice University, and in "Indigenous Identities: Here, Now & Always" at the Zimmerli Art Museum, Rutgers University. Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara and Lakota. His work, across a wide range of media, extends cultural awareness and enables action. His work has been presented in solo or two-person shows by the Public Art Fund, New York; the University of Michigan Museum of Art; the Peabody Essex Museum, Salem, Mass., and more. Works discussed on the program include: A single-channel version of Luger's Future Ancestral Technologies: New Myth, 2021; Luger's extended Mirror Shield project; and Luger's Uŋziwoslal Wašičuta installation series, which celebrates the Transportable Intergenerational Protection Infrastructure (TIPI), 2021-. Myers is the curator of "Painted with Silk: The Art of Early American Embroidery" at the Detroit Institute of Arts. "Painted with Silk" looks at how US schoolgirl embroideries made from the seventeenth to nineteenth centuries helped build and extend ideas around nation, gender, class, and religion. It also includes contemporary embroideries by Elaine Reichek that repurpose the form of earlier embroideries and investigate their constructions of gender, class, and race. The exhibition is on view through June 15. Instagram: Cannupa Hanska Luger, Tyler Green.

Ron and Lou discuss Houdini's attempt to prosecute mediums, the Spiritualist exhibit at the Peabody Essex Museum and Spiritualism...

Narwhals have fascinated and confounded humans for centuries. The Peabody Essex Museum is diving into the mystery, history and science of the tusked “unicorns of the sea.”

It's January of 1692 and there's something very wrong with 9 year old Betty Parris. Her father, the minister Samuel Parris, rushes to her bedside. Betty screams. Her body writhes under the blankets, twisting and contorting into grotesque shapes. She grunts, she moans, she snorts, and shrieks. She grabs a candle from the bedside table and hurls it across the room uttering a shrill scream as if defending herself from some invisible apparition. Soon, Betty's 11 year old cousin Abigail Williams is similarly afflicted. The girls are tormented, tortured, terrified, but by what? Parris calls in a doctor who takes one look at their bizarre behavior and quickly makes up his mind. This is the devil's work. When accusations and confessions of witchcraft follow soon after, the snowball begins its descent, growing and growing as it rolls into one of the most haunting events in American history. But what caused the madness of the Salem Witch Trials? There were no witches in Salem. How did the peculiar outbursts of a 9 year old girl lead to the deaths of 25 innocent people and 2 dogs? Was it conspiracy? Insanity? Unchecked patriarchy? Religion gone wrong? Was it food poisoning? And most importantly, could it happen again? Let's fix that. Support the show! Join the PatreonBuy Me a CoffeeVenmo @Shea-LaFountaineSources: Smithsonian Magazine "A Brief History of the Salem Witch Trials"History.com "Salem Witch Trials"Peabody Essex Museum "The Salem Witch Trials of 1692"Penn Today "Possessed: the Salem witch trials"History.com "Salem Witch Trials: Who Were the Main Accusers?"Wikipedia "Salem witch trials"Shoot me a message!

The Peabody Essex Museum, or PEM, has stood as a pillar institution in Salem for 225 years, and today we got to chat with Dr. Kurt Steinburg, the new COO of the PEM. Join Sarah and Jeffrey, your favorite Salem tour guides as they learn about some of the inner workings on how things operate at the PEM. What does it take to facilitate a historic collection like the PEM's? How they are moving forward within Salem's history and being that pillar, both of and in, the community? And when we asked Kurt what his favorite witch or wizard was, he had an answer we've never heard before! Also, be sure to stay tuned to the very end, we have a special walkthrough with your hosts of the new exhibit, Conjuring the Spirits: Art, Magic, and Mediums..   www.pem.org https://www.pem.org/about-pem/leadership-at-pem/kurt-t-steinberg-ed-d https://www.pem.org/exhibitions/conjuring-the-spirit-world-art-magic-and-mediums   Interested in Salem The Podcast Merch!?  CLICK HERE! Interested in supporting the Podcast? Looking for more Salem content? CLICK HERE! www.salemthepodcast.com NEW INSTAGRAM - @salemthepod Email - hello@salemthepodcast.com   Book a tour with Jeffrey at Salem Uncovered  www.salemuncovered.com  Book a tour with Sarah at Bewitched Historical Tours   www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

Guest: Maddie Burnley of BRNLY Brand and Burnley knives A former assistant curator of the Peabody Essex Museum shares her art life, and life now.

Long have we waited for a permanent exhibition on the Salem Witch Trials. After three temporary exhibits in as many years, the Peabody Essex Museum has answered. So we went to check it out! Join Sarah and Jeffrey, your favorite Salem tour guides, as they chat about this "new" exhibit. P.S. does anyone have a Nick Cage connection? https://www.pem.org/exhibitions/the-salem-witch-trials-1692 Vampire Ball Playbill   Interested in Salem The Podcast Merch!?  CLICK HERE! Interested in supporting the Podcast? Looking for more Salem content? CLICK HERE! www.salemthepodcast.com NEW INSTAGRAM - @salemthepod Email - hello@salemthepodcast.com   Book a tour with Jeffrey at Salem Uncovered  www.salemuncovered.com  Book a tour with Sarah at Bewitched Historical Tours  www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

Kristina Logan makes unique and complex beads in intricate patterns whose sometimes knobby forms recall the remarkable eye beads made in ancient China. Yet Logan's style is purely contemporary, reflected in work that stands out for its originality, sophistication, and innovation. She is not only interested in beads as body adornment but also as decorative elements for boxes, candlesticks, goblets and teapots. Logan states: “Beads are part of my lifelong fascination with art and ornamentation. Glass beads form a historical thread, connecting people and cultures throughout our history.” In 2002, Logan was one of only four artists selected for exhibition in the Smithsonian American Art Museum's Renwick Gallery Invitational Four Discoveries in Craft. “Logan's beads exist in their own right as art… ,” writes Kenneth Trapp, Curator-in-Charge at the Renwick Gallery.  Articles about Logan's work have appeared in numerous publications including ORNAMENT magazine, GLASS magazine, Beadwork magazine, Bead & Button magazine, Lapidary Journal, and La Revue de la Céramique et du Verre. Her work has been collected by the Smithsonian Museum of American Art, Renwick Gallery, The Peabody Essex Museum in Salem, Massachusetts, the Corning Museum of Glass, the Museum of Fine Arts, Boston, and the Musée du Verre de Sars-Poteries, France. The artist served as president of the International Society of Glass Beadmakers from 1996 to 1998. Logan's work and desire to educate has been an inspiration for many glass beadmakers throughout the world. She travels extensively throughout the United States and Europe teaching workshops and lecturing on contemporary glass beads and jewelry at places such as The Studio at the Corning Museum of Glass, UrbanGlass, Haystack Mountain School of Crafts, Penland School of Craft, Carlisle School of Glass Art, Millville, New Jersey, Musée-Atelier du Verre à Sars-Poteries in France, and Centro Studio Vetro and Abate Zanetti in Venice, Italy. The Corning Museum of Glass produced a DVD video in 2009 of Logan's flamework beadmaking as part of their Master Class Series. An excerpt and full version of the video is available on YouTube and on Logan's website. https://www.kristinalogan.com/videos Having taught at The Studio of the Corning Museum of Glass earlier this year, Logan is now focusing on several projects that have been incubating over the years, including casting small vessels and encrusting them with beads and metal – some that stand alone individually and also as a group of 12 vessels that represent a personal calendar or living reliquary. She also continues working on a new collection of beads centric necklaces. And most importantly, Logan is documenting more of her work on YouTube. She says: “I would like to document with videos more of what I do. I am not ready to teach online or offer specific tutorials, but I would like to use YouTube as a way to share footage from my studio. I am thinking about this as an extension of my creative process–I love being behind a camera. I love being a maker, and I have been so fortunate to learn from others over the years. I want to be part of what I see as a cycle of learning and giving back. As I age, I also think about how I would like to document what I do for my kids and future artists.   “I have been fortunate enough to have made a living at what I do, and I would like to be honest about how I have done that.”  

Long have we waited for a permanent exhibition on the Salem Witch Trials. After three temporary exhibits in as many years, the Peabody Essex Museum has answered. So we went to check it out! Join Sarah and Jeffrey, your favorite Salem tour guides, as they chat about this "new" exhibit. P.S. does anyone have a Nick Cage connection? https://www.pem.org/exhibitions/the-salem-witch-trials-1692 Vampire Ball Playbill   Interested in Salem The Podcast Merch!?  CLICK HERE! Interested in supporting the Podcast? Looking for more Salem content? CLICK HERE! www.salemthepodcast.com NEW INSTAGRAM - @salemthepod Email - hello@salemthepodcast.com   Book a tour with Jeffrey at Salem Uncovered  www.salemuncovered.com  Book a tour with Sarah at Bewitched Historical Tours  www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

There is a white colonial style house on Essex Street in Salem, Massachusetts. If it looks familiar to you it's because it was used in the Disney movie HOCUS POCUS.But this house is not just a movie location. Its history is much more interesting than that.It's been mobbed, modernized, and reutilized. One inhabitant died of smallpox, and a later inhabitant caught fire.Today the Ropes Mansion is owned by the Peabody Essex Museum.You can visit it and ghost tours are also available.In this week's episode of the True Hauntings Podcast we put on our Pointy witch's hatsand take our magic wands down Essex Street to knock on the front door of Ropes Mansion so that we can find out for ourselves who is still haunting this building and what they might want!It's only about 10 weeks before we visit Salem for ourselves and we can hardly contain our excitement.Expect a lot of stories about Salem between now and then and also check out our socials for photos and lives while we are overseas.Hello True Hauntings Podcast Fans and first time listeners,As from this episode we no longer have to capable production work that was part of the podcast for the last two years - our beautiful Bonnie, who took the raw material we recorded and made sense of it has needed to move on and become the legend that she deserves to be.So Anne has taken it upon herself to grab the reigns of producing the podcast from now on.May God be with her!!!She is a powerhouse of accepting challenges and is doing her best to keep the quality of the show exactly what our listeners are used to.Please forgive any blips that might come up over the next month or two as she now adds this craft under her belt of skills.We thank Bonnie for her selfless giving over the last 24 months from the very moment she came in to save us when we lost our first producer of the podcast she has been a lifesaver!We also acknowledge the amazing work she has done to get us ever closer to 1 million downloads.This is STILL OUR MISSION for 2024.We would love to see True Hauntings get to 1 million downloads by New Years Eve 2024.Let's do it.As always -We hope you enjoy this episode - please leave a review and jump on over to our True Hauntings Fans Facebook page and tell us.LOVE OUR WORK?Consider supporting our work by buying us a "cup of coffee" https://www.buymeacoffee.com/anneandrenataORbecome a Grand Poobah Patreon supporter, and join our inner circle of craziness!https://www.patreon.com/anneandrenataJoin us on our Facebook page - https://www.facebook.com/TrueHauntingsPodcastP.S. If you want more Anne and Renata - catch our PODCAST - Diary of a Ghost Hunter on all the best streaming platforms to find out what our life as female ghost hunters is really like (no Bullsh*t).Please subscribe to our YouTube Channel as we are wanting to get more views and engagement and check out our travel videos Frightfully Good Misadventures - we re adding new episodes of some of our latest adventures every week.Also Follow Anne and Renata:Facebook: @AnneAndRenataInstagram: @AnneAndRenataYouTube: @AnneAndRenataTikTok: @AnneAndRenata#anneandrenata #ghosts #hauntings #paranormalpodcast #frightfullygood #FrightfullyGood #HauntedHolidays #diaryofaghosthunter #poltergeist #ghostbusters #ropesmansionsalem #hauntedsalem #HauntedUSA #hauntedplacesUSA #HocusPocus #MostHauntedSalem #RopesMansionUSA Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.This week on the Ordinary Extraordinary Cemetery podcast Jennie and Dianne chat about Dianne's recent East Coast adventures in Rhode Island and Massachusetts. Dianne shares about the many historical locations she visited including the Lizzie Borden house in Fall River Massachusetts, sites important to the American revolution and of course several of America's oldest cemeteries. Get ready for a dose of history, humor and inspiration to explore history in your own backyard!Now on YouTube! https://youtu.be/Rrzm1xKSkSY?si=BNGrhQV2Vbjtu_x_To shop Hart and Horn click here: https://www.etsy.com/shop/HartandHornIf you are interested in visiting some of the sites mentioned in this episode, follow the links below to learn more:In Providence, Rhode Island: https://www.goprovidence.com/things-to-do/historic-providence/historic-attractions/?bounds=false&view=list&sort=qualityScoreIn Fall River, Massachusetts:Lizzie Borden House: https://lizzie-borden.com/Additional Historical Sites: https://stantonhouseinn.com/things-to-do-in-fall-river-ma-attractionsIn Ipswich, Massachusetts: https://historicipswich.net/In Salem, Massachusetts: Salem Witch Museum: https://salemwitchmuseum.com/The House of the Seven Gables: https://7gables.org/The Peabody Essex Museum: https://www.pem.org/The Charter Street Cemetery: https://www.charterstreetcemetery.com/All things Salem: https://www.salem.org/What It's Like To Be...What's it like to be a Cattle Rancher? FBI Special Agent? Professional Santa? Find out!Listen on: Apple Podcasts Spotify

Episode No. 661 is a holiday clips episode featuring curator Elizabeth Hutton Turner.  Along with Austen Barron Bailly, Turner was the co-curator of “Jacob Lawrence: The American Struggle.” The exhibition, which debuted at the Peabody Essex Museum in Salem, Massachusetts in 2020, presented Lawrence's 1954-56 “Struggle: From the History of the American People.” The series presents a revisionist and pictorial history of the first five decades of the US republic, or what Lawrence called “the struggles of a people to create a nation and their attempt to build a democracy.” The exhibition marked the first time in more than 60 years that the paintings had been together. The excellent catalogue was published by University of Washington Press. Amazon offers it for $45. For images, see Episode No. 435.

Ep.206 Andrea Grover is the Executive Director of Guild Hall, the cornerstone cultural institution of East Hampton that combines a museum, theater, and education center. Guild Hall is completing a facility-wide renovation to restore the 1930s-era building and grounds to state-of-the-art performance and functionality. Grover has over 25 years of experience in curatorial and nonprofit leadership, focusing on art/science, moving image art, maritime themes, innovation, and participation. Most recently, she was the curator of the 2021 exhibition Alexis Rockman Shipwrecks, presented at Guild Hall, Peabody Essex Museum, Salem, MA, The Ackland Art Museum at UNC-Chapel Hill, NC, and Princeton University Art Museum, Princeton, NJ. Before joining Guild Hall in 2016, she was the Curator of Special Projects at the Parrish Art Museum, where she was awarded both a Tremaine Foundation and an AADA Curatorial Award for her exhibition, Radical Seafaring. At the Parrish, she established the extremely popular community-driven program PechaKucha Night Hamptons and the exhibition series Parrish Road Show and Platform. Grover founded the nonprofit film center Aurora Picture Show, Houston, Texas, at age 27. This groundbreaking entity focuses on experimental artist-made movies and installations and celebrates its 26th anniversary in 2024. With expertise in artists who work in scientific or technological spaces, she has served as a panelist or advisor for the Pew Foundation for Arts & Heritage, Pulitzer Arts Foundation, Rauschenberg Foundation, and Bogliasco Foundation. She has taught interdisciplinary courses at the University of Houston and Texas Southern University. She has been a guest speaker or juror at SXSW Interactive, Austin, Texas, and Ars Electronica, Linz, Austria, among many others. Grover has received fellowships from the Center for Curatorial Leadership, the Museum of Fine Arts, Houston, STUDIO for Creative Inquiry at Carnegie Mellon University, and the Warhol Foundation. She holds an MFA from the School of the Art Institute of Chicago and a BFA from Syracuse University. Photo credit: Lori Hawkins Andrea Grover https://www.andreagrover.com/ Guild Hall https://www.guildhall.org/people/andrea-grover/ Wikipedia https://en.wikipedia.org/wiki/Andrea_Grover Studio for Creative Inquiry https://studioforcreativeinquiry.org/people/andrea-grover IMAGO https://www.imago-images.com/st/0443350624 Hamptons https://hamptons.com/guild-hall-executive-director-andrea-grover-board-chairman-marty-cohen-on-entering-phase-2/ AAQ https://aaqeastend.com/bulletins/guild-hall-an-insiders-tour-of-guild-hall-w-executive-director-andrea-grover-annual-appeal/ Long Island https://events.longisland.com/executive-directors-choice-with-andrea-grover.html

Episode No. 656 features artist María Magdalena Campos-Pons and curator Lauren Applebaum. "María Magdalena Campos-Pons: Behold", now at the Nasher Museum of Art at Duke University, is the first multimedia survey of Campos-Pons' work in 17 years. The exhibition spotlights Campos-Pons' photography, installation, and performance-based practices, which typically address global histories of enslavement, indentured labor, motherhood, and migration -- how their impacts continue into the present. The exhibition is on view at Duke through June 9. It was curated by Carmen earmo Hermo and Mazie Harris with Jenée-Daria Strand. The exhibition is accompanied by a catalogue published by the Getty and the Brooklyn Museum. Amazon and Bookshop offer it for $33-42. On the program host Tyler Green mentions this excellent website published by the Peabody Essex Museum, Salem, Mass. on the occasion of its 2016 Campos-Pons exhibition. With Daniel Ackermann, Lea Lane, and Jenny Garwood, Applebaum is a co-curator of "Layered Legacies: Quilts from the Museum of Early Southern Decorative Arts at Old Salem" at the North Carolina Museum of Art, Raleigh. The exhibition includes more than 30 quilts and related objects from the MESDA collection (as well as some from private collections) and presents new, revised investigations into their making. It is on view through July 21. NCMA published a catalogue to accompany the exhibition; it is only available at the museum.

Land art, the movement which emerged in the 1960s and 70s with artists such as Robert Smithson, Nancy Holt, and Michael Heizer erecting monumental works in far-flung destinations, is widely regarded for its engagement with the environment and its elements. These remarkable installations are crafted in concert with the Earth, meant to evolve as sun, storms, and seasons weather them continuously over time. But what if you homed in on the core of this concept, creating sweeping land artworks in ways and places where they would be truly temporary, imprints made for a moment before disappearing back into the Earth? This is the crux of California-based artist Jim Denevan's dynamic practice, which involves interacting with topographies and terrains to craft ephemeral compositions that play with the impermanence of our ever-changing world. Since the mid-1990s, Denevan has traversed the globe creating unfathomably massive works in sand, earth, and ice, often using no more than a rake, stick, or even the soles of his feet. He has etched miles-long Fibonacci circles in Siberia's frozen Lake Baikal, drawn shore-spanning spirals in San Francisco's Ocean Beach, and sculpted concentric rings of sand mounds at international public art exhibitions Desert X AlUla in Saudi Arabia and Manar Abu Dhabi. His work has been featured in institutional shows at MoMA PS1, the Peabody Essex Museum, and the Yerba Buena Center for the Arts, as well as the Oscar long-listed documentary Man in the Field, which explored Denevan's artistic career and his culinary trajectory as the founder of Outstanding in the Field, a roving restaurant set where food is sourced to connect diners with the origins of their meals. This spring, Artnet collaborated with Denevan on an original project, titled “You Only Live Once,” showcasing the all-new 2024 Lexus GX alongside the artist bringing to life an incredible land artwork in Lake Harper north of Los Angeles. Taking the shape of the universal number “1,” the more than quarter-mile piece is a dramatic testament to making the most of our time on this Earth by confidently pursuing our curiosities and drive for adventure.

Tess Lukey is co-curator of the inaugural Boston Triennial and Associate Curator of Native American Art at The Trustees of Reservations (The Trustees), the nation's first and state's largest land conservation nonprofit. Lukey, an Aquinnah Wampanoag tribal member and lifelong New Englander, previously worked for the Museum of Fine Arts and the Society of Arts and Crafts in Boston, and the John Sommers Gallery in Albuquerque, New Mexico. She has also completed fellowships at the Peabody Essex Museum in Salem, Massachusetts, and the Hibben Center for Archaeology Study and the Maxwell Museum of Anthropology in Albuquerque. Lukey is also a traditional potter and basket weaver practicing the techniques of her own Indigenous community.She and Zuckerman discuss reciprocity, pairing artists and experts, how artists can address things in ways that no one else can, teaching people about making, her relation with clay, finger weaving, physically working with a place, being an artist, a maker, and a member, how art needs people, gaining family and realizing who she is, working with the land, guiding museums about respecting tribal sovereignty, her studio visit strategy, magical moments, making ceramics sing, and what can contain all the knowledge in the world!

WBZ NewsRadio's Brooke McCarthy reports. 

In Part 2 of this episode about William Bentley, join curators and experts as we continue looking at the remarkable and storied life this popular polymath, collector, and diarist. Bentley was a consultant on the founding of the Peabody Essex Museum and an influencer, shaping Salem to be the city it is today.

Join Jenny, Kloe and Liz as they explore historic houses across the world, their unique charms, and quirky challenges. Phedra whisks us away to a sun-soaked historic house museum in Cyprus, while Liz delves into the meticulous conservation efforts at Sir John Soane's Museum with Jane Wilkinson. Finally, Kloe has a chat with Helen Antrobus about what it's like working in the National Trust. 00:00:28 What's a historic house? 00:03:18 Are all of them posh? 00:07:03 Nature and heritage in harmony 00:09:30 Our favourites 00:16:30 Jenny feels like an alien 00:23:14 Mitigating damage 00:24:56 Houses still in use 00:31:12 Challenges and temptations 00:37:21 What era are we interpreting or preserving? 00:40:57 Pests and damp patches 00:44:28 Patreon shout out 00:45:00 Interview with Jane Wilkinson 00:56:00 Phedra's visit to Lefkara 01:07:17 Interview with Helen Antrobus Show Notes: - National Trust: https://www.nationaltrust.org.uk/ - NT annual report Jenny quoted: https://documents.nationaltrust.org.uk/story/annual-report-2023/page/1 - Historic Houses (UK): https://www.historichouses.org/ - Rembrandt House, Amsterdam: https://www.rembrandthuis.nl/en/ - Kettles Yard, Cambridge: https://www.kettlesyard.cam.ac.uk/history-of-kettles-yard/ - Pollok House, Glasgow: https://www.nts.org.uk/stories/pollok-house-major-refurbishment - FAI or the National Trust for Italy: https://fai-international.org/ - Isabella Stewart Gardner Museum: https://www.gardnermuseum.org/ - Gawthorpe Hall, Ightenhill: https://www.nationaltrust.org.uk/visit/liverpool-lancashire/gawthorpe-hall - Chatsworth, Bakewell: https://www.chatsworth.org/ - Yin Yu Tang at Peabody Essex Museum: https://www.pem.org/yin-yu-tang-a-chinese-home - St Fagans National Museum of History in Wales: https://museum.wales/stfagans/ - Beamish, the Living Museum of the North, in England: https://www.beamish.org.uk/ - Museo Horne: https://www.museohorne.it/en/ - Holker Hall in Cumbria: https://www.holker.co.uk/ - West Dean College: https://www.westdean.ac.uk/ - Barnes foundation move in Philadelphia: https://www.nytimes.com/2004/12/14/arts/design/judge-rules-the-barnes-can-move-to-philadelphia.html - S10E04 Halloween special with haunted properties: https://thecword.show/2021/10/28/s10e04-halloween-special/ - Old World Wisconsin: https://oldworldwisconsin.wisconsinhistory.org/ - Sir John Soane's Museum: https://www.soane.org/ - The book mentioned by Liz: https://shop.soane.org/collections/books-and-maps/products/a-complete-description-of-sir-john-soanes-museum-24 - The Local Museum of Traditional Embroidery and Silversmith-work, Lefkara (for the virtual tour!): https://larnakaregion.com/directory/product/local-museum-traditional-embroidery-and-silversmith-work-lefkara - S10E02 Working with Curators: https://thecword.show/2021/09/29/s10e02-working-with-curators/ - Visiting the National Trust conservation studios: https://www.nationaltrust.org.uk/search?type=place&query=conservation - Hidden Treasures of the National Trust on the BBC: https://www.bbc.co.uk/programmes/m001lttx Support us on Patreon! http://www.patreon.com/thecword Hosted by Liz Hébert, Kloe Rumsey, and Jenny Mathiasson. Intro and outro music by DDmyzik, used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2024.

Cara Romero, born 1977 (Chemehuevi/ American) In a fine art photographic practice that blends documentary and commercial aesthetics, Cara Romero (Chemehuevi Indian Tribe) creates stories that draw from intertribal knowledge to expose the fissures and fusions of Indigenous and non-Indigenous cultural memory, collective history, and futurity. Romero has held solo exhibitions in the US, UK, and Germany. Her recent group exhibitions include Our Selves: Photographs by Women Photographers at the Museum of Modern Art and Water Memories at the Metropolitan Museum of Art (2022). Her public art projects include #TONGVALAND presented in Los Angeles by NDN Collective (2021); Restoration: Now or Never with Save Art Space in London (2020), and Desert X in the Coachella Valley (2019).  Widely collected, Romero's photographs are in private and public collections including those at the Denver Art Museum, the Peabody Essex Museum, The Hood Museum, the Minneapolis Institute of Art, the MoMA, the Nelson-Atkins Museum of Art, Los Angeles County Museum of Art, and the MET. Romero was raised between the rural Chemehuevi reservation in California's Mojave Desert and the urban sprawl of Houston. She is based in Santa Fe.

Jacques Vesery, a celebrated artist and sculptor, and Minda Gold, a compassionate family physician bring a thoughtful and personal perspective to the question, 'what does good work mean to you'? In this episode, they share their personal stories, diverse experiences, and the profound insights they've gained over 33 years of marriage. As Jacques' hands bring wood to life and Minda tends to her patients personally through direct primary care, they explore the intersections of art and medicine, the pursuit of fulfillment, and the importance of living your values, even when it doesn't receive recognition. Together, they'll inspire you to embrace creativity, prioritize nature, and connect with the threads that bind us all. Key Takeaways: Explore the challenges and rewards of balancing artistry with the demands of medicine and the importance of staying true to one's vision. Gain insights into the power of collaboration, building supportive communities, and the impact of art on connecting people across cultures. Learn about the direct primary care movement and how it is changing the way doctors are able to care for their patients. Embrace the significance of slowing down and reconnecting with nature. Creating art with integrity, and finding fulfillment in throughout life's twists and turns. Resources Mentioned: Jacques Vesery Art New England Direct Primary Care Association The Peace Gallery About Minda: Minda, a dedicated family physician, champions the benefits of the direct primary care movement. Direct Primary Care doctors actually spend time with their patients, with standard appointment lengths ranging from thirty minutes to an hour or more. DPC takes out the middleman, cuts through the layers of bureaucratic complexity and provides good, old-fashioned customer service — it is the best of old fashioned medicine in modern times Minda has navigated a diverse range of experiences, from marine biology to the evolution of how she chooses to practice medicine. Minda lives and practices in Damariscotta, Maine, USA. About Jacques: Jacques Vesery is an Artist/ Sculptor from Damariscotta and has lived in Maine for over 25 years. Striving to create an illusion of reality, his vision and inspiration begins with repetitive patterns derived from the 'golden mean' or 'divine proportions'. The marriage of pattern, form and proportion conveys a sense ofgrowth from within each of his pieces. His work is in numerous public and private collections includingthe Detroit Institute of Art, The Renwick Gallery-Smithsonian American Art Museum, Yale University Art Gallery, Peabody-Essex Museum, The Carnegie Museum and Permanent Museum collections in France, Turkey and Japan. He has participated in many collaborative art projects around the world and was lead artist for two such events, “The Kopru Project” in Eskisehir, Turkey 2015 and “Brick by Brick” in Nepal 2016. Jacques recently taught “Collaboration” at Harvard University for the School of Engineering and Applied Sciences fortwo semesters as well. His work has been included in over 30 publications including '100 Artists of New England', 'Scratching the Surface', 'Wood Art Today', 'Natured Transformed', 'New Masters of Woodturning'and the Fine Art of Wood'.

Bats have an interesting association with Salem, a place that celebrates Halloween pretty much year round. We're used to seeing multiple versions of Dracula around town. But a small colony of live Egyptian fruit bats living in a specially designed enclosure at the Peabody Essex Museum...that's something new. In this episode, we give much respect and appreciation to bats as vital living beings on the planet. Join host DInah Cardin, curator Jane Winchell and local artist Maia Mattson. The episode takes us foraging for plants in Salem, looking for bats in California and under a night sky in Maine.

Radio Boston learns more about the new exhibit at the Peabody Essex Museum called: "The Salem Witch Trials: Restoring Justice." It explores the trials and their aftermath through court documents and physical objects owned by those accused and the accusers. 

The exhibit at the Peabody Essex Museum blends contemporary artworks, pop culture memorabilia and historical depictions to explore how people have loved and hated these winged mammals through the ages.

Grab your spell books, get those cauldrons bubbling, and ready your broomsticks. In Episode 88, Call Number delves into the world of witchcraft. First, American Libraries Associate Editor Megan Bennett speaks with Dan Lipcan, of Phillips Library at Peabody Essex Museum in Salem, Massachusetts. The two discuss the library's vast collection of materials related to the 1692 Salem Witch Trials and debunk common myths and misconceptions. Then, three staffers from Troy (Mich.) Public Library—director Emily Dumas; livia Olson, head of community engagement; and Nicole Armstrong, marketing associate—share spine-tingling snippets from the winning entries of the library's 2022 Scary Story Contest. Finally, American Libraries Associate Editor and Call Number host Diana Panuncial speaks with KL Pereira, archivist and curatorial information manager at Norman Rockwell Museum in Stockbridge, Massachusetts. Pereira has taught classes at libraries on how to perform tarot card readings and shares the ways in which library workers can implement similar programs. Plus, watch the video on americanlibraries.org to hear Pereira giving Panuncial a personal reading—you don't want to miss Pereira's expertise at work.

An astonishing maritime painting depicting a 19th century yacht race was brought to GBH's Antiques Roadshow in Tampa, FL in 2005.  Although unsigned, the extraordinary depiction of billowing sails and light-reflected sea spray clearly pointed to the work of artist James Buttersworth and was valued at $250,000 to $500,000 – the caveat being that more research would be needed to definitively prove the artist's identity. Join host Adam Monahan as he speaks with art experts, museum curators and learns what public opinion revealed about the artist's true identity and whether the mystery has finally been resolved.

“Every woman is beautiful.” Thank you, Yolanda, for this treasured conversation. Fashion icon Yolanda Cellucci is featured in this episode of BTS: Behind the Scenes with Deb Colameta. Thankful to our media partners at MediaBoss and the creative geniuses Ian Barrett, Erin Hayes and their team for producing this piece. https://www.mediabosstv.com Grateful to the Peabody Essex Museum for giving special permission and “all-access” for this. https://www.pem.org/exhibitions/fashion-design-gallery https://www.TheDebSite.com Please tap the like button for this episode and subscribe to my channel! Link

Have you lost your sparkle lately? What can you do TODAY to get your motor running? Are you a business owner? A self-made successful entrepreneur, sales/marketing genius, and fashion icon, ✨Yolanda✨ shares her advice with you in my exclusive on-site interview. This fashion icon and philanthropist has a new exhibit at the Peabody Essex Museum. She's a role model for us all. From Idea to Inception… and everything in between, the PEM curators give us an exclusive behind the scenes peek on bringing this glamorous fashion exhibit to life! Thank you, Yolanda, for this treasured conversation. The Peabody Essex Museum is featuring her collection, currently on exhibit there. Visit and support this gorgeous place. https://www.pem.org/ Grateful to the PEM for giving special permission and “all-access” for this after-hours exclusive.

Benjamin Miller continues his odyssey through the PEM's James B. and Mary Lou Hawkes Collection Center, which embraces a sizeable portion of the museum's nearly 2 million objects sourced from around the globe. Christian Louboutins and a $2.1 million copy of the Declaration of Independence are on the menu, as Ben speaks with Angela Segalla, director of the Collection Center, curators Karina Corrigan and Paula Richter, and Dan Lipcan, director of PEM's Phillips Library.

The Peabody Essex Museum is the custodian of many artifacts and documents from the Salem Witch Trials. AND, they have a new exhibit! So you know we had to go and check it out. Join your favorite Salem tour guides to hear an overview and review of Restoring Justice. We'll chat about some things we loved, some things we hated, and why it is so important to continue having these discussions.   Interested in Salem The Podcast Merch!?  CLICK HERE! Interested in supporting the Podcast? Looking for more Salem content? CLICK HERE! www.salemthepodcast.com NEW INSTAGRAM - @salemthepod Email - hello@salemthepodcast.com   Book a tour with Jeffrey at Better Than Fiction Tours   www.btftours.com Book a tour with Sarah at Bewitched Historical Tours   www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

The Peabody Essex Museum is the custodian of many artifacts and documents from the Salem Witch Trials. AND, they have a new exhibit! So you know we had to go and check it out. Join your favorite Salem tour guides to hear an overview and review of Restoring Justice. We'll chat about some things we loved, some things we hated, and why it is so important to continue having these discussions.   Interested in Salem The Podcast Merch!?  CLICK HERE! Interested in supporting the Podcast? Looking for more Salem content? CLICK HERE! www.salemthepodcast.com NEW INSTAGRAM - @salemthepod Email - hello@salemthepodcast.com   Book a tour with Jeffrey at Better Than Fiction Tours   www.btftours.com Book a tour with Sarah at Bewitched Historical Tours   www.bewitchedtours.com   Intro/Outro Music from Uppbeat: https://uppbeat.io/t/all-good-folks/unfamiliar-faces License code: NGSBY7LA1HTVAUJE

The Peabody Essex Museum in Salem, Massachusetts, is the United States' oldest continuously operating museum. Today it embraces nearly 1 million objects from around the globe. However, as with most museums, space and programming constraints mean that only a fraction of these can be on view at any one time. Enter PEM's James B. and Mary Lou Hawkes Collection Center, a massive new facility that gives curators, visiting scholars—and Ben Miller, host of Curious Objects—access to Jingdazhen punch bowls, documents from the Salem Witch Trials, showy Persian shoes, and much, much more. Feat. Angela Segalla, director of the Collection Center, curators Karina Corrigan and Paula Richter, and Dan Lipcan, director of PEM's Phillips Library.

There are several named storms in the Atlantic and the Caribbean. Free subway rides from Kenmore Square after tonight's Guns N' Roses concert at Fenway Park. A hairy exhibit at the Peabody Essex Museum. 5 minutes of news that will keep you in The Loop.

This week on Sinica, Kaiser welcomes back Lyle Goldstein, director for China engagement at the think tank Defense Priorities and previously a professor at the U.S. Naval War College, where he taught for 20 years. Lyle offers his perspectives on an extensive wargaming exercise focusing on a Chinese amphibious assault on Taiwan, conducted under the auspices of CSIS (the Center for Strategic and International Studies) and published in January of this year — the first such exercise whose findings were made public. He offers insight into the real value of the exercise, as well as some of its shortcomings.01:03 – The First Battle of the Next War: Wargaming a Chinese Invasion of Taiwan – the first large-scale publicly available wargame conducted by CSIS04:05 – The history of wargaming and its significance09:09 – What is the value of wargaming?13:12 – The physical setup of the wargames and the role of dice and technology in contingency17:49 – The assumptions that go into the game22:05 – How much agency do the players have?24:16 – How are the decisions of other countries factored in the wargame?26:11 – Pros and cons of the CSIS wargame31:57 – Thoughts on the possibility of nuclear escalation38:43 – A take on the report's assumptions and conclusions47:37 – Will we get a warning?A complete transcript of this episode is available at TheChinaProject.com.Recommendations:CSIS Report: The First Battle of the Next War: Wargaming a Chinese Invasion of TaiwanLyle: Yin Yu Tang in Peabody Essex Museum, Salem, MassachusettsKaiser: The Story of Civilization [Volumes 1 to 11] by Will & Ariel DurantOur Oriental Heritage: The Story of Civilization, Volume 1 by Will DurantMentioned:Meeting China Halfway: How to Defuse the Emerging US-China Rivalry by Lyle J. GoldsteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's episode of Our Idle Hands is brought to you unofficially my the New England Board of Tourism! In our longest episode yet, Massachusetts born witches, Mame and Bill Crisafi talk about Bill's work in illustration, sculpture, drag and his recent show with fiance Hogan McLaughlin at the Peabody Essex Museum. Find Bill on instagram @billsafi Follow Mame on Instagram @severelymame Join the Vintage Stitch Witch Coven HERE

LIVE from Diehl Marcus & Company on July 11th

LIVE from Diehl Marcus & Company on July 11th

In this week's episode, Severely Mame talks with designer, dancer and illustrator Hogan McLaughlin on the magic of clothing, their design career and process, and their upcoming event at the Peabody Essex Museum in Salem, MA with their fiance Bill Crisafi. Details from the episode Midsummer- Peabody Essex Museum June 23rd 2023 Hogan's Instagram @hoganmclaughlin Bill Crisafi @billsafi Courtney B Hall @light_witch Ana Matronic @msanamatronic Make sure to follow Mame on instagram @SeverelyMame Join The Vintage Stitch Witch Coven at Patreon.com/severelymame for exclusive content from Mame!

Tanya Nixon-Silberg (she/her) is a Black mother, native Bostonian, educator, puppeteer and founder of Little Uprisings- an organization focused on centering artivism, racial justice, and liberation with kids. Her primary artistic identities lie in puppetry and storytelling and her work moves through the lens of liberation in Black identities focusing on body remembrances of childhood and joy. Her puppetry productions and creative research have been funded by The Jim Henson Foundation, National Endowment for the Arts,Puppet Showplace Theater, Boston Cultural Council and The Boston Foundation. Tanya's large-scale community-driven artistry has been exhibited at many Greater Boston institutions including the ICA, Massachusetts College of Art and Design, Peabody Essex Museum, and Fuller Craft Museum. She is currently in a multi-year partnership with Boston and Brookline Public Schools leading anti-bias/anti-racism professional learning and curriculum development. Tanya is also the co-leader of the Un-ADULT-erated Black Joy Collective with other Black mothers in Boston, and co-producer of Play for Change with the Gottabees. You will mostly find Tanya playing and learning from her 10-year-old, groaning from her husband's puns and imagining how we all get free together. You may find information on Tanya's upcoming public art installation here. You can follow along with Tanya on Instagram.

On this episode, Trina speaks with Tanya Nixon-Silberg, founder of Little Uprisings, an organization focused on centering artivism, racial justice, and liberation with kids. Her primary artistic identities lie in puppetry and storytelling and her work moves through the lens of liberation in Black identities focusing on body remembrances of childhood and joy. Tanya's large-scale community-driven artistry has been exhibited at many Greater Boston institutions including the ICA, Massachusetts College of Art and Design, Peabody Essex Museum, and Fuller Craft Museum. She is currently in a multi-year partnership with Boston and Brookline Public Schools leading anti-bias/anti-racism professional learning and curriculum development. Tanya is also the co-leader of the Un-ADULT-erated Black Joy Collective with other Black mothers in Boston, and co-producer of Play for Change with the Gottabees.  Resources: www.nowandthere.org/tanya-nixonsilberg-project www.littleuprisings.org

Welcome, Kyle DeCicco-Carey to In-Focus Podcast Number 146! Kyle is the Library Director at the Millicent Library in Fairhaven, Massachusetts, and will be speaking with us for the third time about Robert Swain Gifford, also known as R. Swain Gifford. Kyle's first visit was Episode 132 about William Bradford. His second was Episode 133 about Lemuel Eldred. This is a five-part series on celebrated Fairhaven artists from days gone by. It is supported in part by a grant from the Fairhaven Cultural Council, a local agency, which is supported by the Mass Cultural Council, a state agency. “Kyle DeCicco-Carey has nearly 20 years of professional library experience. He comes to the Millicent Library from Harvard University, where he was a senior reference archivist in the property information resource center. He has experience as an interim library director at the Mattapoisett Free Public Library, and is president of the Board of Directors of the Mattapoisett Historical Society.” [Fairhaven Neighborhood News] Kyle holds a master's degree in library and information science from Simmons University and, a digital archives specialist certification from the Society of American Archivists. He also holds certifications from the Academy of Certified Archivists and the Harvard Extension School in nonprofit management. He has over twenty years of library, archive, and museum experience. ROBERT SWAIN GIFFORD American Landscape Painter December 23, 1840 – January 15, 1905 Kyle tells us that, “at age two, Robert Swain Gifford came to Fairhaven with his family from Nonamesset Island where he was born in 1840. He had developed a love of art by the time he met Albertus Van Beest as a teen. He would study with Van Beest and William Bradford before opening his own studio in New Bedford, Boston, and later New York.” “His artwork consisted of etchings, oil paintings, and watercolors. His landscapes were influenced by the Barbizon School of Painting. Gifford traveled to the western US and overseas to England, France, Spain, and Egypt creating landscapes of the places he visited. He would later take part in the Harriman Expedition of Alaska and the Bering Straight along with George Bird Grinnell, John Muir, Edward S. Curtis, and others.” Gifford served on the National Academy of Design Council and taught at the Cooper Union School. He died in 1905 in New York and is buried at Rural Cemetery in New Bedford. Several works by Gifford are on display at the Millicent Library in Fairhaven. His work may be seen in Fairhaven Town Hall, The Millicent Library, the Peabody Essex Museum in Salem, Massachusetts, the New Bedford Whaling Museum, and the Kendall Whaling Museum. Listen in on this conversation as The Artist Index's Co-Founder/Host – Ron Fortier – delves more into Robert Swain Gifford's life, work, and legacy with Kyle DeCicci-Cary. The whole concept of The Artists Index and our journey is still in the making and very organic. If you would like to be a guest or, have a suggestion, please let us know! The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond.  

Episode No. 595 features curators JR Henneman and Stephanie Tung. Henneman is the curator of "Near East to Far West: Fictions of French and American Colonialism" at the Denver Art Museum. The exhibition explores how the style and substance of French Orientalism -- art inspired by French colonial expansion into North Africa and the Islamic world -- informed United States artists and their representations of lands the US acquired as part of its imperial expansion. The exhibition is on view through May 29. Its superb catalogue was published by the Denver Art Museum. Amazon offers it for about $65. Along with Karina H. Corrigan, Tung is the curator of "Power and Perspective: Early Photography in China" at the Peabody Essex Museum in Salem, Mass. The exhibition reveals how photographers helped determine how the world viewed nineteenth-century China. The exhibition features 130 photographs, as well as paintings, decorative arts, and prints. It is on view through April 2. The excellent exhibition catalogue was published by the museum. Amazon offers it for about $60.

We had the most incredible conversation with Yumi Sakugawa (she/they) in this week's episode! Yumi is a second-generation Japanese-Okinawan-American interdisciplinary artist based in Los Angeles and the author of several published books including, I THINK I AM IN FRIEND-LOVE WITH YOU, YOUR ILLUSTRATED GUIDE TO BECOMING ONE WITH THE UNIVERSE, THE LITTLE BOOK OF LIFE HACKS, and FASHION FORECASTS.    Yumi's journey is filled with joy and connection, inspired by a fearless pursuit of creativity, play, magic and experimentation. In this very special conversation we explore the importance of getting back to play and even get to hear about Yumi's recent experience in clown school!   Yumi invites us to examine what creativity can become when we let go of expectations and attachments to output, opening us up to new perspectives and ways of connecting to our own creativity through exploration.   “When we broaden the definition of creativity and start off with the world view that everyone is creative, and creativity is simply disrupting old patterns to consciously co-create new ones, then it makes me think–well, just the whole act of being human from the day we are born to the day we die we are creative, because just our very existence is disrupting old patterns.”   We left this conversation feeling so fulfilled and excited to cultivate new spaces to play in. Get inspired and connect with Yumi on IG @YumiSakugawa !    Yumi's multimedia installations have also been exhibited at the Japanese American National Museum, the Smithsonian Arts & Industries Building, and the Peabody Essex Museum. Learn more about Yumi's work online at yumisakugawa.com .   Ep. 94 — Permission to Play is now streaming on Apple Podcasts and Spotify Podcasts .

Kalyn Fay Barnoski (b. 1990, Cherokee Nation enrollee, Muscogee Creek descent) is an interdisciplinary artist, musician, curator, and educator from Oklahoma. Centering Indigenous and decolonial methodologies, their work focuses on self-location, community-building, collaboration, and empathy through the use of music, publication, storytelling, and contemporary craft.  In every endeavor, they see their practice as a way to find the ways in which we all intersect and to build bridges of understanding between. Their practice is “for you, for me, for us, for we.”  Kalyn Fay Barnoski holds an M.F.A. from University of Arkansas (2021),  an M.A. from The University of Tulsa (2016), and a B.F.A. from Rogers State University (2012). Kalyn has worked with Peabody Essex Museum, Philbrook Museum of Art, Gilcrease Museum, Crystal Bridges Museum of American Art, The Momentary, Eiteljorg Museum, along with others, and performed, exhibited, and facilitated workshops both nationally and internationally. Links: Websites: https://www.kalynfay.com/ https://www.kalynbarnoski.com/ Spotify: https://open.spotify.com/artist/2ojhmBnnR44AHdtGGK8f9q  Bandcamp: https://kalynfay.bandcamp.com/ IG: https://www.instagram.com/kalynfay/?hl=en

Alycia Matthews creates joyful papier mache Halloween sculptures. Her process starts with a terra cotta base which gives her characters a distinctive warm vintage glow. She proudly declares orange her favorite color. She loves to wear orange clothes and Halloween socks all year.  Alycia turns to old black and white movies for artistic inspiration. She can lose herself in studying all the wonderful props. She'll watch with a sketch pad in hand to capture interesting facial expressions. One of her favorite things to sculpt is the moon. George Melies' “Trip to the Moon” movie has inspired several of her pieces.   She is a member of the Eclectic Halloween Artist Guild (EHAG) and uses her graphic design skills as part of the promotions team. This juried group of artists has an art sale on the last day of the month, January – November on their blog. Each month there is a new theme. Her favorite was “Creepy Carnival.”   Alycia is recharged by nature. When she's not creating in her studio, she loves to watch the birds at her feeders, ride her bike, and walk on the beach with her dog, Tucker. She is infatuated with all four seasons and even enjoys shoveling snow.     As a believer in magic, Alycia believes anything is possible. She ended the interview by encouraging us to share kindness and smiles.   Mentions:  Autumn Brilliance Magazine: https://www.autumnbrilliancemagazine.com/  George Melies' Trip to the Moon: https://en.wikipedia.org/wiki/A_Trip_to_the_Moon  Salem's Peabody Essex Museum: https://www.pem.org/  The EHAG Emporium: https://ehagemporium.blogspot.com/  Please visit Alycia at: https://alyciasart.blogspot.com/.  

Episode No. 562 of The Modern Art Notes Podcast features curators Sarah Chasse and Karen Kramer, and artist Jason Garcia (Okuu Pin). Chasse and Kramer are the co-curators of a new installation of the Peabody Essex Museum's Native American and American collections titled "On This Ground: Being and Belonging in America." The installation joins two separate institutional collections in a way that joins art to 10,000 years of North American history. "On This Ground" often suggests and reveals how art influenced and extended ideas core to the continental story. The installation is on view indefinitely. Garcia's work -- specifically artworks from his Tewa Tales of Suspense! series -- is included in the PEM's collection and in "On This Ground." Garcia's work often examines and interprets American and Pueblo history in ways that revise old, whites-centering narratives. His work is in the collection of museums such as the Heard Museum in Phoenix, and the Smithsonian's National Museum of the American Indian.