Podcasts about anglophone caribbean

This episode explores the role of protection magic as a historically grounded response to war, oppression, and systemic violence across diverse cultural and temporal contexts.Drawing on peer-reviewed academic sources, it examines how magical practices—rituals, talismans, verbal formulae, and spirit invocations—have been used as forms of spiritual defence and political resistance. From Mesopotamian anti-witchcraft rites and Greco-Roman defensive curses to medieval Christian amulets, Renaissance grimoires, and the Magical Battle of Britain, the lecture situates protection magic within broader religious, social, and cosmological frameworks.Special attention is given to non-Western and postcolonial contexts, including the ritual technologies of Haitian Vodou during the revolution, Obeah in the British Caribbean, Yoruba warrior rites, and Andean protective ceremonies. The discussion also considers contemporary expressions of magical protection, including digital activist magic, Chaos Magic, and the esoteric disciplines of Damien Echols under carceral conditions.CONNECT & SUPPORT

What does integrating your faith with your work mean, especially when you're a doctor navigating ethical dilemmas, societal challenges, and mission opportunities in the Caribbean? In this episode of the Lausanne Movement Podcast, Dr. Khara Collymore-Lashley shares her journey of combining faith and vocation as a medical doctor in the Caribbean. From navigating the spiritual climate of the region to serving as the hands, feet, and voice of Jesus in her profession, Dr. Khara offers a profound perspective on mission in the workplace. Whether you're a medical professional, a ministry leader, or simply curious about faith in action, this episode will leave you encouraged and challenged. Faith Meets Profession: How Dr. Khara integrates her Christian faith with her medical career, navigating ethical challenges and serving as a light in a demanding field. The Caribbean Church's Challenges: Insights into the spiritual climate of the Caribbean, marked by evangelism, a lack of discipleship, and historical narratives needing redemption. Mission in the Workplace: Encouraging Christian doctors and professionals to view their work as mission fields, sharing Christ's love in everyday interactions. Opportunities for Medical Missions: Exploring both traditional and nontraditional pathways for Christian medical professionals to serve locally and globally. Don't miss this inspiring conversation! If you found it valuable, share it with a friend, leave us a review, and subscribe to the Lausanne Movement Podcast for more stories of faith and mission. Visit lausanne.org to learn how you can get involved. Links & Resources: Mercy Ships: https://www.mercyships.org International Christian Medical and Dental Association: https://icmda.net Hospital Christian Fellowship: https://www.hcfglobal.org Guest Bio: Khara is a medical doctor currently pursuing residency training in Anesthesia and Intensive Care. She is passionate about missions and has served bi-vocationally with the national IFES movement in St. Vincent and the Grenadines (ISCF) from 2015-2020. Currently she serves as the regional representative for the International Christian Medical and Dental Association in the Anglophone Caribbean and with the Lausanne regional leadership team for the Caribbean. Khara enjoys walks on the beach, reading, singing, and spending time with family and friends. One of her greatest desires is to see the Caribbean church engage fully in God's global mission. We'd love your feedback to help us to improve this podcast. Thank you!

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode, Hettie V. Williams discusses the origins and impact of hip hop with Anwar Uhuru as part of a series of episodes to commemorate the 50th anniversary of Hip Hop. Williams is Associate Professor of African American history at Monmouth University and Uhuru is Assistant Professor in the Department of African American Studies and an affiliate faculty member with the departments of Philosophy and Gender, Sexuality and Women's Studies at Wayne State University in Detroit, Michigan. Their research focuses on human value based on race, gender, sexuality, and ableism with publicans in the Journal of Hip Hop Studies, The APA Newsletter, Philosophy and the Black Experience, and Radical Philosophy Review. They are also known for teaching popular courses at Wayne State on Black Detroit and Politics and Culture in Anglophone Caribbean. Uhuru is a frequent guest on the show as a rising public intellectual and scholar who has a wide range of expertise on subjects related to race, gender, sexuality, and culture. 

In this episode, Hettie V. Williams discusses the Black Church in film and television with Dr. Anwar Uhuru. Williams is Associate Professor of African American history at Monmouth University and Uhuru is Assistant Professor in the Department of African American Studies and an affiliate faculty member with the departments of Philosophy and Gender, Sexuality and Women's Studies at Wayne State University in Detroit, Michigan. Their research focuses on human value based on race, gender, sexuality, and ableism with publicans in the Journal of Hip Hop Studies, The APA Newsletter, Philosophy and the Black Experience, and Radical Philosophy Review. They are also known for teaching popular courses at Wayne State on Black Detroit and Politics and Culture in Anglophone Caribbean. In this episode, they discuss with Williams the satire Honk for Jesus, Save Your Soul a recent film by Monkeypaw Productions and executive producer Jordan Peele directed by Adamma Ebo. They also discuss the Black Church in film and tv more generally in this episode. This film about the Black megachurch culture in the American South is currently viewable on Netflix. 

For decades, the Caribbean has gained a reputation for being one of the most homophobic regions in the world. In this episode, Ryan Persadie joins Strictly Facts for a discussion on the historic, colonial influence of anti-queer legislation and how the Caribbean and diaspora has worked together to evolve since the nineteenth century. Ryan Persadie is a writer, artist, educator, and PhD Candidate in Women and Gender studies and Sexual Diversity studies at the University of Toronto. His aesthetic and scholarly work investigates queer Caribbean diasporas, performance, aesthetics, and Afro-Asian intimacies. His current doctoral work specifically explores how Anglophone Caribbean music, dance, vocality, and embodiment offer salient archives to pursue critical erotic place- and self-making practices within and among queer Indo-Caribbean diasporas. Outside of academia, Ryan is a community organizer with the Caribbean Equality Project, and performs as a drag artist where he goes by the stage name of Tifa Wine.Connect with Strictly Facts -  Instagram | Facebook | TwitterLooking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Produced by Breadfruit MediaSupport the show

The Panama Canal was envisioned as a waterway to connect the Atlantic and Pacific Oceans hundreds of years before its construction. When official building began in the 19th century and continued into the 20th century, thousands of  Francophone and Anglophone Caribbean people migrated as laborers to the canal zone. Dr. Kaysha Corinealdi joins us to talk about how their migration transformed Panamanian society and Panama's growing diaspora. Dr. Kaysha Corinealdi is an Assistant Professor of History at Emerson College. Her research and teaching interests include twentieth century histories of empire, migration, feminism, and Afro-diasporic activism in the Americas. Her forthcoming book, Panama in Black, centers the activism of Afro-Caribbean migrants and their descendants as they navigated practices and policies of anti-Blackness, xenophobia, denationalization, and white supremacy in Panama and the United States. Her research and reviews can also be found in the Caribbean Review of Gender Studies, the International Journal of Africana Studies, the Hispanic American Historical Review, and the Global South. Dr. Corinealdi's research has been supported by the Mellon Foundation, the Institute for Citizens and Scholars, and the Hutchins Center for African and African American Research at Harvard University. Follow Dr. Corinealdi on Twitter. Connect with Strictly Facts -  Instagram | Facebook | TwitterLooking  to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Produced by Breadfruit Media

Dr. Andrea Baldwin, Heidi Henderson, and James Lee joined Kira and Joe to talk about the Posture Portrait project, an interdisciplinary project which examines how bodies have historically been created/made through scientific interventions and surveillance, while simultaneously engaging with the concept of inclusivity of all bodies including those traditionally seen as “Other”. Dr. Andrea Baldwin is a researcher on the Posture Project. She is an assistant professor of Women's and Gender Studies and Africana studies at Virginia Tech in the department of sociology. Her scholarship centers on the experiences of Black women globally with a specific focus on Black feminist decoloniality, care, and Anglophone Caribbean women's migration. Andrea is also a podcaster with Virginia Tech Publishing. She, along with Trichia Cadette, are hosts of Standpoints, a podcast on Black Feminisms. Heidi Henderson is a choreographer on the Posture Portraits project. She is a professor and Chair of Dance at Connecticut College. She is currently developing and designing a new first year seminar called Quilting: Craft, Poverty, Protest, Reuse. Students will sew while they research the AIDs quilt, the quilts of Gee's Bend Alabama, sustainability in clothing manufacturing, and artists that use quilting as their means of expression. James Lee is a researcher and media artist on the Posture Portraits project. He is an associate professor of computer science at Connecticut College. His research interests include computer graphics, visualizations, games, physical computing, and virtual reality. His current research focuses on virtual humans, specifically attempts to design and develop a lifelike computer interface by digitizing a real person's figure, nature, personality and mannerisms. The Body Studies Journal article referenced by Dr. Baldwin during the interview can be accessed here. Stacks on Stacks: The Interviews is a collection of guest interviews that aired during the regular broadcast of the program on Tuesdays from 3:30 until 5pm, over 90.7 FM WUVT, Radio for Everyone. Season Two: The Hopeful Return is a collection of all the interview segments recorded for live broadcast during the Stacks on Stacks radio program in the Fall 2020.

Today is a discussion in partnership w/the Lepage Center for History in the Public Interest of Villanova University.  I will be talking with Tyesha Maddox and Daniel Joslyn about the pandemic and the history of mutual aid. Daniel Joslyn is a PhD candidate in history at New York University, whose work recovers a largely forgotten transnational mystical feminist socialist movement at the turn of the twentieth century. He is a core member of Mutual Aid NYC, and is in the process of building an online open-source library by and for organizers across movements in and around New York City to co-locate, find and preserve materials vital to their organizing work. He is also the co-editor of notariot.com, an educational resource teaching people about the roots of the 2020 uprising in the black radical tradition. Tyesha Maddox is an Assistant Professor at Fordham University in the Department of African and African American Studies.  She received her PhD in History from New York University in 2016.  She received a BA in History and Africana Studies and a MPS in Africana Studies both from Cornell University.  Her current manuscript, "From Invisible to Immigrants: Political Activism and the Construction of Caribbean American Identity, 1890-1940," examines the significance of early twentieth century Anglophone Caribbean immigrant mutual aid societies and benevolent associations in New York. 

In this new episode of Like A Real Book Club, we traverse a very dark and all too common feature of Caribbean girlhood and womanhood by looking at sexual grooming and sexual violence. Looking through the lenses of popular book to TV adaptations, Tiffany Jackson’s Grown, Jamaican history and our own personal experiences, we talk about the insidiousness of glamourized pedophilia, the oversexualization of Black women’s bodies, why we should leave Minister Marion Hall alone and...so much more. Further Reading and References Film Lady Bird (2017 Film) Book-to-TV Adaptations Pretty Little Liars Gossip Girl Books/Essays Grown by Tiffany Jackson rebelwomenlit.com/grown THICK by Tressie McMillan Cottom “Property Rights in Pleasure: The Marketing of Enslaved Women’s Sexuality”, by Hilary McD. Beckles - Caribbean Slavery in the Atlantic World “Queering Feminist Approaches to Gender-based Violence in the Anglophone Caribbean” by Tonya Haynes and Halimah A.F DeShong Play/Video Dancehall Queen - https://youtu.be/XAm5n8aQxhI For Harriet, “Why do Black women performers HAVE to sell sex?“ - https://youtu.be/UeWlySR4wBU Support our podcast and literary community by becoming a member: rebelwomenlit.com/join Shop books and merch: rebelwomenlit.com/store Follow us on Instagram and Twitter @RebelWomenLIt

This course surveys some aspects of law and legal systems of Jamaica and to some extent the Anglophone Caribbean as it relates to the everyday conduct of business. It is a foundation law course for business students.

Political liberty in the Anglophone Caribbean. Liberty asserted against racism and for the subject people’s. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Lorena Lombardozzi (Open University and SOAS), Merisa Thompson (University of Sheffield) and Mark Tilzey (Coventry University) The panel discusses the relations between Food Regimes and Food Sovereignty from three different lenses. In particular, speakers look at recent debate on economic sovereignty and the role of the state in addressing issues of food security, nutrition and power relations between actors within the food provision system. The first paper by Dr. Mark Tilzey (University of Coventry) analyses and discusses the assumptions and definitions of Friedman's food regime approach under a theoretical perspective. The second paper by Lorena Lombardozzi (panel convenor, Open University and SOAS) looks at the case of Uzbekistan to assess the role of the state in food self-sufficiency. The third paper by Dr Merisa Thompson (University of Sheffield) analyses the political discourse around food security and food sovereignty in the Anglophone Caribbean. This episode features Panel 2 of the Workshop on ‘Political Economy Approaches to Food Regimes.’ This one-day workshop, was organised by the SOAS University of London Food, Nutrition and Health in Development Research Custer and brought together topics in contemporary food regime studies examined from a political economy perspective. Topics included inequality and food security, the state and food sovereignty, food regimes and the politics of conflict and financialisation of food. Paper One: ‘Food Regimes, the State, and Food Sovereignty: Friedmann and McMichael Revisited ‘ by Dr Mark Tilzey (Coventry University, UK) Paper Two: ‘Perspective of wheat self-sufficiency policy: The case of post-Soviet Uzbekistan’ by Lorena Lombardozzi (Open University-SOAS, UK) and Nodir Djanibekov (IAMO, Germany) Paper Three: ‘Searching for (Food) Sovereignty in the Anglophone Caribbean’ by Dr Merisa Thompson (University of Sheffield, UK) Organiser: SOAS University of London Food, Nutrition and Health in Development Research Custer Event Date: 19 January 2018 Released by: SOAS Economics Podcast

I Love Soca (Carnival Mix 2013) - Hard Hittin Harry {Haitian All-StarZ DJs} Soca is a style of Caribbean music originated in Trinidad and Tobago.Soca originally combined the melodic lilting sound of calypso with insistent cadence percussion (which is often electronic in recent music), and Indian musical instruments -- particularly the dholak, tabla and dhantal -- as demonstrated in Shorty's classic compositions "Ïndrani" and "Shanti Om". During the 80's, the influence of zouk as popularized by the French Antillean band Kassav' had a major impact on the development of modern soca music.It has evolved in the last 20 years primarily by musicians from various Anglophone Caribbean countries including Trinidad, Guyana, Saint Vincent and the Grenadines, Barbados, Grenada, Saint Lucia, Antigua and Barbuda, United States Virgin Islands, British Virgin Islands, The Bahamas, Dominica, Saint Kitts and Nevis, Jamaica and Belize.Haitian All-StarZ Music Mix is available for free download here or you can subscribe to Haitian All-StarZ Podcast and get new mixes pushed automatically to your iTunes. http://hu.lk/izapc1l331mo^CLICK HERE TO DOWNLOAD^ FOR BOOKING - 646-504-1804 HaitianAllStarZ@Gmail.com  Haitian All-Starz brand is synonymous with quality and professionalism. We operate like a family and respect each and every DJ's talent and hustle. We only select the best of the best and soon Haitian All-Starz family will be a respected name far beyond the entertainment industry. One love, One heart, One Islandà Haiti.WWW.HAITIANALLSTARZ.COM

I Love Soca (Carnival Mix 2013) - Hard Hittin Harry {Haitian All-StarZ DJs}   Soca is a style of Caribbean music originated in Trinidad and Tobago. Soca originally combined the melodic lilting sound of calypso with insistent cadence percussion (which is often electronic in recent music), and Indian musical instruments -- particularly the dholak, tabla and dhantal -- as demonstrated in Shorty's classic compositions "Ïndrani" and "Shanti Om". During the 80's, the influence of zouk as popularized by the French Antillean band Kassav' had a major impact on the development of modern soca music. It has evolved in the last 20 years primarily by musicians from various Anglophone Caribbean countries including Trinidad, Guyana, Saint Vincent and the Grenadines, Barbados, Grenada, Saint Lucia, Antigua and Barbuda, United States Virgin Islands, British Virgin Islands, The Bahamas, Dominica, Saint Kitts and Nevis, Jamaica and Belize. Haitian All-StarZ Music Mix is available for free download here or you can subscribe to Haitian All-StarZ Podcast and get new mixes pushed automatically to your iTunes. http://hu.lk/izapc1l331mo ^CLICK HERE TO DOWNLOAD^   FOR BOOKING - 646-504-1804  HaitianAllStarZ@Gmail.com   Haitian All-Starz brand is synonymous with quality and professionalism. We operate like a family and respect each and every DJ’s talent and hustle. We only select the best of the best and soon Haitian All-Starz family will be a respected name far beyond the entertainment industry. One love, One heart, One Islandà Haiti. WWW.HAITIANALLSTARZ.COM

On this episode, Jason and Tim talk about their recent trip to Belize including offshore investing, overseas retirements, and their impressions of life in Belize. 80% of privately owned land in Belize is owned by Americans and English is a the national language. Belize offers numerous advantages for those who enjoy aquatic adventures including boating, fishing, scuba diving, and snorkeling on one of the largest reefs in the western hemisphere. Originally part of the British Empire, Belize shares a common colonial history with other Anglophone Caribbean countries. From 1862 to 1973, its name was British Honduras. It became an independent Commonwealth realm in 1981, retaining Queen Elizabeth II as head of State. For additional episodes see: http://jetsettershow.com/category/podcast