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17 episodes with early twentieth century
14 episodes with early twentieth century
8 episodes with early twentieth century
6 episodes with early twentieth century
3 episodes with early twentieth century
3 episodes with early twentieth century
3 episodes with early twentieth century
3 episodes with early twentieth century
3 episodes with early twentieth century
Why are so many children picky eaters today? Is picky eating simply part of growing up, or is it a uniquely modern phenomenon? On this episode of The Hamilton Review, Dr. Bob welcomes Helen Zoe Veit, professor of history at Michigan State University and one of the nation's leading scholars of American food history. Helen specializes in the history of food in the 19th and 20th centuries and joins Dr. Bob to discuss her newest book, Picky: How American Children Became the Fussiest Eaters in History. Drawing on more than two centuries of history, Helen explains how childhood picky eating became so widespread in America and challenges many of the assumptions parents have about children's eating habits. Together, she and Dr. Bob explore the cultural shifts, parenting practices, and changing food environments that have shaped the way children eat today. They also discuss practical insights for parents looking to foster healthier relationships with food while reducing mealtime stress. Helen is also the author of Modern Food, Moral Food: Self-Control, Science, and the Rise of Modern American Eating in the Early Twentieth Century, a James Beard Award finalist for Reference and Scholarship. Her unique historical perspective offers fresh, thought-provoking context for one of the most common challenges families face. Whether you're a parent, healthcare professional, educator, or simply fascinated by the history of food and family life, this engaging conversation provides valuable insights into why picky eating exists, and what we can learn from its surprising past. How to contact Professor Helen Zoe Veit: Helen Zoe Veit Official Website How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
What happens when theories of racial hierarchies interact with reality? How are they contested, refuted and changed in light of that encounter? What role do experts, most notably social scientists, play here? And, what can these historical encounters tell us about how we should think of race and migration today? These are the questions which animate Sunmin Kim's The Unruly Facts of Race: The Politics of Knowledge Production in the Early Twentieth-Century Immigration Debate (U Chicago Press, 2026). Taking as his focus the Dillingham Commission, a US government investigation into migrant groups established in 1907, Kim shows how theories of racial essentialism, which increasing were moving across the, at the time blurry, boundary between biology and society were used and contested in a moment when prominent political figures were eager to separate out the valued, long-established migrants from Western and Central Europe from those coming from Eastern and Southern Europe who all, on the face of it, were ‘white'. In doing so ideas such as ethnicity and the possibility of assimilation come to be mobilised. In turn Japanese migrants on the Pacific coast were placed beyond the pale of this possibility of assimilation and continued to be excluded. As Kim shows, not only did the commission report introduce some new vocabulary for thinking of race, but also played a key role in the development of US immigration quotas and a form of racial liberalism. This perspective, while accepting the possibility of a diverse body politic, rested on an assumption of a ‘native' and ‘non-native' element, including the possibility that some of the latter simply could never be ‘American'. In our discussion we discuss the formation and activity of the Dillingham Commission. This includes discussing a number of key figures, such as Franz Boas who measures skulls for the commission and in so doing uses the same tools of the eugenicists and positivists to undercut their racist claims and Yamato Ichihashi who, while vociferously making the case that Japanese migrants such as himself are the ideal ‘Americans' ends up being an example of the ‘insurmountable difference' placed in front of such groups. We end by discussing how Zora Neale Hurston, once Boas's student, provides a different way of conceiving of race and its place in immigration debates. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan) and co-editor of The Anthem Companion to Henri Lefebvre (2026, Anthem Press) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices
The dream of the modern worker's house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers' Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s. Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners' agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers' increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs. Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades. Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The dream of the modern worker's house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers' Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s. Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners' agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers' increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs. Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades. Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture
The dream of the modern worker's house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers' Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s. Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners' agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers' increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs. Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades. Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The dream of the modern worker's house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers' Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s. Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners' agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers' increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs. Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades. Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
The dream of the modern worker's house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers' Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s. Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners' agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers' increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs. Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades. Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Happy February, listeners, and welcome to season ten of Digging a Hole! When we started the pod five years ago, we had our eyes on the Grammys, or maybe the Emmys, whatever award show we could finagle our way into. Turns out we have bigger fish to fry than whether or not we're more deserving of an award than Call Her Daddy — Greenland, anyone? We're thrilled to be kicking off this season with someone who knows a great deal about United States Empire: Allison Powers Useche, Assistant Professor of History at the University of Wisconsin–Madison, and author of the new book, Arbitrating Empire: United States Expansion and the Transformation of International Law.Powers Useche kicks us off with a discussion of the use of the arbitration forum as a place to hear what we now think of as international public law claims, including challenges to racial violence and Jim Crow. We dive into some case studies about how ordinary people across the Americas fought the United States in arbitration and offer competing interpretations about how to think about what happened from a legal realist perspective. Finally, we get Powers Useche's take on how environmentalists, Indigenous groups, and others are using the tools of private economic law to contest empire today. This podcast is generously supported by Themis Bar Review.Referenced Readings Mestizo International Law: A Global Intellectual History 1842–1933 by Arnulf Becker Lorca The Hidden History of International Law in the Americas: Empire and Legal Networks by Juan Pablo Scarfi Legalist Empire: International Law and American Foreign Relations in the Early Twentieth Century by Benjamin Allen Coates The Injustice Never Leaves You: Anti-Mexican Violence in Texas by Monica Muñoz Martinez
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices
The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women. Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture. Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Jovita Idar was a journalist, teacher, and activist in south Texas in the early 20th century. And she was s a force to be reckoned with. Research: "Jovita Idár." Encyclopedia of World Biography Online, Gale, 2023. Gale In Context: Biography, link.gale.com/apps/doc/UVOEMC160154646/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=723c10b3. Accessed 16 Aug. 2024. "The Wind That Swept Mexico." The Hispanic-American Experience, Primary Source Media, 1999. American Journey. Gale In Context: U.S. History, link.gale.com/apps/doc/EJ2159000020/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4cb53122. Accessed 16 Aug. 2024. "The Wind That Swept Mexico." The Hispanic-American Experience, Primary Source Media, 1999. American Journey. Gale In Context: U.S. History, link.gale.com/apps/doc/EJ2159000020/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4cb53122. Accessed 16 Aug. 2024. “Back To Their Own Hearths.” Laredo Weekly Times. 6/18/1916. “Jovita Idar.” UNLADYLIKE2020, Unladylike Productions, LLC, 2020. https://unladylike2020.com/profile/jovita-idar/ “Leo D. Walker Kidnapepd, Is Put Over Boundary Line.” Laredo Weekly Times. 6/18/1916. Buck, Daniel. “A Story Retold is a Story Improved: Jovita Idar and the Texas Rangers.” Wild West History Association Saddlebag Newsletter. March 2021. Buck, Daniel. “A Story Retold is a Story Improved: Jovita Idar and the Texas Rangers part 2.” Wild West History Association Saddlebag Newsletter. December 2021. Carrigan, Willam D. and Clive Webb. “The Lynching of Persons of Mexican Origin or Descent in the United States, 1848 to 1928.” Journal of Social History, Vol. 37, No. 2 (Winter, 2003). Via JSTOR. https://www.jstor.org/stable/3790404 Cristina Lizeth Urdiales, “La Agrupación Protectora Mexicana,” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/la-agrupacion-protectora-mexicana. Cynthia E. Orozco, “Idar, Clemente Nicasio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-clemente-nicasio. Herrera, Jack. “White Hats, Episode 3: La Hora de Sangre.” Texas Monthly. 11/22/2022. https://www.texasmonthly.com/podcast/white-hats-episode-3-la-hora-de-sangre/ Idar, Aquilino. “INTERVIEW WITH: Mr. Aquilino Idar I (Ike) and Guadalupe R. ” Institute of Texan Culture Oral History Office.” October 26, 1984. https://digital.utsa.edu/digital/collection/p15125coll4/id/1304/ James Spencer and R. Matt Abigail, “Antonio Gómez Lynching,” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/antonio-gomez-lynching. Laredo Weekly “Lady Census-Taker.” 4/10/1910. Laredo Weekly Times. “Juarez-Idar.” 5/27/1917. Laredo Weekly Times. “New School Paper Issued.” 10/22/1911. Limon, Jose E. “El Primer Congreso Mexicanista de 1911: A Precursor to Contemporary Chicanismo.” From Latino/a thought : culture, politics, and society. Lanham, Md. : Rowman & Littlefield. 2003. Lomas, Clara. “Transborder Discourse: The Articulation of Gender in the Borderlands in the Early Twentieth Century.” Frontiers: A Journal of Women Studies, Volume 24, Number 2 & 3, 2003, pp. 51-74. https://doi.org/10.1353/fro.2004.0020 Masarik, Elizabeth Garner. “Por la Raza, Para la Raza: Jovita Idar and Progressive-Era Mexicana Maternalism along the Texas–Mexico Border.” Southwestern Historical Quarterly, Volume 122, Number 3, January 2019, pp. 278-299. https://doi.org/10.1353/swh.2019.0019 Medina, Jennifer. “Overlooked No More: Jovita Idár, Who Promoted Rights of Mexican-Americans and Women.” New York Times. 8/7/2020. https://www.nytimes.com/2020/08/07/obituaries/jovita-idar-overlooked.html Nancy Baker Jones Revised by Jessica Brannon-Wranosky, “Idár, Jovita,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-jovita. Nancy Baker Jones, “Villegas de Magnon, Leonor,” Handbook of Texas Online, accessed August 21, 2024, https://www.tshaonline.org/handbook/entries/villegas-de-magnon-leonor. Nunn, Dr. Tey Marianna. “¡Que Viva Jovita! Celebrating Journalist and Activist, Jovita Idar.” Smithsonian American Women's History Musuem. 9/11/2023. https://womenshistory.si.edu/blog/que-viva-jovita-celebrating-journalist-and-activist-jovita-idar Rebeca Anne Todd Koenig, “Rodriguez, Antonio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/rodriguez-antonio. Richardson, Sarah. "TODA LA FAMILIA." American History, vol. 56, no. 2, June 2021, pp. 22+. Gale In Context: U.S. History, link.gale.com/apps/doc/A659491669/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4ac3c382. Accessed 16 Aug. 2024. Rogin, Ali. “Jovita Idar's fight for the rights of women and Mexican immigrants.” PBS News Weekend. 10/1/2023. https://www.pbs.org/newshour/show/jovita-idars-fight-for-the-rights-of-women-and-mexican-immigrants Rolando Duarte, “Joint Committee of the Senate and the House in the Investigation of the Texas State Ranger Force [Canales Investigation],” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/joint-committee-of-the-senate-and-the-house-in-the-investigation-of-the-texas-state-ranger-force-canales-investigation. Teresa Palomo Acosta, “Idar, Nicasio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-nicasio. Teresa Palomo Acosta, “La Crónica,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/la-cronica. University of Texas at San Antonio. “Jovita Idar Quarter Release Celebration.” 9/14/2023. Via YouTube. https://www.youtube.com/watch?v=sLgC_fzU9nQ&t=3s University of Texas San Antonio. Jovita Idar Quarter Release Celebration. https://jovitaidar.utsa.edu/jovita-idar/ US Hispanic Literary Heritage Digital Collections. “Who was Leonor Villegas de Magnón?” https://usldhrecovery.uh.edu/exhibits/show/la-rebelde-exhibit-2/leonor-villegas-de-magn--n UTSA Today. “UTSA history professor Gabriela Gonzalez is preserving unknown stories of transborder activists.” 09/14/2023. https://www.utsa.edu/today/2023/09/story/gabriela-gonzalez-interview.html Villegas de Magnón, Leonor. “The Rebel.” Houston, Tex. : Arte Público Press. 1994. Young, Elliott. “Deconstructing ‘La Raza': Identifying the "Gente Decente" of Laredo, 1904-1911. Southwestern Historical Quarterly. Oct. 1994. Vol. 98 No. 2. Via JSTOR. : http://www.jstor.com/stable/30241459 See omnystudio.com/listener for privacy information.
Once Faith and I had a confirmed our record date and time, Dr. Mitchell wrote saying "coincidentally this is Juneteenth. What interesting alignment and a good opportunity to honor the ancestors who paved the way for so many of us today." And I couldn't have agreed more.Ophelia, My guest's mother and one of twelve children, was born in Chester County, Pennsylvania. Faith shares stories of her mother and how enthusiastic and encouraging she was. She wanted Faith to experience anything and anywhere, including a love for a robust education, traveling with her mom and dad and Faith loved spending time with her grandmother and mother and listening to stories about the family from past generations.Faith also loved spending time outdoors in nature exploring. When she was a young girl she lived in rural Michigan mainly because her mother insisted her daughter go to an excellent school. They found a farmer who was desperate to sell his home and though it was an all white, restricted community, he sold it to the Mitchell's. Her mom used to say, "Faith, make something of yourself," and because the country was still segregated her mom used to speak to her and say "Black people have to progress and education is the way to progress." Another reflection Faith shared with me is another favorite saying of her mom's which is "the parent opens the door and the child walks through."There's so much more to this conversation. I hope you enjoy the listen. Faith is fascinating. She's passionate about this country and the journey of her forefathers and all that they fought for in order to become the best that they could be.My guest was sure to point out that "Ophelia was smart, inquisitive and open to learning anything and everything.She studied to be a teacher.""Both women are ancestors who have been inspirations to me because of their sense of agency--which comes across in the photos--and their courage against the odds. Captured in the photo of Faith and her mother Ophelia - "it captures my mother and me in 1963 in the Painted Desert and reflects the fact that my parents valued exploration even in the pre-Civil Rights period when most Black people didn't have an opportunity to travel--and it could be dangerous to do so. My mother tried to open doors for me whenever she could and that's the terminology she used," Faith recalled.The word grio translates to one who is an oral historian and storyteller originally from West Africa. INSTAGRAM:@emmas_postcard_album and @hoodoo_medicine LINKEDIN: https://www.linkedin.com/in/faith-mitchell-0646b313 OTHER: YouTube - https://youtu.be/YeEWX6beGAQ. WEBSITE: https://www.drfaithmitchell.com/ Emma's Postcard Album, Black Lives in the Early Twentieth Century is now available from the University Press of Mississippi, hashtag#Amazon, and hashtag#barnesandnoble! "Should Have Listened To My Mother" is an ongoing conversation about mothers and the roles they play in our lives. And my guests answer the question, 'are you who you are today because of, or in spite of, your mother'? You'll be amazed at what the responses are."Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In getting ready to launch my podcast, so many were willing to give their time and share their personal relationships with their mother.Some of my guests include Baritone Singer Christopheren Nomura, Pulitzer Prize Winning Journalist Tim Wacker, Activist Kim Miller, Freighter Sea Captain Terry Viscount, Film Production Manager Peg Robinson, Professor of Writing Montclair State University Dr. Bridget Brown, Tammy Steckler, attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter Mark Heingartner, Child and Adult Special Needs Activist, Maryellen Valyo Cole and Roger Evens, Property Manager in New Jersey and so many more talented and insightful women and men.I've worked in the broadcasting industry for over four decades. I've interviewed so many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created my logo for "Should Have Listened To My Mother".Check out my website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloFind audio versions of the podcast here: https://shltmm.simplecast.com/Spotify Link: https://open.spotify.com/show/60j14qCcks4AP3JUrWrc2MLink to website and show notes: https://shltmm.simplecast.com/ Spotify Link: https://open.spotify.com/show/60j14qCcks4AP3JUrWrc2M Apple Podcasts Facebook:Should have listened to my motherJackie TantilloInstagram:Should have listened to my motherJackietantillo7LinkedIn:Jackie TantilloYOUTUBE:Should have listened to my mother
In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power. Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
How did a nation of immigrants come to hate immigration? We start at the beginning, sort through the evidence, and explain why your grandfather was lying about Ellis Island. (Part one of a three-part series.) SOURCES:Leah Boustan, professor of economics at Princeton University.Zeke Hernandez, professor at the Wharton School at the University of Pennsylvania.Roger Nam, professor of Hebrew Bible at Emory University. RESOURCES:The Truth About Immigration: Why Successful Societies Welcome Newcomers, by Zeke Hernandez (2024, available for pre-order)."The Refugee Advantage: English-Language Attainment in the Early Twentieth Century," by Ran Abramitzky, Leah Platt Boustan, Peter Catron, Dylan Connor, and Rob Voigt (NBER Working Paper, 2023).Streets of Gold: America's Untold Story of Immigrant Success, by Leah Boustan and Ran Abramitzky (2022)."If Liberals Won't Enforce Borders, Fascists Will," by David Frum (The Atlantic, 2019). EXTRAS:"Is Migration a Basic Human Right?" by Freakonomics Radio (2015)."Who Are the Most Successful Immigrants in the World?" by Freakonomics Radio (2013).
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The late nineteenth and early twentieth centuries saw the turbulent end of China's imperial system, violent revolutionary movements, and the fraught establishment of a republican government. During these decades of reform and revolution, millions of far-flung “overseas Chinese” remained connected to Chinese domestic movements. Transpacific Reform and Revolution: The Chinese in North America, 1898-1918 (Stanford UP, 2023) uses rich archival sources and a new network approach to examine how reform and revolution in North American Chinatowns influenced political change in ChinaPo and the transpacific Chinese diaspora from 1898 to 1918. Historian Zhongping Chen focuses on the transnational activities of Kang Youwei, Sun Yat-sen, and other politicians, especially their mobilization of the Chinese in North America to join reformist or revolutionary parties in patriotic fights for a Western-style constitutional monarchy or republic in China. These new reformist and revolutionary parties, including the first Chinese women's political organization, led transpacific movements against American anti-Chinese racism in 1905 and supported constitutional reform and the Republican Revolution in China around 1911, achieving transpacific expansion through innovative use of cross-cultural political ideologies and intertwined institutional and interpersonal networks. Through network analysis of the origins, interrelations, and influences of Chinese reform and revolution in North America, this book makes a significant contribution to modern Chinese history, Asian American and Asian Canadian history, and Chinese diasporic scholarship. Zhongping Chen is Professor of History at the University of Victoria. He is also the author of Modern China's Network Revolution: Chambers of Commerce and Sociopolitical Change in the Early Twentieth Century (Stanford University Press, 2011). He has been working on several digital projects such as “Victoria's Chinatown: A Gateway to the Past and Present of Chinese Canadians” and “Chinese Canadian Artifacts Project." Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In my conversation with Dr. Faith Mitchell, we are Exploring America's Evolution. Dr. Mitchell is an Institute fellow at the Urban Institute. She researches the implications—and possibilities—of this country's racial evolution. Over several decades, her career has bridged research, practice, social and health policy. She has held numerous leadership positions for major institutions such as the US Department of State and the William and Flora Hewlett Foundation, among many others. Dr. Mitchell is also a published author. She wrote Hoodoo Medicine, a groundbreaking study of Black folk medicine; the Book of Secrets, Part 1, a semi-factual supernatural thriller; and most recently, Emma's Postcard Album, Black Lives in the Early Twentieth Century, a memoir and social history. Below is Dr. Faith Mitchell's contact information: Main website: http://www.drfaithmitchell.com Hoodoo Medicine: http://www.hoodoomedicine.com LinkedIn: https://www.linkedin.com/in/faith-mitchell-0646b313/ Instagram: @hoodoo_medicine @emmas_postcard_album TikTok: @historysvoice Urban Institute: http://www.urban.org/author/faith-mitchellAhe SIGN UP TO BE NOTIFIED OF MY NEW BOOK: I'm crossing author off of my bucket list in 2024! Sign up to be notified of my book about singlehood from a Christian perspective. How To Live An Extraordinary Life, With Or Without Mr. Right, A Christian Woman's Guide How To Survive And Thrive On Single Avenue: https://hustleinfaith.com/book/ CHECK OUT THE FREE HUSTLE IN FAITH LIBRARY Download free checklists, prayer guides, etc., to help in your quest to live an extraordinary life: https://hustleinfaith.com/resources/) JOIN OUR FREE BRAND NEW YOU CHALLENGE Don't forget to grab your guide! Free Brand New You Challenge ( https://hustleinfaith.com/resources/) WHERE ELSE CAN YOU FIND ME? YouTube: https://www.youtube.com/@hustleinfaith/?sub_confirmation=1 Facebook: https://www.facebook.com/HustleinFaith Instagram: https://www.instagram.com/hustleinfaith Pinterest: https://www.pinterest.com/hustleinfaith/ Starengu: (Content Creation Services): https://starengu.com/ StarenguCrew (Our Shop): https://starengucrew.com/ HOW CAN YOU SUPPORT HUSTLE IN FAITH? If you enjoy listening to Hustle in Faith and would like to support the show, please consider doing one or more of the following: Leave a review: https://ratethispodcast.com/hustleinfaith Donate: https://www.paypal.com/paypalme/hustleinfaith Check out our Shop: https://starengucrew.com/ Check out our Content Creation Services: https://starengu.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/hustleinfaith/support
As a child in eastern France, Jacques Pépin learned never to waste a scrap of food. Raised during and after the rationing of WWII, he watched closely as his mother, Jeanette, built a successful career as a restaurateur by the skin of her teeth (and her chickens). Today, Jacques is a beloved celebrity chef. And yet he's never forgotten what he knows about keeping food, and life delicious, without squandering ingredients or time. Jacques sits down with Host Claudia Hanna to explain how what he calls “miserly” cooking became his philosophy and his superpower. He shares how this approach has served him in the humblest, and the highest, of kitchens, and how you can apply it in yours, too. Plus – over Jacques' long career, there have been some pretty radical changes in people's attitudes about food waste. Food Historian Helen Veit joins us to explain why what we eat, and what we throw away, has changed so much in just a few generations. Hosted by Claudia Hanna Episode Guests: Jacques Pépin is a chef, author, television personality, educator, and artist, and has starred in twelve acclaimed American Public Television cooking series. His dedication to culinary education led to the creation of the Jacques Pépin Foundation in 2016. He is the winner of sixteen James Beard Awards and author of more than thirty books, the most recent of which is Jacques Pépin: Cooking My Way. Helen Veit specializes in the history of food in the U.S. Her first book, Modern Food, Moral Food: Self-Control, Science, and the Rise of Modern American Eating in the Early Twentieth Century was a 2014 James Beard Award finalist. Recipes: Claudia's Homemade Caesar Dressing Leftover Hacks Learn more about your ad choices. Visit megaphone.fm/adchoices
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