Podcasts about early twentieth century

Happy February, listeners, and welcome to season ten of Digging a Hole! When we started the pod five years ago, we had our eyes on the Grammys, or maybe the Emmys, whatever award show we could finagle our way into. Turns out we have bigger fish to fry than whether or not we're more deserving of an award than Call Her Daddy — Greenland, anyone? We're thrilled to be kicking off this season with someone who knows a great deal about United States Empire: Allison Powers Useche, Assistant Professor of History at the University of Wisconsin–Madison, and author of the new book, Arbitrating Empire: United States Expansion and the Transformation of International Law.Powers Useche kicks us off with a discussion of the use of the arbitration forum as a place to hear what we now think of as international public law claims, including challenges to racial violence and Jim Crow. We dive into some case studies about how ordinary people across the Americas fought the United States in arbitration and offer competing interpretations about how to think about what happened from a legal realist perspective. Finally, we get Powers Useche's take on how environmentalists, Indigenous groups, and others are using the tools of private economic law to contest empire today. This podcast is generously supported by Themis Bar Review.Referenced Readings Mestizo International Law: A Global Intellectual History 1842–1933 by Arnulf Becker Lorca The Hidden History of International Law in the Americas: Empire and Legal Networks by Juan Pablo Scarfi Legalist Empire: International Law and American Foreign Relations in the Early Twentieth Century by Benjamin Allen Coates The Injustice Never Leaves You: Anti-Mexican Violence in Texas by Monica Muñoz Martinez

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The early twentieth century was a particularly tumultuous time in Chinese history, complete with new conflicts, new technologies, and — as Portrayals of Women in Early Twentieth-Century China: Redefining Female Identity through Modern Design and Lifestyle (Amsterdam University Press, 2024) shows — new ways to represent women.  Portrayals of Women in Early Twentieth-Century China by Sandy Ng looks at how women were portrayed in advertisements, photographs, and film in Republican China, all against the backdrop of the rise of print and visual media and debates over the role and image of “modern” women. This book argues that visual portrayals of women not only displayed women, but that such modern images of women allowed women to assert their own individual identities. Filled with images from collections in the UK, Hong Kong, and the United States, this book is sure to interest readers curious about modern Chinese history and the history of design, as well as anyone looking to be inspired by art and material culture.  Interested listeners should also keep an eye out for Sandy's next project: The Dynamics of Modern Asian Design-Material Culture and Social Agency, co-edited with Dr.Megha Rajguru (Bloomsbury Publishing, 2025): “Focusing on the 20th century onwards, this book brings to light the ways in which design as a material form has underscored cultural, social and economic changes across Asia. The Dynamics of Modern Asian Design provides a deeper and more enhanced understanding of material culture in Asia through analysis of examples of ceramics, electronic items, fashion, furniture, interior design, architecture and ornaments from across countries such as China, Hong Kong, India, Japan and South Korea. Authors explore the production of objects as agents in modern material life, moving beyond their roles as commodities and addressing their values in a range of contexts and subjectivities. Early chapters explore how ceramics and found objects are given innovative forms and meanings in their reincarnation, and how the reinvention of material is critical when design is produced and valued. Authors look at the intricate correlation between materials, design practice and social change, highlighting issues of cultural authenticity and tensions between local and global contexts. They then interrogate the significance of visual appearance in material representations of modern women and religious artefacts, exploring gender and religious representation through the analysis of magazines, statues and objects of adornment. The final section includes analysis of concrete, urban design and electrical appliances, specific to particular cultural and social contexts across modern and contemporary Asian cultures.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jovita Idar was a journalist, teacher, and activist in south Texas in the early 20th century. And she was s a force to be reckoned with. Research: "Jovita Idár." Encyclopedia of World Biography Online, Gale, 2023. Gale In Context: Biography, link.gale.com/apps/doc/UVOEMC160154646/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=723c10b3. Accessed 16 Aug. 2024. "The Wind That Swept Mexico." The Hispanic-American Experience, Primary Source Media, 1999. American Journey. Gale In Context: U.S. History, link.gale.com/apps/doc/EJ2159000020/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4cb53122. Accessed 16 Aug. 2024. "The Wind That Swept Mexico." The Hispanic-American Experience, Primary Source Media, 1999. American Journey. Gale In Context: U.S. History, link.gale.com/apps/doc/EJ2159000020/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4cb53122. Accessed 16 Aug. 2024. “Back To Their Own Hearths.” Laredo Weekly Times. 6/18/1916. “Jovita Idar.” UNLADYLIKE2020, Unladylike Productions, LLC, 2020. https://unladylike2020.com/profile/jovita-idar/ “Leo D. Walker Kidnapepd, Is Put Over Boundary Line.” Laredo Weekly Times. 6/18/1916. Buck, Daniel. “A Story Retold is a Story Improved: Jovita Idar and the Texas Rangers.” Wild West History Association Saddlebag Newsletter. March 2021. Buck, Daniel. “A Story Retold is a Story Improved: Jovita Idar and the Texas Rangers part 2.” Wild West History Association Saddlebag Newsletter. December 2021. Carrigan, Willam D. and Clive Webb. “The Lynching of Persons of Mexican Origin or Descent in the United States, 1848 to 1928.” Journal of Social History, Vol. 37, No. 2 (Winter, 2003). Via JSTOR. https://www.jstor.org/stable/3790404 Cristina Lizeth Urdiales, “La Agrupación Protectora Mexicana,” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/la-agrupacion-protectora-mexicana. Cynthia E. Orozco, “Idar, Clemente Nicasio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-clemente-nicasio. Herrera, Jack. “White Hats, Episode 3: La Hora de Sangre.” Texas Monthly. 11/22/2022. https://www.texasmonthly.com/podcast/white-hats-episode-3-la-hora-de-sangre/ Idar, Aquilino. “INTERVIEW WITH: Mr. Aquilino Idar I (Ike) and Guadalupe R. ” Institute of Texan Culture Oral History Office.” October 26, 1984. https://digital.utsa.edu/digital/collection/p15125coll4/id/1304/ James Spencer and R. Matt Abigail, “Antonio Gómez Lynching,” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/antonio-gomez-lynching. Laredo Weekly “Lady Census-Taker.” 4/10/1910. Laredo Weekly Times. “Juarez-Idar.” 5/27/1917. Laredo Weekly Times. “New School Paper Issued.” 10/22/1911. Limon, Jose E. “El Primer Congreso Mexicanista de 1911: A Precursor to Contemporary Chicanismo.” From Latino/a thought : culture, politics, and society. Lanham, Md. : Rowman & Littlefield. 2003. Lomas, Clara. “Transborder Discourse: The Articulation of Gender in the Borderlands in the Early Twentieth Century.” Frontiers: A Journal of Women Studies, Volume 24, Number 2 & 3, 2003, pp. 51-74. https://doi.org/10.1353/fro.2004.0020 Masarik, Elizabeth Garner. “Por la Raza, Para la Raza: Jovita Idar and Progressive-Era Mexicana Maternalism along the Texas–Mexico Border.” Southwestern Historical Quarterly, Volume 122, Number 3, January 2019, pp. 278-299. https://doi.org/10.1353/swh.2019.0019 Medina, Jennifer. “Overlooked No More: Jovita Idár, Who Promoted Rights of Mexican-Americans and Women.” New York Times. 8/7/2020. https://www.nytimes.com/2020/08/07/obituaries/jovita-idar-overlooked.html Nancy Baker Jones Revised by Jessica Brannon-Wranosky, “Idár, Jovita,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-jovita. Nancy Baker Jones, “Villegas de Magnon, Leonor,” Handbook of Texas Online, accessed August 21, 2024, https://www.tshaonline.org/handbook/entries/villegas-de-magnon-leonor. Nunn, Dr. Tey Marianna. “¡Que Viva Jovita! Celebrating Journalist and Activist, Jovita Idar.” Smithsonian American Women's History Musuem. 9/11/2023. https://womenshistory.si.edu/blog/que-viva-jovita-celebrating-journalist-and-activist-jovita-idar Rebeca Anne Todd Koenig, “Rodriguez, Antonio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/rodriguez-antonio. Richardson, Sarah. "TODA LA FAMILIA." American History, vol. 56, no. 2, June 2021, pp. 22+. Gale In Context: U.S. History, link.gale.com/apps/doc/A659491669/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4ac3c382. Accessed 16 Aug. 2024. Rogin, Ali. “Jovita Idar's fight for the rights of women and Mexican immigrants.” PBS News Weekend. 10/1/2023. https://www.pbs.org/newshour/show/jovita-idars-fight-for-the-rights-of-women-and-mexican-immigrants Rolando Duarte, “Joint Committee of the Senate and the House in the Investigation of the Texas State Ranger Force [Canales Investigation],” Handbook of Texas Online, accessed August 22, 2024, https://www.tshaonline.org/handbook/entries/joint-committee-of-the-senate-and-the-house-in-the-investigation-of-the-texas-state-ranger-force-canales-investigation. Teresa Palomo Acosta, “Idar, Nicasio,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/idar-nicasio. Teresa Palomo Acosta, “La Crónica,” Handbook of Texas Online, accessed August 19, 2024, https://www.tshaonline.org/handbook/entries/la-cronica. University of Texas at San Antonio. “Jovita Idar Quarter Release Celebration.” 9/14/2023. Via YouTube. https://www.youtube.com/watch?v=sLgC_fzU9nQ&t=3s University of Texas San Antonio. Jovita Idar Quarter Release Celebration. https://jovitaidar.utsa.edu/jovita-idar/ US Hispanic Literary Heritage Digital Collections. “Who was Leonor Villegas de Magnón?” https://usldhrecovery.uh.edu/exhibits/show/la-rebelde-exhibit-2/leonor-villegas-de-magn--n UTSA Today. “UTSA history professor Gabriela Gonzalez is preserving unknown stories of transborder activists.” 09/14/2023. https://www.utsa.edu/today/2023/09/story/gabriela-gonzalez-interview.html Villegas de Magnón, Leonor. “The Rebel.” Houston, Tex. : Arte Público Press. 1994. Young, Elliott. “Deconstructing ‘La Raza': Identifying the "Gente Decente" of Laredo, 1904-1911. Southwestern Historical Quarterly. Oct. 1994. Vol. 98 No. 2. Via JSTOR. : http://www.jstor.com/stable/30241459 See omnystudio.com/listener for privacy information.

Once Faith and I  had a confirmed our record date and time, Dr. Mitchell wrote saying "coincidentally this is Juneteenth.  What interesting alignment and a good opportunity to honor the ancestors who paved the way for so many of us today." And I couldn't have agreed more.Ophelia, My guest's mother and one of twelve children, was born in Chester County, Pennsylvania.  Faith shares stories of her mother and how enthusiastic and encouraging she was. She wanted Faith to experience anything and anywhere, including a love for a robust education, traveling with her mom and dad and Faith  loved spending time with her grandmother and mother and listening to stories about the family from past generations.Faith also loved spending time outdoors in nature exploring. When she was a young girl she lived in rural Michigan mainly because her mother insisted her daughter go to an excellent school.  They found a farmer who was desperate to sell his home and though it was an all white, restricted community, he sold it to the Mitchell's. Her mom used to say, "Faith, make something of yourself," and because the country was still segregated her mom used to speak to her and say "Black people have to progress and education is the way to progress."  Another reflection Faith shared with me is another favorite saying of her mom's which is "the parent opens the door and the child walks through."There's so much more to this conversation. I hope you enjoy the listen. Faith is fascinating. She's passionate about this country and the journey of her forefathers and all that they fought for in order to become the best that they could be.My guest was sure to point out that "Ophelia was smart, inquisitive and open to learning anything and everything.She studied to be a teacher.""Both women are ancestors who have been inspirations to me because of their sense of agency--which comes across in the photos--and their courage against the odds. Captured in the photo of Faith and her mother Ophelia - "it captures my mother and me in 1963 in the Painted Desert and reflects the fact that my parents valued exploration even in the pre-Civil Rights period when most Black people didn't have an opportunity to travel--and it could be dangerous to do so. My mother tried to open doors for me whenever she could and that's the terminology she used," Faith recalled.The word grio translates to one who is an oral historian and storyteller originally from West Africa.   INSTAGRAM:@emmas_postcard_album and @hoodoo_medicine LINKEDIN: https://www.linkedin.com/in/faith-mitchell-0646b313 OTHER: YouTube - https://youtu.be/YeEWX6beGAQ. WEBSITE: https://www.drfaithmitchell.com/  Emma's Postcard Album, Black Lives in the Early Twentieth Century is now available from the University Press of Mississippi, hashtag#Amazon, and hashtag#barnesandnoble! "Should Have Listened To My Mother" is an ongoing conversation about mothers and the roles they play in our lives. And my guests answer the question, 'are you who you are today because of, or in spite of, your mother'? You'll be amazed at what the responses are."Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In getting ready to launch my podcast, so many were willing to give their time and share their personal relationships with their mother.Some of my guests include Baritone Singer Christopheren Nomura, Pulitzer Prize Winning Journalist Tim Wacker, Activist Kim Miller, Freighter Sea Captain Terry Viscount, Film Production Manager Peg Robinson, Professor of Writing Montclair State University Dr. Bridget Brown, Tammy Steckler, attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter Mark Heingartner, Child and Adult Special Needs Activist, Maryellen Valyo Cole and Roger Evens, Property Manager in New Jersey and so many more talented and insightful women and men.I've worked in the broadcasting industry for over four decades. I've interviewed so many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created my logo for "Should Have Listened To My Mother".Check out my website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloFind audio versions of the podcast here: https://shltmm.simplecast.com/Spotify Link: https://open.spotify.com/show/60j14qCcks4AP3JUrWrc2MLink to website and show notes: https://shltmm.simplecast.com/ Spotify Link: https://open.spotify.com/show/60j14qCcks4AP3JUrWrc2M Apple Podcasts Facebook:Should have listened to my motherJackie TantilloInstagram:Should have listened to my motherJackietantillo7LinkedIn:Jackie TantilloYOUTUBE:Should have listened to my mother

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice. Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice. Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did a nation of immigrants come to hate immigration? We start at the beginning, sort through the evidence, and explain why your grandfather was lying about Ellis Island. (Part one of a three-part series.) SOURCES:Leah Boustan, professor of economics at Princeton University.Zeke Hernandez, professor at the Wharton School at the University of Pennsylvania.Roger Nam, professor of Hebrew Bible at Emory University. RESOURCES:The Truth About Immigration: Why Successful Societies Welcome Newcomers, by Zeke Hernandez (2024, available for pre-order)."The Refugee Advantage: English-Language Attainment in the Early Twentieth Century," by Ran Abramitzky, Leah Platt Boustan, Peter Catron, Dylan Connor, and Rob Voigt (NBER Working Paper, 2023).Streets of Gold: America's Untold Story of Immigrant Success, by Leah Boustan and Ran Abramitzky (2022)."If Liberals Won't Enforce Borders, Fascists Will," by David Frum (The Atlantic, 2019). EXTRAS:"Is Migration a Basic Human Right?" by Freakonomics Radio (2015)."Who Are the Most Successful Immigrants in the World?" by Freakonomics Radio (2013).

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

The late nineteenth and early twentieth centuries saw the turbulent end of China's imperial system, violent revolutionary movements, and the fraught establishment of a republican government. During these decades of reform and revolution, millions of far-flung “overseas Chinese” remained connected to Chinese domestic movements. Transpacific Reform and Revolution: The Chinese in North America, 1898-1918 (Stanford UP, 2023) uses rich archival sources and a new network approach to examine how reform and revolution in North American Chinatowns influenced political change in ChinaPo and the transpacific Chinese diaspora from 1898 to 1918. Historian Zhongping Chen focuses on the transnational activities of Kang Youwei, Sun Yat-sen, and other politicians, especially their mobilization of the Chinese in North America to join reformist or revolutionary parties in patriotic fights for a Western-style constitutional monarchy or republic in China. These new reformist and revolutionary parties, including the first Chinese women's political organization, led transpacific movements against American anti-Chinese racism in 1905 and supported constitutional reform and the Republican Revolution in China around 1911, achieving transpacific expansion through innovative use of cross-cultural political ideologies and intertwined institutional and interpersonal networks. Through network analysis of the origins, interrelations, and influences of Chinese reform and revolution in North America, this book makes a significant contribution to modern Chinese history, Asian American and Asian Canadian history, and Chinese diasporic scholarship. Zhongping Chen is Professor of History at the University of Victoria. He is also the author of Modern China's Network Revolution: Chambers of Commerce and Sociopolitical Change in the Early Twentieth Century (Stanford University Press, 2011). He has been working on several digital projects such as “Victoria's Chinatown: A Gateway to the Past and Present of Chinese Canadians” and “Chinese Canadian Artifacts Project." Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The late nineteenth and early twentieth centuries saw the turbulent end of China's imperial system, violent revolutionary movements, and the fraught establishment of a republican government. During these decades of reform and revolution, millions of far-flung “overseas Chinese” remained connected to Chinese domestic movements. Transpacific Reform and Revolution: The Chinese in North America, 1898-1918 (Stanford UP, 2023) uses rich archival sources and a new network approach to examine how reform and revolution in North American Chinatowns influenced political change in ChinaPo and the transpacific Chinese diaspora from 1898 to 1918. Historian Zhongping Chen focuses on the transnational activities of Kang Youwei, Sun Yat-sen, and other politicians, especially their mobilization of the Chinese in North America to join reformist or revolutionary parties in patriotic fights for a Western-style constitutional monarchy or republic in China. These new reformist and revolutionary parties, including the first Chinese women's political organization, led transpacific movements against American anti-Chinese racism in 1905 and supported constitutional reform and the Republican Revolution in China around 1911, achieving transpacific expansion through innovative use of cross-cultural political ideologies and intertwined institutional and interpersonal networks. Through network analysis of the origins, interrelations, and influences of Chinese reform and revolution in North America, this book makes a significant contribution to modern Chinese history, Asian American and Asian Canadian history, and Chinese diasporic scholarship. Zhongping Chen is Professor of History at the University of Victoria. He is also the author of Modern China's Network Revolution: Chambers of Commerce and Sociopolitical Change in the Early Twentieth Century (Stanford University Press, 2011). He has been working on several digital projects such as “Victoria's Chinatown: A Gateway to the Past and Present of Chinese Canadians” and “Chinese Canadian Artifacts Project." Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In my conversation with Dr. Faith Mitchell, we are Exploring America's Evolution. Dr. Mitchell is an Institute fellow at the Urban Institute. She researches the implications—and possibilities—of this country's racial evolution. Over several decades, her career has bridged research, practice, social and health policy. She has held numerous leadership positions for major institutions such as the US Department of State and the William and Flora Hewlett Foundation, among many others. Dr. Mitchell is also a published author. She wrote Hoodoo Medicine, a groundbreaking study of Black folk medicine; the Book of Secrets, Part 1, a semi-factual supernatural thriller; and most recently, Emma's Postcard Album, Black Lives in the Early Twentieth Century, a memoir and social history. Below is Dr. Faith Mitchell's contact information: Main website: http://www.drfaithmitchell.com Hoodoo Medicine: http://www.hoodoomedicine.com LinkedIn: https://www.linkedin.com/in/faith-mitchell-0646b313/ Instagram: @hoodoo_medicine @emmas_postcard_album TikTok: @historysvoice Urban Institute: http://www.urban.org/author/faith-mitchellAhe SIGN UP TO BE NOTIFIED OF MY NEW BOOK: I'm crossing author off of my bucket list in 2024! Sign up to be notified of my book about singlehood from a Christian perspective. How To Live An Extraordinary Life, With Or Without Mr. Right, A Christian Woman's Guide How To Survive And Thrive On Single Avenue: ⁠⁠https://hustleinfaith.com/book/⁠⁠ CHECK OUT THE FREE HUSTLE IN FAITH LIBRARY Download free checklists, prayer guides, etc., to help in your quest to live an extraordinary life: ⁠⁠⁠https://hustleinfaith.com/resources/⁠) ⁠⁠⁠⁠⁠⁠⁠⁠ JOIN OUR FREE BRAND NEW YOU CHALLENGE Don't forget to grab your guide! Free Brand New You Challenge ( ⁠https://hustleinfaith.com/resources/⁠) WHERE ELSE CAN YOU FIND ME? ⁠ YouTube: ⁠https://www.youtube.com/@hustleinfaith/?sub_confirmation=1⁠ Facebook: ⁠⁠https://www.facebook.com/HustleinFaith ⁠ ⁠Instagram: ⁠⁠https://www.instagram.com/hustleinfaith ⁠ ⁠Pinterest: ⁠⁠https://www.pinterest.com/hustleinfaith/ ⁠⁠ Starengu: (Content Creation Services): ⁠⁠https://starengu.com/ ⁠⁠ StarenguCrew (Our Shop): ⁠⁠https://starengucrew.com/⁠⁠ HOW CAN YOU SUPPORT HUSTLE IN FAITH? If you enjoy listening to⁠⁠⁠⁠ Hustle in Faith⁠⁠⁠⁠ and would like to support the show, please consider doing one or more of the following: Leave a review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/hustleinfaith⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠ Donate: ⁠⁠https://www.paypal.com/paypalme/hustleinfaith ⁠⁠ Check out our Shop: ⁠⁠https://starengucrew.com/⁠ ⁠ Check out our Content Creation Services: ⁠⁠https://starengu.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/hustleinfaith/support

As a child in eastern France, Jacques Pépin learned never to waste a scrap of food. Raised during and after the rationing of WWII, he watched closely as his mother, Jeanette, built a successful career as a restaurateur by the skin of her teeth (and her chickens). Today, Jacques is a beloved celebrity chef. And yet he's never forgotten what he knows about keeping food, and life delicious, without squandering ingredients or time. Jacques sits down with Host Claudia Hanna to explain how what he calls “miserly” cooking became his philosophy and his superpower. He shares how this approach has served him in the humblest, and the highest, of kitchens, and how you can apply it in yours, too. Plus – over Jacques' long career, there have been some pretty radical changes in people's attitudes about food waste. Food Historian Helen Veit joins us to explain why what we eat, and what we throw away, has changed so much in just a few generations.  Hosted by Claudia Hanna Episode Guests: Jacques Pépin is a chef, author, television personality, educator, and artist, and has starred in twelve acclaimed American Public Television cooking series. His dedication to culinary education led to the creation of the Jacques Pépin Foundation in 2016. He is the winner of sixteen James Beard Awards and author of more than thirty books, the most recent of which is Jacques Pépin: Cooking My Way. Helen Veit specializes in the history of food in the U.S. Her first book, Modern Food, Moral Food: Self-Control, Science, and the Rise of Modern American Eating in the Early Twentieth Century was a 2014 James Beard Award finalist.  Recipes: Claudia's Homemade Caesar Dressing Leftover Hacks Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Shruti chats with Sarath Pillai about German lessons from India's nationalism and constitutionalism and how those ideas have influenced modern day India. Recorded September 6th, 2023. Read a full transcript enhanced with helpful links. Follow us on X Follow Shruti on X Follow Sarath on X Click here for the latest Ideas of India episodes sent straight to your inbox.

In the early twentieth century, Miami cultivated an image of itself as a destination for leisure and sunshine free from labor strife. In Working in the Magic City: Moral Economy in Early Twentieth-Century Miami (U Illinois Press, 2022), Thomas A. Castillo unpacks this idea of class harmony and the language that articulated its presence by delving into the conflicts, repression, and progressive grassroots politics of the time. Castillo pays particular attention to how class and race relations reflected and reinforced the nature of power in Miami. Class harmony argued against the existence of labor conflict, but in reality obscured how workers struggled within the city's service-oriented seasonal economy. Castillo shows how and why such an ideal thrived in Miami's atmosphere of growth and boosterism and amidst the political economy of tourism. His analysis also presents class harmony as a theoretical framework that broadens our definitions of class conflict and class consciousness. This episode was produced for "Working History," the podcast of the Southern Labor Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

In the early twentieth century, Miami cultivated an image of itself as a destination for leisure and sunshine free from labor strife. In Working in the Magic City: Moral Economy in Early Twentieth-Century Miami (U Illinois Press, 2022), Thomas A. Castillo unpacks this idea of class harmony and the language that articulated its presence by delving into the conflicts, repression, and progressive grassroots politics of the time. Castillo pays particular attention to how class and race relations reflected and reinforced the nature of power in Miami. Class harmony argued against the existence of labor conflict, but in reality obscured how workers struggled within the city's service-oriented seasonal economy. Castillo shows how and why such an ideal thrived in Miami's atmosphere of growth and boosterism and amidst the political economy of tourism. His analysis also presents class harmony as a theoretical framework that broadens our definitions of class conflict and class consciousness. This episode was produced for "Working History," the podcast of the Southern Labor Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early twentieth century, Miami cultivated an image of itself as a destination for leisure and sunshine free from labor strife. In Working in the Magic City: Moral Economy in Early Twentieth-Century Miami (U Illinois Press, 2022), Thomas A. Castillo unpacks this idea of class harmony and the language that articulated its presence by delving into the conflicts, repression, and progressive grassroots politics of the time. Castillo pays particular attention to how class and race relations reflected and reinforced the nature of power in Miami. Class harmony argued against the existence of labor conflict, but in reality obscured how workers struggled within the city's service-oriented seasonal economy. Castillo shows how and why such an ideal thrived in Miami's atmosphere of growth and boosterism and amidst the political economy of tourism. His analysis also presents class harmony as a theoretical framework that broadens our definitions of class conflict and class consciousness. This episode was produced for "Working History," the podcast of the Southern Labor Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the early twentieth century, Miami cultivated an image of itself as a destination for leisure and sunshine free from labor strife. In Working in the Magic City: Moral Economy in Early Twentieth-Century Miami (U Illinois Press, 2022), Thomas A. Castillo unpacks this idea of class harmony and the language that articulated its presence by delving into the conflicts, repression, and progressive grassroots politics of the time. Castillo pays particular attention to how class and race relations reflected and reinforced the nature of power in Miami. Class harmony argued against the existence of labor conflict, but in reality obscured how workers struggled within the city's service-oriented seasonal economy. Castillo shows how and why such an ideal thrived in Miami's atmosphere of growth and boosterism and amidst the political economy of tourism. His analysis also presents class harmony as a theoretical framework that broadens our definitions of class conflict and class consciousness. This episode was produced for "Working History," the podcast of the Southern Labor Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the early twentieth century, Miami cultivated an image of itself as a destination for leisure and sunshine free from labor strife. In Working in the Magic City: Moral Economy in Early Twentieth-Century Miami (U Illinois Press, 2022), Thomas A. Castillo unpacks this idea of class harmony and the language that articulated its presence by delving into the conflicts, repression, and progressive grassroots politics of the time. Castillo pays particular attention to how class and race relations reflected and reinforced the nature of power in Miami. Class harmony argued against the existence of labor conflict, but in reality obscured how workers struggled within the city's service-oriented seasonal economy. Castillo shows how and why such an ideal thrived in Miami's atmosphere of growth and boosterism and amidst the political economy of tourism. His analysis also presents class harmony as a theoretical framework that broadens our definitions of class conflict and class consciousness. This episode was produced for "Working History," the podcast of the Southern Labor Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Castillo discusses his book Working in the Magic City: Moral Economy in Early Twentieth-Century Miami, beginning with the book's origin story, and then tracing Miami's working-class history from World War I to the mid-1930s.

The peace movement, global citizenship, and global government are wrapped up in this week's episode. Dr. Megan Threlkeld joins to discuss her book Citizens of the World, which takes on these subjects and the role that nine women played in shaping the idea of global citizenship. Given the rise of internationalism in this period, Dr. Threlkeld's book is vital to how we interpret international relations in the Gilded Age and Progressive Era.Essential Reading:Megan Threlkeld, Citizens of the World: U.S. Women and Global Government (2022).Recommended Reading:Keisha N. Blain and Tiffany M. Gill (eds.), To Turn the Whole World Over: Black Women and Internationalism (2019). Daniel Gorman, International Cooperation in the Early Twentieth Century (2017).Mark Mazower, Governing the World: The History of an Idea (2012).Patricia Owens and Katharina Rietzler (eds.), Women's International Thought: A New History (2021). Hosted on Acast. See acast.com/privacy for more information.

Sally does her washing on the narrowboat, and with spring in the air, her thoughts turn to the past. She reads from an old favourite, the children's classic novel, The Wind in the Willows, and discusses its characters and themes with her friend from next door, Maeve Magnus, who is reading it for the first time and sees close parallels between the book and their own lives on the river. Sally recalls her fierce search for meaning and direction of her university days, and how she plunged into the writings of the American scholar Camille Paglia; then she reads an illuminating passage written by a former student, the writer, art critic and academic, Rebecca Birrell. Sally ends by reflecting on her desire for privacy and space, and the adoption of literary and artistic personae, reaching back to the masks worn by actors in ancient Greece. The Wind in the Willows is a children's novel by the Scottish novelist Kenneth Grahame, first published in 1908. It details the story of Mole, Ratty, and Badger as they try to help the excitable, impetuous, swaggering, but hapless Mr Toad. The novel was based on bedtime stories which Grahame, a successful banker and financier, told his seven-year-old son. The book's impressionistic descriptions of the English countryside and its mythic search for moments of grace have made it an enduring read for adults as well as children; while the setting of the book partly drew on the author's experiences of living beside the River Thames, south of Oxford - not too far from where Sally and Maeve now live. Grahame died in 1932 and lies buried in Oxford's Holywell Cemetery. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, which Sally read avidly at university, is a 1990 book about sexual decadence in Western literature and the visual arts by scholar Camille Paglia. The novel draws on the conflicts of Greek drama and demonstrates their continued relevance in its comprehensive study of Western art and literature, from Botticelli and Leonardo daVinci to Shakespeare, Goethe, Coleridge, Emily Brontë and Oscar Wilde. This Dark Country: Women Artists, Still Life and Intimacy in the Early Twentieth Century by Dr Rebecca Birrell is published by Bloomsbury Circus. It is both biography and art critcism of 10 female artists, including Dora Carrington, Vanessa Bell and Gwen John. It was the Guardian Art Book of the Year and shortlisted for a number of other prestigious awards. The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com The extra voice in this episode is Emma Fielding. Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus. If you would like to support us, please visit - https://gofund.me/d5bef397

Barbadians were among the thousands of British West Indians who migrated to Cuba in the early twentieth century in search of work. They were drawn there by employment opportunities fueled largely by US investment in Cuban sugar plantations. Tell My Mother I Gone to Cuba: Stories of Early Twentieth-century Migration from Barbados (U West Indies Press, 2016) is their story. The migrants were citizens of the British Empire, and their ill-treatment in Cuba led to a diplomatic tiff between British and Cuban authorities. The author draws from contemporary newspaper articles, official records, journals and books to set the historical contexts which initiated this intra-Caribbean migratory wave. Through oral histories, it also gives voice to the migrants' compelling narratives of their experience in Cuba. One of the oral histories recorded in the book is that of the author's mother, who was born in Cuba of Barbadian parents. Dr. Sharon Milagro Marshall is an award-winning journalist and corporate communication professional from Barbados. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Barbadians were among the thousands of British West Indians who migrated to Cuba in the early twentieth century in search of work. They were drawn there by employment opportunities fueled largely by US investment in Cuban sugar plantations. Tell My Mother I Gone to Cuba: Stories of Early Twentieth-century Migration from Barbados (U West Indies Press, 2016) is their story. The migrants were citizens of the British Empire, and their ill-treatment in Cuba led to a diplomatic tiff between British and Cuban authorities. The author draws from contemporary newspaper articles, official records, journals and books to set the historical contexts which initiated this intra-Caribbean migratory wave. Through oral histories, it also gives voice to the migrants' compelling narratives of their experience in Cuba. One of the oral histories recorded in the book is that of the author's mother, who was born in Cuba of Barbadian parents. Dr. Sharon Milagro Marshall is an award-winning journalist and corporate communication professional from Barbados. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Barbadians were among the thousands of British West Indians who migrated to Cuba in the early twentieth century in search of work. They were drawn there by employment opportunities fueled largely by US investment in Cuban sugar plantations. Tell My Mother I Gone to Cuba: Stories of Early Twentieth-century Migration from Barbados (U West Indies Press, 2016) is their story. The migrants were citizens of the British Empire, and their ill-treatment in Cuba led to a diplomatic tiff between British and Cuban authorities. The author draws from contemporary newspaper articles, official records, journals and books to set the historical contexts which initiated this intra-Caribbean migratory wave. Through oral histories, it also gives voice to the migrants' compelling narratives of their experience in Cuba. One of the oral histories recorded in the book is that of the author's mother, who was born in Cuba of Barbadian parents. Dr. Sharon Milagro Marshall is an award-winning journalist and corporate communication professional from Barbados. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Barbadians were among the thousands of British West Indians who migrated to Cuba in the early twentieth century in search of work. They were drawn there by employment opportunities fueled largely by US investment in Cuban sugar plantations. Tell My Mother I Gone to Cuba: Stories of Early Twentieth-century Migration from Barbados (U West Indies Press, 2016) is their story. The migrants were citizens of the British Empire, and their ill-treatment in Cuba led to a diplomatic tiff between British and Cuban authorities. The author draws from contemporary newspaper articles, official records, journals and books to set the historical contexts which initiated this intra-Caribbean migratory wave. Through oral histories, it also gives voice to the migrants' compelling narratives of their experience in Cuba. One of the oral histories recorded in the book is that of the author's mother, who was born in Cuba of Barbadian parents. Dr. Sharon Milagro Marshall is an award-winning journalist and corporate communication professional from Barbados. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

The Music of the United States of America Series of musical editions is a monumental undertaking funded by the National Endowment for the Humanities with financial and organizational support from the University of Michigan, the American Musicological Society, the Society of American Music, and A-R Editions. The aim of the MUSA series, as it is called, is to provide expertly researched and edited scores of music from a wide variety of musical traditions performed in the United States. The thirty-second volume of the MUSA series is An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century published by A-R Editions in 2021 and edited by the Anne Dhu McLucas, Norm Cohen, and Carson Cohen. Dr. McLucas passed away before the edition was completed and Carson stepped in to complete the project with his father Norm. This collection of one hundred songs is a record of a fundamental repertoire in American music. Brought to this country by colonists, the folk songs became one of the foundations of the genre that early record executives called hillbilly music which was eventually rebranded as country music.  Each entry has extensive notes explaining the piece's background and text, information about the recording used for the musical transcription, and a list of secondary sources that discuss the song. An American Singing Heritage required the editors to sift through thousands of recordings and songs to pick a representative sample of this large and fascinating repertoire. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from commercial recordings of "hillbilly" musicians, and field recordings in the collection of the Library of Congress's Archive of American Folk Song, now part of the Archive of Folk Culture. The American Musicological Society awarded the collection the 2022 Claude V. Palisca Award for an Outstanding Edition. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I've been looking forward to talking about food for a while. Dr. Helen Zoe Veit joins me to answer all my questions about decadent recipes, food security, poverty, picky children, and the connections between Gilded Age foodstuff and our diet today. Dr. Veit is professor at Michigan State University and the director of the "What America Ate" project.Essential Reading:Helen Zoe Veit, Modern Food, Moral Food: Self-Control, Science, and the Rise of Modern American Eating in the Early Twentieth Century (2013).Recommended Reading:Benjamin R. Cohen, Pure Adulteration: Cheating on Nature in the Age of Manufactured Food (2020)April Merleaux, Sugar and Civilization: American Empire and the Cultural Politics of Sweetness (2015)Jonathan Rees, The Chemistry of Fear: Harvey Wiley's Fight for Pure Food (2021)Megan Elias, Stir It Up: Home Economics in American Culture (2008)Andrew Haley, Turning the Tables: Restaurants and the Rise of the American Middle Class, 1880-1920 (2011)Laura Shaprio, Perfection Salad: Women and Cooking at the Turn of the Century (1986) Rebecca Sharpless, Cooking in Other Women's Kitchens: Domestic Workers in the South,1865-1960 (2010)Special food issue of The Journal of the Gilded Age and Progressive Era, ed. Megan Elias, Volume 18, Issue 4 (October 2019) Hosted on Acast. See acast.com/privacy for more information.

In The New Era in Mathematics, 1920-1950 (Princeton University Press, 2022) Karen Parshall explores the institutional, financial, social, and political forces that shaped and supported the American Mathematics community in the first half of the twentieth century. Drawing from extensive archival and primary-source research, Professor Parshall uncovers the key players in American mathematics who worked together to effect change. She highlights the educational, professional, philanthropic, and governmental entities that bolstered progress and uncovers the strategies implemented by American mathematicians in their quest for the advancement of knowledge. Through an examination of how the American Mathematical community asserted itself on the international state, The New Era in Mathematics, 1920-1950 shows the way one nation became the focal point for the field. Karen Hunger Parshall is the Commonwealth Professor of History and Mathematics at the University of Virginia. She is the author of James Joseph Sylvester: Jewish Mathematician in a Victorian World and the coauthor of Taming the Unknown: A History of Algebra from Antiquity to the Early Twentieth Century. Marc Goulet is Professor in mathematics and Associate Dean in the College of Arts and Sciences at the University of Wisconsin-Eau Claire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The New Era in Mathematics, 1920-1950 (Princeton University Press, 2022) Karen Parshall explores the institutional, financial, social, and political forces that shaped and supported the American Mathematics community in the first half of the twentieth century. Drawing from extensive archival and primary-source research, Professor Parshall uncovers the key players in American mathematics who worked together to effect change. She highlights the educational, professional, philanthropic, and governmental entities that bolstered progress and uncovers the strategies implemented by American mathematicians in their quest for the advancement of knowledge. Through an examination of how the American Mathematical community asserted itself on the international state, The New Era in Mathematics, 1920-1950 shows the way one nation became the focal point for the field. Karen Hunger Parshall is the Commonwealth Professor of History and Mathematics at the University of Virginia. She is the author of James Joseph Sylvester: Jewish Mathematician in a Victorian World and the coauthor of Taming the Unknown: A History of Algebra from Antiquity to the Early Twentieth Century. Marc Goulet is Professor in mathematics and Associate Dean in the College of Arts and Sciences at the University of Wisconsin-Eau Claire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

It seems like you can't swing a spatula without hitting a claim that eating this way will make you happier, stronger, and more productive. As it turns out, diet trends are neither new nor politically innocuous. Lisa Haushofer, author of the upcoming Wonder Foods: The Science and Commerce of Nutrition, joins Virginia to dig into the outsized promises of idealized foods — and their roots in imperialism and racism. During the course of the conversation, Lisa credited the work of a number of her colleagues; here are those citations.Rosenberg, Gabriel N., and Jan Dutkiewicz. “Abolish the Department of Agriculture.” The New Republic, December 27, 2021. Reese, Ashanté M. Black Food Geographies: Race, Self-Reliance, and Food Access in Washington,. Chapel Hill: University of North Carolina Press, 2019.Jou, Chin. Supersizing Urban America: How Inner Cities Got Fast Food with Government Help. Chicago: University of Chicago Press, 2017.Scrinis, Gyorgy. Nutritionism: The Science and Politics of Dietary Advice. New York: Columbia University Press, 2013.Veit, Helen. Modern Food, Moral Food: Self-Control, Science, and the Rise of Modern American Eating in the Early Twentieth Century. Chapel Hill: University of North Carolina Press, 2013. 

Chike joins Peter to look back at our coverage of Africana philosophy in the first half of the 20th century.