Podcast appearances and mentions of brendan perry

Delighted and honoured to be joined by multi-instrumentalist, Brendan Perry on the podcast this week.  Brendan, who is one half of seminal 4AD band, Dead Can Dance, talks to me about his first band The Scavengers and the early punk rock scene in Aukland, New Zealand. His love of Bowie and early musical influences and the recording of Dead Can Dance's self-titled debut album, released back in 1984.  So many great stories in this one! Listen wherever you get your podcasts. Link in bio  Dead Can Dance are one of my all-time favourite groups, so it was a real honour to speak to Brendan about the truly wonderful music he has made with Lisa Gerrard and as solo artist The overall sound of Dead Can Dance is tricky to define, there are elements of European folk ambient, baroque rock, classical and darkwave in their wonderful, genre-bending music. So many Dead Can Dance albums to discover, with three great solo albums from Brendan to check out too   https://www.deadcandance.com/ Dead Can Dance - 'Opium" Dead Can Dance - 'The Host Of Seraphim' (Remastered) Brendan Perry - 'Song To The Siren' (live on KEXP)  

Today on the Rarified Heir Podcast we'd like to wish you a Happy New Year 2024 with this encore episode for first episode of our third season. Our guest today is talking to musician Rachel Haden about her father, influential jazz bassist Charlie Haden. Rachel was kind enough to talk to us about so many things including her memories of growing up as a triplets and going for walks with jazz trumpeter Don Cherry when the Haden's lived in New York. This led us down the path of many other genres of music including country, punk, jazz, indie rock and much.more as the Haden's all sang and played instruments growing up. Thanks dad. We learn about the Rachel's time on the road with Todd Rundgren, her band That Dog, Brendan Perry of Dead Can Dance as well as Beck, Jimmy Eat World, Neil Hamburger and more. While we were at it we also discuss jaco Pastorius, Ornette Coleman, Ry Cooder, Jack White, Mike Watt and others. It's a very fertile musical well we draw from when talking to a Haden family member like Rachel as there are so many avenues and styles of music she and her family are connected to. The story spans 1930s Iowa where Charlie was part of The Haden Family Band, who rivaled the Carter Family in popularity in the Midwest and runs all the way to the 2020's with the release of Rachel's solo albums including making music with Charlie's son-in-law, comedian Jack Black of Tenacious D. If you are a fan of music, this episode is the one for you. Take a listen, on the Rarified Heir Podcast encore edition with Rachel Haden, coming up here.

Se plonger dans l'univers artistique d'Olivier Mellano, c'est l'assurance d'être pris d'un grand vertige. En effet, ce musicien n'a cessé d'accumuler les expériences avec de nombreux groupes, une cinquantaine à ce jour, couvrant un vaste panel stylistique depuis le rock et la pop jusqu'à l'électro, le hip-hop et la chanson. Ses collaborations vont du groupe coréen de métal Jambilaï aux voix si caractéristiques d'Élise Caron, Brendan Perry, John Greaves, G.W Sok ou du rappeur MC Dälek. Parmi ses multiples collaborations, on trouve autant d'ensembles undergrounds que de noms plus connus, à l'image de Miossec ou Dominique A. Olivier Mellano s'essaye à tout avec l'intention clairement avouée de « dissoudre toute hiérarchie esthétique » : musique de théâtre, de danse, de cinéma, de ciné-concert, de radio, de littérature, improvisation, en solo, en duo, avec des comédiens ou des écrivains, spectacles, incursions dans le monde de la musique écrite etc. Sans parler de l'écriture de livres... Une rencontre avec Guillaume Kosmicki. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today on the Rarified Heir Podcast, we are talking to musician Rachel Haden. A go-to musician and singer in her own right, we learned from our interview, Rachel is part of a musical tradition that frankly, we had no idea the depths of until we started talking about it with her for this episode. Her father, bassist Charlie Haden was one of one of the greatest bassists of all-time. Spoken about in hushed tones next to greats like Charles Mingus, Jaco Pastorius and Ron Carter, Charlie is perhaps best known for his time in Ornette Coleman's ‘free jazz' Quartet in 1960 that literally helped revolutionize jazz. The free jazz movement pushed the boundaries of what jazz was and what it would become.   Now if that were all Charlie Haden ever did, he'd still be a  legendary figure if his career ended there. However ever the next 50 years, Charlie Haden worked with everyone from Keith Jarrett, and Ginger Baker, to Elvis Costello, and Hank Mobley and even son-in-Jack Black. Born into a musical family in the 1930s, Charlie Haden grew up with country and American folk music as part of his roots. The Haden Family, much like The Carter Family, were songwriters and performers and even had their own radio show in Iowa in the 1940s. Their musical traditions were passed down in handmade books, much like a family bible, that still exist today. Which is why talking to Rachel is so much fun. Along with her sisters Petra and Tanya, The Haden Triplets have recorded two full-length albums as the Haden Triplets, based on the music of their grandparents while covering classic American country and folk music. Their debut was produced by Ry Cooder on Jack White's Third Man Records and their 2020 sophomore follow-up called The Family Songbook,  was a bucket list project that brings their family musical legacy full circle.   A bass player/singer/keyboardist herself, Rachel Haden co-founded the band That Dog in the 1990s with her sister Petra and performed & recorded with a veritable who's who in music including Weezer, Todd Rundgren, Beck, Brendan Perry, Jimmy Eat World, Neil Hamburger, The Rentals, The Martini's and more. Her older brother, Josh Haden is also a musician, having founded the late 80s SST punk rock band Treacherous Jaywalkers and later, the band Spain. So what was it like growing up with the preeminent jazz bassist for a dad, an older brother bass player following in his dads footsteps and sisters Petra on the violin & Tanya  on the cello? We'll find out, on this episode of the Rarified Heir Podcast.

On the third episode of the Post-Punk Podcast music industry veteran and contributing editor Thomas Thyssen joins Editor in Chief Alex Baker for an interview with Clan of Xymox founder and frontman Ronny Moorings. During the interview, we look back on 40 years of the band, beginning with their rare Demo EP Subsequent Pleasures, and discuss how with the help of Dead Can Dance's Brendan Perry, Clan of Xymox were signed to 4AD. Throughout the interview, we delve further into Clan of Xymox's 4AD years. During this time, they would release their classic 1985 self-titled debut album, which features the fantastic single A Day, and Stranger, both remixed by John Fryer into dancefloor hits as the and its follow-up Medusa. In light of Clan of Xymox's recent release Peel Sessions on vinyl, we also discuss the two recording sessions for John Peel's radio show, which, as legends goes, is how the Genre 'Darkwave" was coined. For the first time in decades, these Peel recordings are finally available on vinyl and digital formats through Dark Entries. George Horn remastered all songs at Fantasy Studios. Eloise Leigh designed the sleeve, taking inspiration from Vaughn Oliver's iconic designs for 4AD. A 2-sided insert with archival photos and notes from Ronny and Anka recounting their experiences recording at the BBC studio. Order Here If you enjoy the show, please support the Post-Punk Podcast through our Patreon Page, or directly via our Contact Form here. And don't forget to leave a review on the podcast platform of your choice. Thank you to Jason Corbett from Actors for creating our intro music, Korine for creating our outro, and our Editors Frank Deserto and Andi Harriman. We also, of course, thank Thomas Thyssen for co-hosting this episode. --- Support this podcast: https://anchor.fm/postpunk/support

In our fifth episode, we talk with Jeez Loueez, "The Honey Badger of Burlesque," voted the Number One Burlesque Entertainer in the World via 21st Century Burlesque for two years running (this year sharing the title with Lola van Ella—together they form LoLeezBo)! Jeez has performed at and hosted shows at the prestigious Burlesque Hall of Fame, produced tons of burlesque and variety shows (including Jeezy's Juke Joint and online LoLeezBo shows with Lola van Ella live-streamed from their living room), and taught burlesque and twerk classes everywhere from burlesque festivals to college campuses to the internet. In addition to her many achievements as an ecdysiast, Jeez is an accomplished actress, appearing in the soon to be released Finesse series as well as the film Outrageous. Obscenely talented in so many ways, Jeez enjoys making spicy content for her fan sites when she isn't on set or on stage. In this episode, we talk about how strip clubs work, what it's like to be naked on film sets during a pandemic, how Jeez rose from getting a C tap dancing and stripping in musical theater class to being voted the #1 Burlesque Figure in the World two years running, and much, much more! This episode was recorded in January 2021 & is being released February 18, 2021. If you'd like to learn more about Jeez Loueez you can follow her on Instagram and Twitter! For access to her more exclusive/risqué art, support Jeez on Patreon, or check out her OnlyFans for her extra adult work. If you enjoyed the show and would like to ensure that more episodes get made, sign up for Xena's Patreon page & get cool rewards every month, including behind-the-scenes content, the ability to vote in polls & brainstorm new show topics, and more! If you'd like to show love to our host, Xena Zeit-Geist, you can check them out on Instagram or Twitter @xenazeitgeist or via any of these important links for tipping/following/patronage! Sponsorships Special thanks goes out to VIP sponsors Brendan Perry for editing the audio & to Diana Dietrich for extra help & paying for my recording program membership thingy, as well as to all of our beautiful supporters on Patreon for sponsoring the show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/xenazeitgeist/support

We have already walked through the lands of pre-war Ρεμπέτικα, so in episode 5, the time has arrived to continue, by crossing the border and discover what’s out there, beyond the Second World War and τεκέδες! And what better guide than Σώτος Ζαχαριάδης – a painter of these musical landscapes and native speaker of μπουζούκι […]

In our fourth episode, we talk with Lune Noirr, nationally acclaimed burlesque performer, a SW/fetish work professional from the days before OnlyFans even existed, trained contortionist, cosplayer, activist, recent graduate of teeth-making school, Danny DeVito enthusiast, one of the core cast members of the Society of Sin in New Orleans, all-around badass and much more. This episode was recorded in September 2020 & is being released December 1, 2020. If you'd like to learn more about Lune Noirr, you can follow her on Instagram! If you enjoyed the show and would like to ensure that more episodes get made, sign up for Xena's Patreon page & get cool rewards every month, including behind-the-scenes content, the ability to vote in polls & brainstorm new show topics, and more! If you'd like to show love to our host, Xena Zeit-Geist, you can check them out on Instagram or Twitter @xenazeitgeist or via any of these important links for tipping/following/patronage! Sponsorships Special thanks goes out to Diana Dietrich, Brendan Perry & to our patrons on Patreon for sponsoring the show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/xenazeitgeist/support

Edición Limitada - 30 de Noviembre del 2020. Produccion, realizacion y conduccion: Francisco J. Brenes. Presentando musica de Brendan Perry, Poppy, Liam Gallagher, Calexico, Field Music, Tori Amos, Ariel Pink, Lost Horizons, Arctic Monkeys, Mully & Sculder, Dry Cleaning, Steven Wilson, La Femme, Cloud Nothings, Albertine Sarges, Mush, Maximo Park, The Smashing Pumpkins, God Is An Astronaut, Shame, 5 R V L N 5, Poppy, Pig, Nitzer Ebb, Daniel Avery, Cabaret Voltaire, Andy Bell, Paul Weller, Bent, Sébastien Tellier, Indochine con Christine and the Queens, Howard Jones, Voie 81, Krust, The Orb y Martin L. Gore.

Episode 23: Today's guest and I have a lot of history. We also made our fair share. Collectively we walked away from wrestling for an extended period of time. Entered motherhood and thrived in different fields. We both wear many hats in present day. Including, being on our second wind in Professional Wrestling. This is the only place you can hear all about it. Ladies and gentleman, my dear friend Krissy Vaine. Stay Calm, and Wilde On! ✌

We continue to mark the release of Dylan's new album ROUGH & ROWDY WAYS by featuring one of its songs, "Mother of Muses," in the context of songs that invoke the Muse and even a song about Mnemosyne, mother of the Nine Muses. This week on "Who Did It Better?" we feature two versions of Bob Dylan's song about a Spanish Harlem muse, "Spanish Harlem Incident," and ask you to go to our Twitter page @RainTrains and vote for who did it better: The Byrds or Dion.

Are your ear-holes perked and open wide? Mm, delicious. Join Red and Grimm as they catch up with resident bad boy and 'author', Brendan Perry. Meanwhile, HAMMERADE IS BACK TO TELL YOU ALL ABOUT THEIR ULTRA MEGA X-TREME ALPHA TOUR. With a special story of love, lost, inner-strength, murder and copyright infringement. No album reviews this episode, but just you wait, we may just surprise you next week! Wink, wink, nudge, nudge.     SHOW BREAKDOWN:   0:00 - REDENSTEIN   1:11 - Brendan Perry's "Mean-Muggin', Straight-Thuggin' and Meat Choggin'"   6:27 - HAMMERADE PRESENTS ULTRA MEGA X-TREME ALPHA TOUR   8:28 - Melting mammaries/ The Melanie Martinez Movie/ Seven Inch Satanic Panic/ Yeezy is a skeezy/ Fart   26:53 - Steamboat Blues   29:37 - Carlsaurus drops by to say bye and wreck the office. THE END

Mercredi 13 mars au Fort de Tourneville, venez assister à la restitution publique du workshop mené par le musicien et écrivain Olivier Mellano avec des étudiant-e-s du Master de Création littéraire du Havre. Un moment privilégié : assister à l'émergence de la création littéraire, travaillée pour la scène et mise en musique...Nous ouvrons peu nos ateliers car la création a besoin d'ombre pour croître sereinement... C'est donc une expérience rare. Havrais-e-s, vous êtes gâté-e-s.Olivier Mellano : https://www.oliviermellano.com/Né à Paris en 1971, violoniste de formation, Olivier Mellano suit des études de musicologie à Rennes après lesquelles il collabore en tant que guitariste avec plus de 50 groupes et artistes français évoluant entre rock, pop, hip-hop, électro et chanson (Laetitia Shériff, Psykick Lyrikah, Bed, Dominique A…).Il compose régulièrement pour le théâtre (Stanislas Nordey, David Gauchard), le cinéma, les ciné-concerts, la radio, la danse ou la littérature. Parallèlement à son travail d’écriture, il développe activement l’improvisation en solo, en duo (François Jeanneau, John Greaves, Noël Akchoté, Boris Charmatz…) ainsi qu’avec des comédiens et des écrivains (André Markowicz, Claro, Nathalie Richard, Pacôme Thiellement…).Enclin aux rencontres par-delà les frontières géographies ou esthétiques, Olivier Mellano est également curateur de ses projets collectifs L’Île électrique ou La Superfolia Armaada pour lesquels il rassemble les artistes les plus aventureux pour des créations éphémères dans de nombreux festivals.En 2006, il publie chez Naïve « La Chair des Anges », un album comprenant ses pièces pour clavecins et orgue, octuor de guitares électriques, quatuor à cordes ou encore pour la voix, à mi-chemin de la musique baroque et contemporaine, interprétées par le Quatuor Debussy, Olivier Vernet, Valérie Gabail, Bertrand Cuiller, Frédéric Rivoal et Les Voix Imaginaires et données à la Basilique Saint-Denis ou à l’église Saint-Eustache.En 2012, il publie l’album « How we tried a new combination of notes to show the invisible », triptyque symphonique, électrique et électronique, commandé par l’Orchestre Symphonique de Bretagne et présenté à l’Opéra de Rennes lors des Transmusicales.En 2008 paraît son premier livre un recueil de pièces musicales imaginaires: «La Funghimiracolette» aux Éditions MF. Il travaille actuellement à son second roman.Après No Land sa pièce pour Bagad et voix interprétée par Brendan Perry de Dead Can Dance, il monte le projet BAUM autour des Mélodies de Gabriel Fauré. Il ne quitte pas pour autant le monde du rock sonique et sort en 2018 le deuxième album de son projet solo pop-noise MellaNoisEscape.

The new album from Dead Can Dance, replete with high concept and worldly instrumentation, is the subject of this week's We Have A Technical. How does it fit (or not) with the storied dynamic betwixt Brendan Perry and Lisa Gerrard? Are its Nietzschean ambitions vindicated? And since when has Dionysus been a psychologist? All these questions, plus discussion of recent shows by Odonis Odonis and Clan Of Xymox on the latest episode of the IDieYouDie.com podcast!

Originally from Paris, and a violinist by training, Olivier has collaborated with more than 50 French groups in styles from classical to rock to hip-hop to electronic and world music.  His film work includes Love Like Poison and Miss Impossible, and Olivier has performed live musical accompaniment to films such as Steven Spielberg's Duel and F.W. Murnau's Sunrise. Other multimedia projects he has been involved in include The Electric Island and How We Tried.  More recently, Olivier composed the score for the animated feature film The Girl Without Hands, based on a Grimms' fairy tale of a girl sold to the devil by her greedy father. Olivier's recent musical projects include his solo music project MellaNoisEscape and No Land with Brendan Perry and Bagad Cesson.  

In today's podcast we're catching up with Richard Yale, bassist for Dead Can Dance, and Tour Manager/Backline Tech for the likes of Muse, Metallica and the Brand New Heavies.Formed in Melbourne by Brendan Perry and Lisa Gerrard, Dead Can Dance de-camped to London in 1982 and began creating some of the most far reaching goth music you are ever likely to hear. At this point, Perry and Gerrard became the core nucleus of the band supported by an ever-expanding cast of guest musicians. In 2011 bassist Richard Yale was tasked with holding down the low end of DCD's breathtakingly hypnotic songs for a 2011 comeback tour. Richard also works as a backline tech/tour manager for bands like the Brand New Heavies, Muse and Metallica – which should tell you all you need to know about the calibre of musicianship he requires…

In today's podcast we're catching up with Richard Yale, bassist for Dead Can Dance, and Tour Manager/Backline Tech for the likes of Muse, Metallica and the Brand New Heavies.Formed in Melbourne by Brendan Perry and Lisa Gerrard, Dead Can Dance de-camped to London in 1982 and began creating some of the most far reaching goth music you are ever likely to hear. At this point, Perry and Gerrard became the core nucleus of the band supported by an ever-expanding cast of guest musicians. In 2011 bassist Richard Yale was tasked with holding down the low end of DCD's breathtakingly hypnotic songs for a 2011 comeback tour. Richard also works as a backline tech/tour manager for bands like the Brand New Heavies, Muse and Metallica – which should tell you all you need to know about the calibre of musicianship he requires…

Soulsearch Travels by Dubtrak on MixcloudDescription:A different mix this time. Not really for yoga practice but more for a headphone meditation. A reflection on love, passage of time, personal loss and mortality. I invite you to a personal journey, as this mix takes you through some deeper mood swings, allowing an insight into human emotions.Some of these songs are very personal to me.I dedicate this mix to my dad. I'm releasing it on 5th anniversary of his passing away.Tracklist:Nitin Sawhney - Daydream (feat. Ashwin Srinivasan)Bluetech - EscapeMassive Attack - ExchangeFaithless - Flyin HighRadiohead - SeparatorNitin Sawhney - TidesJan Garbarek - In praise of dreamsThe Cinematic Orchestra - Familiar GroundSigur Rós - Svefn-g-englarEddie Vedder - The WolfBrendan Perry - WintersunAnahata - DawnBrendan Perry - I Must Have Been BlindSolar Quest - SingtreeTalvin Signh - I of a birdBluetech - To Mend (with Lynx & Janover)Djosos Krost – No Sign of Bad – Better PlaceMassive Attack - Girl I Love YouDubsahara - Cosmic ScumTipper - Over The CoalsBrendan Perry - The Devil and the Deep Blue SeaPearl Jam - Just BreatheBrendan Perry - Voyage of BranThis Mortal Coil - Help youNitin Sawhney - Taste the Air (feat. NATTY)Links:[direct download]  [iTunes]

Shock World Service 037 The Ideal Correspondence by Jon Averill 17/09/10 London, United Kingdom. 1. Harry Partch - I'm Going To Start You Off By Giving You Some Sounds Harry Partch is an American composer & the first of three of this show's featured musicians who designed & created many of their own instruments. He was was fascinated buy microtonality, creating his own 43-tone scale system. 2. Piano Magic - Exit Just realised our first track proper is called 'Exit', that's not important. Piano Magic have featured previously on the World Service yet they're somehow still criminally ignored. Their most recent album 'Ovations' is most definitely worth a listen. It features contributions by Brendan Perry & Peter Ulrich of Dead Can Dance. Also for some reason this track reminds of the XX, which in turn reminds me of Chris Issak's 'Wicked Games'. 3. Lusine - Gravity Lusine is based in Seattle & releases his music through the very decent Ghostly International label. Occasionally I worry he is drifting too far into the arena of the coffee table but his productions are in the main too good to collapse into the placid zone. 4. 2562 - Greyscale 2562 is a Dutch producer who loosely falls into the category of dubstep. I generally despise most of the cliched 'wobble' stuff but if you look a little deeper than you'll find that some of the most exciting electronic music is happening around the fringes of the scene. 5. LV - Turnaway Another impressively spacious LV track on the Hyperdub label (home to Burial, Kode9, Zomby) mixing dub, reggae & broken beat. The 'Five Years of Hyperdub' compilation is an extensive but accessible entry point. 6. Dubbel Dutch - Fool In You Again on the fringes different styles, UK funky, garage & broken beat - its looping vocal and blasting synths are also a big nod (& maybe a little wink) to early rave productions which are a big influence on this genre. 7. Acid Brass - Lets Get Brutal Acid Brass is an album of rave/techno classics conceived by Turner-Prize-winning artist Jeremy Deller & executed by The Williams Fairey Brass Band. As with these types of projects some of the tracks fall flat but a scant few of them were worth the toil and serve to enhance the musicality of the originals. This version of Nitro Delux's 'Lets Get Brutal' is the worthiest track from the album. 8. Lucky Dragons - Open Melody 'Art-drone' duo Lucky Dragons have crept up on me to become one of my favourite bands, creating their own inimitable pallet of repeating noises drones & twisting them into something really beautiful. They've recorded 21 albums since 1999 apparently. This is from their most recent 'Rara Speaks'. 9. Quincy Jones - Exodus The closest thing to jazz we've had on the World Service. Quincy Jones is a man who is as near to the status of a god as a mortal can hope for.He's worked as a trumpet player, musical arranger, film composer, television producer, has 79 Grammy nominations to his name. 10. Yamasuki Singers - Yama Yama The booklet for this cd says 'educational-bubblegum-multi-cultural-psycho-rock-opera' & anything I offer beyond that will be valueless. 11. The Upsetters - Tight Spot The fabulous Upsetters with the even more fabulous Lee Scratch Perry at the controls. 12. Library Tapes - Terese Scratchy soliloquy from Library Tapes 'Like Green Grass Against A Blue Sky' album. 13. Top Drawer - Song Of A Sinner We finish this podcast with a redemptive psychedelic triumph. I'd never heard of Top Drawer until his track was made available on a compilation entitled 'Forge Your Own Chains: Heavy Psychedelic Ballads & Dirges'.

Sibyls, saints, sinners and seraphim; a visit to the magical mystical musical (not to mention comically alliterative) universe of sometime Dead Can Dancers Lisa Gerrard and Brendan Perry.

Sibyls, saints, sinners and seraphim; a visit to the magical mystical musical (not to mention comically alliterative) universe of sometime Dead Can Dancers Lisa Gerrard and Brendan Perry.