Podcast appearances and mentions of buddy morrow

Filling in for Jason Wald today with all jazz selections. brianturnershow.com, eastvillageradio.comPHILIP COHRAN & THE ARTISTIC HERITAGE ENSEMBLE - Unity - Philip Cohran And The Artistic Heritage Ensemble (1969, re: Aestuarium, 2001)MELVIN JACKSON - Cold Duck Time Pts 1 &2 - Funky Skull (Limelight, 1969)ROB MAZUREK / EXPLODING STAR ORCHESTRA - White River - Live at the Adler Planetarium (International Anthem, 2024)MONK MONTGOMERY - Journey To the Bottom - Bass Odyssey (Chisa, 1971)DAVID MURRAY - Shout Song - V/A: Wildflowers 4: The New York Jazz Loft Sessions (Douglas/Casablanca, 1976)THE THIRD WAVE - Maiden Voyage - Here and Now (1970, re: Crippled Dick Hot Wax, 1999)LES DOUBLE SIX - Early Autumn - Les Double Six (Columbia, 1962)BUDDY MORROW & HIS ORCHESTRA - Staccato's Theme - V/A: Crime Jazz: Music In The First Degree (Rhino, 1997)FRANÇOIS TUSQUES -  Nous Allons Vous Conter... - V/A: Mobilisation Générale: Protest and Spirit Jazz from France (1970-1976) (Born Bad, 2013)JOE HENDERSON & ALICE COLTRANE - Air - The Elements (Milestone, 1974)STEVE MACKAY & THE RADON ENSEMBLE - Sans Frontiers (live on my old WFMU Show) - Tunnel Dinner (Qbico, 2006)CHARLES LLOYD - Moon Man - Moon Man (Kapp, 1970)JOSEPH BOWIE / LUTHER THOMAS - I Can't Figure Out (Whatcha Doin To Me) - I Can't Figure Out (Whatcha Doin To Me) (Moers Music, 1979)EDDIE GALE - Black Rhythm Happening - Black Rhythm Happening (1969, re: Water Music, 2003)KAHIL EL'ZABAR'S RITUAL TRIO w/PHAROAH SANDERS - Africanos/Latinos - Africa N'da Blues (Delmark, 2000)JOHNNY DYANI QUARTET - Dorkay House - Mbizo (Steeplechase, 1982)DON CHERRY / OKAY TEMIZ - Istanbul - Turkish Theater 1970 (Cazplak, 2024)LOL COXHILL -  Feeback / Vorblifa Exit - Ear of the Beholder (Dandelion, 1971)COMPANY - Za'id - Company 2 (Incus, 1977)

Bob Crosby and His Orchestra carved a pretty unique career for itself in the Swing Era - specializing in tunes from the previous decade done up in swing clothes, the chief arrangers were clarinetist Matty Matlock and bassist Bob Haggart. Here is a selection of Haggart's arrangements featuring Yank Lawson, Sterling Bose and Billy Butterfield on trumpets, Warren Smith, Buddy Morrow and Floyd O'Brien on trombones, Irving Fazola and Matty Matlock on clarinets, Eddie Miller on tenor sax, Bob Zurke, Joe Sullivan and Jess Stacy on pianos, Nappy Lamare on guitar, Ray Bauduc on drums and himself on bass! 1936-42. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

1 - From Alpha to Omega - Harry Babbitt with Kay Kyser and his Orchestra – 19382 - E-String Rag - Hank Garland - 19513 - G-String Boogie – Frank Nelson with Alvino Rey and his Orchestra – 19484 - Alphabet Song - Murray K. Hill - 19095 - K-K-K-Katy - Billy Murray – 19186 - Alpha March - Arthur Pryor's Band - 19127 - L-L-L-L-A - Mae Williams and the Town Criers with Tommy Dorsey and his Orchestra – 19478 - I Can't Give You Anything but Love (And the Alphabet) - Tommy Mercer with Buddy Morrow and his Orchestra - 19509 - N Everything - Al Jolson – 191710 - The ABCs of the USA - Miss Jones and Mr Murray - 190811 - O Death, Where Is Thy Sting? - Bert Williams – 191912 - Qua Qua Qua - Carlos Galhardo - 194513 - A You're Adorable (The Alphabet Song) - The Buddy Kaye Quintet – 194814 – V-Day Stomp - The Four Clefs - 194515 - W. P. A. - Bon Bon with Jan Savitt and His Orchestra – 194016 - ABC Blues - Ricky Jordan and the Vivien Gary Trio – 1947

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Hardly anyone has heard of Teddy Grace, but her handful of records (two CDs worth) from the 1930's demonstrate a singular talent, appreciated by musicians if not the public. Here she is with Bud Freeman's Summa Cum Laude Band, the Bob Crosby Orchestra and small groups featuring Bobby Hackett, Buddy Morrow, Jack Teagarden, Buster Bailey, Charlie Shavers, Billy Kyle, Sonny Lee and Slats Long --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Features vintage music from The Dinning Sisters, Buddy Morrow, Les Brown and Duke Ellington.  We also hear an Esso ad that appeared in movie theaters in 1938. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Remote from Los Angeles with the Boyd Rayburn Orchestra. Buddy Morrow's band with Rosemary Clooney for The National Guard. Tex Beneke with the Glenn Miller Orchestra on CBS Radio.

Bob Thiele and Bobby Hackett ..two records for Flying Dutchman in the 1970's . . "The 20's Score Again" - with Hackett, Pee Wee Erwin, Max Kaminsky, Urbie Green, Buddy Morrow, Johnny Mince, Clarence Hutchenrider, Hank Jones, Art Ryerson, Richard Davis, Ted Sommer . . ."What A Wonderful World" - Hackett, Vic Dickenson, Green, Mince, Hutchenrider and Teresa Brewer . .great, late period Condon-style dixieland --- Support this podcast: https://anchor.fm/john-clark49/support

PROG.Nº 665.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “night train” (Jimmy Forrest; Buddy Morrow -eddie jefferson- ) Y como final de mes Ezequiel Campos nos trae su tema de jazz del Baúl de los Recuerdos (etta james 1 (blues) JAZZ RECUERDO ANIVERSARIO.- Jimmy Hamilton; -It's About Time Es un álbum del saxofonista Jimmy Hamilton que fue grabado en 1961 y lanzado en elsello Swingville . Scott Yanow, de Allmusic , afirma: "Hamilton se combina en un sexteto con el flagelero Clark Terry, el trombonista Britt Woodman, el pianista Tommy Flanagan, el bajista Wendell Marshall y el baterista Mel Lewis para un conjunto de blues en su mayoría. Terry y Woodman son bastante exuberantes en todo momento". [4] All About Jazz lo llamó "un álbum muy fuerte, y tiene un swing de jonrón". Todas las composiciones de Jimmy Hamilton. 1. "Dos por uno" - 5:48 2. "Mr. Good Blues" - 6:40 3. "Cabeza de maní" - 5:12 4. "Estúpido pero no loco" - 5:17 5. "Nits and Wits" - 9:44 6. "Ido con el blues" - 4:54 Personal [ editar ] • Jimmy Hamilton - clarinete , saxofón tenor • Clark Terry - trompeta , cuerno de flauta • Britt Woodman - trombón • Tommy Flanagan - piano • Wendell Marshall - bajo • Mel Lewis - batería Jimmy Hamilton (25 de mayo de 1917 - 20 de septiembre de 1994) fue un músico de jazz estadounidense, clarinetista, saxofonista tenor, compositor y maestro musical, conocido sobre todo por su trabajo con Duke Ellington. Hamilton nación en Dillon (Carolina del Sur) y creció en Filadelfia. Tras aprender a tocar el piano y otros instrumentos musicales en la década de 1930 comenzó a tocar en bandas locales antes de decantarse por el clarinete y el saxofón. En 1939 tocó con Lucky Millinder, Jimmy Mundy y Bill Doggett, uniéndose al sexteto de Teddy Wilson en 1940. Después de dos años con Wilson se unió a Eddie Heywood y Yank Porter. En 1943 sustituyó a Barney Bigard en la orquesta Duke Ellington, con la que permaneció hasta 1968. Su estilo era muy diferente como clarinetista y saxofón, siendo mucho más fluido y correcto con el clarinete. Escribió algunas obras propias durante su tiempo con Ellington. Después de dejar la orquesta Ellington tocó y compuso de forma independiente antes de viajar en la década de 1970 a las Islas Vírgenes de los Estados Unidos para dar clases de música, aunque regresó ocasionalmente a los Estados Unidos para participar en varios conciertos. Tras retirarse de la enseñanza continuó actuando con varios grupos en 1989-1990. Hamilton murió en Saint Croix en 1994. JAZZ ACTUALIDAD .- Esta semana tendremos a Chano Dominguez & Javier Colina - Chano & Colina. El contrabajista Javier Colina y el pianista Chano Domínguez son dos de los mejores músicos de jazz que se pueden escuchar hoy en Europa, y en última instancia poco tienen que envidiar a los norteamericanos. De la calidad de estos dos músicos da cuenta ‘Chano&Colina’, un disco grabado en directo el 19 de enero de 2017 en la Sala de Cámara del Auditorio Nacional de Música en Madrid. Javier Colina y Chano Domínguez se conocen tan bien, son tan cómplices, que no necesitan grandes esfuerzos para armar un concierto a una altura superior. No hay que olvidar que ambos trabajaron durante muchos años juntos, al inicio de sus carreras, por así decir, cuando eran miembros, junto con el baterista Guillermo McGill,el Chano Domínguez Trio. A lo largo de su trayectoria hay una evidencia que ha quedado muy acreditada: Javier Colina es, de largo, el contrabajista que mejor acompaña a los pianistas cuando se forma un dúo de contrabajo y piano. Sólo dos muestras de muy alto nivel; su disco con Tete Montoliu y el acompañamiento que realizó a Bebo Valdés en la Sala de Cámara del Kursaal en San Sebastián durante el 38 Jazzaldia. Los diez temas que interpretan son tanto temas propios como ajenos y su acercamiento varía desde el jazz tradicional, la jazz flamenco y en muchas ocasiones entreverado con los sonidos latinos, vía Cuba. Entre los primeros están ‘Luces de la Fragua’ el único tema de Colina que, además abre la sesión; por su parte Domínguez aporta, ‘Habanera de la Habanera’, uno de los grandes momentos del concierto y ‘Para Chick’, donde meten una buena morcilla de ‘Lágrimas negras’. Entre los segundos, se encuentran ‘Canción de amor’ y ‘Ziryab’, ambas firmadas por Paco de Lucía y que los dos músicos ya tocaron en ‘Diez de Paco’, un disco que llevaba la firma de Jorge Pardo; y después hay un buen número de estándares de jazz, tales como You the night ant the music (Schwartz & Dretz), My one and only love (Wood & Mellin), ‘We will meet again’ (Parker&Charles), ‘You must belive in spring’ (M. Legrand) y ‘Serpent’s tooth’ de Miles Davis,, con el que se cierra el disco. ‘Chano&Colina’ de Javier Colina & Chano Domínguez es una fiesta del jazz. Q.E.D.

From STUDIO 67 in Hollywood, join the BIG W for the next two hours as he explores, with a drink in hand, the Space-Age Pop Hi-Fi musical sounds of the 1950’s and the 1960’s in LIVING STEREO! Playlist for show 381: Smirnoff Mule - Skitch Henderson Nice 'N Easy Twist - Si Zentner Pow Pow Pow (Mas Que Nada) - Nancy Ames Hip Hug Her - Machito and His Orchestra Walk Right In - Les & Larry Elgart So I Said Yes - Ray Anthony & The Bookends Bring It On Home to Me - Les Brown and His Band of Renown Under Paris Skies - Andy Williams Mambo Percusso - Roger King Mozian Thunderball - Living Brass You Only Live Twice - Nancy Sinatra Goldfinger - Hugo Montenegro & His Orchestra Too Darn Hot - Ella Fitzgerald Gone With He Wind - Art Van Damme Quintet Outer Space - Kirby Stone Four I'm Gonna Wash That Man Right Out Of My Hair - Les Baxter & His Orchestra Everywhere You Go - Nelson Riddle The Moment Of Truth - Peggy Lee She Loves Me - Buddy Greco (I Love You) and Don't You Forget It - Quincy Jones So In Love - Tito Puente & Buddy Morrow and His Orchestra Do Me Good Baby - Abbe Lane Say It With Music - Sid Bass and His Orchestra Pattern Of Evil - Mundell Lowe The Coffee Song - Frank Sinatra A Little Voice - Dean Martin Shake Shake Shake - Sammy Davis Jr. I Want To Be Happy - Mills Brothers Downtown - Glenn Miller Orchestra Tall Story - Bobby Darin Ol' Man River - Pete Fountain So In Love - Julie London The Glory Of Love - Peter Nero I Got Rhythm - Bing Crosby Swingin' Village - Percy Faith The Twisters - Mel Henke

This is the last part of my series on bandleaders who played the same instrument. Today we wind up with the trombonists and these were some of the most popular bands. We'll be hearing from Tommy Dorsey, Jack Teagarden, Glenn Miller, Buddy Morrow, Will Bradley and a few others. It is a good program with some toe-tapping music. I hope you enjoy this program especially if you are a fan of the trombone. Please visit this podcast at http://bigbandbashfm.blogspot.com

  Having recorded with John Lennon in 1974 on the "Walls and Bridges" album, Ron will be producing a jazz tribute to Lennon and his songs.  Ron remembers recording with John Lennon and Elton John on the album Walls and Bridges and it created a longing to do a tribute album to John himself. The all-star horn section included Howard Johnson, Frank Vicari, and Steve Madeo. Ron Aprea, composer, arranger, producer, saxophonist, clarinetist, and flutist, has performed with Woody Herman, Les Elgart, Tito Puente, Frank Foster, Buddy Morrow, Billy May, Charlie Persip, Nat Adderley, Lionel Hampton, and Louis Armstrong.Ron Aprea,  jazz saxophonist & arranger, been recording and producing albums for over 30 years. In 1974, I had the honor of being one of the “Little Big Horns” on John Lennon’s 1974 “Walls and Bridges” album. John was an amazing human being, and my vision is to honor the music and spirit of John Lennon with a jazz tribute album.  *This album will include 12 songs, most of which are Lennon or Lennon/McCartney collaborations,  with a gem by George Harrison. my “John Lennon Story” which can be read in its entirety at http://ronaprea.com/john-lennon.html        *** Please make sure to check out how you can be part of this exciting project at Kickstarter!  

Ron Aprea, composer, arranger, producer, saxophonist, clarinetist, and flutist, has performed with Woody Herman, Les Elgart, Tito Puente, Frank Foster, Buddy Morrow, Billy May, Charlie Persip, Nat Adderley, Lionel Hampton, and Louis Armstrong.While with Hamp's band, some of the highlights were a Ramsey Lewis television special, and a recorded concert at the Smithsonian Institute, where Ron's solos were taped and put into their Archives. Ron was the featured soloist and arranger for performances with Nat Adderley at the world-famous Apollo Theatre, and he also performed at the Paramount Theatre with King Curtis' Big Band. Ron has played shows for literally hundreds of stars, including Clint Holmes, Rita Moreno, Robert Merrill, Chita Rivera, Rich Little, and Billy Eckstine.In 1974, Ron recorded with John Lennon and Elton John on the album entitled Walls and Bridges. The all-star horn section included Howard Johnson, Frank Vicari, and Steve Madeo. Ron was a featured soloist on the jazz-gospel album Free to Be Free. On June 5th 2013 Ron released his own album entitled Ron Aprea Sextet-Remembering Blakey, Ron's tribute to Art Blakey and his Jazz Messengers. Ron's front line on this album is Joe Magnarelli-trpt., Jerry Weldon-tenor, and Ron on alto. The rhythm section is Cecilia Coleman-piano, Tim Givens-bass, and Vince Cherico-drums. The album is a mix of originals and standards. Ron has two of his own originals, Sophia and For Pete's Sake ,for the late bassist & close friend Pete Chivily. Although none of the 12 cuts are tunes that Blakey recorded, Ron confesses that in writing for this project Blakey's Jazz Messengers kept popping into his head. when drummer Vince Cherico came to the session and asked Ron "what type of feel do you want?" Ron said one word "Blakey!"  Ron is currently working on an album with vocalist Tony Yezzo. The producer is bassist Al Cardillo, who collaborated with Ron on the writing.

Today I had an opportunity to talk with one of my personal clarinet and saxophone heroes: Ken Peplowski. In this interview we talk about clarinet and saxophone techniques, jam session etiquette, equipment, being a professional musician, Benny Goodman, and house parties. Mr. Peplowski has had an incredible career as a musician with 40 CD's as a soloist and over 400 as a sideman. Peplowski's career includes playing in a polish polka band as a child, working in the Tommy Dorsey Orchestra under the direction of Buddy Morrow, studying with Sonny Stitt, and touring with Benny Goodman. Official Website: http://kenpeplowski.com/