POPULARITY
12 episodes with Oliver Nelson
17 episodes with Oliver Nelson
11 episodes with Oliver Nelson
5 episodes with Oliver Nelson
2 episodes with Oliver Nelson
3 episodes with Oliver Nelson
3 episodes with Oliver Nelson
3 episodes with Oliver Nelson
7 episodes with Oliver Nelson
NICOLE MCCABE “LIVE AT JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD “UNCLE JOHN'S BAND” Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND “THE BEST OF THE RED GARLAND QUINTETS” Hackensack, NJ, December 13, 1957Billie's bounceDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charli Persip (d) Continue reading Puro Jazz 19 de marzo, 2025 at PuroJazz.
NICOLE MCCABE “LIVE AT JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD “UNCLE JOHN'S BAND” Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND “THE BEST OF THE RED GARLAND QUINTETS” Hackensack, NJ, December 13, 1957Billie's bounceDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charli Persip (d) Continue reading Puro Jazz 19 de marzo, 2025 at PuroJazz.
Send us a textEpisode 013 Grammy-winning saxophonist and composer Tom Scott joins the Aerophone Academy to share his extraordinary musical journey from clarinet player to pioneering wind controller artist. With 13 Grammy nominations, 3 Grammy awards, and appearances on over 2,000 recordings, Scott's unmistakable sound has defined popular music across multiple decades.Scott takes us through his remarkable career path, beginning with his early musical influences from his father, a music director at NBC Radio during World War II. His professional journey started at just 14 years old, playing $15 gigs at country clubs – experiences that taught him valuable lessons about serving the music rather than his ego. "Don't try to insert your own personal opinion about how you feel about a certain tune. Just play the damn thing with as much feeling as you can muster."The conversation explores Scott's groundbreaking work with the Lyricon, the world's first commercially available wind synthesizer. We hear fascinating behind-the-scenes stories about his iconic wind controller solos on hits like Michael Jackson's "Billie Jean," Captain & Tennille's "Do That To Me One More Time," Dan Fogelberg's "Heart Hotels," and Steely Dan's "Peg." These recordings revolutionized how electronic instruments could be integrated into popular music, bringing unprecedented expressiveness to synthesized sounds.Scott's masterful horn arrangements for Steely Dan's "Aja" album receive special attention, revealing his sophisticated approach to orchestration. "I'm going to write this like it's an Oliver Nelson arrangement," he explains, describing how he transformed simple chord structures into rich, complex voicings that enhanced these iconic recordings.Whether discussing his evolution through different wind controller technologies or sharing wisdom about musical restraint ("less is more very often"), Scott's insights offer invaluable perspectives for musicians at every level. This conversation celebrates not just technological innovation but the enduring importance of musicality in an increasingly electronic landscape.Subscribe now and join us next episode for part two of our conversation with this legendary musical innovator!If you'd like to send us a question for an upcoming episode, please email us at info@aerophoneacademy.comOr leave us a voice message that we can include in the podcast here.For more information about Matt, visit www.patchmanmusic.comFor great Aerophone courses, visit www.isax.academy
M
Hoy os entregamos un excelente trabajo de uno de los músicos más infravalorados de la historia del jazz, el saxofonista y compositor Grover Washington Jr. El disco se llamó Then and Now y fue editado en el año 1988 a través de la discográfica Columbia. Then and Now es, en nuestra opinión, el mejor disco de la carrera de Washington y es, además, la particular venganza de Grover hacia toda aquella legión de críticos que durante años habían vapuleado todos y cada uno de sus trabajos asegurando que el artista no era un músico de jazz. El disco, efectivamente, está lleno de jazz y blues y contiene la aportación de algunos brillantísimos músicos como el bajista Ron Carter, el pianista y teclista Herbie Hancock, el también pianista Tommy Flanagan, el saxo tenor ruso Igor Butman o los baterías Marvin Smithy Smith y Darryl Washington, este último hermano de Grover. Además de eso Then and Now nos acerca una brillante selección de temas firmados por los mencionados Carter, Hancock, Flanagan y el propio Grover y algunos standards de jazz que son originales de leyendas como Duke Ellington, Oliver Nelson o Victor Young. Una auténtica gozada que va a ser nuestro disco en el Vinilos para Gatos de hoy. TRACKS 1-Blues For D.P. (Ron Carter) 2-Just Enough (Herbie Hancock) 3-French Connections (Igor Butman) 4-Something Borrowed, Something Blue (Tommy Flanagan) 5-Lullaby For Shana Bly (Grover Washington Jr.) 6-Stolen Moments (Oliver Nelson) 7-In a Sentimental Mood (Duke Ellington, Manny Kurtz, Irving Mills) 8-Stella by Starlight (Victor Young, Ned Washington) CREDITS Grover Washington Jr. – soprano saxophone (1, 6, 8), tenor saxophone (2–5), alto saxophone (7) Igor Butman – tenor saxophone (3, 6, 8) Herbie Hancock – grand piano (1, 2, 5) James "Sid" Simmons – grand piano (3, 6, 8) Tommy Flanagan – grand piano (4, 7) Richard Lee Steacker – guitars (3, 6) Ron Carter – double bass (1, 2, 5) Gerald Veasley – 5-string electric bass (3, 6, 8) Grady Tate – drums (1) Marvin "Smitty" Smith – drums (1, 2, 5) Darryl Washington – drums (3, 6, 8) Miguel Fuentes – percussion (3, 6, 8)
The Jazz Session No.390 from RaidersBroadcast.com as aired in November 2024, featuring a tribute to the superb jazz drummer Roy Haynes, who passed away last week - a selection of his quartet stuff and contributions as a side-man to many great artists of the last 65 years. TRACK LISTING: Urnack - Sun Ra; Corner Pocket - Count Basie & His Orchestra; Mrs. Parker of K.C. - Eric Dolphy; A Stritch In Time - Rahsaan Roland Kirk; Ill Wind - Mundell Lowe; Eric - Guthrie Govan; Walk Away - Eddie Lockjaw Davis; Blues Five Spot - Thelonius Monk; I Want to Be Happy - Ella Fitzgerald; Lover Man (Oh, Where Can You Be?) - Sarah Vaughan; Mississippi Goddam - Nina Simone; Strange Suite - Ateshkhan Yuseinov; A Waltz - Sebastian Spanache Trio; Soon - Gary Burton; Yearnin' - Oliver Nelson; Darktown Strutters' Ball - Bunk Johnson & His New Orleans Band; Softly, As In the Morning Sunrise - Artie Shaw; Moon Ray - Roy Haynes Quartet; Raoul - Roy Haynes Quartet; Joy Spring - Clifford Brown; Que Pasa - The Horace Silver Quartet.
John Gross talks about his origins in music, including the first time he heard Charlie Parker, and his long career playing with Shelly Manne, Oliver Nelson, Clare Fischer: just the tip of the iceberg. John is a saxophonist originally from Los Angeles who lived in Portland, Oregon from 1990 to 2016, after which he moved to Vancouver. He shares his thoughts on the artistic process, the duty you have in being a member of a musical community, and how he thinks he'll “never get it right”. Special thanks to Sapalo Shafooli for taking and contributing the photo for this episode (June 24, 2022 - Jimi James Fraser trio ft. John Gross at Vancouver International Jazz Festival, Frankie's After Dark).Become a member for free today at rhythmchanges.ca. You'll get the free weekly email with upcoming events from the gig list, plus artists, events, or recordings for you to enjoy and share. Sent every Tuesday morning at 6:00 AM Pacific Time.Credits: Hosted by Chris Fraser. Edited and mixed by Justin Gorrie. Produced by Will Chernoff. Music: "Lutin" by William Chernoff.
On this episode, Marc talks with Jonathan Grasse, author of “Jazz Revolutionary: The Life and Music of Eric Dolphy,” due out on October 15. It's a thorough history of the legendary jazz multi-instrumentalist, who produced an impressive body of work both on his own and in groups led by John Coltrane, Charles Mingus, Oliver Nelson, and many more, before his tragic death in 1964 at age 36. Grasse crafts the first truly comprehensive biography of Dolphy by tracing nearly every step of his music career, as well as delving deep into the releases he appeared on. As he writes, “Jazz Revolutionary approaches the artist's recordings as essential cultured artifacts, as primary texts..[Dophy had] a warrior-monk dedication to exploring diverse musical resources beyond what the extant jazz vocabulary provided.”We hope you enjoy Marcs conversation with Jonathon Grasse!
Venedors famèlics com taurons. Crítica teatral de l'obra «Glengarry Glen Ross», de David Mamet. Traducció i adaptació d'Àlex Rigola. Intèrprets: Pep Ambròs, Àlex Fons, Francesc Garrido, Miranda Gas, Andrés Herrera i Sandra Monclús. Coordinació tècnica: Igor Pinto. Maquinaria: Sam Quiles. Producció executiva: Titus Andrònic sl. Una producció de Heartbreak Hotel, Titus Andrònic S.L., amb el suport del Departament de Cultura Generalitat de Catalunya. Direcció: Àlex Rigola. Heartbreak Hotel, Barcelona. Del 24 de setembre al 17 de novembre 2024. Veu: Andreu Sotorra. Música: Stolen moments. Interpretació: Oliver Nelson. Composició: Wayne Hector i Oliver Nelson. Àlbum: The Blues anb de Abstract Truth, 1961.
CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.
CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.
TIM HAGANS QUARTET THE MOON IS WAITING Maggies Farm, Pipersville, PA, March 3 & 4, 2011Ornette's waking dream of a woman, The moon is waiting, BooTim Hagans (tp,flhrn) Vic Juris (g) Rufus Reid (b) Jukkis Uotila (d) MARTA SANCHEZ TRIO PERPETUAL VOID Mt. Vernon, NY, September 8 & 9, 2023I don't wanna live the wrong life and then die, 3:30 AM, This is the last one about you, Prelude to grief Marta Sanchez (p,comp) Chris Tordini (b) Savannah Harris (d) EDDIE “LOCKJAW” DAVIS BIG BAND TRANE WHISTLE New York, September 20, 1960The stolen moment [Stolen moments], Trane whistle, Walk awayClark Terry, Richard Williams, Bobby Bryant (tp) Jimmy Cleveland, Melba Liston (tb) Oliver Nelson (as,arr) Eric Dolphy (as) Eddie “Lockjaw” Davis (ts) Jerome Richardson, George Barrow (ts,fl) Bob Ashton (bar) Richard Wyands (p) Wendell Marshall (b) Roy Haynes (d) Continue reading Puro Jazz 03 de Julio 2024 at PuroJazz.
TIM HAGANS QUARTET THE MOON IS WAITING Maggies Farm, Pipersville, PA, March 3 & 4, 2011Ornette's waking dream of a woman, The moon is waiting, BooTim Hagans (tp,flhrn) Vic Juris (g) Rufus Reid (b) Jukkis Uotila (d) MARTA SANCHEZ TRIO PERPETUAL VOID Mt. Vernon, NY, September 8 & 9, 2023I don't wanna live the wrong life and then die, 3:30 AM, This is the last one about you, Prelude to grief Marta Sanchez (p,comp) Chris Tordini (b) Savannah Harris (d) EDDIE “LOCKJAW” DAVIS BIG BAND TRANE WHISTLE New York, September 20, 1960The stolen moment [Stolen moments], Trane whistle, Walk awayClark Terry, Richard Williams, Bobby Bryant (tp) Jimmy Cleveland, Melba Liston (tb) Oliver Nelson (as,arr) Eric Dolphy (as) Eddie “Lockjaw” Davis (ts) Jerome Richardson, George Barrow (ts,fl) Bob Ashton (bar) Richard Wyands (p) Wendell Marshall (b) Roy Haynes (d) Continue reading Puro Jazz 03 de Julio 2024 at PuroJazz.
This afternoon's program features tuneage from The Blue Dolphins, Oliver Nelson, Sting, Van Morrison, Christopher Cross, Chuck Mangione, Style Council, Bob Lind, James Lee Stanley, James Lee Stanley w John Batdorf, Beatles, The Cyrkle, Judy Collins, Jefferson Airplane, Simon & Garfunkel, Moby Grape, Love, Fleetwood Mac, Savoy Brown, Steely Dan, Chicago Transit Authority, Gypsy and Blood Sweat & Tears.
Barbara Bruckmüller is a composer and jazz pianist born in Vienna. She was influenced by the sounds of Hollywood Jazz, from the 1930s, 40s, and 50s. She studied piano early on for seven years, but it took time for her to discover her passion for jazz. She studied jazz piano with Paul Urbanek at the Gustav Mahler Conservatory in Vienna, in 2004. Barbara's inspiration and role models lie in the great Big Band leaders and composers Duke Ellington, Count Basie, Oliver Nelson, Thad Jones/Mel Lewis, Gil Evans, Joe Henderson, and Maria Schneider. In 2009, she founded her Big Band to capture the sound and dynamic energy of the swing bands and dance orchestras of the past that fascinated her since childhood and served as the foundation for her own musical vision. Her debut album Barbara Bruckmüller Big Band released in 2013, with original compositions, was awarded the Preis der deutschen Schallplattenkritik. Two years later, she released her second album, in tribute to her late mother and her hometown of Vienna, in which she arranged traditional Viennese songs for the Big Band and infused them with a fresh swing. Barbara is currently working on her next album project, THREE VIEWS OF A MUSICAL PIECE: A Chain of Moments – Suite in Five Movement with Cuban pianist and composer Aruán Ortiz, scheduled for Fall 2024. http://barbarabruckmueller.com http://wijsf.org
NICOLE MCCABE LIVE “JAMBOREE” Barcelona, February 24, 2023Instinct, I mean youNicole McCabe (as) Iannis Obiols (p) Logan Kane (b) Ramon Prats (d) JOHN SCOFIELD UNCLE JOHN'S BAND Rhinebeck, NY, August, 2022Budo, The girlfriend cord, Stairway to the stars, Ray's ideaJohn Scofield (g) Vicente Archer (b) Bill Stewart (d) RED GARLAND THE BEST OF THE RED GARLAND QUINTETS Hackensack, NJ, December 13, 1957Billie's bounce DonaldByrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) New York, March 16, 1961On Green Dolphin StreetRichard Williams (tp) Oliver Nelson (as,ts) Red Garland (p) Peck Morrison (b) Charlie Persip (d) Continue reading Puro Jazz 03 abril 2024 at PuroJazz.
Alto saxophonist Frank Strozier remains one of the great underrated masters of his horn. He was born in Memphis and came up with his friends, George Coleman, Harold Mabern, and the great Booker Little. After Memphis he moved to Chicago and attained several university degrees and began building his reputation as a prime voice on the alto. He later moved to New York and played with many important people like Miles Davis and drummer Roy Haynes. Later moving to Los Angeles he worked in the studios and performed Jazz with Oliver Nelson's Band and Shelly Manne's groups among others. He returned to New York in 1973 and continued to record under his name and appear as a sideman until the mid-80's when he stopped playing the saxophone and flute and did some gigs playing piano, . He also taught ischool until he retired. Strozier is still alive. He was born in Memphis on June 13,1937 and as of now he's be 86. We'll hear him in 4 extended pieces recorded in January 1976 in concert at the Ramada Inn inn Schenectedy, New York than have never been heard on any commercial recordings. This is Frank at his unfettered best with Frank Stagnitta on piano, Frank Tate on bass and Larry Jackson on drums. Look out! Frank Strozier our Jazz Feature artist tonight!
This week we are still in Southeast Kansas. Some new Patreon members joined us and I give a full shout out to them. Rob Fulfer, Oliver Nelson ad Ben Morris, Welcome to Patreon. During the Table Talk segment Elle and I talk about an underwater poker tournament, Phil Hellmuth hosting another Charity tournament and a new game taking the world by storm. Afterward, Elliott rules on a situation about who should show their hand first. Later, Patrick and I break down a hand that brings up the question of when to C-bet and when not to C-bet. Lastly, I end the show talking about Charity Poker. Camp One Step Registration https://camponestep.org/events/charity-poker-championship/ Our Linktree is a quick resource to get you to our magazine, podcast, YouTube, and more https://linktr.ee/anteupmagazine Our Patreon page is a place where you can support the show and gain access to our monthly Private game. https://www.patreon.com/AnteUpPoker Jackpot Digital is our HOTW sponsor with the perfect E-Table. Check them out https://www.jackpotdigital.com/ Advanced Poker Training: https://www.advancedpokertraining.com/aff=AnteUp Jack Poker is a great site for the everyday poker player. It's not incentivized for the poker pro, so there aren't tables full of sharks. This one is for our non U.S. players. If you are outside the U.S. check this one out. https://go.jack-full.com/go/0dd6e1c5
Playlist Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1. Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2. The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3. Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4. Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5. Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6. J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7. Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8. Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9. Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin; Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17. Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21. Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23. Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24. Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums, Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums, Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06 Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.
This set focuses on Andrew Hill, Herbie Nichols, Bob Dorough and Oliver Nelson, four American originals and various generations of musicians they've inspired. The playlist features Kurt Elling, Charlie Hunter, Superblue; Kristen Lee Sergeant [pictured], Ted Nash; Ben Allison, Steve Cardenas; Ron Horton; Russ Johnson; and Audible Spirits. Detailed playlist at https://spinitron.com/RFB/pl/18457659/Mondo-Jazz (from "Naughty Number Nine" to "Stolen Moments"). Happy listening!
"Thrown like a star in my vast sleepI opened my eyes to take a peekTo find that I was by the sea gazing with tranquility'Twas then when the Hurdy Gurdy ManCame singing songs of loveThen when the Hurdy Gurdy ManCame singing songs of love"Please allow me to be your Hurdy Gurdy Man with 2 Hours of tunes you won't hear anywhere else on the Sunday edition of Whole 'Nuther Thing. Joining us are William Ackerman, Miles Davis, Linda Ronstadt, Ben Sidran,, George Benson, Humble Pie, Jack Bruce, Garland Jeffreys, Gabor Szabo, Peter Frampton, Eric Clapton, The Doors, Mindbenders, Maria Muldaur, Cream, Leslie West, Jethro Tull, Oliver Nelson, Baker Gurvitz Army, Big Brother & The Holding Company, The Vogues, Genesis and Donovan...
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Jason Drury begins the first show of 2024 show with the end title from Alan Silvestri's score for READY PLAYER ONE (WATER TOWER MUSIC) which is amazingly celebrating its 5th anniversary. The next pick is James Horner's score for GORKY PARK (LA LA LAND RECORDS), which is celebrating its 40th anniversary. With the showing of THE SIX MILLION DOLLAR MAN in the UK for the first time in decades, Jason then showcases the composer of its iconic theme, Oliver Nelson, by playing a suite of his score for the 1970 thriller ZIG ZAG( FSM RECORDS). You'll also hear Joe Harnell's ‘Jamie's Theme from the BIONIC WOMAN (FIVE JAYS RECORDS) as well as a track from his exciting score for the classic sci-fi mini series ‘V' (SUPER TRACKS MUSIC). Afterwards, John Barry is featured with selections from his classic 1982 film noir score for HAMMETT (SILVA SCREEN RECORDS). Jason then ends part one in a patriotic manner by playing "Yeager's Triumph" from Bill Conti's Academy Award-winning score for THE RIGHT STUFF (VARESE SARABANDE RECORDS) which is also celebrating its 40th anniversary. Part two will be with you soon. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
"I am just a poor boy, though my story's seldom toldI have squandered my resistance for a pocketful of mumblesSuch are promises, All lies and jestStill, a man hears what he wants to hearAnd disregards the restLie-la-lie.."Please join me for this weeks Musical Adventure on the Red Eye Edition of Whole 'Nuther Thing. Joining us are Nick Drake, JJ Cale, Jim Dawson, Tufano & Giamerese, Love, Spanky & Our Gang, Phoebe Snow, Savoy Brown, Sly & The FamilyStone, Lou Reed, Mamas & Papas, David Bowie, Jose Feliciano, Jethro Tull, Fleetwood Mac, Mott The Hoople, Johnny Rivers, Oliver Nelson, Tim Buckley, Python Lee Jackson, Tim Hardin, John Prine, Janis Ian, Leonard Cohen, Therese Schroeder-Sheker and Simon & Garfunkel.
TVC 626.5: Part 2 of a conversation that began last week with Jon Burlingame, nationally renowned music journalist and the author of Music for Prime Time: A History of American Television and Scoring that not tells the back story of every great TV theme music or TV theme song, but gives readers a portraits of the many great composers who made those themes so memorable, including John Williams, Benny Carter, Duane Tatro, Irving Szathmary, and Oliver Nelson. Topics this segment include why some of the most memorable and creative music for television was made in the period between the late 1960s and early 1970s. Music for Prime Time is available in bookstores everywhere through Oxford University Press and Amazon.com. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices
01 Hard Rock Sofa & Denis Brooks - Alright (Extended Mix) [Side ONE] 02 Oliver Nelson & Adam Griffin feat. Aya Anne - Till Death Do We Party (Extended Mix) [Perfect Havoc] 03 Per QX & DJ Rae - Tell Me (Birdee Remix) [Walk Of Shame] 04 Deeptrak - Running (Original Extended) [Sugarstarr Traxx] 05 Melvo Baptiste feat. Dames Brown-Sweat (Extended Mix) [Glitterbox] 06 Me & My Toothbrush - Lonely Nights (Extended Mix) [Enormous Tunes] 07 Jordan Magro & AL!i - Peach (James Alexandr Extended Remix) [Central Station] 08 Dua Lipa - Dance The Night (Hard Rock Sofa Remix Extended) [White Label] 09 DIMATTEO - Be Yourself (Extended Mix) [House Heads] 10 Low Steppa - Waves (Extended Mix) [Armada Subjekt] 11 OFFAIAH feat. Dope Earth Alien - Tempo (Extended Mix) [DFTD] 12 Riton ft. FEYI - CMND CTRL (Original Mix) [Atlantic UK] 13 Zsak - Real For Me (Extended Mix) [There Was Jack] 14 Franky Rizardo - Love Me Right (Original Mix) [LTF]
Welcome to Heartfeldt Radio #405. In this episode you are going to hear tracks by Karen Harding, CMC$, Oliver Nelson, Firebeatz and many more. Enjoy the show! Get in touch @SamFeldt on Instagram and @SamFeldtMusic on Twitter with #HeartfeldtRadio. Join the community & become a #Heartfeldter on heartfeldt.me Make sure to follow the Heartfeldt Radio playlist: lnk.to/HFRadio and the Sam Feldt Approved playlist lnk.to/SFAPPROVED for more good music!
Too often we focus our attention on instrumental jazz… in this hour we will try to remedy that with special attention to jazz singers who excel at surprising and challenging expectations. The playlist features Kurt Elling, Charlie Hunter; Veronica Swift; Maria Pia de Vito; Kornél Fekete-Kovács, Veronika Harcsa, Robert Balzar Trio; Gabriela Martina; Elina Duni [pictured]; Camille Bertault, Paul Bertault; Christina Galisatus. Erin Bentlage, Joshua Crumbly; Gretchen Parlato, Lionel Loueke; Rita Reys, Oliver Nelson; Marc Jordan; Nite Bjuti. Detailed playlist at https://spinitron.com/RFB/pl/17812561/Mondo-Jazz [from "Freeman Square" onwards]. Happy listening!
Just Daniel brings his House Engine to Data Transmission Radio, showcasing some of the very best hot new house records. Music from some of Daniel's favourite artists, and winning tunes from his DJ sets. Non-stop house music energy in this monthly 1hr radio show! This Episode features the likes of FISHER, Mochakk, Solardo, Arielle Free, Freejak, Matt Guy, SIDEPIECE, GENESI & more. Get in touch on the socials: All Platforms - @justdanieluk www.justdanielmusic.com TRACKLIST: 1. Mochakk - Jealous (Extended Mix) 2. Kino Todo & Trilion - Raver (Original Mix) 3. SIDEPIECE - Westside (Extended Mix) 4. Karen Harding - Wrong Places (Extended Mix) 5. Arielle Free - Feels So Good (Extended Mix) 6. Freejak - Jolene (Extended) 7. FISHER ft. Kita Alexnader - Atmosphere 8. San Pacho - Soundboy (Extended Mix) 9. Matt Guy - Dream Of My Life (Extended Mix) 10. Human Resource, Danny Bond - Dominator (Original Mix) 11. Becky Hill × Chase & Status - Disconnect (Franky Wah Extended Remix) 12. Pace & Wave - Hostage (Extended Mix) 13. GENESI - ACID (All Night Long) (Extended Mix) 14. Oliver Nelson & Richard Judge - I Wonder (Extended Mix) 15. Eden Prince, Empara Mi - What Is Love (Extended Club Mix) 16. Solardo, Mandalo - Lemon & Lime (Extended Mix) 17. Shadow Child, Kungs - Changes (Original Mix) 18. Deeper Purpose - Get Up (Extended Mix)
BOOST : DJ Tips, Interviews, Mindset, Goals, Motivation and Music Industry Advice
In this podcast, I chat to Adam Griffin, co founder of Perfect Havoc The London-based independent record label, Perfect Havoc celebrated its 5th anniversary in 2020. Also a management agency with publishing arm (Organized Chaos), Perfect Havoc has a fast-rising status underlined by five UK Top 10s, platinum certified records and over one billion global streams. Co-founded by Adam Griffin and Robert Davies, Perfect Havoc was responsible for breaking the UK producer Joel Corry who has since been nominated for three gongs at the 2021 Brit Awards, including Best Newcomer, Best Solo Male, and for Best Single with ‘Head & Heart with MNEK. That marked Perfect Havoc's first official UK No.1 single (in partnership with Asylum), selling over 1 million copies and becoming the longest running number 1 single of 2021. That sits alongside a string of other hits including Joel Corry x RAYE x David Guetta ‘Bed' (No.3), Joel Corry 'Lonely' (No.4), Joel Corry 'Sorry' (No.8) and a top 20 hit with PS1 ft Alex Hosking ‘Fake Friends' (No.19). Perfect Havoc's talent roster includes Brit Nominee Joel Corry, double platinum selling Swedish producer Tobtok, Oliver Nelson, Just Kiddin, PS1, Kokiri, Bingo Players, Simon Field, Parx, and Alfie Cridland amongst others. From crossover dance sounds to dancefloor club cuts, Perfect Havoc has partnered to the likes of Warner, Atlantic, Columbia, Ministry of Sound, Toolroom, Kitsune and others.
This episode is titled for a recording found through jazztodon.com . Oliver Nelson (of Blues and the Abstract Truth fame), recorded Skull Session in 1975. It's quite a departure from his other recordings, and is his take on the fusion sound that was popular in that era. Same can be said for the Preminger track if you are familiar with his work. The podcast ends on a more familiar note for ITG listeners with Mobley, Morgan and Shank. Playlist Artist ~ Name ~ Album Oliver Nelson ~ Skull Session ~ Skull Session Oliver Nelson ~ Baja Bossa ~ Skull Session Noah Preminger & Kim Cass ~ Daddy Likey ~ The Dank Pat Metheny Group ~ The First Circle ~ First Circle Hank Mobley ~ Carolyn ~ No Room for Squares Hank Mobley ~ No Room for Squares ~ No Room for Squares Lee Morgan ~ Mr. Kenyatta ~ Search for the New Land Bud Shank ~ Blowin' Country ~ California Suite
®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans, nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023
®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans, nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023
One of the most important things that you can do is listen to jazz music, and that seems so simple, but literally you are practicing when you listen to jazz music. You will become a better jazz musician, simply by putting on your headphones or putting them on the speakers and just listening to how this music actually sounds. So today I'm gonna talk about 25 jazz albums that every jazz musician absolutely needs to know, absolutely needs to listen to. In this episode:1. Listening to jazz is essential for becoming a great jazz musician.2. Being aware of different styles and artists in jazz is important for personal growth and inspiration.3. Jazz albums can have a transformative effect on a musician's playing. #1: Louis Armstrong's "Complete Hot Five and Hot Seven Sessions" #2: Duke Ellington's "Live at Newport" #3: Count Basie's "The Complete Deca Recordings"#4: Benny Goodman's "The Famous 1938 Carnegie Hall Jazz Concert"#5: Charlie Parker and Dizzy Gillespie's "Quintet Jazz at Massey Hall"#6: "Charlie Parker with Strings" - Charlie Parker#7: Sonny Rollins' "Saxophone Colossus" #8: John Coltrane's "Blue Train" #9: Art Blakey and the Jazz Messengers' "Moanin'"#10: "Sonny Side Up" by Dizzy Gillespie #11: "Boss Tenors" by Gene Ammons and Sonny Stitt #12: "Soul Station" by Hank Mobley #13: Wes Montgomery's "Boss Guitar" #14. "Kind of Blue" by Miles Davis#15: "Time Out" by Dave Brubeck#16: "Mingus Ah Um" by Charles Mingus #17: "The Shape of Jazz to Come" by Ornette Coleman#18: "Giant Steps" by John Coltrane #19: "A Love Supreme" by John Coltrane #20: "The Blues in the Abstract Truth" by Oliver Nelson #21: "Bitches Brew" by Miles Davis #22: "Head Hunters" by Herbie Hancock #23: "Heavy Weather" by Weather Report#24: "Bright Size Life" by Pat Metheny#25: "Deep Song" by Kurt RosenwinkelImportant Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastGet 50% off your first month when joining the Inner Circle: https://members.learnjazzstandards.com/sp/inner-circle-sales-page-podcast-direct/
®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans, nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023
®Da domenica 25 giugno a domenica 23 luglio 2023L'arte dell'arrangiamento nasce con lo sviluppo negli anni '20 e '30 di orchestre jazz che, a differenza dello stile originario di New Orleans, nel loro repertorio prevedono vere e proprie parti per scritte in alternanza a quelle improvvisate. Campioni del genere furono Paul Whiteman, Don Redman, Fletcher Henderson, per arrivare poi a Duke Ellington e Count Basie.Questa tradizione fu tenuta viva durante l'era dello swing (Goodman, Miller, Dorsey...) e si sviluppò poi nel secondo Dopoguerra parallelamente alla nascita degli stili moderni, il be-bop e il cool jazz.In questa serie di Birdland Claudio Sessa ci introduce al moderno concetto dell'arrangiamento jazz, considerando dapprima l'influenza e il lascito di Count Basie e passando poi in rassegna le varie tendenza e le figure più rappresentative nei vari ambiti: Harry Paich, la “variabile impazzita” Stan Kenton, Jimmy Giuffré e altri tra i californiani; la raffinatezza un po' intellettuale di Gil Evans, George Russell, Gerry Mulligan; e ancora Charles Mingus, Oliver Nelson e Quincy Jones tra gli sperimentatori o Claud Ogerman e Nelson Riddle specializzati nella collaborazione con i cantanti.Prima emissione dal 25 febbraio 2023
"Sunrise doesn't last all morning,A cloudburst doesn't last all daySeems my love is up and has left you with no warningIt's not always going to be this greyAll things must passAll things must pass away"Allow me to whisk you away from the "grey matter" of life and join me on the "Red Eye" edition of Whole 'Nuther Thing. Joining us are Linda Ronstadt, Oliver Nelson, Supertramp, Spirit, Dire Straits, Bee Gees, Jackson Browne, America, Lou Reed, The Beatles, Doors, Grass Roots, Jeff Beck, Pink Floyd, Sugarloaf, Moody Blues, Minnie Ripperton, Iron Butterfly, Joe Walsh, The Paul Winter Consort, Chicago, Simon & Garfunkel, Ellen McMcIlwaine, Jimi Hendrix Experience and George Harrison...
Synopsis In the early years of the 20th century, a hauntingly beautiful piece of Grecian sculpture – a bust of the head of the goddess Aphrodite – was donated to the Boston Museum of Fine Art. There it inspired this orchestral work by Boston composer George Whitefield Chadwick. Chadwick's symphonic tone poem Aphrodite was, in the words of the composer, “an attempt to suggest in music the poetic and tragic scenes which may have passed before the sightless eyes of such a goddess.” Chadwick composed this music during East Coast holidays on Martha's Vineyard, inspired, he said, by the play of light and wind on the sea before him. It received its premiere at the Norfolk Festival in Connecticut on this date in 1912. On today's date in 1999, at a summer musical festival on the opposite coast of America, another musical work inspired by ancient Greece received its first performance. This music was entitled Five Images after Sappho, inspired by texts of the ancient Greek poetess Sappho and written for the remarkable voice of a modern American soprano, Dawn Upshaw. It was premiered at the Ojai Festival in California, and was written by the Finnish composer and conductor Esa-Pekka Salonen. Music Played in Today's Program George Whitefield Chadwick (1854 - 1931) Aphrodite Brno State Philharmonic; Jose Serebrier, conductor. Reference 74 Esa-Pekka Salonen (b. 1958) Five Images after Sappho Dawn Upshaw, soprano; London Sinfonietta; Esa-Pekka Salonen, conductor. Sony 89158 On This Day Births 1770 - possible birthdate of the British-born early American composer, conductor, and music publisher James Hewitt, in Dartmoor; 1932 - American composer and jazz arranger Oliver Nelson, in St. Louis; Deaths 1872 - Polish opera composer Stanislaw Moniuszko, age 53, in Warsaw; 1907 - Norwegian composer Agathe Backer-Groendahl, age 59, in Kristiania (now Oslo); 1951 - Russian-born American double-bass player, conductor and new music patron, Serge Koussevitzky, age 76, in Boston; Premieres 1811 - Weber: opera, "Abu Hassan." In Munich; 1883 - Tchaikovsky: "Festival Coronation March," in Moscow (Julian date: May 23); Tchaikovsky conducted this march at the gala opening concert of Carnegie Hall (then called just "The Music Hall")in New York on May 5, 1891; 1912 - Chadwick: tone poem "Aphrodite" in Norfolk, Conn., at the Litchfield Festival; 1914 - Sibelius: "Oceanides," in Norfolk, Conn., at the Litchfield Festival, with the composer conducting; 1935 - Shostakovich: ballet "The Limpid Stream," in Leningrad at the Maliiy Opera Theater; 1935 - R. Strauss: opera "Die schweigsame Frau" (The Silent Woman), in Dresden at the Staatsoper; 1994 - Philip Glass: opera "La Belle et la Bête" (Beauty and the Beast) based on the film by Jean Cocteau), by the Philip Glass Ensemble at the Teatro de la Maestranza in Seville (Spain), with Michael Riesman conducting; 1997 - Richard Danielpour: ballet "Urban Dances," at New York State Theater by the New York Ballet, choreographed by Miriam Mahdaviani; 1999 - Esa-Pekka Salonen: "Five Images after Sappho" for voice and orchestra, at the Ojai Festival in California, with soprano Dawn Upshaw and the Los Angeles Philharmonic New Music Group, conducted by the composer. Links and Resources On Chadwick On Salonen
This week we dive into the minor blues and take a look at, what I think, it one of the truly unique and memorable solos in jazz history. Oliver Nelson's solo on Stolen Moments is such a refreshing take on a minor blues we can't ignore it! Enjoy the episode! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!
Dos horas de Músicas Posibles para iniciar un 2023 con algunos de nuestros temas favoritos en este Especial. Begin sweet world Bill Douglas y Richard Stoltzman Open sky And I Love Her Brad Mehldau Trio Blues and Ballads Stolen Moments Oliver Nelson The Blues And The Abstract Truth It's Only Christmas Once A Year+ What Are You Doing New Year's Eve? Norah Jones I Dream Of Christmas My Favorite Things Mak Murphy Rah! My Favorite Things José James, Marcus Strickland Merry Christmas from José James Love your Grace Vega Trails Tremors in the Static Lullaby Makaya McCraven In These Times Daughters and Sons George Winston Remembrance: A Memorial Benefit Todas las noches que fuimos humo Alejandro Pelayo y Suso Sáiz Sobre la piel Til Waking Light Gaby Moreno Alegoría Escuchar audio
Wrapping up ‘22 with the mesmerizing vibes of Bady-Dorzhy Ondar and Shodekeh's Tuvan/east-coast mash-up; brand new music from Madrid multi-instrumentalist Jose San Martin; Jesse Harris' brilliant instrumental ensemble Cosmo; a fresh release on the ECM label from Jakob Bro and Joe Lovano; the unmistakable vintage sound of rising star vocalist Samara Joy; ethereal magic created by guitarist/producer Daniel Lanois; a cut from John Scofield's 1st ever solo record; the brilliance of Oliver Nelson; and finally, summoning the holiday spirits courtesy of the the heavyweight champ himself, John Coltrane.
01. Minelli feat R3hab - Deep Sea (Extended Version) 02. Yves V x Conor Maynard - Don't Hurt Me (What Is Love) 03. Jam & Spoon x Frey x Amfree feat. Plavka - Right in the Night (Extended) 04. Toby Romeo, Keanu Silva, IZKO, ASDIS - WOW (Extended Mix) 05. Felguk, The Otherz - Boom (Extended Mix) 06. Tobtok & Oliver Nelson x The Flirtations - Nothing But A Heartache (Extended Mix) 07. Perfect Pitch, Fabiasco - Shut Up (Extended Mix) 08. Twoloud & Cleez - Get It Over (Extended Mix) 09. Imanbek & BYOR - Belly Dancer (DMNDS vs. MELON Extended Remix) 10. Bingo Players - Supersized (Extended Mix) 11. Don Diablo - 2 Things (Extended Mix) 12. Going Deeper & Plastik Funk - So High (Plastik Funk & Esox Mix) 13. Merk & Kremont X Twolate - Space Jam (Original Mix) 14. MATTN, Lukas Vane, FONTI - Jenny From The Block (Extended Mix) 15. Steff Da Campo & SLVR - PAPASITO (Extended Mix) 16. Albert Neve & Abel Ramos - Guarachando (Extended Mix) 17. Dante Klein - La Musica (Extended Mix) 18. HUGEL x Jude & Frank x P.Pelligrino, M.Camargo - Rio Rio (Extended Mix) 19. Plastik Funk & HINA - Funky Sound (Original Mix) 20. KURA & Vedenzo - Let's Celebrate (Extended Mix) 21. FISHER feat. MERYLL - Yeah The Girls (Extended Mix) 22. Giorgio Gee & MICAH ft. Cmagic5 - 1 2 Step (Extended Mix) 23. Deeperlove, Oak Meyers - Try Again (Extended Mix) 24. KURA & VINNE - We House You (Extended Mix) 25. Nicky Romero x EDX - Out Of Control (Extended Mix)
01. Minelli feat R3hab - Deep Sea (Extended Version) 02. Yves V x Conor Maynard - Don't Hurt Me (What Is Love) 03. Jam & Spoon x Frey x Amfree feat. Plavka - Right in the Night (Extended) 04. Toby Romeo, Keanu Silva, IZKO, ASDIS - WOW (Extended Mix) 05. Felguk, The Otherz - Boom (Extended Mix) 06. Tobtok & Oliver Nelson x The Flirtations - Nothing But A Heartache (Extended Mix) 07. Perfect Pitch, Fabiasco - Shut Up (Extended Mix) 08. Twoloud & Cleez - Get It Over (Extended Mix) 09. Imanbek & BYOR - Belly Dancer (DMNDS vs. MELON Extended Remix) 10. Bingo Players - Supersized (Extended Mix) 11. Don Diablo - 2 Things (Extended Mix) 12. Going Deeper & Plastik Funk - So High (Plastik Funk & Esox Mix) 13. Merk & Kremont X Twolate - Space Jam (Original Mix) 14. MATTN, Lukas Vane, FONTI - Jenny From The Block (Extended Mix) 15. Steff Da Campo & SLVR - PAPASITO (Extended Mix) 16. Albert Neve & Abel Ramos - Guarachando (Extended Mix) 17. Dante Klein - La Musica (Extended Mix) 18. HUGEL x Jude & Frank x P.Pelligrino, M.Camargo - Rio Rio (Extended Mix) 19. Plastik Funk & HINA - Funky Sound (Original Mix) 20. KURA & Vedenzo - Let's Celebrate (Extended Mix) 21. FISHER feat. MERYLL - Yeah The Girls (Extended Mix) 22. Giorgio Gee & MICAH ft. Cmagic5 - 1 2 Step (Extended Mix) 23. Deeperlove, Oak Meyers - Try Again (Extended Mix) 24. KURA & VINNE - We House You (Extended Mix) 25. Nicky Romero x EDX - Out Of Control (Extended Mix)
Mixshows every weekend on DanceMixUSA.com, DanceWorldRadio.fm, SobelNationRadio.fm, RainbowRadio.fm, CARDIOfm.com, Mix93FM.com, and RadioFreeNashville.org.1- Guy Scheiman - Spanish Love2- IZA - Fã Rafael Barreto Remix)3- Cher - A Different Kind Of Love Song (Rosabel Attitude Mix)4- Ray Guell - If There Is Love (Mauro Mozart Remix)5- OMG Collective ft. Janice Robinson - Love Comes Once In Your Life (GSP Festival Mix)6- Beyoncé - Break My Soul (Dirty Disco Mainroom Mix)7- Chocolate Puma - Beyond The Sky8- Olav Basoski - French Kiss9- Tobtok, Oliver Nelson & The Flirtations - Nothing But A Heartache10- Dirty Disco vs. Kylie Minogue - Can't Get You Out Of My Head (Dirty Disco & Matt Consola Classic Rework)11- Rosalia - Despecha (CID & Dámelo FLIP)
Big bands tempt the ambitious jazzer with their expansive possibilities for arrangements, the variegated colors they offer, and their sheer power. But, boy, those budgets! These days you need a generous label or a grant or two to make things work. We take a look at a very seventies example of the genre and then a brand new effort by a young woman barely old enough to drive. A guitar trio and a guitar solo fill out the episode, and they couldn't be at further ends of the in to out spectrum. In the end show, Mike fills us in on a couple major acts he caught recently in San Diego. Grace Fox – ELEVEN O'SEVEN; Oz Noy/Riverside Trio – RIVERSIDE; Samo Salamon – DOLPHYOLOGY; Oliver Nelson – SKULL SESSION.
TVC 581.2: Emmy Award-winning writer/producer Joseph Dougherty, author David Koenig (Shooting Columbo: The Lives and Deaths of TV's Rumpled Detective), Dan Farren, and Tony Figueroa discuss the important role that music played in the original Columbo (particularly the score that Oliver Nelson wrote for “The Greenhouse Jungle”); favorite moments of Columbo episodes; and the New York company that briefly produced a line of Columbo yogurt. Shooting Columbo is available in hardcover, as an eBook, and as an audiobook through Amazon.com. Joseph Dougherty's new book, A Screenwriter's Companion, is available for pre-order through Amazon.com and Fayetteville Mafia Press. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices
Good News: The population of One-Horned Rhinos in India and Nepal is on the rise! Link HERE. The Good Word: A quote worth pondering, from G.K. Chesterton. Good To Know: A delightful fact about Pennsylvania, the home state of Mister Rogers! Good News: Major progress is being made in Africa, in the fight agains Sleeping […]
Carl Hancock Rux's work crosses the disciplines of poetry, theater, music, and literary fiction in order to achieve what one critic describes as a "dizzying oral artistry...unleashing a torrent of paper bag poetry and post modern Hip-Bop music; the ritualistic blues of self awakening."Carl Hancock Rux is an American poet, playwright, novelist, essayist, recording artist, actor, theater director, radio journalist, as well as a frequent collaborator in the fields of film, modern dance, and contemporary art. He is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the Obie Award-winning play, Talk. WRITER/POETWorking as a Social Work Trainer while moonlighting as a freelance art and music critic, Rux became a founding member of Hezekiah Walker's Love Fellowship gospel choir and later found himself influenced by the Lower East Side poetry and experimental theater scene, collaborating with poets Miguel Algarin, Bob Holman, Jayne Cortez, Sekou Sundiata, Ntozake Shange; experimental musicians David Murray, Mal Waldron, Butch Morris, Craig Harris, Jeanne Lee, Leroy Jenkins, Odetta, Steve Earle, Jim Carroll as well as experimental theater artists Laurie Carlos, Robbie McCauley, Ruth Maleczech, Lee Breuer, Reza Abdoh and others.RECORDING ARTIST/PERFORMING ARTISTHis CD Rux Revue was recorded and produced in Los Angeles by the Dust Brothers, Tom Rothrock, and Rob Schnapf and voted one of the top ten alternative music CDs of 1998 (New York Times). Rux recorded a follow up album, Apothecary Rx, (selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 albums including 1954's "Lady Sings The Blues" by Billie Holiday, the work of Jazz artists Oliver Nelson, Max Roach, John Coltrane, rhythm and blues artists Otis Redding, Ike & Tina Turner, Curtis Mayfield, George Clinton; as well as individual impressions of Fela Kuti, Jimi Hendrix, and Mos Def.) His fourth studio CD, Good Bread Alley, was released by Thirsty Ear Records, and his fifth Homeostasis (CD Baby) was released in May 2013. Rux has written and performed (or contributed music) to a proportionate number of dance companies including the Alvin Ailey American Dance Theater; Bill T. Jones/Arnie Zane Dance Company; Jane Comfort & Co. and Ronald K. Brown's "Evidence" among others.THE BAPTISMThe recently Lincoln Center commissioned poemWritten and Performed by Carl Hancock RuxDirected by Carrie Mae WeemsAboutBaptism (of The Sharecropper's Son & The Boy From Boonville) by award-winning poet and artist Carl Hancock Rux is a three-part poem and the artist's tribute to the legacies of civil rights leaders John Lewis and C.T. Vivian. Written and performed by Rux, the Lincoln Center commission is also an 11-minute short abstract film in two iterations—The Baptism and The Baptism (rhetoric)—directed by artist Carrie Mae Weems.http://thebaptismpoem.org
© 2020-2025 Ivy Podcast Discovery LLC
