Podcasts about Don Ellis

It's a Tuesday installment of The EST Hangout! Matthew Iwanyk and Tom Gazzola are joined by Hernan Salas and Don Ellis! Presented by Sentinel Storage!

ESTÁNDARES SEMANALES.-Tin Roof Blues.-VINILOS MÍTICOS DEL JAZZ..La historia de Benny Goodman.--JAZZACTUALIDADJOVEN BIG BAND SEDAJAZZ-IN BLOOM La historia de Benny Goodman es una película biográfica musical estadounidense de 1956, protagonizada por Steve Allen y Donna Reed , escrita y dirigida por Valentine Davies y estrenada por Universal-International . La película fue concebida como una continuación del éxito de Universal de 1954, La historia de Glenn Miller , que narra la vida de un popular director de orquesta.El joven Benny Goodman recibe clases de clarinete clásico de un profesor de música de Chicago. El director de orquesta Kid Ory le aconseja tocar el género musical que más le guste. Benny comienza su carrera profesional uniéndose a la banda itinerante de Ben Pollack . Más tarde, en Nueva York, donde su nueva banda recibe una tibia acogida, Benny conoce al amante del jazz John Hammond y a su hermana Alice. Lo invitan a la majestuosa casa de los Hammond para interpretar el Concierto para clarinete de Mozart . Alice teme que se sienta incómodo, pero su interpretación es impecable y Benny agradece su preocupación. Las actuaciones de Benny en un popular programa de radio los sábados por la noche hacen que Fletcher Henderson se ofrezca como voluntario para hacer algunos arreglos. En la costa oeste, el comienzo temprano del programa ha convertido la música de Benny en una sensación entre las generaciones más jóvenes. Forma un cuarteto con Gene Krupa en la batería, Teddy Wilson al piano y Lionel Hampton al vibráfono . El romance con la chica de sociedad Alice es desconcertante para la madre de Benny, pero para cuando su hijo toca en el Carnegie Hall , todo está bien y la Sra. Goodman ha invitado personalmente a su futura nuera a sentarse a su lado. Concierto en directo grabado el dia 22 de Julio de 2024 dentro de las sesiones organizadas por el colectivo Sedajazz en el centro cultural La Rambleta en Valencia. Una big band con un objetivo claro: aprender y enriquecerse de repertorios de las historicas orquestas de Jazz y de nuevos compositores y arreglistas. La Jove Big Band Sedajazz reúne jóvenes de distintas edades que se expresan con sus instrumentos y forman una unidad donde todos tienen su espacio. El repertorio combina standards y arreglos de grandes exitos de la historia del Jazz, bandas sonoras, funk, rock y latin jazz. Han colaborado musicos como Jesus Santandreu, Joe Magnarelli, Perico Sambeat, Chris Cheek, Rex Richardson, Toni Vaquer, David Pastor, Sole Jimenez, Andrea Motis, Rita Payes, Domisol Sisters, Vicente Macian, Pedro Iturralde, Voro Garcia, Toni Belenguer, Alexey Leon, Miquel Alvarez, Joan Saldana y Pepe Zaragoza entre otros. Actuaciones destacadas: Festival de Jazz de Valencia, Club Jamboree, Jazz a poqueta Nit Altea, Festival de trompeta en Maspalomas, Ciclo Conciertos Caja Burgos, Festival Jazzing Barcelona, Clasijazz Almeria, Festival Mar i Jazz, Sala Mutant Valencia, Festival Jazz Teruel, Festival Jazz Villareal, Festival big band Priego Cordoba, Concierto Benefico Payasospital Palau de les Arts, Cinema Jove Torrent, Porta Ferrada Girona, Ses Figuretes Ibiza, Dia Internacional del Jazz Alfafar, Jimmy Glass, festival El desenjazz Lliria, Teatro Principal Valencia, Auditorio Almeria, Palau de les Arts Valencia, Asejazz Sevilla, Festival Jazz Cadiz, Palau de la Musica Valencia. Han grabado varios discos: Sedajazz kids band, Groowin Up, Rumbo a New Orleans, Ramonets amb Sedajazz Kids Band, Mutant, Eclectic, y ahora In Bloom. Su repertorio incluye arreglos de Perico Sambeat, Fco. Blanco Latino, Dizzie Gillespie, Duke Ellington, Don Ellis, Jesus Santandreu, Toni Vaquer, Juan Saus, Martina Sabariego, Pau Baena, Santi Navalon. Proyectos realizados: Brasiliana (musica brasileña), Toni Vaquer (Louis Cole, Nirvana, Radiohead), Andrea Motis (Standards), Rita Payes (Cancionero Latino), conciertos para lindy hop, musica de la movida valenciana de los 80s con arreglos originales. Músicos Ximo Reillo y Samu Gil: Saxo Alto Selamawit Giner: Saxo y Clarinete Luis Coronado: Saxo Tenor Aurora Blanco: Saxo Baritono y Voz Josep Peiro, Oscar Lujan, Guillermo Cotanda, Pablo Martinez y Hugo Coronado: Trompetas Hadriel Benedito, Angel Ballester, Joan Fernandez y David Marti: Trombones Martina Sabariego: Contrabajo Pau Montalt: Bateria Miquel Alcaina: Percusion Latina Pau Baena y Nur Elmanchoud: Piano Venus Benedito y Naila Ferrandis: Voz Raquel Marti, Alba Gimeno, Aleksandra Bester: Violines Nehir Acansu y Marc Vidal: Violas Irene Simbor: Violonchelo Fco. Angel Blanco Latino: Direccion Featuring: Juan Saus (Saxo Alto) Creditos Diseño Grafico: Cristina Duran Sonido: Vicente Sabater Asistente de Sonido: Iñaki Ariste Asistente Produccion: Pedro Gallego Temas 1. Harlem air Shaft (Duke Ellington) 03:11 2. La Puerta (Luis Demetrio) 03:36 3. In Bloom (Nirvana) 08:59 4. La Muerte Despierta (Lucia Fumero) 07:45 5. Mean To Me (Fred E. Ahlert) 03:23 6. Whiplash (Justin Hurwitz) 11:45 7. F it up (Louis Cole) 05:54 8. Deseo Salvaje (Eddie Palmieri) 03:07 9. Too Darn Hot (Cole Porter) 04:24 10. Carinhoso (Pixinguinha) 06:36 11. The Evil Morty (Kazu Makino, Amedeo Pace, Simone Pace.) 08:09 12. Nobody else for me (Jerome David Kern) 03:51 13. Over The Rainbow (Harold Arlen) 05:31 14. Flor de Lys (Djavan) 04:25

It's a Tuesday installment of The EST Hangout! Matthew Iwanyk is joined by Dean Belanger and Don Ellis to talk Grey Cup 111 and Oilers/Islanders!

Wil Fraser and Don Ellis hangout with Matt Iwanyk talking the weekend in sports!

Don Ellis war einer der innovativsten Musiker der 60er und 70er Jahre. Der Trompeter experimentierte mit Zwölftonreihen, Vierteltönen, ungewöhnlichen Instrumentierungen und ungeraden Taktarten. Und er leitete eine der fulminantesten Big Bands des Jazz-Rock. Von Karsten Mützelfeldt.

Murray McCourt from the VIP Golf Show and Don Ellis, friend of EST from Contemporary Office Interiors, hangout with Matt Iwanyk!   The EST Hangout is presented by 2 Hoots Hard Iced Tea!

George Russell was one of the foremost composer/arrangers in Modern Jazz and always a forward thinker. He recorded under his own name in the mid-50's but didn't form an actual working band until 1960 when he put together his Sextet. He recorded for Decca and the independent label, Riverside Records and until he left the US for Europe in the mid-60's. it was a golden and productive period for Russell. This is a very special album and the only one where the great Eric Dolphy who is heard here on alto saxophone and bass clarinet, was a member of Russell's Sextet. The album was recorded on May 8,1961 in New York for Riverside and titled "Ezz-Thetics". The personnel of the band includes Don Ellis on trumpet, Dave Baker on trombone, Dolphy, bassist Steve Swallow, drummer Joe Hunt and Russell on piano. George Russell arranged all the tunes and composed 4 of the 7 tunes here. Two unique interpretations are included here and scored by Russell they are: Miles Davis' "Nardis" and Thelonious Monk's "'Round Midnight". This is a special album as are all of Russell's recordings with the Sextet but the presence of Eric Dolphy makes this one extra special. "Ezz-Thetics" is the Jazz Feature tonight.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

A Tuesday installment of the EST Hangout features host Matthew Iwanyk joined by Hernan Salas of the Edmonton Elks and Don Ellis from Contemporary Office Interiors. Brought to you by Motts Clamato Caesar!

En la última parte de este episodio doble dedicado a dos grandes trompetistas, Litto compartió la última parte del disco "Free Form", de Donald Byrd, y profundizó en la obra de Don Ellis.

En muchos de los instrumentos del jazz hay héroes, figuras que dejaron un legado y cuyo nombre no se circunscribe sólo a los avezados en el género. En esta primera parte de otro episodio doble de Planeta Nebbia, Litto reprodujo el álbum "Essence" del trompetista y compositor estadounidense Don Ellis.

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

Billy Friedkin's iconic 1971 game-changing NYC police procedural/car chase classic 'The French Connection' has a fascinating backstory and making-of history, and, hey: that's what I'm here for! To bring you all the best stories behind the scenes on the streets of New York and all the context and color that helps place this movie in the pantheon of the films that came before and after it.   The NY Times article about this summer's censorship of the film is linked here. Mark Kermode's very well made BBC documentary about the making of The French Connection can be seen on YouTube. Owen Roizman, the film's brilliant and prolific cinematographer's IMDB page is here. Do yourself a favor and watch the films of the brilliant French director Jean-Pierre Melville. Listen to David Shire's iconic score for The Taking of Pelham 123 on YouTube. Don Ellis' haunting end credits music from The French Connection.  

It's time to discover, learn, and play jazz piano with Mike Steinel!Mike Steinel is a jazz trumpeter, pianist, composer, arranger and novelist. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent releases are Song and Dance on Origin Records (2018) and Saving Charlie Parker on Rosewood Audio (2022)Mike served as Professor of Jazz Studies at the University of North Texas from 1987 to 2019. He founded and directed the UNT Jazz Combo Workshop for 25 years. Mr. Steinel has served as Co-Chair of the Jazz Advisory Panel for the National Endowment for the Arts. He holds a BME degree from Emporia State University and a MME degree from the University of North Texas.Websites:www.mikesteinel.comwww.savingcharlieparker.com Bookstore:http://www.mikesteinel.com/page-4/ YouTube Channelhttps://www.youtube.com/@bobfan1127Now, enjoy my interview with Mike Steinel.Warm Regards,Dr. Bob LawrenceJazz Piano SkillsSupport the show

The Everybody Counts Podcast talks Bosch: Legacy S2 episode 7. Mike and Tracey explore episode 7 of Bosch: Legacy season 2 on the Everybody Counts Podcast from So Many Shows.  Ellis takes his dirty maneuvers to a new level when he uses Maddie for information about Harry and the David Foster defense. But that's not […] The post Bosch: Legacy Podcast for S2E7 plus Tom Bernardo interview appeared first on So Many Shows!.

It's a Thursday edition of The EST Hangout as hosts Matthew Iwanyk and Tom Gazzola are joined by EST "bringer of donuts" and EST furniture provider Don Ellis 

On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website:  https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award  

Mike Steinel is a jazz trumpeter, pianist, composer, arranger, and novelist. For forty years he taught jazz at the collegiate level, most notably at the University of North Texas (32 years). He has performed throughout the US, Canada, Europe, and Asia; recorded with the Frank Mantooth Orchestra, the Mike Waldrop Band, the Chicago Jazz Quintet; and performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent releases are: “Song and Dance,” (Origin Records 2018) and “Saving Charlie Parker” (Rosewood Audio 2022). The latter is a companion piece with a novel of the same name. Links: https://www.mikesteinel.com http://www.savingcharlieparker.com YouTube Channel: https://www.youtube.com/channel/UCH1eBkg9uqWP02WvQTJ5mPQ

Today we release part 1 of our interview with Bobby Sanabria. He's a noted drummer, percussionist, composer, arranger, conductor, producer, educator, documentary film maker, and bandleader. He's a 7-time Grammy nominee who has performed with dozens of renowned artists such as Dizzy Gillespie, Tito Puente, Mongo Santamaria,  Bob Mintzer, and Randy Brecker.  If you're at all interested in Latin Percussion over the past 75 years, or what it takes to be a productive arts entrepreneur, you'll want to join us!In this episode:From his electrifying encounter with Tito Puente to his dramatic decision to pursue music as a career, Bobby paints a vivid picture of his journey, reminding us all of the power of passion and determination. Bobby retraces his steps to an unforgettable encounter with the iconic Keith Copeland, which transformed his life in unimaginable ways. From understanding the odd meter of Don Ellis's music to taking lessons with Copeland, Bobby's tale reiterates the timeless significance of mentors in shaping our lives. His narrative is a testament to the everlasting beauty of perseverance, a beacon of hope for every artist who dares to dream.Fasten your seatbelts as we explore Bobby's instrumental role in the creation of the Bronx Music Heritage Center. As the notes of his tale intertwine with those of folklorist Elena Martinez and Nancy Biberman, they create a symphony that echoes the diverse cultures and music that thrive in the Bronx. Hear Bobby talk about his studio experiences and his insights on being a band leader. His story, a synchrony of chasing dreams and defying expectations, is an inspiring melody that leaves us craving more.

Sabía hacer una película de terror, comedia, policiaca... Lo que le echasen. William Friedkin falleció el pasado 7 de agosto a la edad de 87 años. Nos dejó grandes películas como "French connection" (1971), "El exorcista" (1973), de la que hay monográfico, "Carga maldita" (1977) o "Vivir y morir en Los Ángeles" (1985). Y otros filmes como "La tutora" (1990), "Jade" (1995) o "La presa" (2003). En este programa se repasada mediante suites a gran parte de su carrera con compositores y grupos como Don Ellis, Tangerine Dream, Wang Chung, James Horner o Brian Tyler. Espero que disfrutes de la proyección... Listado de temas – Suites de William Friedkin 1. Sonny & Cher – I got you babe – Buenos tiempos (1967) 2. Charles Strose – La noche des escándalo Minsky´s (1968) 3. Don Ellis – French connection, contra el imperio de la droga (1971) 4. Lalo Schifrin – El exorcista (rechazada 1973) 5. Mike Oldfield, Jack Nitzsche & VA – El exorcista (1973) 52:06 6. Tangerine dream – Carga maldita (1977) 7. Jack Nitzsche & Barre Phillips – A la caza (1980) 8. Arthur B. Rubinstein – El contrato del siglo (1983) 9. Wang Chung – Vivir y morir en Los Ángeles (1985) 01:34:49 10. Ennio Morricone – Desbocado (1987) 11. Jack Hues – La tutora – (1990) 12. Nile Rodgers – Ganar de cualquier manera (1994) 13. James Horner – Jade (1995) 02:20:58 14. Mark Isham – Reglas de compromiso (2000) 15. Brian Tyler – La presa (2003) 16. Brian Tyler – Insectos (2006) 17. Tyler Bates – Killer Joe (2011) Mike Oldfield – Tubullar bells (Orchestral version)

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 1️⃣✖1️⃣2️⃣ | THE FRENCH CONNECTION Dirigida por William Friedkin y protagonizada por Gene Hackman y Roy Scheider, nos presenta a Jimmy Doyle y Buddy Rosso dos policías neoyorquinos que siguen la pista de una red de traficantes de drogas. El guión, obra de Ernest Tidyman, adapta la novela de Robin Moore. Don Ellis pone la banda sonora, mientras que la fotografía, importantísima en este film debido a la dificultad de rodaje de las escenas de persecución, estuvo en manos de Owen Roizman. ¿Sabías que Doyle y Rosso están inspirados en personajes reales?. ¿Conoces los problemas de rodaje de la mítica escena de la persecución?. ¿Cuánta realidad hay en el trabajo policial que se ve en la película?. ¿Es Popeye Doyle realmente un héroe? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a The French Connection. SECCIONES ▪️ Contexto ▪️ Las inspiraciones para Doyle y Rosso ▪️ Qué salió mal durante la persecución ▪️ Trabajo policial: realidad vs ficción ▪️ ¿Es Popeye Doyle realmente un héroe? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/1x12-podcastwood-the-french-connection/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023

OUTLINE of today's show with TIMECODESSome say the FBI serves a vital purpose and needs to be reformed instead of dissolved. I disagree and so (in principle) does one of history's most respected judges, Judge Learned Hand. Institutions have a life span and are NOT the guardians of liberty. NONE of them (2:30)Christopher Wray's "testimonial trilogy". Jonathan Turley points out the FBI Director's evasions boil down to 3 general rhetorical tactics — with the exception of ONE BIG LIE (5:34)NEW Whistleblower Evidence of Bundy Ranch Crimes An additional 250 pages have dropped from the whistleblower supervisor inside the BLM (Bureau of Land Management). His original 18 pages of evidence destroyed the government's prosecution. I was at the "standoff" and I put the new evidence in the context of what I saw when reporting from the scene, and what is being done with Agenda 2030 now (15:19)Modern Retro Radio Indie Artist Weekend is underway and they've featured a couple of pieces of mine. www.modernretrofm.com. Here's Audi MRR… (33:37)Listener comment on Sound of Freedom and more on the background of the movie (38:49)Another clip I did of two songs in 7/4 meter from Dave Brubeck and Don Ellis, from Modern Retro Radio Indie Artist Weekend. www.modernretrofm.com (53:18)Lala Harris explains A.I. — she's learned how to spell it, and I don't mean the big words Yeah, Vice President LaLa is a joke, but she inadvertently shows how AI will be used as AUTHORITATIVE INTELLIGENCE. And the UN warns us about what the elites are planning with BCI, a favorite pursuit of Musk and others (1:02:06)Someone Gave Macron "the Finger" — LITERALLY A severed human finger was mailed to Macron at the French presidential palace. And Hemingway's "Old Man and the Sea" has been given a trigger warning for "graphic fishing scenes" (1:11:35) TN Gov Lee may be outmaneuvered on Red Flag gun control special session. Unfortunately the NRA is offering a counterproposal. (1:16:18)"How Do You Resurrect an Empty Church" asks mainstream media as they see them as a problem for cities. I see them as a metaphor for our former civilization and an indictment of our spiritually dead members (1:20:07)YMCA without the "Christian". Ask "Y" anyone would have anything to do with a former Christian association that now pushes naked men on women and girls and targets the women if they dare complain (1:26:34)Federal judge who blocked mutilation of minors has been overruled. You won't believe what he said as justification for continuing the mutilation (1:38:44)The connection between transgenderism, feminism, and abortion(1:45:48)Want to help ND Gov get in the debate and get a $20 GIFT CARD for a $1 donation? And, Joe Manchin heads to NH to talk to a group that wants a third party for 2024 (1:52:24)INTERVIEW Zelensky's Latest Push for WW3 Slapped Back — But Has Anything Really Changed? After Zelensky's angry tirade on social media, lots of talk about angry infighting at NATO meeting. But has anything changed? And, Gerald relates what he learning as an insider about aspartame 40+ years ago. Gerald Celente, TrendsJournal.com, joins (2:01:24) Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT

OUTLINE of today's show with TIMECODES Some say the FBI serves a vital purpose and needs to be reformed instead of dissolved. I disagree and so (in principle) does one of history's most respected judges, Judge Learned Hand. Institutions have a life span and are NOT the guardians of liberty. NONE of them (2:30) Christopher Wray's "testimonial trilogy". Jonathan Turley points out the FBI Director's evasions boil down to 3 general rhetorical tactics — with the exception of ONE BIG LIE (5:34) NEW Whistleblower Evidence of Bundy Ranch Crimes An additional 250 pages have dropped from the whistleblower supervisor inside the BLM (Bureau of Land Management). His original 18 pages of evidence destroyed the government's prosecution. I was at the "standoff" and I put the new evidence in the context of what I saw when reporting from the scene, and what is being done with Agenda 2030 now (15:19) Modern Retro Radio Indie Artist Weekend is underway and they've featured a couple of pieces of mine. www.modernretrofm.com. Here's Audi MRR… (33:37) Listener comment on Sound of Freedom and more on the background of the movie (38:49)Another clip I did of two songs in 7/4 meter from Dave Brubeck and Don Ellis, from Modern Retro Radio Indie Artist Weekend. www.modernretrofm.com (53:18)Lala Harris explains A.I. — she's learned how to spell it, and I don't mean the big words Yeah, Vice President LaLa is a joke, but she inadvertently shows how AI will be used as AUTHORITATIVE INTELLIGENCE. And the UN warns us about what the elites are planning with BCI, a favorite pursuit of Musk and others (1:02:06)Someone Gave Macron "the Finger" — LITERALLY A severed human finger was mailed to Macron at the French presidential palace. And Hemingway's "Old Man and the Sea" has been given a trigger warning for "graphic fishing scenes" (1:11:35) TN Gov Lee may be outmaneuvered on Red Flag gun control special session. Unfortunately the NRA is offering a counterproposal. (1:16:18) "How Do You Resurrect an Empty Church" asks mainstream media as they see them as a problem for cities. I see them as a metaphor for our former civilization and an indictment of our spiritually dead members (1:20:07) YMCA without the "Christian". Ask "Y" anyone would have anything to do with a former Christian association that now pushes naked men on women and girls and targets the women if they dare complain (1:26:34)Federal judge who blocked mutilation of minors has been overruled. You won't believe what he said as justification for continuing the mutilation (1:38:44)The connection between transgenderism, feminism, and abortion(1:45:48)Want to help ND Gov get in the debate and get a $20 GIFT CARD for a $1 donation? And, Joe Manchin heads to NH to talk to a group that wants a third party for 2024 (1:52:24)INTERVIEW Zelensky's Latest Push for WW3 Slapped Back — But Has Anything Really Changed? After Zelensky's angry tirade on social media, lots of talk about angry infighting at NATO meeting. But has anything changed? And, Gerald relates what he learning as an insider about aspartame 40+ years ago. Gerald Celente, TrendsJournal.com, joins (2:01:24)Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, you get a long suite from Transatlantic, quite a bit of that old time progressive rock, an In Memoriam feature in memory of Francis Monkman and John Giblin, and much more. Featured artists include U.K., Radio Massacre International, Fleesh, Lenny White, and The John Irvine Band. All that, plus news of tours and releases on Sound Chaser. Playlist1. U.K. - Night After Night, from Night After NightIN MEMORIAM2. Curved Air [Francis Monkman] - Whose Shoulder Are You Looking Over Anyway?, from Phantasmagoria3. Curved Air [Francis Monkman] - Over And Above, from Phantasmagoria4. Brand X [John Giblin] - Triumphant Limp, from Do They Hurt?END IN MEMORIAM5. Jean-Luc Ponty - Cosmic Messenger, from Cosmic Messenger6. National Health - Brujo, from National Health7. Hoelderlin - Häktik Intergaläktik, from Rare Birds8. Darryl Way - Crocodile Tears, from Under the Soft9. Lenny White - Prelude to Rainbow Delta, from Venusian Summer10. Lenny White - Mating Drive, from Venusian Summer11. Triana - Quiero Contarte, from 5º Aniversario [retrospective]12. Traffic - Shouldn't Have Took More Than You Gave, from Welcome to the Canteen13. Novalis - Sonnengeflecht, from Novalis14. Fleesh - Script for a Jester's Tear, from Script for a New SeasonTHE SYMPHONIC ZONE15. Transatlantic - Overture, from The Absolute Universe: The Breath of Life16. Transatlantic - Reaching for the Sky, from The Absolute Universe: The Breath of Life17. Transatlantic - Higher Than the Morning, from The Absolute Universe: The Breath of Life18. Transatlantic - The Darkness in the Light, from The Absolute Universe: The Breath of Life19. Transatlantic - Take Now My Soul, from The Absolute Universe: The Breath of Life20. Transatlantic - Looking for the Light, from The Absolute Universe: The Breath of Life21. Transatlantic - Love Made a Way (Prelude), from The Absolute Universe: The Breath of Life22. Transatlantic - Owl Howl, from The Absolute Universe: The Breath of Life23. Transatlantic - Solitude, from The Absolute Universe: The Breath of Life24. Transatlantic - Belong, from The Absolute Universe: The Breath of Life25. Transatlantic - Can You Feel It, from The Absolute Universe: The Breath of Life26. Transatlantic - Looking for the Light (Reprise), from The Absolute Universe: The Breath of Life27. Transatlantic - The Greatest Story Never Ends, from The Absolute Universe: The Breath of Life28. Transatlantic - Love Made a Way, from The Absolute Universe: The Breath of LifeLEAVING THE SYMPHONIC ZONE29. Boris S.G - Deep Cooling, from Frozen Dream30. Logic Gate - Starlight, from Voyages31. Radio Massacre International - Kairos, from Time & Motion32. Don Ellis - Antea, from Don Ellis at Filmore33. Offering - Ehn Deïss, from Offering IV35. Lasse Englund - Christmas in Oaxaca, from Anchor36. Lasse Englund - Women of Algiers, from Anchor37. Electric Light Orchestra - Ma-Ma-Ma Belle, from On the Third Day38. Electric Light Orchestra - Dreaming of 4000, from On the Third Day39. Fermáta - Valcík Pre Krstnú Mamu, from Fermáta40. Horslips - Speed the Plough, from Aliens41. The John Irvine Band - Wait & See, from Wait & See

David explains why Ron DeSantis is a raging bully looking to fight anyone. Now Disney sues DeSantis, DeSantis sues Disney-- it's The Magic Kingdom versus King Dumb. Guest: Professor Mike Steinel, author of "Saving Charlie Parker: A Novel." Mike Steinel is a jazz trumpeter, pianist, composer and arranger. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent release is Song and Dance on Origin Records (2018). Chapters: 00:00 David does The News 07:21 Professor Mike Steinel 28:26 "Talk Is Cheap" written and performed by Professor Mike Steinel 35:10 "Tuckered Out" written and performed by Professor Mike Steinel SUBSCRIBE TO DAVID'S NEWSLETTER: https://davidfeldman.substack.com Take David wherever you go by subscribing to this show as a podcast! Here's how: https://davidfeldmanshow.com/how-to-l... And Subscribe to this channel. SUPPORT INDEPENDENT MEDIA: https://www.paypal.com/biz/fund?id=PD... More David @ http://www.DavidFeldmanShow.com

Jock transitioned to jazz and rock and moved to San Francisco during the height of the hippie movement. We talk about improvisation and the difference between "playing licks" and "riding the crest of the wave." Part 2 ends with Jock talking about two of the iconic band leaders he played with ... Don Ellis and Frank Zappa.

211. Score a touchdown with the rockin'est radio show in the whole wide world! Join the Aztec Werewolf™, DJ Del Villarreal on his Wednesday nite "Go Kat, GO! The Rock-A-Billy Show!" We're celebrating the National Football League championship game with our own 57th Annual Rockabilly Bowl -battling bands & artists from Philadelphia, PA (in honor of the AFC champs, the Eagles!) against musicians & acts from Kansas City, MO (in honor of the NFC champs, the Chiefs!). Our whole episode is better than any half-time show! You'll hear such bruising bands as Dave Stuckey, The Rebel Rousers, Little Rachel, Don Ellis, The Low Life Drifters & Ray Coleman face off against astonishing artists as The Young Werewolves, Rusty Wellington, Charlie Gracie, Deke Dickerson & The Krazy Kats! Check out the new Memphis Blues Cream, The Whiskey Daredevils, The Royal Flush, Lucky 7.5.7. and The Mee Kats albums PLUS an assortment of 2023 Ameripolitan Music Awards nominees, too. Action-packed rockabilly and bone-crunching boppin' blues in every exciting episode of DJ Del's "Go Kat, GO!" Go team! Go KAT, GO!Please follow on FaceBook, Instagram & Twitter!

Overview I Sang That is a personal journey behind the scenes into the world of music-makers who created the film scores, television music, sound recordings, commercials and concert evenings over the last sixty years. It's about a Sally Stevens' long singing career that began in 1960 with concert tours – Ray Conniff, Nat King Cole, and others - and later, solo work in concert with Burt Bacharach. Add to that thirty years of vocals and main titles for The Simpsons, vocals for Family Guy…vocals on hundreds of film and television scores and sound recordings, plus twenty-two years as Choral Director for the Oscars. It's also the personal story of growing up in a “his, hers and theirs” family in the forties and fifties, and how a shy little girl became a second generation singer in the ever-evolving music business of Hollywood.Sally's very short list of credits:Film Singer: Airplane!, Alien, Apocalypse Now, Caddyshack, Deadpool 2, Dr. Zhivago, The Exorcist, Elf, Forrest Gump, Grease, Mulan, The Princess Diaries, Shrek, Slap Shot, Star TrekTV Singer : The Brady Bunch, The Carol Burnett Show, Family Guy, Happy Days, The Simpsons, True Blood, The X-FilesMusic: Linda Ronstadt, Johnny Mathis, Liza Minelli, Sonny & Cher, Johnny Cash, Michael Jackson, Harry Connick Jr., Frank Sinatra Sally Stevens is a singer/lyricist/choral director who has worked in film, television, concert, commercials and sound recording in Hollywood since 1960. She sings the main titles for The Simpsons and Family Guy and her voice can be heard on hundreds of film and television scores.  She has put together choirs for John Williams, Jerry Goldsmith, Elmer Bernstein, and many others for film scores, and was choral director for The Oscars for 22 years. In the earlier years she toured with Ray Conniff, Nat King Cole and Burt Bachrach, and she has also written lyrics for Burt Bacharach, Don Ellis, Dominic Frontiere, Dave Grusin, and others.  Her short fiction, poetry and essays have been included in Mockingheart Review, The OffBeat, Raven's Perch, Hermeneutic Chaos Literary Journal, Los Angeles Press, The Voices Project, and Between the Lines Anthology: Fairy Tales & Folklore Re-imagined.   Along with singing and writing, her other passion is photography, and her black & white photographs of film composers have been included in exhibitions at the Association of Motion Picture & Television Producers headquarters in Los Angeles, and at Cite de la Musique in Paris, France. Her Book https://www.amazon.com/I-Sang-That-Memoir-Hollywood/dp/1639886311?crid=399UON47GR4H6&keywords=i+sang+that&qid=1671717033&sprefix=i+sang+tha%2Caps%2C81&sr=8-1&linkCode=li2&tag=discoveredwordsmiths-20&linkId=0b6cef8862167cffa7c524c33abbec85&language=en_US&ref_=as_li_ss_il Website https://hollywoodfilmchoral.com https://www.sallystevenswriter.com https://www.sallystevensphotographer.com Favorites https://www.amazon.com/Selected-Poems-Wesleyan-Poetry-James/dp/0819511927?crid=3C5VYH7NQ7ETV&keywords=james+tate&qid=1671717421&sprefix=james+tate%2Caps%2C103&sr=8-3&linkCode=li2&tag=discoveredwordsmiths-20&linkId=6f5632de9dd6bf8c9fb46f0f083dd6a5&language=en_US&ref_=as_li_ss_il YouTube https://youtu.be/DwzuGwIzPUA Transcript Sally, welcome to Discovered Wordsmiths. I'm very excited to talk to you today. It's one of my other passions is music. , and I've been getting back into playing more music again. So I think this will be a great discussion. I can't wait to hear some of your achievements. And for those of everyone else joining in that has not read the press release or anything, Tell them a little bit about who you are and where you live and some of the things you like to do, which you're not really an author, it just, you're writing about your life. Tell us a little bit about yourself. Sally: Thank you. I live in Studio City, California, and I've worked in in the music business here in Hollywood for the last 60 years. Literally,

Sally Stevens is a singer/lyricist/choral director who has worked in film, television, concert, commercials and sound recording in Hollywood since 1960. She sings the main titles for The Simpsons and Family Guy and her voice can be heard on hundreds of film and television scores.  She has put together choirs for John Williams, Jerry Goldsmith, Elmer Bernstein, and many others for film scores, and was choral director for The Oscars for 22 years. In the earlier years she toured with Ray Conniff, Nat King Cole and Burt Bachrach, and she has also written lyrics for Burt Bacharach, Don Ellis, Dominic Frontiere, Dave Grusin, and others.    Her short fiction, poetry and essays have been included in Mockingheart Review, The OffBeat, Raven's Perch, Hermeneutic Chaos Literary Journal, Los Angeles Press, The Voices Project, and Between the Lines Anthology: Fairy Tales & Folklore Re-imagined.   I Sang That: A Memoir From Hollywood is available from Amazon.  Sign up for the Top Questions Fiction Writers have about Native Americans here. Wnat to check out Janice Hardy's blogpost? Here is the episode from The Creative Penn podcast. ProWritingAid link is here. Thank you for listening! If you want to support the show please go here.    Transcript can be found here.  

For Episode 8 of FUTURISTICA RADIO, “Jazz Cosmos – Phase Two,” Host and DJ Simon S serves up a second helping of free jazz, hard bop and deep spaced-out vintage sounds featuring tracks from Blue Mitchell, Don Ellis, Roy Haynes, Joe Henderson, Gerry Mulligan and more, recorded  live and direct at Futuristica HQ. If you missed "Jazz Cosmos - Phase One" or just want to give it another listen, check out Episode 4 of Futuristica Radio on Apple Podcasts or wherever you get your music podcasts. Subscribe and listen to FUTURISTICA RADIO with Futuristica label head and supreme selector SIMON S on Apple podcasts, check out all episodes on Mixcloud, your favorite podcast platform, or live & direct on jasoncharles.net Podcast Network Music Channel.   Each month, host and DJ Simon S journeys through his extensive vinyl selection to create a blend of jazz, soul, hiphop & electronica from across the generations…from Madlib to Coltrane, and Gangstarr to Alfa Mist and everything in between. For more information about Futuristica Music and Simon S, and all the latest Futuristica releases, go to www.futuristicamusic.bandcamp.comSee omnystudio.com/listener for privacy information.

One of the most overlooked masters of the alto saxophone is Frank Strozier. Frank is still alive in New York but reclusive. Mr. Strozier was one of the many talented musicians who was born in Memphis. He came up with pianist Harold Mabern, tenor saxophonists George Coleman, Charles Lloyd and trumpeter Booker Little. Frank like most of these players moved to Chicago and graduated from the Chicago Conservatory of Music then made his way to New York. Frank was praised by none other than John Coltrane as "having one of the most advanced harmonic senses of any young player on the scene today". Frank worked briefly with Miles Davis and then with drummer Roy Haynes and then moved to Los Angeles where he played with drummer Shelly Manne and big bands led by Oliver Nelson and Don Ellis and did movie and studio work. He moved back to NYC in 1971 and soon began recording for the Danish based Steeplechase label. Tonight's Jazz Feature is his second date done in November 1977. It spotlights Frank on alto saxophone and also flute along with the great but little known trumpeter Danny Moore on some tunes. Harold Mabern is on piano and he sparks this session. The rhythm is premier: Stafford James on bass and the great Louis Hayes on drums. The title track of course is the Marvin Gaye classic arranged by Harold Mabern and begins the date on a high level. Another Mabern selection follows and then three compositions by Frank Strozier conclude this important Jazz Feature. Check it out tonight!

Tonight on Jazz After Dark: mellow sax and trumpet. Gerry Mulligan, John Coltrane, Dave Brubeck with Paul Desmond, Don Ellis, Stanley Turrentine, John Klemmer, Benny Carter, Pharoah Sanders & William Henderson, Grover Washington Jr., and Tommy Flanagan.

Tonight on Jazz After Dark: Duke Ellington with Ivie Anderson on vocals, Benny Carter, Arnett Cobb , Erroll Garner, Ella Fitzgerald, Sonny Stitt, Wes Montgomery, Vince Guaraldi Trio, Don Ellis, Zoot Sims with Bob Brookmeyer, Claude Bolling Big Band, and Benny Carter and the American Jazz Orchestra.

Drummer for Don Ellis and Frank Zappa talks about experiences that shaped his musical point of view.

Tonight on Jazz After Dark: the 1940s, with Mary Lou Williams' Girl Stars, Dizzy Gillespie with the Stan Getz Sextet, Louis Armstrong & Billie Holiday, and Earl Hines. Then 1955-6 with Herbie Mann, Herbie Nichols, Ella Fitzgerald, the Oscar Peterson Trio, and the Claude Williamson Trio.  From 1962-3 we'll hear Sam Lazar, Charlie Byrd, and McCoy Tyner, and then Milcho Leviev takes it out with a 2006 version of Blues in Elf by Don Ellis.

Suite de notre mini-série consacrée au jazz et à la peinture. En 1967, deux disques très différents, enregistrés à quelques mois d'intervalle, célèbrent un tableau qui n'a pas fini de faire jaser. Et oui ! Le batteur Pete LaRoca dans Turkish Women At The Bath et le trompettiste Don Ellis avec Electric Bath se sont emparé du Bain Turc, cette noce du nu de Jean-Auguste-Dominique Ingres. 

"The presence of Stevo Bortz on our show can be traced more or less directly to my love of jazz music as well as big band typed music. Over the years I have been able to listen to his plentiful uploads of the Hank Levy Towson State University Ensemble; this is most interesting to me for more than one reason. Firstly, Hank Levy wrote all of these charts, some fo which I would not be able to hear as there aren't always public documents of many of the compositions. Is is true there are famous ones from Levy, most notably the chart Whiplash which was made into a famous movie of the same name and which serves as one of the central compositions played by the protagonist of that film. And of course Hank Levy had written for the Stan Kenton and Don Ellis bands in the 70s as well as many others. But Hank Levy presided over this department in Baltimore for several decades and they made these recordings. Because of Stevo Bortz I could hear these college ensembles play some, in my view, gorgeous music, as well as enjoy the 1970s artwork and photos that would invariably accompany the physical documents of these recordings. For me though the main things was the sound of these uploads. They sounded good in the way that older vinyl material can often so sound. Yet in a very real sense this question of audio is but one part of Stevo's project. As Stevo made so eloquently clear on our episode, his interest is in sound preservation of course, but also preserving history more generally - in his phrase, the underrepresented. This of course doesn't necessarily involve professional music; it also can involve family histories, high school archives, local bands and much more. I have to say that what I love most about Stevo as a guest is the way he articulates his enthusiasm for his project. Hearing him speak made for more than one inner Amen from your host in response to some of what he said. I certainly hope you feel his enthusiasm and possibly look at past, present, future in a whole new way." Stevo's Bio, Links to his beautiful work, organizations he loves: The SterArt Recording Legacy locations are as follows: Youtube: https://www.youtube.com/c/SterArtRecordingLegacy The Internet Archive: https://archive.org/details/@themustardking For me personally, just a link to my podcast website would be enough (if you include it, please make sure it is notated as being Not Safe For Work , and by Not Safe For Work I mean literally there will be swear words and inappropriate content within the first few lines of the website. Steno's PodcastFriday Night Fanfiction https://www.fridaynightfanfiction.com Organizations dear to Stevo: As for organizations dear to me, I guess the two that come immediately to mind would be The Internet Archive , which is always in need of people uploading relevant material, donations for storage space, and volunteers for helping archive history. The Internet Archive: https://archive.org I am also a huge advocate for early literacy programs, especially for the underprivileged, so Page Ahead Children's Literacy Program is very dear to me. http://www.pageahead.org --- Send in a voice message: https://anchor.fm/mitch-hampton/message Support this podcast: https://anchor.fm/mitch-hampton/support

Filmen från 1971 var ingen succé när den kom. Trots det har den kommit att påverka en hel genre. Den franska kontakten syftar på en knarkkleverans från Marseille. Filmen blev stilbildande för polisgenren decennier framåt med sina broar, viadukter, gator och en urban metropolisskildring filmad på plats. William Friedkin har regisserat, Gene Hackman spelar huvudrollen och Don Ellis har komponerat musiken. Men The french connection blev ingen publiksuccé vid premiären i Sverige och gick på ödsliga bakgator. Maria Edström har sett om en film från 1971 i en klassiker från programmets barndom 2008.

Danes izpostavljamo: Skladatelj tedna (Karl Amadeus Hartmann, Polona Kovačič) Ženske v svetu glasbe (Tatjana Ognjanovič, Tjaša Krajnc) Medenina in patina (Don Ellis/drugič, Igor Krivokapić) Nove glasbene generacije (Sodobna glasba in inteligenca, Vesna Volk) Koncert Evroradia (Ruski violinski zvoki z Iljo Gringolcem, Polona Kovačič) Jazz avenija (Marko Kumer napoveduje program letošnjega 62. jazz festivala v Ljubljani)

Tonight on Jazz After Dark: Bunny Berigan, Sarah Vaughan with Georgie Auld & His Orchestra, Peggy Lee. Gene Ammons, Nat King Cole, Johnny Hodges, Cannonball Adderley Quintet, Don Ellis, Abdullah Ibrahim & Buddy Tate, Shirley Horn, and Pharoah Sanders & William Henderson

My guest for this episode is Jim Manley. Jim Manley is a trendsetter. Jim has been teaching virtual lessons and cranking out home studio projects long before it was en vogue. Since 1992 Jim has released a staggering 22 projects that keep the trumpet exactly where it should be, upfront and center, and often in the stratosphere. But it's his insightful approach to efficiency that really separates him from the rest of the pack. Check out what Jim has to say about his discography, the connection between music and memories, why the '70s were the heyday for trumpets, the uniqueness of Bill Chase and Don Ellis, Maynard Furguson and pop music, home recording and teaching online, learning to play efficiently, why you will never completely figure the trumpet out, keeping it simple, how the wrong mindset keeps you from playing in the upper register, being called the worst trumpet student ever, keeping music fun, his one piece of advice for trumpet players, and so much more. So pour yourself a big glass, pull up a chair, and let the hang begin! ------------------------------------------------------- All things Jim Manley: https://jimmanleymusic.com/home Get your mindset right with Jose: bit.ly/MindfulnessSecrets Show your chops some love with Robinson's Remedies Products: bit.ly/ChopLove --- Support this podcast: https://anchor.fm/thetrumpetgurus/support

Moon Zero Two will strand Adam and Chris on an asteroid if they don't find something to say about Roy Ward Baker, Hammer films, Don Ellis, space suits, and Power Gloves.

Moon Zero Two will strand Adam and Chris on an asteroid if they don’t find something to say about Roy Ward Baker, Hammer films, Don Ellis, space suits, and Power Gloves.

Programme Cinezik Radio (Cinezik.fr) par Benoit Basirico Voici notre sélection de 20 musiques de films qui soutiennent le rythme effréné, la tension, le suspens, de scènes de poursuites, à travers des percussions et des cuivres palpitants, des cordes endiablées, un piano martelant, ou encore des guitares électriques débridées et des sons synthétiques haletants. Dans la limite d'un choix par compositeur et par réalisateur, nous entendons les partitions des plus grands : Lalo Schifrin, Don Ellis, Dave Grusin, John Barry, Michel Legrand, Claude Bolling, Philippe Sarde, Georges Delerue, Bernard Herrmann, Ennio Morricone, Patrick Doyle, Basil Poledouris, Danny Elfman, James Newton Howard, John Williams, John Powell, Michael Giacchino, Alan Silvestri, Alexandre Desplat... (en écoute dans notre Podcast Cinezik Radio dédié). Programme : Bullitt - Lalo Schifrin French Connection - Don Ellis La Firme - Dave Grusin Marathon Man - Michael Small Opération Tonnerre / Thunderball - John Barry Le Chasseur / The Hunter - Michel Legrand 3 Hommes À Abattre - Claude Bolling Barocco - Philippe Sarde Le Crime Ne Paie Pas - Georges Delerue Pour une poignée de dollars - Ennio Morricone L’Impasse / Carlito's way - Patrick Doyle Robocop - Basil Poledouris [par Thibault Vicq] Terminator - Brad Fiedel [par Thibault Vicq] Mad Max - Brian May La Mort aux trousses - Bernard Herrmann [par Martin Mavilla] Pee Wee Big Adventure - Danny Elfman Le Fugitif - James Newton Howard Les rivières pourpres - Bruno Coulais La Mémoire dans la peau / The Bourne Identity - John Powell Indiana Jones et le Temple maudit - John Williams [par Thibault Vicq] Ratatouille - Michael Giacchino [par Thibault Vicq] Le Drôle de Noël de Scrooge / A Christmas Carol - Alan Silvestri Apocalypto - James Horner The Ghost Writer - Alexandre Desplat The Hunt - Nathan Barr

Premier MDD de l'année !! Au Programme : La rencontre entre le legendaire batteur de Jazz Akira Ishikawa et le luth traditionnel Japonais: Le Jamisen dans un groove de folie. Le plus grand Fan de Stevie Wonder (après moi ;) est italien et il a la voix de son idole. Je vous raconterai son histoire. Mais aussi : Un tube de l'été, la demande de Mathias : un collectif métissé avec une chanteuse turque. Un nouveau QAS  proposé par un auditeur du MDD ( merci Hugues) Et enfin on terminera avec du rock steady londonien, un projet Fusion Funk Hip-hop avec le DJ Kid Koala et un monstre du Jazz qui a amené les orchestres dans d'autres sphères: Don Ellis. Une programmation éclectique qui envoie du lourd pour commencer l'année du mieux possible.  Bonne écoute 

· Growing up in Philadelphia and seeing The Beatles on Ed Sullivan and playing broomstick air-guitars · First concert attended Jefferson Airplane and Iron Butterfly in 1967· Ed tells us about meeting Ruth Underwood for the first time when working for Frank on, Zappa in New York overdubs on The Black Page· Frank inviting Ed over to jam at 1am with Adrian Belew, Terry Bozzio, and Patrick O’Hearn · They played Montana, Ed reading the music and playing the marimba, was hired by Frank on the spot, Tommy Mars was hired s week later after a long, difficult audition · Playing with Don Ellis band’s, Art Pepper liked him · Preparing for tour in 1977, had to quit weed · 81-82 – Possibly Ed’s favorite band · Ed talks about the Halloween shows he played with Frank · Did MI6 take out Jimi Hendrix? · Hear Ed’s take on the famous Zappa / Bowie encounter about Adrian Belew in Berlin· Being Clonemeister (Zappa’s band leader) and handing it over to Arthur Barrow · And much, much more Support the show (https://www.patreon.com/user?u=39941006&fan_landing=true)

Episode 14 Electronic Jazz, Part 2: Gadgets and Modifiers Electrifying the jazz instrument.   Playlist: Sonny Stitt, “What's New” from the album What's New!!! Varitone tenor saxophone by Selmer. 1966. Players: Baritone Saxophone - George Berg Bass - George Duvivier, Jan Arnet Drums - Walter Perkins Guitar - Les Span Organ - Ernie Hayes Piano - Ellis Larkins Saxophone [Varitone] - Sonny Stitt Tenor Saxophone - Illinois Jacquet Trombone - J.J. Johnson Trumpet - Eddie Preston, Joe Wilder Vibraphone - Mike Mainieri Buddy Terry, “Electric Soul,” from the album Electric Soul, Varitone tenor sax. 1967. Players: Bass - Ron Carter Drums - Freddie Waits Electric Piano - Harols Maber Jr. Flugelhorn - Jimmy Owens Tenor Saxophone - Edlin "Buddy" Terry Trumpet - Jimmy Owens Clark Terry, “Electric Mumbles” from the album It's What's Happening. Varitone trumpet. 1967. Bass - George Duvivier Drums - Dave Bailey Piano - Don Friedman Trumpet [Varitone] - Clark Terry The Cannonball Adderly Quintet, “Gumba Gumba” from Accent On Africa, Selmer Varitone saxophone. 1968. Alto Varitone saxophone --Cannonball Adderley, Cornet --Nat Adderley – Drums --Earl Palmer - drums Brass, reeds and vocals, piano, harpsichord, guitar, bass-- Uncredited Melvin Jackson, “Funky Skull” from the album Funky Skull. String bass modified with: Maestro G-2 filter box for guitar, Boomerang and Echo-Plex and Ampeg amplifier. 1969. Acoustic Bass, Effects – Melvin Jackson Alto Saxophone, Bass Saxophone, Flute – Roscoe Mitchell Baritone Saxophone – Tobie Wynn Drums – Billy Hart, Morris Jennings Guitar – Pete Cosey Lead Guitar, Rhythm Guitar, Bass [Fender] – Phil Upchurch Piano, Organ [Hammond], Effects [Echo Plex] – Jodie Christian Tenor Saxophone – James Tatum Tenor Saxophone, Flute – Byron Bowie Tenor Saxophone, Soloist [Solos] – Bobby Pittman Trombone – Steve Galloway Trumpet – Donald Towns, Tom Hall Trumpet, Flugelhorn – Lester Bowie, Leo Smith Vocals – The Sound of Feeling Eddie Harris, “Electric Ballad,” from the album Silver Cycles. Maestro amplifier and Echoplex, 1969. Bass – Melvin Jackson Drums – Bruno Carr Percussion – Marcelino Valdes Tenor Sax (Maestro, Echoplex)—Eddie Harris John Klemmer, “Excursion #2” from Blowin' Gold, 1969, horn effects begin at about 1:11 into the track, probably the Conn-Multivider. Also some interesting effects added on Hey Jude, a excerpt which is also played. Bass - Phil Upchurch Drums - Morris Jennings Guitar - Pete Cosey Piano, Organ - Richard Thompson Tenor Saxophone, Other [Electronic Horn Effects] - John Klemmer John McLaughlin, “Marbles” from the album Devotion. Echoplex and guitar distortion effects. 1970. Bass – Billy Rich Drums, Percussion – Buddy Miles Organ, Electric Piano – Larry Young Guitar – John McLaughlin Miles Davis, “Bitches Brew” (opening) from Bitches Brew. Amplified trumpet with Maestro ring modulator and Echoplex. 1970. Bass – Dave Holland Bass [Fender] – Harvey Brooks Bass Clarinet – Bennie Maupin Trumpet[amplified] – Miles Davis Drums – Don Alias, Jack DeJohnette, Lenny White Electric Guitar – John McLaughlin Electric Piano – Chick Corea, Joe Zawinul Percussion – Jim Riley Soprano Saxophone – Wayne Shorter Miles Davis, “Nem Um Talvez” from the album Live-Evil. Echoplex and percussion. 1971. Bass –Ron Carter Drums –Jack DeJohnette Keyboards –Herbie Hancock, Keith Jarrett Saxophone –Steve Grossman Trumpet – Miles Davis Vocals – Hermeto Pascoal   Gil Melle, “The Love Song” from the album Waterbirds. Handmade electronic instruments plus echo, fuzz, and other effects. 1970 Bass [Fender] – Dave Parlato Soprano Saxophone, Other [Special Electronic Musical Instruments] – Gil Mellé Drums – Fred C. Stofflet Electric Piano [Fender] – Pete Robinson Guitar – Art Johnson, Joe Cinderella The Fourth Way, “Spacefunk” from the album Werwolf. Fender Rhodes electric piano using an Oberheim ring modulator, Recorded live at the Montreux Jazz Festival, June 19, 1970. Drums – Eddie Marshall (2) Electric Bass – Ron McClure Electric Piano [Fender Rhodes Electric Piano], Effects [Oberheim Ring Modulator] – Mike Nock Electric Violin – Michael White   Don Ellis, “Hey Jude” (opening), from Live at the Fillmore, 4-valve, quarter tone electric trumpet, Echoplex, Conn-Multivider, Oberheim ring modulator– Don Ellis. 1970. Bass - Dennis Parker Bass Trombone - Don Switzer Congas - Lee Pastora Drums - Ralph Humphrey Guitar - Jay Graydon Percussion, Drums - Ron Dunn Piano - Tom Garvin Saxophone - Fred Selden, John Klemmer, Jon Clarke, Lonnie Shetter, Sam Falzone Trombone - Ernie Carlson, Glenn Ferris Trombone, Contrabass, Tuba - Doug Bixby Trumpet - Glenn Stuart, Jack Coan, John Rosenberg, Stu Blumberg Trumpet, Drums - Don Ellis Eddie Harris, Why Don't You Quit, from the album Eddie Harris ‎– Come On Down! In 1970. Used the Hammond Innovex Condor SSM guitar synthesizer with the tenor saxophone. Bass – Donald "Duck" Dunn Drums – Tubby Ziegler* Guitar – Cornell Dupree (tracks: A1, A2, B1 to B3), Jimmy O'Rourke (tracks: A1, A2, B1 to B3), Joseph Diorio* (tracks: A3) Organ – Billy Carter Piano – Dave Crawford Tenor Saxophone [Electric] – Eddie Harris Trumpet – Ira Sullivan       The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two additional tracks of electronic jazz and amplified instruments:   Moe Koffman, “Funky Monkey” from the album Turned On. Varitone flute and Varitone dual alto saxophones. 1968 Miles Davis, “Stuff” (excerpt) from Miles in the Sky, 1968. Bass – Ron Carter Drums – Tony Williams* Piano, Electric Piano – Herbie Hancock Tenor Saxophone – Wayne Shorter Trumpet – Miles Davis   Read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).   Also see my paper, Thom Holmes (2018): The Roots of Electronic Jazz, 1950–1970, in  Jazz Perspectives

THE FRENCH CONNECTION is known for one great chase scene, but it’s actually a constant pursuit of the self through grimy Brooklyn, breezy Marseilles, and the dark hearts of evil men. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Subway" by Don Ellis from THE FRENCH CONNECTION (1971).

Unheralded drummer who played with Don Ellis and Indian Puddin' & Pipe! --- Support this podcast: https://anchor.fm/jake-feinberg/support

Don’t Give Me No Sugar Cubes ​When I started touring, Bill Cosby took over my room above the Gaslight. ​I was at The Village Gate opening up for Coleman Hawkins doing standup. Bob Dylan said, “You gotta come to the Gaslight.” He kicked Cosby out of the room to give it back to me. ​Cosby thought anytime I would offer him a drink it was filled with LSD. He was certain that everything that I touched turned into LSD. Who else thought that was Jose Feliciano. “Don’t give me no sugar cubes,” he used to say. ​The Golden Lion ​Once I got to New York, I established a gig at The Golden Lion in Hartford, Connecticut doing jazz and poetry. It was a hit; it was huge. Every Monday for years, Beatniks would line up around the block. ​I brought in people like Don Ellis, Jaki Byard, and Jimmy Giuffre. We got paid: that’s how I got these guys to come out. Every Monday was a payday. We would leave New York City and drive to Hartford and do it. ​I’m just a hippie poet in an altered space. “Space is the place,” said Sun Ra. --- Support this podcast: https://anchor.fm/jake-feinberg/support

446 - Stephanie C. Brown Stephanie C. Brown is a guest on The Paul Leslie Hour. Stephanie C. Brown is a songwriter and educator. She is a role model to many and is still writing songs since it all began in 1975. Some of the artists who have recorded her work include Garth Brooks, Darryl & Don Ellis, Georgia Middleman and others. Brown lives in a part of Alabama known as "the Shoals," where some great songs have been written and many more recorded. She joined me by phone for this very interesting, personal in-depth look. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Alan Kaplan has long been one of the top studio trombone players in Los Angeles. His recording credits vary vastly from Marvin Gaye to Johnny Mathis to Madonna to Placido Domingo to Sarah Vaughan to Oingo Boingo to Whitney Houston to the Hollywood Bowl Orchestra, Josh Groban, Michael Buble, Paul McCartney, Bob Dylan, Lady Gaga, and countless more. He has played on the scores for nearly 1000 movies and thousands of television episodes. He was a regular member of the staff bands on the Merv Griffin, Joan Rivers, and Star Search Shows. Several times in the last few years, Alan has been in the orchestra on the Academy Awards. He also was in the band for the Jerry Lewis Telethon for over thirty years. At 19, Alan joined the Buddy Rich Big Band becoming the bands youngest lead trombone ever. The next few years found him playing with big band legends such as Harry James, Louis Bellson, Don Ellis, and Lionel Hampton. Learn more about Alan at www.alankaplan.org.

SOUNDTRACK SOUL Episode 6, The Chase Part 1, features DJ Devon E. Levins' exclusive action-packed '60s, '70s and '80s soul and funk sounds from chase scenes, car chases, boat races and other dynamic action tracks jams from TV and film - 26 cues from legendary composers Lalo Schifrin, Ennio Morricone, Willie Hutch, Don Ellis, Curtis Mayfield, Francis Lai, Giorgio Moroder and many more! Devon E. Levins' long-running soundtrack show "Morricone Island" can be heard live every Tuesday at 7pm on WFMU in the NY/NJ area and anytime on WFMU.ORG.  His band Morricone Youth has been creating original scores and live score production for classic soundtracks for over 20 years.  Check out www.morriconeyouth.com for more information and merch. See omnystudio.com/listener for privacy information.

Annie Haslam - If I Were Made Of Music (1977)  Annie Haslam - Inside My Life (1977)  Annie Haslam - Nature Boy (1977)  Roy Wood - Colorful Lady (1979)  Roy Wood Wizzo Band - Life Is Wonderful (1977) Roy Wood - Keep Your Hands On The Wheel (1979)  Roy Wood Wizzo Band - Sneakin' (1977) compared with Don Ellis' "Pussy Wiggle Stomp" (1970).  The Archies - Plum Crazy (1968) The Archies - Strangers In The Morning (1968)  Climax - Rock and Roll Heaven (1972) Dean Martin - Sweetheart (1971) Written by the Gibbs Brothers sans Robin.  Dean Martin - For Once In My Life (1971) Jasper Carrott - Funky Moped (1975)  Roy Wood Wizzo Band - The Thing Is This (This Is The Thing) (1977) Mickey Dolenz and Starship - It's Amazing To Me (1973)  Roy Wood Wizzo Band - The Stroll (1977)  The Archies - Hot Dog (1968)  Neil Sedaka - Solitaire (1972)  Ray Conniff Singers - At Seventeen (1975)  Rudy Ray Moore - The Human Tornado (1976) From "The Human Tornado"  Scott Walker - Farmer In The City (1995) Bob McGrath - Sir Duke (1977) 

SnapSessions! presents Episode 19, featuring an interview with maestro drummer/music teacher Ralph Humphrey as well as articles “Sometimes a Protester” and “Tom Lehrer, Satirist Extraordinaire”.  Humphrey talks about his long and storied musical career, starting as a clarinetist in a Dixieland Band called “The Derbies”, when he was still in high school and then his transition to percussion with a variety of jazz bands. Humphreys talks about his exposure to Indian rhythms and odd meters with Don Ellis and Cuban percussionist Chino Valdez, before he became a member of Frank Zappa’s Mothers of Invention in the early 1970s. We learn about his career with Zappa and as a sessions musician in LA including working on cartoon shows like the Simpsons, The Animaniacs, and King of the Hill, and his days on “Dancing with the Stars” and “American Idol”. Finally Ralph tells us about his move into music education with the Los Angeles Music Academy and other schools where Ralph learned and then revamped the percussion curriculum. Episode 19 is 88 minutes long and includes an intro, Doug Nunn’s personal narrative in “My Life as a Protestor” (starts at 58 seconds), the tribute “Tom Lehrer, Satirist Extraordinaire”(starts at 16:45), as well as the interview with percussion star, Ralph Humphrey (starts at 29:37).  SnapSessions! includes original music by Marshall Brown, production by Marshall Brown and Ken Krauss, voiceovers by Ken Krauss and Doug Nunn, and articles and interviews by Doug Nunn. Our SnapSessions! artist and logo maker is caricaturist, Daniel Stieglitz. Head to our website thesnapsessions.com to find us on Apple Podcasts, Spotify, and Soundcloud.  Enjoy what you hear? Consider supporting our program by contributing to our Patreon

5e émission de la 46e session... Cette semaine, hardbop, post-bop, avant-jazz et musique actuelle! En musique: Art Blakey & The Jazz Messengers sur l'album Free For All  (Blue Note, 1964); Don Ellis sur l'album New Ideas  (Prestige, 1961); Warne Marsh sur l'album Ne Plus Ultra  (Revelation, 1970); 3TM sur l'album Lake  (We Jazz, 2019); Daniel Bernardes & Drumming GP sur l'album Liturgy Of The Birds – In Memoriam Olivier Messiaen  (Clean Feed, 2019); Tim Daisy's Vox 4 sur l'album Roman Poems  (Relay, 2019); Ensemble SuperMusique, Symon Henry sur l'album Voir dans le vent...  (Ambiances Magnétiques, 2020)...

5e émission de la 46e session... Cette semaine, hardbop, post-bop, avant-jazz et musique actuelle! En musique: Art Blakey & The Jazz Messengers sur l'album Free For All  (Blue Note, 1964); Don Ellis sur l'album New Ideas  (Prestige, 1961); Warne Marsh sur l'album Ne Plus Ultra  (Revelation, 1970); 3TM sur l'album Lake  (We Jazz, 2019); Daniel Bernardes & Drumming GP sur l'album Liturgy Of The Birds – In Memoriam Olivier Messiaen  (Clean Feed, 2019); Tim Daisy's Vox 4 sur l'album Roman Poems  (Relay, 2019); Ensemble SuperMusique, Symon Henry sur l'album Voir dans le vent...  (Ambiances Magnétiques, 2020)...

Rappellez-vous ce que nous célèbrionsLors de la précédente émissionGrand sablier infini,Il passe sans revenirTout est doncrelatifEt à défaut de le déplorerCar Jazz Atlas n’en n’est pas fautif,Autant le célébrerDeux fois au lieu d’uneEt avant de recommencerLe mieux est de rembobiner !. Joshua Redman Quartet (Etats-Unis)Before (Passage Of Time, 2001). Astrud Gilberto (Brésil)Wee Small Hours (I Haven’t Got Anything Better To Do, 1969). Neal Creque (Etats-Unis)What'Cha Wanna Do - Do It! (Neil Creque & The Hands Of Time, 1974). Don Ellis (Etats-Unis)How Time Passes (How Time Passes, 1961). Jean Ferrat (France)Au Point Du Jour (Jean Ferrat, 1967). Os Mutantes (Brésil)Le Premier Bonheur Du Jour (Os Mutantes, 1968). Françoise Hardy (France)Mon Amie La Rose (Françoise Hardy, 1964). Bob Marley & The Wailers (Jamaïque)Waiting In Vain (Exodus, 1977). Indiens Q’eros (Pérou)Chant du Berger (Disques OCORA - OCR 30 : Musiques du Pérou, 1965). The Quantic Soul Orchestra (Grande-Bretagne)Take Your Time, Change Your Mind (Stampede, 2003). The Stan Getz Quartet (Etats-Unis)Yesterdays (Vol.1, 1950). Paul McCartney (Grande-Bretagne)One Of This Days (McCartney II, 1980). Billy Buttler (Etats-Unis)Yesterday, Today And Tomorrow (Yesterday, Today And Tomorrow, 1970). Grover Washington, Jr (Etats-Unis)I Can Count The Times (Soulful Strut, 1996). Blur (Grande-Bretagne)Out Of Time (Think Tank, 2003)

Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 39: The French Connection (1971) Released 17 July 2019 For this episode, we watched The French Connection, written by Ernest Tidyman (won) from the novel by Robin Moore and directed by William Friedkin (won). It starred Gene Hackman (won Best Actor), Fernando Rey, Roy Scheider (nominated Best Supporting Actor), Tony Lo Bianco and Marcel Bozzuffi with music by Don Ellis, cinematography by Owen Rolzman (nominated) and editing by Gerald B Greenberg (won). It was also nominated for its Sound. Next time we will be discussing The Artist. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.  

Leon Gaer Bass player, composer, arranger and producer. Originally from Los Angeles, now living in Sydney, Best known as the bass player on Gino Vannelli's Brother to Brother album and since then has gone on to play bass on over 1,000 recording sessions in Los Angeles, New York, Nashville, and Sydney including: Gino Vannelli, Barry Manilow, José Feliciano, Barry White, Don Ellis, Boy Meets Girl, Hanna Barbera Cartoons, The Chad Wackerman Group, Amy Dickson, Tommy Emmanuel, and many more. Episode recorded in West Pennant Hills, NSW Australia. 17/04/2019 Episode music: GROUND SWELL - Leon Gaer & Chad Wackerman Composers:  LEON GAER and CHAD WACKERMAN   Musicians: Fretless Piccolo Bass, Fretless Bass LEON GAER Drums   CHAD WACKERMAN Guitar   PETER NORTHCOTE Piano   BILL RISBY   -------------------------------------------------------------------------------------------- http://www.thegiglifepodcast.com thegiglifepodcast@gmail.com https://www.facebook.com/thegiglifepodcast/ https://www.instagram.com/thegiglifepodcast/ https://twitter.com/thegiglifepod  

Composer/theorist and bandleader George Russell is an important figure in the development of Modern Jazz. Russell remains more of a background figure but he did lead his own groups from 1960 through 1964. The groups had personnel changes but all reflected Mr. Russell's concepts and of course Mr. Russell played piano more than competently in these bands. His groups recorded for Riverside and Decca records. Tonight's Jazz Feature is a fine album that despite the title was recorded in New York after the band's gig in Kansas City in early 1961. Russell leads trumpeter Don Ellis, tenor saxophonist Dave Young, trombonist David Baker, bassist Chuck Israels and drummer Joe Hunt through a series of fine tunes ironically none were composed by Russell but have his magic touch. All of these players went on to prominent places in Jazz. The sound of the Russell Sextet doesn't sound dated at all and that is a tribute to Mr. Russell's leadership and direction. The George Russell Sextet in K.C. is a fine outing and arguably one of Russell's best.

226 - Terry Woodson Terry Woodson is the conductor for The Percy Faith Orchestra and for many years was the conductor and producer for Frank Sinatra, Jr. He's worked with such greats as Don Ellis, Henry Mancini and countless others. This interview was recorded an hour or two before the passing of Frank Sinatra, Jr. We were at the Hilton Garden Inn. The two were going to perform a concert of "Sinatra Sings Sinatra" that night. A concert that never took place. This important interview is being presented right here on The Paul Leslie Hour. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 39: The French Connection (1971) Released 17 July 2019 For this episode, we watched The French Connection, written by Ernest Tidyman (won) from the novel by Robin Moore and directed by William Friedkin (won). It starred Gene Hackman (won Best Actor), Fernando Rey, Roy Scheider (nominated Best Supporting Actor), Tony Lo Bianco and Marcel Bozzuffi with music by Don Ellis, cinematography by Owen Rolzman (nominated) and editing by Gerald B Greenberg (won). It was also nominated for its Sound. Next time we will be discussing The Artist. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.  

Bone2Pick proudly goes lower than low in July 2016 featuring our artist of the month, tuba/ fluba recording artist Jim Self. One of the most recorded tuba players in the history of the instrument, Jim has appeared on over 1,500 motion picture soundtracks including featured solos on Jurassic Park, Close Encounters of the 3rd Kind, Casper, Sleepless in Seattle and the classic Dennis the Menace. Throughout his illustrious career in the Los Angeles studios, Jim has recorded with Cassandra Wilson, Claus Ogerman, Randy Newman, Barbra Streisand, Frank Sinatra, Don Ellis and the LA Philharmonic, to name just a few. He has released 13 CDs as a solo artist and is the inventor of the fluba. Enjoy! http://www.hip-bonemusic.com Check out our video lesson series at: https://vimeo.com/hipbonemusic/vod_pages

"Jazz attracted me because in it I found a formal perfection and instrumental precision that I admire in classical music, but which popular music doesn't have." - Django Reinhardt Looking for new tunes for the upcoming holiday weekend? Look no further! DJ Dave is featuring songs from some of the most talented artists of all time, including Paul Simon, Ronnie Davis, Django Reinhardt, Don Ellis, the Jimi Hendrix Experience, Eminem, Booker T. & the M.G.'s, Jens Lekman, George Clanton, Nightmares on Wax, and our very own David Swirsky!!! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast INSTAGRAM: MusicFirstPodcast EMAIL: MusicFirstPodcast@gmail.com

RANDY KERBER is a composer, orchestrator, and keyboard player, who has had a prolific career in music. He began his first national tour with Bette Midler in 1977, at the age of 19. Kerber was nominated for an Oscar in 1986, along with Quincy Jones and others, for Best Original Score for the motion picture, "The Color Purple". He was nominated for a Grammy for his arrangement of Over the Rainbow for Barbra Streisand. As a studio keyboardist, he has worked on over 800 motion pictures including "Titanic", "A Beautiful Mind", and "Harry Potter I, II, & III". The piano in "Forrest Gump" which features a feather floating in the wind, was played by Randy Kerber. The celeste theme in "Harry Potter", composed by John Williams, is also played by Randy Kerber. Most recently, Randy has performed piano solos on Steven Soderbergh's "Behind The Candelabra" for which he also trained Michael Douglas. As a studio keyboardist, Randy has been an orchestrator on over 50 films, including work with Academy Award winner James Horner. He worked with Eric Clapton as keyboardist, orchestrator, and conductor on the film Rush - playing on the Grammy Award-winning song "Tears in Heaven". During his career, Randy Kerber has worked with a wide range of artists such as Michael Jackson, Paul Anka, Leonard Cohen, Rickie Lee Jones, Whitney Houston, Michael Bolton, Rod Stewart, B.B. King, Bill Medley, Annie Lennox, Art Garfunkel, Celine Dion, Natalie Cole, Al Jarreau, Ray Charles, Neil Diamond, Barry Manilow, Don Ellis, Ricky Martin, Bette Midler, Kenny Rogers, Donna Summer, George Benson, Diana Ross, Frank Sinatra and Dionne Warwick…Recently, Randy Kerber has performed piano solos on Steven Spielberg's Lincoln, Robert Zemeckis' "Flight", “Fragments de Amor”, Star Wars, “The Force Awakens” and “LA LA LAND”. 

Election day is here, and GPR previews what to expect and highlights Green Party candidates from across the nation, including our own Don Ellis of course. We will also discuss how important it is to elect Jill Stein as our President and to keep Hillary Clinton out of the White House. Call 215-383-5796 to join the discussion LIVE. Green Party Radio Facebook Page GreenPartyRadio.com Don Ellis Election Website Don Ellis Election Facebook Page

The Green Party Radio Show's election episode features a pair of Green Party candidates: Ray Parrish, who is running for US Congress in Arizona's 1st District Shalom Keller, who is running in Ohio's 1st Congressional District Don will also discuss his candidacy for Kentucky House of Representatives (4th District) We will be broadcasting a special 2 hour episode today as we cover the most important Presidential election of our lifetimes, and why it is so important that Dr. Jill Stein receive at least 5% of the vote nationally (and why it is even more important that she wins). GreenPartyRadio.com Green Party Radio Facebook Page Don Ellis for KY House Facebook Page Don Ellis for KY House Website  

Listen in to the world premier of Bullsville Radio, hosted by Don Ellis, who writes the Bullsville blog for ChicagoNow. I will be discussing Dwyane Wade's comments on last season's dysfunctional Bulls, how well the new "Big 3" will fit together, and how training camp is going so far. It's the first episode so I've only planned 15 minutes, but if you want to call (215) 383-5796 to appear live on the show, I will gladly go longer. Get ready to tune in every Monday at Noon CT for Bullsville Radio!!

En kreatör som titulerar sig skådespelare, låtskrivare, programledare, reklammakare, bildkonstnär och krukmakare men under detta samtal fokuserar vi på Jannes liv som musiker vilket innefattar samarbeten med Jimmi Hendrix, Hanson & Carlsson, Pugh, Dexter Gordon, Johnny Griffin, Thelonious Monk, Don Byas, Walter Nicks, CharlesMingus, Don Ellis, Graham Tainton för att nämna några legender. Det man främst slås av är Jannes inställning till att lyssna på vad universum säger och att han har haft otroligt kul, varit öppen, provat nya saker och det vill ”Loffe” fortsätta med, han spelar för livet. Länk till programmet: Länk till musiken som nämns i programmet. https://open.spotify.com/user/martin_frontman/playlist/2ykELo5ByoF69CcEnF7xO7 Producent: Martin Frontman Andersson Signaturmelodi: The Ballroom Band - For the taste of her lips Övrig musik: Jimi Hendrix with Hansson & Karlsson - Jam XII at Klubb Filips 1967 Pugh - Små lätta moln Thelonious Monk - Monks dream 5 Foto: Hasse Lindén Tack till: Janne, Pelle Andersson, Kaj Podgorski & Afshin Tahmoury facebook.com/jagspelarforlivet Intsagram.com/jagspelarforlivet #Jagspelarförlivet #JagSpelarForLivet

Frank Zappa to Captain & Tenille, Ralph Humphrey has also played with Don Ellis and played on the French Connection soundtrack. Recorded in Pasadena, CA October, 2015

re:::::JAZZ is the now and future sounds of cosmic jazz on wax. It's an excursion thru the ages and is a sample of the sounds going down every 2nd Friday at Monument City Coffee and Records. "Straight ahead and around the corner...." Slipper Suite – Palmskin Productions Narcotic Jazz – Mr. Skinz Borgia Stick – George Benson Swing Low Sweet Chariot – Dizzy Gillespie [Gerardo Frisina] This Is Madness ‘94– The Last Poets, Pharaoh Sanders Jelly Roll – No BS Brass Band Spiral – John Coltrane No Time To Play – Guru, Ronnie Jordan, DC Lee One Love – Q-Tip + PSAs Meechi’s Cut -> My Favorite Things – Andre 3000, Earthtone Studios Spock With A Beard – Palmskin Productions K.C. Blues – Don Ellis Audi 5000!!!

The Library's Larry Appelbaum talks with musicians Eddie Daniels and Roger Kellaway on jazz and the American songbook. Speaker Biography: American tenor saxophonist and clarinetist Edddie Daniels took up alto saxophone at the age of nine, began doubling on tenor saxophone and clarinet about three years later, and attended the High School of the Performing Arts in New York. After graduating from Julliard, Daniels became a founding member of the Thad Jones Mel Lewis Orchestra (with which he remained for six years); he also won first prize as a saxophonist at the International Jazz Competition in Vienna, recorded with Friedrich Gulda, and made his first recording as a leader. After years spent in recording studios and in television and theater orchestras, Daniels received a grant from the NEA in 1986, and at this point in his career he sold his saxophones, ceased doubling as a flutist, and focused solely on clarinet. He has continued to work in both classical and jazz circles and he remains one of the most technically gifted clarinetists in jazz. Speaker Biography: American pianist, arranger, and composer Roger Kellaway learned piano as a child, became interested in jazz through the recordings of George Shearing, and taught himself to play double bass. He studied piano, double bass, and composition at the New England Conservatory (1957???9), and later worked with Al Cohn and Zoot Sims, Clark Terry, Bob Brookmeyer, Ben Webster, Wes Montgomery and Sonny Rollins (1966). In 1966, Kellaway moved to Los Angeles to play in Don Ellis's big band, and he later worked as a music director for the popular singer Bobby Darin. During the same period he toured with Joni Mitchell, and recorded with Carmen McRae, for whom he also wrote arrangements and led a backup group. Speaker Biography: Larry Appelbaum is aSenior Music Reference Librarian and jazz specialist in the Music Division at the Library of Congress. As a former supervisor of the Library's Magnetic Recording Laboratory, he transferred, edited and mastered many classical, jazz and folk recordings for commercial release. As a critic, he is a contributor to the books "Jazz: The First Century" (William Morrow, 2000) and "The Encyclopedia of Radio" (Museum of Broadcast Communications 2003). He writes regularly for JazzTimes and other magazines and websites around the world, curates a jazz film series, and is a long time radio host on WPFW-FM in Washington D.C. For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5178

Composer,theorist, pianist, arranger George Russell occupies an important place in Jazz history. He wrote the influential theory book called "The Lydian Concept of Tonal Organization" and many influential musicians studied the ideas in that book. George Russell had a working band from the years 1960-64 and all of the players that passed through his band learned his theories. This rare date was only issued on LP and had no domestic issue on CD (it was issued in Europe). It's called "The George Russell Sextet in Kansas City" which is a bit of a misnomer as it was actually recorded in New York on February 23,1961 after a two week gig in Kansas City. There are no Russell compositions on this date but his sound is all over this set. The personnel is George Russell on piano, Don Ellis on trumpet, Dave Young on tenor saxophone, Dave Baker on trombone, Chuck Israels on bass, and Joe Hunt on drums. Baker has one tune and a young Carla Bley has two (she was a student of Russell's), Clifford Brown's blues called "Sandu" is here as is Eddie "Cleanhead" Vinson's "Tune Up" and finally a collective improvisation called "Theme" leads to a fade out ending. The band sounds as modern as tomorrow and reflects the concepts of the one and only George Russell. I'm sure Kansas City was never the same after Russell's visit!

Picture: There's nothing sexy about hurting peaceful people who commit victimless "crimes." School Sucks Podcast does not support or encourage teenage drug use. However, SSP also does not support or encourage predatory police practices targeting and entrapping high school students. Topic: After listening to a piece called "21 Chump Street" on NPR's This American Life, I was compelled to devote some time to the threat of NARCS and informants infiltrating public schools, with the consent of administrators, of course. Jason Osborne and Dale Everett join me once again, and as Free Staters, we are not strangers to this concern. Jason also produced a video called Never Get Raided, which explains how to identify undercover agents. Bumper Music: "The French Connection Theme" by Don Ellis Look Closer: How an Attractive, Undercover Cop Posed as a Student -- Then Entrapped a Smitten Teen to "Sell" Her Marijuana http://www.alternet.org/story/154164/how_an_attractive_undercover_cop_posed_as_a_student__then_entrapped_a_smitten_teen_to_sell_her_marijuana Dale's Website - Flaming Freedom http://flamingfreedom.com/ This American Life Episode 457 http://www.thisamericanlife.org/radio-archives/episode/457/what-i-did-for-love ROP Police Training Program (Example) http://rop.sutter.k12.ca.us/Content/PubServ/LawEnf.aspx

Klassikern. Maria Edström har sett om en film från 1971. William Friedkin har regisserat, Gene Hackman spelar huvudrollen och Don Ellis har komponerat musiken... Det handlar om The French Connection. Maria Edström har sett om en film från 1971. William Friedkin har regisserat, Gene Hackman spelar huvudrollen och Don Ellis har komponerat musiken. En film som Kulturredaktionen nu gett klassikerstatus.

The only recording by this great band led by pianist/composer/theorist, George Russell, Eric Dolphy is features on bass clarinet and alto saxophone, Don Ellis, trumpet, David Baker on trombone plus the recording debut of Steve Swallow on accoustic bass and the underrated Joe hunt on drums. Even though the music was recorded in 1961 it's as modern as tomorrow!

A mainstay of the Chicago music scene for more than thirty years, Eric Hochberg has lent his bass work, both upright and electric, and an occasional trumpet, keyboard and vocal lick to a variety of projects across the realms of jazz, folk, rock and blues. He has performed and/or recorded with the likes of Terry Callier, Pharoah Sanders, Bobby McFerrin, Pat Metheny, Lyle Mays, Steve Kuhn, Barbra Streisand, Cassandra Wilson, Von Freeman, Chico Freeman, Ken Nordine, David Baker, Cannonball Adderly, Charles McPherson, Jon Faddis, Joshua Redman, David Bromberg, Johnny Frigo, Joe Daley, Howard Levy, Kurt Elling, Trio New, Bill Carrothers, Eric Alexander, Tierny Sutton, Patricia Barber, Jackie Allen, Janice Siegal, Peter Erskine, Paul McCandless, Donny McCaslin, Claudio Roditi, Bob Mintzer, Dave Liebman, Sam Rivers, Jack DeJohnette, Joey Baron, Bobby Broom, Eric Marienthal, Bobby Shew, Tom Harrell, Larry Novak, Gary Novak, Rick Margitza, Sheila Jordan, Diane Reeves, Dee Alexander, Jay Clayton, Janice Siegel, Janice Borla, Ari Brown, Alan Pasqua, Bob Sheppard, Mark Murphy, Bob Dorough, Randy Brecker, Don Ellis, Larry Coryell, Rebecca Paris, Leni Andrade, Sonny Fortune, Willie Pickens, Bobby Lewis, Ari Brown, Jeremy Kahn, Ernie Adams, Mike Garson, Roger Rosenberg, Erma Thompson, Lew Tabackin, Brian Lynch, Lester Bowie, Don Moye, Earnest Dawkins, Henry Butler, Emily Remler, Herb Geller, Chevere de Chicago, Sonia Dada, Mark Colby, Orbert Davis, Ed Thigpen, Anthony Molinaro, Ben Sidran, Bonnie Koloc, Michal Urbaniak Quartet, Bill Holman, The Boston Brass, Bill Russo’s Chicago Jazz Ensemble, The Chicago Jazz Orchestra, Rob Parton Orchestra, The Miami Saxophone Quartet, Jim Walker & Free Flight, The Grant Park Symphony with Luciana Souza and Patti Austin, The Joffrey Ballet, Luna Negra Dance Company, The Chicago Human Rhythm Project, and Chicago Tap Theater. Eric has the distinction of having performed in the bands of three of the four members of the Pat Metheny Group - a tour in 1977 with Pat, a long association with drummer Paul Wertico and a Latin American tour with Lyle Mays in 1992. He has toured nationally/internationally with the Lyle Mays Quartet, the Terry Callier Group, the Paul Wertico Trio, the Kurt Elling Quartet, Ken Nordine’s Word Jazz, the Howard Levy Quartet and the Grazyna Auguscik Quintet. He has performed at the Jazz Festivals of Chicago (21 times), Montreal, San Francisco, Detroit,  Montreux, UK/London, Free Jazz/Rio & Sao Paolo Brazil, Leverkeusen/Germany, World Music Festival/Barcelona, Rome Jazz, Rotterdam Jazz, Karlsruhe Festival/GR, Frappe Festival/FR, Nice Jazz/FR, Gigon Festival/SP, Cully Jazz/Swiss, Blues and Roots Fest/Australia, The International Society of Jazz Educators/Atlanta, The Chicago Flute Club, The Percussive Arts Society/Columbus OH, Rockford Jazz/IL, Hyde Park Jazz Festival/Chicago, South Shore Jazz/Chicago, Elkhart Jazz/IN, Columbus Jazz Festival/OH, Milwaukee Summerfest, Louisville Festival of the Arts, Blue Note Tokyo, Yokohama and Milan, and concerts and clubs worldwide.  He has also performed on the Oprah Winfrey Show three times with Barbra Streisand, Josh Groban and Johnny Mathis, and with Gloria Estefan. He can also be heard in clubs and concert venues around the Chicago area, including  Catch 35 Chicago with the Eric Hochberg Trio, The Green Mill, Andy’s Jazz Club, Pops for Champagne, The Jazz Showcase, Fitzgerald’s, Katarina’s, Pete Miller’s, The Checkerboard Lounge, Room 43, Mayne Stage, Morseland, Pick Staiger Hall, Pritzker Pavillion and many others. The Eric Hochberg Orchestra has performed for countless events of all kinds over the past twenty-five years and Eric Hochberg Music contracts the finest musicians in the Chicago area for clients worldwide.  The EHO was the band for the City of Chicago’s 5000 guest “Chicago Welcomes the World” Millennium Celebration. Eric produced Jackie Allen's 2006 debut Blue Note Records release, Tangled and her 2003 release The Men in My Life.  Eric has also worked extensively with legendary singer-songwriter Terry Callier, producing his 2005 album, Lookin' Out, on Emarcy Records, the critically acclaimed TC in DC on Premonition, tracks on Verve Forecast's Timepeace, Novo Record's Chicago Rapid Transit and Acid Jazz Totally Re-wired Vol. 8.   He co-produced Future Tense by Hochberg, Eisen & Potter, Reflections and Yesterday’s Gardenias by saxophonist Mark Colby and New Bolero by Trio New, Kurt Elling's original band. His latest project with pianist Bradley Williams and drummer Jim Widlowski is entitled 3. As a composer, Eric has made contributions to Kurt Elling's Close Your Eyes and The Messenger on Blue Note Records, Hochberg and Potter's World Thing on HoPo Records, Trio New New Bolero, Paul Wertico's Yin and the Yout and The Paul Wertico Trio's Live in Warsaw and Don't Be Scared Anymore.   Five compositions are featured on Future Tense, the latest recording by Eric, Steve Eisen and Andrew Scott Potter. Two of his compositions are featured on the recently released album, The Rob Parton Quartet. New tunes are featured on the album 3, by Williams, Widlowski & Hochberg.  He also composed the theme song for Contrabass Conversations, the weekly double bass interview show. He can be heard on the recordings of: Williams, Hochberg, Widlowski • 3 Hochberg, Eisen & Potter • Future Tense, World Thing Chevere de Chicago • Secret Dream Kurt Elling • Close Your Eyes, The Messenger Paul Wertico Trio • Live in Warsaw, Don't Be Scared Anymore, Stereonucleosis John Moulder • Through the Open Door, Trinity Grazyna Auguscik • River Terry Callier • Lookin' Out, TimePeace, Lifetime, TC in DC Rich Corpolongo • Just Found Joy, Smiles Howard Levy • Harmonica Jazz Mark Colby • Yesterday’s Gardenias, Reflections, Tenor Reference, Speaking of Stan and many others. Eric has also played on over 1000 jingle, television and movie soundtrack recording sessions and 100 album projects. He maintains an active teaching studio where students of all levels learn the jazz language and apply it to their music.  He also teaches at the Merit School of Music. Eric has served on various Craft Committees for the National Academy of Recording Arts and Sciences (GRAMMY AWARDS) 2006-2008. Eric endorses Lakland Basses and highly recommends Pirastro, Velvet, and Thomastik-Infield double bass strings.

Sixième de la sixième session. Cette semaine on s'attarde à la trompette avec en présentation principale Wadada Leo Smith (trompette, USA, 1941). Aussi au menu une pièce de Max Roach et Anthony Braxton. Ensuite on va voir du côté de Don Ellis et finalement on s'offre du Kenny Wheeler. Lecture de la semaine: Sans doute un peu de Gaston Miron...

Sixième de la sixième session. Cette semaine on s'attarde à la trompette avec en présentation principale Wadada Leo Smith (trompette, USA, 1941). Aussi au menu une pièce de Max Roach et Anthony Braxton. Ensuite on va voir du côté de Don Ellis et finalement on s'offre du Kenny Wheeler. Lecture de la semaine: Sans doute un peu de Gaston Miron...

A mainstay of the Chicago music scene for more than thirty years, Eric Hochberg has lent his bass work, both upright and electric, and an occasional trumpet, keyboard and vocal lick to a variety of projects across the realms of jazz, folk, rock and blues. He has performed and/or recorded with the likes of Terry Callier, Pharoah Sanders, Bobby McFerrin, Pat Metheny, Lyle Mays, Steve Kuhn, Barbra Streisand, Cassandra Wilson, Von Freeman, Chico Freeman, Ken Nordine, David Baker, Cannonball Adderly, Charles McPherson, Jon Faddis, Joshua Redman, David Bromberg, Johnny Frigo, Joe Daley, Howard Levy, Kurt Elling, Trio New, Bill Carrothers, Eric Alexander, Tierny Sutton, Patricia Barber, Jackie Allen, Janice Siegal, Peter Erskine, Paul McCandless, Donny McCaslin, Claudio Roditi, Bob Mintzer, Dave Liebman, Sam Rivers, Jack DeJohnette, Joey Baron, Bobby Broom, Eric Marienthal, Bobby Shew, Tom Harrell, Larry Novak, Gary Novak, Rick Margitza, Sheila Jordan, Diane Reeves, Dee Alexander, Jay Clayton, Janice Siegel, Janice Borla, Ari Brown, Alan Pasqua, Bob Sheppard, Mark Murphy, Bob Dorough, Randy Brecker, Don Ellis, Larry Coryell, Rebecca Paris, Leni Andrade, Sonny Fortune, Willie Pickens, Bobby Lewis, Ari Brown, Jeremy Kahn, Ernie Adams, Mike Garson, Roger Rosenberg, Erma Thompson, Lew Tabackin, Brian Lynch, Lester Bowie, Don Moye, Earnest Dawkins, Henry Butler, Emily Remler, Herb Geller, Chevere de Chicago, Sonia Dada, Mark Colby, Orbert Davis, Ed Thigpen, Anthony Molinaro, Ben Sidran, Bonnie Koloc, Michal Urbaniak Quartet, Bill Holman, The Boston Brass, Bill Russo’s Chicago Jazz Ensemble, The Chicago Jazz Orchestra, Rob Parton Orchestra, The Miami Saxophone Quartet, Jim Walker & Free Flight, The Grant Park Symphony with Luciana Souza and Patti Austin, The Joffrey Ballet, Luna Negra Dance Company, The Chicago Human Rhythm Project, and Chicago Tap Theater. Eric has the distinction of having performed in the bands of three of the four members of the Pat Metheny Group - a tour in 1977 with Pat, a long association with drummer Paul Wertico and a Latin American tour with Lyle Mays in 1992. He has toured nationally/internationally with the Lyle Mays Quartet, the Terry Callier Group, the Paul Wertico Trio, the Kurt Elling Quartet, Ken Nordine’s Word Jazz, the Howard Levy Quartet and the Grazyna Auguscik Quintet. He has performed at the Jazz Festivals of Chicago (21 times), Montreal, San Francisco, Detroit,  Montreux, UK/London, Free Jazz/Rio & Sao Paolo Brazil, Leverkeusen/Germany, World Music Festival/Barcelona, Rome Jazz, Rotterdam Jazz, Karlsruhe Festival/GR, Frappe Festival/FR, Nice Jazz/FR, Gigon Festival/SP, Cully Jazz/Swiss, Blues and Roots Fest/Australia, The International Society of Jazz Educators/Atlanta, The Chicago Flute Club, The Percussive Arts Society/Columbus OH, Rockford Jazz/IL, Hyde Park Jazz Festival/Chicago, South Shore Jazz/Chicago, Elkhart Jazz/IN, Columbus Jazz Festival/OH, Milwaukee Summerfest, Louisville Festival of the Arts, Blue Note Tokyo, Yokohama and Milan, and concerts and clubs worldwide.  He has also performed on the Oprah Winfrey Show three times with Barbra Streisand, Josh Groban and Johnny Mathis, and with Gloria Estefan. He can also be heard in clubs and concert venues around the Chicago area, including  Catch 35 Chicago with the Eric Hochberg Trio, The Green Mill, Andy’s Jazz Club, Pops for Champagne, The Jazz Showcase, Fitzgerald’s, Katarina’s, Pete Miller’s, The Checkerboard Lounge, Room 43, Mayne Stage, Morseland, Pick Staiger Hall, Pritzker Pavillion and many others. The Eric Hochberg Orchestra has performed for countless events of all kinds over the past twenty-five years and Eric Hochberg Music contracts the finest musicians in the Chicago area for clients worldwide.  The EHO was the band for the City of Chicago’s 5000 guest “Chicago Welcomes the World” Millennium Celebration. Eric produced Jackie Allen's 2006 debut Blue Note Records release, Tangled and her 2003 release The Men in My Life.  Eric has also worked extensively with legendary singer-songwriter Terry Callier, producing his 2005 album, Lookin' Out, on Emarcy Records, the critically acclaimed TC in DC on Premonition, tracks on Verve Forecast's Timepeace, Novo Record's Chicago Rapid Transit and Acid Jazz Totally Re-wired Vol. 8.   He co-produced Future Tense by Hochberg, Eisen & Potter, Reflections and Yesterday’s Gardenias by saxophonist Mark Colby and New Bolero by Trio New, Kurt Elling's original band. His latest project with pianist Bradley Williams and drummer Jim Widlowski is entitled 3. As a composer, Eric has made contributions to Kurt Elling's Close Your Eyes and The Messenger on Blue Note Records, Hochberg and Potter's World Thing on HoPo Records, Trio New New Bolero, Paul Wertico's Yin and the Yout and The Paul Wertico Trio's Live in Warsaw and Don't Be Scared Anymore.   Five compositions are featured on Future Tense, the latest recording by Eric, Steve Eisen and Andrew Scott Potter. Two of his compositions are featured on the recently released album, The Rob Parton Quartet. New tunes are featured on the album 3, by Williams, Widlowski & Hochberg.  He also composed the theme song for Contrabass Conversations, the weekly double bass interview show. He can be heard on the recordings of: Williams, Hochberg, Widlowski • 3 Hochberg, Eisen & Potter • Future Tense, World Thing Chevere de Chicago • Secret Dream Kurt Elling • Close Your Eyes, The Messenger Paul Wertico Trio • Live in Warsaw, Don't Be Scared Anymore, Stereonucleosis John Moulder • Through the Open Door, Trinity Grazyna Auguscik • River Terry Callier • Lookin' Out, TimePeace, Lifetime, TC in DC Rich Corpolongo • Just Found Joy, Smiles Howard Levy • Harmonica Jazz Mark Colby • Yesterday’s Gardenias, Reflections, Tenor Reference, Speaking of Stan and many others. Eric has also played on over 1000 jingle, television and movie soundtrack recording sessions and 100 album projects. He maintains an active teaching studio where students of all levels learn the jazz language and apply it to their music.  He also teaches at the Merit School of Music. Eric has served on various Craft Committees for the National Academy of Recording Arts and Sciences (GRAMMY AWARDS) 2006-2008. Eric endorses Lakland Basses and highly recommends Pirastro, Velvet, and Thomastik-Infield double bass strings.