Podcasts about Farfisa

Esta semana, en la última sesión de Rebelión Sónica de la temporada 2024, los invitamos a escuchar música del box set recopilatorio “Roedelius 90”, que celebra las nueve décadas del legendario músico alemán y figura esencial de la electrónica contemporánea, Hans-Joachim Roedelius. Lanzado por el sello Groenland Records el 25 de octubre, la caja incluye música previamente desconocida del fundador de bandas de la trascendencia de Cluster y Harmonia. La disquera explica que la mayor parte de la música incluida en “90”, que suma tres horas de música en 50 tracks, proviene de grabaciones de dos pistas de Revox realizadas entre 1968 y 1980. Agrega que las cintas de Revox, fueron creadas con su delay Echolette y su órgano Farfisa, el mismo equipo utilizado por Roedelius para grabar sus queridos discos “Selbstportrait” -serie de álbumes del músico- y gran parte de sus seminales trabajos con Dieter Moebius y Michael Rother en Harmonia. De este modo, el box “documenta los procesos y sonidos que continúan inspirando a generaciones de amantes de la música y aventureros sonoros”. “90” no pretende ser una retrospectiva completa de la obra de un artista notable. Se desconoce la cronología exacta de estas piezas, así como quién pudo haber cooperado con Roedelius en ellas. Pero el trasfondo histórico de esta música es ciertamente convincente: no parece una hipérbole afirmar que estos ciclos hipnóticos en cascada rivalizan con los mejores contemporáneos como Terry Riley, que trabajó a medio mundo de distancia en sus propias y sencillas obras maestras. “Por el momento, una celebración será suficiente: un retrato de una vida extraordinaria a los 90 años, contada a través de una música hermosa, personal y original”, remata Gröenland. Al final del programa, destacamos a la banda de Roedelius con Dieter Moebius, Cluster, con música de su influyente álbum de 1976, “Sowiesoso”. Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

Martin Rev shares stories of the early days of Suicide, the acetates, recording the debut album, audience reactions, continually creating solo music and more. Topics Include: Discussion of Rev's current relationship with vinyl records Early influences on Suicide's sound Inspiration of Tony Williams Rev's transition from drums to electronic instruments Early Suicide performances with minimal equipment Origins of using "punk" term in early marketing Story of "Rocket USA" acetate at Max's Kansas City Henry Rollins acquiring one of the original acetates Recording process of first Suicide album Equipment used: Farfisa organ and Seagram's rhythm machine Creation of first album's cover art Response to negative early reviews Early tours with Elvis Costello & The Clash Audience reactions and controversies during shows Different versions of "Frankie Teardrop" Rev's creative partnership with Alan Vega Gap between Suicide albums Creation of "Clouds of Glory" solo album Current approach to composing music Discussion of "Demolition Nine" album Rev's process for creating new material How familiarity affects perception of one's work Rev's current artistic aspirations Upcoming UK shows and festivals Early Suicide set lists Rev's pre-Suicide musical background The band's evolution from chaos to acceptance Rev's perspective on collaboration Creating without commercial expectations The endless nature of musical discovery Rev's focus on continuing to create new work EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

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Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

"“There exist other kinds of thinking selves beyond the human”. - Eduardo Kohn "One of the instrumental figures in bringing the music of the drone to the West is the Sufi musician Hazrat Inayat Kahn. His musical treatise from the early 20th century, simply titled Music, is an incredible sonic-spiritual composition on the potentials and possibilities of music as law, as cosmology, as harmony. “Music is behind the whole working of the universe”, the Sufi Master wrote, “We live and move and have our being in music”. "In contemplating natures music, in finding ears to hear it, a body to feel and dance it, a mind to celebrate and (re)think it, and -all together- a spirit to create it, I fatefully encountered this incredible ‘unidentified sound #1' from AWI's PALAOA observatory in Antarctica. This strange, long, low frequency drone from somewhere in the Antarctic Ocean has an unknown origin. Is it from a creature? From water? From some geological feature? A nearby machine or ship? All that is known about the origin of this sound is that no ship was within a thousand km radius when it was recorded. What we can say for certain is that it is a subaquatic sounding of Earth, of universe, captured expertly and offered for us here to resonate with, to find resonance in the unknown of the sonosphere. "When I first heard the recording, I immediately felt that it was already so beautifully strange that it required only very little to elicit its charms. I only wanted to amplify its qualities, saturate its mysteries. Considering it as a vocalization of Earth I simply play along with it, in amity and community. To get there, I put myself into a trance through a listening meditation and recognize the sounder. I reflect the sound multiply into the eternal of drone. I play back to the sounder an image of itself that is also me. This track operates as an attentional strategy for rediscovering ourselves in the more- than-human world. "Water, amongst other things, is a specifically acoustic environment. Sound travels faster than light in water, and whale song is thought to produce holographic ‘images' within the mind of the ancient creatures as they communicate with one another across vast distances. Creatures both aquatic and terrestrial use sound as a form of sight: sonar. If we consider this ‘sonic sight' in an expanded sense, then when I deeply listen to this sound, I am, in a sense, recognized by it, or whatever emanates it. In coming to witness one another -over time- we come to recognize each other. In that unspeakable recognition between myself and the sound, I believe we have a camaraderie, we are in, of, and as the thought(s) of the world beyond the human. "If you take a look at the wave/sonogram of this composition, you will see an audio Rorschach figure swimming or flying out of the vibration. This has to do partly with the way the structure of the composition was prepared: first playing the original recording backwards (to get to know it better), and then forwards. In that reflection between the polar edges of the Earth and my Farfisa (an electric organ) I acknowledge and celebrate mystery as mystery. I find solace in what is immeasurable, intangible, uncertain. It is there in the musicality of resonant Earth that the radical plurality and multiplicity of worlds and thought resides and resounds in a relational dynamic that exists beyond experience." Unidentified sound reimagined by Jol Thoms. Part of the Polar Sounds project, a collaboration between Cities and Memory, the Helmholtz Institute for Functional Marine Biodiversity (HIFMB) and the Alfred Wegener Institute, Helmholtz Centre for Polar and Marine Research (AWI). Explore the project in full at http://citiesandmemory.com/polar-sounds. 

An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired Le Tigre, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.   Songs In This Episode: Intro - Deceptacon 11:22 - Les and Ray 17:36 - What's Yr Take On Cassavetes 24:46 - Phanta 28:56 - Eau D'Bedroom Dancing Outro - My My Metrocard   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired Le Tigre, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.   Songs In This Episode: Intro - Deceptacon 11:22 - Les and Ray 17:36 - What's Yr Take On Cassavetes 24:46 - Phanta 28:56 - Eau D'Bedroom Dancing Outro - My My Metrocard   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Vince Rogers - Testcard F - in conversation with David Eastaugh  Norwich, experimental synth pop band formed in 1981 -  formed in the early 1980s at the UEA. Famously had an indie chart hit with Bandwagon Tango. They completed a second EP and also did a Peel Session.  Before releasing solo material as alpha seven, Pete used to be in Testcard F, an early experimental synth pop outfit based in Norwich, reaching the dizzy heights of a Peel session in 1982 and two singles on the Backs record label. Instrumentation included electronic percussion built from Maplin kits, augmented with a coat rack and waste bins to give a human feel. There was a borrowed EDP Wasp, 1960s Farfisa organ, Casio VL-Tone and a drum machine that held a single song, hence they used backing cassettes    

What will you find if you follow Mary Farfisa and Briscoe into adventure? This fun trailer will tell you what to expect!

Conrad Schnitzler, Brian Eno, Michael Rother, Conny Plank.  All the cool kids wanted to hang with Moebius and Roedelius — so naturally we do, too. What time is it, listeners?  Is it time for the CBK  bus to take a turn "im Suden?"  Is it time to tap into Roe's pastoral Romanticism and Moe's sparky bleeps and blips?  Time to put Eric Clapton into "the Krautock meat grinder?"   Is it, indeed, time to check in on CLUSTER?   Damn straight, Brüder und Schwestern:  it's SUGARTIME.

This episode brings me back to 1978 on my birthday when I got in my first Rock Band Aftershock and met the Lead Guitarist Bruce Paller. Bruce and I have known each other for over 40 years, I had just turned 15 years old at the time and in search of my first Rock Band, yes I had already been playing with my neighborhood friends and I was actually playing the drums, but for my birthday I was given this really cool Farfisa Organ, this keyboard was used by a number of popular musicians including Sam the Sham, Pink Floyd, Sly Stone, Blondie, and the B-52's [see description below], so I combined the Farfisa sound with my CAT Synthesizer, wow did I have some “Groovy Sounds” lol – So back to when I met Bruce, it was my 15th Birthday and I was living in Covina, California, I read this ad in the newspaper “Band looking for keyboard player” I immediately said to my dad “Dad can you please take me to an audition for this band, they're over in West Covina”, he said sure since it's your birthday, I was so excited to get in a real band for the first time, playing with my friends was fun and cool but I was pretty sure we weren't going anywhere anytime soon and I “HAD TO GET THIS PARTY STARTED” if you know what I mean. So let's bring in Bruce Wayne Paller and get his side of the story, I'm pretty sure I'm leaving a whole bunch of good stuff out…. Calling……… --- Support this podcast: https://podcasters.spotify.com/pod/show/deanvonmusicpodcastshow/support

In this special double-length episode (!), modular synth guru Sean Rieger talks to Carla and Brad about the many technical and electronic sound elements that Krautrock artists applied to enrich their music.If you want to know about oscillators, ring modulation, sequencers, analog synths, tape overdubs, and vocoders ...If you're asking what was in Faust's "black boxes" ...If you've ever watched Florian Schneider twiddle knobs on YouTube while simultaneously playing the flute and wondered what he was up to ...Then Sean, who writes and records electronic rock as File Transfer Protocol, is your man.  And ours, too.  Join us for Electronic Music 101 on this Episode 6 of CBK — and be sure to check out Sean's work on Instagram!  

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MARY FARFISA MINI-EPISODE! ‘Mary and Briscoe Discuss John Cage' – Briscoe's listening to one of the records in his vast collection. But there's no SOUND coming out! Mary wants to know why, and Briscoe tells her about the music of composer John Cage. Starring Cara Alboucq and Jim Cheff. ©2017 Jim Cheff, All Rights Reserved.

OK, I know it's not midweek, as I'd promised. But I am back after an unscheduled hiatus, and with any luck I'll be posting more regularly. Patrons, I'll be updating you regularly in the Newsletter (which I swear won't be so much about me, but you're on the journey too and I do appreciate your support). "I Can Help" is one of those songs that managed to come together very quickly for Billy Swan, and it turned into his biggest hit as a songwriter, and his only hit as a performer. One of the things I like about it is the way that it feels like a generic offer of assistance, not unlike Bill Withers' "Lean On Me," and yet at the same time there's a little undercurrent of a guy who's desperate to get out of the Friend Zone ("If your child needs a daddy, I can help."—really?). But on the casual listen you don't really care, because of the way that Farfisa organ just carries you along, like you're in a skating rink and just along for the ride. One of the cool things about Billy Swan, though, is that he really wasn't cut out to be a rock star. He greatly preferred being the sideman. And as soon as all the excitement over "I Can Help" died down, he went beck to playing in Kris Kristofferson's tour band. Part of that, he thinks, is because he was never comfortable having to talk in between the songs. If all he had to do was sing, he'd probably be okay. Click here for a transcript of this episode. Click here to become a Patron of the show.

‘THE GIANTS OF GORBLOX FRUMPLESTIK' -- THE MARY FARFISA AUDIO MOVIE, PART FOURThis is it! The final chapter of the Mary Farfisa Audio Movie!Imagine a planet covered with useless inventions … manufactured by giant robots that can make any product -– as long as it doesn't work!It's the planet Gorblox Frumplestik! And Mary's parents are being held captive there by those pointlessly productive giant robots. Can Mary and her friends free Mary's mom and dad, now that she's found them? Join Mary, Briscoe, Orbit Annie, Harmonia and WhichWay in the thrilling conclusion to the Mary Farfisa Audio Movie!Written and produced by Jim Cheff. Starring Cara Alboucq, Ansel Andrews, Nancy Andrews, Leslie Baker, Emma Bax, Jim Cheff, Katie King, and April Stalder. ©2022 Jim Cheff, All Rights Reserved. Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheff And, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

‘STICKYTOWN' -- THE MARY FARFISA AUDIO MOVIE, PART THREE: Visit Stickytown – and stick around!Mary's search for her parents comes to a halt when WhichWay the intergalactic starship gets stuck in a giant wad of cosmic bubblegum.They're stuck in Stickytown!Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Emma Bax, Jim Cheff, Katie King, April Stalder. ©2022 Jim Cheff, All Rights Reserved.Episodes posted weekly for the whole four parts of the Mary Farfisa Audio Movie!

‘THE GREAT DISSONANCE' -- THE MARY FARFISA AUDIO MOVIE, PART TWO: Mary Farfisa, Briscoe and Orbit Annie set off to find Mary's parents in WhichWay, the Intergalactic Starship!What strange dangers will they face in the topsy-turvy realm called … The Great Dissonance!Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Emma Bax, Jim Cheff, , Katie King, April Stalder. ©2022 Jim Cheff, All Rights Reserved.Episodes posted weekly for the whole four parts of the Mary Farfisa Audio Movie!

‘MOONSTOCK' -- THE MARY FARFISA AUDIO MOVIE, PART ONE: Remember way back in episode four, when Mary's parents got shot off into the Cosmos by their invention, the Inspirophone?(If you don't, listen to Episode Four, ‘The Ballad of Mary Farfisa'!) ‘Moonstock' is the first part of a four-part adventure that tells of Mary's search for her mom and dad in a mysterious region of the Universe called The Great Dissonance! Will she find them? It all starts at a rock concert on THE MOON (Blasé Koolkatt's THE MOON. People start getting weird transmissions in their heads – transmissions meant for Mary Farfisa!Starring Cara Alboucq, Leslie Baker, Jim Cheff, Antara Hunter, Katie King, April Stalder. ©2022 Jim Cheff, All Rights Reserved.Episodes posted weekly for the whole four parts of the Mary Farfisa Audio Movie!

US, OR ICE CREAM – Will Handyman How and Jayne Sarrah! be able to thwart the plans of two giant ice cream cones with a yen for world domination? And, more importantly, why doesn't Jayne Sarrah! have her own theme song? A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Frank Furtado, Bekah Coe, Lisa Coe, James Hasapis, Ivan King, and Katie King as Jayne Sarrah! ©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

THE SOLAR HEATHCLIFFE - What happens when a rare and wildly-anticipated Cosmic Event ... gets stage fright? Find out in today's episode! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Leslie Baker, Jim Cheff, Miranda Marie and Tim Young. Featuring a song by Tim Young "Let It Out!" This Mary Farfisa adventure is ©2017 by Jim Cheff, all rights reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

Al answers questions about playing the Farfisa organ, arriving in a wheelchair at the Central Park Blues Project Reunion, and would he play live on Zoom. As always, after each of Al's answers, Nilly the dog adds a brief comment.

Nell'80, a ventun anni, Narciso Tchiss Lopes lascia il Capo Verde per il Portogallo, dove spera di essere ingaggiato da una delle importanti squadre di calcio del paeso. Ma dopo pochissimo è a Roma, e a Civitavecchia si imbarca su un mercantile greco, lavorando come marinaio e nel giro di un anno toccando porti del Nord Europa, dell'Africa e del Brasile. Tornato nell'81 a Roma, viene ingaggiato come chitarrista da un gruppo capoverdiano, e negli anni successivi registra a Sutri, in provincia di Viterbo, due album personali. Il secondo, Jà Bo Corre D'Mim, inciso nel '94, con Tchiss come cantante e organista, ebbe all'epoca una circolazione non sono nelle comunità capoverdiane in Italia, e un brano è stato inserito nella raccolta Space Echo, dedicata dalla Analog Africa al filone di musica capoverdiana che negli anni settanta e ottanta adottò suoni non acustici e nuove strumentazioni, a cominciare da tastiere come Farfisa, Rhodes, Korg e Moog. Adesso l'etichetta milanese Arabusta Records ha avuto la bella idea di ristampare - in vinile, cd e digitale - questo album doppiamente pionieristico: come esempio dei nuovi trend della musica capoverdiana di allora, e come precoce caso di musica africana incisa in Italia.

Nell'80, a ventun anni, Narciso Tchiss Lopes lascia il Capo Verde per il Portogallo, dove spera di essere ingaggiato da una delle importanti squadre di calcio del paeso. Ma dopo pochissimo è a Roma, e a Civitavecchia si imbarca su un mercantile greco, lavorando come marinaio e nel giro di un anno toccando porti del Nord Europa, dell'Africa e del Brasile. Tornato nell'81 a Roma, viene ingaggiato come chitarrista da un gruppo capoverdiano, e negli anni successivi registra a Sutri, in provincia di Viterbo, due album personali. Il secondo, Jà Bo Corre D'Mim, inciso nel '94, con Tchiss come cantante e organista, ebbe all'epoca una circolazione non sono nelle comunità capoverdiane in Italia, e un brano è stato inserito nella raccolta Space Echo, dedicata dalla Analog Africa al filone di musica capoverdiana che negli anni settanta e ottanta adottò suoni non acustici e nuove strumentazioni, a cominciare da tastiere come Farfisa, Rhodes, Korg e Moog. Adesso l'etichetta milanese Arabusta Records ha avuto la bella idea di ristampare - in vinile, cd e digitale - questo album doppiamente pionieristico: come esempio dei nuovi trend della musica capoverdiana di allora, e come precoce caso di musica africana incisa in Italia.

Empezamos escuchando Cirice, el primer single del disco Meliora. Como en otros temas de Ghost este originalmente se penso para ser intro de otro. Debierón ver que tenía entidad propia y se partio en dos, dando como fruto a Cirice y a Devil Church. Es uno de los grandes temas de la banda. El yotuber Shauntrack tiene un video donde lo analiza. Muy interesante si quieres ir un poco más allá. Hablemos del disco de Ghost Meliora del 2015 ganador de un Grammy en 2016 por la mejor interpretación metal. Tercer disco de la banda después del Opus Eponymous del 2010 y Infestissuman del 2013. Ya veis que les dio por el latín. Es un rasgo más de la temática del grupo. Al igual que los dos discos anteriores, en los que trataban de la llegada del anticristo en uno y el Segundo trata de su presencia ya entre la población, Meliora se centra en la ausencia de dios. De la banda en el momento de la publicación se sabía bien poco, básicamente que son suecos, que el frontman cambia en cada disco siendo el de este el Papa Emeritus III el cual lleva un maquillaje que lo hace irreconocible y los músicos los Nameless Gouls, únicamente identificados por un símbolo en su vestimenta y siempre con máscaras tapándoles la cara. Si no los conocéis ya solo por esto os podéis imaginar que es una banda con una estética muy peculiar. Ghost es una herramienta de una iglesia satánica muy peculiar para conseguir más fieles y difundir su mensaje. De un papa a otro siempre hay cambios y con el Papa Emeritus III, tenemos un papa más elegante, que en muchas ocasiones deja de lado la miltra que es el gorro este tan peculiar que llevan los papas y las típicas túnicas y lo cambia por el frac además lleva el pelo peinado hacia atrás y engominado. Bastante menos solemne que los dos anteriores, más cercano y seductor. Y que es capaz de sacar en una actuación un pito de carnaval y tocar la melodía de un tema con él. Un gran cambio para la gira posterior del disco y además le va como anillo al dedo al álbum. Que yo diría que en esta ocasión va en general más hacia la luz que hacia la oscuridad. En el último concierto de la gira PopeStar en medio del directo, subieron unos tipos y se lo llevaron. Papa Nihil aparece en el escenario con la garrota y el oxígeno para explicar a los fieles que Emeritus III no había cumplido con las expectativas. Se paso de egocéntrico. Pinchemos ahora From the Pinnacle to the Pit, que hablando de todo un poco si veis el videoclip y la portada del disco os recordara a la película Metrópolis y al cine alemán de los años 20. Ghost coge un poco de todos lados y en lo estético también. Ya hacía tiempo que se rumoreaba que detrás de la banda estaba el músico Tobias Forge, pero a principios del 2017 se confirmo. Tobias fue demandado por cuatro Nameless Gouls por una disputa sobre las ganancias. Se destaparon identidades y acusaron a Tobias de tener un proyecto en solitario con músicos a sueldo y no una banda. Ghost has sabido jugar bien con el anonimato y le ha dado mucho juego. Hubo un momento de la carrera de Ghost en el que se llego a decir que el Nameless Gouls que tocaba la batería era Dave Grohl de los Foo Fighters. A saber, desde luego contacto con la banda tuvo ya que grabaron en sus estudios un EP en el 2013 Yo también diría que es un proyecto y no una banda. Ya hemos oído dos canciones y ahora viene la tercera. Ya os podéis hacer a la idea de que esto no es Black Metal precisamente, la voz de Tobias es muy pop y habéis podido apreciar influencias de todo tipo. Esta de Majesty tiene una clara base roquera. Ghost es un proyecto integral de rock. Un culebrón con argumentos que pasan de disco a disco, en actuaciones de sus giras, videoclips y entrevistas y rematan con capítulos en youtube. Así te enteras que el Papa Nihil que es el que toca el saxofón en la última gira es el primer papa de todos. Que tuvo un romance de joven con Sister Imperator que es la que realmente manda en la iglesia. Gracia al video-clip the Kiss the Go-goat también puedes deducir que en los 60’s estos tuvieron un romance y supuestamente ella se quedo embarazada de un niño que podría ser el Cardenal copia. He is es un descarte del disco anterior, que es de estrañar por la calidad que tiene el tema que además se edito como single. Una canción bella si no se le da muchas vueltas a la letra. Su historia es curiosa. En 2015 Tobias se enzarza en la creación de una canción. Ve un cambo de rumbo en su vertiente creativa y con la ayuda de un compañero graban este tema y dos más. Poco despues los cuelga en myspace y le llueven ofertas. En 2010 publican el primer disco y ya talonean de salida a grandes bandas. Y pudimos ver a James Hetfield de Metallica con una camiseta de ellos al igual que Phill Anselmo de Down y Ex Pantera que además subió a tres componentes de Ghost en un festival a tocar un tema con Down. Al iniciar tan fuerte, ser anonimos y codearse con estos personajes hubo rumores de todo tipo. Mummy Dust es el tema más jevilon del álbum. No olvidemos que los componentes de Ghost son Suecos y muchos provienen de bandas de Black y Death Metal. Tobias Forges tiene muchísimas influencias musicales pero venia de hacer de guitarra en la banda de Death Metal Repugnant. Curioso que en este tema el solo es de teclado. La letra en el fondo es una crítica hacia como la sociedad adora el dinero como si de una divinidad se tratase. Lo que hace Ghost no es nada nuevo, ya lo hicierón otros antes pero se nutre de tantas cosas y es tan evolutivo que ya llevan más de 10 años creciendo. Lo hacen muuuuy bien. En lo musical se les ha comparado con bandas oscuras de finales de los sesenta-principio de los 70 como Coven, Black Sabbath, Pentagram y Blue Oyster Cult. Podemos encontrar ritmicas del heavy ochentero, riff zeppelianos, sonidos que recuerdan al teclado Farfisa de los Doors como en su single del 2019 Kiss th go-goat, atmosferas grunges stonianas que recuerdan a Alice in Chains, la cadencia del doom metal, desarrollo de canciones con olorcillo a los primeros Queen o al Tecnical Ecstasi de Black Sabbath de finales de los 70’s. Hay de todo y en la faceta escenica pues igual... King Diamond o los Mercifull Fate, Alice Cooper, Kiss. Si tienen hasta temas bailables, Kiss tienen el I Was Made For Lovin You y Ghost el Dance Macabre. Cada oyente sacara parecidos diferentes.

SUMMER WON'T GO – Summer is great! But what happens when Summer … wants to last the whole year? Mary is visiting the Inflatable Forest when she meets Summer Tall. Summer's a very nice girl --except she refuses to make way for Fall, Winter, and Spring when her time is up. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Andra Henderson, Katie King, and Miranda Marie. Mary Farfisa and all her radio adventures are ©2017 by Jim Cheff, all rights reserved.

A VISIT TO MUSIC TOGETHER - Mary Farfisa and Briscoe the Space-horse visit a Music Together class in Flagstaff, Arizona, on the planet Earth! There's lots of fun songs and music in this one!Music Together is an early childhood music and movement program for children from birth through age eight. Parents curious about Music Together should definitely listen to this episode!Special thanks to Rhea Stevenson, director of Flagstaff Music Together, and Alisa Ashley, the teacher of the class they looked in on. And extra-special thanks to the kids and parents of Miss Alisa's Thursday evening class! (Music Together songs are the property of Music Together and copyright by them.) flagstaffmusic.com (A children's radio show written and produced by Jim Cheff. Starring Cara Alboucq and Jim Cheff. Mary Farfisa and this Mary Farfisa's Outer Space Radio Theater episode is copyright 2017 by Jim Cheff, all rights reserved.)

THE GIANT'S GUITAR – Mary and Briscoe head to the High Seas to rescue the lost lost guitar of Near-Sighted John Jumbo, the Blues Giant. Will they find it at the bottom of the Sea? And – since Near-Sighted John really WAS a giant – will they be able to haul it back up to the surface? On the way, Briscoe tells Mary the life story of the legendary guitar player's life. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Terry Alan, Jim Cheff, Bonnie Dumdei, Miranda Marie, Bernie Poshpishel, and Jayden Robin. Original music by Terry Alan.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

THE DOOMED & STONED SHOW ~Season 7, Episode 29~ Just in time for the weekend! Here's the latest episode of The Doomed & Stoned Show, wherein we explore the latest album rankings on the Doom Charts and share our favorite songs from the lot. Your weekly fix of heavy is here!

A RIVER IN SPACE - While exploring a river in Outer Space, Mary and Briscoe visit a Nursing Home for Fading Stars. Mary meets a very old Sun that can no longer shine. He's cooled off, and all the planets that once orbited him have all moved away. Can Mary help? Written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Jim Cheff, Bill Culbertson, Kris Culbertson, Miranda Marie, and Anne Slobodchikoff . Music by Cara Alboucq, Terry Alan, Jim Cheff, George and Joyce Clark, Miranda Marie, and Anne Slobodchikoff. ©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

THE DREAM BOAT - The flying 'Dream Boat' has hit a cloud-berg, and its cargo of musical dreams are escaping. Captain Slumber and his First Mate, Jollypop, ask Mary and Briscoe to help. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Bill Culbertson, Kris Culbertson, and Miranda Marie . Acoustic guitar music written and performed by Terry Alan. Theme song by Cara Alboucq. ©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

NYC rocker LORNE BEHRMAN, the singer-songwriter-guitarist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things, today has shared the video for “Sandcastles.” It's a tense and urgent rocker marked by an ominous guitar riff, spooky Farfisa organ and chilling lyrics about the effects of childhood sexual abuse (“What was done to me was done to you, I know/You're just the messenger, I know”). “Sandcastles” marks the second release from LORNE's debut solo EP WHEN I HIT THE FLOOR that's due October 15 on Spaghetty Town Records. This episode is proudly brought to you by: Betterhelp : https://www.betterhelp.com/sipod for 10% off Mack Weldon: https://www.mackweldon.com/suckit Promo Code "SUCKIT" for 20% off! Raycon: https://www.buyraycon.com/suckit For 15% off! Everyplate: https://www.everyplate.com Code "suckit199" for $1.99 Meals! www.theblackrosemedia.com Follow me: https://www.instagram.com/theblackrosemedia https://www.instagram.com/suckitpodcast https://www.facebook.com/suckitpodcast Black Rose Media | Facebook --- Send in a voice message: https://anchor.fm/thedarksideofmusic/message Support this podcast: https://anchor.fm/thedarksideofmusic/support

Mammoth Monday for September 27, 2021 http://doomtombpodcast.com ***** LLNN: https://llnn.bandcamp.com Mastiff: https://mastiffhchc.bandcamp.com High Desert Queen: https://ripplemusic.bandcamp.com/album/secrets-of-the-black-moon Farfisa: https://farfisaband.bandcamp.com/album/g-nger Giobia: https://giobiagiobia.bandcamp.com/music https://heavypsychsoundsrecords.bandcamp.com/album/gi-bia-the-cosmic-dead-the-intergalactic-connection-exploring-the-sideral-remote-hyperspace   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first order ! https://www.samsahouse.com/discount/sahousetomb     ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** And even more Social Media: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Buy Stuff : https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Hit us up! ***** STAY HEAVY !!!!

Chicken Ranch Records was founded by Mike Dickinson in Ruston, LA in 1994. The label's initial purpose was to release albums by the Habitual Sex Offenders, a sarcastic punk rock combo he was drumming for."We basically just wanted to put out a record with our name on it," Dickinson says. "Then it became a real label."Dickinson first moved to Austin in 1996 but lived in Nashville from 2000 to 2004. It was there that he discovered the Clutters, a Farfisa-fueled garage rock quartet that's become one of Chicken Ranch's flagship acts along with Georgia-bred garage stalwarts the Woggles. The label's also tapped local bands like Jesus Christ Superfly and Automusik. Chicken Ranch's aesthetic has expanded to include Mr. Lewis & the Funeral 5's 21st century cabaret, as well as the gothic bluegrass soundscapes of Starlings, TN."I tend to gravitate toward eclectic music," Dickinson says. "I like bands that aren't afraid to do their own thing."https://store.chickenranchrecords.com/Host - Trey Mitchelltreymitchellphotography IG and FBfeeding_the_senses_unsensored on IG and FBFor Sponsorship Information or Questions -  ftsunashville@gmail.comTheme Song - Damien HorneTake It From Me @damienhorne

THE CHOCOLATE COVERED ROCKET - Mary meets a Chocolate Covered Rocket in Outer Space. As it hides from a gang of hungry star-piglets, the Rocket tells Mary the story of the Candy King. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Jim Cheff, Bill Culbertson, Miranda Marie and Tim Young. Acoustic guitar music written and performed by Terry Alan. ©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

During the Civil Rights Era how were Latino rhythms marketed to a popular audience? Free market capitalism popularized Latino music to the general record buying public and two styles in particular arose during the classic pop era. Latino rock is rock music performed by Mexican American groups or music with themes derived from it's culture. Latino rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use any specific Latin instruments or sounds. The sub genre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.Please consider buying "La Bamba" by Richie Valens and other great examples of Latino Rock!

We are so pleased to share this first episode from this incredible, utterly beautiful, fun radio play story series, Mary Farfisa's Outer Space Radio Theater. Mary Farfisa is an eight-year-old space-girl who travels the Galaxies on her space-horse, Briscoe. She goes from planet to planet, searching for “songs and sounds and music and noise” to share with the rest of the Universe. Mary catches the songs and sounds and music and noise in her “audio lasso.” Then she brings them to the Listener's Library — an intergalactic collection of sounds, curated by music-loving super-beings called the “Listeners.” Over the season, you get to know quite a few endearing, exciting, and clever characters. Parents will appreciate the beautiful music, high audio quality, and refreshing dash of humor in the characters and dialogue.Episode 1: THE SOUND STEALER - Mary Farfisa and her space-horse Briscoe visit Bazorbabill, where all of the sounds things make are mysteriously disappearing. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Isaac Andrews, Jim Cheff, Katie King, Cheryl Love, Fernando Aguirre, Ariyah Ockenfels, and McKenna Robin. ©2017 Jim Cheff, All Rights ReservedSee Mary & Briscoe on Bazorbabill here: https://www.facebook.com/maryfarfisa/photos/a.1679756878973097/3004247976523974/See more of Jim Cheff's wonderful Mary Farfisa art here: https://jimcheff.portfoliobox.net/maryfarfisaartworkThis podcast is a fellow member show in the wonderful organization we belong to dedicated to high-quality audio for families called Kids Listen. You can also read more about Mary Farfisa and how the show came to be by reading this article by our own Mom Slice: https://medium.com/kidslisten/get-to-know-a-show-mary-farfisas-outer-space-radio-theater-569980d64210Support the show (https://www.patreon.com/powerdogadventures)

SCENT OF THE STAR-DODO – Jayne Sarrah! found out where she came from … and she's NOT happy about it! Mary Farfisa thinks going to a Skunkmustache concert on the planet Holjernozia will cheer up the irritable ex-assistant of Handyman How. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Emma Bax, Jim Cheff, Bill Culbertson, Katie King and April Stalder.©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd, check out the Mary Farfisa music album “SONGS AND SOUNDS AND MUSIC AND NOISE.” All your favorite songs from the Mary Farfisa show!And don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, and leave a message for Mary and Briscoe!

Briscoe, Mary Farfisa's space horse friend, has come to visit me because apparently I have some sounds from Mary's Outer Space Library that are overdue! In this episode you'll get to meet the creator of Mary Farfisa's Outer Space Radio Theater, Jim Cheff and you'll also get to hear all sorts of music and noise from his show...and as always, we have a couple of Buttons & Figs kids who will show you ways to wordplay! Links to Jim Cheff's comics and show: Mary Farfisa's Music Album - https://maryfarfisasouterspaceradiotheater.bandcamp.com/album/songs-and-sounds-and-music-and-noise Coloring Books and more - https://www.facebook.com/maryfarfisa Mary Farfisa Comics - https://tapas.io/jimcheff Crater Community Radio - https://craterradio.com/about-mary-farfisa/ Kids Listen - https://app.kidslisten.org/ Thanks to Buttons & Figs kids - Chloe (11) and Sydnee (7)

THE EMPTY EGGS OF EMBRIOS – Mary's “frenemy” Jayne Sarrah! steers the Toolbox beyond the Wall of Sleep, in search of her origins. But Handyman How is hot on her trail, determined to stop her! Can Mary stall him long enough for Jayne Sarrah! to complete her quest? And why is a whole planet laughing at Briscoe? A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Leslie Baker, Jim Cheff, Bill Culbertson, Kris Culbertson, James Hasapis, and Katie King as Jayne Sarrah! ©2017 Jim Cheff, All Rights Reserved.Hey, Mary Farfisa fans! Did you know that you can read tons of Mary Farfisa COMIC STRIPS, online, for free? Go to tapas.io/jimcheffAnd don't forget to visit us on Facebook! facebook.com/maryfarfisa Give us a thumbs up, see posters and drawings, or, leave a message for Mary and Briscoe!

THE MUSIC POLICE – Mary and Briscoe travel to the planet Bubbellopilla. Their assignment is to capture a lost recital by the now-famous musician, Chartreuse Pinkley, in her student days. But are Mary and Briscoe risking being captured themselves … by the Music Police? A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Jim Cheff, Bill Culbertson, Kris Culbertson, Katie King and April Stalder. ©2017 Jim Cheff, All Rights Reserved.

TIME OUT! - The perky Mary Farfisa and the petulant Jayne Sarrah! are forced to endure each other's company in this interstellar tale of mistaken identity. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Leslie Baker, Jim Cheff, Emma Bax and Katie King. ©2017 Jim Cheff, All Rights Reserved.

MERRY THANKSALOTSMAS AND HAPPY GIFTSGIVING - It's the Holiday Season in Outer Space! Mary and her friends visit the Inflatable Forest, to await the arrival of the Giftsgiving Tree. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Ivan King, Anna Shockey and April Stalder. ©2017 Jim Cheff, All Rights Reserved.

PLANET WHICHWAY - Mary comes down with a case of the Mungoolian Measles -- and it's up to Briscoe, Orbit Annie, and Harmonia to find her a space-doctor! Their search takes them to a very surprising place. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Isaac Andrews, Leslie Baker, Emma Bax, Jim Cheff, and April Stalder. Featuring "Smile," an original song written and performed by Emma Bax. ©2017 Jim Cheff, All Rights Reserved.

Episode 47 The French Love Their Synthesizers Playlist Roger Roger (Cecil Leuter), “Duetto (La Concierge Et Le Monsieur Du Premier)” and “Rondeau Cucu” from Musique Idiote (1970 Neuilly). I believe this is the first library music record that he composed for Moog Modular synthesizer. The tunes are pretty simple, either one track or two tracks recorded in a multitracked sequence. 1:33 and 1:41 Jean-Pierre Ferland, “It Ain't Fair” from ‎Jaune (1970 Barclay). This song has English lyrics on an album that includes tunes in both French and English. This album was recorded in Montreal during the early days of synthesizer use at Andre Perry's studio. Perry's uncredited Moog Modular synthesizer adds little touches throughout, especially on this song. Ferland was a widely popular French-Canadian singer/songwriter. 2:03 Heldon, “Zind” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 2:18 Heldon, “Back to Heldon” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 8:31 Heldon, “Ouais, Marchais, Mieux Qu'en 68 (Ex : Le Voyageur)” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 4:22 Philippe Grancher, “Birds, Birds” from 3000 Miles Away (1975 PÔLE 0014). Composed, Arranged by, Piano, Electric Piano, Synthesizer (String Ensemble), Mellotron, Organ, Effects, Philippe Grancher; Synthesizer, Jean-Louis Rizet; Bass, Gérard Bouquin; Drums – Pascal X; Electric Guitar, Arnaud Chevalier. 8:27 Henri Roger, “‎Asyle Cosmique” from Images...(1975 Pôle Records). Composed and performed by, instruments, Mini Korg Synthesizer, Elka Rhapsodie, Yamaha YC 45 D organ, Electric Guitar, Henri Roger. 10:25 Michel Madore, "Stanley” from Le Komuso À Cordes (1976 Barclay). Another product of Montreal. Guitar, Keyboards, Synthesizer, Piano, Cimbalom [Cymbalom], Ocarina, Producer, Arranged By, Written-By, Michel Madore; Drums, Tubular Bells, Gong, Percussion, Mathieu Léger; Electric Bass, Contrabass, Errol Walters; Electric Piano, Piano, Phillippe Beck; Saxophone, Synthesizer, Ocarina, Percussion, Arranged By, Ron Proby. 3:52 Space Art, “Psychosomatique,” from Trip In The Center Head (1977 IF Records). Music by Dominique Perrier, Roger Rizzitelli playing the following Instruments: Polymoog, Minimoog, Hammond Organ, Fender Piano, Piano, Drums, Clavinette, Arp Odyssey, Eminent, Violon électrique Flanger, Guitare électrique, Vibraphone, Bell-Trees, Gong, Timbales, Grosse caisse symphonique, Korg, Mellotron. 10:38 Jean Michel Jarre, "Oxygène Parts 1, 2, 3” from Oxygène (1977 Polydor). Composed By, Producer, ARP Odyssey synthesizer, EMS A.K.S. and V.C.S. 3 Synthesizers, R.M.I. Harmonic synthesizer, Farfisa organ, Eminent organ, Mellotron, Rhythmin' Computer, Jean-Michel Jarre. 18:41 Clearlight, “Spirale D'Amour” from Visions (1978 Polydor). Arranged by Clearlight, Cyrille Verdeaux; Bass, Philippe Melkonian; Drums, Percussion, Jacky Bouladoux; Electric Bottleneck Guitar Cosmique, Christian Boule; Flute, Tenor Saxophone, Soprano Saxophone, Didier Malherbe; Grand Piano, ARP Odyssey Synthesizer, Gong, produced by Cyrille Verdeaux; Synth Programmed by Francis Mandin; Minimoog Synthesizer, Luc Plouton; Violin, Bass Violin, Didier Lockwood. 7:33 Richard Pinhas, “Iceland Parts 1 and 2” from Iceland (1979 Polydor). Composed By, Performed By, Electronics, Guitar, Richard Pinhas. Pinhas was also a member of Heldon, whose music combined rock and electronic. 10:43 Tai Phong, “Thirteenth Space” from Last Flight (1979 Warner Brothers). Piano, (Acoustic, Electric), Synthesizer, Celesta, written by Pascal Wuthrich and Michaël Jones; Drums, Stephan Caussarieu; Engineer, Khanh; Guitar, Bass, Vocals, Michaël Jones. 4:56 Tai Phong, “Last Flight” from Last Flight (1979 Warner Brothers). Piano (Acoustic, Electric), Moog Synthesizer. EML synthesizer, Pascal Wuthrich; Vocals, Electric Guitar, and written by, Khanh; Drums, Stephan Caussarieu; Engineer, Khanh; Guitar, Bass, Vocals, Michaël Jones. 9:58 Szajner, “Brute Reason” from Brute Reason (1983 Island). Composed By electronics, keyboards, Bernard Szajner; Bass, Felipe Maujardo; Drums, Kirt Rust. Guitar, Xavier Geronimi; Saxophone, Schroeder; Vocals, Percussion, Joji Hirota. Szajner is also the man who invented the laser harp, used by Jarre in performance. 5:18   Background music: Space Art, “Speedway,” from Trip In The Center Head (1977 IF Records). Music by Dominique Perrier, Roger Rizzitelli playing the following Instruments: Polymoog, Minimoog, Hammond Organ, Fender Piano, Piano, Drums, Clavinette, Arp Odyssey, Eminent, Violon électrique Flanger, Guitare électrique, Vibraphone, Bell-Trees, Gong, Timbales, Grosse caisse symphonique, Korg, Mellotron. 2:54 Szajner, “Without Leaving” from Brute Reason (1983 Island). Composed By electronics, keyboards, Bernard Szajner; Bass, Felipe Maujardo; Drums, Kirt Rust. 3:46 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Disco de estreno. Lo publica la etiqueta Midnight Cruiser (conexión con Subsonics) y es una colección de diez temas que no pueden ser más adictivos. Entre Rocío (conexión con el mundo noventero, aquí, en España, de Nitros, Los Imposibles o Animal records) y Matt (Madder Rose o Jon Spencer) han tejido una colección de diez temas que saben a poco. El avance fue la inquietante "Starr" y luego han seguido apareciendo singles (el próximo será "Dear boy"). Establecimos comunicación telefónica con Rocío, la mitad del dúo, y nos contó detalles de cómo pasaron por el estudio cercano a su casa de Nueva York un buen montón de músicos de la escena cercana a sus coordenadas musicales que dejaron su muestra en el disco que estaban grabando. A finales de este mes hay una fiesta de presentación del álbum que se llama como el proyecto (Disturbios) y que encierra en su denominación un toque punk. El paseo por ese vinilo (de color rosa chicle) nos lleva a sumergirnos hay teclados de todos los colores: Farfisa, Wuelitzer, piano, ramalazo surfero...) en sonidos de otras décadas pero pasados por el tamiz propio de sus protagonistas. Noticia del día es que Noel Gallagher (que estuvo en el "This morning" de CBS anteayer) planea hacer un tour acústico (quizás con orquesta) de canciones de Oasis yno quiere mezclarlo con el hoy de sus temas con High Flying Birds. Novedad internacional es el rescate con motivo del 25º aniversario de la película "She´s the one" con Tom Petty and the Heartbreakers. Por su parte Rick Treffers (holandés-valenciano) suelta un tema de "Looking for a place to stay") con sabor a la magia que provoca una canción. Por su lado, Christina Rosenvinge compuso dos canciones nuevas que acompañaran a su vuelta al cine como actriz en "Karen". J´Aime nos sorprende con una edición en cassette (apenas 50 unidades) de "Seis versiones" desempolvando el viejo Tascam y las cuatro pistas. Como muestra la lectura de un tema de 1969 de Charlie McCoy. Stereoskop nos dejan ver un tema que conocerá dos remezclas de ese "Silk" que saldrá con la etiqueta Reptile Music. ....Y muchas gracias por tanta muestra de afecto. Hasta he recibido email de Amelia Fletcher, lo que nos dio pie a rescatar aquella histórica g.a.t.o. noventera de Heavenly. Escuchar audio

THE INFLATABLE FOREST - Mary visits the Inflatable Forest. All of its inhabitants -- elves, goblins, fairies, giants, trolls, wizards and dragons -- are getting ready for Halloween. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Katie King, April Stalder and Kristian Wale. Featuring a song by Anne Slobodchikoff. ©2017 Jim Cheff, All Rights Reserved.

Mats Strömberg, mannen som enligt sig själv bara spelar blues, inte helt sant. --- Send in a voice message: https://anchor.fm/frank-sju00f6stru00f6m/message

JOYRIDE – Handyman How asks Mary and Briscoe for help when his smart (but bratty) assistant Jayne Sarrah! runs off with the Toolbox. They set out to get the amazing vehicle, and Jayne Sarrah!, back. Naturally, they wind up trapped on a planet of robot ballerina baboons. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Jim Cheff, James Hasapis, and Katie King. ©2017 Jim Cheff, All Rights Reserved.

SLUDGE, SPARKLE, MAGIC, GO! – On Murkel's first day in Mrs. Menlo's class, the other space-kids make fun of her. But Mary Farfisa wants to get to know the sludgy newcomer. When Murkel invites Mary to come home with her after school, Mary finds out that Murkel has a BIG secret! Written and produced by Jim Cheff. Starring Cara Alboucq, , Nancy Andrews, Leslie Baker, Cat Black, Jim Cheff and April Stalder. ©2019 Jim Cheff, All Rights Reserved.

MARY GOES TO SCHOOL - Mary Farfisa is terrified when she finds out she has to go to School. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Isaac Andrews, Nancy Andrews, Leslie Baker, Jim Cheff, Katie King, April Stalder and Jag Thacker, featuring music by Tim Young. ©2017 Jim Cheff, All Rights Reserved.

Colección de fotos de una sesión en 1994 meses antes de la muerte de Kurt Cobain. Serán subastadas en NFt entre el 3 y el 7 de mayo. Le dio al click Jesse Frohman y hay más de un centenar entre imágenes, polaroids y contactos y por supuesto son instantáneas nunca vistas antes. Justo a continuación hemos escuchado al compañero en Nirvana Dave Grohl cantando con su hija Violet un tema del grupo X que forma parte del documental "What drive us". Fue en la tele hace dos días en la tele con Jimmy Kimmel. Recuerdo de la música Anita Lane que estuvo detrás de las aventuras de Brithday Party, primero, y las Bad Seeds de Nick Cave por su relación personal que comenzó a finales de los años 70´s. Sonaron dos temas (uno y uno) de cada una de las dos formaciones en donde de una forma u otra aparecía implicada en los créditos la artista fallecida. Novedad internacional en la canción que tiene fuente de inspiración el movimiento Black Lives Matter en el proyecto de Billy y Charlotte, The Subways. Además, Ben Watt revisa alguna de las canciones de su disco pasado "Storm damage" y alguna otra pieza más apenas con piano y voz. Reedición de nuevo de trabajos de la banda alemana Alphaville. En este caso se trata de su segundo y tercer disco ("afternoons in Utopia" y "The breathtaking blue") tras el éxito de la recuperación de "Forever young". Un placer conocer las aventuras musicales lejos de nuestro país de quien fuera componente de Los Nitros y Los imposibles y formara parte de la etiqueta independiente Animal Records. Ahora Rocío (ese Farfisa surfero que es seña de identidad) transformada en Roxy Verta-Ray nos ofrece el estreno de su nueva banda junto a Matt (Madder Rose y Heavy Trash). Atentos a lo que es el primer anticipo de Disturbios. También es grato seguir al tanto de la nueva vida de quienes eran Exsonvaldes y hoy son Ravages con el último anticipo del EP que viene. Novedades de aquí son otra canción más de la "Alianza atlántica" de Los Pilotos (esta vez con Werte, desde Argentina); el miniálbum de Radio Cherry desde Valencia y otra canción más (le acompaña su pareja Patricia) del retorno de Luis Alberto con L. A: La recta final fue con nuevo single de Jessie Ware para la edición deluxe de "What´s your pleasure" y con la noticia de que Florence Welch está escribiendo música para un libro que la marcó ("El gran Gatsby") para una adaptación en Broadway. Escuchar audio

NOVICE DANCER ON THE STREAMS OF TIME – Part Two of ‘The Marvelous Music Box of Moxo Boxo.' Mary and her companions must journey back in Time to stop the Big Nothing. It's up to Whichway and D.J. Tyme to get them there! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq as Mary Farfisa. Also starring Isaac Andrews, Nancy Andrews, Leslie Baker, Jim Cheff, James Hasapis, Katie King, Hunter E. Redday, April Stalder and Tim Stokes. ©2017 Jim Cheff, All Rights Reserved.

THE MARVELOUS MUSIC BOX OF MOXO BOXO – The mystery of a slowly vanishing planet called Moxo Boxo results in the reappearance of an old friend … and the arrival, perhaps, of a new enemy! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq as Mary Farfisa. Also starring Leslie Baker, Jim Cheff, James Hasapis, Katie King, April Stalder and Tim Stokes. ©2017 Jim Cheff, All Rights Reserved.

BLASÉ KOOLKATT – Mary Farfisa's friend, Blasé Koolkatt, is a beatnik cat-girl from the Moon. Can she keep her cool when Mommy-O demands that she clean her room? Blasé flies to Outer Space, on her rocket-powered guitar, to ask three constellations – the Star Owl, the Celestial Snake, and Hobo Tom – what she should do. A children's radio series written and produced by Jim Cheff. Starring Katie King as Blasé Koolkatt, Cat Black, Jim Cheff, James Hasapis, Anna Shockey, April Stalder, and Sir Tim Stokes. Cara Alboucq will be back next week as Mary Farfisa. ©2017 Jim Cheff, All Rights Reserved.

LULLABY AND GOODNIGHT - Mary explores a fairy tale planet called Nevereverever, where a mysterious lullaby has put everyone to sleep. She also meets the mysterious Handyman How. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Leslie Baker, Jim Cheff, James Hasapis, Katie King, Anna Shockey and April Stalder. ©2017 Jim Cheff, All Rights Reserved.

THE ASTERODEO - Mary Farfisa and Briscoe discover a rodeo in Outer Space – where students rope, ride and catch the musical instruments of their dreams! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Cat Black, Jim Cheff, Marcus Conn-Minister, Ian Robin, Brianna Robin, and Sir Tim Stokes. ©2017 Jim Cheff, All Rights Reserved

The Bad Boys of Rock and Roll. Larry Williams and Arthur Alexander. Farfisa!We go through songs that the Beatles covered from Motown and Rockabilly to Show-tunes. Then we have some Cookies and we grab a Milkshake.

In which the discovery of cool is understood via the form of a Farfisa keyboard and the musical company of two preteen rock musicians. Guest interviewee is Marc Blam, the first guitarist welcomed to the finished basement of my suburban Long Island home in 1967. Spoiler alert: two old guys reminiscing. A playlist of relevant music is here:https://music.youtube.com/playlist?list=PL2yLgS45YaWhVXz0IC18jTM3qA0oTm5jt

Briscoe's overdue library book unleashes the wrath of the Krone Brezheen – five fearsome knights who ride robot sharks, and punish those who abuse their library privileges! Can Mary and Briscoe return the book, before the Krone Brezheen find them? A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Isaac Andrews, Nancy Andrews, Leslie Baker, Jim Cheff, Katie King, Anna Shockey and April Stalder. ©2017 Jim Cheff, All Rights Reserved.

THE BALLAD OF MARY FARFISA - Briscoe tells the story of how Mary Farfisa became an audio wrangler, after her parents are accidentally lost somewhere amongst the stars. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Ansel Andrews, Leslie Baker, Jim Cheff, and April Stalder. ©2017 Jim Cheff, All Rights Reserved.

INTO THE UNEXPECTED! – Mary Farfisa and Briscoe go to three different worlds, and find the unexpected on each of them! They search for a musical instrument called the Padiddywhistle … they hunt down the lingering sounds of long-vanished dinosaurs … and they answer a cry for help on a planet of living bells. A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Leslie Baker, Jim Cheff, and Katie King. ©2017 Jim Cheff, All Rights Reserved.

THE STARDUST STORM - Mary and Briscoe take shelter in an abandoned spaceship as a huge stardust storm approaches. But … the abandoned spaceship is not quite as abandoned as they thought! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Bill Culbertson, and Katie King. Music by Cara Alboucq, and Jim Cheff. ©2017 Jim Cheff, All Rights Reserved.

1. THE SOUND STEALER - Mary Farfisa and her space-horse Briscoe visit Bazorbabill, where all of the sounds things make are mysteriously disappearing! A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Isaac Andrews, Jim Cheff, Katie King, Cheryl Love, Fernando Aguirre, Ariyah Ockenfels, and McKenna Robin. ©2017 Jim Cheff, All Rights Reserved

KIRTAN ELECTRIC DREAM Kirtan signifie musique intérieure. Ce trio évolue entre rock psyché, garage, post punk et rock indie. Un voyage dans le temps, un retour vers le futur où colère et sensibilité se côtoient incestueusement. La poésie noire des textes (en anglais et en français) trouve son echo dans des compositions habitées. La formation distille une énergie explosive couplée à une envoûtante mélancolie.  Chant entre fragilité et frénésie, guitares entre rêveries entêtantes et chaos (Kirtan Chris), claviers analogiques typés vintage  à la beauté crépusculaire (synthétiseur basse Moog, piano électrique Fender Rhodes et orgue Farfisa) et basse  aux atmosphères hypnotiques (Micka). Enfin, l'ensemble soutenu par une batterie à la fois martelée et puissante  mais aussi tout en finesse (Luca) amène tension et relief à cette pure alchimie rock. Un mélange singulier entre rage et romantisme, entre le Velvet Underground et Gainsbourg,  entre la froideur sombre de Manchester du début des 80s et les hallucinations ensoleillées de San Francisco des 60s. Kirtan Electric Dream a sorti un court-métrage musical très réussi en guise de clip.  A découvrir ci-dessous  Retrouvez KIRTAN ELECTRIC DREAM sur: FACEBOOK YOUTUBE

Ambient Meditations Podcast Vol 10 - Bing & Ruth (David Moore) This week we are joined by Bing & Ruth's David Moore to talk about his new album, inspirations from the California desert, the Farfisa organ, and more. Their new album Species came out on 4AD July 17 (2020) and will mark the fourth album from his shape-shifting modern minimalist/ambient ensemble. Moore's Ambient Meditations mix he has done for us runs almost as a sort of parallel to Species, a cinematic score to man's constant, if not eternal, existential dilemma. Inspired by classic soundtracks, artistic contemplation, and our place in the universe. The mix is expanding, beautiful, and timely in this time of pandemic peril, political strife, and global warming. This one will make you think, feel, and hopefully recalibrate. Enjoy. Tracklist: Gustavo Santaolalla - Tema Amores Perros + Atacama Jefre Cantu-Ledesma - Tracing Back The Radiance Thomas Newman - Angela Undress Chihei Hatakeyama - Alone by the Sea Late Bloomer - Countances Ben Seretan - Shotgun a Cigarette in an Empty Strip Mall Parking Lot

One of the most un-nerving interviews I ever did was with one of the nicest guys in the business - the late Graeme Wright. Listening back to this conversation in 1984, you can tell that I inadvertently caused offence when talking about Farfisa and Bontempi organs. I don't think he ever forgave me! Graeme sadly passed away in 2015 and my broadcasting colleague Alan Ashton recorded a special tribute programme on Organ1st Radio (http://organradio.com/archive/) in Show 96 August 2015. As someone cited on a tribute website: "The guy that taught me to play always maintained Graeme Wright was the best British organist of his generation on the basis of being peerless when it came to making cheap organs sound expensive". How right he was. --- Send in a voice message: https://anchor.fm/communitykeyboards/message

Ethnomusicology When I began Ethnomusicology classes at the University of Minnesota, I realized that I was a living specimen of our studies. Playing with Turkish, Mariachi, Polish and Salsa bands, to name a few, became for me, a bridge to other worlds and cultures, just what we were studying. The first group I played in was a garage/basement band, born on Atwater Avenue just east of Rice St. We instantly become a neighborhood favorite, performing regularly at Rice and Lawson Rec Center as well as numerous weddings and parties along the North End. We were 16, energetic and above all, affordable. Albert, our drummer and lead singer, sounded just like James Brown with a Tex-Mex kick. I played a red Farfisa organ which had a cheezy sharp sound popular in bands of the sixties ( hear Woolly Bully ) and Rob, the guitarist brought up the harmony section with his favorite Rolling Stones chops. My favorite gig the band played was a Romanian-Slovenian wedding. Someone heard us at the Rec center and arranged to hire us. The ceremony took place at Saint Mary’s Romanian Orthodox church behind what is now the Xcel Energy Credit Union at Rice and Atwater, and flowed across Rice into an old storefront that had been cleared out and converted into a party hall. No one in the wedding spoke much english and I knew less Romanian, or Slovenian. As we setup our equipment, a man, dressed in a black suit, who seemed to have some idea of what was going on, approached us. He wore a greyish moustache with a short brimmed Fedora, that floated atop his grey wispy hair. After directing our setup, he pointed to a large cooler of beer on stage left, grinned and made a drinking motion with his hands. We got the idea. As the bride and groom took the floor we waded into a raucous version of Johnny B Goode. We enjoyed it, but reading the faces in the crowd, I could tell the audience wasn’t quite digging the beat. The guy in the Fedora approached us and waved his index finger saying no, no, no. He proceeded to hum a melody, clapping to keep the rhythm, I assumed to be Romanian. We took a few notes at a time and when we had a close approximation he clapped and nodded yes. We played that song for about twenty minutes as the wooden floors buckled and creaked beneath the dancers’ feet. That tune did the trick and it wasn’t long before we wore out the old timers, who were quickly replaced by younger sets of legs.The whole place was swinging to the beat. We played a little rock n roll interspersed with the Romanian melody every few tunes. When the beer was gone, and Albert’s bass drum leg withered, the event was declared complete. The man in the suit presented us with four five dollar bills, smiled and nodded thank you. Everyone went home happy. Since then I have performed in many parts of the world and the things I learned that night have stayed dear to me. I discovered that music is a universal messenger, and, if you are going to be a career musician you’d better know some good percussionists, cultivate a good memory, and be able to fake your way through a gig. That melody still pops into my head once in a while.

Not only does Jeremiah come over to talk with Dan, he brings a couple of the guys in the Lore (his backing band): Ben Money and Tim Bostwick. The guys chat about their upbringing, about finally breaking out of their small hometown as musicians, and their incredibly unique approach to instrumentation that keeps them from being just another roots-folk band. They've got a new record out, 'From Bare Bones', available anywhere you get digital music.

A song of loss. For more about this and other combinations of various words and original music visit frankhudson.org

Camp Saint Helene - Farfisa Song - from the self-released 2019 album Mother.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Peter Deneff, an accomplished Pianist and Jazz Fusion musician, discusses his background, his involvement in the Los Angeles Middle Eastern Music club Scene, and his approach to microtonality and Jazz music. Topics Include: Deneff’s background as a Greek-American keyboard/piano musician, growing up in Long Beach/Los Angeles Impact of the bouzouki on his musical development and interests and working with artists from other ethnic backgrounds Collecting LPs and copying them to cassette tapes – compilations from the past and listening to those artists and how that influenced his playing and repertoire The peak of the music scene at Athenian Gardens in the SoCal live cabaret/bellydance music scene in the 70s/80s/90s The cultural melding of Greek and Gypsy/Turkish music (Skilarika), and the influence of Pontic Greeks in that style along with the music scene of Thessaloniki Exposure to the Armenian music scene locally with aficionados and artists (Harout Khatchoyan, Yervand Kalajian, Vik Momjian, Hratch Yacoubian, Hovig Krikorian) The impact of Persian and Arabic music on his career and how this blended with his Greek background in music Detail of his studying with Mike Garson (legendary Jazz Pianist who worked with David Bowie) Thoughts on music as a language with different dialects across middle eastern music and jazz Would practice playing along to Charlie Parker’s music Differences between makam music and jazz, and how they informed his understanding of proficiency in both styles His use of microtonality in his music in makam and jazz music, and his first memory of hearing quarter tones used by a Lebanese tsiftelli record years ago Discussion of various keyboards and synthesizers he uses in his music, and the use of scale converters for quarter-tone usage Explanation of quarter tones in Arabic music, the use of 50 cent adjustments Different flavors of microtonality he uses in his music, for example hijaz and the adjustment of various pitches within the mode and how live music can diverge from the uniformity and rigidity of the classical motif Mention of playing quarter/microtones on the bouzouki from certain players His attraction to how Armenian music in the 1970s and 1980s moved toward keyboard-centric instrumentation and the impact of this on his musical development His performances are about speaking to the audience and interaction with people and the connections that arise from his music and performance Keyboards and accordions used in Greek music, along with Farfisa organs The “dead zone” of lacking keyboards in Greek music back several decades ago was not exploring keyboards like Armenian music was, and now there is a lot more clarinet and violin exposure with microtonality and reincorporation of traditional ethnic elements – which was not the scene when he was coming up playing music Comments on some of the Greek keyboard players he listened too for musical guidance and perspective His work with Enrico Macias IM’s work with the synth app and upcoming sample library recording projects Would love to do concerts with Bach and the Beatles, Kasansides, Paliyolokous Excursion, Synthesi projects are a big focus for him

Con motivo del lanzamiento (doble) que realiza la banda BIRKINS de 'You are not alone' repasamos la historia y gestación de 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars' de 1972. Birkins recrea el disco con un montón de músicos nacionales e internacionales que os detallamos abajo. Por favor, visita birkins.bandcamp.com y hazte con tu copia de 'You are not alone' . 01- Five Years (con Álvaro Suite) Álvaro Suite, voz y coros Alby Ramírez, guitarra barítono, Farfisa, Polysix, Omnichord, trompas, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en El Nido del Cuervo, Sevilla, por Álvaro Suite. 02- Soul Love (con Pablo Errea) Pablo Errea, voz y coros Alby Ramírez, guitarras acústicas y eléctricas Rafa Daza, bajo Sergio Miró, batería Elio Moreno, saxo tenor Grabaciones adicionales en el Puerto de Santa María, Cádiz, por Pablo Errea. 03- Moonage Daydream (con Julián Maeso) Julián Maeso, voz, Hammond b3, Moog, clavinet y calabaza africana Carolina García, coros Rami Jaffee, piano, Mellotron Alby Ramírez, guitarras eléctricas, guitarra barítono Rafa Daza, bajo Sergio Miró, batería Totó Noriega, congas, pandereta, shaker Grabaciones adicionales en el Hospital Psiquiátrico por Julián Maeso. Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, y en East West Studio, Studio 1 lounge, Hollywood, California por Rami Jaffee Grabaciones adicionales en Las Palmas de Gran Canaria, por Totó Noriega. 04- Starman (con Ran Pink) Ran Pink, voz Tal Pink, coros Joaquín Pascual, piano, sinte Chris Carmichael, cuerdas Alby Ramírez, guitarras acústicas y eléctricas, piano “gimmick”, sinte “gimmick” Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Ran Pink. Grabaciones adicionales en Albacete, por Joaquín Pascual Grabaciones adicionales en Stonehurst, Bowling Green, Kentucky, por Chris Carmichael. 05- It Ain't Easy (con Mikel Erentxun) Mikel Erentxun, voz Cristina Santana, coros Rami Jaffee, Mellotron Alby Ramírez, guitarras acústicas y eléctricas, coros Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Rami Jaffee. Grabaciones adicionales en Moon River Studio, Santander, por Fernando Macaya 06- Lady Stardust (con Muni Camón) Muni Camón, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Mellotron y vibráfono Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco 07- Star (con Ken Stringfellow) Ken Stringfellow, voz Sari Montelongo, coros Alby Ramírez, guitarras eléctricas, guitarra de 12 cuerdas, Vox Continental Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Le Son du Blé, Tours, Francia, por Ken Stringfellow 08- Hang On To Yourself (con Paco Loco) Paco Loco, voz Cristina Santana, voz Justin Adams, solo de guitarra final Alby Ramírez, guitarras acústicas y eléctricas, lap steel Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco Grabaciones adicionales en Black Earth, Bath, Inglaterra, por Justin Adams 09- Ziggy Stardust (con Javier de Torres) Javier de Torres, voz y coros Sergio Casquero, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Vox Continental, cuerdas Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Audiomatic, Madrid, por Manuel Pájaro 10- Suffragette City (con Luis Prado) Luis Prado, voz y coros, piano Alby Ramírez, guitarras eléctricas Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en RPM Estudios, La Cañada (Paterna), Valencia, por Roger García 11- Rock 'n' Roll Suicide (con Jonathan Donahue y Lyla Foy) Jonathan Donahue, voz Lyla Foy, voz ‘wonderful’ Alby Ramírez, guitarras eléctricas, guitarra barítono, piano, Oberheim, Polysix, Mellotron, Omnichord, trompas, arpegiadores, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Woodstock, Nueva York, por Jonathan Donahue Grabaciones adicionales en Londres, Inglaterra, por Lyla Foy

Con motivo del lanzamiento (doble) que realiza la banda BIRKINS de 'You are not alone' repasamos la historia y gestación de 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars' de 1972. Birkins recrea el disco con un montón de músicos nacionales e internacionales que os detallamos abajo. Por favor, visita birkins.bandcamp.com y hazte con tu copia de 'You are not alone' . 01- Five Years (con Álvaro Suite) Álvaro Suite, voz y coros Alby Ramírez, guitarra barítono, Farfisa, Polysix, Omnichord, trompas, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en El Nido del Cuervo, Sevilla, por Álvaro Suite. 02- Soul Love (con Pablo Errea) Pablo Errea, voz y coros Alby Ramírez, guitarras acústicas y eléctricas Rafa Daza, bajo Sergio Miró, batería Elio Moreno, saxo tenor Grabaciones adicionales en el Puerto de Santa María, Cádiz, por Pablo Errea. 03- Moonage Daydream (con Julián Maeso) Julián Maeso, voz, Hammond b3, Moog, clavinet y calabaza africana Carolina García, coros Rami Jaffee, piano, Mellotron Alby Ramírez, guitarras eléctricas, guitarra barítono Rafa Daza, bajo Sergio Miró, batería Totó Noriega, congas, pandereta, shaker Grabaciones adicionales en el Hospital Psiquiátrico por Julián Maeso. Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, y en East West Studio, Studio 1 lounge, Hollywood, California por Rami Jaffee Grabaciones adicionales en Las Palmas de Gran Canaria, por Totó Noriega. 04- Starman (con Ran Pink) Ran Pink, voz Tal Pink, coros Joaquín Pascual, piano, sinte Chris Carmichael, cuerdas Alby Ramírez, guitarras acústicas y eléctricas, piano “gimmick”, sinte “gimmick” Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Ran Pink. Grabaciones adicionales en Albacete, por Joaquín Pascual Grabaciones adicionales en Stonehurst, Bowling Green, Kentucky, por Chris Carmichael. 05- It Ain't Easy (con Mikel Erentxun) Mikel Erentxun, voz Cristina Santana, coros Rami Jaffee, Mellotron Alby Ramírez, guitarras acústicas y eléctricas, coros Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Rami Jaffee. Grabaciones adicionales en Moon River Studio, Santander, por Fernando Macaya 06- Lady Stardust (con Muni Camón) Muni Camón, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Mellotron y vibráfono Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco 07- Star (con Ken Stringfellow) Ken Stringfellow, voz Sari Montelongo, coros Alby Ramírez, guitarras eléctricas, guitarra de 12 cuerdas, Vox Continental Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Le Son du Blé, Tours, Francia, por Ken Stringfellow 08- Hang On To Yourself (con Paco Loco) Paco Loco, voz Cristina Santana, voz Justin Adams, solo de guitarra final Alby Ramírez, guitarras acústicas y eléctricas, lap steel Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco Grabaciones adicionales en Black Earth, Bath, Inglaterra, por Justin Adams 09- Ziggy Stardust (con Javier de Torres) Javier de Torres, voz y coros Sergio Casquero, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Vox Continental, cuerdas Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Audiomatic, Madrid, por Manuel Pájaro 10- Suffragette City (con Luis Prado) Luis Prado, voz y coros, piano Alby Ramírez, guitarras eléctricas Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en RPM Estudios, La Cañada (Paterna), Valencia, por Roger García 11- Rock 'n' Roll Suicide (con Jonathan Donahue y Lyla Foy) Jonathan Donahue, voz Lyla Foy, voz ‘wonderful’ Alby Ramírez, guitarras eléctricas, guitarra barítono, piano, Oberheim, Polysix, Mellotron, Omnichord, trompas, arpegiadores, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Woodstock, Nueva York, por Jonathan Donahue Grabaciones adicionales en Londres, Inglaterra, por Lyla Foy

Andrew Darowski (The Protagonist Podcast, Disney Animation Minute Essentials) shares his thoughts on another minute of Frank Poole's jogging inside the hamster wheel of Discovery 1. Improbably, Chris and Rudi end up talking about Farfisa organs, angular momentum, the centrifuge set, and the lack of artwork inside the ship.

Alexis Taylor -- singer, songwriter, guitarist & keyboard player for U.K. electronic outfit Hot Chip -- discusses his early musical influences, from the Farfisa at his grandmother's house to the local record store owner who put out Hot Chip's debut EP. Plus, from the archive, an excerpt from a 2009 interview with Dave Matthews.

Welcome to another edition of "Community Keyboards" produced and presented by Ian Wolstenholme and also broadcast available on Oldham Community Radio 99.7FM - www.oldhamcommunityradio.com. Featuring all that's best from the King of Instruments in all its guises - from the mighty classical and theatre organ pipe organs to the latest in digital home keyboards and beyond. Music old and new from international, national, local and amateur performers plus regular guest interviews, news, information and features exclusively available on this channel. Don't forget to tell you friends, share the programme and feel free to comment on anything you would like to hear. Special guests this month: Graeme Wright talks about Bontempi and Farfisa organs --- Send in a voice message: https://anchor.fm/communitykeyboards/message

Mugison - Podcast - Please from the album Enjoy!Here is my second podcast, some kind of behind the scene show about the first song on my new album. Below you can find the lyrics, who played what, videos and links to people I mention in the podcast.Óskar Guðjónsson: SaxophoneRósa Guðrún Sveinsdóttir: SaxophoneDavíð Þór Jónsson: Farfisa & BassPétur Ben: GuitarMagnús Tryggvason Eliassen: DrumsGuðni Finnsson: BassGuðmundur Pétursson: Guitar SoloMugison: Singing, Guitar & Analog Rytmwords:PleaseThrow me a boneThrow me a ballLet's come undoneI'm up against the wallI'm all bent down On my kneeKissing assBegging, pleaseTired of reading Into your donkey codeSarcastic alibisFunny jokesI'm all bent down On my kneeKissing assBegging,pleaseGot nothing left to lose.. I think I might be losing it! There are 99 of usonly 1 of youStill you control the shotsAnd we paint them blueI'm all bent down On my kneeKissing assBegging pleaseControl me with fearControl with disgustI don't wanna be hereI'm bustI'm all bent down On my kneeKissing assBegging please

Karina Deniké is a vocalist and songwriter from the San Francisco Bay Area. Born in Cambridge, England to Czech dissident artists, Deniké spent her early years performing street theatre throughout Europe, Northern Africa, and India. Upon settling in Oakland, California at age 12, she immersed herself in the vibrant local arts and music scenes of the area, soaking in everything from punk shows at the legendary 924 Gilman to the talents of jazz/soul greats Jon Hendricks, Fred Marshall (Vince Guaraldi, Chet Baker), and Sugar Pie Desanto. At age 18 she released her first album with the dual female fronted Dance Hall Crashers, and at 22 she was signed to major labels MCA and Warner/Discovery. Deniké has made a lifelong study of the finer nuances of vocals, harmony, and performance, moving fluidly from intimate torch song chanteuse to soul singer to punk powerhouse. From pop music to jazz to modern composers' works, she has lent her voice, arrangements, and compositions to more than 30 records, soundtracks, and countless national and international performances, and is an active member of the Bay Area music scenes. After extensive and fruitful collaborative work, Karina Deniké is excited to present the first album entirely focused on her unique compositional voice. "The writing for this album, Under Glass, began when I fell in love with a beautiful Farfisa chord organ. A charming, quirky wooden toy whose big reedy sound fully transported me to another time. I immediately wrote the song 'Musee Mecanique', a 1930’s inspired love ditty with a nod to my dear San Francisco and her stunning shores." Under Glass was released April 14, 2015 and features Deniké's six piece band and an impressive list of additional talent. Centered around power vocal performances and ornamented with an unusually rich collection of vintage sounds — including the chord organ, bass clarinet, Fender VI baritone guitar, vibraphone, and celeste — Under Glass features some of the Bay Area’s finest musicians and composers: Aaron Novik (Tzadik Records, PortoFranco Records), Michael McIntosh (Ralph Carney's Serious Jass Project, the Cottontails), James Frazier, Eric Garland (Mads Tolling, Donavon), and Lily Taylor (Pour Le Corps Records). The album also highlights guests Deston Berry and Alex Dessert (Hepcat), Ralph Carney (Tom Waits, B-52's), Brigid Dawson (Thee Oh Sees), Ara Anderson (Tin Hat, OK GO), and Meric Long (The Dodos). With nods to doo wop drama, crackly records, Motown beats, girl group harmonies, 60's soundtracks, and Eastern European Lullabies, Under Glass is both strikingly original and warmly nostalgic. Its 12 reflective songs are filled with tales of female aviators, love, memory, and personal and regional history, firmly rooted in the musical worlds and seaside city Karina Denike calls home. Deniké has recorded with Dance Hall Crashers (MCA), NOFX (Epitaph), Tony Sly/No Use for a Name (Fat Wreck Chords), Ralph Carney's Serious Jass Project (Smog Veil), and Hepcat (Hellcat), among others. She has shared bills with artists including The Pretenders, Fiona Apple, Beck, The Ramones, Thee Oh Sees, and Aimee Mann and performed at prestigious venues and events around the world, such as the Montreux Jazz Festival (Switzerland), the Reading Festival (UK), the Warped tour, and the Fillmore. Recently, she contributed the acclaimed opening track to The Songs of Tony Sly; A Tribute (Fat Wreck Chords), was the guest music director for the SF Bay Area's Undercover Presents Series tribute to Bob Dylan's Highway 61 Revisited (hosted by The Contemporary Jewish Museum of San Francisco), contributed lead vocals and vocal production to the album Home Street Home: The sHit Musical (written by Fat Mike of NOFX, and Tony Award winner/Avenue Q co-writer Jeff Marx), contributed a song to the 20th Century Fox film This Means War featuring Reese Witherspoon, and performed at the opening party for the world renowned art festival dOCUMENTA 2012, in Kassel, Germany.

Hej, my name is Martin and I played drums for the Faintest Ideas/ javelins when we were around. These ögnhalsmottagningen that me and Stew Boyracer formed over the phone in late 2007. Apart from that I make hip hop/ dance music under the name Acid Lindgren, play guitar in a new band that might be called Anti-social Darwinists, Pretentious Assholes, Compulsive Record Collectors (or something completely different) as well as DJ under the monkier ADHDJ (thanks for the name Marisa). I live in Gothenburg, Sweden and one of my dreams is to one day have enough money to release a vinyl box of everything The Capstan Shafts will ever record. I am allergic to lactose, and think Chuck Reutter and Mike Spiegs should move to Sweden and start a band with me. Some of this stuff is actually true.1. Huggy Bear "Her jazz" (7", Wiiija/Cat Call, UK, 1993) – Huggy Bear is, together with Black Flag, Minor Threat, Bikini Kill, Boyracer and Beat Happening the most important and influential bands ever in my book. Everything about the band was, and is still so exciting to me, and why I never went to Emmaboda to see them in 93 still puzzles me to this day.2. The Carpettes "Small wonder" (7", Small Wonder, UK, 1978) – A totally perfect punk song (with a simple, but amazing drum beat in the chorus) that sums up everything that's so great about D.I.Y. in a few lines, so just sing along; "I don't need record companies that wanna rule me/ all of them think so obscene/ but I don't care about publicity/I just don't care for your generosity/ Small wonder/ they give you the bright idea to be a star/ you'll never make it, you'll never go far/ they say a good musician has gone to waste/ I tell you it's just a stupid taste/ Small wonder/ you talk about popularity/ d'ya think that it's a wise move?/ the useless generation knows nothing, so what does it prove?/ I can tell you straight to your face/ small wonder, the saviour of the human race yeah!/ Small wonder"3. Lockjaw "Radio call sign" (7", Raw, UK, 1977) – I can't resist to include at least one release from Lee Wood's Raw label as he released way too many great bands. This is the band that introduced Simon Gallup of the Cure to the world, and the song got enough energy to light up a medium sized Swedish town. Great drum rolls and fantastic Spaceward production.4. Svart "Otålighetens gräns" (7", Stranded, Sweden, 1980) - This song is taken Svart's debut EP, which is one of Sweden's finest post-punk releases. The band did an LP the year after this 7" was released, and even if the LP has some great songs it could never match the ones on their debut. I think this just might be the first Swedish indiepop record.5. Roadrunners "Love me as I am" (7", Beluga, Sweden, 1999) – The Roadrunners were one of Sweden's finest neo-garage bands that had everything I want from a band it that genre. They looked great, had great production on their records, and most important, they knew how to write killer tunes. All of their 7inches and EP's are well worth searching for, even if this is their best song in my opinion.6. Hormones in Abundance "Bad songs, bad people" (7", Heavenly Pop Hits, Sweden, 2004) – Bad people get the bad songs they deserve and in my opinion Patrik is one of the greatest song writers in Sweden. 41 seconds of indiepop perfection!7. Unrelated Segments "Story of my life" (7", Hanna-Barbera, USA, 1966) – 13 years before Dead Kennedys released "California über alles" these Michigan kids released this amazing slab of proto punk thrash, and in my opinion it seems like Jello Biafra owes quite a lot to the Segments lead singer Ron Stults when it comes to vocal delivery. This was the bands first 7" out of 3, and they are all equally great and intense.8. ABKK "Ronny" (7", EFMD, Sweden, 1981) – Fast, faster, fastest, weird, weirder and weirdest keyboard in the history of Swedish punkrock! This is released on the same label as Tuppjukk and Dom Vässade. EFMD stood for Enad front mot disco (United front against disco) and the label took lessons from Desperate Bicycles and printed the breakdown of the total printing costs on their record sleeves.9. Lars Langs "Chartertönt" (7", Pels-Votten, Sweden, 1980) – This song is taken from Lars Lang's only EP, that's thanks to a typo is called "Greatest Hit" instead of "greatest hits" and it's one of my favorite Swedish 7inches. 5 songs and they are all as great as this one.10. Mizz Nobody "Smittad" (7", DO 69, Sweden, 1978) – Mizz Nobody was Sweden's answer to The Petticoats or Poly Styrene and this is once again one of my favorite songs. Pay close attention to the amazing guitar sound she managed to come up with, and pay even closer attention to the killer guitar break in the middle of the song.11. Push Kings "Florida" (7", Double Agent, USA, 1996) – Together with Pants Yell! and The Remains, The Push Kings are among the best pop bands ever from Boston, and this is probably my favorite song by these well-dressed pop stars. Anyone who knows what happened to them; feel free to let me know.12. The Jumpers "My girl" (7", Dront, Sweden, 1982) – These young small town mods only released one EP, where this is the best song. It's not the best mop top song from Sweden by far, but it still got a guitar line and melody that I just can't resist.13. Lee Kings "On my way" (Flexi, Bildjournalen, Sweden, 1966) The Lee Kings was pretty much your average 60's teen band, but on this flexi they sure gave the Who and The Sorrows a run for the money when it came to feedback driven breaks. I'm pretty sure Stew Boyracer will like this one.14. Mecano Ltd. "Face cover face" (7", No Fun, Holland, 1978) – Here's some great and raw Dutch punk on the legendary No Fun label that also released one of the best punk records of all time; The Helmettes' "I don't care...". From what I can understand from their discography the band is still around in some form, but this 7" is basically all you need from them in my humble opinion.15. Boyracer "Where to place yr trust?" (12", 555, USA, 2009) – Boyracer is one of my favorite bands and Stewart is a great friend of mine, and not to mention an amazing song writer, so not including them in this set would just be preposterous. This song is takes from the LP version of Happenstance that was first released as a CD by HHBTM, but as the LP's got a few bonus tracks I highly recommend you to pick up a copy of this release as well as everything else Stew's got in stock before it's too late. In the songs I wrote for javelins/ The Faintest ideas I borrowed (or stole) so much from Boyracer that I owe them royalties for the rest of my life I guess.16. Von Gam "Hasse parasit" (7", Gam Produktion, Sweden, 1980) – Brilliant and quite noisy punk from these young kids from Hovmanstorp (situated next to nowhere) produced by Sticky Bomb from Kriminella Gitarrer and demon producer Pål Spectrum. This song is about a creepy bastard who only lives for profit.17. The Misfits "She" (7", Blank, USA, 1977) – The first recording by the Misfits is their finest moment according to me. I love that Glen played a Farfisa organ through a fuzz pedal instead of bothering with finding a guitar player. Sloppy card board drums, the way too loud mixed bass and Glen's amazing voice together makes this the best version of this fantastic song.18. Pizzoar "År 3000" (7", Massproduktion, Sweden, 1980) – The Faintest Ideas covered this song for the Yellow Mica compilation "Wearing our punk rock hearts on our sleeves", but our version could never hold a candle to the original version. No surprise there I guess, even if I really liked Christoffer's weird and one of a kind accent on our version.19. Milky Wimpshake "Dialling tone" (7", Ferric Mordant, UK, 1999) – Daniel who played guitar for the Faintest Ideas introduced me to Milky Wimpshake and for that I'm forever thankful to him. This is such a great song and I wish I could write songs as good as this one.20. Bugs "Bloody mess" (7", Bugs, Sweden, 1979) – A bunch of very young kids who had a drummer who never figured out how to use the kick drum, so they just ignored that part of the drum kit. The singer counts in the song by saying 1,2,3, shotgun! Brilliant!21. Kriminella Gitarrer "Vårdad klädsel" (7", Kloaak, Sweden, 1978) – This 7" recorded in December 1977 has been labeled Sweden's first punk record sung in Swedish. Two of the most magic minutes in punk record history!22. The Zeros "Radio fun" (7", Small Wonder, UK, 1977) – I listen to the radio a lot when I'm at home or at work, so what could be better than a song that celebrates the fun with radio? Most of the early releases on the Small Wonder label are equally great as this one, so do yourself a favor and keep an eye open for that label when you go through the records at your favorite 2nd hand shop.23. Bad Town Boys "Borrowed time" (7", Dionysus, USA, 1990) – The first time I heard this song I was sure it was a recording from the early 80's, but it's actually written and recorded during the late hair metal period and released long before the entire retro punk wave became fashionable. This is one hell of a song!24. Richard Berry and the Pharaohs "Louie Louie" (7", Flip, USA, 1957) – The BEST song ever written. Period!