Podcasts about Kai Winding

Sintonía: "Guitar Boogie Shuffle" - The Virtues 1.- "A-B-C1-2-3" - The Tokens 2.- "Yeh-Yeh!" - Mongo Santamaria 3.- "Brushfire" - Scott Burton 4.- "Coesville" - Johnny Zorro 5.- "Comin´ Home Baby" - Kai Winding & Orchestra 6.- "Number One With Me" - The Crests 7.- "Move It" - Chantay´s 8.- "Don´t Monkey with Tarzan" - The Pygmies 9.- "Chili with Honey" - Danny Bell and the Bell Hops10.- "Misery" - The Dynamics11.- "Betty in Bermudas" - The DovellsTodas las músicas extraídas de la compilación (1xLP + CD gratis) "Beach-O-Rama: This Is A Nice Compilation To Play Frisbee" (Jukebox Music Factory/Platinum Records, 2016) 12.- "Las Vegas Scene" - Wes Dakus 13.- "You Never Miss Your Water" - ´Little Esther´ Philips & ´Big Al´ Downing14.- "The Riddler" - Franck Gorshin15.- "Surfin´ Hootenanny" - Al Casey with The K-O-Ettes16.- "Swingin´& Surfin´" - Les Brown JR.17.- "Bo-Bo Ska Diddle Daddle" - Wayne Walker18.- "Why Don´t You Do Right" - Mark Murphy19.- "Burnt Biscuits" - The Trumphs20.- "Oh Yeah!" - The Joe Cuba SextetTodas las músicas extraídas de la compilación (1xLP + CD gratis) "Beach-O-Rama Vol. 2" (Jukebox Music Factory/Platinum Records, 2017)Todas las músicas seleccionadas por El Vidocq a partir de su colección privada de singles en 7 pulgadas (45 rpm)Escuchar audio

1. Jamie Cullum – Wind cries Mary (3:35) 2. Kenny Werner / Toots Thielemans – Windows (3:37) 3. Kai Winding – Morning of the Carnival (3:59) 4. Laetitia van Krieken Big Bang – Windfall (8:19) 5. Sarah Vaughan – The Long And Winding Road (3:09) 6. Tommy Emmanuel – Windy and Warm (2:48) 7. Kenny […]

THIS WEEK's BIRDS: Qawma music from Hasan al-Ajami & Ahmed Ushaysh (Yemen);  I. Wayan Sudiarsa Pacet w. Gamelan Suling Gita Samara (Bali); Lebanese vocalist Maya al Khaldi; recent compositions from Jen Shyu and David Leon (USA); trombonist/composer Joseph Daley; Kurdistani pop from De'Lori; Kai Winding & Curtis Fuller (more trombone); Tchangodei w. Itaru Oki & Kent Carter; the inimitable Lucha Reyes; bop from Dexter Gordon; jazz vocalists Mary La Rose & Marianne Solivan; Albert Ayler; Rajasthani music from Anwar Khan and others; Roma song from Trio Salvej; Bulgarian legend  Ivo Papasov; Julio Benavente Diaz from Peru; and (as always) so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20632151/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Hailed by Stereophile Magazine for “sound[ing] like 21st-century grandchildren of JJ Johnson and Kai Winding” (with his co-bandleader Chris Glassman) and praised by the International Trombone Associations Journal for his “virtuosity [and] melodic and harmonic mastery,” Altin Sencalar is in high demand across the country as a performer, educator, and composer. We caught Altin on tour in support of his 2023 release ‘In Good Standing'. Featuring Altin on Trombone, Bijan Taghavi on Piano, Aidan Plan on Bass and Jeremy McCabe on Drums, and from an October 19th, 2023 performance, it's Altin Senclair – Live at the Bop Stop.

CLAUDE THORNHILL AND HIS ORCHESTRA “SNOWFALL” New York, November 6, 1947Snowfall, Puttin' And Talkin', AnthropologyEd Zandy, Louis Mucci, Red Rodney (tp) Tak Takvorian, Allan Langstaff, John Torick (tb) Walt Weschler, Sandy Siegelstein (fhr) Bill Barber (tu) Danny Polo, Lee Konitz (cl,as) Mickey Folus (b-cl,ts) Babe Fresk (cl,ts) Billy Bushey (cl,b-cl,bar) Claude Thornhill (p,arr) Barry Galbraith (g) Joe Shulman (b) Billy Exiner (d) Fran Warren, Gene Williams (vcl) Bill Borden, Gerry Mulligan, Eddie Herzog, Gil Evans (arr) LENNIE TRISTANO “TRISTANO TRIO” New York, October 8, 1946I can't get started, I surrender dearLennie Tristano (p) Billy Bauer (g) Clyde Lombardi (b) New York, 1955 Turkish mamboLennie Tristano (p) (d- desconocido) THE MODERN JAZZ QUARTET (MJQ) “NO SUN IN VENICE” New York, April 4, 1957 The golden striker, Three WindowsMilt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) MILES DAVIS NONET “BIRTH OF THE COOL” New York, January 21, 1949 Jeru (gm arr) Move (jl arr) Budo (jl arr)Miles Davis (tp) Kai Winding (tb) Junior Collins (fhr) Bill Barber (tu) Lee Konitz (as) Gerry Mulligan (bar,arr) Al Haig (p) Joe Shulman (b) Max Roach (d) John Lewis (arr) New York, April 22, 1949 Boplicity (ge arr) Israel (jc arr)Miles Davis (tp) J.J. Continue reading Puro Jazz 11 de noviembre, 2024 at PuroJazz.

CLAUDE THORNHILL AND HIS ORCHESTRA “SNOWFALL” New York, November 6, 1947Snowfall, Puttin' And Talkin', AnthropologyEd Zandy, Louis Mucci, Red Rodney (tp) Tak Takvorian, Allan Langstaff, John Torick (tb) Walt Weschler, Sandy Siegelstein (fhr) Bill Barber (tu) Danny Polo, Lee Konitz (cl,as) Mickey Folus (b-cl,ts) Babe Fresk (cl,ts) Billy Bushey (cl,b-cl,bar) Claude Thornhill (p,arr) Barry Galbraith (g) Joe Shulman (b) Billy Exiner (d) Fran Warren, Gene Williams (vcl) Bill Borden, Gerry Mulligan, Eddie Herzog, Gil Evans (arr) LENNIE TRISTANO “TRISTANO TRIO” New York, October 8, 1946I can't get started, I surrender dearLennie Tristano (p) Billy Bauer (g) Clyde Lombardi (b) New York, 1955 Turkish mamboLennie Tristano (p) (d- desconocido) THE MODERN JAZZ QUARTET (MJQ) “NO SUN IN VENICE” New York, April 4, 1957 The golden striker, Three WindowsMilt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) MILES DAVIS NONET “BIRTH OF THE COOL” New York, January 21, 1949 Jeru (gm arr) Move (jl arr) Budo (jl arr)Miles Davis (tp) Kai Winding (tb) Junior Collins (fhr) Bill Barber (tu) Lee Konitz (as) Gerry Mulligan (bar,arr) Al Haig (p) Joe Shulman (b) Max Roach (d) John Lewis (arr) New York, April 22, 1949 Boplicity (ge arr) Israel (jc arr)Miles Davis (tp) J.J. Continue reading Puro Jazz 11 de noviembre, 2024 at PuroJazz.

M

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

M

Arrancamos una serie de programas mensuales en donde iremos recordando algunas de las canciones más exitosas de las listas del Billboard Hot 100 estadounidense de hace 60 años. Comenzamos en septiembre de 1963, cuando en las listas de éxitos confluían canciones de girl groups, soul, doo wop, surf, novelty o rocknrollPlaylist;(sintonía) LITTLE STEVIE WONDER “Fingertips pt 2”THE ANGELS “My boyfriend’s back”THE JAYNETTS “Sally goes round the roses”MARTHA and THE VANDELLAS “(Love is like a) Heatwave”THE CRYSTALS “Then he kissed me”TRINI LOPEZ “If I had a hammer”INEZ FOXX with CHARLIE FOXX “Mockingbird”MAJOR LANCE “The monkey time”THE SURFARIS “Wipe out”THE BEACH BOYS “Surfer girl”RANDY and THE RAINBOWS “Denise”DION “Donna the prima donna”THE MIRACLES “Mickey’s monkey”SAM COOKE “Frankie and Johnny”WILSON PICKETT “It’s too late”RAY CHARLES “Busted”ALLAN SHERMAN “Hello Muddah, Hello Faddah! (A letter from camp)”KAI WINDING “More” Escuchar audio

Le prime registrazioni che documentano il bebop - il nuovo, audace linguaggio che irrompe sulla scena del jazz negli anni quaranta - sono effettuate dal vivo fra il '41 e il '43 nei locali di New York in cui i giovani boppers si ritrovano e maturano la fisionomia della loro nuova musica. Le prime registrazioni formali, di studio, di questa tendenza sono invece effettuate nel '44, e - per una serie di motivi - non sono realizzate dalle case discografiche più grandi, ma da etichette più piccole, agili e coraggiose. Diverse delle primissime registrazioni di studio ascrivibili al bebop effettuate nel '44 sono realizzate da un'etichetta nata nel '42, la Savoy, che poi nel corso degli anni quaranta continua a condurre importanti registrazioni di musicisti di ambito bebop. Nei primi anni cinquanta la Savoy pubblica una scelta delle registrazioni bebop effettuate negli anni quaranta in cinque album 10 pollici, con l'intestazione The birth of bop. Adesso la Craft Recordings (Universal) ha ripubblicato la serie dei cinque volumi di The birth of bop della Savoy in altrettanti 10 pollici che riprendono la grafica originaria e mantengono l'identica successione dei brani degli album degli anni cinquanta. The birth of bop, disponibile anche come doppio cd, è una miniera di brani meravigliosi, che ci comunicano l'ebbrezza di una musica straordinariamente innovativa colta nel momento del suo farsi: tra i musicisti che compaiono Charlie Parker, Tiny Grimes, Budd Johnson, un ventiduenne Dexter Gordon, un diciannovenne Stan Getz (sia Gordon che Getz alla loro prima seduta di incisione a proprio nome), Don Byas, Kai Winding, J.J. Johnson, Bud Powell, Max Roach, Fats Navarro, Al Haig, Eddie Lockjaw Davis, Leo Parker, Serge Chaloff, Allen Eager...

After several years with Benny Goodman in the 1930's, Vido Musso later went with Gene Krupa, Harry James and Stan Kenton and began his own bandleading career. These sessions come from Savoy in 1946 (with Sanford Gold, Marty Napoleon, Kai Winding, Gene Roland, Boots Mussulli, Lem Davis and Eddie Safranski), Sunset (with Willie Smith, Andre Previn and Howard McGhee), Atlantic (Jess Stacy, Murray McEachern, Ziggy Elman) and Modern - his own band with Kenton alumni! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

TWiV explains the recent meeting of the National Science Advisory Board for Biosecurity (NSABB) where stricter guidelines for research involving human, animal, and plant pathogens were considered, and how the consumption of viruses by small protists returns energy to food chains. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Rich Condit, and Kathy Spindler Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode •Research assistant position at FDA (pdf) •Register for ASV 2023 •MicrobeTV Discord Server •NSABB proposed oversight framework (pdf) •Stricter US guidelines for research (Nature) •Information on NSABB (NIH) •Consumption of viruses by protists (PNAS) •Letters read on TWiV 981 •Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project: Trombone: Steve Turre/Conrad Herwig; Steve Turre; Curtis Fuller; J.J. Johnson and Kai Winding. Steve Turre: Signature album: Sanctified Shells. Signature song: Sanctified Shells. Conrad Herwig. Signature album: A Jones For Bones Tones. Signature song: Slide's Routine; Curtis Fuller: Signature album: BLUES ette. Signature song: Bluesette. J.J. Johnson (with Kai Winding). Signature album: The Great Kai and J.J. : Signature song: Monk's Blues. Kathy – Measles virus ‘cooperates' with itself to cause fatal encephalitis. Primary research article: Shirogane et al. Rich – Firm hatches plan to bring back dodo (Colossal Biosciences – Dodo) Alan – Mt. Washington Observatory webcam Vincent – Ask the Experts Listener Picks Roberto – The Contagion of Liberty: The Politics of Smallpox in the American Revolution Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Nueva entrega de la serie dedicada a recordar joyitas del pop procedentes de la primera mitad de los años 60. Playlist; (sintonía) THE FIREBALLS “Quite a party” JIMMY GILMER and THE FIREBALLS “Sugar shack” THE VENTURES “Perfidia” SONNY JAMES “Apache” CLIFF RICHARD and THE SHADOWS “A girl like you” THE RIVINGTONS “The bird’s the word” THE TRASHMEN “Bird dance beat” EDDIE COCHRAN “Sweetie pie” IRMA THOMAS “Breakaway” KAI WINDING “Time i son my side” HERB ALPERT and THE TIJUANA BRASS “A taste of honey” KATHY KIRBY “Acapulco 22” THE KINKS “Set me free” THE BEATLES “Words of love” THE DEMENSIONS “Seven days a week” JACKIE DESHANNON “Needles and pins” THE SEARCHERS “Oh my lover” THE CHIFFONS “One fine day” DEL SHANNON “Keep searching (follow the sun)” BOBBY VEE “Young love” Escuchar audio

Seguimos con el trombón y sus grandes en la era del Swing (Higginbotham, Trummy Young, Bill Harris) para luego pasar al bebop y el más grande: J.J. Johnson junto con Kai Winding. Curtis Fuller y Jimmy Knepper completan con su hardbop. Hosted on Acast. See acast.com/privacy for more information.

Altin is a MONSTER trombone player. We have a great time discussing life on the road (he talked with me on a day off in Montreal while on tour with Michael Buble), as well as playing great jazz on the trombone, playing with his frequent collaborator bass trombonist Chris Glassman and the legacy of Jay Jay Johnson and Kai Winding.

A studio version of the Gene Krupa Orchestra from the 1950's featuring re-arrangements of his hits from the 1940's - with Anita O'Day, Roy Eldridge, Dave McKenna, Barry Galbraith Eddie Shu, Aaron Sachs, Jimmy Cleveland, Ernie Royal, Kai Winding, Urbie Green, Phil Woods, Eddie Wasserman and Hank Jones! --- Support this podcast: https://anchor.fm/john-clark49/support

M

Tonight on Jazz After Dark: From 1955-1963 we'll hear Kai Winding with J.J. Johnson, Bobby Hackett, John Lewis, Erroll Garner, Chet Baker, Gigi Gryce Quartet, Miles Davis, Elek Bacsik, McCoy Tyner, and Art Blakey. Then we'll hear 1980s performances by Archie Shepp with Horace Parlan, and Butch Thompson.

Nueva selección de clásicos del siglo XX pasados por las manos de grupos de generaciones posteriores. (Foto del podcast; The Neatbeats) Playlist; (sintonía) THE NEANDERTHALS “Space oddity” (David Bowie) BAY CITY ROLLERS “Be my baby” (The Ronettes) REDD KROSS “Heaven only knows” (Shangri-Las) THE LAST INTERNATIONAL “Baby it’s you” (The Shirelles) POWERSOLO “Love is strange” (Mickey and Sylvia) JOHNNY THUNDERS and PATTI PALLADIN “Crawfish” (Elvis Presley) SOUTHERN CULTURE ON THE SKIDS “Venus” (Shocking Blue) THE NEATBEATS “New orleans” (Gary Us Bonds) SHONEN KNIFE “Top of the world” (The Carpenters) THE 5.6.7.8.’S “The Harlem Shuffle” (Bob and Earl) THE GLADIATORS “Time is on my side” (Irma Thomas, Kai Winding and his Orchestra) JOE STRUMMER y JOHNNY CASH “Redemption song” (Bob Marley) PRIMAL SCREAM “I want you” (The Troggs) SEX MUSEUM “I’m free” (The Who) THE BEASTS OF BOURBON “Ride on” (ACDC) Escuchar audio

M

"Yardbird suite", un tema icónico de Parker y del bop, compuesto en 1946.  Escuchamos al autor, Sonny Stitt, Carmen McRae, el MJQ, Hank Jones y Hampton Hawks en piano, Getz, Pepper en saxos, Kai Winding en trombón, Tal Farlow en la de 6 cuerdas y otros.

En JazzX5 celebramos la entrega número 500 homenajeando a un grande del jazz en su centenario (Kai Winding), en muy buenas compañías (Thelonious Monk, Dizzy Gillespie, Art Blakey...), y con un precioso tema bien conocido. "Sweet And Lovely" Giants Of Jazz The Giants Of Jazz (Jazzmen, rec. 1972) Kai Winding, Thelonious Monk, Dizzy Gillespie, Art Blakey, Sonny Stitt, Al McKibbon. El tema es una composición de Gus Arnheim, Jules Lemare, Harry Tobias. La grabación se realizó el 12 de noviembre de 1972 en Suiza y estuvo producida por un peso pesado del jazz como fue George Wein. En https://www.tomajazz.com/web/?p=63546 realizamos un repaso a la carrera de este gran trombonista. Más información sobre Kai WInding http://www.bjbear71.com/Winding/Kai.html https://www.tomajazz.com/web/?s=kai+winding&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

M

Our sponsor: Houghton Hornswww.houghtonhorns.comVirtual equipment consultation videowww.youtube.com/watch?v=NfDOyZXRiXwJared Rodin has been Principal Trombone of the ICO since 1985, and last appeared as soloist in 1993, presenting the premier of “Morph” by Ken Kugler. Active in commissioning and presenting new works, Jared has premiered two other works by Frank Glover, (“Remembrance” and “Welcome to the Skeleton Circus”), “Beneath the Surface” by Steve Allee and “Concerto” with wind ensemble by Stan Adams.After first appearing as Guest Artist at the International Trombone Camp in Germany, he returned as guest in Italy and was subsequently named to the faculty where he appeared for the next ten years coaching, teaching and concertizing with some of the world's most prominent trombonists, including Joe Alessi, Ron Barron, Joe Burnam, Abbie Conant, Stuart Dempster, Jay Friedman, Michael Mulcahy, Charles Vernon and Jiggs Wigham.Presently, Jared is serving as Acting Bass Trombone of the Indianapolis Symphony, and has recently performed with the Chicago Symphony, Minnesota Orchestra, Alabama Symphony, Chicago's Music of the Baroque and the Grand Teton Music Festival. A long time ago, he was bass trombonist of the Italian National Radio Orchestra in Turin, where he met his beautiful wife Debbie (ICO first violinist).Growing up in Chicago, Jared began his studies with a distant relative, Gerald Myrow and continued with Gerhart Schmeltekopf before going off to Southern Illinois University at Carbondale where he continued with Gene Stiman and Mel Jernigan, then of the St. Louis Symphony. Graduate studies at IU Bloomington brought him to the tutelage of Lewis Van Haney and Keith Brown, also at the Music Academy of the West, where he was honored with the “Outstanding Brass Player” award. He also counts among his mentors, Frank Crisafulli, Arnold Jacobs and Michael Mulcahy of the Chicago Symphony.Adjunct Instructor of Trombone at Butler University, Jared has been Lecturer at Northwestern University, Visiting Lecturer at IU Bloomington and Instructor at Ball State and Purdue Universities. He has also presented masterclasses at Cincinnati College-Conservatory, University of New Mexico and Hochschule fur Musik in Trossingen, Germany.No stranger to other musical idioms, Jared has toured and performed with a vast array of entertainers and jazz musicians including Natalie Cole, Frank Sinatra, The Who, Johnny Mathis, Henry Mancini, Andy Williams and trombonists Slide Hampton, Bill Watrous and Kai Winding. He has also played in many Broadway show pits. As a recording artist, Jared can be heard on the Music Heritage Society, Liscio, Archaeus, Delos, Fonit Cetra, Friggemall, Sea Breeze Jazz and Monarch Jazz labels.Support the show (https://thatsnotspit.com/support/)

DJ Kingblind presents The Big Beat online radio show- This week we talk about & play the best music in a themed Podcast called "Instrumental Gold" The instrumental was once a mainstay of the pop charts. In 1963 alone, there were 10 instrumentals that crashed the Top 10, from the Chantays' surf -guitar classic “Pipeline” to the easy listening sounds of “More” by Kai Winding and His Orchestra. But in recent years, the form has pretty much disappeared from the airwaves. But instrumentals sure were a lot of fun, This week we talk about it in words and music#podcastsonamazonmusic #podcast #music #rock #southern #rock #djkingblind #applepodcasts #googlepodcasts #drinking  #drinkup  #vodka   #instrumental  #beatmaking  #flstudio  #beatmaker  #beatsforsale  #instrumentals  #makingbeats  #beats  #musicproducer  #flgang  #producerlife  #beat  #logicpro  #808  #banger  #musicproduction  #producer  #protools  #studiolife  #ableton  #producers  #60s  #70s  #50s  #sixties  #1960s  #georgeharrison  #60sstyle  #40s  #ringostarr Find all links for DJ Kingblind here: https://linktr.ee/kingblindSupport the show

Welcome to JazzPianoSkills, I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!Today, you are in for a real treat! I am joined by jazz legend Dan Haerle. Dan has been a prolific jazz performer, composer, author, and educator throughout his entire illustrious career.Considered a pioneer in jazz education, Dan Haerle was recently awarded by the Jazz Education Network (JEN) along with Jamey Aebersold, David Baker, and Jerry Coker, the distinction of "LeJENd of Jazz Education" at its 3rd annual conference in Louisville, Kentucky. Dan Haerle is the author of many jazz education books that have been used by teachers and students for decades and will continue to be used by teachers and students for decades to come.Dan Haerle toured the U. S. and Canada with the Stan Kenton Band during Stan's illness. Toured the U. S. and Europe with the Clark Terry Quintet and has done extensive recording and show work in Dallas, Miami Beach, and New York. Dan has performed with Chris Connor, Mel Torme, Al Jarreau, Pat Metheny, Dave Liebman, Woody Shaw, Kai Winding, and Freddie Hubbard (to name just a few). I am so very proud to say that I personally had the privilege and honor to study with Dan at North Texas State University (now the University of North Texas) and I had the amazing blessing to teach with Dan as a colleague while he served on faculty here at The Dallas School of Music.Now, It is my great pleasure and honor to welcome to JazzPianoSkills, jazz legend, my friend, Dan Haerle.Support the show (https://www.paypal.com/donate/?hosted_button_id=ZZEBGDF38VFNS)

The extremely RARE album from 1958 features Kai Winding at his best.Day In, Day OutI Will Come BackThe Gypsy in My SoulClose to YouWalkin'Waiting for the Robert E LeeFlamingoRock-a-Bye BluebirdOut of This WorldYou Gotta' WailPurchase this very rare 63-year old vinyl LP at:http://www.classicalsavings.com/store/p1363/The_Kai_Winding_Trombones_Featuring_the_Axidentals.html

“Let me call Paul and see what he has to say about it…” Drummer, producer, recording artist, bandleader, session ace Denny Seiwell reflects on his work with Paul McCartney on the recording of RAM in New York City in 1971 and his role as the drummer and co-producer of RAM ON: A 50TH ANNIVERSARY CELEBRATION OF PAUL AND LINDA MCCARTNEY'S RAM out now on Cherry Red Records. Co-produced by Fernando Perdomo and featuring bassist John Montagna (“what a beautiful cat he is!”), Denny notes that RAM ON has captured the spirit of the original recordings. Denny Seiwell Playlist

M

I grew up listening to some of the greatest musicians in jazz because of my dad's collection. This album has several huge name talents playing together. Time to get inducted into the avante garde with Volume 17: Modern Jazz Hall of Fame Credits and Copyrights: Various Artists ‎– Modern Jazz - Hall Of Fame Volume 1 Label: Design Records ‎– DLP 29 Series: The Design Collectors' Series – , Hall Of Fame – Volume 1 Format: Vinyl, LP, Compilation, Mono Released: 1957 Genre: Jazz Style: Bop Charlie Mingus Quintet Extrasensory Perception Alto Saxophone – Lee Kontiz Bass, Leader – Charlie Mingus Cello – George Koutzen Drums – Al. Levitt Piano – Phyllis Pinkerton Sam Most Quartet Notes To You Bass – Percy Heath Clarinet, Leader – Sam Most Drums – Louie Bellson Piano – Bob Dorough Jazz Workshop Kai's Day Bass – Charlie Mingus Drums – Arthur Taylor Piano – John Lewis (2) Trombone – Bennie Green, J.J. Johnson, Kai Winding, Willie Dennis Bud Powell Trio Under My Skin Bass – Charlie Mingus Drums – Max Roach Piano, Leader – Bud Powell Thad Jones With Strings Portrait Alto Saxophone – John La Porta Bass – Milt Hinton Cello – Jackson Wiley Drums – Joe Morello Piano – Billy Taylor Trumpet, Leader – Thad Jones Dizzie Gillespie Quintet Perdido Written by Juan Tizol Alto Saxophone – Charlie Parker Bass – Charlie Mingus Piano – Bud Powell Trumpet, Leader – Dizzie Gillespie Drums - Max Roach ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Denominación en inglés para un nuevo perfil registrado en los países anglo que incluye a las personas de 40 años en adelante decididas a "cabalgar la ola” con plena visibilidad de su plateado (“silver”) talento. Con la demografía a su favor, multiplicación de la esperanza de vida saludable versus escasez de nacimientos, cambios drásticos se avecinan. Junto a Raquel Roca, experta en futuro del trabajo y gestión de talento, autora de Silver Surfers, la radiografia informada de un cambio de paradigma. El “edadismo" confrontado por el valor aportado y términos como "silver economy" o "age friendly” sobre la mesa. De Kai Winding a los Beach Boys en la BSO. “Una sola vida. Surféala bien". Escuchar audio

M

Stan Getz on 1945, 46 and 49 sessions for Savoy with Kai Winding's Kats, the Stan Getz Quartet and Orchestra featuring Shorty Rogers, Hank Jones, Max Roach, Al Cohn, Zoot Sims, Jimmy Raney and Earl Swope . . two Getz records with Benny Goodman (for Columbia, featuring Mel Powell and Billy Butterfield) are added for good measure --- Support this podcast: https://anchor.fm/john-clark49/support

PROG.Nº 664.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “NIGHT IN TUNISIA” (Sarah Vaughan-Dizzy Gillespie-Sonny Rollins) • JAZZ RECUERDO ANIVERSARIO.- Kai Winding - The Incredible Kai Winding Trombones (1960) • es un álbum del trombonista de jazz estadounidense Kai Winding que presenta actuaciones grabadas en 1960 para el Impulse! etiqueta. • La reseña de Allmusic de Scott Yanow le otorgó al álbum 4 estrellas y lo llamó "Buena música directa, obviamente, más disfrutada por los oyentes a quienes les gusta el sonido de los trombones". Track listing[edit] 1. "Speak Low" (Ogden Nash, Kurt Weill) — 4:08 2. "Lil Darlin'" (Neil Hefti) — 4:07 3. "Doodlin'" (Horace Silver) — 3:36 4. "Love Walked In" (George Gershwin, Ira Gershwin) — 2:56 5. "Mangos" (Dee Libby, Sid Wayne) — 3:46 6. "Impulse" (Kai Winding) — 3:14 7. "Black Coffee" (Sonny Burke, Paul Francis Webster) — 4:09 8. "Bye Bye Blackbird" (Mort Dixon, Ray Henderson) — 4:02 9. "Michie" (Slow) (Winding) — 3:05 10. "Michie" (Fast) (Winding) — 3:48 • Recorded at Rudy Van Gelder Studio in Englewood Cliffs, New Jersey on November 17, 1960 (tracks 6 & 9), November 21, 1960 (tracks 1, 4 & 5), November 23, 1960 (tracks 2 & 3) and December 13, 1960 (tracks 7, 8 & 10) Personnel[edit] • Kai Winding — trombone • Jimmy Knepper (tracks 7, 8 & 10), Johnny Messner (tracks 1-5), Ephie Resnick (tracks 6 & 9) — trombone • Paul Faulise, Dick Lieb (tracks 7, 8 & 10), Tony Studd (tracks 1-6 & 9) — bass trombone • Bill Evans (tracks 7, 8 & 10), Ross Tompkins (tracks 1-6 & 9) — piano • Ray Starling (tracks 1 & 2) — mellophone • Bob Cranshaw (tracks 1-6 & 9), Ron Carter (tracks 7, 8 & 10) — bass • Al Beldini (tracks 1-6 & 9), Sticks Evans (tracks 7, 8 & 10) — drums • Olatunji - congas (tracks 1 & 5) Kai Winding fue un trombonista estadounidense de jazz de origen danés. Nacido en Dinamarca, la familia de Kai Winding emigró a Estados Unidos en 1934, cuando el músico contaba sólo con 12 años. Tras su paso por las orquestas de Alvino Rey y Sonny Dunham, Winding ingresa en una banda militar y permanece allí durante tres años. En 1946 entra en la orquesta de Benny Goodman, pero su salto a la fama tiene lugar poco más tarde, cuando ingresa en la orquesta de Stan Kenton. Allí, su estilo y sonido son imitados por otros músicos de la orquesta, lo que eventualmente daría lugar a un cambio en el sonido de la orquesta misma. A finales de la década de 1940 Winding participa en sesiones con músicos bebop, toca con Tadd Cameron y toma parte en las grabaciones del noneto de Miles Davis que darían lugar al surgimiento del cool jazz. Tras ello, Winding trabaja con Charlie Ventura y Buddy Steart, y finalmente forma un quinteto con el gran trombonista J. J. Johnson que efectuaría diversas grabaciones para vario sellos discográficos de 1954 a 1956, período durante el cual el sonido de ambos trombonistas es indistinguible. La banda pasa a la historia del jazz por la calidad de su propuesta, pero tras 1956 las reuniones de Winding y Johnson tendrían lugar ya sólo esporádicamente.12 Desde finales de la década de 1950, Winding lidera intermitentemente un septeto con cuatro trombones, y ya en la década de 1960 se convierte en el director musical de los Playboy Clubs en Nueva York. En la década de 1970 forma parte de Giants of Jazz, una All-Stars Band que contaba con la participación de figuras de la talla de Dizzy Gillespie, Sonny Stitt, Thelonious Monk o Art Blakey; sus trabajos se van haciendo cada vez más esporádicos y el músico establece su segunda residencia en España. Kai Winding pasó los últimos años de su vida en Nueva York, retirado de la actividad musical.12 Una de las más grandes figuras de la era del bebop, la figura de Kai Winding siempre estuvo en cierta forma ensombrecida por la del gigante J. J. Johnson, con quien lideró uno de los grupos más populares de la década de 1950.1 Kai Winding ayudó a Johnson a establecer el fraseo bebop en su instrumento, con una claridad de sonido y una velocidad de ejecución impensables pocos años antes y la asociación de ambos hombres ha pasado a la historia como uno de los episodios más importantes de la historia reciente del instrumento.3 JAZZ ACTUALIDAD .- Esta semana tendremos a MICHEL OLIVERA-OASIS Michael Olivera es uno de los bateristas mas importantes de la escena musical cubana y española, desde su llegada a la ciudad europea de Madrid hace 6 años, ha tocado en los festivales de jazz mas importantes como Jazz a Vienne, Marciac, North Sea Jazz, Montroux Jazz Festival, Montreal Jazz Fest, Blue Note NY, junto a artistas de la talla de Alfredo Rodriguez ” Tocororo ” co-arreglista (Alfredo forma parte del ” Quincy Jones Artist ” ), Javier Colina, Sting, Esperanza Spalding, Tomatico, Perico Sambeat, Miryam Latrece y muchos otros. Después de una larga carrera como baterista y productor y participando en más de 40 discos, Michael Olivera decide en 2016 realizar su primer trabajo como bandleader, el cual está titulado ” Ashé “, y un año nos regala esta segunda producion “Oasis” una continuacion del primer album un viaje por Cuba-Brazil-Africa… los dejo con la presentacion del album por el propio Olivera, la placa esta disponible en todas las plataformas.

1. Jamie Cullum – Wind cries Mary (3:35) 2. Kenny Werner / Toots Thielemans – Windows (3:37) 3. Kai Winding

Jared Rodin came to Indiana from Chicago, were he had been a student of Frank Crisafulli and Arnold Jacobs to earn the MM degree from Indiana University studying with Keith Brown and Lewis Van Haney. He earned his BM from Southern Illinois University at Carbondale under the tutelage of Gene Stiman and Mel Jernigan of the St. Louis Symphony.Active as a clinician and soloist, Jared has commissioned and premiered many works for the bass trombone including "Morph"(1993 with the Indianapolis Chamber Orchestra) by Ken Kugler, "Concerto"(1998) by Frank Glover, "Beneath The Surface"(1997) by Steve Allee and another "Concerto"(1998) by Stan Adams. Jared has presented three concerts of music for trombone and strings with the Indianapolis String Quartet at the the Indianapolis Arts Garden. He has been soloist and clinician at Cincinnati College-Conservatory, University of New Mexico and the Hochscule fur Musik in Trossingen, Germany and directed three masterclasses at the Northwestern University School of Music this past spring.A faculty member of The International Trombone Camp, held annually in the province of Cuneo, Italy, Jared has performed as Guest Artist in recital and with notable trombonists Joe Alessi, Ron Barron, Michael Mulcahy and Charles Vernon. Additional works have been premiered in Europe including "Remembrance" and "Welcome to the Skeleton Circus" by Frank Glover, and others with the "Seraphim Trombone Quartet" at the A-DEvantgarde Festival in Munich, Germany.Principal Trombonist with the Indianapolis Chamber Orchestra, Jared is a frequent guest of the Indianapolis Symphony Orchestra and other regional orchestras including the Ft. Wayne Philharmonic and the symphonies of Marion, Muncie and Anderson. This past winter he invited to perform with Chicago's famed "Music of the Baroque". He was also bass trombonist with the Italian National Radio Orchestra of Turin, Italy for two seasons.A versatile musician, Jared has performed with artists diverse as Frank Sinatra, Natalie Cole, jazz trombonists Slide Hampton and Kai Winding, "The Who", and toured the US and Canada with entertainers Henry Mancini, Andy Williams, Johnny Mathis and Perry Como. Familiar with the orchestra pit, Jared has played hundreds of Broadway shows, opera and ballet in Indianapolis. As a recording artist, Jared has performed on numerous big band recordings, twice having been featured soloist.Jared is Instructor of Trombone at Butler University, having held similar positions at Ball State and Purdue Universities.Support the show (https://thatsnotspit.com/support/)

LOVER MAN.-JAZZANIVERSARIO.-THELONIOS MONK-Genius Of Modern Music Volume 1-1956,.JAZZACTUALIDAD.-TRIBUTO LARRY WILLI.S-larry willis - 2012 - this time the dream's on me PROG.Nº 632.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “LOVER MAN” JAZZ RECUERDO ANIVERSARIO.- THELONIOUS MONK «GENIUS OF MODERN MUSIC, VOLUME 1» Este primer volumen del par de discos editados por Blue Note con el título «Genius Of Modern Music» contiene las tres primeras sesiones grabadas por el pianista a su nombre en octubre y noviembre de 1947, en sexteto una, en trío otra, en quinteto la última. Monk había grabado ya anteriormente para gente como Coleman Hawkins (1944) y Dizzy Gillespie (1946), pero es aquí donde por primera vez pudo plasmar plenamente en disco su maravilloso mundo sonoro. Sorprende, al escuchar estas sesiones, comprobar hasta qué punto el estilo de Monk estaba ya plenamente desarrollado en 1947… de hecho uno tiene la sensación de que ese piano insólito e inagotable permaneció cabezonamente estático a lo largo de las décadas, mientras el resto de elementos musicales mutaba suavemente ante su gesto engañosamente distraído. La música contenida en «Genius Of Modern Music, Volume 1» es absolutamente deliciosa e históricamente esencial; no vale la pena andarse con rodeos en esta cuestión. Al escucharla tenemos ocasión de disfrutar de las primeras grabaciones de muchas de las más celebradas composiciones del pianista, de Well You Needn't a Monk's Mood, de Ruby My Dear a ‘Round Midnight. La primera compilación con este título y la misma portada fue publicada en 1956, posteriormente en diferentes ediciones se ha omitido algún tema, se ha alterado el orden y se han añadido una buena cantidad de otros.) Side 1: 1. 'Round Midnight (as "Round About Midnight") 2. Off Minor 3. Ruby my Dear 4. I Mean You 5. April In Paris 6. In Walked Bud Side 2: 1. Thelonious 2. Epistrophy 3. Misterioso 4. Well You Needn't 5. Introspection 6. Humph JAZZ ACTUALIDAD.-Esta semana tendremos el tributo a un gran pianista que se nos ha ido la pasada semana Larry Willis, y lo vamos hacer escuchando This time the dream´s on me'. El sello HigNote sigue con su impagable labor de dar la voz a los veteranos del jazz y a los jóvenes mas ‘clásicos' para que no olvidemos de donde venimos. Larry Willis es un pianista, teclista y compositor de jazz que podríamos integrar en la primera categoría, la de veteranos. Larry Willis nació en Nueva York en 1942 y después de estudiar canto, se decide por el piano, tras escuchar a Bill Evans. Sus primeros trabajos son acompañando a Jackie McLean (1963), Hugh Masekela (1964), Kai Winding (1965-1967), Stan Getz (1969), Cannonball Adderley (1971) y Earl May (1972). Ese mismo año se incorpora al grupo de jazz rock, Blood, Sweat & Tears, con quienes permanece hasta 1975. Después, trabaja con numerosas figuras del jazz, entre las que destacan Branford Marsalis (1986), Carla Bley (1987) y Jerry González & The Fort Apache Band (desde 1984). Recientemente, ha formado parte de la banda del baterista Jimmy Cobb. Ahora parece que es el tiempo de que Larry Willis se descuelgue con un disco a su medida, un cd en solitario, uno de esos discos que parecen estar tan solo al alcance de musicos experimentados que saben llevar los tempos adecuados y dar espacio a las notas. Musicos que saben dar la medida exacta a temas como ‘This Time The Dreams On Me' de Arlen y Mercer que da titulo al disco o piezas de la categoría de ‘True Love' de Cole Porter, ‘Lazy Afternoon' de Moross y Latouche, ‘A Single Petal of a Rose' de Ellington, ‘It Could Happen to You' de Burke y Van Heusen o ‘Lotus Blossom' de Strayhorn, además nos deleita con alguna composición propia y acaba con ‘My Ship' un tema firmado por Weill y Gershwin. Todo esta hecho con calma y buena mano recurriendo a los grandes cuando hace falta y creando un disco con sabor a clásico que seguro ocupara un sitio preferente en nuestra estanteria.. El disco fue grabado en Italia con un piano Fazioli que tiene un brillante sonido que ayuda a dar claridad a la grabación. D.P.A. amigo Larry. I. Ortega Autor: Larry Willis Título: This time the dream´s on me Músicos: Larry Willis (piano) Discográfica: Hignote Records Distribuidora: Karonte Año: 2012 Estilo: Straight-ahead, mainstream

With Nina Simone, Nelson Riddle, Phil Phillips, Glen Campbell, Connie Francis, Pat Boone... Our twin spin is Junior Walker & The All-Stars "Shot Gun" and its b-side "Hot Cha". Back to originals this week in "Time Is On My Side" by Kai Winding, yes later covered by the Rolling Stones.

Today on The Neil Haley Show, The Total Tutor Neil Haley will interview LEGENDARY DRUMMER/WINGS FOUNDING MEMBER DENNY SEIWELL. Though best known for his work with Paul McCartney and other elite rock, pop, and funk acts such as James Brown, Billy Joel, Art Garfunkel, Joe Cocker, Donovan and John Denver among others, Seiwell is a legend in the jazz genre as well. His first recording was a 1968 jazz record with JJ Johnson and Kai Winding that still exists today. He's also recorded with Astrud Gilberto, Stanley Turrentine, Eumir Deodato, Gary McFarland during this period. When Paul McCartney came to NY looking for session players to record his "RAM" album, Seiwell was selected and his jazz career was put on hold. The 50 year veteran of recording studios worldwide, can also be heard on numerous film scores for films such as Waterworld, The Postman, Atlantis, Dinosaurs, Trading Places and Bobby, among others, in addition to many TV shows of the day. He also worked with the London Symphony Orchestra on their groundbreaking version of The Who's rock opera "Tommy."  

A Child Is Born-JAZZANIVERSARIO.-The Brew Moore Quintet-JAZZACTUALIDAD.-Joe Lovano Classic Quartet PROG.Nº 499.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. Durante el presente años, y con motivo del Aniversario, tenemos previsto una serie de actividades programadas, en el que ya iremos dando cuenta de todos ellos. STANDARD SEMANAL.- “A Child Is Born” 1.-RICHARD DAVIS Y ROLAND HANNA. 2.-THAD JONES-MEL LEWIS ORCHESTRA 3.-KENNY BURRELL. 4.-OSCAR PETERSON. JAZZ RECUERDO ANIVERSARIO.- Brew Moore The Brew Moore Quintet (Fantasy 3-222) West Coast Jazz Según Ted Gioia: Esta edición del sello Fantasy destaca las grandes habilidades para el swing de este tenorista de la escuela de Lester Young. La frase más famosa de Moore fue: "El que no toca como Prez, está equivocado" Brew Moore nació como Milton Aubrey Moore el 26 de Marzo de 1924 en Indianola, Mississippi. Prácticamente desconocido para muchos aficionados del jazz debido a las pocas reediciones de sus grabaciones, Brew mostró su destreza musical a muy temprana edad cuando, a los 7 años, recibió de su madre una armónica como regalo de cumpleaños. Fue probablemente el más fiel representante de la escuela de Lester Young, mucho más que Stan Getz, Zoot Sims, Al Cohn, Herbie Steward, Bill Perkins o muchos otros que comenzaron sus carreras emulando a Lester. Sin haber sido un imitador, el "sonido Young" era con el que se sentía más cómodo. Sus palabras lo dicen todo: Si no tocas como Lester, estás equivocado, una filosofía que aplicó a lo largo de toda su carrera. Cuando adolescente integró la banda de su escuela secundaria y al graduarse, a los 18 años, ingresó a la Mississippi University para estudiar música. Pero la abandonó al cabo del primer semestre. Tomó su saxo tenor y se marchó a Nueva Orleans. Justo a tiempo antes de fracasar totalmente, fue contratado por Fred Ford para sumarse a su banda, los Dixielanders. Estuvo seis años actuando en diferentes grupos de Nueva Orleans y Memphis hasta que en 1948 se trasladó a Nueva York donde fundó su propio combo. Aunque el formato cuarteto fue siempre su favorito, integró brevemente la banda de Claude Thornhill en 1949 y participó regularmente en los clubes "Roost" y "Bop City" con grupos dirigidos por Kai Winding, Machito y Howard McGee, entre otros. Aunque Moore nunca se convirtió en miembro de la sección de saxos “Four Brothers” de la banda de Woody Herman -al igual que Stan Getz, Zoot Sims, Steward Herbie, Al Cohn y Serge Chaloff-, quizá porque nunca hubo una vacante o porque nunca se encontró cómodo en las grandes formaciones, tuvo la oportunidad de grabar The Brohers, todo un clásico del sello Prestige, junto a tres de la "brothers team" Stan Getz, Zoot Sims, Al Cohn y otro gran "Lesterman" como Allen Eager. Cada vez que Charlie Parker llegaba a la ciudad, Brew Moore era un invitado especial para ocupar alguna silla en el escenario. Eso significaba que, cuando todo parecía estar sucediendo en torno a los clubes del Greenwich Village de Nueva York, Moore era una cara conocida, tanto al tocar con los grandes del jazz como con sus propios cuartetos. Cuando en 1953 la escena del jazz neoyorkino comenzó a desvanecerse, Brew se unió al viaje de una serie de figuras del country y del western como Faier Billy, Jack Elliott y Woody Guthrie pero, imposibilitado de adaptarse a sus estilos, los abandonó en Texas y se subió a un autobús que lo llevó hasta su próximo destino, San Francisco, cuyo ambiente le atrajo tanto musical como socialmente. Allí tocó con Cal Tjader y en 1955 formó su propio cuarteto (cuya música es la registrada en el disco que ilustra esta entrada), completado con el pianista John Marabuto, el bajista Max Harstein, el baterista Gus Gustofson y el trompetista Dickie Mills como invitado. Hizo una serie de apariciones exitosas en el club "Black Hawk" y en algunas ocasiones, aunque no muy convencido, se unió a la Bearcats, una banda dixieland liderada por Bob Meilke. Yo voy donde está el trabajo, era su respuesta. En 1959, el exceso de trabajo y el alcoholismo, hizo que Moore cayera gravemente enfermo. Pero rápidamente se recuperó y reanudó su actividad partiendo en una exótica gira con el Matson, un barco a vapor que se dirigía al Lejano Oriente. En 1961, muchos músicos de jazz abandonaban los Estados Unidos. Sidney Bechet, Colman Hawkins, Benny Carter, Bud Powell, Kenny Clark, Oscar Pettiford, Teddy Wilson y Stan Getz encontraban en Europa un lugar receptivo para sus trabajos. Brew no fue la excepción y se trasladó a Escandinavia primero, Suecia después y finalmente Dinamarca. Se rodeó de los mejores músicos escandinavos y de muchos estadounidenses que habían tomado su residencia allí grabando, por ejemplo, Brew Moore In Europe para el sello Debut, un finísimo registro en 1962 con Sahib Shibab en saxo alto, Lars Gullin en saxo barítono, Louis Hjuland en vibráfono, Ben Axen al piano, Niels-Henning Orsted Pedersen en contrabajo y William Schiopffe en batería. Volvió a Nueva York y se mantuvo el la "gran manzana" entre 1967 y 1970. Pero retornó a Dinamarca al poco tiempo donde permaneció hasta su muerte. Registros como líder aparecieron en los sellos Savoy (1948-1949), Fantasy (1955-1957), Jazz Mark, Debut, SteepleChase, Sonet y Storyville. El 19 de Agosto de 1973, mientras tomaba un descanso durante la actuación en un club de Copenhague, Brew Moore cayó por unas escaleras de los Jardines de Tivoli. Murió camino al hospital. Irónicamente, después de años de incertidumbre económica, la muerte lo sorprendió apenas unos días después de haber recibido una importante herencia de un tío. 1 - Them There Eyes.-esos ojos tuyos. 2 - Them Old Blues.- Los viejos azules 3 - Tea For Two.-té para dos 4 – Rose.-Rosa 5 - I Can't Believe That You're In Love With Me.- No puedo creer que estés enamorado de mi 6 - Fools Rush In (Where Angels Fears To Tread).- Los tontos se apresuran a entrar (donde los ángeles temen pisar) 7 – Rotation.- Rotación 8 - I Want A Little Girl.- Quiero una niña 9 - Five Planets In Leo.- Cinco planetas en Leo Brew Moore (saxo tenor), Dickie Mills (trompeta), John Marabuto (piano), Max Hartstein (contrabajo), Gus Gustofson (batería). Marines Memorial Hall, San Francisco, 15 de Enero y 22 de Febrero de 1956. JAZZ ACTUALIDAD.- Esta semana os traigo lo que va acontecer este lunes en el Teatro Lope de Vega de Sevilla a las 20:30 de la noche en el CONCIERTO DE LA SEMANA.- Joe Lovano Classic Quartet Maestro indiscutible del saxo tenor, Joe Lovano es historia viva del jazz contemporáneo. Joe Lovano es considerado como uno de los saxofonistas más innovadores, dinámicos y versátiles de la actualidad. Ha conseguido estirar las normas tradicionales del jazz para agregar nuevos caminos experimentales. Esto incluye explorar diferentes interpretaciones de leyendas del jazz. Lovano ha producido álbums que rinden un homenaje a la música de Frank Sinatra, Miles Davis, Hank Jones, Coleman Hawkins, Ben Webster y Charlie Parker. Su trabajo ha recorrido todas las etapas de la música- empezando por sus raíces sonoras en Cleveland hasta llegar al jazz moderno- y ha trabajado en formatos que van desde un ensamble de nueve músicos hasta una orquesta sinfónica, pasando por tríos, dúos y recientemente con un grupo que tocaba con dos baterías. El trabajo de Joe Lovano ha sido aplaudido en Estados Unidos, su país natal y a nivel internacional, y ha conseguido varias nominaciones al Grammy y otros reconocimientos, sin que eso signifique que Lovano haya abandonado sus deseos de continuar sorprendiendo al mundo con al mundo con sus innovadores arreglos y sus composiciones únicas. Su disco más reciente “Bird Songs”, una interpretación modernizada de la leyenda del bebop Charlie Parker, estuvo nominado a los premios Grammy del 2011 en la categoría de Mejor Disco de Jazz Instrumental. Joe Lovano, saxo Lawrence Fields, piano Peter Slavov , contrabajo Carmen Castaldi, batería All compositions by Charlie Parker except as indicated 1. “Passport” - 5:27.- Pasaporte 2. “Donna Lee” - 4:30 3. “Barbados” - 6:19 4. “Moose the Mooche” - 6:34 5. “Loverman” (Jimmy Davis, Roger “Ram” Ramirez, James Sherman) - 9:03.- Amante 6. “Birdyard” (Joe Lovano) - 1:47.- Patio de pájaros 7. “Ko Ko” - 6:20 8. “Blues Collage (Carvin' the Bird-Bird Feathers-Bloomdido)” - 1:52 9. “Dexterity” - 2:49.- [Window Title].- [Window Title].-Destreza 10. Dewey Square.-plaza de Dewey 11. Yardbird Suite Personnel[edit] • Joe Lovano: Saxophone • Esperanza Spalding: Bass • James Weidman: Piano • Otis Brown III: Drums, Percussion • Francisco Mela: Drums, Percussion

Patron saint of the show, Jean-Jacques Perrey, recently moved on from this planet to spend eternity with the stars. His music was a perfect example of all the things we love at PMB: humour, virtuosity, ping-pong stereo, the Moog synthesizer, … Continue reading →

5e émission de la 34e session... Cette semaine, départ en douceur, postbop, freebop et du bon free jazz ! En musique: J.J. Johnson & Kai Winding sur l'album Israel (CTI, 1968); Yusef Lateef sur l'album Psychicemotus (Impulse!, 1965); John Lindberg Raptor Trio sur l'album Western Edges (Clean Feed, 2016); Don Cherry - John Tchicai - Irène Schweizer - Léon Francioli - Pierre Favre sur l'album Musical Monsters (Intakt, 2016, enr. 1980) Steve Swell Quintet sur l'album Soul Travelers (RogueArt, 2016)

5e émission de la 34e session... Cette semaine, départ en douceur, postbop, freebop et du bon free jazz ! En musique: J.J. Johnson & Kai Winding sur l'album Israel (CTI, 1968); Yusef Lateef sur l'album Psychicemotus (Impulse!, 1965); John Lindberg Raptor Trio sur l'album Western Edges (Clean Feed, 2016); Don Cherry - John Tchicai - Irène Schweizer - Léon Francioli - Pierre Favre sur l'album Musical Monsters (Intakt, 2016, enr. 1980) Steve Swell Quintet sur l'album Soul Travelers (RogueArt, 2016)

Hey, punk, you listening to me? Uh, maybe, say Mike and Pat, as they discuss four records that are perfectly fine but can go all recessive on your ass if you're not careful. JJ Johnson and Kai Winding – THE GREAT KAI AND JJ; Michel Petrucciani – PROMENADE WITH DUKE; Barry Guy – ODYSSEY; Ahmad Jamal – CHICAGO REVISITED.

This date which took place in New York or Brooklyn to be specific at the Putnam Central Club was put together by bassist/composer Charles Mingus. It's not a Mingus styled date but more of an informal jam. Mingus who along with drummer Max Roach owned Debut Records decided to record this special evening and put it out. Mingus picked his four favourite Modern Jazz trombonists. Mingus loved the trombone and these men represented the elite of contemporary trombonists. J.J. Johnson was the first and most prominent. Bennie Green with his distinctive smooth approach was second. Kai Winding was another hip and oft recorded modernist with his outgoing, energetic style. Willie Dennis was the young favourite of Mingus and he strove for originality of concept with an approach influenced by his studies with guru Lennie Tristano. Mingus used John Lewis on piano and New York's busiest drummer Arthur Taylor. The tunes are by and large jams with extended solos by everyone. This was a special once in a lifetime meeting that produced some great music and extended Mingus' love of the trombone. Perhaps it will extend your love of this instrument which goes back to the earliest days of Jazz history.

This week on the show we thought we would celebrate the 50th anniversary of the arrival on television of the Doctor. Dr Hardy, that is, and the rest of the cast of General Hospital, the longest running series on TV … Continue reading →

Kenny interviews legendary session musician Russell George. Together they run through much of Russell's career; from early tours with jazz greats like Pee Wee Russell, Kai Winding & Marian McPartland; to his immense oeuvre of session work with folks like Frank Sinatra, Eddie "Lockjaw" Davis, Paul Simon and even James Brown. Russell's had the fullest of lives, and is a fascinating storyteller. While listening, you can click here to visit our podcast and see images of Russell that go with some of the stories.  Very special thanks to the following people:Vocalist Ed Reed for allowing us to use some of Russell's solos on Ed's fabulous album "The Song Is You". Click here to visit Ed's website!Bassist Ray Parker for allowing us to use tracks from his thrilling album "Swingin' Never Hurt Nobody". Click here to visit Ray's website!Frank Capek for introducing Russell & Kenny, and for setting up the jam sessions that provide background music for the show. These jam sessions feature Russell on violin, Kenny on piano, Frank on bass and Frank's son Frank on drums.  Hosts: Allison Paris and Kenny MacKenzie00:00 ~ Allison's introduction01:15 ~ Music: "Guitar Sammich" from Ray Parker's album "Swingin' Never Hurt Nobody".02:50 ~ Russell's youth.06:35 ~ Music: Jam session with Russell07:30 ~ Russell in the Navy, Navy bands/gigs, Florida television!13:40 ~ Music: Jam session with Russell 214:10 ~ Russell in NYC, begins touring with Kai Winding, Marian McPartland etc, gigs in NYC 18:05 ~ Music: a violin solo by Russell on Ed Reed's album "The Song is You". 19:20 ~ Russell recollects jazz legends including Chico Hamilton, Joe Newman, Elvin Jones, Ross Tompkins etc27:10 ~ Russell transitions into a first-call session musician. Dizzy Gillespie Tour31:00 ~ Russell plays on famous recordings by Paul Simon, Janis Ian, Starland Vocal Band... more albums with James Brown, Rupert Holmes, Eddie Lockjaw & Bill Watrous39:00 ~ Music - Russell's favorite bass solo from "Live at the Blue Note"41:00 ~ Russell the composer (Nancy Lamott, Sarah Vaughan), the Grease sountrack43:50 ~ Russell plays on Frank Sinatra's "Trilogy" album; George Duvivier47:00 ~ Russell on famous jingles (Rosemary Clooney, Barry Manilow, McDonalds); Enoch Light50:00 ~ a pizzicato solo by Russell on Ray Parker's album "Swingin' Never Hurt Nobody".51:20 ~ Townes van Zandt, albums you'll never hear, Ed Reed55:30 ~ Music:  a violin solo by Russell on Ed Reed's album "The Song is You".56:35 ~ life in paradise (St. Augustine), retirement, healing, composing1:00:00 ~ postlude - Kenny           1:00:50 ~ Allison - closing remarks and info.          (Palm Coast Jazz Closing Theme by Seven Octaves)This podcast copyright 2013 Kenny MacKenzie. Contact for (free) broadcast permission and modifications.

Bu müzik ona babasından miras

Inspired by several ophidian-themed tracks coming our way in quick succession, we decided to make this week’s show all about snakes. You’ll hear colubrine tracks by the likes of Kai Winding, Mandingo, Django Reinhardt, Doc Severinsen and many others.In amongst … Continue reading →

This week’s show takes its title from a new reissue by the ever dependable Jonny Trunk whose latest reissue is Daphne Oram’s first (and only) LP, an album which was recorded for use in schools. In addition to that we … Continue reading →

JAZZ EN EL RECUERDO.- NUESTRO HOMENAJE A DAVE BRUBECK Fallece Dave Brubeck El pianista Dave Brubeck, uno de los más famosos e influyentes músicos de jazz de todos los tiempos, ha muerto hoy, justamente un día antes de su 92 cumpleaños, en el hospital de Norwalk en Connecticut, según ha informado su representante y productor Russell Gloyd. Célebre sobre todo por el trabajo desarrollado en los cincuenta y sesenta al frente del cuarteto que colideró con el saxofonista Paul Desmond. compuso o interpretó canciones inmortales, como Blue Rondo a la Turk, In your own sweet way o, sobre todo, Take five (escrita por Desmond), que convirtió el álbum Time Out, publicado en 1959, en uno de los más vendidos de la historia del género. El tema devino rápidamente en todo himno popular estadounidense, que lo mismo se empleó para sintonías televisivas que para multitudinarios eventos deportivos. Representó un cierto acercamiento intelectual a la composición de jazz, para lo que a menudo empleó patrones rítmicos propios de otras músicas, como 5/4 o 9/8 (llegó a experimentar con un 11/4, e incluso un 13/4). Nacido en California, alcanzó notoriedad como parte de la generación de músicos blancos que desde la Costa Oeste ofrecieron un contrapunto más fresco y luminoso al imaginario nocturno y dependiente del blues de las escenas de ciudades como Nueva York o Filadelfia. Su primer público fiel fue precisamente el de las universidades, donde grabó algunos de sus primeros discos para el sello Fantasy, antes de convertirse en 1954 en el primer músico de jazz moderno en aparecer en la portada de la revista Time. Impulsos como este hicieron de él también el primer intérprete en vender un millón de copias de un disco. Los años a caballo entre los sesenta y setenta fueron los de las giras mundiales y los reconocimientos. También, los de cierto acomodamiento a un estilo efectivo y extremadamente exitoso. Nunca dejó de componer trabajos orquestales o piezas jazzísticas. Tampoco cesaron las distinciones: Bill Clinton le concedió la Medalla de las Artes en 1994, mientras que Barack Obama fue su introductor en el centro Kennedy. Contaba con una estrella en el paseo de la fama de Hollywood y un Grammy a toda su carrera. Le sobreviven su mujer, Iola; cuatro hijos y una hija, así como una legión de nietos y nietas. STANDARS DE LA SEMANA-- You Stepped Out of a Dream- JAZZENELRECUERDO ANIVERSARIO Charlie Ventura nacía el 2 de Diciembre de 1916 Nacido en una familia de doce hermanos, Charlie Ventura, fue el único que se dedicó a la música, eligiendo inmediatamente el saxo como instrume n to preferido. Su primera gran influencia fue el saxofonista Chu Berry pero su juventud la dedicó a la fabrica de sombreros que poseía su padre. Fue en los años cuarenta cuando debutó profesionalmente en compañía de los músicos neoyorquinos mas importantes del momento adscritos al bebop. En 1942, conoció al baterista Gene Krupa y pronto entró en su bigband donde estuvo hasta 1943, aunque tras un paréntesis con el grupo de Ted Powell, volvió con el baterista, ahora para tocar en grupos mas reducido debido a la crisis de la bigband. Es especialmente buena su intervención en los temas: "Dark Eyes" y "Body and Soul" grabados en 1945. En 1946, ganó el referéndum anual de la revista, Down Beat, el de la revista Esquire al año siguiente dentro de la categoría de "New Star", y otra vez el de Down Beat, en 1948 en el apartado de pequeños grupos, y finalmente el de la revista "Metronome" en 1949 como saxofonista tenor. En 1946, Ventura formó una gran orquesta que mantuvo en activo hasta bien entrado 1947, cuando decidió dedicarse a formaciones mas reducidas. Una de ellas destacó particularmente, y fue en la que se veía a Charlie Ventura junto al trombonista, Kai Winding con una sección rítmica formada por Lou Stein, Bob Carter y Shelly Manne. Ese mismo año de 1947 fue contratado por la cadena WNEW para un programa conocido como "Saturday Night Swing Sessions", lo que le dio la oportunidad de tocar al lado del extraordinario trompetista, Fats Navarro o el baterista, Buddy Rich. En 1949 fue contratado por el productor Gene Norman para tocar en un concierto en el "Pasadena Civic Auditórium" con un sexteto extraordinario formado por Conte Candoli, Benny Green, Boots Mussulli, Roy Kral, Kenny O'Brien, Ed Shaughnessy y Jackie Cain. El concierto fue grabado por la compañía DECCA con el titulo: "A Charlie Ventura Concert". Ese mismo año fue llamado para formar parte de los "Metronome All Stars" junto a los demás ganadores del concurso patrocinado por esa publicación. Con el gusanillo de la gran orquesta metido en el cuerpo, formó una nueva bigband en 1950 y la mantuvo viva hasta 1951, cuando inauguró su propio club de jazz en Philadelphia, al que llamó "Open House". Entre 1951 y 1954 se dedicó por completo a regentar su club, participando él mismo todas las noches al frente de innumerables combos, siendo el mas famosos de ellos, el que formó junto a Marty Napoleón, Chubby Jackson y Buddy Rich. En los años sesenta otra vez formó una bigband propia y posteriormente se enroló con la que tambien formó Gene Krupa. Se desplazó a Denver y luego a Minnesota y tras un forzado descanso por enfermedad volvió a Las Vegas donde llegó a trabajar de disc-jockey entre 1970 y 1972. Reapareció en 1973 en Connecticut como maestro de ceremonia y director de orquesta en el "Sheraton Tobacco Valley Inn". Desde finales de los setenta hasta bien entrado los noventa, la actividad de Charlie Ventura, uno de los grandes discípulos blancos del gran Coleman Hawkins, fue decreciendo hasta que un cáncer terminó con su vida en 1992. JAZZ EN EL RECUERDO .- ESPECIAL West Coast Jazz - Jimmy Giuffre The Jimmy Giuffre Clarinet (Atlantic 1238) Según Ted Gioia: El trabajo de Giuffre en la década de 1950 cubre una amplia gama de estilos y enfoques. En este exitoso álbum juntó distintas cepas y las armonizó combinando sus tendencias experimentales con su lirismo y su amplio instinto para las sorpresas musicales. 1 - So Low 2 - Deep Purple 3 - The Side Pipers 4 - My Funny Valentine 5 - Quiet Cook 6 - The Sheepherder 7 - Fascinating Rhythm 8 - Down Home .-JAZZ EN LA ACTUALIDAD Daniel Picazo, Diego de Lera, Felipe Cucciardi Trío + Ensemble CD: Al Voltant De Mompou Intérpretes: Daniel Picazo - Piano, Fender Rhodes Diego de Lera - Contrabajo Felipe Cucciardi - Batería Kiko Berenguer - Saxos Tenor, Soprano Toni Belenguer - Trombón Voro García - Trompeta David Fores - Chelo María Velasco - Voz. Títulos 1.- Impresiones Intimas I, 2.-Impresiones Intimas II, 3.-Canción Nº VI, 4.- Over the Rainbow, 5.- Beautiful Love 6.-Nocturna 7.- Nana in Minor Jordi Gaspar-Jordi Bonell-Roger Blavia Gemini / Novedad Quadrant Records (CD) Gemini es la nueva entrega del bajista catalán Jordi Gaspar, uno de los instrumentistas más consolidados de la escena del jazz y las músicas improvisadas.

O programa da semana abre com uma frase do biógrafo dos filósofos gregos Diógenes Laertius, que cerca de 250 antes de Cristo disse: “Tempo é a coisa mais valiosa que um homem pode gastar”. Você já percebeu que conforme envelhecemos, o tempo parece passar mais rápido? Deve ser a consciência de que estamos usando o estoque e um dia ele acabará... Mas será que é só isso? Na trilha sonora temos Rita Ribeiro, Kleiton e Kledir, um cheirinho de The Rolling Stones e Kai Winding com as Gospelaires. Apresentação de Luciano Pires.

PROGRAMA Nº 248.- Trombonista Curtis Fuller grabaciones de Savoy en la década de 1950, al igual que los compañeros de sello de Hank Mobley, Milt Jackson, Harden Wilbur, Donald Byrd, y otros, fueron los prototipos en el desarrollo del hard bop. . La siguiente etapa vendría con el posterior trabajo de muchos de los mismos artistas de Blue Note, donde la técnica de grabación mejorada, una mayor atención a la escritura y la organización, y una política más generosa en lo que respecta a la preparación y tiempo de ensayo ayudó a llevar en el hard bop clásico era de los años 50 y principios de los 60. . El Jazz de Fuller ... Es magia, el prototipo del hard bop sigue siendo objeto de perfeccionamiento, pero es fácil disfrutar de la música en sus elementos esenciales: melodías elegantes, blues, terroso, pero sofisticado, el trabajo en solitario, y los tratamientos recientes de las normas. Para esta fecha de 1957, Fuller se unió a la suplicante urbana Tommy Flanagan (piano), el versátil Louis Hayes (batería), y George Tucker (bajo), cuyas zancadas, pero el estilo se parece a Paul Chambers sólida ". Unirse al trombonista en la primera línea es el relativamente desconocido jugador de alto Sonny Red, que tiene un limpio, el enfoque expresivo, melódico a la herencia de Charlie Parker que proporciona muchos de los mejores momentos de este CD. Si hay dudas sobre el CD, que sería el relevo largo (más de 13 minutos), que arrastra en el ritmo general. . Dicho esto, Rojo y puntos de Flanagan en solitario en el popurrí son excelentes, pero la atención del oyente se puede esperar a vagar por el momento en que el trombonista finalmente, los pasos para sus tres coros El trombonista, Curtis Fuller pertenece a esa generación de músicos posterior a la epoca dorada del trombón moderno de jazz que representaba, Jay Jay Johnson y Kai Winding fundamentalmente. Desde el principio de su carrera profesional, Curtís Fuller destacó por su originalidad, creatividad y también por dotar al trombón de jazz de la línea moderna de continuidad que le proporcionaron los dos músicos antes citados. En la segunda parte en Jazz en el Actualidad, tendremos un homenaje a BERNARDO SASSETTI con su disco MOTION

On this week’s podcast it’s all Space Spectres, Galactic Ghouls and Cosmic Creeping Horror as we celebrate Halloween here aboard the Moonbase. In addition to the spooky music, MC Zirconium will be telling us all about Moon-plosion science, monkey masters … Continue reading →