Podcasts about handclaps

We had the pleasure of interviewing Gina Alice over Zoom video!International star, accomplished pianist, and dynamic vocalist Gina Alice shares her debut single “Slo-Mo” available now. It stands out as her first release for Republic Records, following her recent signing to the label. Listen to “Slo-Mo” HERE. Known worldwide for her impressive instrumentation, the track illustrates another facet of her artistry for the first time as she leans into a seductive blend of pop, R&B and cinematic soul. Meanwhile, she showcases her range on “Slo-Mo.” Handclaps accent the synth-laden production, while her voice hovers over the soundscape. She opens up without filter, and she issues a flirty invitation on the chorus, “Turn the lights low, love me slo-mo.”About the song, she commented, “It started with me playing piano chords. I was vibing over the harmonies and finding the mood. It's more of a sexy and vibey song. It's about this feeling when you meet someone and connect. You really feel the good moments, but they pass too fast, so you want them in ‘Slo-Mo'. When you hear it, I hope you feel yourself and have fun in the moment.”Gina has made headlines throughout 2024. She collaborated with her husband and iconic pianist Lang Lang on his latest full-length album, Saint-Saëns. She notably contributed to 18 of the 32 total tracks.Now, she embarks on her biggest, boldest, and brightest chapter yet with more music to come, beginning with “Slo-Mo.”ABOUT GINA ALICE:Renowned for her virtuosic piano playing on stages around the globe, vibrant personality on television in Asia, and inimitable presence, Gina Alice has emerged as an international star on her own terms. Balancing classical prestige and fashion-forward panache, she's the rare force of nature to be selected as an official Steinway Artist and grace the pages of Vogue, Elle, and Harper's Bazaar in addition to locking down alliances with Dior, Guerlain, De Beers, and Roger Vivier. She shines in her mega-popular reality show Gina's Motel—which averages a weekly audience of 300 million-plus across China. Following widespread success in classical with her acclaimed Wonderworld album and more, Gina started to showcase her voice. Disney recruited her to bring “River of Memories” to life in the Chinese version of the blockbuster Frozen 2. Collaborating with husband Lang Lang on his The Disney Book LP, she notably performed “When You Wish Upon a Star” in Chinese, English, and Korean for the project. Not to mention, the couple co-starred in the Disney+ special, Lang Lang Plays Disney. Simultaneously, she performed on some of the most hallowed stages in the world, including Hollywood Bowl, Radio City Music Hall, Carnegie Hall, and Royal Albert Hall. As if sharing a secret she couldn't wait to disclose, she finally realizes one of her most intimate dreams, picking up the microphone and making her pop debut as a solo artist for Republic Records in 2024.Stay tuned for more news and announcements coming soon.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #GinaAlice #LangLang#NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Musician Jake Blount shares his passion for propelling Afro-futurist music

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

I get into a different studio and talk to Ashley and she spills the tea on what fills her cup. We chat about how she went to photographing families an the transition into boudoir photoshoots. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Grab a hot dog for this one! I talk sports with John and get the history of the baseball tournament held every summer in McHenry County. Some pro players played in the tournament before making it to the big leagues. Find out who on the episode. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Cathy brings an east coast favorite home. I learn about the what it is like to start a new business from someone who is still going through it. We talk about the all the ups and downs on the process. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I take off to Italy and take a tour with Katie as she tells me why we should all go to Italy! Sit, listen and then book your next vacation! Join Katie and her family on our upcoming Wine & Relax Retreat, September 7-14, 2024! Starting November 24-28 get $300 off the full price with our Black Friday Sale. Embark on a voyage of exploration with us to uncover the true essence of Italy. Ready to experience Italy with our friends? Send us a message today!!! Book a call before 11/18 to unlock a 20% discount on our Custom Trip Planning. With prices as low as $150 per person, this exclusive offer is too good to pass up! What's included in our Custom Trip Planning => https://lnkd.in/gPbd893h  Book your AMAZING Italian experience today! Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I jump into the driver's seat and talk with race car driver Kami as she tells me what it's like to be a high schooler while trying to make it in the sport of racing. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I put my shoes on and head to downtown Crystal Lake to learn about one of the city's oldest and most treasured businesses. Jim gives me some Crystal Lake history and the lowdown of how Heisler's started. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I sit in the director's chair and get the story behind Nerd House Films and their movie "Devil's Income". Find out how a college play journeyed it's way into a movie. Find the movie HERE Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Jessica and I strike a pose for Zoom and chat about the leap she and her husband took to change careers. She also tells me about her Survivor Series which you should definitely check out. Stay tuned at the end of the episode for next week's preview. Email the show at ⁠leftatthelightpod@gmail.com⁠ or  Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I wake up with the morning show team at Star 105.5, Joe Cicero and Tina Bree. We talk about their career, their relationship and being together for 14 years. Catch them in the morning on 105.5 Monday through Friday. Email the show at leftatthelightpod@gmail.com or Text at 815-320-4495 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Is there a better way to kick off your weekend than with a Six Pack? We think not! That's right, we're hopping out of the O3L era again for another installment featuring six songs that we think YOU should hear this weekend. This week, we bring you a theme within a theme (how clever is that, eh?). Not only are all of the artists spotlighted this week on the wonderful Big Stir Records (https://bigstirrecords.com), but all of the songs have a summer theme. How appropriate! Big Stir is a Burbank, CA based indie label specializing in melodic pop/rock, formed in 2017 by Christina Bulbenko and Rex Broome from the band The Armoires. Today, the label boasts one of the most impressive and prolific artist rosters around, from ‘60s psych rock warriors to ‘70s power pop heroes to ‘80s college rock trailblazers to the finest pop torchbearers to emerge over the past 30 years. In fact, we have had the extreme pleasure to have our show graced by several artists from the Big Stir world past and present - The Flashcubes, Arthur Alexander from Sorrows, Tony Valentino from The Standells, Jim Basnight, Kevin Robertson from The Vapour Trails…and we have yet another in an upcoming episode that we are so excited about that we can hardly contain ourselves. But there are so many great musicians on Big Stir - I wish we could name them all, but trust us on this one…their catalogue is of such consistently high quality that you can go to bigstirrecords.com, peruse their list of artists, and pick out some records that you're certain to love. And not only that, but Rex & Christina are amazing people - warm, genuine, and working to build a community driven by a true love of the art, craft and power of pop music. Just a case in point of how cool everyone in the Big Stir family is - recently, we received a lovely email containing O3L shoutouts from a bunch of their artists, and we were absolutely touched and awestruck that these amazing artists would take time out to cut these promos for us.  From the bottom of hearts, thank you to all those involved. The support truly means the world to us. So, please show your love and support to Big Stir and this cool six pack of artists: Lannie Flowers - 'Summer Blue' (from Flavor Of The Month) Irena Peña - 'It Must Be Summer' (single) Sparkle*Jets UK - 'One Summer Sunday' (from Best Of Friends) Dolph Chaney - 'Cool In The Sunshine' (from the upcoming LP Mug) Allyson Seconds - 'On A Sunny Day In Summer' (from Bag Of Kittens) Librarians With Hickeys - 'Last Days Of Summer' (from Handclaps & Tambourines) Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elf Jahre ist es her, seit The Hives zum letzten Mal ein Album veröffentlicht haben – und offensichtlich hat ihnen diese Veröffentlichungspause verdammt gut getan. Plötzlich rocken die Schweden wieder wie damals, als sie als Teil der «The»-Bands-Welle mit Hits wie «Walk Idiot Walk» oder «Hate to Say I Told You So» die Massen zum Pogen gebracht haben. Das neue Album – erst das sechste in der Bandgeschichte – bezirzt mit Garage Rock'n'Roll, poppigen Handclaps und 1-2-3-4-Punk-Rock im Stile der guten alten Ramones. Natürlich stets unter der Drei-Minuten-Grenzen. Was für ein Abriss! Was für eine Rückkehr! «The Death of Randy Fitzsimmons» ist unser neues Album der Woche. Vinyl und CDs daily: nur für euch, nur live in der Sendung!

I sit in a Zoom chat with Paul and ask him where he was when his father was murdered. Paul wrote a book about it and tells me about the ensuing investigation that led to naming his father's killer. Yes, this took place in a bar in McHenry. Listen to the story as Paul recounts the mystery and what took place after the murder. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I truck on down to Hempstock Pharms and chat with Stacy. I get an education in Hemp, CBD and what they do with it. Stacy and Jordan are in my eyes experts. I got to hear all the details and watch as Jordan helped a customer find the right product. If you go into their store, I promise your best interest is in mind for what you need. It was an educational and fun day! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Lisa and I hop on Zoom to talk about all the stuff she does while being a Life Coach. Including but certainly not limited to organizing retreats. When Lisa reached out it was one of the things that stood out to me. Lisa also includes yoga and meditation as well as Reiki. www.lisagniady.com info@lisagniady.com "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Eigentlich haben Susanne Sundfør und Jófríður Ákadóttir ja nicht viel gemeinsam. Sie kommen nicht einmal aus dem gleichen Land. Und trotzdem zeichnen sich ihre neuen Alben «Blómi» (Sundfør) und «Museum» (JFDR) beide durch ihre unüberhörbare Naturverbundenheit aus. Chörli und Handclaps inklusive!

Located in Wonder Lake, Magic Meadows Alpacas offers different experiences you can have with their Alpacas. I chat with Sally and Mike about their farm and ask the big question. Why alpacas? During my visit I got to visit and feed the alpacas and I had a great time with these friendly animals. Check them out on their facebook or website and book and event as they are gearing up for the season. https://magicmeadowsalpacas.com "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I got to do a paranormal tour of the Dole Mansion with Loren before our conversation. You can tell that she loves what she does and is constantly enjoying sharing her experience and knowledge with everyone. I lost a part of our conversation at the end because technology. What remains is a pretty fun episode. Mystic Chick on Facebook https://www.mysticchick.net/ "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

In this episode I learn about the University of IL extension. Michelle fills me in on what extension is, what it offers and how it benefits the community. It was all new information to me as I didn't know about them until they reached out. Contact them to join in on their programs and learn something new! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I learn about Toby's Fund, a fund that is offered in McHenry County that I hadn't from before. Whatever your view is there's a lot good information in this episode. I hope that you'll give it a listen. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

The housing market has always been an interesting topic. I visit with Don and we talk about his background. We also get into the history of the housing market and a little about the ups and downs. I found it very interesting and I hope you do to. Don't be a stranger to our Facebook page. Like and subscribe people! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Ken is a man of many hats. I sit down with him over Zoom and we talk about all the things he has been apart of in the community. It's a great story about someone giving back. I may have also given my "Big Game" prediction, so by the time you hear this you will know if I was right or wrong. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I chat with Stefanie and we dish all about healthy eating. I really enjoyed the energy and passion that she brought to the table. This could be the answer to your resolution to healthy eating. Enjoy this episode to kick off season 5! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Episode 84 Psychedelic Japan, Part 3   Playlist Boredoms, “Super Going” from Super æ (1998 Birdman). Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), Electronics, Eye. 12:26. Boredoms, “7-(Ewe Remix)” from Super Roots 7 (1998 WEA). Bass, Effects, Hilah; Drums, Percussion (Electronic), E~Da; Drums, Sampler (Samples), Percussion, ATR; Drums, Vocals, Tape (Bird Flying Sound), Keyboards (Casiotone), Yoshimi P-We; Guitar (Guitars), Yamamotor; Sampler, Synth, Kiyoshi Izumi; Vocals, Synth, Tape (Open Reel), Electronics (Vacuum Cleaner), Bell, Effects, Sounds, Electronics, Tape (Insects, Bird), Eye. 4:05 OOIOO, “Oizumio” from Feather Float (1999 Polystar). Pronounced OH-EE-OH, Band formed by trumpeter and drummer for the Boredoms on a whim as the result of a photo shoot she once did. Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 3:39 OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Boredoms, “"Ҩ" (Spiral)” from Vision Creation Newsun (2001 Birdman). There have been some live performances of this music from Vision Creation Newsun where Eye has recruited as many as twenty drummers to join the fray, all positioned in a circle with Eye conducting from the middle. And it's said that this is not one of his most extreme performance setups. Bass, Effects, Vocals, Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:33 Boredoms, “"↑" (Arrow Up)” from Vision Creation Newsun (2001 Birdman). Bass, Effects, Vocals (Vox), Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:26 Adachi Tomomi, “Gamp” (2001 unofficial release). Adachi Tomomi is a performer/composer from Tokyo, Japan. He plays improvised music with voice, computer, and self-made instruments. 2:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “The Creation Of The Human Race” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 9:12 Acid Mothers Temple & The Melting Paraiso U.F.O., “Dalai Gama” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 4:32 Merzbow, “Argus” from Karasu: 13 Japanese Birds Pt. 4 (2009 Important Records). Music by Masami Akita. We included a cassette release from Akita in part 2 of this series. That was from early days for Merzbow, 1984. It seems fitting that we include a more recent CD by him here. Limited edition of 1,000 copies. Recorded and mixed in Tokyo, Feb 2009. 19:40 Opening background music: Far East Family Band, “Parallel World” from Parallel World (1976 MU Land). Music by, arranged by, Far East Family Band. Produced, recorded, computer mix by, Klaus Schulze. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations. See my blog for the Bob Moog Foundation.

El especial de este mes en Achilitime gira en torno a la figura del productor gitano más avanzado del planeta según Txarly Brown: Jack Jean Tarradellas "Jack Chakataga" Escoudé (Barcelona, 14/6/1984) hijo del mítico Johnny Tarradellas "Chipén". Jack es una figura imprescindible para entender la evolución de la rumba y el flamenco en el siglo XXI en nuestro país. Su curriculum es tan extenso como el de Pharrell. Un productor vocacional es el que no mira nunca el reloj en su estudio. Jack no sabe si es de día o de noche. Aparece con tan solo ocho años en los créditos de No Sólo de Rumba Vive el Hombre (BMG, 1992) de Albert Pla como corista. Su primer encuentro con los controles de un estudio de grabación se remontan al disco coral ideado por su padre, Som la Rumba (Zanfonia, 2000) con 16 años. Antes ya había formado su primer combo rumbero, Chipimaya, a duo con Chiqui Amaya hijo de José de Los Amaya. Más tarde cursa estudios musicales en el Taller de Mùsics donde forma (entre otros muchos) el proyecto de corte flamenco latin jazz Chakataga; uno de rumba arabesca junto músicos amazighs, Rumbamazigha, y otro de recuperación del legado de la rumba catalana con Rumba Vella. Todos ellos editan más de un disco que él mismo graba y arregla. También forma parte fundamental del proyecto Banda Achilifunk y actualmente del Achilifunk Sound System. Paralelamente arranca su carrera como productor, técnico de sonido y arreglista convirtiéndose en el pluriempleado más prolifico de la escena rumbera. Por sus manos han pasado Lady Gipsy, Sabor de Gràcia, Arrels de Gràcia, Viejos Rumberos, Micu, Ai Marai, Revolución, Manuel Malou, 4 de la Cera, Ramonet, Peret, Chacho y una lista interminable... También podemos otorgarle el mérito de ser el primero en grabar a Rosalía cantando Herois Obscurs en el disco Or Verd (Temps Record, 2014). Para más "inri", toca con solvencia prácticamente todos los instrumentos conocidos y si no, aprende en el tiempo que tarda en sujetarlos. Y es el inductor a la rumba y el flamenco de todo tipo de músicos: del pop al jazz. Algo así como lo que hizo Víctor Martínez en la mutación de C Tangana a la rumba: Musical Box, Handclaps, Guitar, Keyboards, Flamenco Guitar [Spanish Guitar], Electric Bass, Classical Guitar, Congas, Bongos, Bells, Maracas, Guiro, Backing Vocals, Timbales, Claves, Voice, Effects [Flamenco Percussion], Rhythm Guitar & Drums. Eso consta en los créditos.Veamos lo que hace Jack en un año de trabajo. Estamos en 2022. El programa de hoy recoge algunos de esos momentos. Desde sus conocimientos musicales y su bagaje sonoro, recrea y reinterpreta estilos dispares con una versatilidad y soltura impresionante. Arrancamos con el track que marcará el futuro presente. Cuando el rumbatón (o flamencotón) y la kinkydelia electrónica andaluza ya son mainstream (Tangana / Califato) Jack los adelanta a todos por la izquierda y se saca de la manga un taladro con adornos flamencos que dinamita las redes: Gipsy Drill. Jack hace tiempo que está a la vanguardia, a pesar de que nadie se entere de ello. Quizás su modestia y el no vivir a sueldo de una multinacional lo hacen único. Su espíritu libre y su caos vital lo acercan al genio indomable que siempre está un paso por delante. Si alguien se ofende lo sentimos, pero en este país de "catetos" Stromae o Tyler The Creator serian camareros. España es esa monarquía bananera en el que el Ministro de Cultura tiene menos ídem que un youtuber y lo más bochornoso es que no se avergüenza de ello. Eso lo explica todo.Volvamos al tracklist. Alternaremos a A93 con las 4th music sessions: trap, drill y rumbaton de salida a toda velocidad. Pasando por las baladas electrónicas de Iria M caeremos en la electrónica arabesca experimental. Con ella nos mudaremos al anime japonés. Lo de Jack es realmente de otro planeta: trasladar al flamenco sintonías de videojuegos. Otro salto estilístico: de la sintonía del Festival Flamenco Trocadero de Sotogrande de aire salsero gitano caeremos en la copla modernizada de Manuel Fernandez y su Bien Pagá. Repite Iria M, la musa de Jack (que en cuanto la descubra una multinacional volará hasta la luna). Sigue el programa con un surtido de rumbas al estilo moderno, sumándole samba, electrónica, balkan beats, metales preciosos, catalanismo o lo que haga falta, Jack siempre sorprende. Hasta Machado sucumbe al taladro. Y como colofón una sinfonía experimental de flamenco jazz. Talento en estado puro. Estos son algunos proyectos recientes, no es un "Lo Mejor de..." porque sería imposible sintetizar su carrera en una sola hora. Simplemente es un muestrario reciente de la extraordinaria versatilidad del mejor productor gitano en activo. Un crack.

Episode 82 Psychedelic Japan, Part 2 Playlist Wha Ha Ha, “On the Floor” from Wha Ha Ha (1983 Recommended Records). This group released three records in 1981, all in Japan. Recommended Records, the UK-based record maker, released this compilation of tracks taken from all three of those records. The group Wha Ha Ha ended at that point but its four principle members went on to varied musical careers. Akira Sakata is an alto saxophonist, Kiyohiko Semba is a percussionist, Mishio Ogawa is a vocalist, and Shuichi Chino is a keyboardist and electronic musician. 10:08 Merzbow, “Untitled 1” from Material Action for Two Microphone (sp) (2nd version) (1984 artist cassette). Masami Akita is one of my long-time favorite Japanese electronic/noise practitioners. He would send me cassettes back in the 1980s and I've always tried to keep up with him. Not strictly a Japanese psychedelic artist, I include him here primarily because, like some of the other artists in this podcast, he has widespread influence on other genres of Japanese electronic music. This prolific Japanese noise artist has released over 500 recordings since 1979.Recorded at Merzbau. Tape, Recorder, Synth, Effects, Kiyoshi Mizutani; Tape, Violin, Electronics, Effects, Masami Akita. Early cassette by Akita. 22:30 Yoshiaki Kinno, track 4 from unknown cassette, 1984.Japanese guitar and saxophone improviser. In the 1980's he established a cassette label featuring a wide range of improvised music. 3:32 Boredoms, “Boil Out UFO” from Boretronix 88' (1988 Mega Scum Groove Inc.). I think this is their first cassette release, going back to 1988. Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 2:18 Boredoms, “Untitled” (excerpt) from Boretronix 3 (1990 Ltd.). Another early cassette release from Yamatsuka Eye on his private label. This cassette consists of remixes of unreleased Boredoms material and fully explores the noise and rhythmic aspects of their work. This is an interesting prelude to their latter, more cohesive works. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 12:01 Otomo Yoshihide, “We Insist? A) Rinko-Gun; b) x-Day” from We Insist? (1992 Sound Factory). Japanese experimental musician, turntablist and guitarist. Additional musicians on these tracks, Bass, vocals, Numata Jun; Guitar, Saito Ken-ichi; Vocals, performer (Junk), Lim Soowoong. 5:37 Omoide Hatoba, “Satellite Groove” from Kinsei (1996 Birdman). Japanese psychedelic, alternative, experimental -rock band. Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 3:53. Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1996 Birdman). A&R, David Katznelson; Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 2:30 Yasunao Tone, “Part I” from Solo for Wounded CD (1997 Tzadik). Yasunao Tone was one of the founding members of Japan's Fluxus movement and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Team Random (the first computer art group organized in Japan). He is a pioneer in the use of prepared CDs of which this work is a prime example. All sounds used were from scratched CD's. 14:28 Changing Hands, “Spaced” from Changing Hands (1997 Medium Productions Ltd.). Written, performed, produced by, Nobukazu Takemura, Richard Barbieri, Steve Jansen. Takemura is a Japanese electronic DJ, producer, and artist. Richard Barbieri is a keyboardist, engineer (once a member of the group Japan). Steve Jansen is an engineer, drum programmer/percussionist and DJ (and brother of David Sylvian). 6:54 Melt Banana, “Section Eight” from Charlie (1998 A-Zap Records). Melt-Banana is a band from Tokyo, Japan. They were formed around 1991/1992 by singer Yasuko Onuki who later recruited guitarist Ichirou Agata and added the bassist Rika. Additional drummer, Natsume. 3:49 Melt Banana, “Taen Taen Taen (?)” from Charlie (1998 A-Zap Records). Melt-Banana includes singer Yasuko Onuki, guitarist Ichirou Agata, and bass player Rika. Additional musician, electronics, Oshima. 0:45OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Opening background music: Junji Hirose + Yoshihide Otomo, “Noise From Far East” and “The Time to Live and the Time to Die” from Silanganan Ingay (1989 Tanga-tanga). Self-Made Instruments, Toy Rhythm Box, Toy (Voice-Changer), Toy Autoharp, Tenor Saxophone, Junji Hirose; Turntables, Cassette Tape, Hand-Made Guitar, Small Instruments, Toys, Otomo Yoshihide. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

The Clopen Effect is not listening to people talk about a podcast on a podcast but that's what you're doing now. I grab a cart and chat with Meredith and Cass about their retail podcast. They tell me what the Clopen Effect is, how they met and why a podcast. I also got a chance for the tables to be turned and appeared on their podcast. You can hear that on their 80th episode here. Want to hear more from the Clopen Effect? Listen Here "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Lay down on the couch and tell me all about it. I talk to Donna about her approach to therapy and how she helps her patients. Donna is creating a wonderful space for her patients to get the right treatment. This is a must listen for anybody looking for information. Visit Donna here ---> Click Me! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Elaine from Theatre 121 and I act up as we talk all about what it takes to put on a show. Check out this episode in which we talk about getting up in front of people and putting on musicals and plays. How hard is it to be on stage? How difficult it is behind the scenes? Let's go out there and break a leg on this one. Get tickets at Theatre121.org "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Erin and I talk about what it's like to sling drinks and provide a unique service with a horse trailer. We of course go off topic but somehow land on how and why Happy Trailer Co. was started. Cheers! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I hit the gym with owner and trainer Steve of TNT Athletics. Find out what drives him everyday and in everything he does. Hear about his passion for training people and how it makes people achieve their goals. Find Steve and contact him here https://www.tntathleticscl.com/ "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

This time I'm inside the Dole Mansion to talk about the Dole Mansion! Erin and Katie tell me about the history of the Dole. We also get into how they are keeping the Dole a great destination for the people of Crystal Lake but also beyond. Learn all about this unique destination located right in our beautiful city in the northwest burbs. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I get the lowdown on Karen Shook as we talk about how she turned her love for music into a career. Stick around to the end of the episode to hear Karen perform. If you like what your hear check her out on her socials listed below. I am also including a link to her latest album on Spotify. karenshook.com Moodswings Part 17 "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Sit back and listen to why Tony's Cafe has created it's own story from love to owning and running a business. Tony's has created it's own family from all the customers to it's crew of talented people. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I get the story of Your True Note from Cassandra. We talk about her background in singing, performing and how it led her to starting Your True Note in Woodstock. Be careful around the 14 minute mark as she shows off her opera singing pipes! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I go inside the Raue Center and get to learn the history of the Raue. Richard and I talk about some of the greats that have been on the stage as well as smaller local acts. I learn what it takes to keep it going including all the amazing volunteers and they work they do. The Raue is one of the gems that make this area very special. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I chat over Zoom for a second time with Melissa. This time we talk about Real Woodstock and she tells me exactly what it is and what it does. This is a great look into Woodstock as a whole. It's a great community and full of fun things to do as well as great businesses. Woodstock is a great supporter of the podcast and I appreciate their involvement. Enjoy the season 3 finale! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

I climb into the tiny work space of a food truck and talk to the owner Shauna. We discuss the big question of why a food truck and more importantly why balls. I left with balls to-go and I absolutely will be back for more. Check out their Facebook page to find out where they will be next. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

In this episode I sit down and talk some Yoga and many other things with Dayna Booker. We get into how it all got started and how it evolved into having her own studio. Dayna is especially good for new students to learn. So go and sign up for some Yoga classes today. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

This time I get to taste just about everything Spirit Water has to offer. Sit down and relax with this one while Tim tells us all about how Spirit Water came to be and some family history that brought us here. This was a fun one to listen to and drink to. Cheers! "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

In this episode I talk to Chef Will at Below Zero. Below Zero is a maker of soft serve machine that you can mix with any type of alcohol. You can find it at a bunch of different places around McHenry County and I highly recommend you try it. Give the episode a listen and find out how they do and where you can try it. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Novedades 2021 last call. Este año en Achilitime hemos reunido en cuatro programas las principales novedades del espectro rumbero actual español. "Cruce de Caminos", "El Rumbero" y "Verano del 2021" son los tres precedentes. Este es último del año y llega tras la grata noticia de los tres Grammys Latinos para el sagaz C. Tangana "El Madrileño", gracias a su reciente reconversión rumbera y previo pago del canon de participación en el certamen. Sin restarle ningún mérito, pero no todo el mundo se lo puede permitir sin una multinacional que te respalde. Pero es igualmente motivo de alegría para la semilla rumbera local que siembra este programa desde hace meses. Recordemos que el capítulo de mayo llamado "El Rumbero" se auguraba: "Arrancamos el programa con la sensación del año: El Madrileño. C. Tangana se corona rumbero mayor de la mano de los clásicos para facturar un disco que marcará su punto de inflexión..." Payo dame un Grammy!. El nuevo Rey de la Rumba, a tenor de sus números, inicia gira mundial en breve. A ver cuanto le dura la fiebre del Hawaiano. Su formula rumbero flamencotona se llama Víctor Manuel Sánchez Martínez (de Elche) que "solamente" le ha ayudado -según los créditos del disco- con: Musical Box, Handclaps, Guitar, Keyboards, Flamenco Guitar [Spanish Guitar], Electric Bass, Classical Guitar, Congas, Bongos, Bells, Maracas, Guiro, Backing Vocals, Timbales, Claves, Voice, Effects [Flamenco Percussion], Rhythm Guitar & Drums.Vamos con las novedades del último trimestre del 2021. Alex Melero lanza este diciembre su Latin Persuasive Funk, donde rumba y ritmos latinos se reúnen en plan dream team para conformar un LP temático como los de antes. Grabado hace cuatro años, por fin ve la luz de la mano de Gutifunk Records. Una batería de instrumentales profundos y bailables, ellos abren y cierran el programa. Otra novedad es la versión en single del tema de Van Halen, Jump, por obra de Boogalizer, combo barcelonés heredero de los míticos Fulanos que inicia su despegue tropical. Dale Meneíto, de Raúl Latino es el último proyecto sabrosón del ex líder de Latino y los Llobregantes. Heredero de la pasada década de apogeo de la rumba catalana, años en los que Muchachito Bombo Inferno o Los Manolos dieron que hablar, y que lanzan sendos singles que podrás oír a continuación en clave swing brass band y hip-hop rumba. De ahí ya saltamos directamente al rumbatón puro y duro que ha sabido rentabilizar El Madrileño: Canelita, Luisa Fernanda, Moncho Chavea, Manuel "El Popeye", El Polo... la lista es interminable. Todos merecedores de su Grammy visto lo visto. En medio se cuelan Derby Motoreta's Burrito Kachimba, que han incrustado su trianismo de manual en la BSO de Las Leyes de la Frontera (Daniel Monzón, 2021). Han pasado del progresismo kinkydelico a la rumbita chichona, ¡super oportunos! Otro tema nuevo de nuestra querida Poochyeeh y sus Sweet Barrio se cuela en esta lista de novedades: Naide. Junto con Rosario "La Tremendita" o Lucia Fernanda no se les debería perder la pista. En la parte final rozando la navidad nos topamos con Sabor de Gracia en clave villancico trap, poniéndose al día a toda velocidad. Les sigue Pep Lladó que lanza nuevo disco en solitario del que rescatamos el himno neoclásico Brama la Fera, en el que colaboran todos los vocalistas de Ai Ai Ai: Rafalito Salazar, Sicus, Mikel Gorriz, Jordi Gas. Y acabamos con Rambo y su Timba que, vistas las cifras de seguidores y visualizaciones en redes, podemos asegurar que hoy por hoy es la gran esperanza gitano rumbera salseada de Catalunya. ¡Caramba, carambita, carambirulí! Desde luego que por su simpatía lo merece, pero además por ser el mejor percusionista gitano del país según Txarly Brown. De grabar para Sony tendría la casa llena de Grammys.

I head back to the Woodstock Square and talk to Ken at Material Things. Material Things is a great way to support a local business and local artisans. Ken tells me all about his interested and how Material Things got started. It is a great story that you are certain to enjoy. Check them out on Facebook or their website to see what they offer. http://www.materialthingsartisans.com/ "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Bonus episode!  I talk to one of the authors of "Who Killed Kelsey?" and CASA of McHenry County.  In the first half Britten tells me about her experience as a reporter and about how she followed the story that eventually led to the book.  Then in the second half of the episode Becky tells me about what CASA is and how it is there to help children with a vision of getting kids back to the parent.  This is a special episode and I'm excited to bring both of these stories to you.   Britten has commited to donating $5 to CASA of McHenry County for every book purchased from now until January 31st.  Get a signed copy of the book here ---> "Who Killed Kelsey?" By: Britten Follet and Cherokee Ballard For more information on CASA please visit them here ---> CASA of McHenry County or Email them at info@casamchenrycounty.org "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area #CASAofmchenrycounty #smaillbusiness #localauthor #shoplocal #locallyowned #whokilledkelsey? #localpodcast

I get a chance to talk to Nancy and Shannon from Hattie & Myrt. They are located on the historic Woodstock Square. Hear how they ended up there, and how they got their name. Don't forget to stop in and do some holiday shopping. They do wrap! Email me at leftatthelightpod@gmail.com "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area #shoplocal #smallbusiness #locallyowned #smallbusinesssaturday #woodstock #mchenrycounty

I sit down with Jen and Chris from Sucker Punch and learn how they started a band. I get some insight in what it takes to put on shows and keep perform onstage in front of a crowd... or sometimes not. I get to ask about their musical influences and what songs they love to perform. Listen all the way to the end to hear the duo play "Me and Bobby McGee". Email me at leftatthelightpod@gmail.com "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion, Mandolin Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Taroy is joined this episode by Anthony a father of a set of twins. He discusses in this episode why his kids are his world, some double standards, and why this is no handclaps for being a dad.Anthony Instagram: (amp_dean)

I head out to the Dole Mansion in Crystal Lake. Inside the Dole I got a chance to see Joe Diamond's show "Mystic". It was a pretty informational, interesting and exciting show. I can honestly say I was impressed by the talent of Joe and enjoyed his storytelling. We discuss how he got an interest in magic and hot it became a popular show in McHenry County. Be sure to follow along at the end of the episode with a trick you can do yourself. "Left at the Light" Theme Written by Chris Riccardo riccardo.chris@gmail.com Chris Riccardo - Guitar, Handclaps, Percussion Jennifer Cundiff - Vocals Pea Munny - Bass, Percussion Recorded at Pea Munny Studios Special Thanks to our Sponsor McHenry County Living Subscribe to the Weekender to get all the happenings in the area

Episode 42 New Arrivals to the Archives New-Old Recordings Making it into the Archives Playlist Vincenzo Agnetti, “Pieces Of Sound” from Revolutions Per Minute (The Art Record) (1982 Ronald Feldman Fine Arts Inc.). Reading and tape composition by Italian artist, photographer and writer Vincenzo Agnetti. 4:38 Chris Burden, “The Atomic Alphabet” from Revolutions Per Minute (The Art Record) (1982 Ronald Feldman Fine Arts Inc.). Solo poetry piece by Chris Burden. 0:31 Canarios, “Genesis” and “Prana” from Ciclos (1974 Ariola). Spanish album of symphonic space rock. Adapted by E. Bautista (from Vivaldi's Four Seasons); Bass, Synthesizer, Theremin, Christian Mellies; Drums, Electronic Drums (Moog), Timbales, Triangle, Vocals, Castanets, Maracas, Bells, Temple Bells, Flexotone, Glockenspiel, Rototoms, Gongs, Percussion (Bambus), Goblet Drum (Dharbuka), Alain Richard; Electric Piano, Hammond Organ,Piano, Violin, Mathias Sanveillan; Guitar, Acoustic Guitar, Lyre, Echoplex, Phase Shifter, Vocals, Antonio García De Diego; Synthesizer, Keyboards, Mellotron, Digital Frequency Meter, Ribbon Controller, Vocals,Teddy Bautista. This is pretty audacious. 7:22 Holger Czukay, “Ho-Mai-Nhi (The Boat Woman Song)” from Technical Space Composer's Crew ‎– Canaxis 5 (1969/ RE 2018). Basic tape composition work from this German pioneer, circa 1968. Originally privately released in 1969 by Technical Space Composer's Crew and titled "Canaxis 5". Later reissued as "Canaxis" by Holger Czukay and Rolf Dammers. Czukay studied under Karlheinz Stockhausen from 1963–1966, and in 1968 co-founded the German rock group Can. 7:31 Deuter, “Atlantis” from D (1971 Kuckuck). Georg Deuter, produced and composed on tape. Early work from this German ambient, electronic composer. 6:04 Far East Family Band, “The God Of Wind,” “Moving, Looking, Trying, Jumping In A Maze,” “Wa, Wa (Yamato)” from The Cave: Down To The Earth (1975 Mu Land). Bass, Akira Fukakusa; Drums, Shizuo Takasaki; Guitar, Fumio Miyashita, Hirohito Fukushima; Keyboards, Akira Ito, Fumio Miyashita, Masanori Takahashi; Percussion, Masanori Takahashi; Vocals, Hirohito Fukushima. Japanese psychedelic jam band. Spacey, fun, rollicking organs and guitars. 4:53 Langston Hughes, conclusion of Rhythms Of The World (1955 Folkways). African American poet and author Hughes narrated this work based on his book "The First Book of Rhymes.” The “documentary sounds” were field recordings used to underscore the poetry. 5:08 Steve Hackett, “Jacuzzi” from Defector (1980 Charisma). Solo album from guitarist for Genesis. This is a track of largely keyboard-like sounds featuring such instruments as the Matell Optigan and Roland GR500 Guitar Synthesizer, played by Hackett. Bass, Dik Cadbury; Concert Flute, Alto Flute, John Hackett; and keyboards by Nick Magnus. 4:37 Pedro Morquecho, “Mi Corazon Es Un Violin (Fox)” from Pedro Morquecho (Su Novacord Y Su Orquesta) (1965 Orfeon). Mexican keyboard artist who found his groove with the amazing Hammond Novachord. Here he plays some numbers for the night life, popular favorites designated for different kinds of dances, such as Afro-Beguine, Fox, and Rhumba. 3:33 Enoch Light And The Light Brigade, “Swamp-Fire” from Dimension •3• (1964 Command). This is one of the many amazing instrumental albums produced by Enoch Light for Command in the sixties. In this case, we have Dick Hyman on organ, Tony Mottola on guitar and Alto Saxophone by Walt Levinsky. I also hear an uncredited appearance by an Ondioline, a monophonic organ known to be used by Enoch Light on many albums. 2:19 Akira Itoh, “Life from the Light 光からの生命” from Inner Light Of Life / やすらぎを、君に (1978 King Records). Alto Saxophone, Flute, Vocals – Noboru Kimura; Electric Bass – Keiju Ishikawa; Electric Guitar, Vocals – Nobuo Hajime; Piano, Vocals – Kenji Kijo; Synthesizer – Akira Ito; Vocals – Goko Kunikida. Ito was previously a member of the Far East Family Band (see earlier track). 6:53 Alain Markusfeld, “1st movement” from Contemporus (1979 Egg). French singer and songwriter. Composed by, arranged By, ARP Polyphonic, ARP Prosoloist, Acoustic Piano, electric guitar, Organ, Percussion, Cymbals, Triangle, Marimbas, Harmonica, Handclaps, Vocals – Alain Markusfeld; vocals Patricia Markusfeld. 3:06 Masquerade, “Guardian Angel” from Masquerade ‎– Guardian Angel (1983 Metronome). PPG Waveterm synthesizer, Chris Evans. I don't know much about this group, other than this song and it was basically one person playing the instruments, the short-lived PPG Wave synthesizer, also used by Gary Numan, Depeche Mode, among others. 4:27 Bruno Menny, “Orbite Autour De La Planète 3” from Cosmographie (1972 Arion). This is unique album from the engineer who was also a student of composer Iannis Xenakis. This is his only album. It is a blend of concrete and synthesized sounds. 19:12 Orchestral Manoeuvres In The Dark, “Maid Of Orleans (The Waltz Joan Of Arc)” from Orchestral Manoeuvres In The Dark (1981 Dindisc). A 7-inch single. Bass, Guitar, Horns, Mellotron, Organ, Percussion (Acoustic, Electronic), rhythm program, Synthesizer, Vocals, Andrew McCluskey; Drums, Percussion (Acoustic, Electronic), Synthesizer Bass, Malcolm Holmes; Mellotron, Melodica, Organ, Percussion (Acoustic, Electronic), Piano, rhythm program, Synthesizer, Vocals, Paul Humphreys; Organ, Piano, Synthesizer, Michael Douglas. 4:12 Harold L. O'Neal Jr. (producer), “Ultimate Obstacle (All Tests Simultaneously)” from RCOA Stereo Systems Test Record (1972 Yorkshire Records). Test record using electronic sounds and tone clusters, bursts. “The Ultimate High-Fidelity Test Record.” 2:04 Karlheinz Stockhausen, “Mikrophonie I” (1964), first part, from Mikrophonie I & II / Prozession (1969 CBS). From France comes this boxed set. Electronics (Filters), Hugh Davies, Jaap Spek, Karlheinz Stockhausen; Electronics (Microphone) – Harald Boje*, Johannes G. Fritsch; Percussion (Tam-tam), Alfred Alings, Aloys Kontarsky. Mikrophonie I for Tamtam, Two Microphones, Two Filters and Potentiometers Essentially, a piece for cardboard tubes scraped on cymbals and mixed with electronic amplification and reverberation. Hugh Davies worked with Stockhausen during this period. Recorded at West German Radio Studios, Cologne, December 17 & 18, 1965. 7:24 Donna Summer, “Grand Illusion” from The Wanderer (1980 Geffen). Words and vocals by Donna Summer; Music by Giorgio Moroder; Synthesizers, Harold Faltermeyer, Sylvester Levay; Guitar, Jeff Baxter, Steve Lukather, Tim May; Drums, Percussion, Keith Forsey; Bass Guitar, John Pierce, Lee Sklar, Les Hurdle. 3:50 Ruth White, David White, Gary Maynard, Animals Are Wonderful (1982 Tom Thumb Records). Synthesizers, Ruth White. Yes, that's the Ruth White of sixties Moog Modular fame. She also made her way with children's activity records such as this. 2:16   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

Hello Friends, and welcome to the first Mixology of 2021! We're diving headfirst in to a brand new year with our first double album, the 1968 classic 'The BEATLES'. More commonly known as the White Album, we'll be exploring these notoriously different mixes across two episodes, this week focusing on Disc 1. So join me in discovering just why Happiness is a Warm Gun, where the Handclaps went in Ob-La-Di Ob-La-Da, and above all, why does the stereo mix of Back in the USSR end in an arctic storm?Happy Listening, Frederick Email the show at: backtomonoradio@gmail.comListen to companion podcast Back to Mono here: backtomono.podbean.comJoin the Facebook Community here: https://www.facebook.com/groups/backtomono 

!!!ACHETEZ VOTRE BILLET POUR LE SKA FEST ET AIDEZ LE CAFÉ CAMPUS!!! Lors de cet épisode, je m'entretiens avec Lorraine Muller! On y jase du SkaFest de Montréal et de l'aide pour le Café Campus, des 1er shows qu'elle assistait, ''Lorraine'' de Bad Manners, l'importance de Domenic Castelli et du Jailhouse Rock Café, le trac, de la guitare à la maison au sax à Concordia, un 1er jam avec Me Mom and Mortgentaler, s'entourer de gens spéciaux avec du potentiel, le début des Kingpins et leur montée (Ian Hodkinson, Jordan Swift, Éric Boulanger), la création de Stomp Records, la transition des Kingpins vers Lo and the Magnetics, son surnom ‘'Queen of Ska'' / ‘'Duchess of Rocksteady'', l'histoire de son sax baryton, ‘'Héloïse'' et ‘'Just One Day'', Danny Rebel and the KGB c'est trop bon!, la création des Handclaps par Myspace, le licensing, la nouvelle chanson de Noël des Handclaps, The Quickies.    Tous droits réservés aux artistes respectifs : The Kingpins – Plan of Action - Plan of Action (2000) Lo and The Magnetics – Fashion Victim - À Part (2005) Les Handclaps – Sunny City – Ouh Ouh Ah! (2009)   MONTREAL SKAFEST https://www.facebook.com/MtlSkaFest THE KINGPINS https://www.facebook.com/thekingpinsSKA https://thekingpins.bandcamp.com/ PLAYLIST ‘'SKA QUÉBEC'' d'Alex Paquette et Guillaume Couillard https://open.spotify.com/playlist/7FOcVciDOqjz6FStr1GWxA?si=yQBdf-2oSk2sCf9tzsGHyg LO AND THE MAGNETICS https://www.facebook.com/groups/70973283915 THE FABOLOUS LOLO https://www.facebook.com/The-Fabulous-LoLo-202982126418834 LES HANDCLAPS http://www.leshandclaps.com/ https://www.facebook.com/leshandclaps RUB-A-DUB REBELS https://www.facebook.com/rubadubrebels THE TINA TRONS https://www.facebook.com/TinatronsMTL https://thetinatrons.bandcamp.com/ GELÉE THE QUICKIES   LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Vickie Bouchard (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt); mix Simon Pelletier  

!!!ACHETEZ VOTRE BILLET POUR LE SKA FEST ET AIDEZ LE CAFÉ CAMPUS!!! Lors de cet épisode, je m'entretiens avec Lorraine Muller! On y jase du SkaFest de Montréal et de l'aide pour le Café Campus, des 1er shows qu'elle assistait, ''Lorraine'' de Bad Manners, l'importance de Domenic Castelli et du Jailhouse Rock Café, le trac, de la guitare à la maison au sax à Concordia, un 1er jam avec Me Mom and Mortgentaler, s'entourer de gens spéciaux avec du potentiel, le début des Kingpins et leur montée (Ian Hodkinson, Jordan Swift, Éric Boulanger), la création de Stomp Records, la transition des Kingpins vers Lo and the Magnetics, son surnom ‘'Queen of Ska'' / ‘'Duchess of Rocksteady'', l'histoire de son sax baryton, ‘'Héloïse'' et ‘'Just One Day'', Danny Rebel and the KGB c'est trop bon!, la création des Handclaps par Myspace, le licensing, la nouvelle chanson de Noël des Handclaps, The Quickies.    Tous droits réservés aux artistes respectifs : The Kingpins – Plan of Action - Plan of Action (2000) Lo and The Magnetics – Fashion Victim - À Part (2005) Les Handclaps – Sunny City – Ouh Ouh Ah! (2009)   MONTREAL SKAFEST https://www.facebook.com/MtlSkaFest THE KINGPINS https://www.facebook.com/thekingpinsSKA https://thekingpins.bandcamp.com/ PLAYLIST ‘'SKA QUÉBEC'' d'Alex Paquette et Guillaume Couillard https://open.spotify.com/playlist/7FOcVciDOqjz6FStr1GWxA?si=yQBdf-2oSk2sCf9tzsGHyg LO AND THE MAGNETICS https://www.facebook.com/groups/70973283915 THE FABOLOUS LOLO https://www.facebook.com/The-Fabulous-LoLo-202982126418834 LES HANDCLAPS http://www.leshandclaps.com/ https://www.facebook.com/leshandclaps RUB-A-DUB REBELS https://www.facebook.com/rubadubrebels THE TINA TRONS https://www.facebook.com/TinatronsMTL https://thetinatrons.bandcamp.com/ GELÉE THE QUICKIES   LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Vickie Bouchard (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt); mix Simon Pelletier  

Lors de cet épisode, je m'entretiens avec Guillaume Couillard et Marc-André Éthier de 2 Stone 2 Skank.  Premièrement, ne pas confondre 2s2s avec Charlotte Cardin, sinon on y jase de leur réunion pour le Rockfest et ce qui mena au nouvel album ‘'Souvenirs de Longueuil Beach, les changements de staff,  jouer avec The Skatalites, l'évolution de scène ska locale d'hier à aujourd'hui, leur ancien projets (One Night Band, General Rudie, Drunk Squad, Betty Freak, Yelo Molo, Boulimik Foodfight), leur jam au ciné-parc de Boucherville, y'a pas de salles de spectacles sur la Rive-Sud (Toltek faut se jaser), le Festival Ska de Montreal et le Pouzza, l'Impact de Montréal, la pièce Vanessa, pas de ska aux GAMIQ, la vie de tournée, avoir une famille et jouer de la musique pour le fun, le pot, l'enregistrement/mix/master du nouvel LP avec Peter Edwards (Grimskunk) et Sly Rawk (Punchline13, Men O Steel), trouver une maison de disques, les impacts de la pandémie, les shows en ligne, ‘'Ça recommence'' avec Lorraine Muller (The Kingpins, Lo and the Magnetics, Fabulous Lolo, Handclaps), le Musikfest Podcast. ALLEZ ÉCOUTER LA PLAYLIST ‘'SKA QUÉBEC'' d'Alex Paquette (Francbatard) et Guillaume : https://open.spotify.com/playlist/7FOcVciDOqjz6FStr1GWxA?si=yQBdf-2oSk2sCf9tzsGHyg  ET SUPPORTEZ LES SALLES DE SPECTACLES ET VOTRE SCÈNE LOCALE!!!   Tous droits réservés à 2 Stone 2 Skank pour les pièces tirées de l'album ''Souvenirs de Longueuil Beach'' (2020) : - Passif-Agressif - Vanessa -Ça recommence   2 STONE 2 SKANK https://www.facebook.com/2-Stone-2-Skank-297237320286584/ https://2stone2skank.bandcamp.com/ MUSIKFEST PODCAST https://www.facebook.com/Le-MusikFest-Podcast-326670824851306/ ONE NIGHT BAND https://www.facebook.com/One-Night-Band-8798822337/ YELO MOLO https://www.facebook.com/yelomolo BOULIMIK FOODFIGHT https://boulimikfoodfight.bandcamp.com/ https://www.facebook.com/Boulimik-Foodfight-198693277676 LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Vickie Bouchard (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt)

Lors de cet épisode, je m'entretiens avec Guillaume Couillard et Marc-André Éthier de 2 Stone 2 Skank.  Premièrement, ne pas confondre 2s2s avec Charlotte Cardin, sinon on y jase de leur réunion pour le Rockfest et ce qui mena au nouvel album ‘'Souvenirs de Longueuil Beach, les changements de staff,  jouer avec The Skatalites, l'évolution de scène ska locale d'hier à aujourd'hui, leur ancien projets (One Night Band, General Rudie, Drunk Squad, Betty Freak, Yelo Molo, Boulimik Foodfight), leur jam au ciné-parc de Boucherville, y'a pas de salles de spectacles sur la Rive-Sud (Toltek faut se jaser), le Festival Ska de Montreal et le Pouzza, l'Impact de Montréal, la pièce Vanessa, pas de ska aux GAMIQ, la vie de tournée, avoir une famille et jouer de la musique pour le fun, le pot, l'enregistrement/mix/master du nouvel LP avec Peter Edwards (Grimskunk) et Sly Rawk (Punchline13, Men O Steel), trouver une maison de disques, les impacts de la pandémie, les shows en ligne, ‘'Ça recommence'' avec Lorraine Muller (The Kingpins, Lo and the Magnetics, Fabulous Lolo, Handclaps), le Musikfest Podcast. ALLEZ ÉCOUTER LA PLAYLIST ‘'SKA QUÉBEC'' d'Alex Paquette (Francbatard) et Guillaume : https://open.spotify.com/playlist/7FOcVciDOqjz6FStr1GWxA?si=yQBdf-2oSk2sCf9tzsGHyg  ET SUPPORTEZ LES SALLES DE SPECTACLES ET VOTRE SCÈNE LOCALE!!!   Tous droits réservés à 2 Stone 2 Skank pour les pièces tirées de l'album ''Souvenirs de Longueuil Beach'' (2020) : - Passif-Agressif - Vanessa -Ça recommence   2 STONE 2 SKANK https://www.facebook.com/2-Stone-2-Skank-297237320286584/ https://2stone2skank.bandcamp.com/ MUSIKFEST PODCAST https://www.facebook.com/Le-MusikFest-Podcast-326670824851306/ ONE NIGHT BAND https://www.facebook.com/One-Night-Band-8798822337/ YELO MOLO https://www.facebook.com/yelomolo BOULIMIK FOODFIGHT https://boulimikfoodfight.bandcamp.com/ https://www.facebook.com/Boulimik-Foodfight-198693277676 LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Vickie Bouchard (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt)

Is it possible to ensure key workers are more adequately rewarded?

Julia Lindholm, die junge, freche Schwedin ist eine mitreißende und unterhaltsame Entertainerin. Mit viel guter Laune und ihrer sagenhaften Stimme im Gepäck, läutet sie nun eine neue Phase ihrer Karriere ein. - Mit jungen, poppigen, locker eingesetzten Handclaps startet „Ich tanze aus der Reihe“ (die 2. Single aus dem neuen Album "Boom") in das Schlagerjahr 2020 und Julia Lindholm brilliert in ihrer mitreißenden Art. Die Schwedin verbreitet mit diesem ausdrucksstarken Titel das positive Lebensgefühl, welches sie auch im wahren Leben in sich trägt.

This is my tribute to “Abbey Road” in honor of its 50th Anniversary.

Soul resides just beneath the exterior. Upon meeting Katherine Penfold, you might initially notice the prominent tattoos along her shoulder and arms before the conversation veers to her lifelong affinity for motorcycles, skateboarding, or woodworking - let alone music. Listening to her sound elicits a different impression altogether - as a sultry, smooth, and sweet delivery belies the rustic badassery she exudes with ease. This gorgeous contrast illuminates the artist’s 2019 full-length debut, SWEETEST THING, set to release October 4th. With a story to every song and a really powerful vibe, SWEETEST THING is the musical juxtaposition that is Katherine Penfold. Although her tattooed, 6 ft, tomboyish exterior seems harsh to the naked eye, Penfold’s quirky Nova Scotia and Brandon University classically-trained upbringing creates a soft and clear musical voice that is all about love and joy. With this unique persona, Penfold went on to win the GROOVEFM singer/songwriter competition, perform alongside the likes of Hugh Laurie, Jeff Lorber, Brad Turner, and Jodi Proznickin, and even sell out headline shows. Her fascination for construction and architecture drove her to build her own studio - one of the many things she loves creating from scratch with her hands. While co-producing this album with David Sikula, Penfold channels these experiences and her spirited style to a soul, funk, and R&B 10-track wonder.Elsewhere, fluttering keys and dreamy production underscore “Far Away” on which she joined forces with Moonchild’s Amber Navran. The track details “the heartache of a long-distance relationship.” Handclaps and sky-high vocal runs abound on “Unapologetic,” highlighting the scope of her showstopping range. “It’s about stepping up and not hiding anymore,” she goes on.     

Armond & Doc continue their conversation about their #Definitive15 remixes, and it goes hilariously all over the place. Handclaps. So many handclaps.

Handclaps, pt. 2 with special guest Jai Young Kim.   Fifty two years ago, the Beatles were storming New York City with their haircuts, trousers and new beat.    We celebrate by continuing to talk about musicians, selling beer, stomping feet, clapping hands and the dangers of playing with a BOMF.   Please leave feedback! 

The 95th of a weekly series of radio programmes created by :zoviet*france: for Basic.fm. First broadcast 3 May 2014. Our thanks go out to the artists and sound recordists included here for their fine work. track list 01 [unidentified Sardinian folk singers] - Miserere processionale 02 The Red Box - Intermezzo 03 Mock Human - [title unknown - 'Spike in the Heart' track 11 - extract] 04 Zach Zinn - Heaped 1 05 Chris Lynn - Suzhou Studio 06 Fridge - Tone Guitar and Drum Noise 07 [unknown sound recordist / BBC] - India: Temple Crowd - Benares, with Chanting, Handclaps, Bells  and Speech 08 Stars of the Lid - The Evil That Never Arrived 09 Evol - [untitled - ‘Principio' track 17] 10 Oticon - Blok 70 AM (Object Relations) 11 Alvin Curran - Canti Illuminati (7:25 Edit) 12 Pauline Oliveros - Bye Bye Butterfly 13 Oranur - rttp://67.35.29.1/26199/ 14 Thomas Newman - An Inch of his Life 15 Morast - The Torrent of Oberalm 16 :zoviet*france: - Carbon 17 Volta Laboratory Associates - 287686_Barometer 18 Gescom - Langue 19 Gescom - I G E 20 Nurse with Wound - Paranioa in Hi-Fi [extract]

Dobro, Mandolin, Fiddle, Banjo's, Guitar, Tambourine and Handclaps. Our Bluegrass Gospel Version of The Classic Gospel Song—The Hallelujah Side Lyrics:Johnson Oatman, Jr  Music: J. Howard Entwisle 1898 Public DomainThe 1st to Record “The Hallelujah Side” Was Ernest Stoneman & His Dixie Mountaineers. On September 21, 1926, They Recorded It for Victor. Since Then The Classic Gospel Song Is Been Recorded by The Tinley Quaker City Gospel Singers, Bill Gaither, The Chuck Wagon Gang and, and the Country Gentleman.“The Hallelujah Side”Verse One:Once a sinner far from Jesus....I was perishing with cold....But the blessed Savior heard me when I cried.....Then He threw His arms around me and He led me to His fold....And, I'm living on the hallelujah side....The Chorus:O glory be to Jesus...let the hallelujahs roll....Help me ring the Savior's praises....far and wide.....For I've opened up toward Heaven all the windows of my soul.....And I'm living on the hallelujah side.....Verse Two:Though the world may sweep around me...with her dazzle and her dreams....Yet I envy not her vanities and pride......For my soul looks up to Heaven where the golden sunlight gleams....And, I'm living on the hallelujah side....Verse Three:Not for all earth's golden millions would I leave this precious place....Though the tempter to persuade me oft has tried....For I'm safe in God's pavilion, happy in His love and grace....And, I'm living on the hallelujah side....Verse Four:Here the sun is always shining...here the sky is always bright....Tis no place for gloomy Christians to abide....For my soul is filled with music and my heart with great delight....And, I'm living on the hallelujah side....Verse Five:And upon the streets of glory...when we reach the other shore.....And have safely crossed the Jordan's rolling tide...You will find me shouting "Glory" just outside my mansion door....Where I'm living on the hallelujah side....The Chorus:O glory be to Jesus...let the hallelujahs roll....Help me ring the Savior's praises....far and wide.....For I've opened up toward Heaven all the windows of my soul.....And I'm living on the hallelujah side.....© 2013 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted- www.shilohworshipmusic.com

New Uptempo Worship song, based on Exodus 19:4,  we produced entitled "I'll Fly Like an Eagle",a very '60's sounding British Invasion Piano, nice syncopated and groovin'  Pop Bass, couple 60's Rickenbacher Guitars (The Byrds used, as well as The Beatles), Acoustic Guitars, syncopated Crunch Guitar, tasteful Bonnie Raitt style Slide Guitar, Drums; a Country-Rock beat that gives a Train Beat feel, a spicy Bossa Flute, some nice syncopated Handclaps, ending with Tambourine and R&B Horns. The use of the Minor 4 chord( C-Cm) in the chorus gives it a bit of a Beatlesque feel. The song itself is very syncopated.…and how I bore you on Eagles' Wings, and brought you unto Myself.Exodus 19:4Blessings,Shiloh Worship MusicWww.ShilohWorshipMusic.com I'll Fly Like an Eagle© 2012 Shiloh Worship Music …and how I bore you on eagles' wings, and brought you unto myself.                                                                                Exodus 19:4Listen to The Cry of My HeartI Need A Brand-New StartThere Is No Reason I Should StayWhen Your Grace Could Take Me AwayListen to The Cry of My HeartI Need A Brand-New StartI Want to Fly with YouBorne on Eagles WingsYou Make My Heart To DancePraises Now I BringI'll Fly Like an EagleIn a Clear Blue SkyHigher and Higher,Lord,Your Love Will Always RiseI'm Desperate and I Need You NowThe Everlasting GospelDown in My Heart There Is No Way Out Of This Place Only by Your Mercy and By Your Grace There Is No Way Out Of This Place Only by Your Mercy and By Your Grace There Is an Answer And It Is Only YouIt's a Hidden in the Word And I Know It's TrueI'm Borne On Eagles WingsIt's  the Only Kind of Place Where My Heart Sings Chord Structure:VersesEm7 Asus7ChorusG F C Dsus DG F C DG F C CmG Dsus D C G© 2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted- Www.ShilohWorshipMusic.com

"Toe Tappin', Hand Clappin',  Knee Slappin' , "Picken' and Grinnin"  Bluegrass Gospel Song,"JUST OVER IN THE GLORYLAND"Banjos, Traditional Bluegrass Guitar, Shufflin' Fiddles, Dobro,  Mandolins, and Classic Bluegrass Acoustic Upright Bass, Handclaps and Tambourine. Also,  Lyrics & Guitar Chords below.Blessings to You,Shiloh Worship MusicWww.ShilohWorshipMusic.comJust Over In The GloryLandWritten in 1906 WORDS: James W. Acuff MUSIC: Emmett S. Dean Copyright: Public Domain© 2012 Shiloh Worship MusicVERSE 1:G                               C        GI've a home prepared, where the saints a-bide,     Em          A7    D7Just over in the Glory-land!      G                C        GAnd I long to be by my Savior's side,     Em          D7    GJust over in the Glory-land! CHORUS:GJust over in the Gloryland,     C                    GI'll join the happy angel band,     Em          A7    D7Just over in the Glory-land!     GJust over in the Gloryland,      C                         GThere with the mighty host I'll stand,     Em          D7    GJust over in the Glory-land!VERSE 2:G                            C        GI am on my way to those mansions fair,     Em          A7    D7Just over in the Gloryland!      G                C        GThere to sing God's praise and His glory share,     Em          A7    D7Just over in the Gloryland! (REPEAT CHORUS)VERSE 3:G                            C        GWhat a joyful thought that my Lord, I'll see,     Em          A7    D7Just over in the Gloryland!      G                C        GAnd with kindred saved, there forever be,     Em          A7    D7Just over in the Gloryland! (REPEAT CHORUS)VERSE 4:G                            C        GWith the blood-washed throng, I will shout and sing,     Em          A7    D7Just over in the Gloryland!      G                C        GGlad hosannas to Christ, the Lord and King,     Em          A7    D7Just over in the Gloryland! (REPEAT CHORUS)© 2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted  www.shilohworshipmusic.com

Marimba Man is a Marimba and Xylophone based and jazzy royalty free song with a joyful and positive attitude made for your YouTube movie project. Embedded in a soft bassline, soft strings, violin pads and orchestra sounds. Handclaps and 80ies Simmons drum sounds complete this “hold the line” track. You can purchase this royalty free song here: http://bit.ly/MOsh3C Or visit Kenaudio's Homepage on: http://www.kenaudio.com/

  MAMA DIDN'T DIE - APRIL 2010 - Compiled by The Lady Speedstick Contemporary musics influenced and inspired by 60's girl groups! This mix was influenced and inspired by John Twatter's 2009 mix for Off Chances called The Funnel Of Love! Yoko Ono - My Man Madonna - True Blue Atlas Sound - Walkabout (with Noah Lennox) Candypants - Dishy Imperial Teen - Ivanka Sonic Youth - Little Trouble Girl En Vogue - Giving Him Something He Can Feel Grizzly Bear - Two Weeks Mirah - Pollen Lou Reed - Walk On the Wild Side Julee Cruise - I Want You Rockin' Back Inside My Heart Fairmount Girls - 1-900-Fairmount Blondie - Denis Throwing Muses - Not Too Soon David Bowie - Sound and Vision Monica - So Gone Feist - 1 2 3 4 Le Loup - Grow The Aislers Set - Friends of the Heroes Roy Orbison - You Got It The Raveonettes - Oh, I Buried You Today Warpaint - Billie Holiday    

It's Erik's turn this time. He gives us a piece of retro commentary called 'So Go the Spoils.' Handclaps, Andrew Sisters harmonies ... even some kazoo! Positively delicious.