American jazz cornet and trumpet player
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20 episodes with Nat Adderley
9 episodes with Nat Adderley
2 episodes with Nat Adderley
4 episodes with Nat Adderley
4 episodes with Nat Adderley
2 episodes with Nat Adderley
2 episodes with Nat Adderley
2 episodes with Nat Adderley
7 episodes with Nat Adderley
Join us in-person for a discussion with performance, as we delve into music and the technology revolution, hearing Black voices on how technology is impacting our music. African Americans have played an outsized and pivotal role in American and global music. At most of the shifts and transitions in music driven by technology and culture, Black Americans have been in the forefront. Join us for a discussion of the past, present and future of the mix of technology and music with a focus on African American innovation. In addition to the panel discussion, we will end with a short suite of performances by the presenters. About the Speakers Award winning recording artist Nicolas Bearde is a singer-songwriter, actor and educator whose career has spanned more than 35 years. Born and raised in Nashville, TN, the second of 7 children, he has toured the globe with many of today's jazz legends, such as Bobby McFerrin, Nat Adderley, Jr., Bernard Purdie, Vincent Herring and more. His style is likened to Lou Rawls, Nat King Cole and Bill Withers and he is known for his “velvet voice,” wit and engaging rapport that has drawn audiences into his live performances around the world. As an educator, Nicolas has worked with the California Jazz Conservatory and Jazz Camp West teaching “Vocal Intensive” workshops, skills he honed on the road as a member of Bobby McFerrin's wildly innovative a cappella ensemble, “Voicestra” for more than 10 years, and was the chair of “popular voice” for the Young Arts Foundation in Miami, Florida for 5 years. Phil Hawkins is a drummer and media producer living in San Francisco. He regularly performs with Ray Obiedo, Pete Escovedo and other local artists. Phil operates a media production business that offers audio recording, mixing, and mastering for videography, photography, and graphic design services. He has taught music production at the college level for more than 20 years. Glen Pearson is both a noted pianist as well as the current head of music studies at the College of Alameda. He began playing piano at age 6 and was playing professionally by age 15. He has appeared on stage, television and on recordings with such notables as Regina Belle, Jimmy Scott, Diane Reeves, Marlena Shaw, Bobby Hutcherson and Nicolas Bearde, and served for 11 years as the musical/band director for the world-renowned Boy's Choir of Harlem. For the past 5 years he toured with The Count Basie Orchestra, who's latest record, Basie Swings the Blues, netted “Best Large Jazz Ensemble Album” at the 2024 Grammy Awards. Organizer: Gerald Anthony Harris An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Bearde photo by James Barry Knox Photography; Pearson photo by Timothy Bryan Burgess; additional photos courtesy the speakers. Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 00:59:59 - Let Me Go - par : Nathalie Piolé -
It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From George Cables, Chris Hinze & The Chris Hinze Combination, Egba, Bobbi Humphrey, Nat Adderley, Agua Bella, Fabiano Orchestra, Terumasa Hino, Pharoah Sanders, Gerardo Frisina, Two Banks Of Four, Hugo Fatturuso, Jon Hendricks, Eddie Palmieri & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm
Saxophonist Julian “Cannonball” Adderley (born Sept 15,1928) and his cornetist brother Nat (born Nov 25, 1931) co-led one of the most successful jazz groups of the 1960's-1970's. From the time they arrived on the NYC scene from their native Florida in 1955, and sat in with bassist Oscar Pettiford, they set the town ablaze. Both musicians found work with many of the jazz luminaries of the time, Cannonball famously with Miles Davis' great sextet that included John Coltrane and recorded Kind of Blue, the biggest selling jazz recording of all time, and Nat with trombonist J. J. Johnson and Woody Herman. By 1959 they formed their long-standing quintet and had their first hit with This Here, the first of many successful recordings, many composed by Nat for the quintet. Nat is also one of the few jazz musicians to continue playing the cornet, instead of the brighter/brassier trumpet favored by most players, which helped give the quintet a more intimate warmer sound.
Tonight's Jazz Feature is the recording debut of drummer Louis Hayes. It was recorded in April of 1960 for the Vee-Jay Records a short lived label owned by African-Americans that produced a number of essential albums. This date was Louis' first under his name and he was only 23. Hayes was born in Detroit on May 31,1937 and just celebrated his 87th Birthday. He is well and still plays engagements. Young Louis picked the tunes and the very worthy sidemen here beginning with his first mentor, the great Yusef Lateef who plays tenor saxophone exclusively here. Nat Adderley is a dynamo on cornet, Barry Harris is on piano and Sam Jones is on bass. Jones and Hayes make for one of the finest rhythm sections in Modern Jazz. The tunes are all originals: one by Yusef Lateef, one by Cannonball Adderley,, one by Sonny Red, one by Nat Adderley and two by Barry Harris. A well paced and swingin' album with great playing by all and inspired by the driving beat and good taste of Louis Hayes. This is the real deal!
The record store day madness continues as the boys take two Cannonball Adderley air-shots from France for a spin. Whether he's Poppin in Paris or Burning in Bordeaux, the listener can hear Adderley's group transitioning from the sixties to the seventies, even if things get bumpy from time to time. To put the great alto saxophone player's creativity into context, two of his more surprising releases on Capitol Records also get a look in. Once you've heard the man's stone classics, here's something else for you to try. Cannonball Adderley: ACCENT ON AFRICA; QUINTET WITH ORCHESTRA; BURNIN' IN BOURDEAUX; POPPIN' IN PARIS.
Sintonía: "Night After Night" - Nat Adderley"The Old Country", "Chordnation", "The Folks Who Live On The Hill", "Tadd", "You Leave Me Breathless", "E.S.P." y "That´s Right!", extraídas del álbum "That´s Right" (1960) de Nat Adderley (corneta) con Yusef Lateef"Metody" y "Retrogress" extraídas del álbum "1st Bassman" (1961) del contrabajista Paul Chambers con Yusef LateefEscuchar audio
Dr. Scott Stewart stops by to help jump-start our “May the 4th be with You” celebration. Plus, we hear about “The Palmetto Portrait Project,” and WABE's H Johnson discusses Cannonball and Nat Adderley for our series, “H Johnson's Jazz Moment.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
durée : 00:59:56 - Attachez vos ceintures - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years. How's that for a mouthful (mindful?) Anyway, good idea until right about now. Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that fit the bill or even glance in the direction of this anniversary. Next year, all bets are off. Nat Adderly – THAT'S RIGHT; Bobby Selvaggio – STORIES, DREAMS, INSPIRATIONS; Gil Evans – PLUS TEN; Jeff Lorber and Mike Stern – ELEVEN. IN a very special Pop Matters, Mike mocks the Cocteau Twins and Pat (with Mike's help) questions the sanity of Atlantic Records latest deluxe reissues.
Sintonía: "Night After Night" - Nat Adderley (con Yusef Lateef)"The Old Country", "Chordnation", "Tadd, "You Leave Me Breathless", "E.S.P." y "That´s Right!", extraídas del álbum "That´s Right" (1960) de Nat Adderley"Mopp Shoe Blues" y "Bass Region", extraídas del álbum "1st Bassman" (1961) de Paul ChambersEscuchar audio
El saxofonista Cannonball Adderley con su quinteto (Nat Adderley, Victor Feldman, Sam Jones, Louis Hayes) en la Sala Pleyel de París, el 25 de noviembre de 1960, en la que era su primera gira por Europa, tocando 'Jeanine', 'The chant' y 'Work song'. Y el 15 de abril de 1961, también en París, en L´Olympia, con 'Autumn leaves', 'Dis here', 'Yours is my heart alone' y 'Big P'.Escuchar audio
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
Main and Half take time on the road to sit down with Cross Culture Legend, Curator, Author, Ballplayer, Historian, Filmmaker, and much much more: Robert "Bobbito" Garcia. AKA Kool Bob Love AKA DJ Cucumber Slice, AKA one of the most influential DJs in the history of Hip Hop AKA... A Certified New York Legend. Listen as the guys catch up and talk about the threads that Bobbito has woven through the Multiple Fabrics of Multiple Cultures. Sneakers, Basketball, History, Basketball History, Fashion, Music, Books, The OG Content Creator and Renaissance Man, Bobbito has done it all. The Legends are flowing when these Legends get together.Hosted by: Main Event & Half Man Half AmazingSpecial Guest: BobbitoRecorded at: On The RoadRecorded by: Bobbito and Dooley WattsLead Producer: Ronald BlakeProducer: Dooley WattsExecutive Producer: Ian KellySpecial Thanks to: Bobbito for being an absolute pleasure to work with. We know how hard it can be to manage multiple events and schedules, so we salute you and all the folks that came together to make this interview happen. Extra Thank You to Bobbito for delivering the High Quality Audio Track to make your voice sound great, always the consummate professional, Thank You.© Streetball Legends 2023This Season contains a segment of the song "Know the Ledge" – originally on the soundtrack of the film JuiceThe song is a 1992 single by hip-hop duo Eric B. & Rakim. The film's theme song, also released on the duo's 1992 album Don't Sweat the Technique, features a distinctive sample from Nat Adderley's 1968 hit "Rise, Sally, Rise".The song was written and produced by Eric B. & Rakim.This Season contains a segment of the 1996 single "Back at You" by hip-hop duo Mobb Deep. The song was featured on the soundtrack album for the film Sunset Park.The song was originally released on Eastwest Records America on March 21st, 1996, written by HAVOC, Prodigy, Burt Bacharach, and Hal David.
#809 - Mike Smith The Mike Smith _Interview is featured on _The Paul Leslie Hour. Are you here? We think it's better that you're here than somewhere else! Thank you for cruising in. Welcome to The Paul Leslie Hour. We have an interview from the archives with Jazz Saxophonist Mike Smith, a native of Chicago. Before we tell you more about Mike Smith, can you do us a quick favor? Subscribe to The Paul Leslie Hour on YouTube. It's easy to find, free to do and once you do ring that bell. Please. Now, more about today's interview…Chicago saxophone legend Mike Smith has performed all around the world and worked with more than 100 greats of music: Nat Adderley, Jimmy Heath, Clark Terry, Tony Bennett, Natalie Cole, Linda Ronstadt, Diane Schuur, Harry Connick Jr, Nancy Wilson and Frank Sinatra. Mike Smith toured with Frank Sinatra Jr. until the very end of Frankie's life. That's how we got connected with Mike Smith. And we're very glad we did. Real quick, The Paul Leslie Hour depends on listeners and viewers like you. Please consider contributing, it keeps the operation going. Go to thepaulleslie.com/support and we thank you. And now ladies and gents, it's the Mike Smith interview. It's time.
Good News: Nearly 60 nations signed on to add more protections for sharks around the world, Link HERE. The Good Word: Listen to a great quote about kindness from Abraham Lincoln. Good To Know: A fun bit of trivia about a Thanksgiving morning tradition! Good News: Another great step taken in the ongoing fight agains […]
A second set of engaging “a-ha” anecdotes from Kenny Davern, Nat Adderley, Annie Ross and Junior Mance.
Two Brothers - the Adderley brothers, Cannonball and Nat in their first recordings in the summer of 1955. Featuring Kenny Clarke, Horace Silver, Hank Jones, Jerome Richardson, Kenny Dorham, Roy Haynes and Paul Chambers --- Support this podcast: https://anchor.fm/john-clark49/support
El Hijo predilecto de Linares, el gran cantante Raphael grabó en 1966 su álbum “Canta…Raphael” el cual contiene el tema musical titulado “La canción del trabajo”. Así la escuché yo… “La canción del trabajo” de Raphael es una versión al español con letra adaptada por Manuel Clavero del tema grabado en 1960 por el artista estadounidense Oscar Brown Jr., quien la coescribió bajo el título “Work song”. ¿Y a ti, qué te pareció la canción original? Autores: Oscar Brown Jr. & Nat Adderley (estadounidenses) - Versión al español Manuel Clavero La canción del trabajo - Raphael (1966) “Canta... Raphael” álbum (1966) Raphael (nombre real Miguel Rafael Martos Sánchez, español) Work song - Oscar Brown Jr. (1960) “Sin and Soul…and then some” álbum (1960) Oscar Brown Jr. (estadounidense) ___________________ “Así la escuché yo…” Temporada: 5 Episodio: 35 Sergio Productions Cali – Colombia
En este quinto episodio dedicado a la trompeta nos adentramos en el hard bop. Clifford Brown, Donald Byrd, Thad Jones, Lee Morgan, Nat Adderley, Blue Mitchell y otros son los invitados de honor.
durée : 00:58:25 - « Work Song » (Nat Adderley / Oscar Brown Jr) (1960) - par : Laurent Valero - "Composition du cornettiste Nat Adderley, célèbre musicien bop qui co-anima avec son frère le saxophoniste Julian Cannonball, un groupe de jazz au sein duquel passèrent des musiciens importants : Winton Kelly, Youssef Lateef ou George Duke, pour n'en citer que quelques uns ..." Laurent Valero - réalisé par : Vivian Lecuivre
We're taking a look at 4 of my favorite solo breaks of all time featuring Michael Brecker, Lee Morgan, Pat Metheny, and Nat Adderley. It's incredible how much these sounds and phrases have stuck with me throughout my career and informed what I do today, even if I don't write, play, or record in the style of any of these artists. It's all about time and sound informing nuance. I also give an update on the pre-production progress for the new album, and report on yesterday's pedal test session at the rehearsal studio in Los Angeles.
«Work Song» Cannonball Adderley: Live! (1964, Capitol) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
"Work Song" Nat Adderley: Work Song (Riverside, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra "Work Song". Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina's Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul... and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly's Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de "Work Song"... ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Escuchar cuatro versiones de "Work Song" Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Nina Simone: Feeling Good. Her Greatest Hits & Remixes (Verve Records, 2022) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Oscar Brown Jr.: Sin & Soul… and then some (Columbia, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
As broadcast November 25, 2021. Tonight we start wishing all of our American friends a happy Thanksgiving for 2021 along with wishing jazz great Nat Adderley a happy birthday on what would have been his 90th. The younger brother of Cannonball Adderley was always a faithful companion to his more famous big brother, but was a very worthy artist in his own right. After that, there was a lot of good new stuff out this week from the likes of Wajatta, Sure Fire Soul Ensemble, along with Kraak & Smaak amongst others highlighted in the first hour. Dan Lloyd joins us for our 2nd hour AMPED feature with a highlight of the best new rock bands of the past couple of years, with great tunes from Yard Act, Geese, Wednesday and many other highly worthy up-and-coming young artists & acts. #feelthegravityTracklisting:Part I (00:00)Nat Adderly – Cantaloupe Island Wajatta – Do You Even Care Anymore?Darius feat Amaria – FADEDZakes Bantwini – AbantuKraak & Smaak feat IVAR – Persuade You Part II (30:34)Jessica Duncan feat Alessandro Alessandroni – Do You Wanna Get Close?Piero Umiliani – RisaieThee Baby Cuffs feat Cold Diamond & Mink – You're My ReasonSure Fire Soul Ensemble – Step DownCurtis Harding – Our LoveOtis Redding – (Sittin On) The Dock of the Bay (DJ Spinna remix) Part III (60:50)Bloc Party - TrapsYard Act - PaydayNew Pagans - Find Fault With MeOne Step Closer - As the City SleepsGeese - Exploding House Part IV (92:19)Civic - As Seen on TVRid of Me - MyselfWednesday - Three SistersHome is Where - Assisted HarakiriParanoul (파란노을) - 아름다운 세상Mandy, Indiana - Bottle Episode
This Jazz Feature album is a rather rare one and it's the debut recording as a leader of drum master Louis Hayes. Louis Hayes was just 21 when he recorded this date on April 26,1960. He was by then working steadily with Julian "Cannonball" Adderley and he chose musicians that he enjoyed playing with and of course 3 of them were also working with Adderley. Louis chose Nat Adderley on cornet, Barry Harris on piano and Sam Jones on bass. The other important member was an early mentor of Louis' and the man who gave him his first gigs. That man was the great Yusef Lateef. Yusef is heard here exclusively on tenor saxophone and his big dark sound is one of the album's highlights. Louis wisely chose music not associated with the Adderley Quintet but selected the tunes for themselves and that fact marks this date as distinctive. This is a great debut for a most talented young man. Louis didn't record again as a leader until the mid-70's. Louis Hayes and company equals high quality Jazz!
THE COOKERS – LOOK OUT! – Englewood Cliffs, NJ, c. 2020 Destiny is yours, Traveling lady Eddie Henderson, David Weiss (tp) Donald Harrison (as) Billy Harper (ts) George Cables (p) Cecil McBee (b) Billy Hart (d) WYNTON KELLY – KELLY BLUE – New York, February 19, 1959 Kelly blue Nat Adderley (cnt) Bobby Jaspar (fl) […]
Hello friends! Legendary R&B pianist, composer, arranger, producer and music director for Luther Vandross for 20+ years, Nat Adderley Jr. is my guest for episode 1099! This Sunday, Oct. 17th, Nat will be returning to Austin to hit the stage at premier jazz and live arts venue Parker Jazz Club, benefitting THE ADDERLEY FOUNDATION (a nonprofit which provides scholarships and financial assistance for underserved students for musical theatre education). Get tickets for the event at parkerjazzclub.com. Go to Natadderley.com for music and more. Nat is the son of Jazz great, Nat Adderley, nephew of jazz great Cannonball Adderley and father of Austin's own, Akina Adderley. We have a great conversation about the generations of musicians in his family, his years with Luther Vandross, working with Aretha Franklin, Natalie Cole, Beyoncé and more, making the move from R&B to jazz and much more! I had a great time getting to know Nat. I'm sure you will too. Let's get down! Find all of your favorite podcasts and access over a thousand episodes of "How Did I Get Here?" with the Podbean App at podbean.com If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
Hello friends! Legendary R&B pianist, composer, arranger, producer and music director for Luther Vandross for 20+ years, Nat Adderley Jr. is my guest for episode 1099! This Sunday, Oct. 17th, Nat will be returning to Austin to hit the stage at premier jazz and live arts venue Parker Jazz Club, benefitting THE ADDERLEY FOUNDATION (a nonprofit which provides scholarships and financial assistance for underserved students for musical theatre education). Get tickets for the event at parkerjazzclub.com. Go to Natadderley.com for music and more. Nat is the son of Jazz great, Nat Adderley, nephew of jazz great Cannonball Adderley and father of Austin's own, Akina Adderley. We have a great conversation about the generations of musicians in his family, his years with Luther Vandross, working with Aretha Franklin, Natalie Cole, Beyoncé and more, making the move from R&B to jazz and much more! I had a great time getting to know Nat. I'm sure you will too. Let's get down! Find all of your favorite podcasts and access over a thousand episodes of "How Did I Get Here?" with the Podbean App at podbean.com If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
Making a Scene Presents an Interview with Damon FowlerFlorida's Gulf Coast has produced a plethora of distinctive musicians, from the blues of Tampa Red to jazz greats Cannonball and Nat Adderley to former Allman Brothers guitarist Dickey Betts to The Outlaws. Tampa's Damon Fowler, a masterful singer, guitar player, and songwriter has absorbed the best of and furthered the region's definitive artists' work. A hard-driving troubadour, his music is steeped with soul and representative of the many styles that make up American music's roots. He has gained his peers' respect given his featured slot in Butch Truck's Freight Train band and his side gig as guitarist in the Dickey Betts Band. Critics have compared Fowler's guitar work to Johnny Winter and Jeff Beck, while his slide guitar is reminiscent of the late Duane Allman. Fowler can play fiery guitar runs with the best of them, and his lyrical work on lap steel and dobro makes him a stand out performer among the legions of guitar heroes. His new release, Alafia Moon, combines all the influences that have shaped his distinctive blues career. Damon Fowler,Kicked His Ass Out,Alafia MoonDamon Fowler,Hip To Your Trip,Alafia Moonmakingascene,Damon Fowler,Damon Fowler,The Umbrella,Alafia MoonDamon Fowler,Make The Best Of Your Time,Alafia Moon
1. Split Kick(6:38) Cuber/Smulyan Tough Baritones(2020) Cuber left,Son right Gary Versace, piano 2. You & Night & Music(7:18) John Fedchock Like it is(2015) Mark Vinci, alto;Rich Perry,tn, Dave Ratachek, drums 3. L-O-V-E(2:09) Greg Porter Nat Cole & Me(2017) Christian Sands, Reuben Rogers, Ulysses Owens 4. Have You Met Miss Jones(4:48) Vincent Herring Secret Love 1993, Renee Rosnes, Ira Coleman, Billy Drummond(husband) 5. Love Dance(5:14) Dave Stryker Baker’s Circle(2021) Jared Gold, organ 6. This Can’t be Love (5:40) Sir Roland Hanna Maybeck #32 ’69 Pres. Wm. Tubman of Liberia READ From Liner Notes 7. Big P(3:56) Jimmy Heath Big Band Really Big(1960) Cannon, Nat Adderley, Clark Terry, Tommy Flanagan Percy & Al Heath 8. Blueishness(5:35) Lauren Sevian Bliss Alexa Tarantino, AS; Bobby Rodriquez, Pn; McBride Ej Strick 9. Only Have Eyes for You(7:57) Milt Buckner Play Chords Slam Stewart, Jo Jones 10. Social Call(4:18) Ben Benack/Veron Swift Lot of Livin to Do
Deigratia Daniels creates solutions with technology. He is an accomplished Systems Engineer, Software Architect, and Project Manager with 20 years of progressive experience in virtual/augmented reality development. His profession includes designing, building, delivering virtual and augmented reality products, training systems, and centers to clients and customers all over the world. Deigratia's work covers the spectrum of complex military systems to include a proposal, design, manufacturing, testing, delivery, and maintenance. He is a proven team leader, motivator, and active participant, leading with integrity and respect for all. Deigratia received his Bachelor of Science in Industrial Engineering from the illustrious Florida A&M University (FAMU), and he is a Marching, 100 alumni. He continued his education at the University of Central Florida (UCF) where he received his Master of Science in Interactive Simulation & Training Systems Design (Virtual/Augmented Reality Engineering). He has spent the last 18 years fully engaged in designing, building, and delivering virtual reality products all over the world. Known for collaborative project management approaches focused on learning and adaptation, Deigratia is experienced in design engineering with systems engineering training, project/program execution, strategic planning, government contracts, and subcontractor management. He has communicated project status and risks across team boundaries to all project stakeholders for more than 90 training simulator projects, implementing agile practices and processes on projects with budgets ranging from $100K to $30M from inception through the full product life cycle. Of those 90 training simulator projects, Deigratia has analyzed more than 50,000 requirements to develop accurate and efficient test procedures. Currently, Deigratia uses his expertise in virtual reality (VR) and augmented reality (AR) to create interactive stages that allow performers to push the boundaries of performance by creating a digital, physical, and multimedia experience that fully immerses the audience rich audio and visual experience. As a business management consultant, he defines the organizational vision, determines execution roadmaps, and tailors business techniques to meet cost and schedule. Deigratia uses lean thinking to lead continuous process improvement efforts, resulting in waste reduction. Familiar with the latest engineering practices, Deigratia can speak about a variety of technological, futuristic, and cultural arts subjects. Aside from his accomplished career, Deigratia is an accomplished dancer, musician, and artist performing in venues all over the world. Deigratia has performed with legends such as Wynton Marsalis and Nat Adderley. His works of art have been featured at art institutions such as Atlanta's High Museum of Art and The Goat Farm Arts Center. Deigratia's mottoes are “Work hard and play harder,” “Imagination is the ability to navigate the unknown,” “Inception is a leadership skill,” and “We gotta blaze our own trails. --- Support this podcast: https://anchor.fm/odell-glenn-jr/support
Deigratia Daniels creates solutions with technology. He is an accomplished Systems Engineer, Software Architect, and Project Manager with 20 years of progressive experience in virtual/augmented reality development. His profession includes designing, building, delivering virtual and augmented reality products, training systems, and centers to clients and customers all over the world. Deigratia's work covers the spectrum of complex military systems to include a proposal, design, manufacturing, testing, delivery, and maintenance. He is a proven team leader, motivator, and active participant, leading with integrity and respect for all. Deigratia received his Bachelor of Science in Industrial Engineering from the illustrious Florida A&M University (FAMU), and he is a Marching, 100 alumni. He continued his education at the University of Central Florida (UCF) where he received his Master of Science in Interactive Simulation & Training Systems Design (Virtual/Augmented Reality Engineering). He has spent the last 18 years fully engaged in designing, building, and delivering virtual reality products all over the world. Known for collaborative project management approaches focused on learning and adaptation, Deigratia is experienced in design engineering with systems engineering training, project/program execution, strategic planning, government contracts, and subcontractor management. He has communicated project status and risks across team boundaries to all project stakeholders for more than 90 training simulator projects, implementing agile practices and processes on projects with budgets ranging from $100K to $30M from inception through the full product life cycle. Of those 90 training simulator projects, Deigratia has analyzed more than 50,000 requirements to develop accurate and efficient test procedures. Currently, Deigratia uses his expertise in virtual reality (VR) and augmented reality (AR) to create interactive stages that allow performers to push the boundaries of performance by creating a digital, physical, and multimedia experience that fully immerses the audience rich audio and visual experience. As a business management consultant, he defines the organizational vision, determines execution roadmaps, and tailors business techniques to meet cost and schedule. Deigratia uses lean thinking to lead continuous process improvement efforts, resulting in waste reduction. Familiar with the latest engineering practices, Deigratia can speak about a variety of technological, futuristic, and cultural arts subjects. Aside from his accomplished career, Deigratia is an accomplished dancer, musician, and artist performing in venues all over the world. Deigratia has performed with legends such as Wynton Marsalis and Nat Adderley. His works of art have been featured at art institutions such as Atlanta's High Museum of Art and The Goat Farm Arts Center. Deigratia's mottoes are “Work hard and play harder,” “Imagination is the ability to navigate the unknown,” “Inception is a leadership skill,” and “We gotta blaze our own trails.
Jazz saxophonist and producer Nathan Haines has been through somewhat of a metamorphosis in recent years. He's evolved from edgy wunderkind to humble legend, via sobriety, fatherhood and cancer. Haines is acknowledged to be our country's leading jazz musician. His first solo album Shift Left was a game-changing fusion of acid jazz and hip-hop and won New Zealand Jazz Record of the Year. A decade long stint in London had him on the vanguard of the acid jazz movement, working with producer and DJ Phil Asher to make now classic albums Sound Travels and Squire for Hire. Nathan was born into a musical family and learnt at the knee of his father Kevin. Kevin Haines is a jazz bassist and has performed with artists including Nat Adderley, Eartha Kitt, Lee Konitz and Georgie Fame. Nathan and Kevin will be performing a show Songs With My Father on Sunday, October 18 as part of Auckland's Elemental Nights Festival.
"We live in a very very weird society here as far as art is concerned. Certainly when it comes to the art form of jazz.When I came to Baltimore with Jackie back in 1965 there was a very vibrant jazz community here. They had the North End Lounge and they had The Left Bank Jazz Society that was committed to carrying on the tradition of the music and have all kinds of musicians come in and play. I played there with Nat Adderley and James Moody and these circumstances are no longer in existence. As I think there is really only one jazz club here in Baltimore that has a consistent policy. Unfortunately it's located in a neighborhood that is very crime and drug ridden. It's just weird, in order to get into this club you have to be buzzed in which sends another kind of message about the safety of that area." When I look at our society, the economic landscape and I relate it to jazz or music in general - our culture. One of the things I have noticed is that our culture is continually being stifled. Culture is the underpinning and backbone of any society. When you see programs which are being pushed forward to nullify education, to take away someone's ability to even eat and clothe and house themselves when there is a push to deny the right to be healthy. This is at the underpinning and I am becoming more and more fearful of the move in that direction. Hopefully I can count on the intelligence and sensitivity of American Society in General. But it's here and were going to have to deal with it. Otherwise we will have to endure negative consequences beyond belief. Culture, Art and Music stimulate the human spirit and the human intellect. If these attitudes are allowed to move forward and exist they are going to deny and destroy that energy that society must have coming from its culture. For example when I came along, if you were important in the Jazz Club you worked there at least 4 weeks period if not longer. It has been relegated to weekends now. The mere fact of having that time space limited to what it has become, in my view denies people access on a daily basis to things that fortify their spiritual life. My big problem with all of this, I am fearful we will become spiritually dead here and when that happens anything can happen. History has shown this happening before with Germany in the 1920s and 1930s and we all know all too well what that produced. We don't need another Holocaust, we don't need another Hitler." --- Support this podcast: https://anchor.fm/jake-feinberg/support
Sintonía: "Theme from Route 66" - Nelson Riddle Orchestra "The Jazz in You" - Gloria Lynne; "Bag´s Groove" - The Modern Jazz Quartet; "Image (Part 2)" - Hank Levine; "Young Man Blues" - Mose Allison; "My Babe" - Sonny Jackson; "The Work Song" - Nat Adderley; "(They Call It) Stormy Monday" - Lou Rawls & Les McCann; "Take The Last Train Home" - King Curtis & The Shirelles; "Little Liza Jane" - Ramsey Lewis Trio; "Let´s Have a Natural Ball" - Albert King; "The Peeper" - Hank Crawford; "Green Door" - Eskew Reeder; "Never Will I Marry" - Nancy Wilson with Cannonball Adderley; "Steppin´Out" - Memphis Slim; "Night and Day" - Frances Faye; "Space Flight" - Sam Lazar with Grant Green y "Jelly Bread" - Booker T & The MG´s Escuchar audio
Miles Jaye , Discuss new album 'God's Creation, & new single ' He Makes It Better & His New Podcast MILES JAYE is one of the most captivating performers on the scene today. His signature voice is one of the best in the business and his "Red Rose" electric violin places him in a class and category all his own. Like his namesake MILES DAVIS - MILES JAYE is truly one of a kind. Early in his career, after returning from a 5 year stint in the U.S. Air Force band, the classically trained Jaye, served as sideman to songstress Phyllis Hyman, balladeer Jon Lucien and Jazz guitarist, Eric Gale on voice, violin, flute and piano touring the U.S. and Europe. Later he was signed as lead singing “Cop” for THE VILLAGE PEOPLE - the iconic pop group that brought you “YMCA,” “IN THE NAVY” and “MACHO MAN." JAYE has been joined on his own recordings by such notables as George Duke, Grover Washington, Jr., Roy Ayers, Nat Adderley, Jr., and Branford Marsalis but he is especially proud of writing and producing for his mentor, legendary R&B star Teddy Pendergrass on his certified Gold JOY CD. With 22 CD titles to his credit, the first three – MILES, IRRESISTIBLE and STRONG - released on Island Records featured the Billboard Top Ten hit singles – “Let’s Start Love Over” “Heaven” “Objective” featuring Grover Washington, Jr. and the soul classic “I’ve Been a Fool for You” - a favorite of adult radio formats nationwide.
STANDARD SEMANAL.- “NARDIS”( Cannonball Adderley-Bill Evans-George Russell)-JAZZ RECUERDO ANIVERSARIO.- Charles Mingus - At The Bohemia (1955) .-JAZZ ACTUALIDAD .- Esta semana tendremos a LLUIS COLOMA-PIANO SOLO-YVONNE MORIEL-DREA MERS. PROG.Nº 660.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “NARDIS”( Cannonball Adderley-Bill Evans-George Russell) JAZZ RECUERDO ANIVERSARIO.- Charles Mingus - At The Bohemia (1955) Mingus at the Bohemia es un álbum de Charles Mingus que se grabó en vivo en un concierto en el Café Bohemia de Nueva York el 23 de diciembre de 1955. [3] Otras grabaciones del concierto fueron lanzadas bajo el título The Charles Mingus Quintet & Max Roach . Las canciones de "Cafe Bohemia" contienen las características típicas de Mingus "Jazz Workshop". Un concierto como taller significaba ante todo un experimento en vivo; Esto es principalmente cierto para su músico "invitado" Max Roach en "Percussion Discussion". Mingus en el Bohemia fijó un momento en el tiempo donde Mingus encontró su identidad musical. La primera canción, "Jump, Monk" es un homenaje a Thelonious Monk. Mingus trató de simular con su bajo tocar el baile como movimientos del gran músico. Mingus describe esta composición como "un perfil de Monk", no una imagen completa del hombre, sino una vista lateral o un aspecto de una personalidad compleja. En realidad, es un doble perfil porque se puede ver un aspecto importante del compositor, Mingus. La sección de ocho compases y muchas voces que se alterna con la melodía sin duda refleja la calidad emocional y terrenal que se encuentra tanto en el sujeto como en el compositor. Se puede escuchar a Mingus gritar durante el último coro, confirmando así la identidad. También son importantes las técnicas de composición utilizadas en esta pieza. Junto con las figuras melódicas dadas, el compositor creó la forma y el estado de ánimo al darles a los músicos escalas sobre las cuales podrían construir sus propias figuras. Estas figuras tuvieron que aparecer en ciertos lugares y también tuvieron que mantener el estado de ánimo de la composición. Durante el primer y último coro, a pesar de que George y Eddie tocan notas diferentes en lugares comparables, el estado de ánimo y el sentimiento siguen siendo los mismos. La "Discusión de percusión" mencionada anteriormente es un dúo entre Mingus y Roach, que más tarde también se usó en la suite Epitaph. [4] Los dos hombres tocan dos instrumentos que rara vez se encuentran en el stand-alone. Los dos producen una variedad de sonidos ricos y emocionantes que muestran el arte de ambos músicos. El pizzicato de Mingus se vuelve tan fuerte a veces que suena muy cercano al esfuerzo de percusión de Max. La "Canción del trabajo" (que no debe confundirse con la composición de Nat Adderley ) debe reflejar la historia de los trabajadores negros en los Estados Unidos, con elementos del soul jazz. Esta es la única composición verdaderamente representativa en el álbum. En realidad, es un poema de tono de jazz que representa a las viejas pandillas de esclavos mientras hacían su trabajo de "golpear ese martillo". Conducir estacas o establecer lazos ferroviarios con toda la opresión y los problemas que tenía la raza negra en ese momento. Observe el sonido de cañón del piano que realmente simula el golpe de un mazo. Esto se llama un "grupo" en el piano. Debido a los grupos de registro bajo y otros acentos de sección de ritmo, tenemos una fuerte sensación de depresión en toda la pieza. Sin embargo, hay una nota de esperanza en la composición que se encuentra en las palabras de la melodía original: "Balancea ese martillo sobre tu hombro: ponte más audaz y - ¡BOLDER!" "Septemberly" es una combinación de dos canciones: " September in the Rain " pasa a ser un romántico " Tenderly ". Subtitulado "La canción del ladrón", esto es, por supuesto, una acusación consciente de plagio musical. Como dijo Mingus, "Dos compositores cobran regalías por la misma canción". Eddie tiene la primera melodía ("Septiembre bajo la lluvia") y George tiene la otra ("Tiernamente"). Después de tratar ambas melodías simultáneamente, la disposición se mueve de una sección de la primera melodía a otra sección de la segunda melodía. Los solos están construidos sobre los cambios exactos de acordes de "septiembre", pero podrían haberse construido sobre "tiernamente". Al final del acuerdo, se pueden escuchar los nuevos desarrollos de Mingus sobre viejas ideas. En los primeros días del jazz, los músicos no tenían finales planificados. Todos solos juntos en una especie de consonante, final armonioso "a la New Orleans". Para este arreglo no hay final. Los músicos simplemente se mueven juntos, cada uno a su manera, hacia una resolución de la composición. La última canción es el estándar " Todas las cosas que eres " mezclado con " Preludio en Do sostenido menor ". Mingus era muy consciente de las similitudes en las melodías y, como en otro caso en este álbum, Septemberly, combina dos o tres en una composición. Ya sea intencional o no, esto a menudo implica para el oyente que una melodía fue derivada o robada de la (s) otra (s). En este caso, las melodías combinadas son "Todas las cosas + Preludio". La línea del piano es similar a "Clair de Lune", con el motivo de tres notas que se encuentra (1) al comienzo de "Preludio", (2) en la introducción sobre "Cosas", y (3) aunque la melodía Es diferente, en la idea rítmica de "Clair". El motivo se encuentra en toda la composición y le da a la pieza una sensación muy unida. Track listing[edit] 1. "Jump Monk" (Charles Mingus) - 6:44 2. "Serenade In Blue" (Mack Gordon, Harry Warren) - 5:57 3. "Percussion Discussion" (Mingus, Max Roach) - 8:25 4. "Work Song" (Mingus) - 6:16 5. "Septemberly" - (September in the Rain / Tenderly) (Harry Warren, Al Dubin / Jack Lawrence, Walter Gross) - 6:55 6. "All The Things You C#" (Jerome Kern, Oscar Hammerstein II / Sergei Rachmaninoff) - 6:47 Personnel[edit] • George Barrow - tenor saxophone • Eddie Bert - trombone • Mal Waldron - piano • Charles Mingus - double bass (bass and cello on Percussion Discussion) • Willie Jones - drums except (Percussion Discussion) • Max Roach - drums (on "Percussion Discussion") JAZZ ACTUALIDAD .- Esta semana tendremos a LLUIS COLOMA-PIANO SOLO-YVONNE MORIEL-DREA MERS. PIANO SOLO Swing Alley 2020 LLUíS COLOMA 1. Anna’s Theme (Lluís Coloma) 2. Moving from Home to Home (Lluís Coloma) 3. Chicago in Mind (Albert Ammons) 4. Tico-Tico no Fubá ( Zequinha de Abreu) 5. Life (Lluís Coloma) 6. Spring Equinox (Lluís Coloma) 7. Hot Rod Special (Lee Allen 8. Mule Face Blues (King Oliver) 9. Muir Woods (Lluís. Coloma) 10. Country (Keith Jarrett) 11. Ketchup on the Keys (Lluís Coloma) 12. In a Sentimental Mood (Duke Ellington) 13. El Funambulista (Lluís Coloma) BONUS TRACK 14. Goin’ To Malaysia (Lluís Coloma) Lluís Coloma - Piano Producido por Lluís Coloma Productor ejecutivo: Jordi Pujol Dibujo portada: Maren Pérez Foto interior: Antonio Benitez Grabado en los Estudios Oído de Barcelona SPAIN, el 11 y 12 enero 2020 por Natxo Nogueras. Mezclado y masterizado en Wilson Studios por Natxo Nogueras y Lluís Coloma, Enero 2020. El nuevo CD PIANO SOLO de Lluís Coloma nos presenta una faceta más profunda de este virtuoso y reconocido pianista barcelonés. Con el paso de los años, para Lluís, el piano se ha convertido en una extensión de su propio cuerpo, el instrumento perfecto para expresarse de una forma natural, espontánea y única. Él solo ante el piano crea composiciones propias, interpreta personales versiones y dibuja sorprendentes texturas, todo ello siempre impregnado de Blues y Boogie Woogie, que son las raíces de sus muy variadas influencias. Un cóctel de estilos que con el tiempo se ha convertido en un sello y sonido propios, donde cada tema es un paisaje sonoro dentro de su universo musical. Lluís vive tan plenamente la alegría de tocar que ésta se transmite rápidamente. En un formato íntimo y despojado de artificios, la libertad creativa de este original pianista queda totalmente expuesta, no tiene límites y transporta al oyente hacia ambientes hipnóticos, mágicos, llenos de frescura, emoción, ritmo y energía.
Guided by Voices [00:58] "Echos Myron" Bee Thousand Scat Records SCAT 35 1994 One of the many classics from this canonical lo-fi album on beautiful translucent blue vinyl. If you're the sort that digs the 33 1/3 book series, there is an excellent one on this album. Minneapolis Symphony Orchestra [03:39] "Symphony No. 5 in C Minor, Op. 67: Scherzo-Allegro/Allegro; Presto" Beethoven: Symphony No. 5 in C Minor, Op. 67/Egmont Overture Op. 84/Coriolan Overture, Op. 62/Overture "Leonore" No. 3, Op. 7a Mercury MG 50017 1953 Well, the cover says Beethoven: Eroica Symphony No. 3 in E Flat Major, but instead, it's a completely different Beethoven piece by a different orchestra, on a different label. Ah well. Can't argue with free. Otto Klemperer conducting the Philharmonia Orchestra [12:52] "Symphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando" Symphony No. 1 & No. 8 Angel Records 35657 1958 Supposedly this is a parody of a metronome. Gotta love musical jokes. And yes, Otto Klemperer is the father of beloved actor Werner Klemperer. Bob Dylan/The Band [18:38] "All Along the Watchtower" Before the Flood Asylum Records AB-201 1974 Some interesting items on this double live album. Some less interesting and chaotic things. All Along the Watchtower seems to be a solid symbiosis between Bob and the Band. The Rolling Stones [22:01] "Stray Cat Blues" Beggars Banquet London Records PS 539 A rockin blues number from Jagger and Richards, supposedly inspired by VU's Heroin. It also features Brian Jones on mellotron. The beginning of the end for Mr. Jones. Cannonball Adderley [26:39] "Spectacular" Beginnings Mercury EMS-2-404 1976 Recorded February 6, 1975, with Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums. Fine Arts Quartet [31:25] "String Quartet No. 6, I. Mesto - Più mosso, pesante - vivace/II. Mesto - Marcia" Bela Bartók Streichquartette Nr. 5 (1934) Nr. 6. (1939) Barenreiter Musicaphon BM 30 L 1803 This selection used to belong to the Djerassi Foundation in Woodside CA. I wonder which artist liberated this from their collection. Stevie Nicks [47:23] "Edge of Seventeen" Bella Donna Modern Records MR 38-139 1981 Quadruple platinum from everyone's favorite witchy woman, on the record label that Stevie co-founded with Danny Goldberg and Paul Fishkin. Nadja [52:46] "Skin Like Sand" Belles Bêtes Beta-lactam Ring Records 2009 The first of many tracks you will be hearing from the transcendent duo known as Nadja (https://nadja.bandcamp.com/music). This track is a reinterpretation of a solo project by member Aidan Baker entitled Songs of Flowers & Skin. Music behind the DJ: "Gomez" by Vic Mizzy
A few from the archives plus some recent come-ups. Tracklist: Johnny Frigo Sextet, Ravi Shankar, JJ Johnson and Nat Adderley, Gil Scott Heron, RF, Ernie Hines, Pleasure
durée : 00:57:10 - Sans Souffle - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Gordon Rytmeister. Drummer from Sydney, Australia. When you look at the upper echelon of any field, there's usually a handful of people that come to mind, right? Within the Australian drumming community, Gordo is one of those people. You only need to google his name to see the enormous body of work he's amassed over his 3 + decades on the instrument. And that work continues, as he's still one of the most in demand drummers around. Attitude, facility and reliability keep Gordo as that first call guy, be it sessions or live gigs for jazz, big band, pop, rock, fusion and even metal. Some of the people Gordon has worked with are: Don Burrows, Steve Hunter, James Morrison, Australian Idol House Band, Steve Vizzard Show, Bob Mintzer, Emma Pask, Mark Costa, Leo Sayer, Bob James, Tom Jones, Bob Florence, The Commodores, Bob Geldof, Barry Harris, Nat Adderley, Maria Schnieder, Lee Konitz, Glenn Shorrock (from Little River Band), Alex Koritni, Tina Arena, The Sydney All Star Big Band, Roger Frampton, Bobby Shew, Anthony Warlow, Russell Watson, Rob McConnell, Don Rader, Dale Barlow, Eartha Kitt, Jimmy Barnes and many, many more. This episode is Part 2 of 2. Get Part 1 here. Episode recorded 26/09/2019. Episode Music. Intro: : "Reminiscing" by The Sydney All Star Big Band: Drums - Gordon Rytmeister Outro: "Dirty Letter" by Alex Koritni: Drums - Gordon Rytmeister Photo by Bill Risby (@oasisbill) https://www.drumscene.com.au/back-issues/item/610-drumscene-issue-86 http://www.gordonrytmeister.com/ https://au.yamaha.com/en/artists/g/gordon_rytmeister.html https://www.youtube.com/results?search_query=gordon+rytmeister+ -------------------------------------------------------------------------------------------------------------------------------------- Click here to securely donate to The Gig Life Podcast. Your support is very much appreciated. Thank you. https://www.thegiglifepodcast.com https://www.facebook.com/thegiglifepodcast/ https://www.instagram.com/thegiglifepodcast/?hl=en https://open.spotify.com/playlist/5KahER1yXZQP3rh1mhSUqX?si=0O1lB7TJTaKfuD34xm7B7w Email: thegiglifepodcast@gmail.com #thegiglifepodcast #thegiglife
Gordon Rytmeister. Drummer from Sydney, Australia. When you look at the upper echelon of any field, there's usually a handful of people that come to mind, right? Within the Australian drumming community, Gordo is one of those people. You only need to google his name to see the enormous body of work he's amassed over his 3 + decades on the instrument. And that work continues, as he's still one of the most in demand drummers around. Attitude, facility and reliability keep Gordo as that first call guy, be it sessions or live gigs for jazz, big band, pop, rock, fusion and even metal. Some of the people Gordon has worked with are: Don Burrows, Steve Hunter, James Morrison, Australian Idol House Band, Steve Vizzard Show, Bob Mintzer, Emma Pask, Mark Costa, Leo Sayer, Bob James, Tom Jones, Bob Florence, The Commodores, Bob Geldof, Barry Harris, Nat Adderley, Maria Schnieder, Lee Konitz, Glenn Shorrock (from Little River Band), Alex Koritni, Tina Arena, The Sydney All Star Big Band, Roger Frampton, Bobby Shew, Anthony Warlow, Russell Watson, Rob McConnell, Don Rader, Dale Barlow, Eartha Kitt, Jimmy Barnes and many, many more. This episode is Part 1 of 2. (Part 2 coming soon...) Episode recorded 26/09/2019. Episode Music. Intro: "Pendulum" - Mark Costa (Textures): Drums - Gordon Rytmeister Outro: "Heart Donation" - Alex Koritni: Drums - Gordon Rytmeister Photo by Bill Risby (@oasisbill) https://www.drumscene.com.au/back-issues/item/610-drumscene-issue-86 http://www.gordonrytmeister.com/ https://au.yamaha.com/en/artists/g/gordon_rytmeister.html https://www.youtube.com/results?search_query=gordon+rytmeister+ -------------------------------------------------------------------------------------------------------------------------------------- https://www.thegiglifepodcast.com https://www.facebook.com/thegiglifepodcast/ https://www.instagram.com/thegiglifepodcast/?hl=en https://open.spotify.com/playlist/5KahER1yXZQP3rh1mhSUqX?si=0O1lB7TJTaKfuD34xm7B7w Email: thegiglifepodcast@gmail.com #thegiglifepodcast #thegiglife
This week, we had the privilege of interviewing award-winning poet, Founder, Artis(Tree) Live and The Artis(Tree) Youth Project and Co-founder of The Cypher Open Mic Poetry & Soul, Taryn C Wharwood, also known as @IAmLoveReigns who dropped by to discuss the upcoming Jax Poetry Fest: Party in the Park with Al Letson which will be held in Hemming Park later this month. Then we witnessed jazz bassist Jonathan Baptiste perform a special rendition of the gospel-classic "Amazing Grace" and discuss his concert Jazz In The Gardens which will be held TONIGHT at Freedom Church Jacksonville, a jazz interpretation of Jesus’ last days in the Garden of Gethsemane and features vocals by Tori Peoples Tori L. Peoples @thetoripeoples ), poetry by Tilly and Jus Amanda Batts, and a live painting by Erin Kendrick of Erin is Creative TARYN WHARWOOD - BIOBorn and raised in Miami, FL, Taryn “LoveReigns” Wharwood is a proud product of The Ebony Village School in Dania, FL. Curated by the Dr. Merita Green and late Dr. Josephine Ivey, The Ebony Village School would prove to be the purposeful foundation of LoveReigns career as a performing artist, a host, entrepreneur, community advocate, curator, mentor, and activist. Along with the direction of her mother, retired Teacher, Sharon Wharwood, Drs. Green and Ivey saw a spark in Taryn that would lead her to develop a deep love for poetry. LoveReigns’ passion for people and words has afforded her opportunities to perform and advocate on the hills of Washington, DC, Canada and educational institutions from elementary to university levels. LoveReigns is truly in a lane of her own and isn’t afraid to create another one if she has to. JONATHAN BAPTISTE - BIOJonathan Baptiste is a bassist/composer, and native of Orlando, Florida. Raised in the church, his roots are predominantly in Gospel. He attended Polk State College's music program, where he received the Marie Ann Golden and the Polk County Cultural Arts Scholarships. Jonathan was the recipient of the American Music Scholarship and Weinstein Memorial Scholarship in Leadership at UNF. He received the Most Outstanding Musician of the Year award at the UNF School of Music. Jonathan is the 2018 Northeast Florida Jazz Association Jazz Scholarship Recipient. Jonathan is also a teacher at Jacksonville Arts and Music School. He is also a freelance musician, having played with the likes of 2x Grammy Award-winning Saxophonist Tivon Pennicott, Sofija Knezevic, Terry "Doc" Handy, Daniel D, Marcus Printup, Riza Printup, Nat Adderley, Jr., Jon Irabagon, Charenee Wade, Patrick Bartley, Jamison Ross, Fred Wesley, Alyson Williams, John Lumpkin and International Gospel Recording Artist, Lisa McClendon and others. Recently, Jonathan received the great honor of being chosen by the legendary jazz trombonist Teddy Adams, Art Blakey’s Jazz Messengers, as a “Future of Jazz” recipient and have been recognized for their work in Jazz. He and the other recipients were honored at the Savannah Heritage Festival (2017,2019). Jonathan has also played with his band, The Urban Intellectuals at the 2018 Jacksonville Jazz Festival. The Urban Intellectuals is built with the some of the finest musicians Florida has to offer. The phrase “Urban Intellectuals” derived from the phrase “Urban Renewal”, often criticized by the great James Baldwin, which was a tactic used in the 60s that relocated a majority of African Americans into what we now know as the projects. Those “urban” individuals that refused to just go with the flow and to enlighten their communities is what sparked the name: The Urban Intellectuals. Jonathan Baptiste and The Urban Intellectuals look to educate and inspire people through their music. The band endeavors to set a consistent example and be role models to inner city kids — showing them that they make music and be creative— no matter their skin color. Music: https://soundcloud.com/jonathanbaptistemusichttps://www.jonathanbaptiste.com/media --- Send in a voice message: https://anchor.fm/tastetestlive/message
Dediquem el programa a un saxofonista total, dif
Bronx native Daniel Sadownick has toured with a large (and growing) cross-section of the greatest musicians we all love: Michael Brecker, Me'shell Ndege'Ocello, Steely Dan, Tony, Toni Tone', Maxwell, Angie Stone, Dennis Chambers, Nicholas Payton, Christian McBride, Nat Adderley, George Coleman, Dianne Reeves, the Lionel Hampton Orchestra, Carl Allen, Nnenna Freelon, Dewey Redman, Jennifer Lopez... even Billy Idol. Daniel is also a member of the New York based cult band the Screaming Headless Torsos. He is a versatile percussionist that does not limit himself to one genre.
In this episode we're featuring Kaia Kater and a nod to the Brothers Adderley. First up, the new roots and blues of Kaia Kater. She's Canadian born, yet embodies all the musical treasures the Americas have to offer. From bluegrass, folk, and jazz, to MC's like Rakim and Kendrick Lamar, it all comes together in this burgeoning artist's style of songwriting. Along with Ms. Kater, music columnist Bao Le-Huu (This Little Underground/The Orlando Weekly) joins in the conversation. Speaking of taking in all the sounds of America (and the world at large in this case), we pay tribute to the brothers Adderley: Cannonball and Nat. With a body of work that left no stone unturned, these two did it all with a sense of musical adventure and accessibility with a bit of show-biz gleen. All types of great music passed through the brothers' horns, ranging in themes to folklore, Broadway, afrobeat, astrology, religion, and psychedelia. Along the way the left a trail of bonafide classics - Work Song, Mercy, Mercy, Mercy, and Sack O' Woe - not to mention a who's who of talents they helped to foster, from Joe Zawinul, Charles Lloyd, George Duke, Yusef Lateef, and more. SONG CREDITS FOR THIS EPISODE: THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magnetic Records). FIRST HALF: St. Elizabeth and Nine Pin by Kaia Kater (from the album "Nine Pin" on Mavens Music). Live recording from Orlando Philharmonic Performance with Eric Jacobson Little Pink and Harlem's Little Black Bird by Kaia Kater (from the album "Nine Pin" on Mavens music). SECOND HALF: Poundin' by Cannonball and Nat Adderley (from the album "Big Man" on Fantasy Records). Work Song by Cannonball and Nat Adderley (from the album "Live Session" on Capitol Records). Never Will I Marry by Cannonball and Nat Adderley with Nancy Wilson (from the album "Live Session" on Capitol Records). I'd Rather Be Drinking Muddy Water by Cannonball and Nat Adderley with Lou Rawls (from the album "Live Session" on Capitol Records). So What by Miles Davis (from the album "Kind of Blue" on Columbia Records). Mercy, Mercy, Mercy by Cannonball and Nat Adderley (from the album "Mercy Mercy Mercy" on Capitol Records). Tensity by Cannonball and Nat Adderley (from the album "Quintent and Orchestra" on Capitol Records). Fiddler on the Roof, Boy With the Sad Eyes, and Walk Tall by Cannonball and Nat Adderley (from the album "Fidderelty on the Roof" on Capitol Records). ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.
Dagboka, lyden av någe, tips, sokketips fra NRK. Helges tips Etterspill: The Old Country av Nat Adderley
Kvintett Sam Yahel leikur lögin Half Baked, A Sleepin' Bee, Searchin', Never Let Me Go, Hymn For Her og Block. Nicholas Payton leikur lögin The Last Goodbye, Zigaboogaloo, Back To The Source, Time Traveling, Concentratic Circles, Paraphernalia og People Make The World Go Round. Hljómsveit Nat Adderley leikur lögin Work Song, Sack of Woe, Fallout, Mean to Me og My Heart Stood Still.
Kvintett Sam Yahel leikur lögin Half Baked, A Sleepin' Bee, Searchin', Never Let Me Go, Hymn For Her og Block. Nicholas Payton leikur lögin The Last Goodbye, Zigaboogaloo, Back To The Source, Time Traveling, Concentratic Circles, Paraphernalia og People Make The World Go Round. Hljómsveit Nat Adderley leikur lögin Work Song, Sack of Woe, Fallout, Mean to Me og My Heart Stood Still.
Peter Laughner showcase, featuring both Rocket from the Tombs and solo, as well as Vivien Goldman, Nat Adderley and The dB's
The title here explains it all. Julian "Cannonball" Adderley in 1959 left the Miles Davis Sextet after making music history with the band, especially the album "Kind of Blue" and others of course but Adderley and his cornet playing brother Nat were ready to re-form their quintet. The first one was not too successful financially and Nat joined Woody Herman's band and later trombonist J.J.Johnson and Cannonball went with Miles but by 1959 the time was ripe. The Adderley Brothers settled on a stable personnel in the persons of pianist /composer Bobby Timmons, late of Art Blakey's Jazz messengers, bassist Sam Jones, late of Thelonious Monk's group and young drummer, Louis Hayes, late of Horace Silver's quintet and during an engagement in San Francisco at the legendary Jazz Workshop in October of 1959 the group came together and made this recording. It became a best seller for Riverside Records and put Adderley on the map as a great bandleader. This was the beginning. The premise of this month's 4 Jazz Features are recordings that were dismissed as inconsequential by the "esteemed" Jazz critics. This album was given a poor rating and dismissed. It is now a classic and one of the best loved of Adderley's vast output.We will present one of these types of dates in all the Jazz features in November. So tonight enjoy the warm swinging and funky sounds of Cannonball Adderley and Company at The Jazz Workshop.......a classic!
Our Jazz feature album is Cannonball Adderley's "Fiddler On The Roof". It is an overlooked gem in the vast discography of master alto saxophonist Julian "Cannonball" Adderley. Not only is his band not playing their usual repertoire they are playing music from an iconic Broadway hit play about life in the Jewish ghetto in early 20th Century Russia. The music and the story are so well known and it's a tribute to the musicianship of Adderley and his band that they have made a very credible album of what is really non-Jazz music.The great tenor saxophonist/flutist Charles Lloyd had just replaced the mighty Yusef Lateef in the band and although his stay was short-lived he made a significant contribution to this date. Lloyd soon launched his own band and went on to become one of the most popular Jazz artists of the late 60s. The rest of the band should be familiar to all: Julian "Cannonball" Adderley on alto saxophone/leader with Nat Adderley on cornet, Joe Zawinul on piano, Sam Jones on bass and Louis Hayes on drums and of course Charles Lloyd. The arrangements are by Cannonball and Joe Zawinul. Enjoy Jazz versions of this familiar and greatly loved music.
Hljómsveit Nat Adderley leikur lögin Mean To Me, Work Song, Fallout, Sack Of Woe, My Heart Stood Still og Pretty Memory. Kvartett Clifford Adams leikur lögin I Can't Get Started, Ranatyah, Precious Jewel. Graceful Feeling og Walkin'. Dexter Gordon og félagar leika lögin Meditation, Fried Bananas, Boston Bernie og Sticky Wicked.
Hljómsveit Nat Adderley leikur lögin Mean To Me, Work Song, Fallout, Sack Of Woe, My Heart Stood Still og Pretty Memory. Kvartett Clifford Adams leikur lögin I Can't Get Started, Ranatyah, Precious Jewel. Graceful Feeling og Walkin'. Dexter Gordon og félagar leika lögin Meditation, Fried Bananas, Boston Bernie og Sticky Wicked.
Tonight's Jazz Feature is our small celebration to Halloween as tonight is October 31st! Joseph Rudolph Jones aka "Philly Joe" a nickname he adopted to distinguish himself from the older Basie drummer Jo Jones. Philly Joe came to national fame as part of Miles Davis' "first great quintet" and became one of the most in-demand sideman and appeared on so many classic recordings in the 50s and 60s and beyond. He recorded some albums under his own name that may not be classics but are damn good! One of them is this date with tenor saxophonist fireball Johnny Griffin, trombonist Julian Priester and cornetist Nat Adderley who shines on this date. Tommy Flanagan is on piano and a young Jimmy Garrison is solid on bass. Four great tunes are featured for the band to stretch out on and the final fifth tune is called "Blues For Dracula". It's a slow blues with Philly Joe's voice overdubbed. Philly Joe does his best Bela Lugosi imitation and the slow blues turns into Blues For Dracula. Serious fun and a small tribute to Halloween. All in all a fine representative recording and a tribute to one of the most influential drummers in Modern Jazz.......Mr. Philly Joe Jones!
Cornettist Nat Adderley was a great musician who was somewhat overshadowed by his big brother Cannonball Adderley. Nat was a formidable musician oin his own right. He preferred the smaller and sharper sounding cornet to the trumpet and excelled. He put together this great band for a one night stand at an LA club called Memory Lane. His front line partner is Joe Henderson, one of the great tenor saxophonists ever. The rest of the band consists of Joe Zawinul on piano, Victor Gaskin on bass and Roy McCurdy on drums. This is a great set done with the energy that only a live audience can supply. Check it out tonight!!
El programa de esta semana está dedicado a algunos músicos y cantantes de soul y funk del sello ATLANTIC, algunos muy poco conocidos en nuestro país pero de indudable talento: David Newman, Eddie Harris, Donny Hathaway, Wayne Henderson, Nat Adderley...
Having recorded with John Lennon in 1974 on the "Walls and Bridges" album, Ron will be producing a jazz tribute to Lennon and his songs. Ron remembers recording with John Lennon and Elton John on the album Walls and Bridges and it created a longing to do a tribute album to John himself. The all-star horn section included Howard Johnson, Frank Vicari, and Steve Madeo. Ron Aprea, composer, arranger, producer, saxophonist, clarinetist, and flutist, has performed with Woody Herman, Les Elgart, Tito Puente, Frank Foster, Buddy Morrow, Billy May, Charlie Persip, Nat Adderley, Lionel Hampton, and Louis Armstrong.Ron Aprea, jazz saxophonist & arranger, been recording and producing albums for over 30 years. In 1974, I had the honor of being one of the “Little Big Horns” on John Lennon’s 1974 “Walls and Bridges” album. John was an amazing human being, and my vision is to honor the music and spirit of John Lennon with a jazz tribute album. *This album will include 12 songs, most of which are Lennon or Lennon/McCartney collaborations, with a gem by George Harrison. my “John Lennon Story” which can be read in its entirety at http://ronaprea.com/john-lennon.html *** Please make sure to check out how you can be part of this exciting project at Kickstarter!
Ron Aprea, composer, arranger, producer, saxophonist, clarinetist, and flutist, has performed with Woody Herman, Les Elgart, Tito Puente, Frank Foster, Buddy Morrow, Billy May, Charlie Persip, Nat Adderley, Lionel Hampton, and Louis Armstrong.While with Hamp's band, some of the highlights were a Ramsey Lewis television special, and a recorded concert at the Smithsonian Institute, where Ron's solos were taped and put into their Archives. Ron was the featured soloist and arranger for performances with Nat Adderley at the world-famous Apollo Theatre, and he also performed at the Paramount Theatre with King Curtis' Big Band. Ron has played shows for literally hundreds of stars, including Clint Holmes, Rita Moreno, Robert Merrill, Chita Rivera, Rich Little, and Billy Eckstine.In 1974, Ron recorded with John Lennon and Elton John on the album entitled Walls and Bridges. The all-star horn section included Howard Johnson, Frank Vicari, and Steve Madeo. Ron was a featured soloist on the jazz-gospel album Free to Be Free. On June 5th 2013 Ron released his own album entitled Ron Aprea Sextet-Remembering Blakey, Ron's tribute to Art Blakey and his Jazz Messengers. Ron's front line on this album is Joe Magnarelli-trpt., Jerry Weldon-tenor, and Ron on alto. The rhythm section is Cecilia Coleman-piano, Tim Givens-bass, and Vince Cherico-drums. The album is a mix of originals and standards. Ron has two of his own originals, Sophia and For Pete's Sake ,for the late bassist & close friend Pete Chivily. Although none of the 12 cuts are tunes that Blakey recorded, Ron confesses that in writing for this project Blakey's Jazz Messengers kept popping into his head. when drummer Vince Cherico came to the session and asked Ron "what type of feel do you want?" Ron said one word "Blakey!" Ron is currently working on an album with vocalist Tony Yezzo. The producer is bassist Al Cardillo, who collaborated with Ron on the writing.
Iniciamos mes con un nuevo volumen de nuestros especiales "Jazz en España" repasando algunas de las entregas más destacadas facturadas en nuestro país en lo que llevamos de año. Las firman Mariano Díaz, Miguel Angel Chastang y el "Zas Trío" para "Karonte", Carlos Martín para "Sedajazz Rc", Lucas Martínez y Luis González para "PS Music" y Marcos Pin para "Free Code". La guinda la pone el mismísimo Raphael propósito de fechas, con su particular visión de "Work Song" de Nat Adderley. Miércoles 1... canalextremadura.es
This week’s show is a sizzling selection of tunes designed to set you up nicely for the day, being as it is themed around the most important of meals, namely: breakfast.We have sausage, bacon, tomato, scrambled eggs and a variety … Continue reading →
This well organized session featured two great Chicago-born musicians who went to the famous DuSable High School and learned the nuts and bolts of music from the redoubtable Captain Walter Dyett. Green went onto play with the great Earl Hines' band in 1943 and Ammons became a star in the famous Billy Eckstine band in 1944-45. Ammons' birthday was April 14 (1925-1974) and Green's was April 16 (1923-1977. Tonight's program broadcast on April 15 honours their birthdays. Along with trombonist Green and tenor saxophonist Ammons....two of the most recognizable voices on their horns...are cornettist Nat Adderley and the "two Franks" from the Basie band Frank Foster and Frank Wess. Both are great tenor saxophonists and Wess is also heard on flute. The rhythm section is fine with Tommy Flanagan on piano, Eddie Jones (also from the Basie band) on bass and the youngest member of the musical Heath Family, drummer Albert "Tootie" Heath. Green penned two tunes and Ammons did one and Foster contributed the opener ("Juggin' Around") and Wess contributed one plus there is a delightful version of Cannonball Adderley's tune called "Sermonette". Foster and Wess helped arrange some of the tunes . This is a well run date that doesn't sprawl and is cohesive but leaves plenty of blowing room for everyone. So HAPPY BIRTHDAY Bennie Green and Gene Ammons. This date wasn't called "The Swingin'est" for nuthin'!
Andrew J Nemr, a protege of Gregory Hines brings his stories and his friends to the newly reopened Cutting Room in NYC for one night only. Friends include Gordon Webster (Piano), Gregory Jones (Bass), Daria Musk (Singer/Songwriter), Sean Nowell (Saxophone), David Eggar (Cello), Cats Paying Dues/CPD PLUS (Taps), and special guest Nat Adderley, Jr.
Matt Dalton: vocals Steven Chung: alto Elizabeth Laprade: clarinet Willie Jones: trombone Tariq Nicholson:piano Marissa Cohen: bass Colin Hales: drums Anthony Crescente: guitar
Ficha del episodio Equipo Dirección: Álex García Locución: Inma Blaya y Álex García Técnicos de sonido: Emilio Martínez y Borja Antón Contenidos Como te decía, contamos con Esther Cidoncha, pero antes de ello podrás escuchar la sección Jazz y Cine, donde Inma nos habla un poco sobre la buena serie Mad Men, y escuchamos algunas canciones de su banda sonora, con artistas como Astrud Gilberto, Miles Davis con un tema de su grandioso Kind of Blue y Ella Fitzgerald cantando a Manhattan, el escenario de la serie. Y después entra Esther y charlamos cordialmente con ella. Como sabes, Esther Cidoncha es una de las mejores fotógrafas de jazz; a los de JazzTK Revista digital de jazz nos encanta, ya le hicimos una de las primeras entrevistas de la sección Conversajazz (entrevista a Esther Cidoncha) y en algunos de nuestros artículos usamos sus fotografías que ella muy amablemente nos permite usar (entrevista a Ramón López, concierto de Jerry González). Si por un casual no la conoces, es obligatorio que visites su página web http://ecidonchafotosdejazz.blogspot.com.es/. Y si la conoces visítala también y suscríbete, así no te perderás las novedades. En la conversación hablamos sobre fotografía, sobre jazz, sus inicios, sus años en Valencia, la escena hispana de jazz,… Una charla de lo más entretenida. Y acompañada por un tema de Lennie Tristano y otro de Nat Adderley. Un programa en el que, una vez más, nos lo pasamos genial y disfrutamos como nanos. Esperamos que tú también lo disfrutes tanto como nosotros. Canciones Las canciones escuchadas en el programa son: * Agua de Beber (Astrud Gilberto, This is Astrud Gilberto) * Blue in Green (Miles Davis, John Coltrane, Bill Evans, Paul Chambers, James Cobb, Kind of blue) * Manhattan (Ella Fitzgerald, Buddy Bregman, Vincent DeRosa, Ted Nash, Willie Schwartz, Bud Shank, Paul Smith, Barney Kessel, Joe Mondragon, Alvin Stoller, The Rodgers and Hart Song Book) * Turkish Mambo (Lennie Tristano, Peter Ind, Jeff Morton, Lennie Tristano) * Sack of Woe (Nat Adderley, Wes Montgomery, Bobby Timmons, Sam Jones, Percy Heath, Louis Hayes, Work Song)
Ficha del episodio Equipo Dirección: Álex García Locución: Inma Blaya y Álex García Técnicos de sonido: Emilio Martínez y Borja Antón Contenidos Como te decía, contamos con Esther Cidoncha, pero antes de ello podrás escuchar la sección Jazz y Cine, donde Inma nos habla un poco sobre la buena serie Mad Men, y escuchamos algunas canciones de su banda sonora, con artistas como Astrud Gilberto, Miles Davis con un tema de su grandioso Kind of Blue y Ella Fitzgerald cantando a Manhattan, el escenario de la serie. Y después entra Esther y charlamos cordialmente con ella. Como sabes, Esther Cidoncha es una de las mejores fotógrafas de jazz; a los de JazzTK Revista digital de jazz nos encanta, ya le hicimos una de las primeras entrevistas de la sección Conversajazz (entrevista a Esther Cidoncha) y en algunos de nuestros artículos usamos sus fotografías que ella muy amablemente nos permite usar (entrevista a Ramón López, concierto de Jerry González). Si por un casual no la conoces, es obligatorio que visites su página web http://ecidonchafotosdejazz.blogspot.com.es/. Y si la conoces visítala también y suscríbete, así no te perderás las novedades. En la conversación hablamos sobre fotografía, sobre jazz, sus inicios, sus años en Valencia, la escena hispana de jazz,… Una charla de lo más entretenida. Y acompañada por un tema de Lennie Tristano y otro de Nat Adderley. Un programa en el que, una vez más, nos lo pasamos genial y disfrutamos como nanos. Esperamos que tú también lo disfrutes tanto como nosotros. Canciones Las canciones escuchadas en el programa son: * Agua de Beber (Astrud Gilberto, This is Astrud Gilberto) * Blue in Green (Miles Davis, John Coltrane, Bill Evans, Paul Chambers, James Cobb, Kind of blue) * Manhattan (Ella Fitzgerald, Buddy Bregman, Vincent DeRosa, Ted Nash, Willie Schwartz, Bud Shank, Paul Smith, Barney Kessel, Joe Mondragon, Alvin Stoller, The Rodgers and Hart Song Book) * Turkish Mambo (Lennie Tristano, Peter Ind, Jeff Morton, Lennie Tristano) * Sack of Woe (Nat Adderley, Wes Montgomery, Bobby Timmons, Sam Jones, Percy Heath, Louis Hayes, Work Song)
An all-music episode with happy, upbeat jazz to celebrate Spring! Lovely latin piano trio, groovy contemporary with North African flair, big band a la Ellington, a jazz orchestra number featuring Benny Golson and Nat Adderley, unbridled hard-bop and even a tender jazz vocal number just right for Mother's Day. We cover the East Coast this month - Hallandale, Melbourne, Maitland and Jacksonville! visit our Facebook pagecheck out our blogHosts: Allison Paris & Kenny MacKenzie 1. Introduction - Allison, Kenny2. "Carl's Idea" - Ron Pirtle Quintet (Melbourne, FL) website Ron Pirtle - bass, Carl Hendrix - piano, Stan Soloko - drums,Paul Polanski - tenor sax, Brad Baker - tenor saxfrom the album "Gettin' In the Groove"purchase cd at CD Baby3. "Hymn of the Tides" - Jamie Ousley (Hallandale, FL) websiteJamie Ousley - bass, Joe Davidian - pianoAustin McMahon - drumsfrom the album "A Sea of Voices" on Tie Recordsthis album is a not-for-profit project to benefit the environment.proceeds go to the Sunshine State Interfaith Power and Light Org.purchase cd at CD Baby4. Announcements - Kenny(background music from the album "Front and Center" by Shenole Latimer)5. "A Cup-a-Kenitra" - Rich Switzer (Maitland, FL) websiteRich Switzer - trumpet, keyboards, all other instrumentsfrom the album "Moroccan Blend"buy cd at CD Baby or download at Itunes 6. "Along Came Benny" - Chuck Owen & the Jazz Surge (Temple Terrace, FL) websiteChuck Owen - piano, composer/arranger; Nat Adderley - cornetBenny Golson - tenor sax, Mark Neuenschwander - bass, David Hardman - drumsSaxes - Jack Wilkins - tenor, Jerry Kalber - alto, Dan Jordan - tenor, Rex Wertz - sax, Brian Snapp - sax Trumpets - Ron Turner, Brian O'Flaherty, Mike Iapichino, Tom ParmerterTrombones - Keith Oshiro, Chris Clifton, Herb Bruce, Jim HallFrom the album "Chuck Owen & the Jazz Surge" on Sea Breeze Recordspurchase cd at Sea Breeze Records website8. Announcements - Allison9. "Lester's Leap" - Bill Prince (Jacksonville, FL) websiteBill Prince - all instruments except drums, Rick Kirkland - drumsfrom the albums "Happy Thoughts"for more info on cd contact Dr. Prince10. "Babies Gentle" - Dot Wilder (Jacksonville, FL) websiteDot Wilder - composer, vocalist; Roy Dunlap - piano, Dan Nicholson - sax, Jeff Hanley - bassfrom the album "Live at the Warehouse"purchase cd at CD baby11. Announcements - Kenny(background music from the album "Second Chances" by Allison Paris)13. Closing Announcements - Allison Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2012 Kenny MacKenzie. All rights reserved.
This hard driving blues based modern Jazz session was co-led by two great products of a Chicago high school named DuSable which had a great music program headed by the legendary "Captain" Walter Dyett. One of the co-leaders is Bennie Green who was one of the early modern trombone masters. Although he isn't treated with the same reverence as J.J.Johnson, Bennie should be recognized as one of the pioneers of Modern Jazz. Gene Ammons is the other co-leader and he is now considered to be one of the major voices of the tenor saxophone. Gene had a huge sound and a way of playing and phrasing that has influenced scores of players. Sadly Bennie died in obscurity in 1977 and Gene passed away in 1974, finally recognized and given stature after being slagged for many years by snobby Jazz critics. Green and Ammons put together a great band for this November 1958 session. The "two Franks" from the Basie band were added in the persons of tenor saxophonist/arranger Frank Foster and tenor saxophonist/flutist Frank Wess. A great added plus was the bright, salty cornet of Nat Adderley. Tommy Flanagan is on piano, Eddie Jones on bass also from the Basie band and Albert "Tootie" Heath is on drums. The tunes are mostly blues based and easy to take but the solos are inspired and the session is coherent and has direction. A good date and a fine showcase for all the talents involved and fun to listen to!
This recording, done live at the Village Vanguard in early 1962 marked a turning point in the evolution of alto saxophone master, Cannonball Adderley's band. Adderley had a very successful quintet for a couple of years with a permanent group of players. The only change in the band was the pianist, first Bobby Timmons then Barry Harris then Walter Bishop Jr. and Victor Feldman and finally Joe Zawinul, who stayed with the Adderley organization for nine years. The next step was to add another horn to the front line, and what an addition! Yusef Lateef added not only his big toned tenor but also his flute and oboe to the mix. The Adderley Sextet was born: Julian 'Cannonball' Adderley on alto, Nat Adderley on cornet, Lateef on tenor, flute and oboe, Joe Zawinul, piano, Sam Jones on bass and Louis Hayes on drums. This recording was the debut of this group and Adderley's first live recording in New York and it cooks from bar one!
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