Podcast appearances and mentions of Eddie Henderson

When Denver native and Oberlin Conservatory graduate Mitchell Galligan sits down behind a Hammond B3, people take notice. One of the best young piano and organ players to cross our path in quite some time, Mitchell has performed alongside some of the legends of jazz including Billy Hart, Eddie Henderson and Jamey Haddad. This sold out trio performance features Mitchell on Hammond B3 alongside Tim Picard on Guitar and Ori Jossel on drums. From April 26th, 2024 it's the Mitchell Galligan Trio – Live at the Bop Stop. Green Jeans - Green Somewhere in the Night - Green The Sermon - Smith Ana Maria - Shorter Beyond All Limits - Shaw Our Miss Brooks - Vick 100 Ways - Wakefield/Wright/Coleman

BILLY HARPER “SOUL OF AN ANGEL” New York, December 1 & 2, 1999Credence (1), Let all the voices sing (1,2), Was it here…is it there ? Eddie Henderson (tp-1) John Clark (fhr-2) Billy Harper (ts) Francesca Tanksley (p) Clarence Seay (b) Newman Taylor Baker (d) MATTHEW SHIPP “FOR DUKE” New York, June 10, 2014Take the “A” train, Dickey DukeMatthew Shipp (p) Michael Bisio (b) Whit Dickey (d) JUANMA TRUJILLO “CONTOUR” Brooklyn, NY, June 6, 2021Core, Castaway, RuminationJuanma Trujillo (g) Kenneth Jimenez (b) Gerald Cleaver (d) Continue reading Puro Jazz 21 de febrero, 2025 at PuroJazz.

BILLY HARPER “SOUL OF AN ANGEL” New York, December 1 & 2, 1999Credence (1), Let all the voices sing (1,2), Was it here…is it there ? Eddie Henderson (tp-1) John Clark (fhr-2) Billy Harper (ts) Francesca Tanksley (p) Clarence Seay (b) Newman Taylor Baker (d) MATTHEW SHIPP “FOR DUKE” New York, June 10, 2014Take the “A” train, Dickey DukeMatthew Shipp (p) Michael Bisio (b) Whit Dickey (d) JUANMA TRUJILLO “CONTOUR” Brooklyn, NY, June 6, 2021Core, Castaway, RuminationJuanma Trujillo (g) Kenneth Jimenez (b) Gerald Cleaver (d) Continue reading Puro Jazz 21 de febrero, 2025 at PuroJazz.

It's all about the lurrrrrve on Jumpin' In this Valentine's Evening with loving sounds from Eddie Henderson, Tubby Hayes and Bill Evans among others but a warning; some love is unrequited!

Talking to the legendary Eddie Henderson was a dream come true for me. As I tell Eddie in the beginning of this episode, I've been listening to him for all my life: My father played Herbie Hancock's “Mwandishi” albums for me as a kid and when I was 13 I saw Eddie with Herbie's “Gershwin's … Continue reading Eddie Henderson

Rick and Ron host Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton to the podcast. Steve initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 2022 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

| Rain Falls (David's 12" Soakin' Wet Mix)  | Frankie Knuckles feat. Lisa Michaelis  | 1991 | Say You Will  | Eddie Henderson  | 1977 | Give Me Up  | Beau Williams  | 1986 | Goree Island  | Roy Ayers  | 1984 | Beat The Street  | Sharon Redd  | 1982 | Reach Up  | Toney Lee  | 1982 | Think It Over  | Cissy Houston  | 1978 | You're The Fire  | Cissy Houston  | 1980 | Can't Play Around (Vocal)  | Lace  | 1982 | Physical Attraction  | Madonna  | 1983 | Under The Skin (12" Version)  | The Brothers  | 1976 | Disco Sax  | Houston Person  | 1975 | True Confessions  | Billy Griffin  | 1992 | Porcupine  | Nature Zone  | 1976 | Stone To The Bone  | Timmy Thomas  | 1977 | Morning Song  | Soundscape UK  | 1998 | The New Groove  | Soundscape UK  | 2000 | Can You Find The Time?  | Champaign  | 1981 | Love Chant  | Eli's Second Coming  | 1977 | The One  | Miguel Migs  | 2002 | You Will Rise  | Sweetback  | 1996

Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 202 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

For this week's episode, we go back 60's hard bop format for most of the show. From Rollins to Trane, we groove to this era's hard hitting jazz. I did throw in a couple of modern pieces from Eddie Henderson and Billy Childs, that reflect on the hard-bop period. Playlist Artist ~ Name ~ Album Sonny Rollins ~ Alone Together ~ Sonny Rollins and the Contemporary Leaders Hank Mobley ~ Up Over And Out ~ Reach Out! Eddie Henderson ~ Totem Pole ~ Witness to History Billy Childs ~ The Starry Night ~ Rebirth Jackie McLean ~ Climax ~ Jacknife John Coltrane ~ Bahia ~ Bahia John Coltrane ~ Something I Dreamed Last Night ~ Bahia

**Music Mick's Mick's Vibez Show Replay On Trax FM & Rendell Radio. This Week Mick & The Mixvibez Show Gave Us 70's & 80's Grooves/Dance Classics From Gladys Knight & The Pips, Finis Henderson, Eddie Henderson, Double Vision, Unique, Village People, Voyage, Young & Company, Alton Edwards, Donnell Pitman, Instant Funk, & More. #originalpirates #soulmusic #70ssoul #80ssoul #disco #danceclassics Catch The Music Mick's Mixvibez Show Every Saturday From 4PM UK Time On Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

En este episodio de La Montaña Rusa, hemos escuchado la música de Eddie Henderson; Lee Heerspink; Sam Rivers; Matt Anderson Quartet; Yosef-Gutman Levitt & Tal Yahalom; SONDORGO. Seguir leyendo La Montaña Rusa. Episodio 31.2024. en La Montaña Rusa Radio Jazz.

Penúltimo programa de la temporada dedicado a trompetistas actuales: Palle Mikkelborg, Eddie Henderson, Dave Scott, Cosimo Boni, Caleb Wheeler Curtis, Josh Lawrence, Dan Rosenboom y Roy Campbell.Temas que suenan en el programa:01 2023 Palle Mikkelborg Jakob Bro Marilyn Mazur - Strands - Oktober (6' 01'')02 2023 Eddie Henderson - Witness to History 05 Freedom Jazz Dance - Donald Harrison George Cables Gerald Cannon Lenny White Mike Clark (5' 14'')03 2022 Dave Scott - Song for Alice 05 KC Swingin' - Rich Perry Gary Versace Johannes Weidenmuller Mark Ferber (8' 58'')04 2022 Cosimo Boni - May Be 05 View of One - Daniele Germani Isaac Wilson Mats Sandahl Jongkuk Kim (4' 28'')05 2022 Ember - August in March - Caleb Wheeler Curtis Noah Garabedian Vinnie Sperrazza (5' 00'')06 2021 Josh Lawrence - And That Too 06 Hole In The Wall - Willie Morris Art Hirahara – piano Boris Kozlov Jason Tiemann (5' 54'')07 2022 Dan Rosenboom - Polarity 02 A paper tiger - Gavin Templeton John Escreet Billy Mohler Damion Reid (5' 55'')08 2000 Roy Campbell Pyramid Trio - Ethnic Stew And Brew 06 Heavenly Ascending William Parker Hamid Drake (7' 37'')Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

ARTEMIS IN REAL TIME New York, August 16-18, 2022Slink (rr vcl,3,4), Penelope (1), Bow and arrow (1)Ingrid Jensen (tp) Alexa Tarantino (as-1,sop-2,fl-3) Nicole Glover (ts) Renee Rosnes (p,el-p-4,vcl) Noriko Ueda (b) Allison Miller (d) SONNY FORTUNE FROM NOW ON Englewood Cliffs, N.J., March 11 & 12, 1996This side of infinity, On Second and Fifth (2)Eddie Henderson (tp-1) Sonny Fortune (as) Joe Lovano (ts-2) John Hicks (p) Santi Debriano (b) Jeff “Tain” Watts (d) THE JAZZ PASSENGERS STILL LIFE WITH TROUBLE Brooklyn, NY, c. Continue reading Puro Jazz 31 Mayo 2024 at PuroJazz.

ARTEMIS IN REAL TIME New York, August 16-18, 2022Slink (rr vcl,3,4), Penelope (1), Bow and arrow (1)Ingrid Jensen (tp) Alexa Tarantino (as-1,sop-2,fl-3) Nicole Glover (ts) Renee Rosnes (p,el-p-4,vcl) Noriko Ueda (b) Allison Miller (d) SONNY FORTUNE FROM NOW ON Englewood Cliffs, N.J., March 11 & 12, 1996This side of infinity, On Second and Fifth (2)Eddie Henderson (tp-1) Sonny Fortune (as) Joe Lovano (ts-2) John Hicks (p) Santi Debriano (b) Jeff “Tain” Watts (d) THE JAZZ PASSENGERS STILL LIFE WITH TROUBLE Brooklyn, NY, c. Continue reading Puro Jazz 31 Mayo 2024 at PuroJazz.

Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980's, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist's quartet on tour.In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.Moods in Freedom on SpotifySupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

GERALD CANNON THE MUSIC OF ELVIN & MCCOY Dizzy's Club, June 3 – 4, 2022, New YorkEJ's Blues, 3 Card MollyJoe Lovano (st)Sherman Irby (sa) Eddie Henderson (t) Steve Turre (tbn) Dave Kikoski (p) Gerald Cannon (b) Lenny White (dr) TED ROSENTHAL MY FUNNY VALENTINE New York, June 5 & 6, 2007Alone together, Don't explain, Autumn leavesTed Rosenthal (p) George Mraz (b) Al Foster (d) JERRY BERGONZI EXTRA, EXTRA Boston (?) – 2023Extra Extra, Double Billed, ObamaJerry Bergonzi (st) Phil Grenadier (t) Sheryl Bailey (g) Harvie S (b) Luther Gray (dr) Continue reading Puro Jazz 26 marzo 2024 at PuroJazz.

GERALD CANNON THE MUSIC OF ELVIN & MCCOY Dizzy's Club, June 3 – 4, 2022, New YorkEJ's Blues, 3 Card MollyJoe Lovano (st)Sherman Irby (sa) Eddie Henderson (t) Steve Turre (tbn) Dave Kikoski (p) Gerald Cannon (b) Lenny White (dr) TED ROSENTHAL MY FUNNY VALENTINE New York, June 5 & 6, 2007Alone together, Don't explain, Autumn leavesTed Rosenthal (p) George Mraz (b) Al Foster (d) JERRY BERGONZI EXTRA, EXTRA Boston (?) – 2023Extra Extra, Double Billed, ObamaJerry Bergonzi (st) Phil Grenadier (t) Sheryl Bailey (g) Harvie S (b) Luther Gray (dr) Continue reading Puro Jazz 26 marzo 2024 at PuroJazz.

9e émission de la 58e session...Cette semaine, funky et ça jazz-rock! En musique: Roy Haynes sur l'album Hip Ensemble  (Mainstream, 1971); Eddie Henderson sur l'album Realization  (Capricorn, 1973); Pat Smythe Quartet sur l'album New Dawn: Live 1973  (British Progressive Jazz, 2024); Horse Lords sur l'album As It Happened: Horse Lords Live  (RVNG Intl., 2024); The Messthetics & James Brandon Lewis sur l'album The Messthetics & James Brandon Lewis  (Impulse!, 2024); Dave Harrington, Max Jaffe, Patrick Shiroishi sur l'album Speak, Moment  (AKP, 2024)...

The Cookers — made up of veteran musicians Eddie Henderson, David Weiss, Donald Harrison, Craig Handy, George Cables, Cecil McBee and Billy Hart — keep pushing the music forward.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

When a jazz musician rolls into Denver for a performance, it's not often that a documentary film and immersive art exhibition await them. But jazz-great Eddie Henderson is no ordinary musician, nor has he led an ordinary life. A few hours before Henderson played a two-show set at Denver's premier jazz venue, Dazzle, an exhibit called Time and Spaces: The Life of Eddie Henderson opened to the public at the CU Denver Experience Gallery in the Denver Performing Arts Complex. It features archival photos, one of Henderson's trumpets, and memorabilia, including a pair of skates he wore as a professional figure skater. There was also a room to view a twenty-minute clip of the documentary Dr. Eddie Henderson: Uncommon Genius. The film examines the 83-year-old musician's life, including how he overcame racial barriers and broke into fields that underrepresented Black men. In the 1960s, he became a professional figure skater and a practicing medical doctor. The documentary by Michelle Carpenter will screen at film festivals nationwide and air on PBS in February. In this episode, we'll hear from Andrew Palamara, the Gallery Coordinator for the exhibit Time and Spaces, Michelle Carpenter, documentarian for the film Dr. Eddie Henderson: Uncommon Genius, but up first is Mark Rabideau, a tenured professor of music at Colorado University and a good friend to Eddie Henderson.  Be sure to stick around for an exclusive interview with Dr. Henderson towards the end of this podcast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

All music used with permission by Eli Naragon. Nah, Man - Naragon She Meant - Naragon If That's True - Spalding Walking Away - Naragon Peter's Sons - Naragon View From Webster - Naragon Hold The Line - Naragon Sister Cheryl - Naragon   Pittsburgh based bassist Eli Naragon has toured and worked with some of the biggest names in jazz including Eddie Henderson, Billy Hart and Roger Humphries. He pays tribute to all of them on his 2022 debut album Homage, and he graced our stage on tour in support of that album in this December 28th, 2022 performance.   Backed by some of Northeast Ohio's best musicians including Chris Coles on saxophone, Tommy Lehman on trumpet, Zaire Darden on drums and Theron Brown on piano, it's Eli Naragon – Live at the Bop Stop.   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

Show notes: One of the most highly regarded jazz drummers today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994, where he began playing with saxophonist Eric Alexander and guitarist Peter Bernstein. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins, and his brothers, John and James. Joseph's career includes recording over 100 CDs as leader and side-man, jazz festivals, and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris, Curtis Fuller to name a few. He was the drummer for the late McCoy Tyner, a member of the late Pharaoh Sanders Quartet, and the late Harold Mabern Trio, and is a founding member of the renowned One for All Quintet. My recordings as a leader include Drumspeak and Beautiful Friendship feats. Cedar Walton and Curtis Fuller, Prime Time, Super Prime Time, and Make Someone Happy. Sarah Hanahan is an up-and-coming jazz saxophonist in New York City. Sarah is a graduate of the Jackie McLean Institute of Jazz at the Hartt School of Music, where she received her Bachelor's degree in 2019, as well as The Juilliard School, where she received her master's degree in 2022. She has had the privilege of studying with some of the greats of our time, including Abraham Burton, Nat Reeves, Steve Davis, Billy Drummond, and Marc Cary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

EDDIE HENDERSON – SO WHAT New York, March 13 & 14, 2002Prince of darkness (1), So what (1), Well, You Needn't (2)Eddie Henderson (tp,flhrn) Bob Berg (ts) David Kikoski (p) Ed Howard (b) Billy Hart (d-1) Victor Lewis (d-2) OWEN HOWARD – DRUM LORE, VOL. 2 – MORE LORE Brooklyn, NY, November 2, 2013Plus/minus, Hey, it's me you're talkin' to, UnganoJohn O'Gallagher (as) Adam Kolker (ts,sop,b-cl) Frank Carlberg (p) Johannes Weidenmueller (b) Owen Howard (d) KENNY BURRELL – K.B. Continue reading Puro Jazz 28 diciembre 2023 – Copy at PuroJazz.

OK Jazz returns with a packed new episode, new music from Chief Adjuah, Dengue Fever and Eddie Henderson, plus a Los Angeles Mega-Music-Mix inspired by Mr. OK Jazz' recent trip to the City of Angels!

Первая композиция нового альбома Witness to History - Свидетель Истории, трубача Eddie Henderson, напомнила мне Майлза Дэвиса. Это единственный оригинал на альбоме и поэтому он попадает в мой плей-лист, как лучший трек. Альбом приурочен к 50-летию дебютника 1973 года и содержит самые значимые пьесы учителей и наставников. Моим первым учителем игры на трубе еще в 1949 году был Louis Armstrong, - вспоминает автор, я познакомился с легендой через свою мать - танцовщицу в знаменитом гарлемском клубе Коттон. С этого момента я стал свидетелем эволюции музыки через Майлза Дэвиса, Фредди Хаббарда, Ли Моргана, Вуди Шоу, Джона Колтрейна и до настоящего времени. Я пережил суматоху 60-70-х годов и подъем Власти черных в этой стране. Мне также посчастливилось познакомиться с такими людьми, как Шугар Рэй Робинсон, Джо Луис и Уилли Мейс. Итак, я стал свидетелем истории, и это неизбежно отразилось на моей музыке. Альбом продолжает Why Not? - Почему бы и нет? Это мелодия из дебютного альбома 1975 года, моего друга - пианиста George Cables. Я выбрал для этого альбома песни, которые повлияли на мою музыкальную судьбу. Мне всегда нравилось, как он пишет музыку и, как он дает много места для импровизаций другим во время игры. Мы вместе играли эту вещь на живых концертах и всегда хотелось ее записать, так что, как следует из названия, почему бы и нет? В целом альбом довольно спокойный и большинство вещей можно использовать, как #lounge музыку для интеллектуальной публики. Самая забойная композиция Freedom Jazz Dance, также напоминает Майлза Дэвиса и его альбом Miles Smiles, где она звучала. ©️ 2023 Smoke Sessions Eddie Henderson - trumpet  Donald Harrison - alto saxophone  George Cables - piano & Fender Rhodes  Gerald Cannon - bass  Lenny White - drums  Mike Clark - drums on "Scorpio Rising"  Recorded on September 13, 2022  at Sear Sound Studio C, New York City  Produced by Paul Stache & Damon Smith  Recorded, Mixed & Mastered by Chris Allen  Assisted by Andrew Kochinka СЛУШАТЬ АЛЬБОМ - https://album.link/i/1695966843 Предыдущий альбом Shuffle and Deal - https://t.me/discor/5715 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #jazz --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

In this episode, we discuss recordings of “Locatelli: Il Virtuoso, Il Poeta: Violin Concertos & Concerti Grossi” (Harmonia Mundi) by Isabelle Faust, & Il Giardino Armonico / Giovanni Antonini, “An Invitation At the Schumanns'” (Harmonia Mundi) by Trio Dichter, Théotime Langlois de Swarte, Hanna Salzenstein & Fiona Mato, “Dobrinka Tabakova: Orpheus' Comet, Earth Suite & Concertos” (Hallé) by Maxim Rysanov, Guy Johnston & Hallé Orchestra / Delyana Lazarova, “Witness to History” (Smoke Session Records) by Eddie Henderson, “The Magnificent” (Cellar Live) by Brad Turner, and “Over Here” (Criss Cross Jazz) by The Jim Rotondi Quintet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 136 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Locatelli: Il Virtuoso, Il Poeta: Violin Concertos & Concerti Grossi” (Harmonia Mundi) Isabelle Faust, Il Giardino Armonico / Giovanni Antonini https://open.spotify.com/album/6G1RWMrM6hcf9UwPJt2MpZ https://music.apple.com/us/album/locatelli-il-virtuoso-il-poeta-violin/1692437179   “An Invitation At the Schumanns'” (Harmonia Mundi) Trio Dichter, Théotime Langlois de Swarte, Hanna Salzenstein, Fiona Mato https://open.spotify.com/album/4ugajnviM5K6qCicpO4BKh https://music.apple.com/us/album/an-invitation-at-the-schumanns/1691906374   “Dobrinka Tabakova: Orpheus' Comet, Earth Suite & Concertos” (Hallé) Maxim Rysanov, Guy Johnston, Hallé Orchestra / Delyana Lazarova https://open.spotify.com/album/5mRJarRj6PYIt31sKNkA6F https://music.apple.com/us/album/dobrinka-tabakova/1699388933   “Witness to History” (Smoke Session Records)  Eddie Henderson https://open.spotify.com/album/6flKvwkNjtlz2Oej8Zaatm https://music.apple.com/us/album/witness-to-history/1695966843   “The Magnificent” (Cellar Live)  Brad Turner https://open.spotify.com/album/4vRv0EbCjfBJS0j3kZxTlQ https://music.apple.com/us/album/the-magnificent/1696161975   “Over Here” (Criss Cross Jazz)  Jim Rotondi Quintet https://open.spotify.com/album/6DCXIL4PV0xm1YRhS2kZ8u https://music.apple.com/us/album/over-here/1710758718   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.      

La prima delle quattro puntate mensili di Jazz in Family, quelle che presentavamo e spiegavamo nel nostro articolo introduttivo alla IX edizione, è qui. Questa è la puntata dedicata ad alcune delle ultime novità discografiche del jazz mondiale. Con questo specifico appuntamento, però, vogliamo condurre una riflessione profonda sul jazz come testimone della storia e delle relazioni umane, portando questa discussione in un contesto attuale. Utilizzeremo l'album "Witness to History" di Eddie Henderson come punto di partenza, nonché primo disco della playlist, ma ci spingeremo oltre per analizzare il ruolo attuale del jazz nella cultura e nelle dinamiche sociali. Vieni a leggere e commentare i dettagli riportati nell'articolo sul sito: https://www.jazzinfamily.com/la-puntata-del-4-ottobre-2023-279/(si apre in una nuova scheda) --- Send in a voice message: https://podcasters.spotify.com/pod/show/jazz-in-family/message

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 14th September 2023 Artist - Track - Album - Year Bob Holz    The Tunnel    Holz-Stathis: Collaborative    2023 Johnathan Blake    A Slight Taste    Passage    2023 Alfredo Rodriguez    La Bilarrubina    Coral Way    2023 Harold Lopez-Nussa    Funky    Timba a la Americana    2023 Hilario Durán and His Latin Jazz Big Band    Pacá par Juanito    Cry Me a River    2023 Doug Beavers    Intro to 'Sands of Time'    Luna    2023 Doug Beavers    Sands of Time    Luna    2023 Ted Piltzecker    Stolen Moments    Vibes on a Beach    2023 Darcy James Argue's Secret Society    All In    Dynamic Maximum Tension    2023 Peter Xifaras    Wild and Free    Fusion    2023 Charles Pillow Large Ensemble    Rated X    Electric Miles 2    2023 Eddie Henderson    Why Not?    Witness to History    2023 Mafalda Minnozzi    Mas Que Nada (feat. Doug Beavers)    Natural Impression    2023 Claudia Villela    Chamego    Cartas ao Vento    2023 Doug Richards Orchestra    Chevendo na Roseira    Through a Sonic Prism: The Music of Antonio Carlos Jobim    2023 Luciana Souza & Trio Corrente    Ventos de Norte    Cometa    2023 Richard Baratta    Herzog 6:45    Off the Charts    2023 Miki Yamanaka    Shades of Rainbow    Shades of Rainbow    2023 Andrew Rathbun    Tooth and Nail    The Speed of Time    2023 Russ Johnson Quartet    Skips    Reveal    2023 The post The Creative Source (#CreativeSource) – 14th September 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Dancefloor Memories with Patrick Hawkins, 60 Minutes of Disco, Soul and Funk Podcast. Classic tracks, Dancefloor fillers from, Jermaine Jackson, Sydney Youngblood, McFadden and Whitehead, Imagination, new tracks from , Gee Bello (Georgie B Reworking) and Two unreleased tracks from 1979 from T.A.X.I.E and one from John Carey ft Carletta , and more classic tracks from Tom Browne, Eddie Henderson and Ce Ce Peniston. Just settle down with a long drink and chill or boogie around your kitchen to tracks others would never dream of playing! Spread the word, give me a like and follow my Podcasts. Much Love Pat

One of the most highly regarded jazz drummers on the scene today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts in 1968, Joe grew up in a musical family; his father was a music educator and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins and his brothers, John and James. Joseph's career includes recording over 100 CD's as leader and side-man, jazz festivals and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Curtis Fuller to name a few. In this episode, Joe talks about: Studying with Alan Dawson How he arrived at his "just play time" identity as a jazz drummer the centrality of the ride cymbal in all jazz drumming The difference between playing with someone and playing for them Why he chooses to almost always perform in a suit and tie

Born in 1967 to the late, great bassist Jamil Nasser, Muneer 's exposure to the jazz idiom was early and powerful. In 1976, "My dad took me to see Dizzy Gillespie at the Village Gate and Dizzy blew the place apart.  I had to get a trumpet and weeks later I did."  In 1979, he went to the International Art of Jazz Workshop for college students. Dave Burns, a trumpeter in Gillespie's Big Band, had reservations about his age. Muneer's talent, however, overshadowed this concern.  "Mr. Burns acceptance fortified my confidence and I began studying with him." Muneer also received private instruction from George Coleman, Jimmy Owens, Oliver Beener, and Webster Young. These workshops and lessons taught him the basics of jazz improvisation, which were tested at serious jam sessions conducted by Eddie Henderson, Ted Curson, Tommy Turrentine, Barry Harris, C Sharpe, and Gil Coggins. "If you couldn't play, they would bench you with quickness and give you a homework assignment." As a youngster, Muneer saw many masters in concert such as George Coleman, Randy Weston, Lou Donaldson, Woody Shaw, Roy Eldridge, and Phineas Newborn.Support the show

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 16th February 2023 Artist - Track - Album - Year Charlie Peacock    The Perfect Beat (feat. Eddie Henderson & Jeff Coffin)    Keep Movin'    2023 Phil Ranelin & Wendell Harrison    Black Census    Jazz is Dead 16    2023 Dan Trudell    Chocolate Martini    Fishin' Again: A Tribute to Clyde Stubblefield and Dr. Lonnie Smith    2023 Jim Witzel Trio & Quartet    Feelin' It (Quartet)    Feelin' It    2022 The Dave Stryker Trio    Hope    Prime    2022 Ed Cherry    Lawns    Are We There Yet?    2022 Jay Hoggard    Deluge    Raise Your Spirit Consciousness    2023 Mr. Chair    Uncanny Valley    Better Days    2023 Jay Hoggard    Both Feet on the Ground    Raise Your Spirit Consciousness    2023 Brian Blade    The Final Four    Lifecycles Volumes I & II - Now! and Forever More: honoring Bobby Hutcherson    2023 Joe Locke    Makram    Makram    2023 Jeff Lofton    Cack a Lack Blues    Silver's Strut    2022 The Heavy Hitters    Chainsaw    The Heavy Hitters    2022 Manzanita Quintet    Apex    Osmosis    2023 Anthony Branker    Sundown Town    What Place Can Be For Us?    2023 Eric Goletz    Nutville    STANDARD-ized!    2023 Santi Debriano & Arkestra Bembe    Imagined Nation    Ashanti    2022 Dave Liebman    The Beginning    Live at Smalls    2023 East Axis    Decisions Have Already Been Made    No Subject    2023 The post The Creative Source (#CreativeSource) – 16th February 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

5e émission de la 55e session...Cette semaine, pas mal funky et world jazz! En musique: Eddie Henderson sur l'album Heritage  (Blue Note, 1976); Malachi Thompson sur l'album The Seventh Son  (Ra, 1980); Donald Byrd sur l'album Live Cookin' With Blue Note At Montreux  (Blue Note, 2022, enr. 1973); Weldon Irvine sur l'album Sinbad  (RCA Victor, 1976); Brian Jackson sur l'album This is Brian Jackson  (BBE, 2022); Xhosa Cole sur l'album Ibeji  (Stoney Lane, 2022); Uusi Aika sur l'album Uusi Aika  (We Jazz, 2022)...

All music used with permission by Celine Iris and Eddie Handerson       Love For Sale - Porter Moanin' - Golson So Near So Far - Davis Be Cool - Henderson Bluesette - Gimbel/Thielemans Misterioso - Monk Up Jumped Spring - Ramsey Phantoms - Barron The Creator Has a Master Plan - Sanders     New York-based jazz vocalist Céline Iris is a recent graduate from the Oberlin Conservatory of Music, studying privately with vocalist La Tanya Hall and trumpet player Eddie Henderson. Growing up on swing records from the 1930's and 40's, Céline traces her musical roots to traditional jazz. She is also influenced by a wide variety of music, ranging from bebop to funk to classic rock. Fluent in French, Spanish, and English, Céline enjoys using language as a tool to tell a good story, and approaches music as a medium to connect with her audience and fellow musicians. For this performance, she's joined by two of jazz's giants. Dr. Eddie Henderson is a legendary trumpet player who has toured and worked extensively with Miles Davis, Herbie Hancock and Art Blakey. 2022 NEA Jazz Master Billy Hart works and tours extensively at universities across America and has served alongside Miles Davis, Wes Montgomery and Billy Smith, among others. With Eli Naragon on bass, Roger Friedman on piano and a hosts of guests on this March 22nd, 2022 performance, it's Celine Iris, Eddie Henderson and Billy Hart – Live at the Bop Stop. This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio with additional production by Graham Rosen and editing for WOBC and WNPA provided by Dr. Pete Naegele and for our podcast and other affiliates by Shawn Gilbert and Carsen Gilbert at GilAzar Media.  The Executive Producer is Daniel Peck.   For extended versions of all our shows –our Live at The Bop Stop podcast can be found on your favorite podcast app.   Want to Support The Bop Stop?  Donate here!   Contact us here

Earlier this year, bassist Gerald Cannon brought a septet into Dizzy's that included a front line of Joe Lovano, Eddie Henderson, Sherman Irby, and Steve Turre, along with pianist Dave Kikokski and the legendary Lenny White. The music features the music of two of Gerald's former employers, Elvin Jones and McCoy Tyner and the performances were captured in an energetic live recording. In this episode of LINER NOTES Gerald reflects on lessons learned in his time playing with Jones and Tyner. We also talk about his other passion-painting.

Episode 74 The Polyphonic Synth Journey of Fusion Jazz   Playlist Jan Hammer, “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). I am including two versions of the same track from Jan Hammer, a master synthesist who moved from monophonic to polyphonic synths gradually, making the best used of the expressive qualities of each technologh. This track is from 1975 and uses Oberheim modules, probably the 2-voice or even 4-voice, but along with the Minimoog and what sounds like an uncredited Mellotron. Hammer was insistent in the notes for this solo album that none of the sounds were made with the guitar. This makes the contrast of this track with the next version performed live with Jeff Beck and even more interesting contrast. Producer, Engineer, Piano, Electric Piano, Moog and Oberheim synthesizers, Drums, Percussion, Composer, Jan Hammer. 4:30 Jeff Beck With The Jan Hammer Group, “Darkness/Earth In Search Of A Sun” from Live (1977 Atlantic). Here is the same tune written by Hammer for his solo album, now performed live with Jeff Beck. I think one can assume that all soloing in done on a Minimoog while all other synth sounds, including strings, are provided by the Oberheim modules and Freeman string synth. Bass, Fernando Saunders; Drums, Tony Smith; Guitar, Effects, Jeff Beck; Moog, Oberheim, and Freeman synthesizers, Electric Piano, Timbales, Jan Hammer; violin, string synthesizer, Steve Kindler. 7:55 Billy Cobham, “Leaward Winds” from Magic (1977 CBS). Early days of the Oberheim polyphonic, used again as background comping and fills to back-up the guitar and piano leads. Bass, Randy Jackson; Guitar, Peter Maunu; Piano, Oberheim Synthesizer, Mark Soskin; drums, producer, Billy Cobham. 3:38 Herbie Hancock, “Hang Up Your Hang Ups” from Man-Child (1975 Columbia). Along with Jan Hammer, Herbie Hancock was an early pioneer of using polyphonic synths in his ensemble. While I don't hear the Oberheim module being played until about the 5:30 mark in this track, I wanted to include it because Hancock uses many synths at his disposal to achieve the overall sound. The next two tracks from the Eddie Henderson album Mahal used a similar but updated keyboard ensemble, including the Oberheim 8-voice polyphonic and Prophet 5 synths. Bass, Henry Davis, Louis Johnson, Paul Jackson; Drums, Harvey Mason, James Gadson, Mike Clark; Guitar, David T. Walker, Blackbird McKnight; Guitar, Synthesizer, Melvin "Wah Wah" Watson; Percussion, Bill Summers; Piano, Fender Rhodes, Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic Synthesizer, Hohner D6 Clavinet, Herbie Hancock; Saxophone, Flute, Ernie Watts, Jim Horn; Soprano Saxophone, Wayne Shorter; Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute, Bennie Maupin; Trombone, Garnett Brown; Trumpet, Bud Brisbois, Jay DaVersa; Tuba, Bass Trombone, Dick Hyde. 7:27 Eddie Henderson, “Cyclops” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:19 Eddie Henderson, “Prance On” from Mahal (1978 Capitol). Bass, Paul Jackson (2); Congas, Percussion, Bill Summers; Drums, Howard King; Fender Rhodes, Clavinet, ARP 2600, Oberheim 8 Voice Polyphonic, Prophet-5, ARP Strings Ensemble, Minimoog, Yamaha CS-80 Polyphonic synthesizers, Herbie Hancock; Flute, Hubert Laws; Guitar, Ray Obiedo; Piano [Acoustic], Mtume; Prophet-5 Programming, John Bowen; Tenor Saxophone, Saxophone [Saxello], Bennie Maupin; Trombone, Julian Priester; Trumpet, Flugelhorn, Eddie Henderson. 5:17 Rolf Kühn. “Cucu Ear” from Cucu Ear (1980 MPS Records). This German disc features keyboardist Rolf Kühn and highlights the Roland Jupiter 4, a 4-voice polyphonic synth. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Jupiter 4 Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:05 Rolf Kühn. “Key-Alliance” from Cucu Ear (1980 MPS Records). On this track the Roland Jupiter 4 is played by Joachim Kühn, brother of Rolf. Bass, N.-H. Ø Pedersen; Clarinet, Roland Sting Synthesizer, Roland Amps, Rolf Kühn; Drums, Alphonse Mouzon; Engineer, Walter Quintus; Guitar, Peter Weihe, Philip Catherine; Steinway Acoustic, Roland Jupiter 4 Synthesizer, Fender Rhodes pianos, Roland Amps and Echoes, Joachim Kühn; Reeds, Charlie Mariano, Herb Geller; Trombone, Egon Christmann, Wolfgang Ahlers; Trumpet, Klaus Blodau, Larry Elam, Mannie Moch, Paul Kubatsch. 5:41 Didier Lockwood, “Ballade Des Fees (Quartet Without Drums)” from Live In Montreux (1980 Disques JMS). Look who's featured on this album by French violinist Dider Lockwood—it's Jan Hammer again. Only this time he's using an unnamed “polyphonic synthesizer.” Your guess is as good as mine on this one, although he was using Oberheim and Yamaha CP70 keyboards around this same time. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 4:50 Didier Lockwood, “Fast Travel” from Live In Montreux (1980 Disques JMS). Another track with Jan Hammer using an unnamed polyphonic synth. There is a really smart Minimoog solo beginning as about 1:21, polyphonic fills are most apparent around beginning around 4:08. Bass, Bo Stief; Drums, Gerry Brown; Rhythm Guitar, Marc Perru; Polyphonic Synthesizer, Jan Hammer; Tenor Saxophone, Bob Malach; Violin, Didier Lockwood. 7:06 Georges Acogny, “Karimagie” from First Steps In (1981 String). This track uses a Polymoog effectively for some nice runs and comping, beginning around 3:40. I do not know what instrument was used to create the the white noise heard in the opening and throughout since I don't believe you could do that with the Polymoog. Bass, Dominique Bertram; Composed By, Khalil Chahine; Drums, Paco Sery; Guitar, Georges Acogny, Kamil Rustam; Percussion, Sydney Thiam; Piano, Patrick Gauthier; Soloist [Acoustic Guitar], Larry Coryell; Soloist [Bass], Nicolas Fizman; Soloist [Electric Guitar], Kamil Rustam; Polymoog synthesizer, Rachid Bahri. 8:30 Georges Acogny, “1st La Rosée” from First Steps In (1981 String). Acogny is a guitar player so the polyphonic synth tends to play a supporting role to the string work on this track. In this case, the Prophet 5 is used, most notably at about 30 seconds into the track. Bass, Nicolas Fizman, Electric Piano [Fender Rhodes], Olivier Hutman, Guitar, Kamil Rustam, Guitar [Ovation], Georges Acogny, Piano, Jean-Pierre Fouquey, Soloist [Trombone], Hamid Belhocine, Prophet 5 Synthesizer, Didier Egea. 4:37 Combo FH, “Zelený Muž (Green Man)” from Věci (Things) (1981 Panton). Here is a short track that uses the Italian-made Farfisa Syntorchestra, a rare keyboard made in 1978 that had a split keyboard, part polyphonic string synthesizer and part monophone synth section. Mostly used on European tracks by German composers including Klaus Schulze, here is an unusual jazz fusion example from a group in the Czechoslovakia. This group was known for its unusual instrumentation, including lead bassoon heard on this track. Bass Guitar, Václav Pátek; Bassoon, Percussion, Milan Sládek; Percussion, Richard Mader; Organ, Farfisa Syntorchestra synthesizers, Percussion, Leader, Daniel Fikejz; Percussion, Bořivoj Suchý. 1:48 String Connection, “Quasi String Waltz” from Workoholic (1982 PolJazz). Recorded in Poland and distributed by the Polish Jazz Society. This album features some strings sounds played on the Polymoog, which was still being used for its unique sounds even by this late date, because the Polymoog had been retired by this time. Listen for fills and chords beginning around 1:08. Bass Guitar [Gitara Basowa], Krzysztof Ścierański; Drums [Perkusja], Zbigniew Lewandowski; Piano [Fortepian Akstyczny], Violin [Skrypce], Polymoog Synthesizer, Krzesimir Dębski; Piano, Hammond Organ , Polymoog Synthesizer, Trombone [Puzon], Janusz Skowron; Tenor Saxophone [Saxoton Tenorowy], Soprano Saxophone [Saxofon Sopranowy], Andrzej Olejniczak. 3:19 Mike Elliott, “For Janny” from Diffusion (1983 Celebration). Another interesting album of guitar-based fusion jazz with synthesizer touches. Seemingly self-produced in Minnesota. Although the Minimoog is also used on this recording, I selected a track that was primarily using the Polymoog, beginning around 50 seconds. Fender Bass, Rick Houle; Drums, Gordy Knudtson; Flugelhorn, Bobby Peterson; Gibson ES-347 guitar, Ryoji Matsuoka Flamenco guitars, solid body kalimba; Mike Elliott; grand piano, Polymoog and Mini-Moog synthesizers, Ricky Peterson; Producer, Mike Elliott. 4:42 Martin Kratochvíl & Jazz Q, “Trhanec (The Muffin)” from Hvězdoň Asteroid (1984 Supraphon). From Czechoslovakia, a brilliant ensemble of musicians led by keyboardst Martin Kratochvíl. Here is another mix of monophonic synths and the polyphonic Oberheim 4-voice, heard in the opening riff that's repeated throughout. Bass Guitar, Přemysl Faukner; Drums [Bicí Nástroje], Pavol Kozma; Electric Guitar [El. Kytara], Twelve-String Guitar, Fender Rhodes, Minimoog, ARP Omni, Oberheim 4-Voice Polyphonic synthesizers, Leader [Vedoucí], Engineer [Recording], Recording Supervisor [Recording Director], Martin Kratochvíl. 4:34 Opening background music: Short piece by Thom Holmes using the Arturia Prophet 5 plug-in. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Classic post bop trumpet is represented here. Miles, Freddie, Kenny, Lee and more. Also, modern players like San Diego's Gilbert Castellanos, Eddie Henderson and the only woman represented here, Ingrid Jensen. Playlist Artist ~ Name ~ Album Freddie Hubbard ~ Open Sesame ~ Open Sesame Freddie Hubbard ~ Little Sunflower ~ Backlash Miles Davis ~ Milestones ~ Milestones Eddie Henderson ~ Shuffle and Deal ~ Shuffle and Deal Gilbert Castellanos ~ This Is for Horace ~ Underground Kenny Dorham ~ Sao Paolo ~ Una Mas  Indrid Jensen ~ At Sea ~ At Sea Lee Morgan ~ Ceora ~ Cornbread

Episode 73 of the Burning Ambulance podcast features an interview with pianist Cameron Graves.I have a single subject we're going to be exploring through all ten episodes that I'm going to be presenting this season, and that subject is fusion. Fusion means much more, I think, than just the music that most people probably think of when they hear the word. Of course, it immediately brings to mind bands from the 1970s like the Mahavishnu Orchestra, Return to Forever, and Weather Report: groups that were formed by ex-members of Miles Davis's band, playing extremely complex compositions that blurred the lines between progressive rock and jazz, while still leaving room for extended improvisation. But if you think of fusion as a process rather than a style, the discussion gets a lot more interesting. Because then you can pull in the music being made by Yes, King Crimson, Emerson, Lake & Palmer, Santana, etc., all of which gets filed under just plain rock. And you can talk about the music Latin artists like Eddie Palmieri, Ray Barretto, and the Fania All Stars were making at the same time. Or the really adventurous funk and R&B that was being made by Sly and the Family Stone, Parliament, Funkadelic, the Isley Brothers, Earth, Wind & Fire, the Ohio Players, Slave, which then leads you to jazz-funk names like George Duke, Billy Cobham, the Crusaders, Donald Byrd, Freddie Hubbard, Eddie Henderson, and of course Mwandishi and the Headhunters. This is how I prefer to think about fusion. It's not just a specific, narrow slice of music, it's the sound of walls being knocked down across the landscape.So that's the kind of philosophical starting point for all the interviews I'm doing this season, and that's what makes Cameron Graves such a perfect person to talk to. Because he's a guy who crosses all sorts of musical boundaries. He's had a lot of classical music training, as I learned during this conversation, he spent several years studying Indian music, and obviously he's got a deep jazz background starting out as a member of the Young Jazz Giants with Kamasi Washington and the Bruner brothers, Stephen aka Thundercat on bass and his brother Ronald on drums, which evolved into the West Coast Get Down and all the albums that they've made over the last half dozen years or so. But Cameron's also a lifelong metalhead — in fact, he played keyboards and guitar in Wicked Wisdom, the nu-metal band fronted by Jada Pinkett Smith in the early 2000s. So he's not only toured the world with Kamasi Washington and with Stanley Clarke, because he's a member of Clarke's band, too — he also played Ozzfest.And here's an interesting connection: the drummer for Wicked Wisdom was Philip “Fish” Fisher, the drummer for Fishbone. And when you talk about fusion as the kind of big-tent/umbrella sort of conceptual thing that I'm talking about, you have to include them in there. They mixed funk and hard rock and punk and metal and ska and reggae and jazz into one big swirl, particularly on their most ambitious album, 1991's The Reality of My Surroundings. There's all kinds of music on there, from Bad Brains-style hardcore to Last Poets-style abstract jazz poetry. And of course they were the best live band on the planet from the mid '80s to the early '90s.Fishbone were never as big as they deserved to be, but they were absolute heroes in L.A., and they were a huge inspiration to all kinds of open-minded musicians who came up in their wake. Last year, I interviewed Terrace Martin, who's an alto saxophonist affiliated with the West Coast Get Down but is also a hip-hop producer who's worked with Snoop Dogg for years — in fact, he put together a live band for Snoop in about 2010 that included Kamasi Washington, Thundercat, Ryan Porter, who's been on this podcast before, and other people from their circle as well. Anyway, when I talked to Martin, he expressed a lot of love for Fishbone. And he's now a member of Herbie Hancock's band, in addition to being part of R+R=NOW, a group that also includes Robert Glasper and Christian Scott. And Thundercat and his brother, Ronald Bruner Jr., were both members of Suicidal Tendencies, playing straight-up punk and thrash, for years. There are so many connections between jazz and funk and metal, when you look for them, and bands that combine them in various really fascinating ways. It's all fusion, in the broad sense.Another thing that's really interesting, to me anyway, is that there are so many direct connections between the West Coast Get Down guys and the Seventies fusion artists. Like I said, Cameron Graves is in Stanley Clarke's band. Terrace Martin is in Herbie Hancock's band. Ronald Bruner Jr. played with George Duke before Duke died. Thundercat covered a George Duke song on one of his albums, and had Steve Arrington from Slave on his most recent record. It really is like they're the next generation of fusion. And we talk about all this and a lot more in the interview you're about to hear. This was a really fun conversation that went in some very interesting directions, and I hope you enjoy listening to it.Music in this episode:Cameron Graves, “Planetary Prince” (from Planetary Prince)Cameron Graves, “The Life Carriers” (from Seven)Cameron Graves, “Red” (from Live From the Seven Spheres)

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Dr. Eddie Henderson is arguably one of the greatest trumpet players in jazz history.  He has a storied career that lasts over 60 years, playing with Herbie Hancock's Mwandishi band, Pharoah Sanders, and Art Blakey among many others. Listen as he shares about personal relationships with Louis Armstrong, Miles Davis, Freddie Hubbard, Lee Morgan, and Woody Shaw, the difference between playing the trumpet and playing music, and what's helped him sustain a long career in the music business. Visit Eddie Henderson on Facebook: https://bit.ly/3ulPlnkVisit John Raymond: www.john-raymond.comMusic: “North” (IU Jazz Studies Faculty) + "Joy Ride" (John Raymond & Real Feels)Interview Edited by Tom PieciakProduced & Edited by John Raymond

Australian jazz pianist Barney McAll has had a fascinating music career. An accomplished jazz pianist and composer with an innate musical curiosity and drama, Barney's played with Gary Bartz, Kenny Garrett, Maceo Parker and Eddie Henderson... and he was Sia's music director too. No big deal. In this episode, we chatted about the influence of Cuban and African ritualistic trance on Barney's work, his time as composer in residence in Sydney and how he's developed as a musician. In this episode, we chat about Barney's new album, Precious Energy, the influence of the Cuban musical and ritual has had on him,Barney's musical process and writing routine, what audiation is and teaching audiation, his stint touring with Sia as her music director, Anti-pop, the power of objectivity and unwittingly taking part in Laurie Anderson's 15-year old art exhibition (yes, really)

"Footprints" Miguel A. Chastang: Johnny Forever (RTVE Música, 2007) Miguel Ángel Chastang, Al Foster, Eddie Henderson, Albert Bover, Martí Serra. El tema es una composición de Wayne Shorter. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? "Footprints" aparece en Johnny Forever. El disco se grabó en unas condiciones muy peculiares en el mítico Johnny, el CMU San Juan Evangelista de Madrid. La grabación fue la sexta (y última) entrega de la serie Jazz En España de RTVE Música. La serie comenzó con los volúmenes dedicados a Tete Montoliú y Pedro Iturralde. También se publicaron grabaciones dedicadas a Chano Domínguez, Jorge Pardo con Agustín Carbonell "El Bola" y Donna Hightower. En el quinteto estaban Al Foster y Eddie Henderson. Foster fue baterista de Miles Davis. Eddie Henderson fue influenciado por Miles Davis, que era amigo de sus padres. Henderson desarrolló paralelamente las carreras de músico y médico. "Footprints" es una composición de Wayne Shorter. Shorter la grabó en primer lugar para su disco Adam's Apple, pero apareció en primer lugar en Miles Smiles de Miles Davis, que aunque se grabó posteriormente, se editó en primer lugar. Se suele comentar que Wayne Shorter la escribió en 1966 pensando en cómo serían los primeros pasos del hombre en la luna. En esos momentos la URSS y  USA estaban en plena carrera por ser los primeros en aterrizar en nuestro satélite. Finalmente Estados Unidos ganó esa carrera el 20 de julio de 1969. Cinco días más tarde Miles Davis actuó en Juan Les Pins (Francia) junto con Wayne Shorter, Chick Corea, Dave Holland y Jack DeJohnette: "Footprints" fue uno de los temas que interpretaron en dicho concierto. Al día siguiente volvieron a actuar en el mismo lugar. No voy a comentar nada acerca de la manera en que dejaron que el Johnny dejase de ser el templo del jazz y el flamenco (entre otras) que fue a lo largo de su historia. ¡Lamentable! Johnny Forever En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos… https://www.tomajazz.com/web/?p=58324 Más información acerca de Miguel Ángel Chastang en Tomajazz https://www.tomajazz.com/web/?s=chastang&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

As broadcast August 20, 2021 with a record amount of legroom for podcast flyers.  Tonight we welcomed a fantastic horn player from Tel Aviv to take over the playlist in our 2nd hour tonight.  Sefi Zisling is a veteran jazz & funk artist out of Israel's largest city who has been a long-time fixture of the vibrant scene there.  He played a list of favorites for the playlist while talking about remaking Alice Russell's "Heartbreaker," along with what it's like to work in the studio with his wife and rather famous sister, and the background of the tunes he loves.  A great conversation with an outstanding artist with some choice selects.  Do not miss!#feelthegravityTracklisting:Part I (00:00)Ouzo Bazooka – Space CamelTony Allen feat Damon Albarn – Go BackThe Three Degrees – CollageOdyssey – Hang TogetherKutiman feat Melike Sahin – Sakla BeniButtering Trio – Ana BhebakPart II (33:29)Bettye LaVette – Let Me Down EasyWendy Rene – After Laughter (Comes Tears)Yusef Lateef – Love Theme from SpartacusThe Cosmic Rays with Sun Ra & The Arkestra – DreamingGirma Bayene – Ene negn bay maneshRejoicer feat Sefi Zisling – Yesterday's Forest MagicSefi Zisling feat Nomok – Avocado Dance Part III (64:00)Alice Russell – Heartbreaker (Sefi Zisling remix)Antonio Carlos Jobim – Stone FlowerRoy Ayers – The MemoryMal Waldron feat Eric Dolphy & Booker Ervin – Warm CantoOV Wright – Let's Straighten It OutGene Harris – Losalamitoslatinfunklovesong Part IV (102:00)Sefi Zisling feat Layla & Jasmin Moallem & Kerendun – The Sky SingsPete La Roca – Lazy AfternoonFeqadu Made-mesqel – Asmarina (My Asmara)Eddie Henderson – Dr. MgangaMax Roach – Equipose 

https://www.billmoring.com/   Link to the Jamulus episode with Berklee Global's Jason Camelio: https://youtu.be/lV8F_ph3yfo   A veteran of the New York City jazz scene for over 30 years, bassist Bill Moring has established a reputation as one of the city's most in-demand players. Bill played with such notables as Dizzy Gillespie, Slide Hampton, and Cal Collins. Other big band experiences include the Village Vanguard Orchestra and the Toshiko Akiyoshi/Lew Tabakin Jazz Orchestra. Bill has played with renowned singers such as Joe Williams, Mel Torme, Diane Schurr, Dakota Staton, Maxine Sullivan, and Susannah McCorkle. He has played with jazz legends Frank Foster, Al Cohn, Clark Terry, Mickey Roker, Tommy Flanagan, Junior Cook, Roland Hanna, Vernel Fournier, Mel Lewis, and Ray Barretto. He has also performed and/or recorded with many contemporary artists including John Abercrombie, Gary Bartz, Manolo Badrena, Larry Coryell, Vic Juris, Dave Kikoski, Billy Hart, John Hart, Eddie Henderson, Joe Locke, Mulgrew Miller, Chris Potter, Dom Salvador, Dave Stryker, and James Williams.   #billmoring #bass #jazz   0:00 Intro  1:45 Warm-up questions  6:55 Bill's Apple Music list  08:49 Self-recording  12:30 Collaboration  26:50 Collaboration balance  34:53 Swing vs. Swung  42:09 Pop music trends  51:00 Sarah Partridge and Bill Moring  55:36 Asynchronous jazz  1:02:08 Lifestyle: Sleep  1:02:55 Lifestyle: Mindfulness & meditation  1:04:10 Lifestyle: Exercise  1:06:40 Lifestyle: How do people in your life support you?  1:11:13 Lifestyle: How do you define yourself?  1:15:03 Practice: Time of day  1:18:05 Practice: Maximum effective duration  1:24:40 Injury  1:30:35 Creativity: Steps to stay creative  1:31:30 Creativity: Time of day  1:32:00 Creativity: Burnout  1:32:54 Performance anxiety #musicians #songwriter #songwriters #composers #musicmajor #musicmajors #musiceducator #musiceducators #musiceducation #podcast #thebestmusicpodcast #clips #musicpodcast #singer #guitarist #guitarplayer #trombonist #trumpet #violin #viola #cello #bass #brass #trombone #mandolin #banjo #drums #percussion #timpani #marimba #oboe #sax #saxophone #clarinet #basoon #alto #soprano #tenor #piano #keyboard #musicians #songwriter #songwriters #composers #musicmajor #musiceducator #musicpodcast #singersongwriter #musiceducation #singer #trumpet #violin #viola #cello #bass #trombone #musiclife #musicmaker #musicteacher #drums #percussion #saxophone #clarinet #guitar #piano #podcast #thebestmusicpodcast #musicislife #musicindustry #PandoraPodcasts  Logo, Intro Video, and Branding: Arron Leishman  Audio and Video: Zach Ramey zacherylramey@gmail.com  Dan's Thumbnail Photo: John Mollura Photography

When the New York Times book critic Dennis Lehane writes about the opening of James Ellroy's novel, “Perfidia” he states. “There — Whalen's Drugstore, Sixth and Spring Streets. The site of four recent felonies. 211 PC — Armed Robbery.” For better and often for worse, that style — jumpy, feverish and anarchic — mirrors the world we enter.” So too does our opening track reflect this jumpy, feverish and anarchic feeling. Composed and arranged by today's guest, a musician who has performed and recorded with many world class musicians including Dizzy Gillespie, Eddie Henderson, The Temptations, 10,000 Maniacs, The Four Tops and many others. My guest is a saxophonist, composer, arranger and educator as well as the founder, artistic director and conductor of the Rockland Youth Jazz Ensemble, an adjunct jazz professor at Bergen Community College, Bergen Catholic High School's Jazz Ensemble director and vice-president of the Rockland County Jazz and Blues Society. In 2019 he was the recipient of the Arts Council of Rockland's 2019 Performing Artist Award. It is my honor to introduce today's guest, the leader of The Peter Furlan Project and The Peter Furlan Trio & Quintet, Peter Furlan.

Tracklist Cal Tjader "Aquarius" Idris Muhammad "Loran's Dance" Hiroshi Fukumura "White Clouds" Art Farmer "Soul Sides" Hiroshi Suzuki "Romance" Kool & The Gang "Wild & Peaceful" Jack Wilkins "Red Clay" Johnny Hammond "Big Sur Suite" Cullen Knight "A'Keem (Brothers)" Ronnie Foster "Mystic Brew" Grant Green "Down Here On The Ground" Dexter Wansel "Theme From The Planets" Eddie Henderson "Inside You" The Kimba Unit "Having Fun" Mayer Hawthorne "Chasing the Feeling" Shigeo Sekito "The Word 2"

For the fourth episode of The Jazz Show's Jazz Features we are spotlighting some of the creative changes in Jazz music in the late 60s and early 70s. We turn to master musician Herbie Hancock who at age 78 is still a vital force in the music. This album marks a special period in Hancock's varied and eclectic explorations of almost every conceivable musical style. Hancock, after leaving Miles Davis in 1969 after being with him for 7 years formed his own band. It was a sextet and was exploring acoustic Jazz. After some personnel changes the sextet format was retained but the sound became more electric and more contemporary and Hancock began to explore some of the concepts that he learned from Miles Davis' post "Bitches Brew" period. Hancock played electric Fender Rhodes piano with various attachements and led Eddie Henderson on trumpet and flugelhorn, Julian Priester on trombone, Bennie Maupin on bass clarinet and flute and sometimes tenor saxophone, Buster Williams on acoustic and electric bass and Billy Hart on drums. The players all adopted alternate names from the Swahili tradition. Hancock became "Mwandishi" (the word means writer). Tonight we hear their first album called "Mwandishi". They did two more before Hancock changed courses once again with his his "Chameleon" and the album "Rocket". The Mwandishi Band is a special one and the chemistry is unique. Tonight we hear the full album. Enjoy!