Podcast appearances and mentions of Carl Foreman

Join Tyler as he talks about a surprsingly strong year for the best film West Side Story and the nominees Fanny, Judgement at Nuremberg, The Hustler and The Guns of Navaronne. And listen as he talks about the life of the powerhouse known as Rita Moreno.

Can a war film also be a comfort film? This month we're exploring that question. First up this week, special guest Martin Harries of Film Vs. Film Podcast joins us to discuss one of his favorite comfort picks and a perennial rewatch around the holidays with family, The Guns of Navarone. We talk about the paradox of comforting war films; Carl Foreman's script, which placed mythmaking far above historical fact; J. Lee Thompson's directing style, which balanced blockbuster action sequences with philosophical and moral quandaries; the stellar cast, featuring David Niven, Anthony Quinn, and Gregory Peck in a surprisingly morally grey role; and we make connections between The Guns of Navarone and the many films that borrowed from its formula, including The Dirty Dozen, Star Wars, the James Bond films, and Guardians of the Galaxy. Join our team of specialized film analysts and come on a mission with us!

Film Historians Julie Kirgo and Alan K Rode join the podcast to traverse the dusty trails and moral complexities of the timeless Western "High Noon."  The new 4K UHD release from Kino Lorber is highlighted by their new  audio commentaries and we get a preview of their insights into what makes this film so enduring.  Along the way we explore screenwriter Carl Foreman and the Hollywood Blacklist, why Gary Cooper was the right choice for the part of Marshall Will Kane, Katie Jurado's portrayal as a strong, independent Mexican woman, Fred Zinnemann's direction, Floyd Crosby's cinematography, Dimitri Tiomkin's score, and the wealth of character actors that fill out the movie. Purchase links:HIGH NOON 4KUHDHIGH NOON BLU-RAYHIGH NOON: The Hollywood Blacklist and the Making of an American Classic - BookAlan K. Rode website Julie Kirgo Facebook The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

It may have all the aesthetics of a big, burly action epic, but don't get it twisted:  The Bridge on the River Kwai is a nuanced, character-based drama, and a philosophical rumination on the absurdities of human nature. In the end, this is a film that's unafraid to ask questions without obvious answers. We'll circle back to that in a bit. For anyone who's never experienced this cinematic milestone, let me give you the Reader's Digest version of the plot: As WWII rages, a battalion of British troops are herded into a Japanese POW camp.  As such, the camp commandant (Sessue Hayakawa) urges his captives to throw themselves into work. Conveniently, a rail bridge needs to be built across the Kwai River, thus linking Burma to Rangoon. Colonel Saito, the commander, promises the men they will be treated well, provided they complete the task on schedule.Almost instantly, a battle of wills springs up in the camp. Colonel Nicholson (Alec Guinness), the British commander, is aghast to learn that his officers will work manual labor alongside enlisted men. Not only is this against the Geneva Convention, it's just...uncivilized. His senior staff will do no such thing. In retaliation, Saito loads Nicholson into a hotbox, where he can broil until his spirit breaks. Only, Nicholson doesn't break, and days begin to pass. This puts Saito in an impossible situation: Does he simply give in and look weak? Or, does he risk that Nicholson dies in solitary, and possibly end up with a prisoner uprising?Meanwhile, Commander Shears (William Holden) watches this personality clash from his infirmary bed. He's a charming, shifty American, who manipulates Saito's system to ensure his own survival. If that means bribing the guards, faking illness, or digging graves for his fallen comrades, then so be it. As Nicholson goes in the cooler, Shears can only shake his head in disgust: What good is such fanatical devotion to duty if it no one lives to tell of it?The film's turning point comes when Shears makes a daring escape. Somehow, he navigates the jungle thicket, and gets rescued by Burmese civilians. They get him to a British army hospital, where he eventually gets strong enough to subsist on a diet of dry martinis and blonde nurses. Just as Shears is about to settle into this cushy existence, some British officers show up with a wacky plan. Major Warden (Jack Hawkins) proposes to lead a commando team back into the jungle to blow up the Kwai River bridge. As Shears recently stumbled across this terrain, he would be the perfect guide. At first, the American is nonplussed at the idea of traipsing back into that humid hellhole. Still, the Brits make an offer he can't refuse, and back in they go.A moral and philosophical quandary emerges when Nicholson overcorrects in the name of his troops' morale and safety. He resolves to construct the bridge as an enduring monument to British precision, thus ensuring his men will survive the war. As Clipton points out, Nicholson's sudden exuberance and perfectionism borders on treason. Still the colonel responds with a shrug: If they have no choice, why not give it their all?On a cinematic level, Kwai is a masterpiece on every front. Lean would begin a stretch of ambitious, masterful films (Lawrence of Arabia and Doctor Zhivago would follow) that would feature many of the same hallmarks as this one: Lush cinematography (Jack Hildyard would win the Oscar), memorable music (ditto Malcolm Arnold, who would score a hit with "Colonel Bogey March), and legendary performances. Holden is perfectly cast as the casual, carousing Shears, who slowly runs out of angles to work. Donald, who would also memorably play another POW in The Great Escape, is also outstanding as the perpetually exasperated Clipton. Hayakawa gives depth to Saito, making him more than just a brutal, scowling monster. With all that said, Guinness would deservedly win the Oscar for his turn as Nicholson, a man whose pride, obsessiveness, and inflexibility point him to the same doom as Saito.Truth is, I can heap praise on Kwai for another 1000 words, but let me boil it all down for you. This is just one of those movies you have to see. Lean, working with blacklisted writers Carl Foreman and Michael Wilson, delivers an intricate masterpiece that was ahead of its time. On the surface, this looks like a straightforward war film, or maybe a thoughtful character study. Watch it a few more times, and you'll see that it's actually a lot more than either of those things.161 min. PG. AMC+.

Amy & I are back to talk about the next Movie in our Series of the Top 10 westerns according to IMBD ratings. This one is High Noon (1952) directed by Fred Zimmerman from a screenplay by Carl Foreman and based on the short story "The Tin Star" by John. W. Cunningham (1947). Currently streaming on Paramount+ . https://en.wikipedia.org/wiki/High_Noon Also we have call ins from Joe Dekahedron of the Dekahedron RPG Podcast (https://podcasters.spotify.com/pod/show/jpgill) and Joe Richter of the Hindsightless Podcast (https://podcasters.spotify.com/pod/show/joe-richter9) from our last Western offering. Check us out on YouTube: https://youtu.be/m2f0rPpH85A Intro & Outro Music by TJ Drennon. Cover clip art by Amy Lee Rodriguez. You can send me a message via the Anchor website, through DM on Discord, as an attachment to my email (gmologist@gmail.com) or to my speakpipe account: https://www.speakpipe.com/TheGmologistPresents.

If you mention you're an "organ donor" on your driver's license, does that mean doctors won't save you? Langston and David dissect this conspiracy theory with Carl Foreman, Jr. (Search Party). Conversations about who is and who isn't an organ donor arise. Does it matter what type of organs go into certain bodies? They also talk about what recipients they would refuse to donate to (we're looking at you, Kid Rock). Plus, gruesome realizations happen along the way. Thanks, research! FOLLOW + SUBSCRIBE ON ALL PLATFORMS FOR ALL HILARIOUS AND PROBLEMATIC TALKS: INSTAGRAM: https://www.instagram.com/mymommatoldmepod/ YOUTUBE: https://www.youtube.com/channel/UCm1wMf8iYG-imuTwqje2PNg TIKTOK: https://www.tiktok.com/@mymommatoldmepod?lang=en MY MOMMA TOLD ME MERCH IS NOW AVAILABLE TO PRE-ORDER (DELIVERS DEC. 10th)! Get your items before the busy holiday season. Visit mymommatoldme.merchcentral.com Bye, bitch! See omnystudio.com/listener for privacy information.

Do you love suspenseful feminist Westerns that are also allegories for how messed up HUAC and the Hollywood blacklist were during the McCarthy era? Then it's high time for you to watch the film High Noon (1952)! Check out this Oscar winning Carl Foreman penned classic starring Gary Cooper, Grace Kelly, Katy Jurado, and Lloyd Bridges. Host, Sara Greenfield and her guest, Ashley Blanchet, chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://anchor.fm/sara-greenfield/support

Daniel interviews actor, writer, comedian Carl Foreman Jr. Carl has starred in Search Party, Jon Glaser Loves Gear, and created/starred in the award-winning digital series Frank & Lamar for IFC's Comedy Crib, and more!

In this episode we discuss the 30th Best Picture winner, The Bridge on the River Kwai, the changes to the Academy Awards in lieu of color photography growing in popularity, Carl Foreman's continued career as a blacklisted writer, and the history of the Death Railway built by Prisoners of War during World War II. -- Instagram: https://www.instagram.com/thanktheacademypodcast Twitter: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thank-the-academy/support

Subscribe to HYST on Patreon for only $2 and get two bonus episodes every month! patreon.com/haveyouseenthis/Jen and Tim revisit an old favorite, Peter Hyams's “High Noon in Space,” aka Outland!Jen is incorrect when she asserts that John Wayne was considered for the part of Marshal Will Kane in High Noon; Kramer and screenwriter Carl Foreman wanted a hot young star like Brando or Gregory Peck. Wayne, along with other Hollywood reactionaries including Hedda Hopper, did pressure Gary Cooper into withdrawing from a proposed production company headed by High Noon screenwriter and HUAC target Carl Foreman.The story of High Noon and Carl Foreman is told at length in Glenn Frankel's book High Noon: The Hollywood Blacklist and the Making of an American Classic. You can read an excerpt on the Vanity Fair website.By the way, you can browse the Outland press kit! Have You Seen This? BONUS episodes See acast.com/privacy for privacy and opt-out information.

As a metaphor for the Hollywood blacklist and the red scare, High Noon offers us the chance to talk about the House Un-American Activities Committee and how writer Carl Foreman was "ran out of the country". Find out why High Noon is cited by many US Presidents as their favorite film. We also touch on the western genre and the careers of Gary Cooper, Grace Kelly, and Katy Jurado.Where to watch High NoonJohn Wayne's Playboy interview from 1971 (ref. p 18)Where to watch Tokyo Story

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and special guest Ned Sedgwick Episode 85: The Bridge on the River Kwai (1951) Released 21 April 2021 For this episode, we watched The Bridge on the River Kwai, written by Carl Foreman and Michael Wilson, based on the book by Pierre Boulle. The director was David Lean and the stars were William Holden, Alec Guinness, Jack Hawkins and Sessue Hayakawa. From eight nominations, it won seven Oscars, including Best Director, Best Actor for Guinness and Best Adapted Screenplay. https://twitter.com/nedsedgwick GrownUpLand https://www.bbc.co.uk/programmes/p05ys9yl BEST PICK LIVE We’re thrilled to announce a special one-off live stream show in which you will be able to see our faces as well as hear our voices. Thanks to our lovely friends at House Seats Live, we’re going to be joined by special guests Rachel Bloom (Crazy Ex Girlfriend), Melissa Fumero (Brooklyn 99), Michaela Watkins (The Unicorn), John Ross Bowie (Big Bang Theory), and more to look back at 92 years of Academy Award winning films to pick out the very best of the best in different categories. It’s the first annual “Super Oscars.” The show will be on Saturday 1 May at 5pm PT / 8pm ET / Sunday 2 May at 1:00am in the UK – but if those times aren’t convenient, don’t worry you can access the stream for a whole week. To get your tickets and join in the fun, click here. https://houseseats.live/2021/05/01/best-pick-live/ Next time we will be discussing Parasite. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alexander Capstick, Alison Sandy, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anna Smith, Anne Dellamaria, Annmarie Gray, Ben Squires, Blanaid O'Regan, Brad Morrison, Caroline Moyes Matheou, Catherine Jewkes, Charlotte, Claire Carr, Claire Creighton, Claire McKevett, Daina Aspin, Darren Williams, Dave Kloc, David Hanneford, Della, Drew Milloy, Elis Bebb, Elizabeth McCollum, Eloise Lowe, Elspeth Reay, Emmet Jackson, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, James Murray, Jane Coulson, Jess McGinn, Jo B, Johanna Commins, Jonquil Coy, Joy Wilkinson, Juan Ageitos, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kelli Prime, Kirsten Marie Oeveraas, Kurt Scillitoe, Lawson Howling, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Margaret Browne, Martin Korshøj Petersen, Mary Traynor, Matheus Mocelin Carvalho, Michael Walker, Michael Wilson, Ms Rebecca K O'Dwyer, Neil Goldstein, Nick Hetherington, nötnflötn, Olivia, Peter, Richard Ewart, Robert Orzalli, Rohan Newton, Ruth, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Simon James, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

Comedian Carl Foreman Jr. (@C42YaDoor) joins 16-year-old host Alyssa (@alyssa_sabo), 36-year-old sidekick Ben (@bencassil), and bandleader Janine (@j9_hogan) in 1996 to talk about Catholicism and Dharma & Gregg, perform a classic skit, and play a lively round of Sticky Situations! Follow Carls Instagram @carlforemanjr, Twitter @C42YaDoor) and check out his website www.carlforemanjr.com!Janine Hogan does regular live-streaming music, follow her on Twitter for updates @j9_hogan!Theme song by Ben Cassil. Email us TotallyRad1996@gmail.com, rate and review on Apple Podcasts. Follow @totallyrad1996 for video content!

A grab-bag of television and film scripts that didn't quite make it including a drama about GI brides and a psychological mystery set in the Scottish Highlands from screenwriter Andrea. Clips performed by: Kate O'Sulivan, Kenny Blyth, Lizzie Roper, Shash Hira, Emma Clarke, David Monteath, Rachel Atkins and Beth Chalmers. Warning: This episode contains strong language. Andrea Gibb is an award winning Scottish screenwriter who has worked extensively in both film and television. Her feature length screenplays for ‘Dear Frankie' and ‘Afterlife' won her the Scottish Screen Filmmaker of the Year award and the Women In Film and Television script award in 2005. Her adaptation of classic children's novel ‘Swallows and Amazons' (BBC Films) was released in cinemas in 2016 and won the Grand Jury prize at the New York Children's Film festival and the family film award at Seattle Film Festival. She was nominated for the Carl Foreman award at the Bafta film awards for ‘Afterlife' and has just been nominated for a Bafta television award and two Bafta Scotland awards for ‘Elizabeth Is Missing', adapted from the novel into a single television film for STV starring Glenda Jackson. This film also won her the writer's award at the 2020 RTS Scotland awards. She has written four episodes of ‘Call The Midwife' for Neal Street and the BBC and an episode of ‘Sanditon' for Red Planet and ITV. Episode show notes and more details: https://offcutsdrawer.com/andrea-gibb/ Listen to us on whichever podcast app you prefer: https://offcutsdrawer.com/insta-links/ or if you don't usually listen to podcasts you can hear all the episodes here: offcutsdrawer.com/episodes/

The Saturday Sport Team interview Carl Foreman and Joe Furness of Huntingdon United FC. Carl and Joe from Huntingdon United FC talk about his assessment of the season so far, season ambitions, how the managers role came about, how much the community means to Huntingdon United FC and we play a game of “Team Mates”.

Analisamos um dos melhores westerns de todos os tempos, dirigido por Fred Zinnemann e estrelado por Gary Cooper e Grace Kelly.   No episódio #24, o podcast Em Foco analisa um dos melhores westerns de todos os tempos: "Matar ou Morrer" (High Noon, 1952), dirigido por Fred Zinnemann e estrelado por Gary Cooper, Grace Kelly, Katy Jurado, Thomas Mitchell e Lloyd Bridges. O longa é vencedor de quatro estatuetas do Oscar: Melhor Ator (Cooper), Melhor Montagem (Elmo Williams e Harry Gerstad), Melhor Música (Dimitri Tiomkin) e Melhor Canção Original, a icônica "High Noon (Do Not Forsake Me, Oh My Darlin')".   Escrito por Carl Foreman (roteirista vencedor do Oscar por "A Ponte do Rio Kwai" e perseguido pelo Macarthismo), "Matar ou Morrer" tem como protagonista o xerife Will Kane, que justo no momento em que se prepara para se aposentar e partir em lua de mel com sua esposa recebe a notícia de que um antigo inimigo está voltando à cidade para se vingar. Kane pede ajuda dos moradores para enfrentar o bandido, mas ninguém parece disposto a ficar ao seu lado.   No programa, analisamos o uso estratégico da passagem do tempo, a estrutura narrativa emprestada da tragédia grega, as interessantes escolhas estéticas de Zinnemann, a força das personagens femininas, além de trazermos curiosidades sobre os bastidores.   Participam deste podcast: Renato Silveira, Kel Gomes, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”.   “Matar ou Morrer” foi escolhido como tema deste episódio por nossos apoiadores em uma enquete de escolha de pauta. Para esta edição, a enquete contou com curadoria da Ana Lúcia Andrade. A lista de títulos elaborada por ela também trazia “Psicose” (Psycho, 1960), de Alfred Hitchcock, “A Época da Inocência” (The Age of Innocence, 1993), de Martin Scorsese, “O Som ao Redor” (2012), de Kleber Mendonça Filho, e “Estou Me Guardando para Quando o Carnaval Chegar” (2019), de Marcelo Gomes. “Matar ou Morrer” venceu com 33,3% dos votos.   - Visite a página do podcast no site e confira material extra sobre o tema do episódio!   - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!   Quer mandar um e-mail? Escreva seu recado para contato@cinematorio.com.br.   No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema.

Analisamos um dos melhores westerns de todos os tempos, dirigido por Fred Zinnemann e estrelado por Gary Cooper e Grace Kelly.   No episódio #24, o podcast Em Foco analisa um dos melhores westerns de todos os tempos: "Matar ou Morrer" (High Noon, 1952), dirigido por Fred Zinnemann e estrelado por Gary Cooper, Grace Kelly, Katy Jurado, Thomas Mitchell e Lloyd Bridges. O longa é vencedor de quatro estatuetas do Oscar: Melhor Ator (Cooper), Melhor Montagem (Elmo Williams e Harry Gerstad), Melhor Música (Dimitri Tiomkin) e Melhor Canção Original, a icônica "High Noon (Do Not Forsake Me, Oh My Darlin')".   Escrito por Carl Foreman (roteirista vencedor do Oscar por "A Ponte do Rio Kwai" e perseguido pelo Macarthismo), "Matar ou Morrer" tem como protagonista o xerife Will Kane, que justo no momento em que se prepara para se aposentar e partir em lua de mel com sua esposa recebe a notícia de que um antigo inimigo está voltando à cidade para se vingar. Kane pede ajuda dos moradores para enfrentar o bandido, mas ninguém parece disposto a ficar ao seu lado.   No programa, analisamos o uso estratégico da passagem do tempo, a estrutura narrativa emprestada da tragédia grega, as interessantes escolhas estéticas de Zinnemann, a força das personagens femininas, além de trazermos curiosidades sobre os bastidores.   Participam deste podcast: Renato Silveira, Kel Gomes, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”.   “Matar ou Morrer” foi escolhido como tema deste episódio por nossos apoiadores em uma enquete de escolha de pauta. Para esta edição, a enquete contou com curadoria da Ana Lúcia Andrade. A lista de títulos elaborada por ela também trazia “Psicose” (Psycho, 1960), de Alfred Hitchcock, “A Época da Inocência” (The Age of Innocence, 1993), de Martin Scorsese, “O Som ao Redor” (2012), de Kleber Mendonça Filho, e “Estou Me Guardando para Quando o Carnaval Chegar” (2019), de Marcelo Gomes. “Matar ou Morrer” venceu com 33,3% dos votos.   - Visite a página do podcast no site e confira material extra sobre o tema do episódio!   - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!   Quer mandar um e-mail? Escreva seu recado para contato@cinematorio.com.br.   No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema.

Jerah, Jonathan, and guest Carl Foreman, Jr discuss 2005's "Hustle & Flow" starring Terrence Howard, Taraji P. Henson and Anthony Anderson.THIS EPISODE IS SPONSORED BY BETTERHELPFor 10% off, visit https://www.betterhelp.com/jumpTHIS EPISODE IS SPONSORED BY "STRONG BLACK LEGENDS"The first episode will be available Tuesday, March 3, 2020.New episodes ARE released every Tuesday.Subscribe now on Apple Podcasts, Spotify, Stitcher, Pocketcasts or wherever else you listen to podcasts.FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]:https://twitter.com/blackmenpodcasthttps://www.instagram.com/blackmenpodcastBUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH:https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywoodSUPPORT BLACK MEN CAN'T JUMP [IN HOLLYWOOD] ON PATREON:https://www.patreon.com/BMCJBLACK MEN CAN'T JUMP [IN HOLLYWOOD] IS A FOREVER DOG PODCAST:https://foreverdogpodcasts.com/podcasts/black-men-cant-jump-in-hollywood

High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, depicted in real time, centers on a town marshal who is torn between his sense of duty and his love for his new bride and who must face a gang of killers alone. Though mired in controversy with political overtones at the time of its release, the film was nominated for seven Academy Awards and won four (Actor, Editing, Music-Score, and Music-Song)[3] as well as four Golden Globe Awards (Actor, Supporting Actress, Score, and Cinematography-Black and White).[4] The award-winning score was written by Russian-born composer Dimitri Tiomkin. High Noon was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant" in 1989, the NFR's first year of existence. An iconic film whose story has been partly or completely repeated in later film productions, the ending scenes especially inspired a next-to-endless number of later films, including but not just limited to westerns.  (Wikipedia) PODCAST NOTES: Senate HUAC parody intro (00:01), Tex Ritter's performance of Dmitri Tiomkin and Ned Washington's 'The Ballad of High Noon' (2:00), Westerns as often 'weird' arty and surreal films and why that is (4:00), 'High Noon' and its popularity with US Presidents (5:30), Glenn Frankel's book on 'High Noon' (6:00), Stanley Kramer's proto-independant film studio (7:00), Why Hollywood was drawn to the Communist party in the 20's and 30's (8:00), HUAC and its processes and procedures (10:30), Studio collaboration with HUAC and the economics of legal defense (13:00), Carl Foreman, screenwriter of 'High Noon' (14:00), John Wayne, Jimmy Stewart, and Gary Cooper as cooperative witnesses for HUAC (16:00), The moment when you realize when a movie is "great" and the realities of watching a movie so regarded as "a classic" (18:30), 'Joker' as a politically fraught movie and similar takedown of the entertainment establishment (20:30), Drinking in Westerns; why shot glasses?? (22:00), Clip from 'High Noon' with Gary Cooper and Grace Kelly (23:00), Please tell us what movie Chris' Final Line comes from (29:00), Fred Zinnemann's career and 'Day Of The Jackal' and 'A Man For All Seasons' and 'Julia' (36:30), Katy Jurado's great performance in 'High Noon' (42:00), Clip of Katy Jurado and Lloyd Bridges in 'High Noon' and the feminist messaging of same (43:00), Katy Jurado and Gary Cooper scene from 'High Noon' (48:00) in which she says "One year without seeing you" in Spanish, to which Gary Cooper replies, "Yes, I know." Columbo Cinematic Universe (56:30), John Wayne's complicated legacy and interesting relationships with many of the makers of 'High Noon; (58:00), John Wayne's Oscar acceptance speech on behalf of Gary Cooper (59:00), 'Rio Bravo' / 'High Noon' and Chris' brilliantly unexpected  'Sweet Home Alabama' / 'Southern Man' analogy (1:01:20), Alternative Casting (1:03:00), Flying Purple People Eater (1:06:30), The Wilhelm Scream and presence  (1:07:10), Headlines (1:09:30), Bomb Squad segment and 'Motherless Brooklyn' recap and 'Last Christmas' starring Emilia Clarke and Henry Golding and Jason stunned by the actual plot twist (1:11:00), Final Lines (01:19:00)   Read Glenn Frankel's fantastic book about the making of 'High Noon' here. 'High Noon' wiki page. Call Full Cast And Crew and leave us a voicemail message:  855-755-5322  

Traditionell nehmen wir wieder am #oWestern teil und besprechen einen der größten Klassiker überhaupt für euch. Natürlich geht es ausführlich um Carl Foreman und die Red Scare. Wir fragen und, ob der Film eine Allegorie, eine traditionelle Heldengeschichte oder beides ist. Wir finden einen Farbcode in den Frauenrollen und Demokratieverachtung vor der Kirche. Ist Grace Kelly schön? Das ist nicht die einzige Frage, die nach einer ellenlangen Liste von Preisen und Bestenlisten noch offen bleibt. #unamericanactivity

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and special guest Ned Sedgwick Episode 85: The Bridge on the River Kwai (1951) Released 21 April 2021 For this episode, we watched The Bridge on the River Kwai, written by Carl Foreman and Michael Wilson, based on the book by Pierre Boulle. The director was David Lean and the stars were William Holden, Alec Guinness, Jack Hawkins and Sessue Hayakawa. From eight nominations, it won seven Oscars, including Best Director, Best Actor for Guinness and Best Adapted Screenplay. https://twitter.com/nedsedgwick GrownUpLand https://www.bbc.co.uk/programmes/p05ys9yl BEST PICK LIVE We're thrilled to announce a special one-off live stream show in which you will be able to see our faces as well as hear our voices. Thanks to our lovely friends at House Seats Live, we're going to be joined by special guests Rachel Bloom (Crazy Ex Girlfriend), Melissa Fumero (Brooklyn 99), Michaela Watkins (The Unicorn), John Ross Bowie (Big Bang Theory), and more to look back at 92 years of Academy Award winning films to pick out the very best of the best in different categories. It's the first annual “Super Oscars.” The show will be on Saturday 1 May at 5pm PT / 8pm ET / Sunday 2 May at 1:00am in the UK – but if those times aren't convenient, don't worry you can access the stream for a whole week. To get your tickets and join in the fun, click here. https://houseseats.live/2021/05/01/best-pick-live/ Next time we will be discussing Parasite. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alexander Capstick, Alison Sandy, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anna Smith, Anne Dellamaria, Annmarie Gray, Ben Squires, Blanaid O'Regan, Brad Morrison, Caroline Moyes Matheou, Catherine Jewkes, Charlotte, Claire Carr, Claire Creighton, Claire McKevett, Daina Aspin, Darren Williams, Dave Kloc, David Hanneford, Della, Drew Milloy, Elis Bebb, Elizabeth McCollum, Eloise Lowe, Elspeth Reay, Emmet Jackson, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, James Murray, Jane Coulson, Jess McGinn, Jo B, Johanna Commins, Jonquil Coy, Joy Wilkinson, Juan Ageitos, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kelli Prime, Kirsten Marie Oeveraas, Kurt Scillitoe, Lawson Howling, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Margaret Browne, Martin Korshøj Petersen, Mary Traynor, Matheus Mocelin Carvalho, Michael Walker, Michael Wilson, Ms Rebecca K O'Dwyer, Neil Goldstein, Nick Hetherington, nötnflötn, Olivia, Peter, Richard Ewart, Robert Orzalli, Rohan Newton, Ruth, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Simon James, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

Un hombre camina por la calle polvorienta de un pueblo despreciable. Su traje negro contrasta con el blanco de un sol asfixiante. Va armado pero tiene miedo porque está solo. El polvo se adhiere a sus botas como preámbulo de su muerte más que segura, como si la tierra tuviera prisa para cubrir su cuerpo. La cadena de un reloj cuelga de su chaleco advirtiéndole, a cada paso que da, que le queda un segundo menos de vida. Sus pasos se van trazando entre el temor y la inapelable decisión de honradez que ha tomado. Sus ojos, sinceros, escrutan la calle de un lado a otro en busca de un arma que le haga compañía y, también, de la bala que llevará su nombre. Es muy alto y el sol, allá justo en el mediodía, proyecta su sombra oblicua en varias direcciones a la vez, como si se tratara de un fantasma difuminado en su propio estado etéreo, como si comenzara a entrar en la muerte. A la altura del corazón, una estrella que no brilla y que acabará despreciando en un gesto de hombría desprovisto de énfasis. A su alrededor, una mujer que no entiende que él sea capaz de defender algo que, simplemente ya no es suyo y que ponga en riesgo su propia felicidad por cumplir un supuesto deber moral. Una antigua amante, despechada por su abandono, que en el fondo sigue enamorada de él y que guarda una profunda admiración por su honestidad y su orgullo. Un ayudante que siempre se ha sentido aplastado por su aura de hombre bueno y valiente, más allá de toda consideración, consciente de su deber y que no huye. ¿Por qué no huye? Maldito, Kane. Que se vaya del pueblo y entonces yo tendré mi oportunidad de hacerme valer. Un amigo que piensa que los que vienen traerán más prosperidad al pueblo y que, por tanto, él tendría que irse. Intereses creados. Falsedades humanas. Bajeza moral por el siempre reprochable dinero. Kane, vete o muere. Fred Zinnemann dirigió esta película con guión de Carl Foreman como metáfora épica sobre el maccarthysmo y el miedo y la indiferencia que se instalaban en Hollywood mientras el fascismo se hacía sitio por su noviazgo con el capital. Y consiguió hacer que Gary Cooper estuviera hundido en su mirada, desesperado en su acción, arado en su rostro tan cercano al miedo cerval. Y así la película se incrustó con enorme coherencia dentro de la filmografía del director, obsesionado con ofrecer retratos de hombres que tenían que enfrentarse a acontecimientos que les sobrepasaban. Al fondo, el triunfo siempre era dudoso. Kane quizá consiga sobrevivir pero algo muere dentro de él. Tal vez la confianza en las personas, o puede que la seguridad en los amigos. Ya no volverá a ser el mismo porque dejó una estrella tirada en la calle de Hadleyville como símbolo del desprecio que siente por la gente que prefirió el caos y el desorden como medio para la prosperidad antes que la justicia y la defensa de lo que siempre estuvo a su lado. Y Kane lo estuvo. Cumplió con su deber. Fue ley y fue orden. Fue sinceridad. Fue lo que le pedían que fuera. Y, al final, hace lo que pide su propia integridad. Y no es fácil. Porque está solo. César Bardés Esta noche pedimos ayuda en Radiopolis, con la estrella de latón en el pecho... José Miguel Moreno, Raúl Gallego y César Bardés.

Film historians consider “High Noon” to be a Western, but it’s more than that — the story of one man’s moral courage in the face of overwhelming odds. In the 1952 film, a town marshal, played by Gary Cooper, is about to retire his badge and his gun and move away with his new bride, played by Grace Kelly. But the marshal learns that a man who hates him, a vicious outlaw named Frank Miller, is coming back to the town to kill him — and he’s arriving on the noon train. High Noon is a Hollywood classic, but it was made during the post-World War II Red Scare, when Congress was looking for suspected communists among the film industry’s producers, writers, directors and actors. The screenwriter of “High Noon” was Carl Foreman, and in the middle of the film’s production he was forced to testify before the House Un-American Activities Committee about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. Author Glenn Frankel, a Pulitzer Prize winning journalist, is our guest today. He has written a book, “High Noon: The Hollywood Blacklist and the Making of An American Classic.” He joins us in conversation with our film critics, Linda DeLibero and Christopher Llewellyn Reed.Links:http://www.bloomsbury.com/us/high-noon-9781620409480/

A look at fun facts U.S. presidents, their quirks and idiosyncrasies and a conversation about the Hollywood Blacklist (HUAC) and the making of the iconic Western HIGH NOON are the subjects of The Halli Casser-Jayne Show when the author of SECRET LIVES OF THE U.S. PRESIDENTS, Cormac O'Brien and Pultizer Prize winning journalist and author of HIGH NOON: THE HOLLYWOOD BLACKLIST AND THE MAKING OF AN AMERICAN CLASSIC Glenn Frankel join Halli at her table.Cormac McCarthy's book SECRET LIVES OF THE U.S. PRESIDENTS: STRANGE STORIES AND SHOCKING TRIVIA FROM INSIDE THE WHITE HOUSE is a fun, informative, quirky compendium of fun facts and historical trivia of our American presidents. Murder, adultery, gambling, UFOs the SECRET LIVES OF THE U.S. PRESIDENTS features outrageous and uncensored profiles of the men who have occupied the Oval Office in one of the hardest jobs in the world, our presidents at once revered and often reviled around the globe.In his book HIGH NOON: THE HOLLYWOOD BLACKLIST AND THE MAKING OF AN AMERICAN CLASSIC Glenn Frankel explores the making of the western classic starring Gary Cooper and Grace Kelly, during the toxic political climate of the late 1940's and 1950's Hollywood Red Scare, the film written by Carl Foreman, a former Communist who intended the film to be a parable about the Hollywood blacklist. In fact, during filming, Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Weaving together the stories of some of Hollywood's most talented writers and producers — Carl Foreman, Stanley Kramer, Fred Zinneman and Cooper himself – HIGH NOON is at once Hollywood history, scholarly insight, and wonderfully dishy — in a word, fascinating.Fun facts U.S. President's quirks, strange stories and shocking trivia from inside the White House with Cormac O'Brien and the making of the classic Western HIGH NOON in the toxic political climate of the 1950s on The Halli Casser-Jayne Show the podcast posted at Halli Casser-Jayne dot com.

No episódio 68, Alexandre e Fred esperam a chegada do trem do meio-dia que traz o cinéfilo Marcelo Rennó e juntos os três irão atrás de eliminar mais uma pendência da galeria do Podcast Filmes Clássicos. Chegou a vez – e a hora – de abordarmos o western americano intitulado no Brasil “Matar ou Morrer” (High Noon, 1952). Mais do que um simples faroeste, o filme se tornou um clássico absoluto do cinema sob a direção de Fred Zinnemann e a produção de Stanley Kramer. Gary Cooper, um ator em momento crítico na carreira, interpreta o delegado Will Kane, papel que lhe rendeu seu segundo e derradeiro Oscar. Grace Kelly assume seu primeiro papel de destaque no cinema e a partir deste filme irá decolar para o estrelato. Outros atores veteranos como Thomas Mitchell, Otto Krueger e Lon Channey Jr. compõe o brilhante elenco deste western-drama-suspense escrito para as telas por Carl Foreman, o roteirista que usou os problemas gerados pela caça aos comunistas como inspiração para o filme que até hoje é tido como um dos melhores do gênero.

Join the combined churches of Upper Hutt for Easter in the City 2017 – hear Carl Foreman talk about the transformation and restoration that can be found in Jesus. Caution: Contains Chainsaw Use!

Join the combined churches of Upper Hutt for Easter in the City 2017 – hear Carl Foreman talk about the transformation and restoration that can be found in Jesus. Caution: Contains Chainsaw Use!

Special Guests! Carl Foreman Jr. (@C42YaDoor) & Anthony Gaskins (@gaskinsworld) join the cast! They have an upcoming IFC series called "Frank and Lamar" that they wrote the fuck out of and that will be available on IFC.com on 4/24! We still do the Trifling in NYC Segment and we finally get to the Best Movie Fight Scenes segment! http://www.anthonygaskins.com/ http://www.carlforemanjr.com/ visceralist@gmail.com /// @visceralist /// © Visceralist LLC

The western "High Noon," is considered one of Hollywood's classics. But the production of the film was threatened when screenwriter Carl Foreman was called to "name names" by the House Un-American Activities Committee. Author Glenn Frankel joins The Steve Fast Show to discuss the "High Noon" and the anti-Communist movement of the 50's.

A look at the quirks of American Presidents and a conversation about the Hollywood Blacklist and the making of the iconic Western HIGH NOON are the subjects of The Halli Casser-Jayne Show when the author of SECRET LIVES OF THE U.S. PRESIDENTS, Cormac O'Brien and Pultizer Prize winning journalist and author of HIGH NOON: THE HOLLYWOOD BLACKLIST AND THE MAKING OF AN AMERICAN CLASSIC Glenn Frankel join Halli at her table. Cormac McCarthy's book SECRET LIVES OF THE U.S. PRESIDENTS: STRANGE STORIES AND SHOCKING TRIVIA FROM INSIDE THE WHITE HOUSE is a fun, informative, quirky compendium of historical trivia of our American presidents. Murder, adultery, gambling, UFOs the SECRET LIVES OF THE U.S. PRESIDENTS features outrageous and uncensored profiles of the men who have occupied the Oval Office in one of the hardest jobs in the world, our presidents at once revered and often reviled around the globe.In his new book HIGH NOON: THE HOLLYWOOD BLACKLIST AND THE MAKING OF AN AMERICAN CLASSIC Glenn Frankel explores the making of the western classic starring Gary Cooper and Grace Kelly, during the toxic political climate of the late 1940's and 1950's Hollywood Red Scare, the film written by Carl Foreman, a former Communist who intended the film to be a parable about the Hollywood blacklist. In fact, during filming, Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Weaving together the stories of some of Hollywood's most talented writers and producers -- Carl Foreman, Stanley Kramer, Fred Zinneman and Cooper himself – HIGH NOON is at once Hollywood history, scholarly insight, and wonderfully dishy -- in a word, fascinating.Strange stories and shocking trivia from inside the White House with Cormac O'Brien and the making of the classic Western HIGH NOON in the toxic political climate of the 1950s on The Halli Casser-Jayne Show. For more information visit Halli Casser-Jayne dot com.

After an introduction to the War Films Podcast idea, we discuss Carl Foreman's WWII adventure tour-de-force, The Guns of Navarone, based on the Alistair MacLean novel and starring Gregory Peck, David Niven, Anthony Quinn and Anthony Quayle. Click the image below to listen to the podcast (32.6MB, 1 hour 30 mins).Recorded Friday 19 September 2014, edited by Garen Ewing.Notes and Errata: Kurosawa's Seven Samurai was indeed 1954. Where Eagles Dare has a body count of 100 according to MovieBodyCounts.com, which places it at no. 62 in the Top 100, though well in the top 20 for its war film category. The ruins at the start of Navarone are indeed the Parthenon, while those used later in the film seem to be the temple ruins at Lindos on Rhodes.Purchase the DVD from Amazon UK: The Guns of Navarone (1961)

This week, Zach learns about the old west, HUAC, and John Wayne's hate for Fred Zinnemann's High Noon (1952). High Noon is a 1952 American Western film directed by Fred Zinnemann and starring Gary Cooper and Grace Kelly. In nearly real time, the film tells the story of a town marshal forced to face a gang of killers by himself. The screenplay was written by Carl Foreman. The film won four Academy Awards (Actor, Editing, Music-Score, Music-Song) and four Golden Globe Awards (Actor, Supporting Actress, Score, Cinematography-Black and White). Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

This week, Zach learns about the old west, HUAC, and John Wayne's hate for Fred Zinnemann's High Noon (1952). High Noon is a 1952 American Western film directed by Fred Zinnemann and starring Gary Cooper and Grace Kelly. In nearly real time, the film tells the story of a town marshal forced to face a gang of killers by himself. The screenplay was written by Carl Foreman. The film won four Academy Awards (Actor, Editing, Music-Score, Music-Song) and four Golden Globe Awards (Actor, Supporting Actress, Score, Cinematography-Black and White). Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

An active volcano threatens a south Pacific island resort and its guests as a power struggle ensues between the property's developer and a drilling foreman. DirectorJames Goldstone WritersGordon Thomas(based on the novel "The Day the World Ended" by) Max Morgan Witts(based on the novel "The Day the World Ended" by) Carl Foreman(screenplay) StarsPaul Newman Jacqueline Bisset William Holden --- Send in a voice message: https://anchor.fm/gruesome-hertzogg/message Support this podcast: https://anchor.fm/gruesome-hertzogg/support

The Sequel Machine recruits amazing comedy writers to write the sequels for film's biggest franchises one page at a time. The catch is, the writers only get to read the page before theirs in a round-robin, exquisite corpse style. The end result is a hilarious, twisted, and as coherent as any misguided Hollywood sequel. This time, we set our sights on television's most anticipated finale: The Last Ten Pages of Breaking Bad. Starring Tim Martin as Walter White and Josh Ruben as Jesse Pinkman with Lauren Adams, Adam Bozarth, Carl Foreman, Jr., Anna Rubanova, and Brett White Written by (in page order): Adam Bozarth, Mike Scollins, Laura Willcox, Brett White, Dru Johnston, Michael Hartney, Anna Rubanova, Aaron Burdette, Mike Still, and Matt Little. Live tech by Alex Adan. Special thanks to Nate Dern and Achilles Stamatelaky. Recorded live at the UCB Theatre Chelsea at the Heisenberg & Friends Variety Hour (Thursday, September 26, 9:30pm). Watch on YouTube: http://www.youtube.com/watch?v=yEx__RPdgXs