Podcasts about 4k uhd

We are star struck to be joined by The Disc-Connected's Ryan Verrill to chat Sony's long awaited 4K UHD debut of The Night of the Living Dead (1990). Plus LOTS of physical media banter, wishes, & more! Movie discussion @ 33min 48sec Find us on Instagram!

WARNING all Users: we got a little lost on the grid talking Disney's stunning new 4K UHD editions of Tron & Tron Legacy.... Plus announcements, confessions, & more! Find us on Instagram!

Featured Extras returns with a look at Warner Bros' recently released 4K UHD of F1: THE MOVIE!Joseph Kosinski's blockbuster racing film was a much bigger hit overseas than domestically, but one of the year's best movies is now on home video--bringing with it a handful of fascinating special features.Ian has assembled a crack pit crew to talk about the various making-of segments, centering on the exciting practical-effects innovations that helped bring the film to life!Note: There was an issue with Ian's microphone while recording the segment, so there's a "talking into the room" quality to his audio.Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdInstagramFacebookShow LinksWatch the F1: The Movie (2025) trailer.You can pick up F1: The Movie on 4K UHD, courtesy of Warner Bros! Watch Earth's Mightiest Critics' full roundtable review of F1: The Movie! Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

OpenAI has had another big week. The Sora AI social media app is going viral. Does anyone have an invite to send? They also had their Dev Day and are announcing numerous tie-ins, including Etsy, Shopify, and Spotify. Their Jony Ive physical product? We'll have to wait on that. We discuss all of that, plus lots of other tech news to get caught up on, and some tips and picks to help you tech better! Watch on YouTube! - Notnerd.com and Notpicks.com INTRO (00:00) New iPhones see ‘stronger than expected' demand with one exception (02:25) We used to talk a lot about apps, but there is just so many now (06:30) MAIN TOPIC: Sora, Shopping, and Spotify from OpenAI (08:30) Weird Sora 2 videos from the new viral AI app ChatGPT can now interact with multiple apps, including Spotify, Canva, and Figma Everything OpenAI announced at DevDay 2025: Agent Kit, Apps SDK, ChatGPT, and more OpenAI's first device with Jony Ive could be delayed due to 'technical issues' DAVE'S PRO-TIP OF THE WEEK: SongShift is now built into Apple Music (19:05) JUST THE HEADLINES: (27:05) Scientists grow mini human brains to power computers Japan is running out of its favorite beer after ransomware attack AI is not killing jobs, US study finds Lufthansa to cut 4,000 jobs as airline turns to AI to boost efficiency MLB approves robot umpires for 2026 as part of challenge system LimeWire acquires Fyre Festival Flying cars crash into each other at Chinese air show TAKES: A bullet crashed the internet in Texas (32:25) Tigers-Red Sox clash on Apple TV+ will feature live game footage on new iPhone 17 Pro (34:00) Yahoo nears deal to sell AOL to Italy's Bending Spoons for $1.4 billion, sources say (37:05) Amazon Prime Big Deal Days (39:20) BONUS ODD TAKE: https://offline.church/ (43:10) PICKS OF THE WEEK:  Dave:  Samsung EVO Select microSDMemory Card + Adapter, 512GB microSDXC, Up-to 160 MB/s, 4K UHD, UHS-I, C10, U3, V30, A2, for Mobile Phone, Smartphones, Nintendo-Switch, and Tablets (47:55) Nate: Ergonomic Office Chair with Tilt-Lock, Home Office Desk Chair with Auto Lumbar Support, High Back Mesh Desk Chair with Adjustable Headrest, Swivel Task Chair or Study Room Bedroom,Light Gray (50:45) RAMAZON PURCHASE OF THE WEEK (56:20)

We're joined by Galen Howard (Brooklyn Nine-Nine, The Book of Boba Fett) to talk Billy Wilder's timeless Hollywood noir Sunset Boulevard, celebrating its 75th anniversary with a 4K UHD from Paramount Pictures. Plus One Battle After Another, confessions, announcements, and more! Tickets for Strings Find us on Instagram!

October Horror: #5 out of 31: Revisiting this classic in 4K. (I was wrong about one thing in here, the movie IS available separately on 4K UHD in the UK but, it is extremely hard to get.)   Hellraiser (1987) - 4K UHD Blu-Ray Review ROCKFILE Podcast 875 #hellraisermovie #moviereview #rockfile    ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.

An audio documentary podcast series about the sea-faring classic - Master and Commander: The Far Side of the World. On this very special bonus episode, I join one of the original online movie news men, Alan Cerny, to discuss the long overdue 4K release of Master and Commander: The Far Side of the World.Guest: Alan Cerny has been writing reviews for several years. Formerly known as Nordling at Ain't It Cool News until 2016, he began writing for ComingSoon.net and is now a writer and reviewer for Vital Thrills. He has also contributed guest articles to CHUD and Birth.Movies.Death. Cerny has been a member of the Houston Film Critics Society since 2011 and has previously served as both Vice President and Secretary of the organization. He has covered the South by Southwest Film Festival, Fantastic Fest, Houston's Cinema Arts Festival, and WorldFest Houston.Publications: ComingSoon.net, VitalThrills.comNarrator: Ken JeacleTheme composer: Andrew VillerJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tällä kertaa hieman yllättäen arvostelussa Scarlett Johanssonin tähdittämä ja Luc Bessonin ohjaama Cyperpunk scifi leffa Lucy. Lucy on arvostelussa, koska kävin katsomassa sen Leffafriikki Cinemassa. Ja tämän elokuvan 4K UHD julkaisua kehutaan sen kuvanlaadun ja äänenlaadun takia, joten tällä oli hyvä testailla Leffafriikin laitteita. Ja koska kyseessä on jälleen julkaisun arvostelu niin leffan lisäksi kerron mietteeni kuvanlaadusta ja äänenlaadusta. Mutta millainen leffa tämä olikaan? Entä oliko siinä nyt niin hyvä kuva? Tai ääni? Näihin vastauksia arvostelussa. 

「あした使える“一発必中のカルチャー情報”」をお伝えする『カルチャー・ワンショット』映画ライター・飯塚克味さん登場！『今買うならこれ！』というおすすめの“映画ソフト”を紹介していただきます！ Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning PT champion Drew Hanks joins us as we head back to Kindergarten with Billy Madison (1995) and root for Happy Gilmore (1996) on the Pro Tour. Thanks to brand new 4K UHD treatments from our best friends at Kino Lorber, these Adam Sandler classics have never looked better and we're talking all about them. Plus announcements, confessions, and more! Find us on Instagram!

What's this? Ian had allegedly vowed not to talk about Superman 2025 after July's round table review; in fact, he'd announced a boycott of all DCU projects until writer/director/co-DCU head James Gunn stepped down.So what gives? Well, the movie recently landed on 4K and after another evaluation, Ian has decided that... It still doesn't work.But...There's a fascinating documentary in the supplementary materials called "Adventures in Making Superman" that is well worth the price of admission. This "Featured Extras" segment looks at the bizarre ways in which the doc tiptoes around the movie it's allegedly about; draws an unexpected connection with Mike Figgis' recent film, Megadoc; and how it helped Ian appreciate the artistry, conflict, and Krypton-sized red flags that went into making what he considers an unforgivable misfire!Support Kicking the Seat on Patreon, watch us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksYou can pick up Warner Bros' 4K UHD of Superman (2025) at Amazon (or wherever you snag physical media).Watch Earth's Mightiest Critics' review of Superman (2025), shortly after its July release!And watch Ian's "Public Service Announcement" regarding his future DCU viewing plans!As mentioned in the segment, "Adventures in Making Superman" has a fun connection to Megadoc, which Ian and David Fowlie recently reviewed.

Lokakuu ja kauhukuu lähestyy ja otetaan pieni varaslähtö kauhuleffoihin. Joten tällä kertaa arvostelussa eka The Conjuring -kirottu elokuva ja sen 4K UHD julkaisu. Kiitos SF Studion sain tämän arvosteltavaksi, joten pitihän se katsastaa ja kertoa mietteet. Ja koska tämä on 4K UHD arvostelu, niin kerron myös mietteen kuvanlaadusta, äänenlaadusta ja onko extroja ja mitä mieltä niistä. Oletko nähnyt tämän? Mitä mieltä? Mikä on paras Conjuring? Entä mikä on sinun suosikki kauhuleffa? Entä onko sinulla tämä 4K julkaisu? Tai aiotko ostaa?

「4K UHD BD『ダーティハリー』、 コントラスト豊かな都会の光と闇。DOlby Atmosで44マグナムが火を吹く！」　4K Ultra HD Blu-rayの注目タイトルをプロの評論家が画質と音質の評価チャート付きで紹介する連載企画。今回は、現在発売中の『ダーティハリー』。画質と音質の見どころを、大橋伸太郎氏が自宅のホームシアターで徹底的にチェックした。

What the movie FALL did for heights, this does for sharks and serial killers.  Dangerous Animals (2025) - 4K UHD Blu-Ray Review ROCKFILE Podcast 866 #dangerousmovie #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~  

A real classic among film fans that I have never seen. Another movie way ahead of its time! Alphaville (1965) - 4K UHD Blu-Ray Review ROCKFILE Podcast 867 #alphavillemovie #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~  

Streaming is a disease and 4K UHD is the cure with the absolutely outrageous action classic Cobra, starring Sylvester Stallone. We're talking all about this new release from Arrow Video, plus Dirty Work from Vinegar Syndrome, announcements, confessions, and more! Say hi on Instagram!

Ian and Jeff strap on their skates and venture into the heady neon-glow of Xanadu!Robert Greenwald's 1980 musical fantasy stars Olivia Newton-John as Kira, a muse and daughter of Zeus, who seeks to inspire a struggling L.A. artist named Sonny Malone (Michael Beck). As romance blooms, Sonny meets a former magician-turned-construction-magnate named Danny McGuire (Gene Kelly), who dreams of opening up a nightclub--and who may have crossed paths with Kira during his days as an enlisted entertainer during World War II.This syrupy cult classic was recently brought back to stunning life on 4K, and the guys look back at Xanadu with a reverence that surprised them both. Wade through the cheese and the at times iffy filmmaking, and you'll see a truly moving story about the push-and-pull of independent artists and the end of the Mass Media Artist as Tactile Craftsman era.This episode is part movie review, part continuation of Ian and Jeff's ongoing discussion about the role of Artificial Intelligence in the arts. Whether you love or hate Xanadu (or have no idea it ever existed), there's a veritable buffet of food for thought in this loving look back!Support Kicking the Seat on Patreon, watch us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Xanadu (1980) trailer.Order the new 4K UHD of Xanadu from Kino Lorber.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.

Grab a barf bag because we're getting nasty as hell with Lucio Fulci's classic horror gross-out The Beyond, recently released on 4K UHD from Grindhouse Releasing. Plus recommendations, confessions, announcements, and more. Find us on Instagram

Thank you for listening to the Following Films Podcast. Today I'm joined by Nicholas Colia to discuss GRIFFIN IN SUMMERGriffin Nafly (Everett Blunck) is the most ambitious playwright of his generation. He's also fourteen years old and living with his parents in a humdrum suburb while dreaming of moving to New York City. When his mom (Melanie Lynskey) hires a handsome 25-year-old handyman (Owen Teague), Griffin's life and his new play take an inspired turn. Also starring Kathryn Newton and Abby Ryder Fortson.Today's episode of the Following Films Podcast is brought to you by Universal Pictures How to Train Your Dragon. The film is currently available on digital, DVD, Blu-ray, and 4K UHD. If you would like to win a free copy of the 4K disc, just send an email with your mailing address to editor@followingfilms.com with the subject line “I can train your dragon.” Winners will be selected at random and receive notification by 8/31.Now on to my conversation with Nicholas, GRIFFIN IN SUMMER will be in theaters FridayAugust 29th, I hope you enjoy the show

The Rundown 4K Amazon Link - https://amzn.to/47gwpvxSave 10% on everything at themovieroom.com - https://www.themovieroom.com/STEELBOOKOBSESSED (Use Discount Code STEELBOOK10 At Check Out)Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls/3RFXB0165H9K6?ref_=wl_shareFollow Me On Letterboxd - https://boxd.it/qN3BFollow Me On TikTok - https://www.tiktok.com/@steelbookobsessed?_t=8WD5a3FWtTv&_r=1Follow Me On Instagram - https://www.instagram.com/steelbookobsessed/?hl=enHere Is My LinkTree - https://linktr.ee/Steelbookobsessed?utm_source=linktree_profile_share<sid=bdf78b21-0741-43f0-9075-47419a5a10ddMalko Protector Website - https://www.malkoprotectors.com/?ref=3G4QlWeuxTPUr4

We run down our current 4K disc, digital and streaming recommendations and pay tribute to Terrance Stamp. Plus, the team discusses what we ultimately want from our beloved, long-running franchises... more of the same or unexpected narrative and character developments? Also, at what point in a movie series' journey does it implode under the weight of audience expectation and studio tinkering?

Send us a textWe announce a special collaborative 4K UHD release of "The Curse of Frankenstein" from Warner Archive and Hammer Films, coming October 14th. This landmark partnership brings together both companies' archival resources to create the definitive presentation of this horror classic that established Hammer as a leading force in the genre.• Warner Archive and Hammer Films partnering on a deluxe release of The Curse of Frankenstein• 4K UHD edition ($34.99) includes three aspect ratios: 1.66, 1.85, and open matte 1.37• Comprehensive special features including new commentaries and a nostalgic Super 8mm abridgment• Separate three-disc Blu-ray edition also available ($29.99) with extensive bonus content• Original mono audio preserved with new Dolby Atmos and 5.1 surround sound optionsPre-orders are not yet available.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Our spirit animal Arnold Schwarzenegger returns with more discoveries and re-visits from our 4K UHD & Blu-Ray collections. Plus new releases, announcements, confessions, and more! Find us on Instagram

Checking out a John Carpenter classic in 4K UHD! Escape From New York (1981) - 4K UHD Blu-Ray Review ROCKFILE Podcast 846 #escapefromnewyorkmovie #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://rockfileradio.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/hybridas/funk-and-roll License code: KLKVNGSSFEBLGYLG   I tried Uppbeat for free and it is the first service I have ever subscribed to. Use my link to get started for free: https://share.uppbeat.io/46uvrqr3uryi  ~

Ian and Jeff travel back to the vibrant art scene of early-80s New York City with a look at two related but very different films, Make Me Famous and Basquiat!The former is Brian Vincent's 2021 documentary about obscure expressionist portraitist Edward Brezinski, who lived in a crumbling 3rd Street slum; he spent his days painting and his nights hitting up gallery openings trying to drum up interest in his work (as well as scrounging for food and drink). He orbited the likes of Keith Haring and Jean-Michel Basquiat, but never caught on to the "It" factor that carried many of his contemporaries to super-stardom and wealth.Julian Schnabel's 1996 drama, Basquiat, stars Jeffrey Wright as the titular, troubled painter of graffiti and challenging art pieces. The disjointed film chronicles his ascent to fame as a protege of Andy Warhol (David Bowie), and his descent into a drug-fueled early demise at the age of 27.As alums of Chicago's American Academy of Art, your enthusiastic hosts dive right into what makes both films essential viewing--despite flaws both minor and nigh insurmountable. Ian and Jeff talk about their affinity for films about artists; the thematic threads that weave through two works that differ in form but unite in defining a vivid time, place, and people; and lament the commoditization of creativity presaged in both Basquiat and Brezinski's stories.Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookBlueSkyShow LinksWatch the Make Me Famous (2021) trailer.Watch the Basquiat (1996) trailer.Follow all things Make Me Famous at the film's official website.Order the new 4K UHD of Basquiat from The Criterion Collection.And read Roger Durling's essay about the controversial restoration here.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.

DROP follows Violet (Meghann Fahy), a widow/single mom going on her first date after the violent death of her abusive husband.All looks promising across the dinner table: Henry (Brendon Sklenar) is a charming, attractive, thoughtful guy. He's a photographer for the mayor. He bought a trinket for her 5-year-old. He's got a good wit. Perfect first outing, right?The problem lies in Violet's' phone. She's receiving these anonymous airdrops from someone in the restaurant. What starts as a couple of dumb memes quickly devolves as the dropper gets personal and eventually instructs her to kill Henry or the masked man in her house will kill her son and sister. One glance of her security cameras confirms the worst. The game is on.Who's doing this? Why her? Why Henry? How's Violet gonna save her family? This is the wind of the car that's gonna send us through DROP's Hitchcock-inspired story. I enjoy Fahy and Sklenar's chemistry & the production design dazzles my comfort-seeking soul. However, bringing Violet's panicked state to the screen results in some distracting lighting setups, framing and VFX work (You've likely never before seen cell phone text glare onto 70% of the screen across multiple instances.) The end of the movie goes for entertaining, if stupid, gonzo; The blend of serious subjects and pulpy execution leaves a bad taste in my mouth.It's not a worst offender by any means, so I'd mildly recommend DROP as a watch with the kind of people who love tossing themselves into wild scenarios, calling out their own escape plans, critiquing the movie's lapses in logic. Click play on a chill Friday night and I don't think you'll be so disappointed.DROP is currently available to purchase in 4K UHD, Blu-ray and DVD formats at your favorite home video retailer. Thanks to Universal and Mandy Kay Marketing for the review copy!---Please rate, review & subscribe to The Movies wherever you listen to podcasts!Follow The Movies on Instagram and Letterboxd

Thank you for listening to the Following Films Podcast. Today I'm joined by Erik Messerschmidt to discuss his Emmy-nominated work on Bono: Stories of SurrenderBono: Stories of Surrender is a vivid reimagining of Bono's critically acclaimed one-man stage show, “Stories of Surrender: An Evening of Words, Music and Some Mischief…” As he pulls back the curtain on a remarkable life and the family, friends, and faith that have challenged and sustained him, he also reveals personal stories about his journey as a son, father, husband, activist, and rock star. Along with never-before-seen, exclusive footage from the tour, the film features Bono performing many of the iconic U2  songs that have shaped his life and legacy.Today's episode of the Following Films Podcast is brought to you by Universal Pictures How to Train Your Dragon. The film is currently available on digital, DVD, Blu-ray, and 4K UHD. If you would like to win a free copy of the 4K disc, just send an email with your mailing address to editor@followingfilms.com with the subject line “I can train your dragon.” Winners will be selected at random and receive notification by 8/31.If you're in the Tucson area—or planning a trip to Southern Arizona at the end of August—come join me at this year's Tucson Comic-Con! I'll be moderating a panel with Mike Jaret and Tad Sallee to talk about their work on Going Postal: The Legacy Foretold. We'll have a film screening, a Q&A with the filmmakers, and some fun giveaways. I'm really excited for this one—catch us Friday, August 29th at 3:00 PM in Panel Room 105! You can purchase tickets for the event https://tucsoncomic-con.com/Now on to my conversation with Erik, Bono: Stories of Surrender is currently streaming on Apple TV+.,  I hope you enjoy the show

Thank you for listening to the Following Films Podcast. Today I'm joined by Wendy Lobel to discuss ANXIETY CLUBANXIETY CLUB provides an intimate and humorous look at anxiety through the eyes and minds of some of the most brilliant comedians working today. Marc Maron, Tiffany Jenkins, Baron Vaughn, Aparna Nancherla, Mark Normand, Eva Victor and Joe List offer candid reflections on their relationship with anxiety through exclusive interviews, standup performances, sketch videos, therapy sessions, and everyday life.With rare access to private therapy sessions, the film follows comedian Tiffany Jenkins (a content creator with over 9 million followers) as she undergoes behavioral therapy, capturing the profound changes her treatment brings about. Others find support from alternative sources, such as world-renowned meditation expert Tara Brach, PhD, or the psychologist-in-residence at The Laugh Factory, or simply from mentors in the comedy community. All of the comedians in ANXIETY CLUB have created standup or sketch material about their mental health that is not only funny but uniquely relatable and disarming to audiences. With comedy, vulnerability, and honesty, these comedians provide remarkable insight into anxiety - the most prevalent mental health disorder affecting an estimated 300 million people worldwide.Today's episode of the Following Films Podcast is brought to you by Universal Pictures How to Train Your Dragon. The film is currently available on digital, DVD, Blu-ray, and 4K UHD. If you would like to win a free copy of the 4K disc, just send an email with your mailing address to editor@followingfilms.com with the subject line “I can train your dragon.” Winners will be selected at random and receive notification by 8/31.Now on to my conversation with Wendy, ANXIETY CLUB will be available on digital 8/15,  I hope you enjoy the show

We're detouring from the 90's into classic French horror with a full recap of the incredible Eyes Without A Face. Georges Franju's 1960 classic is available on 4K UHD from Umbrella Entertainment & soon to be released from The Criterion Collection & BFI. Plus announcements, confessions, new releases, and more! Say hi on Instagram!

It's 1996. A truck load of toxic chemicals just exploded in a tunnel under the Hudson River and the only one who can save us is Sylvester Stallone. We're talking DAYLIGHT, recently released (and un-released??) on 4K UHD from our best friends at Kino Lorber. Plus announcements, Christopher Nolan's The Odyssey, confessions, and more! Find us on Instagram!

Hang onto your slipcases, because Blake Howard and award-winning culture reporter and critic Candice Frederick ruminate on THE WIZ and how Sidney Lumet, Joel Schumacher, Diana Ross, Michael Jackson, Richard Pryor and Quincy Jones make it more than significant.The WizL. Frank Baum's timeless story The Wonderful Wizard of Oz gets a funky reimagining in this lavish adaptation of a landmark Broadway show based on the book. Diana Ross brings her showstopping star power to the role of Dorothy, here a Harlem schoolteacher who is magically transported to a surreal fantasyland that resembles New York City, complete with man-eating trash cans and a disco paradise. Propelled by the musical contributions of Quincy Jones and an all-star cast that includes Michael Jackson, Richard Pryor, and Lena Horne, this dazzling soul spectacular from legendary director Sidney Lumet reframes a beloved tale through the Black American experience, creating a powerful celebration of self-determination.Special FeaturesNew 4K digital restoration, approved by producer Rob Cohen, with Dolby Atmos soundtrackIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary featuring scholars Michael B. Gillespie and Alfred L. MartinArchival interviews with director Sidney Lumet and actor Diana RossTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Aisha HarrisCandice FrederickAward-winning culture reporter and critic with extensive experience in original reporting, interviewing, digital media, and editorial strategy. Well-sourced and adept at writing nuanced and contextualised pop culture criticism, in-depth features, and engaging celebrity profiles. Inquisitive reporter with a keen eye for cultural trends, industry shifts, social media discourse, examining controversial figures and topics, and challenging conversations through thought-provoking articles.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us a textWarner Archive's George Feltenstein discusses the stunning new 4K UHD and Blu-ray restoration of MGM's 1956 musical "High Society" starring Bing Crosby, Grace Kelly, and Frank Sinatra with Louis Armstrong.Purchase links:HIGH SOCIETY (1956) 4K&Blu-ray Combo PackHIGH SOCIETY (1956) Blu-rayEPISODE DETAILS:• VistaVision's horizontal filming process presented unique challenges for scanning and restoration• Original film negatives were scanned using specialized Director scanners adapted specifically for horizontal use• Audio restoration utilized original six-track pre-recordings to create authentic multi-channel sound• Finding and preserving the original stereophonic music recordings was crucial to the restoration process• "High Society" was MGM's highest-grossing film of 1956 despite strong competition• Louis Armstrong functions as a Greek chorus throughout the film, with Bing Crosby having roots in jazz• Grace Kelly's final Hollywood film before becoming Princess of Monaco shows her comedic talents• Director Charles Walters moved from Broadway dancer to MGM choreographer to successful director• Special features include behind-the-scenes material, audio promos, and the appropriate "Millionaire Droopy" cartoon• Warner Archive's commitment to high-quality 4K releases continues with more titles plannedCheck out Warner Archive's Facebook page for more information and updates on upcoming releases. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

In this episode of ScreenTime wIth AVForums, we catch up with our current 4K disc and digital/streaming recommendations. Plus, we compare the UHD disc and streaming options of recent releases The Amateur and Zodiac to see which is the version worth getting hold of. Also, whether you're a hardcore disc collector or dedicated film fan, is 2025 the best time to start your library? Finally, what got the team members started in their reviewing careers and how has the disc/movie reviewing landscape changed over the last 20 years?

Lethal Weapon & The Long Kiss Goodnight are here to blow up our screens and beat the sh*t out of Gary Busey in glorious 4K UHD. Join us for these two action classics from screenwriting superstar Shane Black, announcements, confessions, wishes, & more! Find us on Instagram

Send us a textGeorge Feltenstein announces the Warner Archive's August releases, featuring a diverse lineup including classic dramas, a Technicolor musical, a John Ford film, a 4K crime thriller, and a complete Hanna-Barbera series.• "The Hard Way" (1943) starring Ida Lupino in possibly her finest performance as a driven woman advancing her sister's career• "That Midnight Kiss" (1949) introducing Mario Lanza alongside Catherine Grayson in a Technicolor musical about classical music• "Intruder in the Dust" (1949) addressing racism and lynching in the South with Juano Hernandez in a powerful social drama• "Seven Women" (1966), John Ford's final film about female missionaries in 1935 China starring Anne Bancroft• "Get Carter" (1971) on 4K UHD featuring Michael Caine as a ruthless killer, restored in partnership with the British Film Institute• The complete "Huckleberry Hound Show" on 11 Blu-ray discs, featuring all 68 episodes as originally broadcast from 1958-1962Check out the Warner Archive Facebook page for pre-order information and release dates for all these titles. Currently pre-orders are not yet available. Warner Archive Store on AmazonSupport the podcast by shopping with our Amazon Affiliate linkDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

You can get a good look at these new 4K's by sticking your head up a bull's a$$ but we'd rather take our special guest Drew Hanks's word for it! We're talking the classic Chris Farley comedies Tommy Boy & Black Sheep, both new to the 4K UHD format from Paramount Pictures and Kino Lorber. Plus announcements, confessions, wishes, & more! Find us on Instagram!

Wicked 4K Amazon Link - https://amzn.to/3In7YlHLethal Weapon 4K Amazon Link - https://amzn.to/4eLPF5CConstantine 4K Amazon Link - https://amzn.to/3IoPaT2Dirty Harry 4K Steelbook Amazon Link - https://amzn.to/3InypYBInglorious Basterds Arrow Video 4K Amazon Link - https://amzn.to/40enuGESmile 2 4K Amazon Link - https://amzn.to/3GkzVtWDelicatessen Severin 4K Amazon Link - https://amzn.to/3TAD37OJason Goes To Hell Arrow Video 4K Amazon Link - https://amzn.to/3U5XvO6Swordfish Arrow Video 4K Amazon Link - https://amzn.to/4ktCozXThe Brood Second Sight 4K Amazon Link - https://amzn.to/4lKf81KSave 10% on everything at themovieroom.com - https://www.themovieroom.com/STEELBOOKOBSESSED (Use Discount Code STEELBOOK10 At Check Out)Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls/3RFXB0165H9K6?ref_=wl_shareFollow Me On Letterboxd - https://boxd.it/qN3BFollow Me On TikTok - https://www.tiktok.com/@steelbookobsessed?_t=8WD5a3FWtTv&_r=1Follow Me On Instagram - https://www.instagram.com/steelbookobsessed/?hl=enHere Is My LinkTree - https://linktr.ee/Steelbookobsessed?utm_source=linktree_profile_share<sid=bdf78b21-0741-43f0-9075-47419a5a10ddMalko Protector Website - https://www.malkoprotectors.com/?ref=3G4QlWeuxTPUr4#movie #4k #review #collection

German Expressionism, immaculate miniatures, William Hurt being the coolest, and the tragedy of a torn slip sleeve. We're rediscovering Alex Proyas's 1998 cult masterpiece Dark City, recently released in an incredible new 4K UHD from Arrow Video. Plus announcements, confessions, recent watchlists, and more.   Find us on Instagram

The ScreenTime team returns with 4K disc and streaming picks, weighing the pros and cons of physical discs vs digital VOD to help you choose. Plus, Cas and Mark discuss why they import US 4K releases from Vinegar Syndrome - is it just those magnet clasps?

MOVIE MIKE'S MOVIE PODCAST: Mike talks to Adam Stein and Zach Lipovsky who directed Final Destination Bloodlines. They share stories behind the coolest deaths, how veteran stuntwoman Yvette Ferguson came out of retirement to become the oldest person ever set on fire on camera, the films that inspired them to become directors, and the episode of Goosebumps that Zach starred in as a kid! Final Destination Bloodlines is now available on digital and on 4K UHD on July 22! In the Movie Review, Mike talks about 28 Years Later starring Aaron Taylor-Johnson. Oscar-winning director Danny Boyle and writer Alex Garland reunite. It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. Mike talks about what sets it apart in the franchise, why it’s one of the most beautiful horror films he’s watched and why it is what he describes to be as ‘butt drenching’. In the Trailer Park, Mike talks about Jeremy Allen White as Bruce Springsteen in Deliver Me from Nowhere which is an upcoming biographical musical drama film about the iconic singer. Are we over biopics, does embody Bruce and is it too soon to tell his story? New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

Pain don't hurt! We're talking 1989's Road House, the Patrick Swayze national treasure recently released on 4K UHD from Arrow Video. Plus Swordfish, announcements, confessions, and more! Find us on Instagram

Hang onto your slipcases, because Blake Howard and the legendary @RufusTSuperfly aka Tom Reagan's Hat discuss the swashbuckling delights in the choreography and sound design of Criterion's new release, The Three Musketeers / The Four Musketeers: Two Films by Richard Lester.The Three Musketeers / The Four Musketeers: Two Films by Richard LesterAlexandre Dumas's immortal tale of adventure and camaraderie received perhaps the finest of its numerous screen adaptations with this two-part swashbuckling spectacular from A Hard Day's Night director Richard Lester. Featuring Michael York, Oliver Reed, Frank Finlay, and Richard Chamberlain as the swaggering swordsmen, who thrust and parry their way through courtly intrigue in seventeenth-century France, The Three Musketeers and The Four Musketeers are also graced with an all-star supporting cast that includes Raquel Welch, Faye Dunaway, Geraldine Chaplin, and Charlton Heston. Lester's exuberant epic breathes new life into an oft-told classic through its boisterous slapstick invention, its meticulous attention to period detail, and a sense of pure, unbridled bravado that is thrilling to behold.Richard Lester's spirited adaptation of Alexandre Dumas's timeless novel immediately distinguished itself from previous film versions with its irresistible lightheartedness. It follows the brash, young wannabe musketeer d'Artagnan (Michael York) as he travels from the French countryside to Paris and befriends Athos (Oliver Reed), Porthos (Frank Finlay), and Aramis (Richard Chamberlain), famed swordsmen whom he must help to stop the conniving Cardinal Richelieu (Charlton Heston) and his plot to undermine the king. The Three Musketeers sweeps viewers away with its exquisite sets and costumes, chivalric romance, and breathless duels punctuated by the ingenious physical comedy that was Lester's trademark.It may be “all for one and one for all,” but it took director Richard Lester two films to contain the sweeping spectacle of Alexandre Dumas's swashbuckling adventure. This sequel—shot simultaneously with The Three Musketeers, since they were originally conceived as a single film—dials down the comic high jinks that distinguished the first installment in favor of a more somber tone, as our heroes are drawn into a deadly revenge plot orchestrated by the seductive Milady de Winter (a deliciously wicked Faye Dunaway). Upping the psychological stakes and deepening our sense of the characters, The Four Musketeers brings this beloved tale of honor and friendship to a close with a rousing emotional flourish.SPECIAL EDITION FEATURESNew 4K digital restorations, with uncompressed monaural soundtracksIn the 4K UHD edition: Two 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special featuresTwo for One, a new documentary by critic David CairnsThe Saga of the Musketeers (2002), a two-part documentary featuring interviews with cast and crew membersThe Making of “The Three Musketeers,” a 1973 featurette with behind-the-scenes footage of director Richard LesterTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Stephanie ZacharekNew illustration by Mattias AdolfssonThe legendary @RufusTSuperfly aka Tom Reagan's Hat can be found here.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're suiting up in Gary Oldman's Bram Stoker's Dracula armor and joining J.Lo to dive into the mind of a serial killer and recap Tarsem Singh's 2000 visionary classic The Cell, recently released on 4K UHD from Arrow Video. Plus announcements, confessions, wishes, & more. We're on Instagram!

Recently released on 4K UHD from Scream Factory, it's Timecop time! We watched Peter Hyam's 1994 Jean-Claude Van Damme classic for the FIRST TIME and we're here to tell you all about it. Plus wishes, confessions, and announcements!

Charles Burnett talks ‘Killer of Sheep’ 4K restoration, and the film’s lasting influence After a theatrical release in select theaters by Janus Films, the Criterion Collection now introduces the new 4K restoration of Charles Burnett’s 1977 feature debut film, Killer of Sheep, into its library. The film follows a family in Watts, with the father in this household being Stan, who works in a slaughterhouse. Burnett's understanding of working-class family dynamics makes for a story that’s as relatable as it is emotionally devastating at moments. These complex themes portrayed in film have served as inspiration for the likes of Barry Jenkins, whose Oscar-winning film Moonlight offers a similar blend of cinematic storytelling through the lives of adults and children. We’ll dig deeper into the film by speaking with its filmmaker, Charles Burnett. The 4K restoration of ‘Killer of Sheep’ is out now in Blu-ray and 4K UHD; to read more about the special features included, and to purchase the film, click here.

Earth's Mightiest Critics come alive with a 40th-anniversary review of Stuart Gordon's horror/comedy classic, Re-Animator!Based on H.P. Lovecraft's short story, the film stars Jeffrey Combs as Herbert West, a weaselly med student whose single-minded focus on conquering death leads to disastrous consequences. His new roommate, Dan (Bruce Abbott), and Dan's girlfriend, Megan (Barbara Crampton), get swept up in a madcap nightmare of undead cats, lecherous faculty, and a glowing green serum whose effects are as unpredictable as they are grotesque!Join us for a grave-robbin' gush-fest in which we talk spoilers, sequels, and celebrity encounters-- AND take your questions, comments and SuperChats! Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Re-Animator (1985) trailer.Check out Ignite Films' new 4K UHD release of Re-Animator, available in several different collectible editions!Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.And make Nice with Mike Crowley of You'll Probably Agree.

The persistent consumerism of Mother's Day, the movie, not the holiday....Then again.. MOTHER'S DAY (1980) by Charles Kaufman discussed on this fresh from the grave episode of Death By DVD featuring Death By DVD's original hosts!We dive into the classic slashic (but is it really?) from Troma Entertainments CEO, the wonderful Lloyd Kaufman's brother CHARLES! It's a real hoot and an additional hollar on this episode of Death By DVD celebrating MOTHER'S DAY in all ways shapes and forms! What is Mother's Day about, you ask? WELL, it is about a camping trip that turns into a living nightmare when three women encounter two deranged brothers and their equally demented mother in the woods of New Jersey. Doesn't that really sound like a hoot and a hollar!? Hit play and listen today. Oh, and happy Mother's Day!BUY CHARLES KAUFMAN'S BREAD Tap here or copy and paste the link below : https://breadandcie.com/about-us/an-interview-with-our-founder/Tap here to buy the movie now on 4K UHD from Vinegar Syndrome or copy and paste the link below : https://vinegarsyndrome.com/products/mothers-dayNeed more Death? Hear my exclusive interview with underground artist CHRISTOPHER BICKEL and learn more about their work and the film PATER NOSTER AND THE MISSION OF LIGHT today! Tap here or copy and paste the link belowhttps://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelDid you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES or copy and paste the link below : https://deathbydvd.com/who-shot-hank ★ Support this podcast on Patreon ★  The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTREthe FEELIN' GOOD JAZZ FUNK YO SKUNK DON'T BE A RUNT by JAZZY PETE ★ Support this podcast on Patreon ★

He's cooking our garbage! We're joined by physical media legends Jack Bishop & Corey Clifford  (Cinema Possessed) to talk John Hughes's 1989 John Candy classic Uncle Buck, recently released on 4K UHD from Kino Lorber. Find us on Instagram!

In the pantheon of great Van Damme action flicks from the 1980s and 90s, 'Hard Target' (1993) undoubtedly stands out as one of his best. As hunky Cajun ex-Marine, Chance Boudreaux, the mullet-wearing 'Muscles from Brussels' struts his more sensitive side while also exhibiting the sort of superhero antics that would put Schwarzenegger to shame, like firing a pistol while standing on a moving motorbike and - famously - punching a snake. He has his director to thank for one of his most iconic roles: John Woo, the 'heroic bloodshed' maestro fresh from his ballistic Hong Kong masterpiece, 'Hard Boiled' (1992), and determined to make an impact in his American directorial debut. The resulting concoction is pure Woo - a slow-motion bullet ballet of epic proportions which cemented his position as one of cinema's greatest directors of action. Joining me and 'Life of Action' author Mike Fury to discuss this milestone in movie mayhem is Christina Newland, lead film critic at the i Paper and a contributing editor to Empire Magazine. As three dedicated Jean-Claude Van Damme fans, we unpick the reasons why we think his appeal is more inclusive than that of his action contemporaries - people like Sylvester Stallone, Steven Seagal, and Chuck Norris - and the lasting legacy that John Woo has had on action cinema. This episode was recorded live at the Nova Cinema in Woking, UK, in November 2024 as part of the British Film Institute's Art of Action season. A huge thank you to the crew at the Nova Cinema and the people of Woking who attended the show, and the Independent Cinema Office and Film Hub South East for helping to organise the event.LINKSChristina Newland on Blue Sky: https://bsky.app/profile/christinalefou.bsky.socialChristina Newland's website: https://www.christinanewland.co.uk/Christina Newland on Substack: https://substack.com/@christinanewlandSubscribe to 'Sisters Under the Mink' on Substack: https://christinanewland.substack.com/Buy 'She Found It at the Movies: Women writers on sex, desire and cinema': https://www.waterstones.com/book/she-found-it-at-the-movies/christina-newland/9781912157181'Act Like a Man: Jean-Claude Van Damme' by Christina Newland: https://mubi.com/en/notebook/posts/act-like-a-man-jean-claude-van-dammeBuy 'Hard Target' on 4K UHD from Kino Lorber: https://kinolorber.com/product/hard-target-4k-uhd 'Hard Target' review on Kung Fu Movie Guide: https://bit.ly/HardTarget1993Jean-Claude Van Damme profile on Kung Fu Movie Guide: https://bit.ly/VanDammeKFMGJean-Claude Van Damme on Instagram: https://www.instagram.com/jcvd/John Woo on Instagram: https://www.instagram.com/john_woo_filmmaker/'John Woo's Next Film Is ‘A Half-Musical' With Sparks', Empire Magazine: https://www.empireonline.com/movies/news/john-woo-half-musical-sparks-exclusive/'Celebrate Renowned Hong Kong Action Classics, Storytellers, And Film Icons With Shout! Studios' New Home Entertainment Series Hong Kong CInema Classics': https://www.shoutstudios.com/press/celebrate-renowned-hong-kong-action-classics-storytellers-and-film-icons-with-shout-studios-new-homMike Fury on Instagram: https://www.instagram.com/themikefury/Mike Fury's website: https://www.mikefury.net/Visit the Nova Cinema in Woking: https://www.novacinema.com/Learn more about the BFI's Art of Action season: https://www.bfi.org.uk/art-actionA huge thank you to Independent Cinema Office (https://www.independentcinemaoffice.org.uk/) and Film Hub South East (https://www.independentcinemaoffice.org.uk/film-hub-south-east/) Hosted on Acast. See acast.com/privacy for more information.