Podcasts about Katy Jurado

  Our adventures through the old west continue, with our look at Sam Peckinpah's 1973 classic Pat Garrett and Billy the Kid, starring James Coburn (from Waterhole #3). Plus, just about every other actor to ever ride a horse! (Katy Jurado, Chill Wills, Jason Robards, Slim Pickens, Jack Elam, Elisha Cook Jr, Bruce Dern, Harry Dean Stanton, Bob Dylan, and more) Also! We chat about our other favorite western movies. So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker's adventures in professional wrestling (in videogame form), sweat-filled hat-brims, dusty old bottles of sarsparilla, spike-filled cactus groves, tuneful ditties, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll unload shotguns at random mirrors for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

KATY JURADO, LA ESTRELLA MEXICANA DEL CINE INTERNACIONAL SI, KATY JURADO FUE MI MADRINA CUANDO YO HICE MI DEBUT COMO LOCUTORA DE LA RADIO EN NUEVA YORK. YO YA HABIA HECHO UNA PELÍCULA ,ACTUANDO CON ELLA EN “THE FEARMAKER” “El HACEDOR DE MIEDO”AQUI PUEDEN ESCUCHAR EN MI PODCAST UNA ENTREVISTA QUE LE HICE MÁS TARDE EN MI PROGRAMA RADIAL! TOQUE ABAJO Y OIGA!!LA ACTRIZ MEXICANA KATY JURADO ME CUENTA COMO COMENZÓ SU CARRERA DE ACTRIZ DE CINE EN HOLLYWOOD! ESCUCHEN! TAP & LISTEN!

Grandes actrices de la época del cine de oro: Silvia Pinal, Katy Jurado, Gloria Marín, Elsa Aguirre, entre otras. 

rWotD Episode 2576: Broken Lance Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Thursday, 23 May 2024 is Broken Lance.Broken Lance is a 1954 American Western film directed by Edward Dmytryk and produced by Sol C. Siegel. The film stars Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark and Katy Jurado.Shot in Technicolor and CinemaScope, the film is a remake of House of Strangers, with the Phillip Yordan screenplay (based on the novel, I'll Never Go There Any More, by Jerome Weidman) transplanted out West, featuring Tracy in the original Edward G. Robinson role, this time as a cowboy cattle baron rather than an Italian banker in New York City. It has been widely noted that the story bears a strong resemblance to King Lear.This recording reflects the Wikipedia text as of 00:39 UTC on Thursday, 23 May 2024.For the full current version of the article, see Broken Lance on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Salli Standard.

Film Historians Julie Kirgo and Alan K Rode join the podcast to traverse the dusty trails and moral complexities of the timeless Western "High Noon."  The new 4K UHD release from Kino Lorber is highlighted by their new  audio commentaries and we get a preview of their insights into what makes this film so enduring.  Along the way we explore screenwriter Carl Foreman and the Hollywood Blacklist, why Gary Cooper was the right choice for the part of Marshall Will Kane, Katie Jurado's portrayal as a strong, independent Mexican woman, Fred Zinnemann's direction, Floyd Crosby's cinematography, Dimitri Tiomkin's score, and the wealth of character actors that fill out the movie. Purchase links:HIGH NOON 4KUHDHIGH NOON BLU-RAYHIGH NOON: The Hollywood Blacklist and the Making of an American Classic - BookAlan K. Rode website Julie Kirgo Facebook The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

¡Viva México! En este capítulo hablamos acerca de actrices y actores que la rompieron (o la están rompiendo) en el mundo del cine, como Iñaki Godoy, Pedro Armendariz, Melissa Barrera, Katy Jurado, Mario Moreno “Cantinflas” y Anthony Quinn. Desde premios OSCAR hasta tragedias. ¡Ajúa! 

Hoy hablaremos de dos #Hermanas y compañeras de profesión, ambas actrices, bellas y muy talentosas, #TereVelazquez y #LorenaVelazquez. ¿Fue verdad que mantuvieron una fuerte #Rivalidad ? Y ¿qué hay de la relación con su verdadero padre? 

In this second film of our Westerns month, we talk about another classic film that both defines and subverts the genre, High Noon, starring Gary Cooper, Grace Kelly, Lloyd Bridges, Katy Jurado, and the unknown yet soon-to-be staple western bad guy, Lee Van Cleef. We discuss the masterful use of the clock to build suspense, the many excuses (both good and bad) of the townspeople who refuse to help Will Kane, the juxtaposition of Mrs. Ramirez and Amy--the two women in Will's life, the stark and simple but highly effective cinematography, and the uniqueness of the film as an allegory for Hollywood blacklisting in the McCarthy era. The new marshall doesn't arrive until tomorrow, so round up a posse and give us a listen!

Do you love suspenseful feminist Westerns that are also allegories for how messed up HUAC and the Hollywood blacklist were during the McCarthy era? Then it's high time for you to watch the film High Noon (1952)! Check out this Oscar winning Carl Foreman penned classic starring Gary Cooper, Grace Kelly, Katy Jurado, and Lloyd Bridges. Host, Sara Greenfield and her guest, Ashley Blanchet, chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://anchor.fm/sara-greenfield/support

Jaime Aymerich is an actor, VO actor, and Producer. His TV credits include Golden Globes nominated 'Weeds', Primetime Emmy nominated 'Workaholics', and Amazon Prime's hit Emmy-nominated series 'Bosch'. Born and raised in Mexico City, Jaime is a graduate of the Academy of Dramatic Arts (Mexico). Jaime's acting skills and personal dynamics were evident since childhood. On a day off from school, he took off without thinking and visited Televisa San Angel, Mexico largest TV station, and asked for a job as an actor, which he got straight away. He went on to receive several television roles in the early 1990s and made a name for himself. He then pursued his acting career in theatre, earning many awards from the Dramatic Arts Center in Mexico. On stage, he starred in plays like “ The Inkman”, "The End”, "I Want to Live”, and many others. Jaime further developed his acting career in sketch-comedy theatre in Mexico, receiving more awards from the Comedians' House. He moved to Los Angeles to pursue his acting career and soon landed roles both in film and television. Jaime's first critically praised television performance was of his portrayal of a young Mexican Character "Daniel" in an American Soap Opera Acapulco Bay, a Televisa-Fox production. Jaime made his film debut in A Beautiful Secret sharing the screen with Golden Globe and Academy Award winner Katy Jurado. This film earned 11 awards in several international festivals, marking a new level of success for Mexican cinematography. For the next few years, his work would range from Showtime series Fat Actress with Kirstie Alley to portraying a Mexican President in the action drama The Last Ship by Michael Bay. Some of his TV credits include East Los High and Prime Time Glick with Martin Short. He recently shot How to Be a Latin Lover with Salma Hayek, Eugenio Derbez and Raquel Welsh. Widely known within the Latin community, he stars in many Telenovelas and movies like Love Again, Stories of the Virgin Mary, Loco love, The Call, How to break up with your Douchbag and the Towns Poet for Univision. Jaime is in the number one show of NBC / Telemundo - "Betty in New York" where he portraits the role of Charlie. He performed as Jorge in "The Laundromat" directed by the Oscar winner Steven Soderberg; where he acts with Meryl Streep, Gary Oldman and Antonio Banderas. He portrayed the character of "Satan" in the series "The Daughter of God" written by successful writer Enrique Torres. His more recent TV project was giving the life to “Pato” in the Jeff Valdez show for HBO “The Garcias”. Jaime has done many animated series and movies giving his voice to different characters in projects like Bojack Horseman, Beverly Hills Chihuahua, Astroboy, Early Man,Little Rooster's Egg-cellent Adventure, etc. He has started his carrer as an Executive Producer with the Emmy Winner Netflix Show “Julie and The Phantoms”. And he is currently The President and Founder of CRE84U Entertainment who has a Power-House Team including Nancy Cartwright, Monica Gil and Carolina Aymerich which are producing Tv Series and Movies in Hollywood. https://www.jaimeaymerich.org/ Find Sprinkled with Hope on social media: https://www.youtube.com/channel/UCKvKY93BmNp9D-uuStspcEQ https://www.facebook.com/groups/727711128046733 https://www.facebook.com/sprinkledwithhopepodcast https://twitter.com/sprinkledhope20 https://www.instagram.com/sprinkledwithhopejason_shane/

De México para #Holliwood y el resto del mundo, una actriz imponente y hermosa que cautivó a los grandes del cine de todo el mundo, Katy Jurado, quien tuvo una vida llena de fama y éxitos, terminó su existencia de una manera muy triste y lamentable y que hoy te cuento toda su historia.

Geoffrey Firmin is a British consul in Mexico in the 1930's. He is drunk. Is that it, or is there more under the hood here? Karri and Henrik look into a movie that Karri hated as a kid. Now as highly sophisticated and intelligent adults, the duo tries to find out if there's anything worthwhile to be found here. What does the film want to say and can it communicate it effectively? Is following an intoxicated man interesting? Can it be interesting? Are we to feel empathy for the character? Is it hard to feel empathy when one is three sheets to the wind, and if so, what could change that? Is the film about something else than being smashed? The novel is seen as one of the best of the English literature in the 20th century. This is Under the Volcano, the film vs the book. Films covered in this episode: Under the Volcano (1984) Directed by John Huston. Starring Albert Finney, Jacqueline Bisset

Los funerales de la Mamá Grande es una colección de ocho cuentos del escritor colombiano Gabriel García Márquez. La primera edición de este libro data de 1962, cuando fue publicada por la Universidad Veracruzana de Xalapa (México). Los cuentos fueron escritos entre 1959 y 1962 en Colombia, Venezuela y México. Los cuentos que forman parte de esta obra son: La siesta del martes, Un día de estos, En este pueblo no hay ladrones, La prodigiosa tarde de Baltazar, La viuda de Montiel, Un día después del sábado, Rosas artificiales y Los funerales de la Mamá Grande. Si bien se trata de relatos independientes entre sí, tienen algunos rasgos en común. Varios de ellos tienen explícitamente como escenario el pueblo de Macondo, el resto no lo explicita pero hay rasgos que permiten deducir que también ocurren allí. Algunos personajes se reiteran en distintos cuentos. Hay muchos vínculos entre algunos relatos y Cien años de soledad (obra cumbre de García Márquez); además de la ubicación espacial, se nombran algunos personajes de dicha novela, como el coronel Aureliano Buendía y su hermano José Arcadio. En este pueblo no hay ladrones fue llevada al cine por Alberto Isaac en 1965. Participaron de la película (en papeles menores) los escritores Juan Rulfo, Carlos Monsiváis, María Luisa Ortega Suarez, Abel Quezada y el propio García Márquez, además de otras figuras culturales de la talla de Luis Buñuel, Leonora Carrington, José Luis Cuevas, entre otros. La viuda de Montiel sirvió como base para la película homónima mexicana de 1979, dirigida por Miguel Littín, con actuaciones de Geraldine Chaplin, Nelson Villagra, Katy Jurado, Alejandro Parodi y Ernesto Gómez Cruz, entre otros. (Fuente: Wikipedia)

Welcome to Hispanic Heritage month, well we're a day early but you get the idea. We're kicking off with two stories about some really awesome women from Mexico! Kat tells the life story of the influential and inspiring Frida Kahlo. Kaleigh covers another part of the arts with her biography on Mexican and American actress Katy Jurado.Let's talk - contact us!Twitter: @TINAHLpodcastEmail: thisisnotahistorylecture@gmail.comPlease remember to review us on Apple podcasts! That is the number one to help us grow! And remember - each review is one less time Kaleigh falls off her skateboard, (please I'm the one who writes the descriptions and I could really use y'all's help)

Stephen Frears' noir western melodrama came and went without making any significant impact in 1998 and remains unavailable on any streaming source as of this recording. We think it's time this film and it's journeyman director got some renewed attention. “The Hi-Lo Country” serves as our jumping off point to explore Frear's complete filmography. Directed by Stephen Frears. Written by Walon Green. Produced by Martin Scorsese. Starring Billy Crudup, Woody Harrelson, Patricia Arquette, Penelope Cruz, Sam Elliott, Cole Hauser, John Diehl, Darren E. Burrows, Sandy Baron & Katy Jurado. How is the world wrong about this movie? From Andras: At the time it came out, the world ignored The Hi-Lo Country, and lack of availability has kept it obscure to this day, but this film and its soulful performances by so many great stars of the 90's thoughtfully directed by Stephan Frears hearkens back to films like “Giant” and “East of Eden”, as well as Frears' own filmography which we explore in this episode. We're featured on The Pure Cinema Podcast's Patreon channel with Brian Saur & Elric Kane this week. Here's the link: https://www.patreon.com/posts/bonus-world-is-51730149 (We highly encourage you to subscribe to their pod and support their Patreon). And here's the link to view The Hi-Lo Country on Vimeo: https://vimeo.com/562083005 Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

Quien fue Mercedes Montoya o Katy Jurado y cuáles fueron sus proezas?, Acompáñanos a conocer el nombre de la primera mujer profesionista en América latina, comente con nosotros en nuestras redes sociales @tirodopolus y @cassia_fist (también compartanos su opinión respecto a quién considera que es la estrella del programa~traguito de agua ;))

As a metaphor for the Hollywood blacklist and the red scare, High Noon offers us the chance to talk about the House Un-American Activities Committee and how writer Carl Foreman was "ran out of the country". Find out why High Noon is cited by many US Presidents as their favorite film. We also touch on the western genre and the careers of Gary Cooper, Grace Kelly, and Katy Jurado.Where to watch High NoonJohn Wayne's Playboy interview from 1971 (ref. p 18)Where to watch Tokyo Story

In the fourteenth episode of Season 3 (Manifest Destiny) Kyle is joined by musician Boston Stergis and actor Ben McGinley to discuss Marlon Brando's bloated vanity project of mixed ego and mixed genius in the early revisionist, existential, and borderline Freudian One- Eyed Jacks.

We're excited to talk about Marlon Brando's one and only directorial effort, the 1961 western One-Eyed Jacks, starring Brando, Karl Malden, Pina Pellicer, Katy Jurado, Ben Johnson, and Slim Pickens. A notorious production behind the scenes, we delve into its connections to Rod Serling, Sam Peckinpah, Stanley Kubrick, and how it may be the bridge between the Traditional Western and the Spaghetti Western.  If you want to check out this film, we recommend the Criterion Collection (US) / Arrow Video (UK) release, a 4K restoration by Universal Pictures and The Film Foundation, supervised by Martin Scorsese and Steven Spielberg. And if you'd like to learn even more, be sure to check out Toby Roan's book A Million Feet of Film: The Making of One-Eyed Jacks. Thanks for listening and please be sure to rate, subscribe, and check out our other episodes. Also be sure to follow the show on Twitter and Instagram!

Analisamos um dos melhores westerns de todos os tempos, dirigido por Fred Zinnemann e estrelado por Gary Cooper e Grace Kelly.   No episódio #24, o podcast Em Foco analisa um dos melhores westerns de todos os tempos: "Matar ou Morrer" (High Noon, 1952), dirigido por Fred Zinnemann e estrelado por Gary Cooper, Grace Kelly, Katy Jurado, Thomas Mitchell e Lloyd Bridges. O longa é vencedor de quatro estatuetas do Oscar: Melhor Ator (Cooper), Melhor Montagem (Elmo Williams e Harry Gerstad), Melhor Música (Dimitri Tiomkin) e Melhor Canção Original, a icônica "High Noon (Do Not Forsake Me, Oh My Darlin')".   Escrito por Carl Foreman (roteirista vencedor do Oscar por "A Ponte do Rio Kwai" e perseguido pelo Macarthismo), "Matar ou Morrer" tem como protagonista o xerife Will Kane, que justo no momento em que se prepara para se aposentar e partir em lua de mel com sua esposa recebe a notícia de que um antigo inimigo está voltando à cidade para se vingar. Kane pede ajuda dos moradores para enfrentar o bandido, mas ninguém parece disposto a ficar ao seu lado.   No programa, analisamos o uso estratégico da passagem do tempo, a estrutura narrativa emprestada da tragédia grega, as interessantes escolhas estéticas de Zinnemann, a força das personagens femininas, além de trazermos curiosidades sobre os bastidores.   Participam deste podcast: Renato Silveira, Kel Gomes, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”.   “Matar ou Morrer” foi escolhido como tema deste episódio por nossos apoiadores em uma enquete de escolha de pauta. Para esta edição, a enquete contou com curadoria da Ana Lúcia Andrade. A lista de títulos elaborada por ela também trazia “Psicose” (Psycho, 1960), de Alfred Hitchcock, “A Época da Inocência” (The Age of Innocence, 1993), de Martin Scorsese, “O Som ao Redor” (2012), de Kleber Mendonça Filho, e “Estou Me Guardando para Quando o Carnaval Chegar” (2019), de Marcelo Gomes. “Matar ou Morrer” venceu com 33,3% dos votos.   - Visite a página do podcast no site e confira material extra sobre o tema do episódio!   - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!   Quer mandar um e-mail? Escreva seu recado para contato@cinematorio.com.br.   No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema.

Analisamos um dos melhores westerns de todos os tempos, dirigido por Fred Zinnemann e estrelado por Gary Cooper e Grace Kelly.   No episódio #24, o podcast Em Foco analisa um dos melhores westerns de todos os tempos: "Matar ou Morrer" (High Noon, 1952), dirigido por Fred Zinnemann e estrelado por Gary Cooper, Grace Kelly, Katy Jurado, Thomas Mitchell e Lloyd Bridges. O longa é vencedor de quatro estatuetas do Oscar: Melhor Ator (Cooper), Melhor Montagem (Elmo Williams e Harry Gerstad), Melhor Música (Dimitri Tiomkin) e Melhor Canção Original, a icônica "High Noon (Do Not Forsake Me, Oh My Darlin')".   Escrito por Carl Foreman (roteirista vencedor do Oscar por "A Ponte do Rio Kwai" e perseguido pelo Macarthismo), "Matar ou Morrer" tem como protagonista o xerife Will Kane, que justo no momento em que se prepara para se aposentar e partir em lua de mel com sua esposa recebe a notícia de que um antigo inimigo está voltando à cidade para se vingar. Kane pede ajuda dos moradores para enfrentar o bandido, mas ninguém parece disposto a ficar ao seu lado.   No programa, analisamos o uso estratégico da passagem do tempo, a estrutura narrativa emprestada da tragédia grega, as interessantes escolhas estéticas de Zinnemann, a força das personagens femininas, além de trazermos curiosidades sobre os bastidores.   Participam deste podcast: Renato Silveira, Kel Gomes, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”.   “Matar ou Morrer” foi escolhido como tema deste episódio por nossos apoiadores em uma enquete de escolha de pauta. Para esta edição, a enquete contou com curadoria da Ana Lúcia Andrade. A lista de títulos elaborada por ela também trazia “Psicose” (Psycho, 1960), de Alfred Hitchcock, “A Época da Inocência” (The Age of Innocence, 1993), de Martin Scorsese, “O Som ao Redor” (2012), de Kleber Mendonça Filho, e “Estou Me Guardando para Quando o Carnaval Chegar” (2019), de Marcelo Gomes. “Matar ou Morrer” venceu com 33,3% dos votos.   - Visite a página do podcast no site e confira material extra sobre o tema do episódio!   - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!   Quer mandar um e-mail? Escreva seu recado para contato@cinematorio.com.br.   No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema.

"If you're an honest person, you're poor for life."High Noon (1952) directed by Fred Zinnemann and starring Gary Cooper, Grace Kelly, Katy Jurado, Lloyd Bridges and Lee Van Cleef. Next Time: Rio Bravo (1959)

High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, depicted in real time, centers on a town marshal who is torn between his sense of duty and his love for his new bride and who must face a gang of killers alone. Though mired in controversy with political overtones at the time of its release, the film was nominated for seven Academy Awards and won four (Actor, Editing, Music-Score, and Music-Song)[3] as well as four Golden Globe Awards (Actor, Supporting Actress, Score, and Cinematography-Black and White).[4] The award-winning score was written by Russian-born composer Dimitri Tiomkin. High Noon was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant" in 1989, the NFR's first year of existence. An iconic film whose story has been partly or completely repeated in later film productions, the ending scenes especially inspired a next-to-endless number of later films, including but not just limited to westerns.  (Wikipedia) PODCAST NOTES: Senate HUAC parody intro (00:01), Tex Ritter's performance of Dmitri Tiomkin and Ned Washington's 'The Ballad of High Noon' (2:00), Westerns as often 'weird' arty and surreal films and why that is (4:00), 'High Noon' and its popularity with US Presidents (5:30), Glenn Frankel's book on 'High Noon' (6:00), Stanley Kramer's proto-independant film studio (7:00), Why Hollywood was drawn to the Communist party in the 20's and 30's (8:00), HUAC and its processes and procedures (10:30), Studio collaboration with HUAC and the economics of legal defense (13:00), Carl Foreman, screenwriter of 'High Noon' (14:00), John Wayne, Jimmy Stewart, and Gary Cooper as cooperative witnesses for HUAC (16:00), The moment when you realize when a movie is "great" and the realities of watching a movie so regarded as "a classic" (18:30), 'Joker' as a politically fraught movie and similar takedown of the entertainment establishment (20:30), Drinking in Westerns; why shot glasses?? (22:00), Clip from 'High Noon' with Gary Cooper and Grace Kelly (23:00), Please tell us what movie Chris' Final Line comes from (29:00), Fred Zinnemann's career and 'Day Of The Jackal' and 'A Man For All Seasons' and 'Julia' (36:30), Katy Jurado's great performance in 'High Noon' (42:00), Clip of Katy Jurado and Lloyd Bridges in 'High Noon' and the feminist messaging of same (43:00), Katy Jurado and Gary Cooper scene from 'High Noon' (48:00) in which she says "One year without seeing you" in Spanish, to which Gary Cooper replies, "Yes, I know." Columbo Cinematic Universe (56:30), John Wayne's complicated legacy and interesting relationships with many of the makers of 'High Noon; (58:00), John Wayne's Oscar acceptance speech on behalf of Gary Cooper (59:00), 'Rio Bravo' / 'High Noon' and Chris' brilliantly unexpected  'Sweet Home Alabama' / 'Southern Man' analogy (1:01:20), Alternative Casting (1:03:00), Flying Purple People Eater (1:06:30), The Wilhelm Scream and presence  (1:07:10), Headlines (1:09:30), Bomb Squad segment and 'Motherless Brooklyn' recap and 'Last Christmas' starring Emilia Clarke and Henry Golding and Jason stunned by the actual plot twist (1:11:00), Final Lines (01:19:00)   Read Glenn Frankel's fantastic book about the making of 'High Noon' here. 'High Noon' wiki page. Call Full Cast And Crew and leave us a voicemail message:  855-755-5322  

Hablar de las máximas divas de nuestro cine mexicano y en Hollywood solo hay 3 nombres: Lupe Velez, Dolores del Río y Katy Jurado. Esta gran diva mexicana de nuestro cine de oro se rozo con la crema y nata de Hollywood y México. Una mujer de un carácter fuerte,personificando siempre a mujeres femme fatal, manipuladoras, vividoras, traicioneras, malas y una gran villana. . Una mujer que tenia un cuerpo espectacular y que ella misma decía que eso le atraía a los hombres a pesar de no ser muy bella. Símbolo e icono de nuestra cinematografía nacional. Su calidad histórica y su belleza siempre llamaron la atención de productores de México y Hollywood. Divas & Divos del cine mexicano homenajeara a esta diva y mito inmortal de nuestro cine. Desmembrando su paso por Hollywood y sus filmes en México; así como sus amores y su vida personal.

José Eduardo nos lleva por un recorrido histórico en la década de 1950. Elvis Presley, la vida posguerra, Katy Jurado, Carlos Fuentes, Luis Buñuel y Pedro Infante son algunas de las personalidades que visitamos hoy.

We have 90 minutes to record, do or die, no edits. We start with the proto boxer b-movie pic by Robert Wise The Set-Up (1949), a tight, taught thriller around the final fight of a retiring boxer hoping to escape the life in 72 minutes or less. Next up, Gary Cooper has 85 minutes to save his wife, his town and his own soul from the train arriving at High Noon (1952) - a film of infinite allegories. Last up, Christopher Walken gives Johnny Depp 90 minutes to kill a target, can he do it in the Nick of Time (1995)?Also: Cat spoffle. Joe recites poetry. An RKO TKO. Pascal’s Wager. The Battlestar Galactica theme. John Wayne does a stupid. Once Upon a Time in the West (1968). Katy Jurado. Corset dynamics. Were you ever a Nazi? Mm, porridge. 4:3 or letterbox? The American psyche 2: Electric Boogaloo. Joe needs more coffee. Hotel Bonaventure. The Parallax View (1974). Walken on Walken. Snow Crash. Blandy McBlandface or Jim Beige? We play a game of “Oners”.

Entrevista con Katy Jurado 1984 • Katy Jurado en Español. Katy won a Best Supporting Actress Oscar for her work in the 1954 Spencer . Tracy film, Broken Lance. Ms Jurado also won three Silver Ariel awards, the Mexican Oscars, for her portrayals as well as being nominated many more times for Academy Awards. High Noon was a highlight in her international film career

Amy & Paul saddle up and ride through 1952’s archetypal Western, High Noon! They celebrate Katy Jurado’s fierce performance, learn about the ill-advised High Noon sequel, and discover how the film works as an allegory for HUAC-era America. Plus: Henry C. Parke of True West Magazine tells us what makes High Noon stand out in the Western pantheon.  For Apocalypse Now week, call the Unspooled voicemail line at 747-666-5824 and give us a pearl of wisdom using your best Colonel Kurtz impression! Follow us on Twitter @Unspooled, get more info at unspooledpod.com, and don’t forget to rate, review & subscribe to us on Apple Podcasts. This episode is brought to you by Stitch Fix (www.stitchfix.com/UNSPOOLED).

Sure, movie westerns are mostly about dudes on horseback quick-drawing pistols in small, dusty cow-towns, but some of the best films in the genre feature memorable turns by actresses in key roles, like Grace Kelly and Katy Jurado in "High Noon," Angie Dickinson in "Rio Bravo" - and Madeline Kahn in "Blazing Saddles." This week on the show, Josh and the AV Club's Katie Rife share their Top 5 Women in Westerns along with a review of DAMSEL, the oddball new western from the Zellner Brothers ("Kumiko, the Treasure Hunter"), starring Robert Pattinson and Mia Wasikowska. 0:00-2:12 - Intro 2:55-18:56 - Review: "Damsel" 18:56-24:29 - "Damsel" Spoilers Nikki Lane, "Companion" 27:12-33:30 - Next week / Passes / Meetups 33:30-40:39 - Massacre Theatre 42:38-1:22:17 - Top 5: Women in Westerns 1:22:17-1:25:47 - Close Learn more about your ad choices. Visit megaphone.fm/adchoices

Podcast: 22 February 2018 Stories are the master teachers. If we pay attention, we can learn a lot from them. One of the good stories comes from the 1952 western High Noon, a favorite of several US Presidents. In High Noon everybody’s sweating. It’s Judgment Day. We think judgment day is something for another life, but in fact, judgment day comes all the time. And when it comes, you’re exposed and you’re naked. You’re seen for who you really are. In High Noon Judgment day arrives in the form of deranged outlaw Frank Miller. The town Marshall, Will Kane and some deputies arrested Miller a few years back and the judge sentenced him to hang. But he was released up North and now he’s coming back—due on the train at High Noon. What’s Frank Miller come to judge? The town. Society. In particular the men. Are there any men? And are there any women who will demand a correct version of manhood. Will Kane is the man. When he’s married to his pacifist Quaker wife at the beginning of the movie, it’s not “husband and wife,” but “man and wife.” Kane has agreed to hang up his star and move away for a more tranquil domestic life, but that’s because Miller was taken care of. When news reaches the town that he’s coming back, his friends rush him out of the town and say to get going on his new life, and not to worry about Miller. But Kane is a man. And he knows something about his friends back at the town. They say they’ll face up to it. But they won’t face up to it, and Kane knows it.   There’s a problem that needs to be confronted, and nobody else is going to do it, and so he’ll do it. He’s a man. So Kane returns. And people aren’t happy he’s returned. Nobody is. Especially his wife. Amy Kane: "Don't try to be a hero, you don't have to be a hero, not for me!" Will Kane: "I'm not trying to be a hero, if you think I like this you're crazy!" With Kane out of the picture, there was the hope that judgment day could be avoided, and many even preferred Miller to Kane. A man like Kane forces the issue. And many people don’t feel comfortable around him. Kane’s task should be easy. Miller only has three men with him. Kane only needs a dozen men out of hundreds of males in the town to help him. The rest of the movie shows what happens in real time as he sets off to round them up. If you haven’t seen this movie. I don’t want to ruin it for you. I’ve left you most of the movie to see what happens next. But I do want to say something about two of the characters. Kane’s deputy is Harv Pell, played by a young Lloyd Bridges. Of everyone, Harv has a duty to help Kane. But he’s bitter and resentful. When it was learned that Kane was moving away, Harv wanted his job as Marshall, but the town council passed him up for someone else, and Harv thinks Kane didn’t speak up for him. Watch Harv in this movie. He’s important. Kane is his idol. His ideal. But he’s not Will Kane. And it’s very interesting to see how he acts when he’s reminded of it, again and again. Helen Ramirez to Harv Pell: “I’m going to tell you something about you and your friend Kane. You’re a good looking boy. You have big, broad shoulders, but he is a man. It takes more than big broad shoulders to make a man, Harvey, and you have a long way to go." That’s Helen Ramirez played by Katy Jurado, who delivers perhaps the best performance of the movie. She’s a woman who has experience with the world. You can tell that her life has been filled with both mistakes and successes, and she’s learned something from them. And what she’s learned is the value of correct manhood. She knows the difference between false manhood and the real thing, and she knows the value of the real thing. She thinks the man is going to die. And she knows a lot rides on that. Ramirez: “You want to know why I’m leaving? Then listen. Kane will be a dead man in half an hour, and nobody’s going to do anything about it. And when he dies,

Título original High Noon aka Año 1952 Duración 80 min. País Estados Unidos Estados Unidos Director Fred Zinnemann Guión Carl Foreman Música Dimitri Tiomkin Fotografía Floyd Crosby (B&W) Reparto Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Lee Van Cleef, Otto Kruger, Lon Chaney Jr., Henry Morgan, Ian MacDonald Productora Stanley Kramer Productions Género Western. Drama | Sinopsis Will Kane (Gary Cooper), el sheriff del pequeño pueblo de Hadleyville, acaba de contraer matrimonio con Amy (Grace Kelly). Los recién casados proyectan trasladarse a la ciudad y abrir un pequeño negocio; pero, de repente, empieza a correr por el pueblo la noticia de que Frank Miller (Ian MacDonald), un criminal que Kane había atrapado y llevado ante la justicia, ha salido de la cárcel y llegará al pueblo en el tren del mediodía para vengarse. El tiempo va pasando lentamente, pero nadie en el pueblo está dispuesto a ayudar al sheriff.

High Noon is a film that has been analyzed to death in every way conceivable. It tells a straight-forward story of a man who stands up against overwhelming odds to keep his sense of duty intact and to “do the right thing.” It stars Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado and Grace Kelly in her first major film role. Fred Zinnemann directed the film. It won four Academy Awards with “Best Actor” going to Gary Cooper. Do yourself a favor and watch “High Noon” just don’t do any internet research before hand. You’ll lose an hour or more reading about the movie which will not add to the enjoyment of the film (in my experience.)

Mr. and Mrs. North received the first Best Radio Drama Edgar Award from the Mystery Writers of America (in a tie with CBS's Ellery Queen). Also in 1946, producer-director Fred Coe brought the Owen Davis play to television (on New York City's WNBT) with John McQuade and Maxine Stewart in the leads and Don Haggerty, Joan Marlowe and Millard Mitchell repeating their Broadway roles. Barbara Britton and Richard Denning starred in the TV adaptation seen on CBS from 1952 to 1953 and on NBC in 1954. The series was unusual in that it was Mrs North who solved the cases while Mr North was just background most times. Guest appearances on this series included Raymond Burr, Hans Conried, Mara Corday, Carolyn Jones, Katy Jurado, Jimmy Lydon, Julia Meade, William Schallert and Gloria Talbott. Sixteen episodes of the TV series have been released in the "Best of TV Detectives" box set. Mr. and Mrs. North were resurrected in spirit with ABC's Hart to Hart, the 1979-84 crime drama about a wealthy husband (Robert Wagner) and wife (Stefanie Powers) who spent as much time solving murders as romancing each other and pursuing careers as an industrialist and a journalist, played the crime theme with wry wit reminiscent of the Norths in their heyday. TODAY'S SHOW: The Last Escape (04-01-52) and Diamond Noose (08-04-53)