Podcasts about tv writer

In Episode 353 of Airey Bros Radio, we're joined by Mick Betancourt — writer, executive producer of Amazon's Reacher, stand-up comic, and proud former wrestler. From a tough upbringing on Chicago's West Side to breaking through as a Hollywood storyteller, Mick's journey is a masterclass in grit, grace, and getting back up.This episode is packed with raw storytelling, powerful mindset shifts, and behind-the-scenes gems for wrestlers, writers, and working-class dreamers alike.

TV writer of some of our fav shows and Broad City Social Media Manager, Genevieve Aniello, joins Evan and Amelia at Spotify Studios in DTLA for a deep dive into the magic behind Broad City. In this episode, we break down Season 3, Episode 7: B&B-NYC—the iconic Blake Griffin episode where Abbi and Ilana have a wild night, and Abbi secretly hooks up with Trey! Genevieve spills tons of behind-the-scenes secrets about the making of the show, sharing fun insights and never-before-heard details. Plus, with her charming personality, we couldn't resist turning it into a mini LinkedIn coffee chat and asking her about her career journey from GIF maker to TV Writer! It's a #classic #fun episode you don't want to miss! Want to see exclusive Girls Rewatch Bonus Content? Head over to https://www.patreon.com/GirlsRewatchPodcast to be the first to see our latest Podcast Videos & get Patreon Exclusives! Follow our guests on Instagram: @therealgenevievetho Follow the podcast on Instagram: ⁠⁠@girlsrewatchpodcast Follow the hosts on Instagram: ⁠⁠@ameliaplease⁠⁠ ⁠⁠@elazie⁠⁠ For advertising opportunities please email HBOGirlsRewatchPodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey there, everybody! Today on the show, we have a returning guest, Edith Rodriguez. Edith and I first spoke on the pod right after we both landed our first managers in late 2021. Now, we're back and Edith has been in two different writer's rooms and shares her experience! Edith Rodriguez grew up between the sunny beaches of Puerto Rico and cold winters of Wisconsin. She learned early on that if you're going to speak up in a big Caribbean family, you better be able to tell a good story. After years of leading corporate strategy, she left the business world and made the move to Los Angeles to pursue her passion of writing for television. She is a fellow of the Paramount TV Writers Program, Mentorship Matters, and The Gotham. She was most recently staffed on the upcoming 'Dexter: Resurrection' Showtime series and is currently a writer on Matlock Season 2 for CBS. Edith is represented by IAG.  Hope you all enjoy the episode! And don't forget to say something nice that Edith said or something dumb that I said on socials! @SocialWriterPod on IG, Twitter, and Bluesky.

Click Here to ask your book writing and publishing questions!Have you ever sat through a back-to-school night and thought, Wow, this could be a novel? Jordan Roter did—and then she actually wrote it. Moms Like Us (coming May 2025 from Little A) hilariously unpacks the cutthroat social hierarchy of LA moms, complete with all the messy, cringey, and oh-so-relatable moments of motherhood and friendship.In this laugh-out-loud episode, we chatted about:

Jack Ciapciak is a New York based Playwright & TV Writer originally from St. Louis, Missouri. He studied Acting and Playwriting at NYU's Tisch School of the Arts, earning a BFA in Dramatic Writing and the 2017 Goldberg Prize for his thesis play Naming The Dog. In 2022 his fiancé Jack Lorentzen died from an undiagnosed heart condition on Christmas Eve at the age of 30. Jack discusses his experience with grief, hoping to help others in their journey too. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

  Welcome back to the studio.  This is My Day of Play, where you're taken into the real events and actions of how it happens long before the process of editing or cleaning up.  The original purpose of these episodes was to give my broadcasting students something to edit, to practice with and to call their own.  Then I realized that you are just as important.  Share the reality of how it really went.  We begin things with bestselling author Jennifer Probst who has penned out over 50 books.  Our focus was put on how you might be a writer and not know it.  There are ten signs.  Then we'll wrap things up with Deborah Serra who has written numerous tv and film episodes, been published in literary magazines and loves to put her thoughts into the pages of a book. This is My Day of Play.  Completely unedited in the way of meeting the wizard behind the curtain.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Camilla Blackett originally hails from Reading in the UK but is now based in Los Angeles. Camilla started her career as one of the “teenage consultants” writing for the original UK production of Skins before making the move to LA in 2012, where her screenwriting career quickly skyrocketed. Camilla and I have been friends for many years and I thought it would be interesting to share some insight into the life of a successful writer in LA. We discussed why the Hollywood trade union strikes of 2023 set an important precedent for the creative industries at large; how streaming changed the landscape of TV writing; why LA and London offer the ideal dual bases for a creative life, and the advice Camilla gives to anyone hoping for their big break in her industry. - @phoebelovatt @phoebelovattpubliclibrary @thecamillard  

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In this episode of the Open Mic Comedy Podcast, Marc sits down with Neil Ben—a seasoned comedian and prop master—for a fun and insightful chat about his comedy journey. Neil shares how he went from writing sketches for kids' TV to performing stand-up, and why getting instant feedback from an audience is so important to him. Neil talks about the highs and lows of the open mic scene, the art of directing yourself on stage, and how his comedy has evolved to include clever visual puns and quick one-liners. There's also a lot of talk about feedback—giving it, taking it, and using it to grow as a comedian. We discuss the background in writing, directing for some of the biggest channels in TV around the world. Neil also opens up about the challenges disabled comedians face, like accessibility issues in venues, and shares his dream of creating TV stories that feature strong disabled characters. It's a great conversation about the power of comedy to entertain, connect, and to make a difference.   LINKS: Open Mic Comedy Pod: https://www.instagram.com/openmiccomedypod   Neil Ben Comedy: Instagram: https://www.instagram.com/neilben10/ Website: https://neilben.com ————————   Music: https://www.purple-planet.com Voice Over Segment: John Pape - https://www.johnpape.co.uk/

Dennis is joined via Zoom by playwright and TV and film writer Steve Yockey to discuss Steve's latest play, Sleeping Giant, which is playing at the Road Theatre Company in Los Angeles. The play, which is about a group of people dealing with a mysterious lake monster, is Steve's way of exploring authoritarianism, a theme that is even more timely today than it was when he starting writing the play in 2018. Steve talks about his journey as a writer; from making the decision to abandon the business school path in college in order to study playwriting, to getting withering critiques for his first play and not writing for years afterward, to making the transition from theatre to TV. He also talks about the bold and out there pitch he gave for how he would adapt the book The Flight Attendant that won him the job writing the HBO series. And he opens up about the outpouring of love and support he received from fans after Netflix cancelled his most recent show Dead Boy Detectives, after one season. Other topics include: Sharon Stone showing up with a wig she had made to play Kaley Cuoco's mom on The Flight Attendant, why he loves to have spectacle in his plays, why he likes to feature queer characters in his plays and the lesson he has to keep learning over and over again, with each new medium that he goes into. https://roadtheatre.org/

Harvard has launched a Master's program that empowers students to use creative mediums to tackle critical healthcare issues, moving from raw data to emotional narratives that inspire action. Tune in to hear from writer, producer, and program co-director, Dr. Neal Baer, about how this innovative approach is driving change in public health and beyond.References for Our Discussion◼️ Master of Science in Media, Medicine, and Health Program at Harvard Medical SchoolGuest◼️ Dr. Neal Baer, MDHost(s) & Producer(s)◼️ Gordon Thane, BMSc, MPH, PMP®Production Notes◼️ Music from Johnny Harris x Tom Fox: The Music RoomSubscribe to the NewsletterSubscribe to The Insight newsletter so you don't miss out on the latest podcast episodes, live events, job skills, learning opportunities, and other engaging professional development content here.Leave Us Some FeedbackIf you enjoy our podcasts, be sure to subscribe and leave us a rating on Apple Podcast or Spotify, and spread the word to your friends to help us get discovered by more people. You can also interact directly with the podcast episodes on Spotify using the new “comment” feature! We'd love to hear what you think.Send us a Text Message to let us know what you think.

Award-winning TV writer/producer turned novelist Georgia Jeffries spoke with me about why Cagney and Lacey was her film school, teaching screenwriting at USC, and the ghosts, grief, and grievance in her debut novel THE YOUNGER GIRL. Georgia Jeffries is the Emmy-nominated TV writer/producer who became the first individual female screenwriter to earn a Writers Guild Award for Episodic Drama for her work on the ground-breaking series Cagney & Lacey. Her debut is The Younger Girl: A Dark Labyrinth of Family Betrayal, based on a true crime. It was described by bestselling author Rachel Howzell Hall as “...historical fiction at its best. … [and] an eye-opening, immersive story about a family, then and now, nearly stripped bare from greed and the steadfast refusal to acknowledge a painful past.” Jeffries has written docudramas and series pilots for CBS, ABC, NBC, HBO, and Showtime and is a professor at USC's School of Cinematic Arts where she created the first undergraduate screenwriting thesis program at an American university. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Georgia Jeffries and I discussed: Her early years as a journalist How she received rave rejections on her first attempt at a novel Why she based her debut on true events from her family's past The throughline of her quest for justice and love of noir fiction Writing genre-bending historical suspense And a lot more! Show Notes:  georgiajeffries.com The Younger Girl: A Dark Labyrinth of Family Betrayal by Georgia Jeffries (Amazon) Georgia Jeffries on IMDb Georgia Jeffries on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a continuation from a conversation that took place on the Hall of Justice podcast episode 395. In that episode, Ken Levine detailed his illustrious TV writing career that included writing for MASH, Cheers, Frasier, the Simpsons, and countless others. In that episode, there was no discussion of what this episode is about. While he was writing Cheers and Frasier, Ken Levine was ALSO a Major League Baseball play-by-play announcer. Levine called games for the Baltimore Orioles, Seattle Mariners, and San Diego Padres. In this episode recounts in great detail how this successful television writer began calling games into a tape recorder at Dodgers Stadium. That activity morphed into a couple of minor league gigs, which in turn became opportunities in the big leagues. While the entire story is fascinating, this podcast also contains amazing stories about Ken Griffey Jr., Tony Gwynn, and Cal Ripken, Jr. Still, the best stories involve Tom Hanks and Ted Danson, who played former Red Sox pitcher Sam Malone on Cheers.

Click Here to ask your book writing and publishing questions!What happens when a seasoned television writer known for his work on irreverent comedies such as Beavis & Butthead, Just Shoot Me, and King of the Hill takes a leap into the author world? In this episode, Michael Jamin reveals the more personal and vulnerable side of his writing through his release of A Paper Orchestra. From navigating the intricacies of the TV industry to exploring the art of storytelling and the decision to self-publish, Michael offers an unfiltered glimpse into the realities of a creative career.Michael candidly discusses the contrast between writing for TV and writing for oneself. His reflections on creativity, inspired by authors like David Sedaris, offer insight into the importance of staying true to oneself in a world full of (neverending) expectations.You'll also hear about the joys and hurdles Michael experienced with the self-publishing process, including the role of social media in building an audience (as well as what led to his decision to abandon his quest for a traditional publisher). Is 2025 the year you start your own podcast? Let's make it simple!Get 35% off the Podcast Starter Pack with code PODCAST35 at https://publishaprofitablebook.com/podcast101"I got my podcast launched in 3 days thanks to this great mini-course!"--Dr. Diana Naranjo, The Characterist podcast host Your readers are waiting! Let's get your book published! PublishAProfitableBook.com/Publish (use code AUTHOR25 for 25% off!)Write the Damn Book Already is a weekly podcast featuring interviews with authors as well as updates and insights on writing craft and the publishing industry. Available wherever podcasts are available: Apple PodcastsSpotify YouTube Let's Connect! InstagramWebsite Email the show: elizabeth [at] elizabethlyons [dot] comThe podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores.To see all the ways we can work together to get your book written and published, visit publishaprofitablebook.com/work-with-elizabeth

 The stories that resonate often do more than entertain, they can inspire change and save lives.Tune in to hear how this physician and TV writer/producer uses well-crafted stories in some of his shows like ER and Designated Survivor to tackle complex issues such HIV treatment, access to insulin, exploding healthcare costs, and growing social inequities.Guest◼️ Dr. Neal Baer, MDHost(s) & Producer(s)◼️ Gordon Thane, BMSc, MPH, PMP®Production Notes◼️ Music from Johnny Harris x Tom Fox: The Music RoomSubscribe to the NewsletterSubscribe to The Insight newsletter so you don't miss out on the latest podcast episodes, live events, job skills, learning opportunities, and other engaging professional development content here.Leave Us Some FeedbackIf you enjoy our podcasts, be sure to subscribe and leave us a rating on Apple Podcast or Spotify, and spread the word to your friends to help us get discovered by more people. You can also interact directly with the podcast episodes on Spotify using the new “comment” feature! We'd love to hear what you think. Send us a Text Message to let us know what you think.

How accurate are the social, health, and political issues you see on TV shows and what kind of impact do they actually have in the real world?Tune in for a discussion with Dr. Neal Baer, award-winning writer, producer, and showrunner of popular TV shows like ER, Law and Order: Special Victims Unit, Under The Dome, and Designated Survivor.  Guest◼️ Dr. Neal Baer, MDReferences for Our Discussion◼️ Master of Science in Media, Medicine, and Health Program at Harvard Medical School◼️ Let's Talk About It: Neal Baer | Inside the Industry Interview◼️ IMDB Page◼️ Wikipedia Page◼️ Interview with Neal Baer◼️ The Impact of TV's Health Content: A Case Study of ER ViewersHosts & Producers◼️ Gordon Thane, BMSc, MPH, PMP®◼️ Leshawn Benedict, MPH, MSc, PMP®Production Notes◼️ Music from Johnny Harris x Tom Fox: The Music RoomSubscribe to the NewsletterSubscribe to The Insight newsletter so you don't miss out on the latest podcast episodes, live events, job skills, learning opportunities, and other engaging professional development content here.Send us a Text Message to let us know what you think.

Dr. Steven Pritzker, the Creativity Professor, TV Writer, and Co-Editor-in-Chief of the Encyclopedia of Creativity, joins the show to share his journey from writing for The Mary Tyler Moore Show to teaching college students how to stay creative. Hear what makes a great writers' room, why creativity is important for entrepreneurs, how to think outside-the-box, how to create a long creative work, and how creativity has changed over the years

Singer Jimmy Osmond reflects on his 50-year career, shares memories of his mentor Andy Williams, and the lessons he's learned along the way in this GB Classic interview.

Ever wonder why some movies and TV shows are so powerful and gripping? What makes for a deeply compelling story? Why George Clooney is so popular? Listen as Neal Baer, Hollywood TV writer and producer extraordinaire, talks about the craft and magic of storytelling in a way that will benefit almost everyone — including you.

This week we are joined by one of television's best comedy writers Dave Mandel (SNL, Seinfeld, Veep) to discuss an unproduced episode of The Odd Couple for which we have obtained an official script from 1973.  It is a Thanksgiving episode and would have been for the 4th season to air in November 1973.    We start by discussing Dave's history with The Odd Couple and how it influenced his TV writing. We then get into the script itself and -- spoiler - it  is not very good so we discuss in depth why it doesn't work and how it maybe could have become a workable episode. We also start going into it line by line but that is too painful ultimately so we summarize the last few acts.  We also discuss why The Odd Couple had no traditional holiday episodes after S1 like so many of its fellow sitcoms did during the 1970s. If you want to get a dropbox link to the script to read it for yourself please email us at 1049pod@gmail.com

Our featured dead pilot this month is Mr. Macho, written by Al Madrigal. You might know Al from his stand-up, his time on The Daily Show, or his many TV and film appearances over the years. His autobiographical, focuses on a man struggling with his cultural identity and his place in a newly gentrifying neighborhood. The project was supervised by Chris Harris (How I Met Your Mother) and was set up at CBS with CBS Studios attached to produce. It's an incredibly funny pilot that we know you're going to love.Mr. Macho stars Al Madrigal, Sherry Cola (Joy Ride), Julio Macias (On My Block), Marc Evan Jackson (The Good Place), Rachael Harris (Suits, Lucifer), Melissa Villaseñor (SNL), and Andrew Reich providing stage directions.TICKETS TO OUR LIVE SHOW ON 11/17Link to ticketsOur November 17 show will feature scripts by John Enbom (co-creator, Party Down) and Brendan Scannell (Loot) & Amy Reed (Diary of a Future President).Cast includes:Martin Starr (Party Down, Spider-Man)Ryan Hansen (Party Down, Veronica Mars)Olivia Liang (Kung Fu)Chris Witaske (The Bear)Anna Seregina (The Civil Dead)…and more to be announced!For more information about Dead Pilots Society and to listen to past episodes featuring John Hodgman, Emerald Fennell, and many others, visit: https://maximumfun.org/podcasts/dead-pilots-society.

This week on the blog, a podcast interview with TV writer Phoef Sutton on writing for Cheers, the best way to replace characters on a show, and why it's not a bad idea to keep your mouth shut.LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Phoef Sutton Website: https://phoefsutton.net/Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcast***TRANSCRIPTI understand that you wrote and acted in plays in high school and in college. Was that always the goal to be a writer or was acting a goal? Phoef Sutton: Well, yeah, acting was a goal. When I came out here, I sort of thought I wanted to be a writer or an actor. And I decided I could only take getting rejected in one field at a time. And I thought getting rejected as a writer was more pleasant, because they don't do it to your face. I just didn't get any traction as an actor. I'm really glad that I did it when I did it, because it's very helpful for a screenwriter or television writer to have acted—to have known what it's like to be on the stage and to have to say the words. I can communicate with actors, I think, a little bit better than a lot of other showrunners who've just been writers. Because I know what it's like. I can understand that. And also, I think I learned—maybe from being an actor or being around actors—I learned how to write for particular people. I mean, when I know a person and I know their voice and I know what they feel. I could write for Treat Williams. I could write for Bob Newhart. I could write for Brian Dennehy. They have different cadences, different ways of speaking. Ted Danson, Kelsey Grammer, Woody Harrelson. And I was able to do that. So that stood me in good stead. And also, being a playwright, I mean, there aren't very many writers who start as playwrights nowadays. I think, just because there isn't really much theater in this country, or at least not in this city anyway. And I was in plays I wrote, too, so, I mean, there you have nobody to blame but yourself. You can't say, “Who wrote this shit,” or, “That actor screwed it up.” And the first thing that I did professionally—aside from some plays in regional theaters, where I got paid a stipend—was Cheers. And that was basically a play: the entrances, exits, one set, all that. And all the actors were theater actors. It was a play. They do stage plays of various sitcoms over the years. They've done The Golden Girls and all that. And I'm surprised they haven't done one of Cheers, because it's a play. And that set, that beautiful set, which was designed by Richard Sylbert, who did Chinatown and all sorts of other movies. Who's Afraid of Virginia Woolf. It was a beautiful set. It was a beautiful set. So many episodes of Cheers were just on the set. I mean, we're just on the bar, never left the bar. Never even changed days, because we found that when we filmed in front of an audience on Tuesday nights—and we filmed pretty much the whole thing in front of an audience—we found that (this was later on in the run), we found that when we would have them change their costumes to be a day later, you could never get them (the actors) back. They would go to the dressing rooms, they would start playing foosball, smoking pot, and you could never get them back. So, there are plenty of episodes of Cheers that take place in one day that couldn't possibly have taken place in one day. But we just figured, we don't want to do the costume changes. I remember hearing an interview with (director) Jim Burrows where he talked about Norm's entrance in the pilot. And he said he felt bad for the writers, because in the blocking, he put Norm at the far end of the bar. Which meant every time Norm came in, you guys needed to write a joke to get him across the room.Phoef Sutton: Well, it was one of the trademarks of the show. And so, it was good in that sense. But yes, and everyone had to top the one before. At first, there were very simple jokes. But then they had to be, you know, very complex jokes or philosophical jokes.We would go to great lengths not to have Norm enter; we would have Norm there at the beginning of the show. We didn't want to deal with it. I wanted to do an episode where they put in a new parking meter in front of the place. So, he had to constantly go and feed the meter. So, there would be like ten Norm entrances in it. And people wanted to kill me for doing that. Let's just back up real quick here. I want to talk about your playwriting, because I know you had sort of a learning experience, you got an understanding of how the business works with your play Burial Customs. About how things look like they're going to happen. And then they don't happen. Phoef Sutton: I was just out of graduate school at the University of Florida, and I moved to New York for a brief period of time. I couldn't really get in, couldn't get an apartment, couldn't get a job. But there was a brief period of time when Ulu Grossbard, who was a big director, wanted to direct that play. And it was very exciting. If I'd known more about the business, I would have been more excited [LAUGHS] because he just done Crimes of the Heart on Broadway. And he was really, really big and he was really into the play. I went to his office on—I don't know, on Times Square or something like that, I don't know where it was—but I felt like I was a part of the Broadway scene. And then he just sort of lost interest and it went away. And that sort of thing happens over and over and over again with people in the business. Even if you're very successful, there are millions of times when things look like they're going to be great and then they fall apart. And my initial reaction to that was to say, “I'm not going to get excited about anything until it's real. Until it's really happening.” So that if I sold a script, a pilot script, I wouldn't get excited until they agreed to make the pilot. And then when they did the pilot, I wouldn't get excited until it was on the air. And then when it was on the air, I wouldn't get excited until it lasted. And then I realized that I was putting myself in a position where I never got excited about anything. So, then I changed my attitude to get excited about every little victory of what comes on. I was right to be excited about Ulu Grossbard doing the play. It was a wonderful opportunity. It didn't pan out. There was nothing wrong with being excited. You know, you aren't punished for being excited about something that doesn't come to the ultimate conclusion. I mean, even when we won our Emmys for Cheers, I basically wouldn't be excited, because I would think, “Well, I've got to go back there tomorrow and do it again.” So now I allow myself to be excited about things.That's a very good lesson to learn. To find that balance.Phoef Sutton: It's a hard lesson to learn. So, what happened with playwriting that got you into TV writing? What was that connection? Phoef Sutton: I wanted to write for movies. I wanted to write for movies and I wanted to write for television. I wanted to write for theater and I wanted to write books. I wanted to be a writer. I wanted to be a writer, in one form or another. So, as I said, I couldn't get into New York. I couldn't get a job, couldn't get an apartment. And in LA, I had a relative that I could stay with. And my brother was with the Crown Books chain. So, I knew I could get a clerk job at a Crown Bookstore. I knew I could get a job. So, I moved to LA with my then fiancé. And I just wrote plays, wrote screenplays. I had a friend from college, Barbara Hall, who was on Newhart at the time. She's since gone on to do everything. She did Madam Secretary and I'll Fly Away and all that. And so I wrote a spec Newhart (script), because she was on Newhart. And that was what got me the freelance Cheers job. I didn't know anything about writing for television. I didn't know anything about writing with a group, writing with a room. I was a very private writer, wrote by myself, didn't talk to anybody about what I was writing until it was done. So, I had to learn all that stuff. I had to learn how to pitch. I had to learn how to pitch in the room during the rewrites. It was really my graduate school, Cheers. And it was a good graduate school, because obviously there were the best writers in the business on that show. So, you're learning from some really, really good people.Phoef Sutton: Absolutely. Absolutely. Absolutely. And it was very tense. It was very stressful. It was a hard room. Why was it hard? Phoef Sutton: Well, because you had to be funny. You had to be good. You had to say the right thing. You had to do it. I mean, there were long silences in the room, where people were thinking and crafting and doing stuff, and trying to do it. I didn't speak for the first six months in the room, I think. And I think that was probably a good choice. Because the year I joined the staff, two other writers joined the staff too. And I was the only one who made it all the way through the year. They were both let go. And I think part of the reason was that I knew my place. [LAUGHS] I didn't talk first. And then I would try a few jokes and they got laughs. I would try a few more jokes and they would get laughs. And then before you know it, you're doing it and you're just in the zone. It's a difficult thing to describe. Were you breaking stories as a group? Phoef Sutton: Yeah. Oh yeah. Every story on that show was broken as a group. We never came in with a story. At the beginning of each season, Glen and Les (Charles) would come in and we would talk about what to do. And it was very clear that they hadn't thought about it for an instant over the break. And everything was, you know, what do we do? What do we do? What do we do? And nobody—no freelancer, no staff writer, no producer—nobody ever came in and said, “I've got a story,” and pitched it. Everything was pitched in the room. And when a story is being pitched and formed and all that sort of thing, at some point—in the early stages—you would get assigned it or another writer would get assigned it. That was the way it worked.What did you learn about story in that process? Phoef Sutton: Well, I mean, you learned everything. I mean, obviously the stories for a sitcom, particularly a sitcom like Cheers, are fairly simple: There's a problem that's presented. Halfway through, it takes a turn and then it's resolved. [LAUGHS] And usually—for the first five years of the show—it's getting resolved involved something to do with Diane, because she was pivotal. But I think more what I learned was that when you're first a writer and you write something—and it's good, it's bad, whatever—you generally think, “Well, that's it, that's what it is, and I can't come up with anything else. That's what it is.” And when people give you notes or object to it, you resist the notes. And the main reason you resist the notes, I think, is that you can't think how to change it. You can't figure out anything different. And I just learned very early on that there's always a different way to do something. Anything, anything. Nothing is perfect. Everything—always—has a different way to go. There's always a different way to look at it. Always a different approach to take to it. And maybe that approach won't be better. Maybe it'll be a linear move. Maybe it'll be worse. On Cheers, it was almost always better. It almost always got better. I'd say it always got better in the room.Cheers is well known for—unlike other series where major cast members left—you guys handled it better than anyone ever. Do you have any idea what was the magic powder that made it work where you guys did it? Phoef Sutton: Well, there were a couple of things. First of all, the cast always changed. The cast was always changing. It was never the same. I mean, there were the people who were replaced, left and were replaced. But there were also the people who came in. Frasier, Lilith. One of the reasons the show lasted as long as it did was that when you were writing, if you were writing year eight, it was a way different show from when we were writing year three. A very different cast. I'd say the biggest thing that I learned—and I got to do this, because on Chesapeake Shores, we lost the star of the show too, and I had to replace him—was just to make the character as different as possible from the one you're replacing. So that nobody thinks, “Oh, this guy isn't as good as that guy,” or, “This girl is not the same thing as that.” When Coach died and they brought in Woody, there was still the dumb aspect of him. But in general, he was a very different character. He was a young character. He was a naive character. He was from the Midwest. Whereas Coach had been from Sam's life, and he was a ball player, and he was kind of old and kind of brain damaged from getting hit in the head with balls. And they were very different. When Rebecca came in, they made her a completely different character. And one of the reasons they were able to do that was, I think, just luck. Because they had the character of Frasier. And so much of the show was the intellectual versus the blue-collar type people. And Frasier was able to take that on. He had already taken it on from Diane, but he was able to take that on entirely. So, the new character didn't have to be an intellectual type, snobby type. What was originally intended was a hard-nosed businessman who clashed with Sam. It didn't actually turn out that way. She turned out to be more of a basket case, but that was because of the actress and playing to the actress's strengths. And that, I think, is the main thing I learned from that. Because really, when Diane left the show, the show had been on for five years, which is the run of most shows. No show had really survived the loss of its star and she really was the star. I mean, she was the pivotal point of every episode. She was the one, the audience was coming into the bar and seeing it through her eyes. Ted was certainly the costar, but she was really the focal point of the show. So, when she left, we were really scared. We did not know whether it was going to work. And the show shifted then, because it became much more of an ensemble show, because Kirstie—although she was a wonderful actress—she wasn't quite the dominant force that Shelley Long had been. The show really became about Sam and the bar. It had been moving that way already, but it became that way. If you were to describe the show when it first started, it would surely have been: it's a love story between Sam and Diane and will they get together or not? And then it became a show about a bar, about the patrons of a bar and their lives. I think there's a really good lesson in your story about your first year on Cheers, where you didn't say much, and you just absorbed. Phoef Sutton: I think the world would be greatly improved if people didn't say so much. People talk way too much. You know, there's that old saying, I don't know who said it, Mark Twain or whoever: “Better to be silent and thought a fool than to speak up and prove it.” Just don't talk. [LAUGHS] Just take it in. Be the strong, silent type. [LAUGHS]

Dennis is joined via Zoom by television writer Stan Zimmerman to talk about his memoir The Girls: From Golden to Gilmore, which documents his career working on such iconic shows as Roseanne, The Golden Girls and Gilmore Girls as well as The Brady Bunch Movie and A Very Brady Sequel. In this first part of a two-part interview, Stan talks about his midwest upbringing and how his mother bought him the ballet shoes he wanted behind his father's back. He also talks about meeting his longtime writing partner Jim Berg, why they work wll together and how they landed a gig on the first season of The Golden Girls when they were still in their 20's Stan also recalls feeling like he had to stay in the closet on that job but feeling like he had an ally in Estelle Getty. He talks about the culture of fear that was so common in TV writers rooms in those days and expresses hope that things are better today. He also talks fondly about working with director Betty Thomas on the first Brady Bunch Movie as a punch-up writer and feeling like his contribution was finally being properly appreciated...only to end up without a screen credit thanks to an old WGA rule. He also recalls Bea Arthur being concerned that the Golden Girls writing staff was too young, Rue McLanahan being extra funny when she said words ending in E-R, and the eyebrow raising thing Betty White would do when Estelle Getty flubbed her lines. Other topics include: the warm fuzzies Stan gets when he talks with Golden Girls fans, suggesting RuPaul for that cameo in The Brady Bunch Movie, Pia Zadora's giant cell phone and how when it comes to a career in entertainment, it's all about perseverance.  

FULL 4K VIDEO INTERVIEW: https://www.talktimelive.com/ttl-exclusive-videos   TALK TIME LIVE EXCLUSIVE with MARVEL | DC COMICS | TV writer, executive producer, and showrunner Geoffrey Thorne. Long-time vet Geoffrey Thorne is back once again to talk about his latest work on the all-new X-FORCE comic for Marvel Comics and what's in store for this latest version of the mutant group.   Be sure to check out this as we discuss this series and much more.

Jameel Saleem talks about building his career in television and film as a writer and producer on shows such as, South Park, Bob's Burgers and Dishenchantment.

Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist 

In this episode of No Dumb Questions, we dive deep into the world of TV writing and what it truly takes to make it in Hollywood. As someone who's always been captivated by the entertainment industry, today's topic is particularly exciting for me. And to make it even better, we have an extraordinary guest who's worked on incredible shows like Loot and Superstore—plus, she's collaborated with comedy royalty like Maya Rudolph! Today, I'm thrilled to introduce you to Vicky Luu —an incredibly talented writer and producer in her own right. This episode feels especially personal because Vicky is not only a powerhouse in Hollywood, but she's also my partner Ray's older sister ;) We're going to explore Vicky's journey from her early days as a Production Assistant on shows like Family Guy and the 90210 reboot, to her rise as Co-Executive Producer of hit series like Superstore and Loot. Over the past two years, I've come to see just how humble and down-to-earth Vicky is, despite her quiet success. She's truly one of the most genuine people I've met in this industry. So, let's give a warm welcome to Vicky Luu!

Ryan Raddatz is a Los Angeles-based TV writer and producer who has worked on numerous broadcast sitcoms and kids shows including: The Neighborhood on CBS and WordGirl on PBS. And he's developed more than a dozen pilots at various networks. Ryan won two Daytime Emmys for his writing on WordGirl and another three for his work on the Ellen DeGeneres Show. Before writing and producing, Ryan made a living as an actor and composer while failing to make a living playing in indie-rock and bluegrass bands. Ryan Raddatz on IMDB https://www.imdb.com/name/nm1347221/

This week, host Ronald Young Jr. talks to Mike Gauyo, a TV writer and creator whose credits include the beloved series Insecure and Ginny and Georgia. In the interview, Mike shares his process for thinking of new ideas for shows, refining those ideas over time, and pitching them to industry gatekeepers. He also talks about being from an immigrant family, initially studying medicine, and the events that prompted him to pivot to writing.  After the interview, Ronald and co-host Isaac Butler discuss best practices for pitching a podcast, and Isaac refers to this episode of Working Overtime about pitching print stories to editors.  In the exclusive Slate Plus segment, Mike talks about what it was like to join the writers' room of Insecure as a fan of the show.    Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Ronald Young Jr. talks to Mike Gauyo, a TV writer and creator whose credits include the beloved series Insecure and Ginny and Georgia. In the interview, Mike shares his process for thinking of new ideas for shows, refining those ideas over time, and pitching them to industry gatekeepers. He also talks about being from an immigrant family, initially studying medicine, and the events that prompted him to pivot to writing.  After the interview, Ronald and co-host Isaac Butler discuss best practices for pitching a podcast, and Isaac refers to this episode of Working Overtime about pitching print stories to editors.  In the exclusive Slate Plus segment, Mike talks about what it was like to join the writers' room of Insecure as a fan of the show.    Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Ronald Young Jr. talks to Mike Gauyo, a TV writer and creator whose credits include the beloved series Insecure and Ginny and Georgia. In the interview, Mike shares his process for thinking of new ideas for shows, refining those ideas over time, and pitching them to industry gatekeepers. He also talks about being from an immigrant family, initially studying medicine, and the events that prompted him to pivot to writing.  After the interview, Ronald and co-host Isaac Butler discuss best practices for pitching a podcast, and Isaac refers to this episode of Working Overtime about pitching print stories to editors.  In the exclusive Slate Plus segment, Mike talks about what it was like to join the writers' room of Insecure as a fan of the show.    Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Ronald Young Jr. talks to Mike Gauyo, a TV writer and creator whose credits include the beloved series Insecure and Ginny and Georgia. In the interview, Mike shares his process for thinking of new ideas for shows, refining those ideas over time, and pitching them to industry gatekeepers. He also talks about being from an immigrant family, initially studying medicine, and the events that prompted him to pivot to writing.  After the interview, Ronald and co-host Isaac Butler discuss best practices for pitching a podcast, and Isaac refers to this episode of Working Overtime about pitching print stories to editors.  In the exclusive Slate Plus segment, Mike talks about what it was like to join the writers' room of Insecure as a fan of the show.    Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Ronald Young Jr. talks to Mike Gauyo, a TV writer and creator whose credits include the beloved series Insecure and Ginny and Georgia. In the interview, Mike shares his process for thinking of new ideas for shows, refining those ideas over time, and pitching them to industry gatekeepers. He also talks about being from an immigrant family, initially studying medicine, and the events that prompted him to pivot to writing.  After the interview, Ronald and co-host Isaac Butler discuss best practices for pitching a podcast, and Isaac refers to this episode of Working Overtime about pitching print stories to editors.  In the exclusive Slate Plus segment, Mike talks about what it was like to join the writers' room of Insecure as a fan of the show.    Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of Promising Young Surgeon, we explore the fascinating and multifaceted career of Dr. Anthony Chin-quee. From his beginnings as an otolaryngologist to his current roles as a television writer and memoir author, Dr. Chin-quee shares his unique journey and the lessons learned along the way. We discuss his work on shows like Grey's Anatomy and The Resident, the challenges of medical residency, and his critically acclaimed memoir, "I Can't Save You." Join us for an enlightening conversation about resilience, creativity, and the power of storytelling.ResourcesI Can't Save You: A Memoirhttps://www.amazon.com/I-Cant-Save-You-Memoir/dp/0593418883 Xhttps://x.com/cq__md?lang=en Instagramhttps://www.instagram.com/wheyouat/?hl=en 00:00 – Cold Open00:34 – Intro to Anthony Chin-quee04:25 – Why Medicine?17:00 – The Conveyor Belt46:50 – Writing for Television56:14 – Do You Believe in Karma?56:56 – Where to Find Anthony Interact with the podcast! Email me at pys@heyinfluent.com to ask questions. We would love to hear from the Promising Young Surgeon audience.Promising Young Surgeon is sponsored by Pattern. Discover why more than 20,000 doctors trust Pattern to shop for disability insurance. Request free quotes in 5 minutes. Compare policies with an expert. Buy with confidence. LINK: https://www.patternlife.com/promising-young-surgeon?campid=349433Subscribe, tune in, and join the conversation as Dr. Hardin and her guests tackle the pressing issues facing today's medical professionals and ponder how to nurture a more compassionate and sustainable healthcare environment. Connect with Frances Mei:https://linktr.ee/francesmei.md https://rethinkingresidency.com/about/Find More info on this series and other podcasts on the Influent Network at HeyInfluent.comFollow the Influent Network on Social Media:LinkedIn | Twitter (X) | YouTube | TikTok | Instagram | Facebook The Influent Network is where emerging healthcare professionals and esteemed medical experts converge. Our platform is a straightforward resource for career development, financial planning, practice management, and investment insights, designed to foster strong professional connections. Powered by Hurrdat MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We sit down with lead genre writer Joseph Mallozzi, best known for the Stargate SG-1 and Dark Matter space opera epics.   Joseph gets to talk about different writer's rooms, production meeting norms, writing for cartoon shows earlier in his career, different creative freedoms and embracing the fandoms.   I also surprise him to now that his older show The Country Mouse and the City Mouse Adventures is now streaming on Tubi so don't miss out on this sitdown!     MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

Dave and Ethan welcome Kevin Healey, the co-writer of Weird Al's 1996 Disney Channel special, "Weird Al" Yankovic: There's No Going Home. Now a seasoned television producer known for his extensive work with Kevin Hart and prank TV shows, Kevin shares how he was chosen to write the special, the process of writing with Weird Al, and how Ed McMahon wasn't originally part of the special. Plus Matthew Kelly of the Weird Al-Gorithm Podcast pops in to talk about the panel Dave and Ethan are joining him on at San Diego Comic-Con! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2024 | Dave & Ethan's 2000" Weird Al Podcast

Are you considering giving up on your Hollywood Dream? In this episode, we talk with TV Writer's Zimran Jacob and Naiem Bouier about their journeys to Hollywood and the crazy things that make a writer want to pack up and move back home or the things you've learned that make you realize how much more creative and affective you could be if you said "F-Hollywood, I'm gonna be my own boss!" A super fun conversation for all of you to dig into! Our Motto:"We keep it GAME all day!" NEW WEBSITE: www.screenwritersrantroom.com For information, merch (t-shirts & hoodies), and all things Rant Room! Follow, subscribe, like, share & 5-star review! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social mediaIG: @ScreenwritersRantRoom Guests: @NaiemBouier@therealzimshady WE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support! SCREENWRITER NETWORKS: OBSwriter.com BTFC.org Send in a voice message: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/message Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCASTS WE SUPPORT: 2 Writers Talkin Shit:https://podcasts.apple.com/us/podcast/2-writers-talking-shit/id1671253747 Hollywood Confessional: https://podcasts.apple.com/us/podcast/hollywood-confessional/id1628848064?i=1000630276175 The Qube & Queer News: https://podcasts.apple.com/us/podcast/queer-news/id1595777135 A Conversation With Floyd Marshall Jr:https://podcasts.apple.com/us/podcast/a-conversation-with-host-floyd-marshall-jr/id1544499834 THEME SONG: Jack Spade WEBSITE: Abigail Bloom & Laura Huie Tyler Musikanth, Brooke Baltimore LOGOS: Rachel Musikanth RANT ROOM TEAM: Richard Scott - Creative Producer Tyler Musikanth - Associate Producer Brooke Baltimore -Marketing Togo - Marketing --- Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support

In this episode, Lynn and Christie chat with Jenny Yang about her upbringing as a Taiwanese-born, Los Angeles-raised overachiever. They discuss her obsession with the wellness industrial complex; coping with burnout and depression; ambition; her transition from politics to a creative career; and how she located her Self and values along the way. Named one of Variety's "Top Ten Comics to Watch" and New York Magazine/ Vulture's "Comedians You Should Know," comedian Jenny Yang tours her unique blend of personal storytelling and social commentary through her standup comedy and hit monthly stage show SELF HELP ME, a competitive self-care comedy show. She has been featured at Just For Laughs Montreal, headlined at San Francisco Sketchfest, and has shared the stage with such legendary comedians as Maria Bamford and Margaret Cho. As an actor, Jenny stars opposite Michelle Yeoh as XING in the Netflix action comedy-drama series, The Brothers Sun. She also voices Carissa, Beef's love interest, on Fox's The Great North. Her perspective as a food-obsessed, former labor organizer, and Asian American community activist working in comedy and entertainment is a sought-after voice in media projects covering the most pressing political and cultural issues of the day. Taiwan-born and Southern California-raised, Jenny was honored by President Obama as a “White House Champion of Change” for her leadership in “Asian American and Pacific Islander Art and Storytelling." Jenny has lived in Taiwan, Japan and Chile, speaks Mandarin Chinese and Spanish, and can curse you out in Korean and Japanese. Subscribe to her Substack newsletter “everything's fine with Jenny Yang” for stories and essays to find joy in an unjust world. Find her online at jennyyang.tv and on all social media at @jennyyangtv.

STEVE HARPER's TV writing includes Co-Executive Producer duties on Tracker and Stargirl and episodes of God Friended Me, Tell Me Your Secrets and American Crime. His web series SEND ME earned a 2016 Emmy Nomination for series lead Tracie Thoms. As an actor he's appeared onstage at The Guthrie, and the Kennedy Center and on TV in Law & Order: SVU and 90210. Through his company Your Creative Life he coaches writers, posts advice on YouTube and co-hosts The Secret Writer Podcast - heard in 18 countries. He graduated from Yale, the A.R.T. Institute at Harvard and the Juilliard playwriting program. Coaching website: www.yourcreativelife.com Website: www.harpercreates.com Harper Creates twitter: https://x.com/harpercreates Your Creative Life twitter: https://x.com/yourcreatvlife Podcast: The Secret Writer Podcast: https://www.buzzsprout.com/2086784 YouTube: https://www.youtube.com/@TVsteve65/featured Instagram: https://www.instagram.com/creating4good/ Connect with your host Kaia all Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1 Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Conversation with the hilarious Jen Butler. Jen is a comedy writer, comedic inspirational speaker, and social media sensation. She has gone viral across her platforms for her Avoidance Journey and Rejection Journey. She is inspiring others to turn the things they are avoiding into a “game” and the results are incredible. Jen's IGJen's TikTokJen's EtsyJen's PatreonJen's Insight TimerColoring BookEnd of Scene Pitch VideoGoal-Ephant PDFToilet Succulent PlantInsight Timer talk about seeking out rejection as a hypersensitive personSoul Slumber Party Soul Slumber Party InstagramSoul Slumber Party TikTok  Soul Slumber Party Facebook Karen Disapproves Karen Disapproves InstagramKaren Disapproves TikTok Show Inquiries soulslumberpartypod@gmail.com

Hot George Summer continues! TV writer Mamoudou N'Diaye (Space Force, Shape Island, How To Die Alone) joins Tim and Jim in a discussion of Akira Kurosawa's 1958 classic, The Hidden Fortress and its impact on Lucas in the creation of Star Wars! Brought to you By: The Sonar Network https://thesonarnetwork.com/

Join hosts J.D. Barker, Christine Daigle, and Jena Brown as they discuss the week's entertainment news, including Penguin Random House dismissing two of its top publishers, why Scarlett Johansson is angered over a new ChatGPT voice, and A24 striking a deal with publishing house Mack. Then, stick around for a chat with author Michael Jamin! Michael Jamin has been writing for television since 1996. His many credits include Just Shoot Me, King of the Hill, Beavis & Butthead, Wilfred, Out of Practice, Rules of Engagement, Lopez and Tacoma FD. He's also served as Executive Producer/Showrunner on Glenn Martin DDS, Maron, and Rhett & Link's Buddy System. Michael currently lives in Los Angeles where he continues to work in TV and is the author of the forthcoming collection, A Paper Orchestra. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support

What's your biggest dream? Today's guest's biggest dream was to write. On the show we will reveal how she achieved that dream after many years of envisioning it, working toward it, getting close and then finally taking the leap and getting her big break. For the past several years she has made her living writing for TV on shows like  KIPO AND THE AGE OF WONDERBEASTS, JURASSIC WORLD: CAMP CRETACEOUS, and MY LITTLE PONY: MAKE YOUR MARK. She's also explored younger audiences, writing for shows, such as Nickelodeon's BOSSY BEAR and Mattel's THOMAS & FRIENDS: ALL ENGINES GO!  Leore's story is one I wanted to tell because once we moved to LA, I learned that I actually had a significant impact on her creative journey. It's an important reminder that one sentence of encouragement can really change the course of someone's life, and then when you see a talent in someone, you should never be afraid to reflect it back to them. It's also just a testament to what belief in YOURSELF and your creativity can do. From this conversation you'll learn:-The power in complimenting ones creative work-How to keep your creative passions alive while working a day job-The behind-the-scenes process of writing for the screen-How to build your connections & get your start in Hollywood -How to overcome imposter syndrome & build unwavering faith in yourself and your talent Also, a little reminder that In the month of April, Unleash Inner Creative is collaborating with Michigan State University's (My Alma Mater's) student-run radio station, Impact 89FM. Each week this month, you'll hear from a remarkable MSU student or alumni who is doing great, creative work out in the world and/or on campus. These episodes will air on both the Impact radio station, 89FM, as well as on the usual Unleash Your Inner Creative podcast feed.Vote for Unleash in the Webby Awards HERE: https://vote.webbyawards.com/PublicVoting#/2024/podcasts/shows/creativity-marketing -Remember to subscribe/follow the show on Apple Podcasts, Spotify or wherever you get your pods. Please leave us a rating and review- it helps SO much in getting the show out there. And tell a friend about the show- podcasts are very personal and tend to be spread person to person. If this show helped you or made you smile, share the love :) Follow the show @unleashyourinnercreative  Follow me @LaurenLoGrassoCheck out The Impact: https://impact89fm.org/Hosted by Ausha. See ausha.co/privacy-policy for more information.

This episode is brought to you by Authors Unite. Authors Unite provides you with all the resources you need to become a successful author. You can learn more about Authors Unite here: https://authorsunite.com/​​​​​​​​ Make sure to subscribe so you don't miss out on my future videos. https://cherylhunter.com/ Cheryl Hunter is an Author, Speaker, Media Personality, TV Writer, and Producer. She is sharing her message worldwide! --- Support this podcast: https://podcasters.spotify.com/pod/show/authorsunite/support

This is our after show interview with Open Mike Eagle (The New Negroes) & Mike Benner (Bob's Burger) about their pilot Principle. Mike and Mike developed Principle for Comedy Central wanting to explore the differences between a rapper's public and private persona. In this interview, you'll hear them talk about their comedy and hip hop influences, Open Mike's move from rapper to comedy writer/rapper and the process of pitching and developing a rap show for Comedy Central.  If you'd like to support our podcast, now is the time. It's MaxFunDrive; the one time of year where listeners like you can directly support our podcast. Your support is what allows us to keep putting out dead pilot after dead pilot. Help us out for as little as $5 a month.  MaxFunDrive ends on March 29, 2024! Support our show now by becoming a member at maximumfun.org/join.

In episode 1535, Jack and Miles are joined by filmmaker, director, TV Writer, and host of Celebrity Book Club, Chelsea Devantez, to discuss… The Evolution of Movie Sex Scenes, Pop Culture Horniness and more! EVERYONE IS BEAUTIFUL AND NO ONE IS HORNY Sontag on fascist art (from 1975) Marvel Movies: This Esteemed Director Says They're Not Sexy Enough What is the Physical Culture Movement? BODYBUILDING AND NATION-BUILDING Gen Z's Distaste for Sex Scenes Sparks Hollywood Censorship Debate Here's Why Movie And TV Sex Scenes Are Necessary LISTEN: Domingas by Jorge Ben JorSee omnystudio.com/listener for privacy information.