Podcasts about Cherubini

Sorpresa in casa Parma: il nuovo allenatore è ufficialmente Carlos Cuesta, 29enne spagnolo ex collaboratore di Arteta all'Arsenal. Lo presentano in questo episodio Tommaso Murdocca ed Enrico Zambruno.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Mola powered by Como TV (https://tv.comofootball.com) nel 2025 potete seguire in diretta ed in esclusiva le partite della Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Copa de la Liga Profesional Argentina, Eredivisie, HNL croata, Scottish Premiership, Coppa di Scozia, Super League greca e Coppa di Grecia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

Fala Carlão conversa com Gabriel João Cherubini, proprietário da Estância La Invernada, e com Ugues Cherubini, agrônomo e sócio da fazenda, direto de um dos cenários mais encantadores do campo uruguaio. Durante a entrevista, os irmãos compartilharam suas experiências, revelando o trabalho minucioso que realizam para manter viva a tradição da pecuária e da criação de cavalos crioulos, com foco em sustentabilidade e respeito ao meio ambiente. Falaram também sobre os desafios, os aprendizados e os princípios que sustentam uma história de mais de 150 anos dedicada ao agro. Uma conversa inspiradora para quem acredita que o futuro do campo também passa por honrar o passado. Fala aí, amigos!Quer falar com o Carlão da Publique?Acesse: https://bit.ly/falarcomcarlao

Fala Carlão já chegou na histórica Fazenda La Invernada, que fica na província de Cerro Largo, município de Melo, no Uruguai. Viagem internacional e prosa com uma turma da prateleira de cima: Gonçalo Fernandes, Diretor Financeiro; Victor Brion, Capataz; Gabriel João Cherubini, Proprietário; Ugues Cherubini, Agrônomo e Ronaldo Braun Klitzke, Médico Veterinário. Fala aí, amigos!

Esto es un extracto de la tertulia de AutoFM que se emite cada jueves en Onda Cero En este episodio hablamos con Marianna Cherubini, directora de marketing de Omoda y Jaecoo en España, para conocer en profundidad la estrategia y la filosofía detrás de estas dos nuevas marcas que están dando mucho que hablar en nuestro mercado. Con ella descubrimos, para empezar, el significado de los nombres Omoda y Jaecoo, dos conceptos que van más allá de una simple denominación comercial y reflejan la personalidad y el enfoque de cada marca. Cherubini nos cuenta cómo están trabajando el posicionamiento de ambas marcas en un mercado tan maduro, competitivo y exigente como el español, y qué elementos diferenciales están poniendo sobre la mesa para captar la atención del público: diseño, tecnología, calidad percibida y una experiencia de cliente muy cuidada. También profundizamos en el perfil del cliente de Omoda y de Jaecoo, que aunque comparten puntos en común, tienen matices distintos en cuanto a gustos, necesidades y aspiraciones. Un análisis interesante para entender a qué tipo de conductor se dirige cada una y cómo han diseñado su oferta para encajar en un ecosistema automovilístico con tantas opciones como el nuestro. Por último, abordamos una pregunta clave: ¿pueden canibalizarse dos marcas tan jóvenes compartiendo concesionario? La directora de marketing nos da su visión sobre cómo están gestionando esta convivencia y qué papel juega la red comercial en lograr que ambas marcas se complementen en lugar de competir entre sí. Todos los podcast: https://www.podcastmotor.es Twitter: @AutoFmRadio Instagram: https://www.instagram.com/autofmradio/ YouTube: https://www.youtube.com/@AutoFM Contacto: info@autofm.es

Cristian Chivu è il nuovo allenatore, a sorpresa, del Parma. Della scelta del club emiliano ne parlano in questo episodio Giuseppe Broggini ed Enrico Zambruno.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Mola powered by Como TV (https://tv.comofootball.com (https://tv.comofootball.com/) ) nel 2025 potrete seguire in diretta ed in esclusiva le partite della Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Copa de la Liga Profesional Argentina, Brasileirao, Eredivisie, HNL croata, Super League greca e Coppa di Grecia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.

durée : 00:28:03 - Marie-Ève Signeyrole, metteuse en scène - Artiste engagée, aimant convier les grands sujets de société au cœur même de l'opéra, vidéaste virtuose, Marie-Ève Signeyrole signe la mise en scène de "Médée" de Cherubini en ce moment à l'Opéra Comique puis à Montpellier. Une version qui interroge et déconstruit le mythe de la mère infanticide.

durée : 02:03:39 - Musique matin du lundi 10 février 2025 - par : Jean-Baptiste Urbain - Artiste engagée, aimant convier les grands sujets de société au cœur même de l'opéra, et vidéaste virtuose, Marie-Eve Signeyrole signe la mise en scène de "Médée" de Cherubini en ce moment à l'Opéra Comique puis à Montpellier. Une version qui interroge et déconstruit le mythe de la mère infanticide. - réalisé par : Yassine Bouzar

durée : 00:05:14 - Classic & Co - par : Anna Sigalevitch - Aujourd'hui, Anna Sigalevitch nous parle de "Médée" de Cherubini sous la direction de Laurence Equilbey et mis en scène par Marie-Eve Signeyrole.

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

Quando viene dicembre...beh, anni fa significava una sola cosa: Disney. Con il Cinema abbiamo già dato per ben due volte e quindi chiudiamo con il viaggio nel viale dei Ricordi Disneyani spostandoci nel piccolo schermo. Nello specifico, ricordando le serie animate che ci hanno tanto divertito e intrattenuto prima dell'avvento dell'oscurantismo. L'adolescenza è sempre complicata da gestire. Specialmente se sei Ercole, se vuoi diventare un eroe e se sei circondato da mostri e fatiche. Tante fatiche.

Marina Rebeka Stanislas de Barbeyrac Les Talens Lyriques Conductor: Christophe Rousset Berlin Staatsoper 24 November 2023 In-house recording

Interpreten: Aleksandra Kurzak, Morphing Chamber Orchestra, Bassem Akiki Label: Aparté EAN: 5051083205504 Es gibt nicht so viele Sängerinnen und Sänger, die einem bestimmten Stimmfach ihren Namen verliehen haben. Eine der wenigen ist die, heute mehr oder weniger in Vergessenheit geratene, Sopranistin Cornélie Falcon, die u.a. mit Werken von Meyerbeer und Halévy größte Erfolge gefeuert hat. Auf ihre Spuren hat sich nun mit dem neuen Album Aleksandra Kurzak gemacht, die sich damit vor ihrer Vorgängerin verneigt. Was muss das für ein Opernabend gewesen sein, als die erst 18-jährige Cornélie Falcon am 20. Juli 1832 ihr Debüt an der Opéra National de Paris gefeiert hat. In der Wiederaufnahmevorstellung von Meyerbeers Robert le Diable sind laut Aufzeichnungen nicht nur George Sand oder Alexandre Dumas gesessen, sondern die gesamte, zu dieser Zeit in Paris lebende, hochgefeierte Komponistenriege - von Rossini über Aubert, Adam, Berlioz, Cherubini bis hin zu Halévy und Meyerbeer selbst. Sie alle wollten das Debüt der jungen Sängerin miterleben und sie alle sollten nicht enttäuscht sein. Das Schicksal sollte ihr nur eine vergleichsweise kurze Karriere gönnen, umso spannender und schöner, dass nun Aleksandra Kurzak mit ihrem neuen Album an diese Sängerinnenlegende erinnert. Gemeinsam mit dem Morphing Chamber Orchestra unter der Leitung von Bassem Akiki zündet Kurzak ein Arienfeuerwerk sondergleichen. Mozarts Donna Anna, Beethovens Ah perfido, Ausschnitte aus Le comte Ory von Rossini, La Juive von Halévy oder Les Huguenots von Meyerbeer. Auch eine große Agathe Szene aus Webers Freischütz inklusive Leise, leise fromme Weise findet sich auf diesem schön konzipierten und noch schöner produzierten Album. Kurzaks Stimme erweist sich als äußerst wandelbar und stellenweise zaubert sie das wunderbarste Pianissimo, nur um gleich wieder mit voller Energie und vollem Volumen loszulegen. Gekonnt spritzig das begleitende Morphing Chamber Orchestra das hier vom polnisch-libanesischen Dirigenten Bassem Akiki höchst aufmerksam geleitet wird. (mg)

Luigi Cherubini (1760 - 1842) - Sinfonia in re maggiore (1815)1.       Largo - Allegro                                                [00:05]2.       Larghetto cantabile                                        [10:23]3.       Menuetto: Allegro non tanto - Trio                [18:37]4.       Finale: Allegro assai                                       [23:50] Orchestra Regionale della ToscanaDonato Renzetti, conductor

ROMA (ITALPRESS) - “La legge sullo screening per il diabete di tipo 1 è una legge innovativa e rivoluzionaria. L'Italia è stato il primo paese al mondo ad applicare una legge di questo tipo e per la prima volta ci si approccia a questa malattia non per cura ma per prevenzione. In Italia ci sono circa 20mila minori con diabete di tipo 1 e dal 2019 la chetoacidosi – che può portare all'insorgenza di questo tipo di diabete - è in aumento in tutti i paesi del mondo. Grazie allo strumento dello screening possiamo individuare una fase presintomatica”. Lo ha detto Valentino Cherubini, Presidente della Società Italiana di Endocrinologia e Diabetologia Pediatrica intervistato da The Watcher Post.“Le impressioni dopo questa prima fase sono molto positive. C'è stata una grande partecipazione di tutti i portatori di interesse (famiglie, pediatri, gastroenterologi) e delle altre regioni ansiose di poter applicare la legge. Come SIEDP siamo in continuo contatto con le istituzioni al fine di dare un aiuto fattivo. Cerchiamo di migliorare la parte di informazione alle famiglie così come tutti gli altri aspetti (dal trasporto dei campioni di analisi, alla presa in carico dei bambini che sono risultati positivi al test). Tutti aspetti sui quali faremo considerazioni importanti che utilizzeremo per le fasi successive”.abr/gtr (fonte video: Utopia Studios)

Chiropractic care touches every aspect of life.  It impacts body, mind, and spirit.  The very special guest on this episode of The Mile High Podcast is Dr. Liza Cherubini, who has made the spiritual aspect of chiropractic a very large part of her practice. Dr. Liza is the owner of Cherubini Chiropractic Red Bank, New Jersey Red Bank, NJ. She has dedicated her life to serving people at the highest level through vitalistic chiropractic care. A vitalistic approach to chiropractic looks at the entire person and not merely the parts or symptoms. This approach allows for a greater healing and consciousness shift to occur with chiropractic adjustments.   Dr. Liza graduated from Life Chiropractic College West in the San Francisco Bay Area in 2011. Her understanding of chiropractic was greatly influenced by the teachings of Dr. Pasquale Cerasoli before entering chiropractic school, and later by Dr. Sue Brown who evolved the chiropractic profession with the development of the approach Bio Geometric Integration (BGI). Other prominent influences in her career include Dr. Arno Burnier, Dr. Katina Manning, and Dr. Donna Mutter. Dr. Liza has been a yoga practitioner for 25 years, and continues to study yoga and chiropractic philosophy. She speaks and teaches to chiropractors across the country. Her focus and intention with chiropractic adjustments is on uniting the spiritual and physical bodies, so that each person can realize their potential for healing and evolution. On this podcast you'll hear about: •    Liza's purpose in chiropractic •    What inspired her to focus more on the spiritual aspect of chiropractic •    Why it is important to connect the spiritual and the physical •    How do to integrate spirituality into your practice •    And MUCH more! This year's Mile High Weekend is going to be tremendous, and Dr. Liza may be one of the presenters who will bless you September 26th – 29th in Denver!  For now, enjoy listening to her wisdom and expertise on the podcast. If you don't have tickets for Mile High XII: Mile High Noon yet, be sure to get them right away at RiseUpToMileHigh.com and save some money. An increase in your registration investment is coming soon! P.S. If you want to market your Chiropractic-based product or service to thousands of chiropractors, check out the opportunity to become a Mile High Podcast sponsor at bit.ly/BeAPodcastSponsor.

Con Medea, de Cherubini, se inauguraba el Festival de Mérida y hablamos con su director, Paco Azorín; su director musical, Andrés Salado, al frente de la Orquesta de Extremadura y con la mezzosoprano Nancy Fabiola Herrera.

En tiempos de guerra es más fácil que afloren otras caras y que se caigan las máscaras. Juan Manuel de Prada vuelve a traernos a su Fernando Navales en 'Mil ojo esconde la noche', la continuación de su primera novela, por la que se convirtió en Premio El Ojo Crítico de Narrativa, y se lo lleva al París de 1940. En esta ciudad se encontrará con todos esos artistas españoles como Picasso, González Ruano, María Casares o Gregorio Marañón. En Extremadura empieza el Festival de Mérida con Medea, la ópera de Cherubini, con la dirección de Paco Azorín y la Orquesta de Extremadura. Seguimos el viaje en Grecia con Use Lahoz y Andrea Marcolongo y salimos por los 'Cielos retratados', el nuevo libro de José Ángel Viñas, físico y meteorólogo que revisa los cielos de la historia del arte. Escuchar audio

"La panchina di FREKT" è tornata! Nuovo format di interviste prese direttamente dalla mia pachina al Cortona Comics! In ogni puntata dialogherò, anzi con personalità artistiche.In questo nuovo episodio, sul ring con me c'è Teresa Cherubini!EVVIVA!

Praveen Suthrum interviews Andrea Cherubini, SVP Science, AI and Data, Cosmo IMD Dive into the fascinating world of AI in healthcare with Andrea Cherubini. This episode is a must-listen for anyone captivated by the role of AI in healthcare and particularly within gastroenterology. Cherubini's insights offer a unique window into the future of medicine, where AI not only supports but enhances medical expertise. Highlights: ▶ The Genesis of GI Genius: Andrea Cherubini shares the inception story of Cosmo IMD's collaboration with Medtronic in developing GI Genius, emphasizing the 'perfect storm' of opportunities that led to this revolutionary AI tool in gastroenterology. This narrative underscores the synergy of medical imaging expertise, AI, and pharmaceutical studies in pioneering medical diagnostics. ▶ Human-AI Hybrid Teams in Healthcare: A key takeaway from the conversation is the concept of human-AI hybrid teams. Cherubini articulates how these collaborations enhance the accuracy and effectiveness of medical diagnoses, surpassing the capabilities of human or AI working in isolation. This insight is critical for understanding the future trajectory of AI in healthcare. ▶ Navigating the AI Landscape in Gastroenterology: The interview sheds light on the broader implications of AI in gastroenterology, from real-time AI applications in endoscopy rooms to broader healthcare quality improvements. Cherubini elaborates on the challenges and potential of AI, advocating for responsible and innovative integration of these technologies in healthcare settings. Andrea Cherubini's message resonates with a sense of urgency and vision: the healthcare industry is on the brink of a transformative era with AI. His emphasis on the importance of embracing AI as a tool to augment human skill in medical practice is a clarion call to healthcare professionals worldwide. This conversation is not just an exploration of AI's current state in healthcare but a glimpse into a future where AI and human expertise collectively redefine medical excellence. #digitalhealth #gastroenterology #thescopeforwardshow #nextservices #gi #future #ai

Sabrina Cherubini, the Senior Vice President Brand & Digital at Hanky Panky, adds her page to the Marketing Playbook. Hear how to expose yourself to different cultures, seek early-stage experience, meet and understand your target customer, what Sabrina learned growing up in France and Sweden, and how she liked “The Dark Side” aka agency life. Connect with Sabrina on Instagram @SabCherubini and LinkedIn

There are ebbs and flows in every real estate investing journey, but not every home renovation project results in a six-figure loss! Fortunately, today's guests learned one very expensive lesson so that YOU (hopefully) don't have to!   Welcome back to the Real Estate Rookie podcast! Justin Noe and Nate Cherubini are real estate investing partners with top-notch problem-solving skills. But not even that could stop them from making a MAJOR blunder on one of their real estate deals—a mistake that cost them a whopping $120,000. After dealing with termites, zoning issues, and bad contractors, this dynamic duo had every reason to give up on real estate—but didn't!   In this episode, Justin and Nate stress the importance of keeping your contractors in check and fostering healthy relationships in real estate. They also talk about why you should build your buy box early on in your investing journey and how to get your family on board with your real estate investing goals! In This Episode We Cover How this duo bounced back after a $120K failed home renovation project Choosing your buy box early on (and avoiding “shiny object syndrome”) Why you NEED a good “ground game” when investing out-of-state The BEST way to use private money or hard money on a house flip Finding a complementary real estate investing partner How to get your family on board with real estate investing And So Much More! Check the full show notes here: https://www.biggerpockets.com/blog/rookie-357 Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email: advertise@biggerpockets.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Las óperas más destacadas del repertorio suelen tener una obertura que consigue emocionarnos desde el primer acorde. Esos pasajes instrumentales sirven para que el público vaya entrando en calor ante la avalancha de música, canto y argumento que le esperan durante las siguientes horas. No es casualidad que las más recordadas fueran compuestas por grandes genios como los que nos ocupan en este primer capítulo que dedicamos a estas magníficas piezas sinfónicas. Teresa Cantalejo es la responsable de “¡Qué me estás contando!”, el podcast que dedicamos al mundo de la ópera una vez al mes; ella acompaña a Carlos y Mario mientras escuchamos 4 joyas como los inicios orquestales de “Medea”, “La flauta mágica”, “Nabucco” y “La urraca ladrona”, compuestas por Cherubini, Mozart, Verdi y Rossini. Así de bien suena la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349

It is hard to believe that it's already been 13 years since the death of Shirley Verrett on November 5, 2010. It has also already been four years since I did a pair of episodes on this extraordinary and beloved artist, and this anniversary gives me the perfect excuse to revisit the work of this mezzo-soprano turned soprano who more than any other singer in my experiences (even soon-to-be birthday girl Maria Callas) was capable of singing nearly anything. This type of singer is sometimes referred to as a soprano sfogato (or a falcon, after the 19th century French mezzo-cum-soprano Cornélie Falcon. Since Verrett, like Falcon, sang both mezzo and soprano, I instead coin the term falcon sfogatissima to describe her vocal magic. This episode is chock full of examples of Verrett's impassioned yet technically-grounded vocalism, from art songs by Brahms and Pasatieri to operatic roles by Handel, Gluck, Cherubini, Bellini, Puccini, and Verdi (including both soprano and mezzo roles in Aida and the Messa da Requiem and soprano roles in Ballo in Maschera, Macbeth, Don Carlo, and Otello). I close the episodes with Verrett's astonishing but limited forays into the German operatic repertoire. Her collaborators on this episode include conductors Seiji Ozawa, Claudio Abbado, Bernard Haitink, Zubin Mehta, Eve Queler, Georges Prêtre, Sarah Caldwell, and the late Kenneth Montgomery; and fellow operatic greats Sherrill Milnes, Luciano Pavarotti, James McCracken, Robert Massard (last week's featured artist), and her frenemy the late Grace Bumbry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

La música ideal para escuchar en la festividad del 1 de noviembre, día de “Todos los Santos”, depende del gusto de cada uno, eso es así. Nosotros te proponemos un menú basado en réquiems y marchas fúnebres, compuestas por 5 músicos tan diferentes en estilo y procedencia como Cherubini, Fauré, Preisner, Scriabin y Neukomm. Estamos seguros de que vas a descubrir alguna pieza que te conmueva de manera especial, incorporándola a tu lista de melodías ideales para momentos de recuerdo y recogimiento. Carlos Iribarren y Mario Mora te invitan a pasar un buen rato con la mejor música del mundo en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

WSET Diploma Graduate and Michelin restaurant sommelier Tina Johansson and Robert Tas take a trip across the pond to London where they review the wine list at Andrew Edmunds, a restaurant that serves a modern European menu served at candlelit tables in a snug 18th-century townhouse.  Wines reviewed include: 2017 Chablis Vent d'Ange, France 2022 Vassaltis Santorini Assyrtiko, Greece 2014 Testa dei Cherubini, California   For more information on today's episode, and the wines you love to love, visit www.corkrules.com.  

Musical pill dedicated to women who give birth. - Credits: “Mamma Maria” by C. Minellono / D. Farina (1982) - “Viva la mamma” by E. Bennato (1989) - “Mamma” by C.A. Bixio / B. Cherubini (1939)

Here comes the rain again, in an Italian music podcast pill.- Credits : “Piove (ciao ciao bambina)” by D. Verde & D. Modugno (1959) - “È la pioggia che va” by Mogol/B. Lind (1966) - “Scende la pioggia” by F.Migliacci/Barbata/Kaylan/Nichol/Pons/Volman (1968) - “La pioggia” by Pace/Argenio/Panzieri/Conti (1969) - “Piove su noi” by Enrico Ruggeri (1991) - “Piove” by Omar Pedrini (1993) - “Piove” by Jovanotti/Centonze/Celani/Cersosimo/Fasano (1994) - “In un giorno di pioggia” by G. Rubbiani & A. Cottica (1994) - “Cade la pioggia” by L. Cherubini & G. Sangiorgi (2008)

Adam Cherubini leads the partnerships and business development efforts of Send, a leading Insurtech productivity platform for managing new business, renewals and endorsements. Send is a rapidly growing InsurTech software company based in London and the United States with global reach. The company has developed an innovative connected workbench that enables re/insurers and MGAs to automate, streamline and optimize their underwriting operations.  Their SaaS platform brings complex data out of silos into one solution, providing a consolidated view throughout the lifecycle. Its automation enables new and mature carriers to eliminate rekeying, improve predictability, and work smarter. Adam has been in leadership roles at QuinStreet, Insweb, and Willis Corroon (now WTW). He has also led consulting projects at Voom Insurance, Kelly Klee, Notion, HYLA Mobile and Pie Insurance. He was a Co-Founder and CRO of Honeycomb, an innovative digital MGA disrupting traditional real estate insurance.  Follow the Insurtech Leadership Podcast airing weekly hosted by Joshua R. Hollander. We give you up-close access and personal insights from the leaders of the fastest-growing #insurtechs and most innovative #insurance carriers and brokers.

About Our Guest: Federica Cherubini is the Director of Leadership Development at the Reuters Institute for the Study of Journalism. She is an expert in newsroom operations and organizational change, with ten years experience spanning major publishers, research institutes and editorial networks around the world.Before working at the Reuters Institute, she worked as a consultant to develop a more inclusive, sustainable, and communicative work environment at Hearken. However, she began her development journey at Condé Nast International where she worked in outreach and found her passion for personal and professional growth. Apart from being passionate about development and growth, she works hard in engaging with organizations at all levels to spread awareness for the importance of diversity and inclusivity, and build bridges between the gap between senior management and often younger workers, whose values of what it means to work have changed. About Your Host:Anita Zielina is the CEO and founder of Better Leaders Lab. She's also an Executive in Residence at the Craig Newmark Graduate School of Journalism at CUNY, where she spent the last few years leading all continuing and executive education initiatives. Anita serves as the inaugural Board Chair of News Product Alliance (NPA) and is a member of the board of directors at the Austrian Public Broadcaster ORF.For the past 15 years, Anita held senior executive positions focused on product, strategy and innovation in various media and education organizations as Chief Product Officer, Managing Editor Digital, Editor-in-Chief and Director Strategic Initiatives. She has worked with around 500 managers, leaders and entrepreneurs as a consultant, coach and educator.She holds a Master in Law from Vienna University and an Executive MBA from INSEAD. Anita is an alumna of the Stanford Knight Journalism Fellowship and the Oxford Reuters Institute Fellowship. About Better Leaders Lab:Better Leaders Lab is a Do and Think Tank for good leadership and smart management in media and beyond and a boutique strategic advisory firm. BLL specializes in organizational change, strategy and scenario planning, leadership development and executive recruiting research. Its goal is to empower managers, leaders and organizations in the broader media, digital & innovation space to build successful, sustainable, modern and healthy businesses.Learn more:https://betterleaderslab.comGet in touchFeedback or questions related to the podcast?hello@betterleaderslab.comYou can also find us at Twitter, Instagram, LinkedIn, and now YouTube!

Today, we have the second of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this episode, he will dive into star-studded revivals —looking at somewhat unknown operas that are often revived with all-star casts, such as Cherubini's Medea and Giordano's Fedora.

In this episode featuring artist and graphic designer Fiona Béraud, we discuss butts, Paris, the transformative power of color, Instagram, and staying true to yourself. French but raised in Singapore, Fiona Béraud, also known as Cherubini, is an artist and graphic designer. Based in Paris, Cherubini's medium of choice is digital collage, meaning collecting archive pictures and creating new compositions. With inspiration from pop art and surrealism, Cherubini's style is bright and colorful. Her signature design? Nothing to do with collages: Cherubini paints butts.   IG: @cher.ubini.art https://p3f7m.weblium.site/ --- Support this podcast: https://podcasters.spotify.com/pod/show/business-today/support

Chase Cherubini is a very busy person. If he is not mountain biking then he is usually filming or taking pictures. Chase has raced in mountain bike events and is a big reason that Horns Hill, in Newark, Ohio, is in the shape that it is in. Him and his brother, Blake, also have a YouTube channel where they post videos of them riding along with some interviews. Chase and Blake also do a lot of videography and photography. They have done things for Kyle Chaney, Can-Am, and much more. Chase's Links: Chase's Instagram: @chasecherubini YouTube: @TheCherubinis Cherubini's Instagram: @the_cherubinis Cherubini's Facebook: The Cherubinis Horn's Hill Facebook: Horns Hill Mountain Biking Horn's Hill Instagram: @hornshillmtb Roughnecks Links: Website - https://www.roughneckspodcast.com/ Instagram - @roughneckspodcast Twitter - @roughneckspodc1 Facebook - @roughneckspodcast Tik Tok - @roughneckspodcast Cole's Instagram - @colennixon7 Email - info@roughneckspodcast.com Discount code "roughnecks" at Leo Supplements Discount code "roughnecks" at Desert Fox Golf --- Send in a voice message: https://anchor.fm/roughneckspodcast/message Support this podcast: https://anchor.fm/roughneckspodcast/support

Synopsis The first Piano Concerto by Brahms received its premiere public performance on today's date in 1859 with the Hanover Court Orchestra under the direction of Brahms's close friend Joseph Joachim and its 25-year composer as soloist. That first night audience had never heard anything quite like it. In his biography of Brahms, Jan Swafford describes what was expected of a piano concerto back then, namely “virtuosic brilliance, dazzling cadenzas, not too many minor keys, [and nothing] too tragic.” “To the degree that these were the rules,” writes Swafford, “[Brahms] violated every one of them.” His concerto opens with heaven-storming drama, continues with deeply melancholic lyricism, and closes with something akin to hard-fought, even grim, triumph. Rather than a display of flashy virtuosity, Brahms's concerto comes off as somber and deeply emotional. A second performance, five days later in Leipzig, was hissed. "I am experimenting and feeling my way,” Brahms wrote to his friend Joachim, adding, "all the same, the hissing was rather too much." Now regarded a dark Romantic masterpiece, it's important to remember how long it took audiences to warm to Brahms' music. The American composer Elliott Carter recalled that even in the 1920s, Boston concert goers used to quip that the exit signs meant, "This way in case of Brahms." Music Played in Today's Program Johannes Brahms (1833-1897) Piano Concerto No. 1 in D Minor, Op. 15 - I. Maestoso - Poco più moderato Maurizio Pollini, piano; Berlin Philharmonic; Claudio Abbado, cond. DG 447041 On This Day Births 1899 - Russian-born American composer Alexander Tcherepnin, in St. Petersburg (Julian date: Jan. 9); Deaths 1851 - German opera composer Albert Lortzing, age 49, in Berlin; 1948 - Italian composer Ermanno Wolf-Ferrari, age 72, in Venice; Premieres 1713 - Handel: opera "Teseo" (Julian date: Jan. 10); 1725 - Bach: Sacred Cantata No. 111 ("Was mein Gott will, das g'scheh allzeit") performed on the 3rd Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1816 - Cherubini: "Requiem," in Paris; 1880 - Rimsky-Korsakov: opera "May Night," in St. Petersburg, Napravnik conducting (Julian date: Jan. 9); 1904 - Janácek: opera "Jenufa" in Brno at the National Theater; 1927 - Roussel: Suite in F for orchestra, in Boston; 1929 - Schreker: opera "Der Schatzgräber" (The Treasure Hunter), in Frankfurt at the Opernhaus; 1930 - Shostakovich: Symphony No. 3 ("May First"), in Leningrad; 1936 - Gershwin: "Catfish Row" Suite (from the opera "Porgy and Bess"), by the Philadelphia Orchestra, Alexander Smallens conducting; 1947 - Martinu: "Toccata e due canzona" for chamber orchestra, in Basel, Switzerland; 1968 - Bernstein: song "So Pretty" (a song protesting the Vietnam War) at Philharmonic Hall (now Avery Fisher Hall) in New York City, with singer Barbra Streisand and the composer at the piano; 1968 - Allan Pettersson: Symphony No. 6, in Stockholm; 1988 - Christopher Rouse: Symphony No. 1, by the Baltimore Symphony, David Zinman conducting; Links and Resources On Brahms

durée : 01:30:08 - En pistes ! du jeudi 08 décembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Bach, Vivaldi, Britten, Poulenc ou Cherubini... Voici un aperçu du programme que vous ont concocté Emilie et Rodolphe ce jeudi. En Piste !

Nearly two thirds of newsrooms now offer a mix of physical and virtual work set-ups. How can we get the best of both worlds?

Cherubini was a child prodigy who composed several works by the time he was thirteen, before turning his sights to the operatic stage. Perhaps his most famous work, Medea opened the 2022-23 Met Opera season, marking the company premiere of the opera. We welcomeD lecturer and radio personality, Nimet Habachy, as she explores the life and times of Cherubini and his most famous opera, Medea.

Nate & I sat down at my basement bar in Virginia to connect. We never had the opportunity to serve together in the same unit, so we took advantage of a conference to set time aside to record this interview. Initially, he was reluctant because he thought he had nothing to offer the audience. I knew better. His views on agency, mindset, and leaving it all out on the field are crucial takeaways. Our conversation covers topics spanning family readiness, the natural tension between the information & intelligence warfighting functions, and the need to tailor the application of leadership fundamentals to distinct audiences. We nerd out about science fiction, whisky, artificial intelligence & of course, Brazilian Jiu-Jitsu! As I roll out exclusive content, I've determined Patreon as the easiest way to engage with the audience. Any tier will suffice, and you can still reach me on Reddit, Facebook, LinkedIn, Discord, or at topgamepodcast@gmail.com. The website needs a touch-up, but I did add some merchandise there in the form of T-shirts & hoodies. You can find it under the Game Theory link at the top of the page. Thanks for tuning in...

Welcome to the first episode of Front Row Center with host Mike Bolton. For this inaugural podcast, we'll look at Luigi Cherubini's Medea. A work rarely staged in the United States, but the spotlight is on this work as the Metropolitan Opera opens its season with it in a new production starring superstar soprano Sondra Radvanovsky. In S1E1 of Front Row Center, we'll delve into the mythology and Medea with Classics professor Dr. Grace Ledbetter from Swarthmore College. Psychiatrist Dr. Laure Duval talks about women who commit filicide; Milan-based musicologist Dr. Carlo Lanfossi discusses Cherubini and Médée… or Medea; critic and lecturer David Shengold invokes the specter of Maria Callas on this particular opera. Enjoy the view from Front Row Center.

Thanks to the hard work of Dave Gedney and the magic of tracking devices, we were able to track down four teams while on the course at USARA Nationals. We made good use of their mandatory 5-minute media time to chat about the race and how it's going so far. Thank you to the following teams: Team Psyched, Cherubini Brothers, Thisability Racing, and Only Mostly Lost for sharing their experience so far. The Dark Zone is grateful to USARA for helping to make this unique episode happen Go to www.usara.com for all race updates and information.

Médée: Rosalind Plowright  Dircé: Paula Bott  Néris: Moira Griffiths  Servantes: Susan Bisatt, Kate McCarney  Jason: Howard Haskin  Créon: Sergios Kalabakos  Conductor: Anthony Hose Buxton Festival  28 July 1984 Broadcast

Médée: Shirley Verrett  Dircé: Anne-Marie Rodde  Néris: Nadine Denize  Servantes: Lucia Scappatucci, Martine Mahé  Jason: Werner Hollweg  Créon: Jean-Philippe Lafont Conductor: Pinchas Steinberg Palais Garnier 10 March 1986 In-house recording

In this episode, brought to you by the Saratoga Horse Shows Women In Business Spectacular we sat down with EquiFit founder Alexandra Cherubini. IN this short yet powerfuk interview we learned three lessons that everyone needs to hear. We hope you learned as much as we did from Alexandra. https://equifit.net/ (https://equifit.net/)

Synopsis To some it seemed an act of sheer madness for a String Quartet to announce in the 1970s that it would not perform the classic repertory of Haydn, Mozart, and Beethoven, but devote itself instead to music written after 1900, especially newly-composed works. But the Kronos Quartet has proved the skeptics wrong. Founded in Seattle in 1973, and reformed in San Francisco five years later, the Kronos Quartet has established itself as a major player on the international music scene, premiering hundreds of new works by living composers. On today's date in 1984, the Kronos Quartet was at the Kukmo Music Festival in Finland, where they gave the premiere performance of the 5th String Quartet of the Finnish composer, Aulis Sallinen, subtitled “Pieces of Mosaic.” This quartet is a string of 16 short fragments, and, as the composer explained, reflected a pessimistic view of world affairs, circa 1984, the ominously Orwellian year of its composition. “It seems somehow crazy,” said Sallinen, “that a composer should create extended symphonic forms for the world we live in. This quartet is the kind of work the world deserves: one which is smashed into fragments.” Sallinen is one of the best-known Finnish composers since Sibelius, and in addition to chamber works like his Fifth Quartet, he has written symphonic works and a number of successful operas. Music Played in Today's Program Wolfgang Amadeus Mozart (1756-1791) – String Quartet No. 17 in Bb (Quartetto Italiano) Philips 422 512 Aulis Sallinen (b. 1935) – String Quartet no. 5 (Pieces of Mosaic) (Sibelius Quartet) Ondine 831 On This Day Births 1670 - Italian opera composer Giovanni Bononcini, in Modena; In 1720 he joined the Royal Academy of Music in London, where one faction favored Bononcini's works over those by Handel 1821 - French mezzo-soprano PaulineViardot-Garcia; She arranged some of Chopin's mazurkas as songs and performed them with the composer in concert; She also wrote an opera, "La Derniére Sorcière," that was performed in Weimar in 1869, and a chamber opera version of "Cendrillon (Cinderella)" which was performed privately in 1904 1872 - Czech composer Julius Fucik, in Prague; A student of Dvorák's, he composed the famous "circus" march, "Entrance of the Gladiators"; 1894 - Dutch-born American composer Bernard Wagenaar, in Arnhem; He was the son of the Dutch composer Johan Wagenaar (1862-1941); He came to the U.S. in 1920, was a violinist with the New York Philharmonic from 1921-23, and in 1927 became a composition teacher at the Juilliard Graduate School 1933 - Canadian composer R. Murray Schafrer, in Sarnia, Ontario 1954 - American composer Tobias Picker, in New York Deaths 1949 - Czech composer Vitezslav Novák, age 78, in Skutec, Slovakia Premieres 1713 - Handel: "Utrecht Te Deum," in London (Julian date: July 7) 1791 - Cherubini: opera, "Lodoiska, in Paris 1920 - Miaskovsky: Symphony No. 5, in Moscow 1972 - Panufnik: Violin Concerto, in London, with Yehudi Menuhin as soloist 1976 - Stockhausen: multi-media work "Sirius," in Washington, D.C., at the Smithsonian Institute 1984 - Sallinen: String Quartet No. 5 ("Pieces of Mosaic"), at the Kuhmo Festival in Finland, by the Kronos Quartet Links and Resources On the Kronos Quartet On Aulis Sallinen

Synopsis It was the fashion in the late 19th century to decorate concert halls with the names of famous composers like Bach, Beethoven, and Brahms. Of course, over time some composers once very popular fell out of favor, and many old concert hall walls included names like Cherubini and Meyerbeer, composers who nowadays are performed only on rare occasions. In Amsterdam, the main hall of the acoustically famous Concertgebouw boats a pantheon of over two dozen composers' names as part of its interior decoration, and, not surprisingly, a few Dutch composers are included in the mix. Most of the native sons so honored are probably unfamiliar outside of the Netherlands, however. Take for example Alfons Diepenbrock, a self-taught composer and conductor born in Amsterdam who lived from 1862 to 1921. Diepenbrock composed a small body of big orchestral works in the late Romantic style of Gustav Mahler, who was a close friend. In Amsterdam on today's date in 1906, the Concertgebouw Orchestra and conductor Willem Mengelberg premiered a work of Diepenbrock's entitled “In Great Silence – a Mood Poem based on an Aphorism of Friedrich Nietzsche.” This music sounds a little like a lost movement from some big Mahler symphony, and while these days the name Diepenbrock might not be as familiar as Mahler, maybe that's something we should work on correcting! Music Played in Today's Program Alfons Diepenbrock (1862 - 1921) — In Great Silence (A Mood Poem based on an Aphorism of Friedrich Nietzsche) (Royal Concertgebouw Orchestra; Riccardo Chailly, cond (live recording)) Royal Concertgebouw Recordings 97033

For their 19th episode, Zach and Cesco had the absolute pleasure of having Dr. Jeff Cherubini, professor of Kinesiology at Manhattan College, on as a special guest. Dr. Cherubini has been mentioned in podcast conversation in almost every episode because of the great impact he's made on Zach and Cesco's lives. Here, he gets personal and dives into his life story to shine light on what has made him the empathic, intentional, and dedicated person he is today. In the episode, Dr. Cherubini discusses his endless list of job experiences and how he's leveraged certain skills to foster personal and professional success. He breaks down the societal stigma of career awareness at a young age, discusses the role forgiveness has on embracing the present moment, how hope can motivate people to persevere, and the importance of loving what you do. The embodying qualities of Dr. Cherubini can be transitional to his personal life in being a compassionate father and husband. Not only does he encourage people to be curious, continuously ask questions, and love unconditionally, but he reminds us that we are currently living in the “Good Ol' Days.”Dreamers by Johny Grimes https://souncloud.com/johny-grimes Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download: https://bit.ly/3DELt3E Music Promoted by Audio Library https://youtu.be/14uXyT3z_OU

Benjamin Bernheim's second solo album for Deutsche Grammophon, in collaboration with Palazzetto Bru Zane, turns the spotlight on a century of Italian opera in Paris. The tenor presents a carefully curated selection of rarities and favorite excerpts by Cherubini, Spontini, Donizetti, Verdi, Puccini, and Mascagni –all performed in French. Recorded with Frédéric Chaslin and the Orchestra del Teatro Comunale di Bologna “With a French singer and conductor and an Italian orchestra we show how two worlds come together in style –Italian music and the French language!”Purchase the music (without talk) at:Boulevard des Italiens (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Synopsis On today's date in 1706, the German composer and organist Johann Pachelbel was buried in Nuremberg, the town where he was born some 53 years earlier. In his day, Pachelbel was regarded as an innovative composer of Protestant church music and works for harpsichord and organ. Pachelbel was acquainted with the Bach family, and was, in fact, the teacher of the teacher of J.S. Bach, and served as godfather to one J.S. Bach's older relations. Johann Pachelbel would be pretty much forgotten by most music lovers until late in the 20th century, when an orchestral arrangement of a little Canon he had written would suddenly become one of the best-known classical themes of our time. In 1979, the American composer George Rochberg, even included variations on Pachelbel's famous Canon as the 3rd movement of his own String Quartet No. 6. Like Bach, some of Johann Pachelbel's children also became composers, and one of them, Karl Teodorus Pachelbel, emigrated from Germany to the British colonies of North America.  As “Charles Theodore Pachelbel,” he became an important figure in the musical life of early 18th century Boston and Charleston, and died there in 1750, the same year as J.S. Bach. Music Played in Today's Program George Rochberg (b. 1918) — Variations on the Pachelbel Canon (Concord String Quartet) RCA/BMG 60712 On This Day Births 1737 - Bohemian composer Josef Mysliveczek, in Ober-Sarka; He was a friend and colleague of Mozart; 1839 - Russian composer Modest Mussorgsky (Gregorian date: Mar. 21); 1910 - American composer Samuel Barber, in West Chester, Pa.; 1930 - American composer and jazz saxophonist Ornette Coleman, in Forth Worth, Texas; Deaths 1706 - Burial date of German composer Johann Pachelbel, age c. 52, in Nuremberg; Premieres 1740 - Handel: oratorio "L'Allegro, il Penseroso, ed il Moderato," and Organ Concerto in Bb, Op. 7, no. 1, in London (Julian date: Feb. 27); 1748 - Handel: oratorio "Joshua," in London at the Covent Garden Theater; The event possibly included the premiere of Handel's "Concerto a due cori" No. 1 as well (Gregorian date March 20); 1842 - Verdi: opera "Nabucco" (Nabucodonosor), in Milan at the Teatro alla Scala; 1844 - Verdi: opera "Ernani," in Venice at the Teatro La Fenice; 1849 - Nicolai: opera "Die lustigen Weiber von Windsor" (after Shakespeare's play "The Merry Wives of Windsor"), in Berlin at the Königliches Opernhaus; 1868 - Thomas: opera "Hamlet," (after Shakespeare's play "Hamlet") at the Paris Opéra; 1877 - Tchaikovsky: symphonic-fantasy "Fancesca da Rimini," in Moscow (Julian date: Feb. 25); 1924 - Prokofiev: Piano Sonata No. 5 (first version), in Paris, by the composer; A revised version of this sonata premiered in Alma-Ata (USSR) on February 5, 1954, by Anatoli Vedernikov; 1930 - Weill: opera "Die Aufsteig und Fall der Stadt Mahagonny" (The Rise and Fall of the City of Mahagonny), in Leipzig at the Neues Theater; 1941 - Cowell: Symphony No. 2 ("Antropos"), in Brooklyn; 1951 - Honegger: Symphony No. 5 ("Di tre re"), by the Boston Symphony, Charles Munch conducting; 1980 - Earle Brown: "Caldar Piece," for percussionists and mobile, in Valencia, Calif.; 1982 - Berio: opera "La vera storia" (The True Story), in Milan at the Teatro alla Scala; Others 1831 - Italian violin virtuoso Nicolo Paganini makes his Parisian debut a the Opéra; Composers in the audience include Meyerbeer, Cherubini, Halvéy; and Franz Liszt (who transcribes Pagnini's showpiece "La Campanella" for piano); Also in attendance are the many famous novelists and poets, including George Sand, Victor Hugo, Alfred de Mussset and Heinrich Heine. Links and Resources On Johann Pachelbel On George Rochberg

Jason Cherubini, CFO, joins Susan and Ben to discuss The November Man, a 2014 action-thriller. Jason shares what it's like having a career as the CFO and an executive producer with Dawn's Light Media, how he fell into creating the action movies he loves, and working on set with WWE's Adam “Edge” Copeland, Thomas Jane, and all three Lawrence brothers. Jason plays our “I Spy the Spy in Films Gone By” game. Follow Jason on Instagram or IMDB. Leave a rating and review on Apple Podcasts to help us reach more listeners. Find out about our guests and upcoming events by following us at Facebook, Twitter, or Instagram, contribute to our Patreon, or shop at lifeinthecredits.com. Life in Our Credits Hosts: Susan Swarner and Ben Blohm Executive Producer: Michelle Levin Logo Art: Melissa Durkin Music Composer and Performer: Steve Trowbridge