Podcasts about Bel canto

Hello to you listening in Ocean Isle Beach, North Carolina! Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga.Two lines from the novel Bel Canto by Ann Patchett gave me pause: “It makes you wonder. All the brilliant things we might have done with our lives if only we suspected we knew how.” [~ p. 300]  Maybe like me you've done many things and inhabited many roles over the course of your life. And yet and yet, maybe like me you wonder: what dreams have I not yet manifested? What have I squandered because I felt I didn't know how? Where could I have risked something different? From the evidence why was I given my life?Story Prompt: There is time! You do know how! What brilliant things might you and your life like to do? Write that story!  Practical Tip: The magic of stories is also in the sharing. If you wish share your story with someone or something.   All that matters is you have a story.You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. Be sure to stop by my Quarter Moon Story Arts website, check out the Services, arrange a no-obligation Discovery Call, and stay current with me as "Wyzga on Words" on Substack.ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

This week, we have a fascinating chat with Adrian Buchmann, a veteran watch designer who's spent the last few years playing a key role in Christopher Ward's design department. We chat with Buchmann about how the famously accessible brand's design is evolving, why the Bel Canto and Loco mark a pivotal change, and what the challenges were in creating the new, super-slim The Twelve 660. Before that, we chat about Paulin's first dive watch, why Roger Dubuis might be the next big thing and Taylor Swift's Cartier Panthère. Fun fact, we recorded this before her engagement became public — so … maybe we made it happen? Jaime Lee Curtis and her Patek Philippe 24 (1:52) Taylor Swift and her (now famous) Cartier (3:49) That time we predicted Taylor Swift's engagement (5:15) OT: on Worn and Wound (5:51) The Paulin Mara (6:30) Roger Dubuis is on a roll (12:30) Adrian Buchmann interview (18:43) The Twelve 660 (42:00) Go to Galicia in north-western Spain (1:07:41) Show Notes: https://www.otpodcast.com.au/show-notes OT: Discord - https://discord.com/invite/X3Vvc9z7aV   How to follow us: https://www.instagram.com/ot.podcast https://www.facebook.com/otpodcastau https://instagram.com/andygreenlive https://instagram.com/fkscholz   Send us an email: otthepodcast@gmail.com If you liked our podcast, please remember to like/share and subscribe.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Ed Davey's reborn Lib Dems are on a 100-year high with 72 MPs and a shot at becoming the conscience of progressive Britain. So why do Reform get all the coverage? He joins our regulars to talk about fighting Farage, Labour's travails, the war on cruelty in politics, why all those General Election surfing and bungee stunts worked, and what the Lib Dems can get done in Parliament. “We've been the best opposition,” he tells Alison Phillips, Matt Green and Hannah Fearn. Will they believe him…? • Get our exclusive ⁠NordVPN deal here⁠. It's risk-free with Nord's 30-day money back guarantee! ESCAPE ROUTES • Ed Davey recommends There Are Rivers in the Sky by Elif Shafak. • Hannah has been watching Black Doves on Netflix.  • Matt recommends Close to Death by Anthony Horowitz.  • Alison recommends Bel Canto by Ann Patchett.  When you buy books through our affiliate bookshop you help fund OGWN by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.   • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more • Back us on Patreon for ad-free listening, bonus materials and more.  Presented by Alison Phillips with Hannah Fearn and Matt Green. Audio production by Tom Taylor and Robin Leeburn. Theme music by Cornershop. Art direction: James Parrett. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Auf ihre große Liebe verzichten – das verlangt die Familie. Aus politischem Kalkül soll Lucia einen Fremden heiraten. In Donizettis Oper endet das in einer blutigen Katastrophe in der Hochzeitsnacht ... Von Michael Lohse.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

"Varu pilnīgi skaidri teikt, ka viņi abi – Vāgners un Mocarts – ir mani mīļākie komponisti, un tas ir tāpēc, ka viņu šedevri ir paredzēti skatuvei. Arī Mocarta labākie darbi ir viņa operas. Un man patīk strādāt ar dziedātājiem, man patīk vokālā mūzika, man patīk cilvēka balss, un drāma, muzikālais teātris. Tas ir mans dzīves ceļš," saka Tarmo Peltokoski - šosezon vēl Latvijas Nacionālā simfoniskā orķestra galvenais diriģents un mākslinieciskais vadītājs. 9. augustā Cēsu Mākslas festivālā viņa vadībā atkal skanēs Riharda Vāgnera mūzika, un Cēsu koncertzāle atkal kļūs par "Ziemeļu Baireitu", kā to dēvē diriģents Peltokoski, kuram "Parsifāls" būs jau trešais Vāgnera operas koncertiestudējums Cēsīs pēc "Zīgfrīda" un "Dievu mijkrēšļa", savukārt simfonisko koncertu programmās kopā ar Latvijas Nacionālo simfonisko orķestri viņš vēris arī citu Vāgnera operu – "Valkīras", "Tanheizera", "Tristana un Izoldes lappuses". "Parsifāla" koncertuzvedumā piedalīsies daudz mūsu lielisko opersolistu: Edgars Ošleja, Marlēna Keine, Ilze Grēvele-Skaraine, Gunta Gelgote, Tatjana Trenogina, Inna Kločko, Irma Pavāre, Artjoms Safronovs, Edgars Auniņš un Viesturs Vītols, kā arī Valsts Akadēmiskais koris "Latvija". Notiks arī ieraksts, ko "Klasikas" vilnī paredzēts raidīt 30. augustā. Ar Tarmo Peltokoski tiekamies nelielā, bet svarīgā sarunā, kas notika spraigā mēģinājumu gaisotnē, īsi pirms mēģinājuma 1. augusta pēcpusdienā, Latvijas Nacionālā simfoniskā orķestra šībrīža mājvietā Kongresu namā, diriģenta darbistabā. "Parsifāls" ir visaptverošs  Maruta Rubeze: Sveicot jūs Rīgā un Cēsīs jeb vietā, sauktā Wenden, kā to, ziņojot par sava mākslinieka aktivitātēm, raksta ierakstu kompānija Deutsche Grammophon, lūdzu, raksturojiet Vāgnera operas "Parsifāls" īpašo vietu jūsu personīgajā "apsēstībā" gan ar Vāgneru, gan operas žanru kopumā, zinot arī to, ka iestudēt "Parsifālu" ir viens no jūsu sapņu piepildījumiem. Tarmo Peltokoski: Diezgan objektīvi raugoties, tā ir viena no divām smagnējām Vāgnera partitūrām - "Parsifāls" un "Tristans UN Izolde. Tās abas savā ziņā paceļas augstu pāri virs "Nībelunga gredzena" savas hromatiskās rakstības un filozofiskās sarežģītības ziņā, kas arī padara tās ļoti īpašas. Protams, tas ir viņa pēdējais un savā ziņā sarežģītākais darbs, īpaši otrais cēliens, un Kundri tēls ir dīvainākā lieta, ko viņš jelkad ir izdomājis, un kurā viņam bija jāapvieno dažādas mitoloģijas un tēlus. "Parsifāls" savā veidā ir visaptverošs – reliģiju, filozofiju, tradīciju un dažādu leģendu apkopojums, un viss šeit saplūst kopā, dažkārt pat nedaudz šizofrēniskā veidā. Arī muzikālo stilu daudzveidība šeit ir satriecoša. Mums ir pilnībā diatoniskā Grālu raksturojošā mūzika ar pasaulē maģiskāko orķestrāciju, un tad mums ir Amfortasa ciešanu hromatismi, un Kundri un Klingzora šausminošās disonanses, un naivās fanfaras, kas raksturo jauno Parsifālu, kurš pēc tam, veicot garu līdzjūtības un apgaismības ceļojumu, kļūst par Grāla karali. Šī opera patiešām ir bijusi viena no manām lielākajām mīlestībām jau kopš 11, 12 gadu vecuma... No Vāgnera pirmās idejas par "Parsifālu" līdz pirmuzvedumam pagāja veseli 25 gadi, akurāt jūsu šībrīža vecums, vai varat raksturot šo ceļu, kas nebūt nebija vienkāršs? Jā, tas tā ir, kaut kā viņam visu savu darbu idejas radušās krietni iepriekš. Savā autobiogrāfijā, kuru patiesībā rakstīja viņa sieva Kozima,  Vāgners atsaucas uz kādu Lielo Piektdienu, - der Karfreitag - Šveicē. Bet ir pierādījumi, ka šis stāsts patiesībā ir izdomājums, kā tas ir ar daudziem stāstiem Vāgnera autobiogrāfijā Mein Leben. Bet šī ideja tiešām viņu pavadīja vairākus gadu desmitus. Viņš lasīja Volframa fon Ešenbaha Parsifālu un citas tā paša virziena leģendas. Bet vispirms viņš, protams, 40. gadu beigās komponēja "Loengrīnu", un "Parsifāls" prasīja diezgan ilgu laiku. Visbeidzot, pēc "Nībelunga gredzena" pirmizrādes un pārcelšanās uz Baireitu 1876. gadā  viņš varēja veltīt visu savu laiku "Parsifālam", un tas ir vienīgais darbs, kas rakstīts tieši Baireitas Svētku namam jo, līdz tam viņš joprojām īsti nezināja, kā tas darbosies. Pēc "Nībelunga gredzena" pirmizrādes beidzot tas tapa skaidrs, kāds patiesībā ir šis uzceltais nams, un tad tika uzrakstīts "Parsifāls", paturot prātā šī nama specifisko akustiku. Sākotnēji "Parsifālu" drīkstēja atskaņot tikai Baireitā  Parsifāla pirmajā un trešajā cēlienā ir tikpat kā vienīgi lēna mūzika, kas sarakstīta tā, lai perfekti atbilstu Baireitas akustikai.  Un mēs zinām, ka sākotnēji bija aizliegts to atskaņot jebkur citur, tikai Baireitā. Diemžēl pēc Vāgnera nāves šis aizliegums tika atcelts. Metropolitēna opera vēlējās to atskaņot, un, protams, ikviens vēlas to atskaņot. Un ar prieku mūsdienās mēs varam teikt, ka Cēsis ir mūsu "Ziemeļu Baireita", par ko esmu ļoti laimīgs. Tas ir Vāgnera pēdējais darbs. Pirmizrāde notika 1882. gada jūlijā, tikai pusgadu pirms viņa nāves Venēcijā. Vai šajā partitūrā  ir kas tāds, kas apliecina to, ka Vāgners apzinājās šo sava pēdējā darba vēstījumu, to, ka tas ir tāds kā viņa testaments? Domāju, viņš zināja, ka mirs… Bet pēdējās lappuses mani aizkustina jo īpaši, paturot prātā, ka tas bija viņa pēdējais darbs. Un mēs zinām, kā viņa, tā teikt, audžudēls tajā laikā, Frīdrihs Nīče, ļoti agresīvi vērsās pret darbu, sakot, ka pat Vāgners paklanījies krusta priekšā, un sāka aktīvi Vāgneru par to ienīst. Bet pat Nīče atzina, ka šī skaņdarba Prelūdija, stingri muzikāli runājot, bija kaut kas tik skaists, ka viņš nevarēja atrast neko līdzvērtīgu nekur citur nevienā citā mākslā, kam  es pilnībā piekrītu. To nevar reducēt līdz Mikipeles līmeņa vienkāršībai Kāda nozīme šajā darbā ir Vāgneram tik raksturīgajiem vadmotīviem, vai tie kaut kādā veidā īpaši izcelti arī partitūrā? Vāgners, protams,  izmanto savas tehnikas, bet ne tik acīmredzamā veidā kā "Gredzenā". Jo "Gredzenā" ir neticami sarežģīta vadmotīvu sistēma. Un gan "Tristanā", gan "Parsifālā" motīvu nav tik daudz, un viņam nav tik daudz vietas, lai tos attīstītu. Tomēr mēs varam skaidri redzēt, kā viņš attīsta Parsifāla motīvu, kas pirmajā un otrajā cēlienā savā formā ir ļoti vienkāršs, fanfarveidīgs, un kā III cēlienā tas kļūst klīstošāks, un rodas sajūta, ka viņš ir apmaldījies. Un tad pavisam drīz pēc tam, kad viņš ir svaidījis karali, tad tas beidzot kļūst tikpat triumfāls, kādam tam vienmēr bijis lemts būt. Un, piemēram, pats sākums: šī garā, lidojošā melodija Labemol mažorā, tā sastāv no daudziem dažādiem motīviem, kas pēc tam atsevišķi parādās visu laiku. Un man īsti nepatīk dot tiem nosaukumus, jo arī pats Vāgners nebija mierā, ka cilvēki viņa tēmām mēģina dot nosaukumus, tieši to viņš nevēlējās, jo tas kaut kā viņa mūziku trivializē un padara to pārāk vienkāršu, un kaut kā liek tai izskatīties pēc mūsdienu filmu mūzikas, kā tas patiesībā nav. Tā ir daudz sarežģītāka un pārdomātāka, un to nevar reducēt līdz Mikipeles līmeņa vienkāršībai. Baireitā jūtos kā debesīs Vai esat bijis Baireitā? Jā, es nupat tur atkal biju, pagājušajā mēnesī pat divas reizes, "Parsifālu" tur skatījos gan pagājušajā gadā, gan gadu iepriekš, un tā patiešām ir mana iecienītākā vieta, kur atrasties, Baireitā es jūtos kā debesīs. Un ir interesanti, ka pirmos Grāla zvanus būvēja vietējais klavieru fabrikas uzņēmums Steingraeber & Söhne, un man ir ļoti paveicies apmesties Šteingrēberu mājā, kad vien esmu Baireitā. Pazīstu šo ģimeni un šo Šteingrēberu klavieru fabriku, ko 1852. gadā dibināja Eduards Šteingrēbers un par kuru tagad rūpējas jau septītā paaudze. Viņiem ir milzīga, 18. gadsimtā celta māja, un es tur apmetos katru reizi, kad esmu Baireitā. Tur ir daudz oriģinālo Grāla zvanu kopiju, kuras Vāgners personīgi pasūtīja Eduardam Šteingrēbera kungam "Parsifāla" pirmatskaņojumam 1882. gadā. Un ir patiešām jautri šos zvanus spēlēt, tā kā šī saikne ar Baireitu tiešām ir ļoti īpaša. Ir zināms, ka Tarmo Peltokoski vadībā Somijā Eurajoki festivālā "Bel Canto" ir iestudēts Riharda Vāgnera "Nībelunga gredzena" cikls, kā arī "Tristans un Izolde". Vai Somijā Vāgners ir mīlēts komponists? Domāju, nepietiekami. "Parsifāls" Somijā pēdējo reizi tika spēlēts Nacionālajā operā 2018. gadā, un es, protams, biju tur klāt. Betto varētu darīt daudz biežāk.  Vāgners un Mocarts ir mani mīļākie komponisti Lūkojot ierakstu kompānijas Deutsche Grammphon mājaslapā, kur atrodamas ziņas par Tarmo Peltokoski aktualitātēm, līdzās Vāgneram izceļas arī Mocarta vārds: tuvākā laikā uz vairākām skatuvēm Tarmo Peltokoski vadībā tiks uzvestas operas "Burvju flauta" un "Dons Žuans". Vai tā ir sagadīšanās vai apzināta vēlme? Jā. Varu pilnīgi skaidri teikt, ka viņi abi ir mani mīļākie komponisti, un tas ir tāpēc, ka viņu šedevri ir paredzēti skatuvei. Arī Mocarta labākie darbi ir viņa operas. Un man patīk strādāt ar dziedātājiem, man patīk vokālā mūzika, man patīk cilvēka balss, un drāma, muzikālais teātris. Tas ir mans dzīves ceļš. Protams, jums labi pazīstams ir Latvijas Nacionālais simfoniskais orķestris, bet šogad mēs iepazīsim arī virkni jaunu dziedātāju, no kuriem vairākiem tās būs arī šo lomu debijas?  Jā, šeit ir daži debitanti:  Martina Dike dzied savu pirmo Kundri lomu, arī Klingzors to dara pirmo reizi. Bet mums ir ļoti paveicies, ka galvenajās lomās ir Stefens Millings un Mihaels Veiniuss, kuri to ir darījuši daudzas, daudzas reizes. Stefens ir dziedājis Gurnemancu simtiem reižu. Amfortass ir Nikolass Braunlijs -  jauna superzvaigzne uz Vāgnera skatuves, kurš jau ir Baireitā un nākamajās sezonās dziedās savu pirmo Votānu Bavārijas Valsts operā. Tāpēc mums ir ļoti paveicies ar šo jauno, superlielo vārdu. Ir tik daudz mūzikas, ka pietiek ikvienam Tuvākajā laikā mēs piedzīvosim vēl vienu ar Jums saistītu lielo notikumu – Rīgā ar somu mūzikas programmu atkal atgriezīsies jūsu skolotājs Jorma Panula… Vai arī viņš savulaik ko ieteicis, ko mācījis par Vāgneru? Nē, ne gluži. Vāgners nekad nav bijusi Jormam tuva  lieta. Viņš nekad nav bijis īsts operas diriģents un nekad īsts Vāgnera cienītājs, mēs gan kopā uztaisījām vairākus iestudējumus "Zīgfrīdam",  kas Jormam ļoti patīk. Man laikam vēl nebija pat 15 gadu, kad darīju to pirmoreiz kopā ar viņu. Bet es vienmēr esmu zinājis, ka Vāgners ir man tuvs, un arī Jorma to ir zinājis, un vienmēr par to uzjautrinājies. Bet ir tik daudz mūzikas, ka pietiek ikvienam, un, galvenais, es ļoti priecājos, ka Jorma atkal būs Rīgā. Es tur parādīšos pavisam nedaudz, tas būs Jormas koncerts.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur. Aujourd'hui, "C'est magnifique" de Luis Mariano.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Skandalös: Im Italien der 1850er Jahre sitzt die Aristokratie in den Logen und Verdi stellt die gesellschaftlich Geächteten auf die Bühne: Singend prangert ein Buckliger den Machtmissbrauch des Adels an ... Von Christoph Vratz.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Andrea Bosca"La voce blu"Prefazione di Francesco NapoliInterno Poesiawww.internopoesialibri.comAndrea Bosca torna ospite del Pavese Festival, questa volta in veste di poeta. Sabato 28 giugno presenterà infatti la sua prima raccolta di versi La voce blu (Interno Poesia), in dialogo con Riccardo Meynardi, curatore del festival di poesia Poeticôni.www.fondazionecesarepavese.itLa voce blu è un viaggio poetico nel quale l'anima perduta si riflette nei frammenti di corpi, incontri e parole. Andrea Bosca ci guida attraverso un percorso di trasformazione, in cui l'urto del mondo, le relazioni, il sogno e il dolore plasmano nuove verità. La voce diventa guida e incanto, rompendo il silenzio per rinascere più autentica e viva, tra piume, lame, città spaesate e amori tatuati nel sangue. In tre decadi e tre atti, Bosca racconta la lotta contro il vuoto interiore, fino a trasformarlo in alleato, riscoprendo infine, come una piuma che plana su una mano, la fragile leggerezza dell'amore. Questo libro è «un canzoniere all'amore», come suggerisce Francesco Napoli nella postfazione: una celebrazione della forza vitale della parola, che scava nei fondali dell'esistenza e ne riporta a galla la bellezza. È un invito a seguire una voce che intreccia passato e futuro, conoscenza e intuizione, offrendoci la possibilità di sentirci vivi, ancora, attraverso il colore della poesia.Andrea Bosca, attore e regista italiano, è nato a Canelli (AT), cresciuto nelle Langhe e attualmente vive a Roma. Diplomatosi alla Scuola del Teatro Stabile di Torino fondata da L. Ronconi e diretta da M. Avogadro, lavora al Cinema, Teatro e Televisione in produzioni nazionali e internazionali, distinguendosi per la sua versatilità fisica, linguistica e creativa. Nel corso della sua carriera, è stato diretto dai maggiori registi, fra gli altri: F. Archibugi, M. Martone, M. Rovere, F. Özpetek, S. Mimica Gezzan, T. López, L. Lucini, A. Ferrara, G. Manfredonia, M. Pontecorvo, L. Luchetti, R. Donna, C. Elia. È socio fondatore dell'ETS Every Child Is My Child, per la tutela dei diritti dell'infanzia. Tra i suoi ruoli più noti si ricordano: Guido in Raccontami, Gigio in Si può fare, Mete in Gli sfiorati, Marco Pannella in Romanzo Radicale, Luca in 3 Caminos, Anguilla, Nuto e altri ne La luna e i falò, Milton in Una questione privata, Cornelio in La dama velata, Jonas ne La porta rossa, Andrea in Quantico, Giorgio in Romanzo famigliare e Giacomo in Belcanto.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Welcome to season 2 episode 14 of the Timist Podcast Series - check out the show notes below:We explore how watches found their way into James' world—not just as accessories, but as meaningful storytellers. James opens up about his journey from being outside the watch world to becoming one of its most open and enthusiastic collectors.We also talk about the timepieces that bridge generations, the beauty of his unique Bel Canto, and whether a future guitar-infused piece unique might be on the horizon. We also get his take on Christopher Ward's new Loco, tour-watch essentials, and explore the idea of being stewards of our watches for future wearers.But we go even deeper than just horology - we talk about the role of mentors, how his parents supported his early music career, the pressures of life on tour, and how mental health and creativity are so tightly interwoven.Check out James McVey's Instagram:https://www.instagram.com/jamesmcveyINSTAGRAM:Follow me:https://www.instagram.com/the_timist_IGSupport the showSUBSCRIBE TO MY YOUTUBE:https://www.youtube.com/channel/UCBeDf0c0V70qISfpu_mHchw?sub_confirmation=1CONTINUE THE CONVERSATION ON INSTAGRAM:Instagram: https://www.instagram.com/the_timist_IG

Su invito del Consolato generale di Sydney e l'Istituto italiano di cultura, Paolo Tagliamento torna in Australia per il concerto dal titolo "Bel Canto" con il baritono australiano Andrew Williams e il pianista Bradley Gilchrist.

Il console genarale di Sydney Gianluca Rubagotti parla del concerto dal titolo "Bel canto" che si terrà il 5 giugno al Forum di Leichhardt.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Musikfans kennen und schätzen die Tiroler Festspiele in Erl vor allem für Wagner und Belcanto. Gebaut wurde das dortige Festspielhaus aber ursprünglich für die seit 1613 gezeigten Passionsspiele. Am 25. Mai feiert dort nun eine Neuinszenierung Premiere, deren Musik von Christian Kolonovits stammt. Tobias Hell hat sich mit dem Komponisten darüber unterhalten, wie Passionsmusik im Jahr 2025 klingen kann.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Whether you're a library reader, a used bookstore connoisseur, or just buy books faster than you read ‘em, this episode is for you! We're chatting about the backlist books (AKA books released over 1 year ago) on our TBR.    Olivia's List Saint X by Alexis Schaitkin (2020) Seawife by Amity Gaige (2020) Godshot by Chelsea Bieker (2020) The Great Believers by Rebecca Makkai (2018) Parable of the Sower by Octavia Butler (1993) Poisonwood Bible by Barbara Kingsolver (1998) Migrations by Charlotte McConaghy (2020) Ghosts by Dolly Alderton (2020) Such a Fun Age by Kiley Reid (2019)   Becca's List Greenlights by Matthew McConaghey (2020) Early Morning Riser by Katherine Heiney (2021) Sorrow and Bliss by Meg Mason (2020) Bel Canto by Ann Patchett (2001) The Invisible Life of Addie LaRue (2020) Never Let Me Go by Kazuo Ishiguro (2005) Happy All The Time by Laurie Colwin (1978) Giovanni's Room by James Baldwin (1956) American Wife by Curtis Sittenfeld (2008) Summer of ‘69 by Elin Hilderbrand (2019) or Summer People (2003) Cleopatra and Frankenstein by Coco Mellors (2022)   Listener Reccomendations The Great Believers by Rebecca Makkai (2018) The Country Club Murders (Book 1 The Deep End by Julie Mulhern) The Cave Dwellers by Christina McDowell Wrong Place, Wrong Time by Gillian McCallister The Calculating Stars by Mary Robinette Kowal  Lady Tan's Circle of Women by Lisa See Geek Love by Katherine Dunn The Good Part by Sophie Cousens  Oona Out of Order by Margarita Montimore The Nine Lives of Rose Napolitano by Donna Freitas   Obsessions Becca - Maybe Happy Ending musical Olivia - Walks + Merlin bird ID app   What we read this week Becca - Maggie; Or A Man and a Woman Walk Into A Bar by Katie Yee (7/24) Olivia - She Used To Be Nice by Alexia LaFata (8/12), The Colony by Annika Norlin   This Month's Book Club Pick - Audition by Katie Kitamura (have thoughts about this book you want to share? Call in at 843-405-3157 or email us a voice memo at badonpaperpodcast@gmail.com)   Sponsors Quince - Go to Quince.com/bop for free shipping on your order and 365 day returns Wayfair - Shop a huge selection of outdoor furniture online at wayfair.com   Join our Facebook group for amazing book recs & more!  Buy our Merch! Join our Geneva! Order Olivia's Book, Such a Bad Influence! Subscribe to Olivia's Newsletter! Order Becca's Book, The Christmas Orphans Club! Subscribe to Becca's Newsletter!  Follow us on Instagram @badonpaperpodcast. Follow Olivia on Instagram @oliviamuenter and Becca @beccamfreeman.    

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Viajamos a través de la vida de uno de los mejores tenores de la historia, el roncalés Julián Gayarre, una estrella internacional del 'bel canto' que murió en la cima sin perder sus raíces, " como el pastor de ovejas que había sido en su pueblo".

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Ann Patchett, in conversation with Richard Wolinsky, recorded in the KPFA studio on a book tour for “Bel Canto,” September 20, 2001. Ann Patchett is the author of nine novels and five works of non-fiction. Her most recent novel, Tom Lake, was published in 2023.  She's best known, though, for her fourth novel, Bel Canto, which became a National Book Award finalist, and was adapted into a film in 2018. There is currently talk about a mini-series in the works.  This interview has not aired in over twenty years. The post Ann Patchett, “Bel Canto,” 2001 appeared first on KPFA.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

Toda la belleza del Bel Canto, la pasión de los grandes interpretes inmortales de la opera, el romanticismo inagotable de las canciones y los clásicos boleros. Esto y más nos trae en cada emisión de “Una Voz Una canción”, en las voces de la Soprano Elizabeth Trabanino y y el tenor Eduardo Fuentes.

durée : 01:28:22 - Lisette Oropesa, reine du bel canto - par : Aurélie Moreau - Lisette Oropesa triomphe sur les plus grandes scènes grâce à son timbre tout en rondeur et des suraigus lumineux : la soprano est aujourd'hui l'interprète idéale du bel canto, et elle s'impose aussi dans Verdi ou dans le répertoire français.

Hello, Campers! Once again it is April Fool's Day, which means that here at Countermelody, we're doing another in my “Alternate Universe Bel Canto” series. This year the featured diva is Olive Middleton, still remembered by a certain kind of opera lover who adores fearless singers who throw caution, technique, and discretion to the winds. In the case of Middleton, she became, late in life, the lead soprano of the La Puma Opera Company (officially titled the La Puma Opera Workshop), where she fearlessly undertook the most challenging soprano roles of the operatic repertoire. Today, as last year, I am joined by my friend the redoubtable Thomas Bagwell, whose love of bad taste and cringe-worthy artistic expression surpasses even mine. We have a rollicking conversation about Middleton, interspersed with choice live selections from La Puma in the 1960s. Along the way, we discuss the “so bad it's good” phenomenon and its manifestations in film, on stage, and on the printed page, including an abominably bad poem about Olive that Thomas specifically for this episode. In the end, we arrive at many conclusions, first and foremost that singers like Middleton were motivated, in the words of John Ardoin, “a love for singing, a love for music, a love for her audience. She disperses this primary element in unstinting fashion, sharing with her public a devotion to and pursuit of art that is surely without parallel.” If you have not yet experienced the force of nature (and mind over matter) that is Olive Middleton, you are in for a listening experience like none you have ever had! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Today Philippa reviews: The Wolf Tree by Laura McCluskey Tell Me a Dragon by Jackie MorrisSpring Unfurled by Angela Harding.Plus Philippa interviews Kate Fagan about The Three Lives of Cate Kay.Kate recommends:Bel Canto by Ann PratchettThe Book Thief by Markus ZusakPlain Bad Heroines by Emily Danforth. Hosted on Acast. See acast.com/privacy for more information.

Send us a textDoug & Ben are joined by special guest, Seth Finch, and they discuss 'bel canto' singers while enjoying beer & wine from North Carolina, Colorado, and California.

In a remarkable and illuminating tour de force, the novelist recently took a fresh look at her best-known book, going through it line by line and annotating it with handwritten notes in the margins – notes on things she both loved and hated. “It shows,” she says, “a lot about how to write a novel.”

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: book sets and learning new things Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: things we find tragic in our reading lives that may not actually be tragedies The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  1:18 - Our Bookish Moments Of The Week 1:33 - Ember in the Ashes complete set (purchase at your own risk!)  5:38 - A Year of Living Curiously by Elizabeth Foley 7:39 - Mug Warmer 7:39 - Our Current Reads 8:28 - Earth by John Boyne (Kaytee, Blackwell's link) 8:35 - Water by John Boyne (Blackwell's link) 8:37 - CR Season 7: Episode 2 13:02 - Ask for Andrea by Noelle W. Ihli (Meredith) 15:16 - The Collective by Alison Gaylin 15:22 - The Overnight Guest by Heather Gudenkauf 16:45 - Done and Dusted by Lyla Sage (Kaytee) 17:28 - Throne of Glass by Sarah J. Maas 21:19 - Wild and Wrangled by Lyla Sage (pre-order releases April 15) 22:13 - The Kingdom, the Power and the Glory by Tim Alberta (Meredith) 22:56 - The Popcast 26:08 - The Many Assassinations of Samir by Daniel Nayeri (Kaytee) 26:16 - Everything Sad is Untrue by Daniel Nayeri 29:20 - A Winter's Promise by Christelle Dabos (Meredith) 31:11 - Book, Talk, Etc 35:32 - Non-Tragic Bookish Tragedies 37:10 - A Court of Silver Flames by Sarah J. Maas 37:47 - Still Life by Louise Penny (special edition w/sprayed edges, releases Sep. 30, 2025) 49:12 - Meet Us At The Fountain 49:22 - I wish to always speak to indie bookstore owners. (Kaytee) 52:08 - Sarah's Bookshelves Live 52:14 - I wish to know if it seems like we are getting more reissued pretty versions of books from publishers today. (Meredith) 53:07 - Fourth Wing by Rebecca Yarros 53:35 - The Hunger Games box set by Suzanne Collins (Special edition) 53:37 - 37:47 - Still Life by Louise Penny (special edition w/sprayed edges, releases Sep. 30, 2025) 53:50 - Wicked by Gregory Maguire (special edition) 54:03 - Bel Canto by Ann Patchett (special annotated edition) Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. February's IPL comes to you from Fables and Fairy Tales in Marinsville, Indiana! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

In addition to being a much-admired writer, she owns Parnassus Books, in Nashville. “Because I own a bookstore, I get a copy of just about every book that comes out. It's like being pelted to death with books.” Like that Shirley Jackson story but more ironic. The author of Bel Canto, on friendship, fathers, writing, and reading.

Le nom de Donizetti n'arrive qu'après celui de Rossini et Bellini pour illustrer le bel canto romantique ; il a été pourtant le plus prolifique des trois, puisqu'on lui doit pas moins de 70 opéras.  Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

You know what they say: grieving people never whittle.   We encourage you to check out our Patreon and/or Ko-Fi, as they've got sweet sweet benefits and also you can help us get to our goals--we're making great progress towards full episode transcripts! AND Our Store is a thing, with all your t-shirts, tote bags, stickers and more!   Background music and sound effects: Happy Snow Christmas Melody Festive Holiday Music Kavin Dashehan The Coming New Year 2025 Artur Aravidi   X-mas Ambiance PHANTASTICBEATS   Christmas Carols Meditation (parts 1&2) NATURES EYE   Cozy Jazz Podcast Music with Christmas Bells Denis Pavlov   Ball of Ghosts SP Music   Mystical Winter Christmas Alexaa221   Nostalgia Oleksii Kalyna   Santa and Friends Grand Project     Email us at PodAgainsttheMachine@gmail.com Remember to check out https://podagainstthemachine.com for show transcripts, player biographies, and more. Stop by our Discord server to talk about the show: https://discord.gg/TVv9xnqbeW Follow @podvsmachine on Twitter Find us on Reddit, Instagram, and Facebook as well.

À l'occasion des fêtes de fin d'année, redécouvrez le meilleur d'Au cœur de l'Histoire. Pour le réveillon, Virginie Girod vous invite à l'opéra et raconte le destin légendaire de Maria Callas (1923-1977), petite fille grecque malaimée devenue la plus grande chanteuse lyrique du XXe siècle. Née avec de l'or dans la voix, celle que l'on surnommait "La Divina" a ému des milliers de spectateurs dans les plus grands opéras du monde.

Have you ever reread something you wrote years earlier and cringed? Or maybe you were surprised by the depth, heart and complexity of what your younger self put to the page. Ann Patchett had both experiences recently when she reread her award-winning 2001 book “Bel Canto.” She's now reissued the novel with her own handwritten margin notes — both complimentary and critical. We'll talk to Patchett about what she loves about the original and what she would change, and what it's like to edit your own work decades later. Patchett's new book is “Bel Canto: The Annotated Edition.” Guests: Ann Patchett, author, "Bel Canto: The Annotated Edition"

In the season finale of Gays Reading, host Jason Blitman sits down with Ann Patchett to discuss the annotated edition of her acclaimed novel Bel Canto. They explore the power of memory, the key to learning and appreciating opera, and much more. Ann shares stories about meeting Jim Parsons at Our Town on Broadway, attending the only baseball game of her life, and what she would say to her younger self who wrote Bel Canto. Tune in for Ann's holiday book recommendations and Jason's most memorable reads of the year.Ann Patchett is the author of novels, most recently the #1 New York Times bestselling Tom Lake, works of nonfiction, and children's books. She has been the recipient of numerous awards, including the PEN/Faulkner, the Women's Prize for Fiction in the UK, and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages, and Time magazine named her one of the 100 Most Influential People in the World. President Biden awarded her the National Humanities Medal in recognition of her contributions to American culture. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books.The list of books from the episode can be found HERE. Check out the Bel Canto Spotify PlaylistBOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.comWATCH!https://youtube.com/@gaysreadingBOOKS!Check out the list of books discussed on each episode on our Bookshop page: https://bookshop.org/shop/gaysreading MERCH!Purchase your Gays Reading podcast merchandise HERE! https://gaysreading.myspreadshop.com/ FOLLOW!@gaysreading | @jasonblitman CONTACT!hello@gaysreading.com

Have you ever reread something you wrote years earlier and cringed? Or maybe you were surprised by the depth, heart and complexity of what your younger self put to the page. Ann Patchett had both experiences recently when she reread her award-winning 2001 book "Bel Canto." She's now reissued the novel with her own handwritten margin notes -- both complimentary and critical. We'll talk to Patchett about what she loves about the original and what she would change, and what it's like to edit your own work decades later. Patchett's new book is "Bel Canto: The Annotated Edition." Guest: Ann Patchett, author, "Bel Canto: The Annotated Edition"

Ann Patchett burst on the scene with Bel Canto twenty three years ago. Bel Canto was not her first novel, but many still consider it to be her best (although she disagrees). This week she releases an Annotated Edition of Bel Canto and in it she rereads and notes her triumphs and mistakes on every page. Seriously. A great novel, a great writer making insightful comments on her own writing (in her own handwriting)…if you love reading, writing or Ann Patchett, this is a HUGE treat. In this episode, the first installment of our conversation with Ann, we talk to her about the inspirations behind Bel Canto, and so much of what she thinks she could do better if she wrote it today. Listen and nerd out with us on the writing experience. Books mentioned in this week's podcast:  Bel Canto: The Annotated Edition by Ann Patchett The Dutch House by Ann Patchett These Precious Days by Ann Patchett The Patron Saint of Liars by Ann Patchett State of Wonder by Ann Patchett Commonwealth by Ann Patchett Run by Ann Patchett This is the Story of a Marriage by Ann Patchett Truth & Beauty by Ann Patchett Tom Lake by Ann Patchett Taft by Ann Patchett Cyrano de Bergerac by Edmond Rostand Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ann Patchett is a #1 New York Times Bestselling author, a finalist for the Pulitzer Prize, and was named one of the most influential people in the world by Time Magazine. Ann sat down with Jenna Bush Hager for a conversation about what inspired her latest children's book, “The Verts: A Story of Introverts and Extroverts” and what it was like to revisit her beloved novel "Bel Canto" for the special annotated release. Ann shares how she knew she wanted to write at a very young age, the nun that inspired her love of books, and how she started the next chapter in her career by opening Parnassus Books, an independent bookstore in Nashville. 

October Book Club is here! It's time to share our feelings about Bel Canto by Ann Patchett. We covered our reading experience, the real-life stories that inspired the book, side characters we loved, and if we enjoyed the controversial epilogue, and more!    If you liked this book, you may like Anxious People by Fredrik Backman!   Obsessions Olivia: Andrew Garfield (shoutout to his Chicken Shop Date) Becca: Viviaia Maryjanes in black   What we read this week Olivia: Intermezzo by Sally Rooney, Bel Canto by Ann Patchett, and The Night Circus by Erin Morgenstern   This Month's Book Club Pick - Be Ready When the Luck Happens by Ina Garten (have thoughts about this book you want to share? Call in at 843-405-3157 or email us a voice memo at badonpaperpodcast@gmail.com)   Sponsors Cozy Earth -  cozyearth.com/badonpaper and use code BOP for an exclusive discount of up to 40% off! Prose - get 50% off your first haircare subscription order at prose.com/bop. Quince - Go to Quince.com/bop for free shipping on your order and 365-day returns.   Join our Facebook group for amazing book recs & more!  Buy our Merch! Join our Geneva! Order Olivia's Book, Such a Bad Influence! Subscribe to Olivia's Newsletter! Order Becca's Book, The Christmas Orphans Club! Subscribe to Becca's Newsletter!  Follow us on Instagram @badonpaperpodcast. Follow Olivia on Instagram @oliviamuenter and Becca @beccamfreeman.