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It was the sudden declines in footy audiences that did it for Suncorp Executive Manager of Media, Greg Kearney and OMD Chief Media Partnerships Officer, Marelle Salib. They knew that diehard sports fans don’t just ditch their teams overnight. But Kearney and Salib had years’ worth of market mix model (MMM) data that countered the volatile numbers coming from OzTAM back in 2023. Those zero ratings, or “doughnuts” per Foxtel Media boss Mark Frain, preceded the split between the pay TV provider and the free-to-air TV networks on measurement, with Foxtel Media breaking away to use Kantar to validate its own return path data from a million subscribers. Digging deeper showed that the ratings were way off for a slew of shows, “and clients were asking what was going on”, per Salib. No measurement system can ever be 100 per cent perfect all of the time, she acknowledges, but OMD has been running Kantar and its own client MMM data in parallel: “What we're seeing is the performance of things like sports sponsorships are remaining stable, and that is a really good indicator of performance … The Kantar data set appears to be really robust,” says Salib. While Suncorp has a sophisticated approach to media investment, Kearney says reach remains a “crucial” input. “We need to know where the audience is, and it's changing so rapidly. If you don't know that, you're significantly behind the eight ball. And secondly, audience numbers are a huge part of the cost equation,” he says. “If you don't get that right, the inputs into your market mix models are going to be off … and you're never going to have a good view on your business outcomes.” Foxtel’s Frain acknowledges the move from one measurement system to another is “pretty challenging” for the industry, but says breaking away and enabling Foxtel Media to plug its pipes into multiple data sources and market mix models “is the best thing we have ever done”. Plus, it gets the pay TV provider closer to closing the loop on how media investment actually delivers a business result. Now Frain’s aiming to plug in more data sources.See omnystudio.com/listener for privacy information.
The gang receives a gift in the mail, but can't figure out what it is or how it works. Then, Caitlin reveals that she married a jock!To hear the full episode, head over to nevernotfunny.com and sign up for a Platinum subscription. Plans start at $6/month and include a second full-length episode every week, video of every episode, plus a monthly bonus episode. More perks, like access to our back catalog and game nights on Zoom, are also available. Sign up today!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Denise Le Pohon avait 79 ans. C'était une vieille dame tout aussi discrète que solitaire. Elle n'ouvrait guère ses volets de son pavillon de Brétigny-sur-Orge, dans l'Essonne. Elle se méfiait des visiteurs inconnus. A l'été 2018, on va la retrouver inerte, une plaie ensanglantée à l'arrière du crâne. Attaquée par un inconnu qui voulait sans doute la cambrioler. Elle décèdera quelques semaines plus tard à l'hôpital. Un crime ordinaire qui bénéficiera d'une enquête ordinaire. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.
Take a ride on the Frain Pain Train with Scotty and Coach Brian Frain, who seems to be the coach for everyone these days. We get into Brian's background, his running life, and all kinda of other random things of interest. This was a great chat that will keep you company on your long run. This episode also brought to you by UCAN Use the code TENJUNKMILES for 20% off here: https://ucan.co/tenjunkmiles Contact Brian for coacing or get a copy of his book here: https://www.facebook.com/brian.frain/ Shy? You can also get it here: https://www.amazon.com/See-You-At-Terminus-Breaking/dp/1071105159 Scoty's prior show with Brian and Annie: Join the official Facebook Group: https://www.facebook.com/groups/1057521258604634 Sign up for the races here: https://www.tenjunkmilesracing.com Support the show via Patreon here: https://www.patreon.com/tenjunkmiles Website: http://www.tenjunkmiles.com/ Patreon: https://www.patreon.com/tenjunkmiles Twitter: https://twitter.com/tenjunkmiles Instagram: https://www.instagram.com/tenjunkmiles/ Facebook: https://www.facebook.com/TenJunkMiles/
Welcome to an audio-led edition of Unmade. Along with revealing the lineup for the Brisbane edition of our Compass event, we today feature an in-depth interview with Mark Frain, CEO of Foxtel Media, recorded around last week's Upfront event. Plus, a further dip in the Unmade Index.If you've been thinking about upgrading to an Unmade membership, this is the perfect time. Your membership includes:* A complimentary ticket to all of Unmade's events, including Unlock (October 31), Compass (across November), HumAIn (Q2 2025) and REmade (Q3 2025);* Members-only content; and all of our paywalled archives;* Your own copy of Media Unmade. Budget Direct Chief Growth Officer, Nine MD, Publicis strategy chief and comms veteran to bring Compass to Brisbane Cat McGinn writes:We can today reveal the leadership panel for the Brisbane Compass event, Unmade's annual industry meet-up, this year taking place in six states. The panel features Jonathan Kerr, Chief Growth Officer of Budget Direct; Michael Crutcher, PR professional and former editor of the Brisbane Courier Mail; Simon Murphy, chief strategy officer for Publicis; and Kylie Blucher, managing director of Nine Queensland & Northern NSW.The panel will be moderated by Unmade's Tim Burrowes and the discussion will later be featured as an Unmade podcast.Unmade's paying members are entitled to a complimentary place at Compass, and tickets are on sale here.Unmade's Compass roadshow takes place across six states.* Wednesday November 6 - Hobart, The Hope and Anchor;* Tuesday November 12 - Brisbane, The Prince Consort;* Wednesday November 13 - Sydney, The Sporting Globe;* Monday November 18 - Perth, The Globe;* Tuesday November 19 - Adelaide, Elephant British Pub;* Wednesday November 20 - Melbourne, The Garden State Hotel.‘We agitated for change and we didn't get the answers we were looking for': Why Mark Frain created the VFCFrom his opening words on stage at last week's Foxtel Media Upfront event, it was clear that boss Mark Frain hasn't made peace with the decision made by Seven, Nine and Ten to refuse him a place at the ownership table for measurement system OzTAM.Instead, he has gone it alone, with Foxtel building its own measurement system powered by Kantar, and inviting a coalition of streamers to join them in the Video Future Collective.Frain sees it as the free-to-air networks' loss: “It's been cathartic” he tells Unmade's Tim Burrowes. “We did request to become officially part of OzTAM from a shareholding perspective. We also discussed the opportunity to provide our data to that business where we thought we could enrich and improve the service. And unfortunately, the shareholders said no. So from there, that forced us down a different direction.”The biggest downside of the schism is that for media agencies and brands they now have a second measurement system to contend with. Frain is unapologetic. “Any change causes some unrest”.This new direction includes the creation of a coalition of streamers under the banner of the Video Futures Collective, chaired by Foxtel's Toby Dewar. Alongside Foxtel, the VFC membership now consists of Amazon Advertising, Disney Advertising, Samsung Ads, SBS On Demand, Vevo and YouTube. Frain says, pointedly, “Everyone's got an equal share of voice.”* Declaration of interest: Foxtel provided my travel and accommodation for the upfront event, and they've been advertising with us this week. The podcast interview was not part of any commercial arrangement.Unmade Index continues downwards driftTim Burrowes writes:The Unmade Index's slow stall has stretched into a week after losing another 0.74% yesterday. That followed a drop of 0.73% on Tuesday. The Unmade Index, which tracks Australia's listed media and marketing companies has been losing ground since last Tuesday. It closed on 444.7 points last night.Yesterday saw Vinyl Group grow by 4.6% to a market capitalisation of $111m, just behind Southern Cross Austereo's $112m.Ooh Media's slide also continued, losing 2.5% yesterday to land at $641m. The company has lost nearly 9% over the last month.Today's podcast was edited by Abe's Audio. We'll be back with more tomorrowHave a great day.Toodlepip…Tim BurrowesPublisher - Unmadetim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
En septembre 2018, la sœur d'Irène Frain, Denise, est assassinée chez elle à Brétigny-sur-Orge (Essonne) par un cambrioleur qui la frappe avec un marteau. Irène Frain fait le lien entre le meurtre de sa sœur de 78 ans et une série de violentes agressions contre des retraités dans la commune. Dans les semaines qui suivent, elle apprend avec surprise que l'autopsie menée sur le corps de sa sœur a conclu à une mort naturelle. Elle engage alors un avocat pour porter plainte, et décide de se rendre à Brétigny pour comprendre ce qu'il s'est passé. Elle raconte cette histoire dans un livre intitulé « Un crime sans importance », qui remporte le prix Interallié en décembre 2020.Irène Frain témoigne au micro de Barbara Gouy.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert et Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Nicolas Carreau met la littérature à l'honneur chaque week-end pendant l'été, de 13 heures à 14 heures.
Foxtel Media CEO Mark Frain dishes on how the customer and advertising experience are shifting amid the proliferation of streaming. Episode TranscriptPlease note, this transcript may contain minor inconsistencies compared to the episode audio.[00:00:00] Damian: I'm Damien Fowler.[00:00:01] Ilyse: And I'm Ilyse Liffreing.[00:00:02] Damian: And welcome to this edition of The Current Podcast.[00:00:05] Ilyse: This week we're delighted to speak with Mark Fra, the CEO of Foxtail Media.[00:00:10] Damian: Foxtel Media is the advertising arm of the Foxtel Group, one of Australia's leading media companies, with more than 4. 7 million subscribers.[00:00:19] Ilyse: Like many legacy broadcasters, over the last decade, Foxtel has reinvented itself for the Netflix era, building on its pay TV subscription model by adding in streaming platforms such as Binge and Kayo. It supports streaming services.[00:00:35] Damian: And last year, Foxtel introduced an ad tier on the service, following in the footsteps of Netflix and Disney We started by asking Mark about the state of the television advertising model in Australia this year.[00:00:46] Mark: Yeah, I mean, I think like the rest of the world, the TV market here in Australia is, going through significant change with the growth of, all of the streaming platforms with many of the, add tiers and add capabilities starting [00:01:00] to, launch in the Australian marketplace. Probably what is pretty unique, in terms of the Australian marketplace is that there's currently three major freeware broadcasters that all have their own, digital, platforms as well.[00:01:14] so they're managing transition from linear to digital themselves, but at the same time you've just got this enormous groundswell of video inventory coming from the streaming player. So we're, certainly getting towards a tipping point in the trends in the Australian TV marketplace at the moment.[00:01:31] Damian: Mark, could you just, put into perspective the growth of streaming that you've seen at Foxtel?[00:01:41] Mark: Foxtel has been on an enormous transformation for last four or five years. And if I look, probably four or five years ago, just under 10 percent of our subscribers were streaming customers. And if I look at where we are today, that number is just under [00:02:00] 70%. So a quantum growth in the type of customer we've got.[00:02:04] And critically, what that has also meant is that in the last four or five years, the Foxtel customer base Has grown pretty much close to 100 percent from where it was previously, and that's all been down to, the growth of streaming. And secondly, if I look at it from a Foxtel Media, advertising perspective.[00:02:27] And probably only three years ago that seven or eight percent of our advertising revenue came from digital. As we go into the next financial year, that number will be just under 60%. So we're the beneficiary of that change in customer base from Foxtel, from traditional broadcast TV business to one now that is, is leading and driving streaming the Australian marketplace.[00:02:51] Damian: Yeah, in terms of Foxtel, could you talk us through your relationship between, your existing linear model and [00:03:00] your launching of an ad tier on Binge?[00:03:03] Mark: Yeah. So traditionally, Foxtel has been the, major pay TV provider. In the Australian marketplace, with numerous, linear channels from sport, entertainment, news, all the typical, pay TV channels you would have, coupled with, two digital platforms, Foxtel Now, that have really been the IP services of Foxtel.[00:03:26] And then over the last four to five years, the Foxtel Group. Has launched heavily into streaming. Firstly, it launched KO, a dedicated sports streaming platform with over 40 premium sports, including both the major codes locally in Australia and a lot of the global content like Formula One, as an example.[00:03:50] About 18 months, two years after launch of KO, we then launched Binge. which is K. O. 's sister if you like, entertainment [00:04:00] platform backed by a lot of HBO, NBCU, content. So, made a significant jump, into streaming in the last three to four years. And that has allowed the Foxtel group to pretty much double its subscriber count, from being a traditional pay TV company to now one that plays heavily in streaming.[00:04:19] Damian: You know, in the streaming ecosystem, which we all know is highly competitive, right now, everyone's looking for subscribers and numbers, what's the competitive advantage that Binge brings to the table?[00:04:32] Mark: Yeah. Yeah, you're right. I mean, number one, it's enormously competitive. I think table stakes now are a premium level of content. unfortunately from the global content producers that we work with, coupled with our local content, I think we've got a significant library of content that has debt. I think if you, scratch the surface on some of the content offerings, you don't get the depth of premium content.[00:04:59] On [00:05:00] Binge, we've been very strict on running Four to five minutes of ads an hour on very tight on frequency capping just to make sure that, we give those customers that are buying into the value equation of subscription and advertising a very good customer experience, which includes both the content they're watching and also the advertising experience.[00:05:22] Ilyse: would you say Binge competes with other streamers when it comes to like content acquisition, production, and then maybe like ad experience?[00:05:33] Mark: Yeah. I think we're fortunate enough, that the way that almost the origins of the Foxtel pay TV business has given us relationships and longstanding content relationships with the likes of NBCU, Warner Brothers, Discovery, the BBC group, et cetera. So many of the big globally renowned, media businesses.[00:05:59] [00:06:00] So that has allowed us to transition a lot of that content from the traditional pay TV channels. onto an on demand platform like Binge, and then we've been a significant investor in local content. So we've been able to both produce a number of Binge originals but at the same time leverage the existing local content we've already produced across the Foxtel group. Almost, I mean, we often describe it internally as one kitchen with many restaurants. and by that, I mean by the many different points of distribution, whether that be a linear paid TV channel, or whether that be a binge, on demand platform.[00:06:45] so we talk a lot about, watchability as a term in our business and making sure that every platform that we represent, that the ad experience stacks up to be the most watchable experience for customers.[00:06:59] Ilyse: And does the [00:07:00] content you have speak to specific audiences? Or are you finding that your audience is really across the board?[00:07:11] Mark: There's no question. I think that's the beauty of the streaming platforms that various elements of kind of content bringing a very different audience. And we're in the streamer landscape, you're we're in this very much pause play mentality from a customer perspective. So if that content is so appealing for customers, they may come in.[00:07:35] And binge on that content for X amount of weeks or months and then dip back out.[00:07:40] Particularly with the under younger end of the market that come in and out and then maybe into another streaming platform where they've cited another bit of world kind of renowned content that's got heaps of social buzz with it.[00:07:52] Ilyse: Mm hmm. Yeah, right? That's what I was gonna say.[00:07:56] Damian: I think. Not to malign as a Gen X er. As [00:08:00] a millennial, I'm not[00:08:03] Ilyse: anything. Um, and so, that's interesting when you talk about, content in that way. and that has a lot to do with, viewer retention, as you mentioned. Is there anything else that, Foxtail is envisioning or, strategizing? to really hold onto those viewers or attract new ones.[00:08:25] Mark: Yeah, I mean, I, I think from our perspective, we've gotta, we've gotta continue to evolve, the customer and product experience. There is, there's not a moment to stand still in this streaming environment. whether that be improving the. The viewer quality from HD to 4K to 8K. I think customer expectations are so high.[00:08:50] And whatever we do, in terms of the content experience and the ad experience, we just got to make sure that total value equation, stacks up.[00:09:00] Ilyse: Yeah, you know, in the U. S. at least, bundling is very popular. especially if you're a major network like Disney that's bundling like three different of its like streaming services. What about when it comes to like partnerships with you guys? Are you looking into any of those types of offerings when it comes to like bundling?[00:09:22] Mark: Or, or are you looking to like partner with any network or streamer? , is kind of partnership is embedded in our model. whether that be, as I mentioned before, that the content partners, the Warner Brothers, the NBC use, of this world. So we've had a long standing relationships and partners with them moving forward and going back to the earlier points upon the value equation.[00:09:49] even in the core, Foxtel set top box business over time, we've continued to add, all of the streaming platforms to that service, whether it be Netflix, whether it be [00:10:00] Amazon, whether it be Paramount. So, customers have felt they were getting more of their content choices, more of their streaming platforms in, in one place.[00:10:10] So there's been a level of partnership with the streamers right from the outset even, with the core set, top box business, and we've carried that on, to where we are. today, in the last, few weeks we launched, Hubble, which is our, new streaming ion business. and within that, platform we've got a stack and save, opportunity for customers where.[00:10:33] to your point on bundling, the more subscriptions they have they get a bottom line discount and I think there's so many customers out there I put myself in that bracket that you sign up to numerous streaming services and half the time You don't know exactly how many you've got and how much you're paying for.[00:10:50] Um, so we've actually centralized that into One platform, one invoice, with a stack and save, kind of discount position for customers that have multiple [00:11:00] streaming options. So partnership is embedded in our model, no question.[00:11:03] Damian: Yeah, that's[00:11:04] Ilyse: easy. I wish we had that here, honestly. Because there's not one, really.[00:11:08] Damian: Yeah, right.[00:11:09] Ilyse: Kind of have to look back on everything you're charging, and that's, your card, and that's, that's[00:11:16] Mark: it doesn't take long for months to pass and realize you're still paying for Yeah,[00:11:24] Mark: In terms of like your kind of customer research or, your audience first approach, what are you hearing from your customers vis a vis, ads, the ad, not the ad experience per se, but whether, ads are a game changer for them, you know, in this era of kind of subscription fatigue and all of that.[00:11:43] Damian: Are customers receptive to that ad load you're talking about and is that basically a selling point for Binge and your streaming channels when it comes to advertisers and attracting advertisers to those platforms?[00:11:57] Mark: in everything we do from a, [00:12:00] an advertising perspective to, respect our customers. We've got a very, customer first mentality within the Foxtel group. It's one of our, it's one of our values. And to your point, we test, the various levels. As I mentioned earlier, engagement and attention to our customers.[00:12:17] in terms of their level of response to the content and the advertising. And we kind of, we've seen their perceptions of, the binge brand hold really strong as we've added advertising to that platform. And you've got to look at the economic backdrop here. disposable incomes are under significant kind of, pressure, the hike in interest rates globally over the last.[00:12:43] 12 to 18 months have put enormous pressure on household spending. So I think the introduction of the ad tiers, not just the binge, but for a lot of the global players has been a, another, kickstart to, subscriber [00:13:00] growth levels, across the industry. And it just gives customers optionality.[00:13:06] and probably what was interesting When we added advertising to the binge platform, clearly we've done some modeling on what might be the churn levels of customer out of that tier and what might be the spin up into the next tier without advertising. And in both kind of cases, number one, the actual churn level in terms of those customers pulling out the platform was well under expectations.[00:13:39] in the zero point something kind of percent and a handful of more customers of spun up. So net, we were left with a scalable audience, even probably bigger than we actually modeled for our advertisers. So it was a really good story. So I think the research got us in the right place in terms of the ad experience we put forward.[00:14:00] Ilyse: I know we've written quite a bit about how, like, streaming is democratizing, sports in a way for, maybe perhaps, smaller brands to get in on sports, versus in a linear environment where it's, More expensive, usually. is that what you're experiencing? Is there a difference in brands wanting to advertise on linear versus streaming? Or, and how is that like playing out?[00:14:25] Mark: it's a good question. A lot of our, premium brands have transitioned into streaming at the same time to ensure they've got. Yeah. Brand presence and share a voice across both live linear and into streaming, but you're right that there's no doubt it's given opportunities for smaller brands to get on board and be involved in live sport, which historically may have been, cost prohibitive.[00:14:52] and what I would say in almost summary of that trend, we've, on our, major [00:15:00] sporting, properties here in Australia, whether that be the cricket, whether that be the AFL or the NRL, which I've already mentioned, in the last couple of years, we've had a record number of advertising partners on all of those kind of codes.[00:15:12] And that's been the blend of those big premium advertisers that have always been involved in sport, that have had the financial bandwidth to do so. Plus, A multitude of new brands that have come on, streaming. So we've got more, if you like major sports partners than you've ever had before.[00:15:30] Ilyse: I feel like it's also pretty interesting because when it comes to live sports streaming kind of offers an environment where, I don't know you can watch them at any point. For one thing, and then two, we've, at least we've written about how some more like niche sports are appearing in streaming environments, versus linear, and I'm curious what you think about that. Pickleball.[00:16:01] Mark: Great example. very timely, actually. last night I was, fortunate enough to be out with, wheelchair rugby Australia. and as an example, we brought, their content onto the KO platform, probably four years ago now. And what that has done to that code in particular, it's allowed them to grow exponentially in the number of teams that now play wheelchair rugby in the Australian marketplace, the number of participants they've got.[00:16:36] the number of females that are now playing it, and across those three or four years, the quality of that team has meant that they've been able to, they've won the World Cup, they've won the World Championships, and they're off to, the Olympics, later this year.[00:16:53] So, outside of the big ticket, sports, It's also great to show the impact you could [00:17:00] have on other sports that wouldn't be kind of, that aren't out there of competing for sports rights. It's a very different model about how you support them and their corporate growth moving forward.[00:17:12] Ilyse: know, it, it seems, even in Australia, it's a very fragmented media ecosystem. How are you thinking about measuring audiences, especially now with the rise of, alternative currencies? what's, the Aussie gold standard,[00:17:31] Mark: it's a fascinating question and I, myself and my team spend a lot of time, observing, reading, going to the U. S., the U. K. and observing the trends. And over the last probably three to four years, I mean, there has been a An explosion of alternate currencies in the U. S. when you look at the likes of, video amp and others taking the challenge to Nielsen, we observed that.[00:17:56] And whilst I don't think we're going to get to the [00:18:00] same level of different currencies in the Australian marketplace, I think you will see, publishers Probably grab the accountability of measurement themselves. moving forward. in this market, we've got, post town, which is a kind of, Nielsen supported, service and from a Fox sale perspective, we're part of that.[00:18:24] Industry standard, but we also recognize that we've got, set up box data with IP return path. We've got multiple streaming platforms. So a there's a role for us to make sure We leverage, that data probably more than we ever have. and that's not just to use it, internally in terms of retention and everything else you use your own data for.[00:18:52] But how do we actually use that for not just targeted advertising? How do we use it as a currency [00:19:00] moving forward? Because the depth of that data is so strong.[00:19:05] Now, While you were stating some of the various partnerships that you do have. And I'm just curious because it sounds like so many. how do you possibly manage all the partnerships? Especially with Foxtail's, yearly roadmap. I[00:19:24] it's a great question. I think, fortunately, a lot of, the content deals that the Foxtel business has is, Number one, they're multi year agreements, and therefore, the actual, the start and renegotiation dates, a lot of, a lot of those content deals are spread out across multiple years, so that gives us an opportunity to probably manage the heavy lifting part of those deals, which is often the renegotiation, and the work to move forward to continue a deal.[00:19:58] [00:20:00] But I think, this is not just, on the content side, this is certainly on the advertising side. One piece of feedback that we continually we get and probably more so than ever right now is the importance of senior relationships in the industry. Never have we seen probably an influx of such scale in terms of global streaming competitors coming to the market, particularly on The advertising and add to your side.[00:20:35] And one thing that I think we can, that can continue to stand the same good state is the senior level of relationships that we hold in the industry. And that's not, that's not exclusive to Australia. I think that's in any market. and that's one part that. We take very seriously in terms of how we manage, our partnerships, whether they be content or advertiser [00:21:00] related.[00:21:00] Damian: I guess we'd like to get a perspective of your, year in view. what's exciting you about the next six months?[00:21:09] Mark: I think going back to the point of kind of competition, we'll have, Amazon Prime will launch, its, advertising service, from a streaming video perspective later this year. Um, Paramount Plus have just announced the launch of their, ad tier. So there's enormous activity and interest in the category.[00:21:29] So our focus is number one, to be part of that growth curve in streaming video, if not leading in many, many areas, and probably one of the areas that I'm being truly honest, I wouldn't have forecast that it. Thank you. our involvement as a business, whether that be Foxtel Media or me personally, in audiences and in measurement, I've never been as personally involved, in that area.[00:21:59] And [00:22:00] I think there's a, there's an opportunity to get that right. and most importantly, getting that stands us in great stead for future growth. So seeing an explosion in both currencies and measurement, attention, engagement, and new metrics. So that feels like the new battleground for us moving forward and one that from a Foxtel perspective, we want to make sure that we lead.[00:22:27] Mark: And that's it for this edition of The Current Podcast. We'll be back next week, so stay tuned.[00:22:33] Ilyse: The current podcast theme is by Love and Caliber. The current team includes Cat Vessey and Sydney Cairns.[00:22:39] Damian: And remember I'm Damian.[00:22:41] Ilyse: I'm Ilyse.[00:22:42] Damian: And we'll see you next time. And if you like what you hear, please subscribe and leave us a review.[00:22:47] Also, tune in to our other podcast, The Current Report.
RENCONTRES émission présentée par Catherine Schwaab. Elle reçoit Dany Jucaud, Aurélie Raya et Irène Frain sur Hollywood, le showbiz et le journalisme.
Cette semaine, La Grande Librairie vous donne rendez-vous au Festival de Cannes ! Autour de Daniel Auteuil pour parler des livres de sa vie, mais aussi de l'art de l'adaptation… et de Marcel Pagnol dont on célèbre cette année le cinquantenaire de la disparition. Pour nous accompagner : Daniel Auteuil, Philippe Claudel, Zabou Breitman, Irène Frain et Nicolas Pagnol.
Nicolas Carreau met la littérature à l'honneur chaque dimanche, de 19h à 20h.
Breaking UBP Bonus Episode! Tony and T.J. waited until midnight at the long-shuttered Tower Records on Clark St, while dreaming of corned beef sammies from the even-longer-shuttered Belden Deli, to be among the first to stream the new Ringo Starr EP “Rewind Forward” in their respective and collective not-so-tidy-whities. And they have one question: was that really worth the run-on sentence? And who do you think you are, Warriners, my guy? What the Bad Boy-oy-oy-oys discovered is this just might be the best Ringo EP of 2023. There's peace, and love, and groovy tunes. And Steve Lukather! And Sir Paul McCartney! If you're not certain that this EP should be among your Private Property, don't go breaking the law; listen to this special mid-week deep dish of the newest Ringo release, just dropped in your feed like we're Bono or some s**t! Along the way, the Two Andy's (White and Frain) also ask:
Travis Frain is one of a few (although, sadly, a growing number of) people who can say that they have survived a terrorist attack. When he was 19 years old, on a university trip to London, he was attacked on Westminster Bridge in an attack which injured more than 50 people, killing four. The attacker mounted the pavement, driving his van into pedestrians before crashing his car into the fence of the Palace of Westminster and attacking a police officer. Today, Travis works as the National Chair of the Counter Terrorism Police Advisory Group and campaigns on behalf of terrorism survivors. Daisy Maskell sits down with Travis Frain to hear about how becoming a survivor changed his life, the treatment of terrorist survivors by the media and his experience with disaster trolls. Follow Daisy Maskell - Instagram: https://www.instagram.com/daisylmaskell/ Twitter: https://twitter.com/daisy_maskell_ Learn more about your ad choices. Visit megaphone.fm/adchoices
The Boys are Back, Baby! Jeremy, Thibs and Shane talk hoops with special guest Riley Frain of Mid-Major Madness.
Welcome to the Director Download, powered by Campus Rec Magazine. It's time to go behind the curtain of the director role and have honest discussions with leaders in the campus recreation industry. In this episode, host Grady Sheffield, the director of campus recreation at Towson University and the senior advisor to the Campus Rec Mastermind Groups, gives you the listener real and authentic conversation between himself and special guests, Silvia Chan and Jay Frain at the University of Connecticut (UConn). Chan and Frain have been working together at UConn for over 20 years. They've learned to work with one another's strengths and weaknesses, as well as candor and honesty. The working relationship they have reflects the team atmosphere at UConn Recreation as a whole. Chan and Frain share on how that culture has come about, the shared vision the team works together to form and why they each have stayed in the field. Plus, the conversation touches on generational differences when it comes to work and how to lead staff in those dissimilarities. Enjoy the honesty, the banter and more in the conversation that follows.
Siempre que hablamos de coleccionismo privilegiamos la variedad, pensamos que mientras más siluetas, marcas y pares conozcamos es mejor, pero qué pasa cuando una persona decide especializarse en una marca y además tener la facilidad y la ventaja de añadir piezas que sólo están disponibles en su mercado. Algo así es lo que le pasó más o menos a Cristian Damiani a.k.a FRAIN en Buenos Aires, donde no sólo había una licencia para fabricar pares de adidas, sino que existe un pequeño oasis en la tienda de Carlos Ruiz que alberga estas impresionantes joyas. Frain decidió ser fiel a Las Tres Franjas y expresar ese amor a cualquier lado que vaya, aprovechamos su reciente visita a México para platicar con él sobre cómo son las cosas en Argentina y darnos cuenta de la posición tan privilegiada que tenemos, pero también las similitudes que guardamos con nuestro hermanos en toda Latinoamérica.
durée : 00:54:15 - La librairie francophone - par : Emmanuel Kherad - Ce samedi, on parle des russes avec Iegor Gran, des découvertes de l'humanité avec Libon et on reçoit l'artiste Mirwais
During this special episode of the SCF Highway To Hope Podcast, you'll meet Tom Frain, who earned the prestigious honor of being named the 2021 – 2022 Professional Tank Truck Driver of the Year Grand Champion by the National Tank Truck Carriers. Tom will be looking back at his career in trucking and what it […] The post NTTC Honors Driver of the Year Grand Champion Tom Frain With $2,500 Donation To SCF appeared first on PodWheels Powered by Radio Nemo.
Avec : Irène Frain, romancière et journaliste. - Chaque matin, Charles Magnien reçoit un invité au cœur de l'actualité. De l'info, de l'humour et de la bonne humeur… Cette année, Charles Magnien gagne une demi-heure. Avec Anaïs Castagna, ils accompagnent jusqu'à 6h30 les Français qui se lèvent tôt. Nouveautés cette saison : Arthur Asquin rejoint l'équipe de Charles Matin avec une nouvelle chronique : l'info marquante du jour à ne pas manquer ; et pour ne rien louper de l'actualité sportive, Thibaud Texeire incarnera tous les matins la Story Sport. RMC est une radio généraliste, essentiellement axée sur l'actualité et sur l'interactivité avec les auditeurs, dans un format 100% parlé, inédit en France. La grille des programmes de RMC s'articule autour de rendez-vous phares comme Apolline Matin (6h30-8h30), les Grandes Gueules (9h-12h), Estelle Midi (12h-15h), Super Moscato Show (15h-18h), Rothen s'enflamme (18h-20h), l'After Foot (20h-minuit).
Nicolas Carreau reçoit Miguel Bonnefoy pour son nouveau roman "L'inventeur", qui paraît chez Rivages, et visite la bibliothèque de la romancière Irène Frain.
Tour de France Femmes Avec Zwift BONUS EP! I catch up with friend of TPR Nicole Frain to hear about her new team signing with Park Hotel Valkenburg and her selection at the Tour de France Femmes Avec Zwift. Subscribe to the podcast on your podcast player of choice. - - - The Press Room Podcast is presented by Zwift. Head to www.zwift.com to get your 7 day free trial. The Press Room Podcast is supported by Attaquer, the official apparel partner of the podcast. Use the code CR-THEPRESSROOM for 15% off Attaquer products at https://attaquercycling.com/ The Press Room is also supported by Smith Optics. www.smithoptics.com If you enjoyed the episode please leave a review or a rating on your podcast player. - - - TPR x Attaquer Zwift Group Ride - Join here: https://www.zwift.com/events/tag/thepressroom TPR Instagram https://www.instagram.com/thepressroompodcast/ TPR Twitter https://twitter.com/jethro_nagle TPR Youtube https://www.youtube.com/watch?v=GFT_W4qMStQ&t=140s AusCycling ESports Series w/ TPR Commentary https://www.youtube.com/watch?v=qDCiBadkpmk&t=2506s
durée : 00:05:47 - Mon oeuvre à moi - par : Mattéo Caranta - Le lapin, l'heure du thé, l'inversion des mondes et des tailles, la méchante reine, Irène Frain revient avec passion sur ce texte fondateur.
Nicolas Carreau reçoit Irène Frain pour son nouveau roman "L'Allégresse de la Femme Solitaire" (Seuil), et visite la bibliothèque de François Bégaudeau, qui publie "Ma cruauté" (Collection Verticales, Gallimard).
C'est d'une incroyable histoire vraie dont s'est inspirée Irène Frain dans son nouveau roman, "L'allégresse de la Femme Solitaire". En 1853, des marins découvrent sur une île au large de Los Angeles, une indienne, seule survivante d'une tribu disparue. Ils vont la ramener sur le continent où son allégresse permanente va marquer durablement tous ceux qui l'approcheront. Irène Frain connaissait vaguement cette histoire mais c'est pendant le confinement qu'elle s'y est vraiment intéressée. Elle nous raconte la suite de ce qui donne aujourd'hui un livre passionnant. Écoutez Les livres ont la parole avec Bernard Lehut du 28 mai 2022
durée : 00:50:13 - Par Jupiter ! - par : Charline Vanhoenacker, Juliette ARNAUD - Bonjour la France Inter ! Aujourd'hui, Charline Vanhoenacker et Juliette Arnaud reçoivent la romancière Irène Frain pour son nouveau roman L'Allégresse de la femme solitaire paru aux éditions du Seuil. - invités : Irène Frain - Irène Frain : Journaliste, romancière - réalisé par : François AUDOIN
durée : 00:02:06 - Le questionnaire JupiProust - Notre invitée du jour, Irène Frain, a accepté de répondre à notre questionnaire JupiProust...
durée : 00:04:32 - La chronique de Clara Dupont-Monod - par : Clara Dupont-Monod - Aujourd'hui, Clara Dupont-Monod nous parle du roman de notre invitée Irène Frain : L'Allégresse de la femme solitaire paru aux éditions du Seuil.
durée : 00:50:13 - Par Jupiter ! - par : Charline Vanhoenacker, Juliette ARNAUD - Bonjour la France Inter ! Aujourd'hui, Charline Vanhoenacker et Juliette Arnaud reçoivent la romancière Irène Frain pour son nouveau roman L'Allégresse de la femme solitaire paru aux éditions du Seuil. - invités : Irène Frain - Irène Frain : Journaliste, romancière - réalisé par : François AUDOIN
durée : 00:02:06 - Le questionnaire JupiProust - Notre invitée du jour, Irène Frain, a accepté de répondre à notre questionnaire JupiProust...
durée : 00:04:32 - La chronique de Clara Dupont-Monod - par : Clara Dupont-Monod - Aujourd'hui, Clara Dupont-Monod nous parle du roman de notre invitée Irène Frain : L'Allégresse de la femme solitaire paru aux éditions du Seuil.
durée : 00:27:31 - La Grande Table culture - par : Olivia Gesbert - La romancière Irène Frain, à l'occasion de son nouveau roman "L'allégresse de la Femme Solitaire" (Seuil, 2022), vient nous parler d'une histoire vraie entrée dans la légende, celle d'une descendante d'une tribu amérindienne arrivée en Californie. - invités : Irène Frain journaliste et écrivain
Here's a classic episode that our Patreon members got to watch previously, that we decided to make public. Andy Frain was a mainstay at almost every venue in Chicago in terms of ushers. Paul Rathje was apart of the decision to get the Cubs to go in house with the Event Operations team they have today. Frank, who actually worked for Paul sits down with him as they go down memory lane!Don;t miss all of our exclusive content on our Patreon page! Visit www.patreon.com/mistakenidentitypodcastFollow us on Twitter at: @PodcastMistakenFollow us on Instagram at: @MistakenIdentityMediaCheck out our live tv channel at: Mistaken Identity TVCheck out our Clothing Store: Team IdentityEmail is at MistakenIdentityMedia@gmail.comSupport the show (https://www.patreon.com/mistakenidentitypodcast)
Welcome to a very special episode of I Am Christina DiArcangelo! Join me and the inspiring ensemble of women, Tiffany Watkins, Melissa Frain, and Alycia Huston; who will be bringing you the Christina DiArcangelo Freedom Retreat this July! I want to share with you why I felt it was so important to host this event. We are women supporting women and empowering them through knowledge, leadership, and the building of community. Join us July 15-17, Reserve your spot now: https://www.christinadiarcangelo.com/retreats Host:Christina DiArcangeloAffinity Bio Partners, LLCSpectral AnalyticsSpectral Analytics Precision Tele-MonitoringI Am Christina DiArcangeloGuest:Melissa Frain Affinity Bio Partners, LLCSpectral AnalyticsSpectral Analytics Precision Tele-MonitoringGuest:Tiffany WatkinsVanguard Media OnlineGuest:Alycia HoustonScience-Based Leadership StrategiesMaster Trainer and Neuro Coach
Episode #7 featuring Justin Frain Listen to James interview Justin Frain in the Synapse Summit 2022 at the Amalie Arena in Tampa Bay, Florida.Justin is the Chief Marketing Officer of PAAL, an electric boat company.Visit www.shufflrr.com for presentation management
In this episode of the Summer Series I sit down with the new Australian Road Race Champion - Nicole Frain to discuss the Santos Festival of Cycling AKA Tour Down Under and also chat about her recent Nationals victory. Nicole shares some extremely insightful information and takes us into her mind on that last lap of Buninyong. We preview the Women's Santos Festival of Cycling stage race and talk about the key features of the race. Thank you for supporting the podcast everyone. Leave a review on Apple or rate on Spotify. Follow Nicole Frain on Instagram @_nicolelouise_
Brian Frain decided to do something to push himself in 2020, then COVID hit and he had to adapt his plans, which lead to one heck of an adventure.