Podcasts about unmade

Welcome to an audio-led edition of Unmade.Today, we talk to Clive Dickens, one of media's innovators, about what he'll be doing next.To get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.Clive Dickens unveils his plans for Meliora, something that's a little more than a typical media consultancy After some big digital roles at Southern Cross Austereo, Seven West Media and Optus, Clive Dickens launching a media advisory service seems a logical next step. Particularly when you factor in some big radio jobs in the UK along with proximity to some successful audio startups.But Meliora appears to be a little more than your typical one-person, stay-occupied-until-something-else-comes-up advisory. Dickens says that he's recurited another five partners to eventually join the business, and in the meantime identified another 10 “associates” to fill the gap in the mean time.He also plans an investment arm which will focus on startups, and additionally a creative IP fund to put money behind interesting creators.Dickens expands on his plans in the podcast interview with Unmade's Tim Burrowes.He says: “They're not just investments. They're partners. The significant number are in the AI space. And we want to bring and leverage some of those products and services to our clients as well to help them unlock that AI value.”The conversation also touches on his plans around media equity - working with media companies to offer distressed inventory in exchange for stakes in busiensses that need to build their profile. It was a model he successfully applied on behalf of Seven West Media with Airtasker.And he says that his plan to invest in creative work is in part at least a response to the disruption being caused by generative AI. “In a world where there's going to be less traditional jobs because of gen AI, we wanted to invest in jobs that we believe only humans will be able to do.”More from Mumbrella…* Getting ahead and the importance of progress to brands* Brittany Higgins joins Third Hemisphere* Free TV chair Greg Hywood steps down* Is the PR industry still a great place to work?Today's podcast was edited by Abe's Audio.Time to leave you to your evening. We'll be back with more tomorrow.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Welcome to an audio-led edition of Unmade, recorded earlier today live on stage at Mumbrella360. To get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.Radio salaries; the rise of LinkedIn video, Google's AI video magic and the Mumbrella360 origin storyToday's podcast was recorded live on stage at Mumbrella360 this afternoon.In a panel anchored by Abe's Audio's Abe Udy, editorial director Hal Crawford, head of curation Cat McGinn and Tim Burrowes were joined by Genero marketer Christie Poulos.We chewed over highlights from Mumbrella360 including creator Rob Mayhew's assertion that LinkedIn and YouTube provide the greatest opportunity for B2B video creators. We also discussed this week's ranking of radio salaries, the impact of Google's new video generation offering Veo 3, and the development of Mumbrella360 over the last 14 years.More from the Mumbrella departure lounge…* David Droga steps down as Accenture Song CEO* Justin Graham to step down as APAC CEO of M+C Saatchi Group* Coles' chief customer officer Amanda McVay to depart amid overhaulToday's podcast was edited by Abe's Audio. Time to leave you to your afternoon. We'll be back with more tomorrow.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Brooke and Tyler trap themselves in the depths of suffering with Ba-Ado-Mishram in order to learn about the Era of Solitude, the imprisonment of an Unmade, and the Recreance caused by the breaking of Honor. #AllSpoilers Katie Payne Artwork that you could win (https://www.patreon.com/posts/become-or-remain-127701309?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

Welcome to an audio-led edition of Unmade. Today's Unmade podcast was recorded at last month's AI conference HumAIn, with a panel of practitioners exploring the evolving role of AI chatbots in media and marketing, highlighting the wide spectrum from chatbots as utility, and chatbots as personality.Today is a good day to upgrade to a paid membership of Unmade. Your annual membership includes:* A complimentary ticket to all of Unmade's events, including our retail media conference REmade (September 23), Unlock (October), and Compass (across November)* Member-only content and our paywalled archives;* Your own copy of Media Unmade.Upgrade today.As a member of the Unmade community you have unlocked exclusive ticket savings to attend Mumbrella360, taking place at Carriageworks Sydney next week, May 27-29.Simply enter code 20UNMADE360 to save 20% on any ticket type, whether that's the all-access pass or the 'conference only' two-day pass.From sludge to snark: the divide between form and function in AI chatbotsCat McGinn, curator of HumAIn, writes:With generative AI finally giving brands the opportunity to roll out chatbots that work, we tackled the topic at HumAIn.The discussion features Foxtel's head of marketing operations and strategic programs Aaron Mitchie, Bastion's AI consultant Shaun Davies, columnist and strategist at Agency C, Parnell Palme McGuinness, and creative director Emma Barbato. McGuinness and Davies discussed the development of “Yell At Parnell”, a chatbot trained on McGuinness's published columns, and designed to replicate her editorial tone and views. The aim was to extend engagement beyond the limitations of comment sections and to experiment with scaling an opinion columnist's voice. Davies noted that prompt engineering required over 4,000 words to capture not only factual grounding but also the columnist's personality, including humour, tone, and political perspectives.“There is a desperate desire to engage, and this is another opportunity for people to engage. I think that they would also like that opportunity to be supported by the media outlets they're engaging with; I think that it would reverse in some degree the decline in users,” said McGuinness, pointing to closed comments as a missed opportunity for newsrooms.Creative director Emma Barbato took it further, introducing Bruce Ryder, Australia's first fictional AI celebrity, a 1970s larrikin launched as a synthetic brand ambassador (see video below). Audiences bought into Bruce rather than the product: “The intrigue was the storytelling, and him as the product,” she said. Barbato highlighted the creative opportunities available to brands when working with immersive, character-led AI tools, particularly in environments unconstrained by conventional briefs.In contrast, Foxtel's Aaron Mitchie outlined a strictly functional approach. His team is rolling out a bot to eliminate internal admin, trained on corporate policies. “We're purposely trying to be boring,” he said. “The idea is eventually everyone's going to get back a day in their week back from admin.”The panel also raised questions around the ethics of disclosure with users, synthetic identities, emotional attachment to bots, and the future role of anthropomorphised AI in consumer engagement. Barbato ended the panel with a rallying cry for the creative industries, saying, “For the first time in my time in the creative arts, we have no hierarchy of anyone being better. We have zero gatekeepers, and it has attracted a brand new creative. And that's what I'm the most excited about: the community that is coming together. I don't know how long we've got. But right now, it's a garden of Eden with no weeds.”More from Mumbrella…* Mumbrellacast: ABC, SBS and the gender pay gaps data; inside outdoor media; marketers and Google's AI Mode; Resolution Digital's new chapter* SBS beats ABC as gender pay gaps revealed* Catalano slams SCA activist investor over vote meddling* Tropfest organisers hint at ‘epic comeback'* Google launches AI Mode, marketers ponder impact* M+C Saatchi CEO Michael McEwan joins Droga5 MelbourneToday's podcast was edited by Abe's Audio.We'll be back in your inbox tomorrow or on your podcatcher next week. Adios amigos,Cat McGinnCurator - HumAIncat@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Alan J. Porter's The James Bond Lexicon has discovered details of another unmade 1950s 007 film project.

Welcome to an audio-led edition of Unmade. In today's edition of The Unmakers we talk to creative legend Chas Bayfield about his new venture 21 Madison, fixing the mistakes made by AI. Plus, Seven West Media shares continue their surge on the Unmade IndexTo get maximum value from a paid membership of Unmade, sign up today.Your annual membership gets you tickets to September's REmade conference on retail media; to October's Unlock conference on marketing in the nighttime economy; and to Unmade's Compass end-of-year roadshow.You also get access to our paywalled archive.Upgrade today.Introducing 21 Madison: Fixing ads knocked up in Canva by the business owner's talented nieceIn today's audio-led edition of Unmade, we talk to an adland legend who quietly slipped into Australia under cover of Covid and now does global work from his home in Hobart.Bayfield has a world-beating portfolio. His work is still instantly recognisable to anybody who grew up in the UK. Blackcurrant Tango's 1996 90-second epic, ‘St George' won most major advertising awards.Now a freelance creative, Bayfield lives in Tasmania with most of his work for overseas brands.This month Bayfield has launched a new business, 21 Madison. Recognising the fact that AI and tools such as Canva have made it possible for anyone to create an ad, even if they lack the skills to write a message that sells, Bayfield aims to overlay his human talents onto the machinery.In the podcast interview with Unmade's Tim Burrowes, Bayfield describes his target market as those who cannot afford to commission an ad agency: “It's people who, for whatever reason, are self-generating their advertising. Potentially AI, potentially Canva. It might just be that they've got a talented niece or nephews, knocked something up in their year seven graphics class. Largely, I'm guessing it's going to be AI.”Bayfield sees 21 Madison's role as stepping in to turn the copy into something that sells. Recognising that these are not the big budget players, he adds: “These are people who are going to be putting ads out on Facebook and Instagram.”According to the 21 Madison website, prices start from a $79 “quick fix” to $999 per month for a virtual creative director helping create eight ads per month.Bayfield says 21 Madison is his attempt to make the best of the disruption being wrought by the likes of ChatGPT:“We can sit around and shake our fists at the system and the way it is, a bit like blacksmiths in the early 1900s, just angry at cars. And where does that get you?“So you have to work out, what can I do to move it on? I've never been one just to sit back and go, ‘this is always going to be the same forever.'”During the interview, Bayfield also tackles the most controversial period in his career, when he and a colleague won a sex discrimination claim against ad agency JWT alleging that they lost their roles because the agency wanted to lose its reputation as “a boys club”.Despite winning the case, Bayfield suffered a brutal social media backlash.He reveals: “The backlash that came afterwards was off the scale.And I got a monstrous amount of social media hatred and people telling me that I wasn't going to work. And I certainly wasn't going to work in Australia.“I won a works tribunal. It was all I had done.“It was nasty. That was pretty tough. Especially as I've always felt that I've been the one looking at what's next in advertising. To be cast as this washed up dinosaur was horrible.”Seven extends its ASX chargeSeven West Media continued its charge on the Unmade Index, rising another 6.9% yesterday to a market capitalisation of $247m. The stock has now risen by more than 10% over the last week. However, in the bigger picture the stock is still trading close to a historic low.Meanwhile it was a down day for the two major audio stocks with Southern Cross Austereo losing 5.9% and ARN Media losing 1.9%.The Unmade Index, which tracks the performance of media and marketing stocks, lost 0.6% to land on 551.5 points.More from Mumbrella…* Stop calling us influencers, says influencer* GroupM workforce braces for major restructure impacts* AI is no longer a disruptor, it's part of the process: D&AD report* CNN and Fox take on their own legacies with new streaming services* SBS goes fully nude in streaker ad campaignTime to leave you to your Friday.We'll be back with more tomorrow.Have a great dayToodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Welcome to an audio-led edition of Unmade. Today we hear from Getty Images' global creative boss Rebecca Swift, on the impact and risk of AI on creative industries. Today is a good day to upgrade to a paid membership of Unmade. Your annual membership includes:A complimentary ticket to all of Unmade's events, including tomorrow's AI conference HumAIn (May 6), REmade (September 23), Unlock (October), and Compass (across November)Member-only content and our paywalled archives;Your own copy of Media Unmade.Upgrade today.‘Business loves bargains': Rebecca Swift on how generative AI could undermine creativity and consumer confidenceThe growing wave of low-quality, mass-generated imagery is threatening both brand trust and the long-term viability of creative industries, warns Rebecca Swift, senior vice president of creative at Getty Images. Dr Swift warns that what she terms “AI slop”is on the rise.In the podcast conversation with Unmade's Cat McGinn, Swift said the deluge of generative content risks homogenising brand expression, eroding legal safety, and discouraging future talent from entering the creative workforce.“AI slop” refers to the easily created, highly distributed output from generative AI tools, which is often divorced from original intent, training data transparency, or creative integrity. While acknowledging that the issue predates AI, Swift argued that the explosion in tools has made the problem more visible—and more dangerous.Swift said Getty has deliberately kept its content library free from AI-generated assets to ensure provenance, avoid contamination of training sets, and protect creator rights. “It would be easy to follow the money. But we chose to follow our values.”She also warned that some large models are now training on content that is itself AI-generated, compounding quality and IP risks.“For global brands, there's no guarantee that marketers in different regions aren't using content that breaches trademarks or contains copyrighted elements,” Swift said. “There are real legal and reputational implications.”Consumer trust is also on the line. Getty's research shows that while AI-generated content has become harder for the average consumer to spot, the appetite for disclosure has increased. More than 90% of survey respondents said they want to know when an image is AI-generated.“We're seeing consumers approach images with a default mindset of distrust,” Swift said. “That has implications not just for media, but for any brand that trades on authenticity.”Unmade's AI conference for media and marketing, humAIn, takes place tomorrow. Tickets are still available. Correction: Dr Swift refers to Getty's consumer research as beginning in 2003; the research began in 2023. Today's podcast was edited by Abe's Audio.See you at HumAIn - or in your inbox - tomorrow.Have a lovely day,Cat McGinnCurator - HumAIncat@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Welcome to an audio-led edition of Unmade. Today we hear from adland satirist Rob Mayhew about making it in the creator economy, why he loves TikTok and LinkedIn, and how Facebook is just too greedy.Today is a good day to upgrade to a paid membership of Unmade. Your annual membership includes:A complimentary ticket to all of Unmade's events, including HumAIn (May 6), REmade (September 23), Unlock (October), and Compass (across November)Member-only content and our paywalled archives;Your own copy of Media Unmade.Upgrade today.‘We need a new playbook' - Rob Mayhew on how agencies are failing to make the most of the creator economyIn the extremely niche specialty of advertising industry satirist, Rob Mayhew is the leading light.The agency creative turned TikTok and LinkedIn creator has amassed a dedicated following in the English-speaking marketing world.Mayhew started his career in the UK in a below the line agency, before cutting his teeth as a social media strategist. He found his place as a content maker during Covid lockdowns by satirising adland and agency culture.He now mainly works with B2B brands including Adobe, WeTransfer and Sitecore looking to tap into his burgeoning followings particularly on TikTok and LinkedIn.In the podcast conversation with Tim Burrowes, Mayhew discusses his forthcoming keynote at next month's Mumbrella360, what marketers are getting wrong when they jump on social media trends, and why he is no fan of Facebook.He explains: “I'm a huge fan of TikTok. It's my favorite platform, closely followed by LinkedIn and then YouTube. Meta, Instagram, I'm kind of not really a fan of… I just feel like they're greedy.”* Mumbrella360 is from May 27-29. Find out more here.Time to leave you to your day. Today's podcast was edited by Abe's Audio.If you'd like more from me in your ears, last night's edition of the Mumbrellacast is now in your favorite podcatcher. Hal Crawford and I discuss Facebook's ghost stores; Ben Shepherd's proposed walled garden for premium advertising; and Albo's love of newspapers.I'll be back on Saturday with Best of the WeekToodlepip…Tim BurrowesPublisher - Mumbrella + Unmadetim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Welcome to an end-of-week update from Unmade.In today's audio-led post we share the panel discussion from the launch of the Edelman Trust Barometer. And further down on the Unmade Index, three minnows see price jumps while Enero slumps some more.Unmade's AI event for the media and marketing industry, HumAIn, is coming fast. Our annual paying members are entitled to a free ticket. It's just one of the benefits of a paying membership. Upgrade today.‘Is it fragmented? Absolutely. Is it going to improve? I can't see it.'In today's podcast we share the panel discussion that accompanied the launch of the Edelman Trust Barometer.In a key statistic, of the four key Australian public institutions surveyed, public trust in media is the worst, with just 37% now saying they trusted the media. That was behind government (47%), business (54%) and non-governmental organisations (56%).The podcast features the event's introduction from Tom Robinson, CEO of Edelman Australia, ahead of the panel led by Unmade's Tim Burrowes.The discussion featured:* Terry Flew, Professor of Digital Communication and Culture, The University of Sydney and Co-Director, Centre for AI, Trust and Governance;* Kim Portrate, previously CEO of industry body Think TV;* Gen Z strategist Milly Bannister, founder and CEO of the ALLKND charity focusing on mental health for young Australians;* Jared Mondschein, Director of Research at the United States Studies Centre. The questions tackled included the challenges to societal cohesion as trust in institutions fades, geopolitical headwinds, and why the next generation is losing trust so badly.Portrate, who departed Think TV at the end of the year amidst obvious divisions between her TV network stakeholders, told the room: “Is it fragmented? Absolutely. Is it going to improve? I can't see it. Not in the current environment and not when you've got the competitive pressure and don't abide by any of the legislation that protects the population at large.”Read more on the barometer:A good day for the little guys of the Unmade IndexThree of the smaller stocks on the Unmade Index enjoyed sources in their price yesterday, although none of them released new updates to the market.Out of home advertising company Motio saw its share price jump by 18.5%, taking it up to a market capitalisation of $8m. Boss Adam Cadwallader is due to give a trading update on Tuesday.Sports Entertainment Group, owner of radio network SEN, rose by 13.6% to a $70m market cap. And Pureprofile rose 9.1% to a $47m market cap.Enero Group, owner of agencies including BMF and Hotwire, continued to tank, with the price losing another 4.3% to what is its lowest point in almost a decade.The Unmade Index, which looks at the movements of all the locally listed media and marketing companies, ended the day in equilibrium, remaining on 526.2 points.Declaration of interest: My travel and accommodation to take part in the Trust Barometer event were covered by Edelman. Editing was courtesy of Abe's Audio, the people to talk to about voiceovers, sound design and podcast production.Time to leave you to your Friday. We'll be back with Best of the Week tomorrow. Have a great day.Toodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

In this episode we punch are way through the history of Popeye and sail through the unmade Popeye movie by Genndy Tartakovsky. PatreonMerchTikTokBskyInstagramPipedream podcastsSpreakerClips used in this episode:Popeye the Sailor (1933)Betty Boop: A Language all my own (1935)“Can't Get Enough of Your Love, Babe” by Barry WhiteSaturday Night Live (1975)Popeye the Sailor (1960)Dragonslayer (1981)Felix the Cat (1930)Genndy Tartakovsky's POPEYE Animation TestHook (1991)To Tell The Truth (1974)Avatar: The Last Airbender (2005)Popeye's Island Adventures (2018)Popeye and Son (1987)Popeye (1980)Betty Boop (1932)Popeye Quaker Oats Commercial (1989)Popeye The Sailor: Popeye, The Ace of Space (1953) Popeye the Sailor Man: Spooky Swabs (1957)Popeye the Sailor Man: Meets Sindbad the Sailor (1936)REBOOT (1994)The Magnetic Fields “Andrew in Drag”The Phantom in Popeye Meets The Man Who Hated Laughter (1972)The Popeye Valentine's Day Special Sweethearts at Sea (1979)Futurama (1999)Weird Al  Yankovic “Ricky”Music by Kevin MacLeod"Discovery Hit""Jazz Brunch""Miami Nights"“Adventure”“Alchemists Tower”Alls Fair in Love”“Ancient Rite”“Big Eyes”“Busybody”“Epic Unease”“Fancy Family”“Fun in a Bottle”“Gothamlicious”“Managing Mischief”“Parisian”“The Show Must Be Go”“There is Romance”

Welcome to an audio edition from Unmade.Today: humAIn curator Cat McGinn talks to Jodie Sangster about her new co-venture aimed at upskilling CMOs with AI, the Australian Centre for AI in Marketing, and what's stopping marketers from getting on board with AI transformation.If you've been thinking about upgrading to an Unmade membership, this is the perfect time. Your membership includes:* A complimentary ticket to all of Unmade's events, including HumAIn (6 May 2025), REmade (23 Sept), Unlock (Oct 2025), and Compass Australia (Nov 2025);* Member-only content and our paywalled archives; * Your own copy of Media Unmade.Are marketers being left behind on their AI journeys?A new industry initiative, the Australian Centre for AI in Marketing, snappily abbreviated to ACAM, has been launched by four senior marketing leaders, including former ADMA CEO and IBM CMO, Jodie Sangster. In today's audio-led post, HumAIn curator Cat McGinn sits down with Sangster to find out more about ACAM, its purpose, and whether success means being out of a job for the four founders. According to Sangster, despite the increasing availability of AI tools and investment in AI infrastructure, most marketers are not ready to implement AI in practice. Common barriers include a lack of time, limited understanding of how to apply the technology, and a general sense of scepticism after marketers have been burnt by years of overhyped digital solutions.ACAM's founders claim it has been designed to address these issues by offering education, peer learning, and access to practical tools. Its structure includes a Pioneers Circle—a group of CMOs from a range of industries and AI maturity levels—created to facilitate open sharing of implementation experiences, challenges, and outcomes. The founders also offer a consultancy arm, but are at pains to distinguish the “for-purpose' initiative, which Sangster describes as “a calling,” from the for-profit division. Sangster is clear that ACAM will not act as a policy maker or regulatory body, but will focus on translating evolving frameworks into practical guidance for marketers. “Our role is to help marketers understand how AI applies to their work and how to use it responsibly,” she said.Sangster doesn't see the risk of ACAM putting itself out of business as an imminent threat. “We're still at the very start of AI adoption,” she says. “This is about making sure marketers don't get left behind.”Time to leave you to your Thursday.Good luck at tonight's CommsCon Awards, for those who are in the running.We'll be back with more soon.Have a lovely evening.Cat McGinnHead of Curated Content - Unmade cat@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Welcome to a midweek update from Unmade, on the morning after News Corp's main marketing-industry focused event of the year, D_Coded. Yesterday's big announcement was Tubi. Two months after announcing the sale of Foxtel, News Corp is back in the TV business.Also today, Enero's sinking share price hits the lowest point in more than a decade.News Corp Australia gets back into TV with TubiFor a while now, I've been puzzled by Tubi.It's the biggest asset in the extended News Corp universe not to have a presence in Australia. In the US, Tubi is a big deal. Its share of total TV viewing is nearly 2% and it's bigger than Peacock, Paramount+ and Max. In some quarters it's been bigger than Disney+.Actually, it's not entirely true to say that Tubi has not had a presence in Australia. Tubi has been here all along and repped by Foxtel Media. But it didn't receive much love, even as it built towards 1.3m active monthly users locally.When I interviewed Foxtel boss Patrick Delany this time last year, I told him I was surprised they were not doing more with Tubi.At the time, Delany argued that the reason for Tubi's success in the US is the fact that it's entirely free to its audience. While Australia's free to air networks are available over the airwaves, US viewers are used to paying for everything they watch via cable. So Tubi was a bigger point of difference, he argued.However, I suspect that was not the only reason. With Foxtel about to pass into the ownership of DAZN, Tubi now represents News Corp's seat back at the table of television. It didn't make sense for News Corp to go hard until the Foxtel deal was done.Tubi has a straightforward business model. There's no paid membership tier. It's pureplay FAST - free ad-supported streaming TV.That puts Tubi in the same space as 7plus, 9now, Tenplay, along with global players like Paramount's Pluto TV. And of course, with the FAST services being offered by the connected TV providers.Incidentally, Tubi lives within the other half of the Murdoch empire, Fox Corp. News Corp is effectively a local rep.In today's podcast I interview News Corp's executive chairman Michael Miller. He pushes back against my assumption that Tubi lacks premium content. And while it's true that Tubi has a deep archive, a look at the home page this morning reminds me of the experience of standing in the discount section of my local video store. They looked like blockbusters, but I just hadn't heard of them.(Titanic 2, anyone? Jack's back… and he's got a score to settle about the whole floating door episode.)Tubi's secret weapon is the world's favourite price point: free. There are plenty of Australians who can't or won't afford to pay for their streaming.And its not-so-secret weapon is the marketing firepower of News Corp. Would Kayo or Binge have grown without the company's cross promotion?In my conversation with Miller, he places Tubi as a “top three or four” marketing priority for the year.And News Corp is backing the push with an aggressive price point - a launch price of a $15cpm.Considering that's likely to be big brand advertising on the main lounge room screen, that's an aggressive price.By the way, in case you can't read the small print on the screen behind sales boss Barrett in the photo above, the price is for campaigns with a minimum spend of $20,000, running before June 30. And “independent measurement unavailable”.The rest of today's conversation with Miller spans the other announcements around D_Coded, including marketer-friendly expansions of its Intent Connect planning system, and the company's continuing efforts to make the concept of engaged reach a thing.Miller also makes it clear that News Corp still views the coming election and US trade war concerns as a delay, not an end to the News Media Bargaining Code framework. “We have been patient,” he says.Unmade Index fights off Trumpcession fears as Enero sinks to decade-long lowDespite an early selloff triggered by global concerns over a looming Trumpcession, the Unmade Index bounced back in later trading yesterday to finish flat.The biggest local weight on the Unmade Index, Nine, was lifted by its majority-owned real estate platform Domain. Nine was up by 1.3%, while Domain rose 1.8%.ARN Media was up by 4.9%, taking it back above a $200m market capitalisation.Among stocks moving in the other direction, print and marketing group IVE lost 8.6%, while Seven West Media lost 3.2% to land on its lowest point since January. Southern Cross Austereo was down by 3.6%.Enero Group, owner of ad agency BMF among others, slumped by 6.7% to land on its lowest share price in more than a decade.The Unmade Index ticked up by a fraction, rising by 0.09% to land on 551.2 points.Time to leave you to your Thursday. We'll be back with more tomorrow.Editing was courtesy of Abe's Audio, the people to talk to about voiceovers, sound design and podcast production.We'll be back with more soonHave a great day.Toodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Carla Seyler's debut novel "A Place Unmade" has won multiple awards in different categories. Enjoy this visit with her.

The path to the 26th James Bond film is one already filled with quite the story. Unmade at the point this episode is released in 2025, James Bond 26 has looked in limbo since the release of No Time To Die in 2021. There's no new 007, no script, no director...and it's an impasse that's cost $1bn to resolve. More conventionally, Long Shot did actually get made, released in 2019. Still, a romantic comedy with movie stars was going to be a tough sell, and a film whose script popped up on the Black List in 2011 had to take its place in the queue behind the infamous The Interview here. Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a Best of the Day wrap from Unmade.Today: We share the highlights from Compass Auckland, Ooh Media finally discovers some momentum, and big moves on the Unmade Index.If you've been thinking about upgrading to an Unmade membership, this is the perfect time. Your membership includes:* A complimentary ticket to all of Unmade's events, including HumAIn (6 May), REmade (23 September), Unlock, and Compass (November), all returning in 2025.* Member-only content and our paywalled archives;* Your own copy of Media Unmade.‘Embrace AI, or face an extinction-level event'The final episode of the 2024-25 series of Compass rolled into Auckland last week.The audience at the iHeart Lounge heard from Matt Martel, managing editor for audience and platforms at the New Zealand Herald, Jo Mitchell, CMO of The Warehouse Group; Paul Pritchard, group CEO of Overdose, and Angela Watson, CEO of Colenso BBDO on some of the key topics getting adland out of bed and keeping it awake at night.The topics ranged from the impact of last year's closure of Newshub to the disruption being wrought by AI, to whether it's time for marketers to dial back on their platform spend.Pritchard told the audience that the biggest challenge he saw the industry face last year was “lack of control”. He added: “I felt like things happened to us, not because of us.”According to Martel, the closure of Newshub should be taken as a signal for action. “It was a strong and important part of New Zealand media. It's now gone.“We need to act. Because if we don't act, we can see the train that's coming down the tracks at us.“The problem is not the quality of what we do, it's the monetisation of what we do. If we don't change what we do now, if we don't embrace AI, if we don't embrace different ways of doing what we've always done, then there will be an extinction-level event for everyone in this room in ten years, if not sooner.”And Pritchard urged a rethink for where the industry spends its marketing budgets: “We spent a lot of time letting international technology players come to every market and sell, sell, sell at really low costs. And that disrupted the media. It challenged the content and the quality of that content. And then when they disrupted it, they decided to put the prices up.“And it's a pretty simple economic environment that we're all facing. The thing we can do to counter it is we can own our own content. We can own our own customer.“We decided that it was just better to throw money at something that continually worked, right? Those metrics of return on ad spend and cost of customer acquisition -they were really attractive for a long time.“Now they're less attractive, but everyone's hooked on it. So maybe we need to go cold turkey for a little bit.”The event was organised by Unmade with the support of NZME, Lumo and Scentre Group's BrandSpace.Ooh Media's turnaround beginsOoh Media will likely soon make it official with its acting chief revenue officer Mark Fairhurst after his first two months in the chair sparked a turnaround in the company's sales trajectory.The emergency appointment of Fairhurst, previously executive general manager of QMS, came in December following the exit of chief revenue officer Paul Sigaloff after just 19 months.In its full-year results released this morning, Ooh Media's revenue and profits were virtually flat for the year, up by 0.3% to $635.6m and 3% to $287m respectivelyOoh Media's 2023 and 2024 results were almost identical. However the company's momentum entering the first quarter has radically improvedOoh Media is on track to bring in 14% more revenue in the current quarter compared to the same time last year.CEO Cathy O'Connor again acknowledged that Ooh Media's sales operation has been slow and hard to deal with. She told today's analysts' call: “We heard from the market that we were slow to respond.”Ooh Media's said its new offering Reo - which assists mid-tier retailers enter the retail media space by outsourcing sales operations and assisting with the digital side - is also picking up momentum. Newly announced clients include Officeworks, Petbarn, and Australia Post, with others in the pipeline.Unmade Index buoyed by Ooh Media and IVE Group resultsOoh Media's improved performance saw it lock in a hefty 15.6% jump in market capitalisation during an action-packed day on the Unmade Index.IVE Group, which also reported solid results today, rose by 6.4% while Seven West Media gained 2.9%.Meanwhile, Nine lost 5.8% as the market continued to digest news of CoStar's bid to buy its majority-owned real estate platform Domain.As a result of the decline of Nine - the biggest weighted stock - the Unmade Index sank by 0.3% to 560.6 points.Best of the Day: News winners; Clems loser; Slater & Gordon's strugglesABC back at the topABC News moved back past News Corp's news.com.au as the site with the biggest audience. According to Ipsos Iris, the ABC's monthly audience grew to 12.5m in January, ahead of news.com.au which lost 3.4% to land on 11.8m.Another Omnicom ad restructureDani Bassil became the latest Clemenger Group CEO to be ousted after failing to recapture the creative brand's glories of previous decades. Omnicom announced that Clemenger, Traffik and CHEP Network will all be folded into the Clems brand. Under chief creative officer Ant Keogh, who departed in 2017, and CEO Peter Biggs, who left in 2014, Clemenger Melbourne was regularly the world's most awarded agency.Too little, too SlaterLaw firm Slater & Gordon was criticised for failing to adequately handle a PR crisis after a critical all-staff email leaked the salary details of employees along with criticism of management.Meanwhile IVF clinic Genea was tonight dealing with an even bigger PR crisis after revealing that a data leak has seen hackers seize highly personal patient details.Today's podcast was edited by Abe's Audio.Time to leave you to your evening.We'll be back with more tomorrow. Have a great night.Toodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

This is it! The exciting conclusion! The finale of the live script reading of the never-seen first draft of the unmade 5th Christopher Reeve Superman movie that was performed in Los Angeles on November 12th, 2024. The stage reading of the script was made with actors. The audio is presented here like an old-fashioned radio play. It stars Ray Carsillo as The Narrator, Jonathan Cahill as Clark Kent / Superman, Kenna Roubicek as Lois Lane, Jamal Henderson as Brainiac, David Pinion as Kosmo David Kocher as Jimmy Olsen / Ensemble Barry Papick as Perry White / Ensemble Veronica Warner as Lyla / Ensemble Bill Kates as Max - Dur / Ensemble and Caitlin Morris as Martha Kent / Ensemble. It was directed by Ray Carsillo and produced by Ilya Salkind, David Kocher, and Ray Carsillo.—story by Ilya Salkind, Mark Jones, and Cary Bates Screenplay by Mark Jones and Cary Bates. The story so far: Superman was “killed” in Part 1 (Episode 413) and was transported to the Bottle City of Kandor. Lois Lane, desperate to find out what happened to Superman, gets transported to the bottled city as well. Superman V was in the script stage that was drafted when Alexander and Ilya Salkind reacquired the rights to Superman. They attempted to restore the franchise to greatness by making Superman V. Salkind met with Christopher Reeve and Margot Kidder to discuss a plan to make the 5th movie, but ultimately, it was never made. Superman is created by Jerry Siegel and Joe Shuster. Based on characters from DC. This Presentation was funded by the Kaplan-Loring Foundation. For more information on the project and history of Superman Reborn, please visit our official IMDb page at the link below. https://www.imdb.com/title/tt34615846... Please donate to the Christopher and Dana Reeve Foundation for spinal cord injury research at the link below. https://www.christopherreeve.org/.

This episode is a continuation of a live script reading performance of the never-seen first draft of the unmade 5th Christopher Reeve Superman movie that took place on November 12th, 2024. The stage reading of the script was made with actors. The audio is presented here like an old-fashioned radio play. The presentation stars Ray Carsillo as The Narrator Jonathan Cahill as Clark Kent / Superman Kenna Roubicek as Lois Lane Jamal Henderson as Brainiac David Pinion as Kosmo David Kocher as Jimmy Olsen / Ensemble Barry Papick as Perry White / Ensemble Veronica Warner as Lyla / Ensemble Bill Kates as Max - Dur / Ensemble and Caitlin Morris as Martha Kent / Ensemble. It was directed by Ray Carsillo, and produced by Ilya Salkind, David Kocher, and Ray Carsillo. Story by Ilya Salkind, Mark Jones, and Cary Bates Screenplay by Mark Jones and Cary Bates. The story so far: After Superman IV bombed, Alexander and Ilya Salkind reacquired the rights to Superman. They attempted to restore the franchise to greatness by making Superman V. Salkind met with Christopher Reeve and Margot Kidder to discuss a plan to make the 5th movie but ultimately, it was never made. After the events of Part 1, the story continues in this episode. Notably, the original script was written BEFORE the famous “Death of Superman” comic book was released in 1992. Superman is created by Jerry Siegel and Joe Shuster. Based on characters from DC. This Presentation was funded by the Kaplan-Loring Foundation. For more information on the project and history of Superman Reborn, please visit our official IMDb page at the link below. https://www.imdb.com/title/tt34615846... Please donate to the Christopher and Dana Reeve Foundation for spinal cord injury research at the link below. https://www.christopherreeve.org/.

For the first time ever, a live script reading performance of the never-seen first draft of the unmade 5th Christopher Reeve Superman movie took place in late 2024. After Superman IV bombed, Alexander and Ilya Salkind reacquired the rights to Superman. They attempted to restore the franchise to greatness by making Superman V. Salkind met with Christopher Reeve and Margot Kidder to discuss a plan to make the 5th movie but ultimately, it was never made. Now, a staged reading of the script was made with actors. The audio is presented here like an old-fashioned radio play. The presentation stars Ray Carsillo as The Narrator Jonathan Cahill as Clark Kent / Superman Kenna Roubicek as Lois Lane Jamal Henderson as Brainiac David Pinion as Kosmo David Kocher as Jimmy Olsen / Ensemble Barry Papick as Perry White / Ensemble Veronica Warner as Lyla / Ensemble Bill Kates as Max - Dur / Ensemble and Caitlin Morris as Martha Kent / Ensemble. It was directed by Ray Carsillo, and produced by Ilya Salkind, David Kocher, and Ray Carsillo. Story by Ilya Salkind, Mark Jones, and Cary Bates Screenplay by Mark Jones and Cary Bates. Superman was created by Jerry Siegel and Joe Shuster Based on characters from DC. This Presentation was funded by the Kaplan-Loring Foundation. For more information on the project and history of Superman Reborn, please visit our official IMDb page at the link below. https://www.imdb.com/title/tt34615846... Please donate to the Christopher and Dana Reeve Foundation for spinal cord injury research at the link below. https://www.christopherreeve.org/.

Dalinar learns dark secret upon dark secret, Adolin gets hit hard, Szeth fights with his sister and Shallan learns how she met her mother. Okay not really on the last one but I wanted to make the joke. We talk about: Warframe, F1,Dark Souls 2, LUKE WATCHED TOTALLY SPIES, Sea of Thieves, Romeo + Juliet, Bazaar, Earthsea, Too Human, What Is The Listener Plot Really, Darkest Before The Dark, Eye Spikes, Shardpen, Listener Homophobic Moment, Lying Windrunner, Men Have Problems Too, Talm Smokes Too Tough, Kaladin Is Racist, Adolin Edgedancer, Lifting Up, Debate Me Bro, Odium's Champion, Dalinar Is So Good At Trauma, Non Political Army, Unmade, #NotAllLightEyes, Shallan's Special Mom, Ashley Fujos Out, Patent Law, Uniting Them,

Filmmaker Brandon Salisbury joins us to shine a light on a forgotten corner of cinematic history with his documentary, GEORGE A ROMERO'S RESIDENT EVIL. Together, we unravel the story of how Romero, fresh off his zombie classics, was tapped to adapt the iconic video game franchise before creative differences sent the project spiraling into limbo. Salisbury recounts his journey to track down rare materials, conduct interviews, and ultimately honor the legacy of one of horror's greatest filmmakers. Let's get Spooky!

Host Anthony Desiato and Superman historian Ed Gross dig into SUPERMAN REBORN, the unmade fifth Christopher Reeve film written by Cary Bates and Mark Jones (based on a story by Bates, Jones, and producer Ilya Salkind).This episode covers the long-unseen FIRST draft of the screenplay, which was performed live at The Broadwater Theater in Los Angeles on November 12, 2024, and is now available to view in its entirety HERE. It's the ultimate epilogue to the podcast's recent coverage of the Reeve film series!PLUS: Anthony speaks with the man behind the script reading, David Kocher, all about how the production came to be! David's editor: Jacob Harlow (TVandFilmPost@gmail.com).Please donate to the Christopher and Dana Reeve Foundation HERE.Ed's books: Superman: The Definitive History, Voices from Krypton, Fleischer and the Wonderful World of Oz. Visit Ed's website for more!Support the show and receive exclusive podcast content at Patreon.com/AnthonyDesiato, including the spinoff podcasts BEYOND METROPOLIS and DIGGING FOR JUSTICE!Visit BCW Supplies and use promo code FSP to save 10% on your next order of comics supplies. FACEBOOK GROUP: Digging for Kryptonite: A Superman Fan GroupFACEBOOK PAGE: @diggingforkryptonitepodINSTAGRAM: @diggingforkryptonitepodTWITTER: @diggingforkrpodEMAIL: flatsquirrelproductions@gmail.comWEBSITE: FlatSquirrelProductions.com Digging for Kryptonite is a Flat Squirrel Production. Key art by Isaiah Simmons (2020-2024 version by Gregg Schigiel). Theme music by Basic Printer.Mentioned in this episode:Hang On To Your Shorts Film FestivalFat Moose ComicsAlways Hold On To SmallvilleAw Yeah Comics

There have been many Games Workshop games that just didn't make it past the development stage - from Necromunda on a corrupted Eldar Craft World, to a Dr Who time travelling board game, to the fall of the Empire and the corruption of the Warhammer world by Tamurkhan. Rick Priestley, creator of Warhammer and 40k and the design team lead at Games Workshop for many years, joins Jordan Sorcery to explore the history that didn't happen - some of the many Games Workshop projects that were started but only ever released in rumours, tidbits, hushed whispers, or in some cases not at all.From more collaborations with MB Games after the success of HeroQuest, to new takes on historical wargaming with Perry miniatures, the early iteration of Battlefleet Gothic to a new Mad Max-style IP on the floor of dried out oceans!_____________________________ [ ELEMENT GAMES AFFILIATE LINK ]https://elementgames.co.uk/?d=11216[ PATREON ]https://www.patreon.com/jordansorcery[ KO-FI ]https://ko-fi.com/jordansorcery[ YOUTUBE CHANNELS ]History & Editorial: https://youtube.com/ @jordansorceryLongform Conversation: https://youtube.com/ @JordanSorceryPods  [ WEBSITE ]https://jordansorcery.com/#Warhammer #40k #Warhammer40000 #Necromunda #GamesWorkshop #tabletop #boardgames #RPG #wargames_____________________________ References, Sources, and Links: [Wombat Wargames]https://wombatwargames.com/[Rick Priestley's Space Battles: A Spacefarers Guide Blog]https://spacebattlesaspacefarersguide.blogspot.com/_____________________________ Art, Music, and Copyright: Images used belong to their respective copyright owners Jordan Sorcery Theme by Joylin Music Jordan Sorcery Heraldry by Becka Moor Support the show

The Sioux City Strangler tries to stay busy as he waits for his date with the maid at the Hollywood Hacienda on Friday.Visit our website to learn more about the Sioux City Strangler. You can also sign up for exclusive updates, join the fan club, and take your pick of limited edition merchandise like limited edition posters, coffee mugs, and more.Presented by Past Due. Hosted by Mary Buckley.Written by Christopher Chase Godwin.Theme music by Michael Wegener. Additional music by Michael Wegener and Christopher Chase Godwin. Incidental music by Storyblocks and Epidemic Sound.Dialogue editing services by Janet Barry. Additional editing by Karl Weiss at Past Due Studios.Mixing by Tommy Singh.Audio mastering by Renee Rojas.Thanks to our sponsors Whitewood Tactical Clothing and Hunting Apparel and Class Action Compliance Consumer Advocacy Group.

The Western world faces a tidal wave of secularisation, which shows no signs of receding. In the UK, Christian self-identification has plummeted – dropping, for example, from 72% in 2001 to 47% in 2021. The secularists argue that this trend reflects a shift towards an inclusive and intellectually progressive society; their critics, however, warn that the decline of faith erodes our moral foundations and frays our social ties. “The secular flood isn't just about church attendance,” they say, “but strikes at the heart of our nation's identity and stability.” For many conservatives, nowhere is this betrayal of our values more evident than our education system. In the UK, the 1944 Education Act introduced free secondary education to all children for the first time – with grammar schools said to offer exceptional educations to our most talented students. Today, grammar schools are in decline, and the founding of new ones prohibited. It was argued that these schools favoured the middle classes and perpetuated social divisions; others, however, believe that closing these pathways has reduced educational and social opportunities. Like the Christian identity of the nation, grammar schools are at risk of being confined to history books. In this episode, we'll be speaking with Peter Hitchens – British journalist, author, and social critic – about what religious and educational changes mean for the soul of Britain. Together, we'll explore whether this shift marks the dawn of a more inclusive era – or the washing away of a once Great Britain. Links Peter Hitchens, Mail Online: Blog Peter Hitchens, The Spectator Peter Hitchens, The Rage Against God (book) Peter Hitchens, A Revolution Betrayed (book)

Tune in to this episode of 'Lost in Roshar' as we explore and discuss chapters 27-28 of Wind and Truth. Join us and discover the wonders that await within the pages of Brandon Sanderson's epic fantasy saga, The Stormlight Archive. Timestamps 0:00 Banter and ARCs 6:54 Wind and Truth is under a month away! 8:30 Cremlings, pacing and release plans 18:06 Shallan's mother and personalities  20:37 Warlord Adolin? Navani becomes Cultivation? 23:51 Where's Moash? 26:49 Chapter epigraph 30:07 Szeth's flashback and current day scene 46:53 Shallan's chapter moments and theories 55:56 Bad joke of the week

The Western world faces a tidal wave of secularisation, which shows no signs of receding. In the UK, Christian self-identification has plummeted – dropping, for example, from 72% in 2001 to 47% in 2021. The secularists argue that this trend reflects a shift towards an inclusive and intellectually progressive society; their critics, however, warn that the decline of faith erodes our moral foundations and frays our social ties. “The secular flood isn't just about church attendance,” they say, “but strikes at the heart of our nation's identity and stability.” For many conservatives, nowhere is this betrayal of our values more evident than our education system. In the UK, the 1944 Education Act introduced free secondary education to all children for the first time – with grammar schools said to offer exceptional educations to our most talented students. Today, grammar schools are in decline, and the founding of new ones prohibited. It was argued that these schools favoured the middle classes and perpetuated social divisions; others, however, believe that closing these pathways has reduced educational and social opportunities. Like the Christian identity of the nation, grammar schools are at risk of being confined to history books. In this episode, we'll be speaking with Peter Hitchens – British journalist, author, and social critic – about what religious and educational changes mean for the soul of Britain. Together, we'll explore whether this shift marks the dawn of a more inclusive era – or the washing away of a once Great Britain. Links Peter Hitchens, Mail Online: Blog Peter Hitchens, The Spectator Peter Hitchens, The Rage Against God (book) Peter Hitchens, A Revolution Betrayed (book)

Brooke and Tyler split themselves among the many timelines of Shallan Davar to discover the mysteries hidden within. The tale is sometimes confusing and contradictory but within the depths of Shalln lies many secrets to understanding the Stormlight Archive. #AllSpoilers Cosmere Questions: 1. Who is Shallan's mother and what impact will that revelation have on Stormlight Archive? 2. How do you think Shallan's story will conclude? Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

2016 marked the 50th anniversary of Star Trek, and not unreasonably, Paramount Pictures wanted a movie. But far from being a straightforward production, Star Trek Beyond would go through different directors, and eventually find itself without a script just months ahead of filming. It made for a tense situation, and that's explored in this episode. Also explored: the moment when Quentin Tarantino was suddenly announced as the potential writer/director of a new Star Trek movie. It involved a writers' room coming together, a move into R-rated territory - and Tarantino deciding whether he wanted it to be his final film... --- Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke and Tyler return to where it all began to examine the timeline and major plot events leading up to Gavilar's Feast. How'd Gavilar manage to squeeze so many meetings into so little time? Where'd his bag of voidlight gemstones end up? How many of the famous faces can we identify? #AllSpoilers Conversation Questions: What evidence is there for ancient communication between Roshar and Scadrial? (18 mins) Could the small bridge that Gavilar created between Roshar and Braize be enough to trigger a desolation? (42:30) Who is the “they” that must not get the anti-voidlight gemstone according to Gavilar? (56 mins) Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

Two films looooong in the making in this episode of Film Stories: one's been made at the time of recording, one hasn't. Talk first surfaced of The Flash movie back in the 1980s, but it wasn't until 2023 that a film was finally released. By then, an under-fire Warner Bros was hoping for great things from the film, and confidence appeared to be high: but there were problems, and no shortage of them. The idea of taking the smash-hit TV show 24 and turning it into a movie seemed fairly logical, and the production budget was going to be on the modest side. Yet delay after delay hit the project - but not before an audacious Die Hard spin-off had been proposed... Learn more about your ad choices. Visit megaphone.fm/adchoices

Free to air TV was once the only place to watch your favourite football match, but that could change as streaming services and tech companies now compete for sports media rights.  Sports bodies sell their rights to broadcasters, who then sell advertising slots or subscriptions, so the clubs and athletes get paid.  While this mostly remains the case in Australia, the global value of these rights will this year surpass $US 60 billion with Amazon Prime, NBC and ESPN joining up for the rights to both men's and women's basketball.  Guests: Minal Modha, Head of Sport at research firm, Ampere AnalysisBen Strauss, Sports and Media Reporter at The Washington PostDavid Rowe, Emeritus Professor of Cultural Research at the University of Western SydneyTim Burrowes, publisher of the media and marketing industry newsletter, Unmade. 

Brooke and Tyler question the meaning of Enlightenment to better understand nine (or maybe ten!) of Roshar's most haunting mysteries- The Unmade. We examine how The Unmade were created and changed, detail the known aspects of each individual Unmade, and theorize wildly about one of their chosen Radiants, Renarin Kholin. #AllSpoilers Conversation Questions: How do the terms Made, Unmade, and Enlightened interconnect and differ? (23 mins) What mechanism did Ba Ado Mishram use to bond the Singers? (42 mins) Does there need to be a rebalancing among the Knights Radiant & Spren in order to account for Odium's new nature as a True Tone of Roshar? (1h 36mins) Support this podcast by becoming a Patron on Patreon (https://www.patreon.com/CosmereConversations) Original music by David Gruwier (https://twitter.com/DGruwier). "Radiant" (https://www.youtube.com/watch?v=A5CFAZUv4C0) by David Gruwier.

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

In Unexpected Revolutionaries: How Central Banks Made and Unmade Economic Orthodoxy (Cornell University Press, 2024), Dr. Manuela Moschella investigates the institutional transformation of central banks from the 1970s to the present. Central banks are typically regarded as conservative, politically neutral institutions that uphold conventional macroeconomic wisdom. Yet in the wake of the 2008 global financial crisis and the 2020 COVID-19 crisis, central banks have upended observer expectations by implementing largely unknown and unconventional monetary policies. Far from abiding by well-established policy playbooks, central banks now engage in practices such as providing liquidity support for a wide range of financial institutions and quantitative easing. They have even stretched the remit of monetary policy into issues such as inequality and climate change. Dr. Moschella argues that the political nature of central banks lies at the heart of these transformations. While formally independent, central banks need political support to justify their policies and powers, and to obtain it, they carefully manage their reputation among their audience selected officials, market actors, and citizens. Challenged by reputational threats brought about by twenty-first-century recessionary and deflationary forces, central banks such as the Federal Reserve System and the European Central Bank strategically deviated from orthodox monetary policies to preempt or manage political backlash and to regain public trust. Central banks thus evolved into a new role only in coordination with fiscal authorities and on the back of public contestation. Eye-opening and insightful, Unexpected Revolutionaries is necessary reading for discussions on the future of the neoliberal macroeconomic regime, the democratic oversight of monetary policymaking, and the role that central banks canor cannotplay in our domestic economies. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

"An Unmade Mind" The Sins of Certainty - Part 2 Pastor Chris Jung

Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) will never sleep again after journeying into the unmade world of legendary filmmaker WES CRAVEN with JOSEPH MADDREY, author of the new book "The Soul of Wes Craven." Get BONUS content on Patreon! https://www.patreon.com/BestMoviesNeverMade/about Theme music by Brian J Casey

Hello my friend! What do you think?  Does it matter whether or not you make your bed each morning? I mean really, you are going to get back in bed in 16 or so hours so why make it.  Does it matter if you hit your snooze button?  Does it matter if you spend time in scripture each day? What impact does anything you do or not do have you on getting what you want?  Do the small things really matter?  Scripture tells us that “…out of small things proceedeth that which is great.” – D&C 64:33.  So maybe those small things do matter.  Come with me in this episode as we explore the power of a routine.  We will explore not only the action part of a routine but also the negative-self talk that often comes along as we try to establish a routine. This is an episode you won't want to miss.  Are you ready to go?  Let's get it! Grab your diet coke, put in those earbuds and let's talk friend to friend. What's next? Share this episode with all your single girlfriends. Email me at sharon@sharonlamarcoaching.com with questions/comments about today's episode.  Follow the show so you don't miss an episode Become an Insider!  Visit my website at www.sharonlamarcoaching.com scroll to the bottom and sign up to become an Insider!     Let's talk about any part of this episode you want help with.  Book your FREE 45 minute 1:1 session at www.sharonlamarcoaching.com/freesession Join our Facebook community at The Single Christian Woman!  https://www.facebook.com/groups/797710822384649 Hope this episode inspires you or makes you think.

Tune in to this episode of 'Lost in Roshar' as we continue our Words of Radiance re-read with resident guest Jake Bishop! Explore the mysteries of Jasnah and Shallan's past, an UnMade filled vision from Dalinar and debate who would win a hockey game... Radiants or Mistborn! Join us and discover the wonders that await within the pages of Brandon Sanderson's epic fantasy saga, The Stormlight Archive. Timestamps 0:00 Do spoilers completely ruin books? 3:04 Szeth screams and stones theorising 7:11 PoTW: Deaths in Wind and Truth 16:04 Stormlight RPG and W&T word count! 23:45 Cosmere journey update! Tress & MB1 spoilers 26:07 Chapter 3: Pattern summary 27:26 Jasnah, Shallan and spren theories and speculation 33:01 The abundance of creationspren and Pattern 39:40 Shallan and Jasnaha's flashbacks 47:33 Heralds on the chapter arches 51:06 Chapter 4: Taker of Secrets summary 51:30 Remembering who was writing the Glyphs 54:44 Dalinar's trust of Kaladin 55:53 Analysing and theorising re Dalinar's vision 1:04:17 The Radiant v Mistborn sporting league tangent! 1:09:29 Future banger chapters in Words of Radiance https://www.youtube.com/playlist?list=PLrY6NG1x5xIcpHlgdSfh-TxV4aZbIT8j4

WARNING! SPOILERS FOR AN UNPUBLISHED BOOK INSIDE! In this episode, the SICS crew discuss the Unmade, a group of entities who have been influencing Roshar for thousands of years. We do stray into a few mentions of important things that are revealed in the preview chapters of Wind and Truth that have been released, so be aware of that. Otherwise, come along and let us know what you think is going on with the Unmade! ___ This episode's show notes can be found here: https://docs.google.com/document/d/1Di9H4NNAjYRqOVY3KqCpozxqR0Mwm473Xgv3jBafnn0/edit?usp=sharing ___ This episode's "Cosmere Thing of the Week": "Ba-Ado-Mishram" by @AnyaDreamState on Twitter: https://twitter.com/AnyaDreamState/status/1502406488672940037 ___ You can support The Sandersonian Institute of Cosmere Studies by becoming a Patron at http://www.patreon.com/cosmerestudies SICS patrons make the show possible and gain access to additional content and early access to bonus episodes. ___ Want some SICS merch? Check out our merch store at https://store.streamelements.com/cosmerestudies  ___ You can email us your questions about the Cosmere at cosmerestudies@gmail.com. We will occasionally select emails to respond to during the show, so we'd love to hear any theories you have, no matter how far-fetched, or anything else you may have to say about Brandon Sanderson's work. ___ Follow us at www.youtube.com/cosmerestudies for our live shows, which stream on Mondays, every two weeks, at 8:30pm Mountain Time. Edited versions will be posted on the channel the following Wednesday. ___ We'd like to thank the following artists for granting us permission to use their artwork in our opening video. Be sure to check out their websites! Stephan Martiniere - Elantris - http://www.martiniere.com/ Sam Weber - The Mistborn Trilogy - http://www.sampaints.com/ Chris McGrath - Alloy of Law - http://www.christianmcgrath.com/ Dan dos Santos - Warbreaker - http://www.dandossantos.com/ Michael Whelan - Words of Radiance and Oathbringer - http://www.michaelwhelan.com/ David Palumbo - Arcanum Unbounded - http://www.dvpalumbo.com/ ___ The Sandersonian Institute of Cosmere Studies is a biweekly podcast for fans of Brandon Sanderson's Cosmere novels. Bill, Amy, and Jordan discuss Brandon's work and dive a bit too deep into theories and speculation. So put on your aluminum foil hats and join us for the ride as we discuss Brandon's work and your emails, and remember—there's ALWAYS another secret! ___ Write to us! The Sandersonian Institute of Cosmere StudiesPO Box 970063Orem, UT 84097 ___ Find SICS online: Youtube: https://www.youtube.com/cosmerestudies Patreon: http://www.patreon.com/cosmerestudies Twitter: http://www.twitter.com/cosmerestudies Facebook: http://www.facebook.com/cosmerestudies Instagram: http://www.instagram.com/cosmerestudies TikTok: https://www.tiktok.com/@cosmerestudies

Jennifer Gonzales is the Chief of Police of Napa, California, despite the fact that she doesn't make her bed every morning. As our chiefs Kristen and Sylvia try to understand how a person so accomplished can be so negligent toward her own bed, they are blindsided by the number of unread emails in Chief Gonzales' phone and how many snooze alarms she has set every morning. The lesson is that there are many different ways to be the right person for the job, and many different right ways to do the job. We hope you enjoy our conversation with this admitted Star Wars nerd. May the force be with you.

Revisiting #353: The Unmade Films of Quentin Tarantino by C.W.A

Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) journey back to the wildest decade of horror movies, the 1980s, with HEATHER WIXSON and PATRICK BROMLEY, authors of the new book "In Search of Darkness: The Definitive Look at 80s Horror." In this episode we discuss the book, the decade, and a veritable slumber party massacre of unmade 80s horror movies. Get BONUS content on Patreon! https://www.patreon.com/BestMoviesNeverMade/about Theme music by Brian J Casey

Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) take an excellent adventure through the unmade career of actor/director ALEX WINTER (Bill & Ted trilogy, Freaked), including a Kevin Bacon and Kyra Sedgwick backwoods crime epic, a Howard Stern produced remake of Roger Corman's Rock n Roll High School, a 3-D remake of the horror classic The Gate, and more! Get BONUS content on Patreon! https://www.patreon.com/BestMoviesNeverMade/about Theme music by Brian J Casey Follow us on Twitter: @NeverMadeFilm and Instagram: Best Movies Never Made.

Tim and Brady discuss Adelaide drivers, visiting Mrs Hein, back to the Big Rocking Horse, The Magic Cave, the Unmade tennis match, superstitions, toasters, and other long-lasting household objects.Hover - register your domain now and get 10% off by going to https://www.hover.com/UnmadeSupport us on Patreon - https://www.patreon.com/unmadeFMJoin the discussion of this episode on our subreddit - https://redd.it/185zxneCatch the podcast on YouTube where we often include accompanying videos and pictures - https://www.youtube.com/@unmadepodcastUSEFUL LINKSPictures to accompany this episode - https://www.unmade.fm/episode-135-picturesThe Adelaide Christmas Pageant - https://en.wikipedia.org/wiki/Adelaide_Christmas_PageantThe Big Rocking Horse - https://www.thebigrockinghorse.com.auCatch the bonus Request Room episode - https://www.patreon.com/posts/93685914Information about getting the Request Room into your podcast feed (for patrons) - https://support.patreon.com/hc/en-us/articles/360041347732--How-to-use-your-custom-audio-RSS-link