Podcast appearances and mentions of ignacio berroa

Charlie Haden nos dejó el 11 de julio de 2014. Recordamos al añorado contrabajista con su Quartet West ('The long goodbye', 'My love and I'), con el guitarrista Pat Metheny ('Two for the road', 'Cinema Paradiso love theme', 'Cinema Paradiso main theme'), a dúo con los pianistas Hank Jones ('Going home') y Keith Jarrett ('Dance of the infidels'), en trío con el pianista Gonzalo Rubalcaba y el baterista Ignacio Berroa ('Nocturnal'), en cuarteto con Rubalcaba, el saxofonista Joe Lovano y el violinista Federico Britos Ruiz ('En la orilla del mundo'), con el saxofonista Jan Garbarek y el pianista y guitarrista Egberto Gismonti ('Palhaço') y con la Liberation Music Orchestra ('Not in our name').Escuchar audio

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Por esos caprichos del destino una hermosa canción de amor, hoy un clásico del feeling cubano, se convirtió en el triste leit motiv de quienes, durante los años 60, se vieron forzados a dejar atrás patria, afectos y familia. Con su canción "Adiós felicidad", Ela O'Farrill, sin proponérselo, resonó de manera singular con aquel fenómeno histórico que lamentablemente, multiplicado en innumerables éxodos durante más de seis décadas, ha marcado a la familia cubana. Último día del año 2023 que aprovechamos para repasar algunos tracks de la fabulosa producción "Con el permiso de Bola". Magnífico trabajo protagonizado en 2006 por Pancho Céspedes con la complicidad del pianista Gonzalo Rubalcaba,. Travesía musical completada por Dagoberto González en violín, René Toledo en guitarra, Carlos Miyares en saxo tenor, Yasek Manzano en trompeta, Maykel Elizalde en el tres, Ignacio Berroa en drums y Carlos del Puerto en contrabajo. Todos con el respaldo del poderoso emporio discográfico norteamericano Warner. Dentro de la historia cultural del barrio de Cayo Hueso, tendremos que volver, una y otra vez, al reconocimiento necesario de sus rumberos. Algo de la obra del percusionista, rumbero y compositor Luciano "Chano" Pozo acompañará este segmento del programa. Efectivo repertorio que, ya a comienzos de los años 40, ponía en el éter la señal de la RHC Cadena Azul del guajiro Amado Trinidad Velazco y que en la década siguiente reproducían agrupaciones como la orquesta "Sensación" de Rolando Valdés con su cantante Elpidio Piedra "El Chino". "Ariñáñara", edición Puchito donde sobresalen los solos de Juan Pablo Miranda en flauta y Yeyito Iglesias en bongoes. Más de la obra de Chano Pozo, está vez vinculada a las ediciones de las etiquetas Coda y SMC Pro Arte. Panchito Riset, Marcelino Guerra "Rapindey" y Alonso en las voces. Arsenio Rodríguez en el tres, y Chano en las tumbadoras. Los tesoros de la música popular cubana: La voz y los tambores de Chano. Buen recuerdo para el importante pianista, arreglista y compositor Pedro Justiz, bien conocido en el ambiente artístico musical con el sobrenombre de "Peruchín". Nacido en la localidad oriental de Banes en 1913 como muchos de sus contemporáneos se trasladó a La Habana en busca de mejor fortuna. Su paso por jazz bands de la región oriental de la isla, entre las que sobresalieron la orquesta Chepín Chovén y la de Mariano Mercerón, le permitieron desarrollar un riquísimo diapasón creativo. En el teclado blanquinegro Peruchín combinó lo más genuino de la música popular cubana con elementos del jazz. Ya en la capital de la república, en plena esfervescencia la era de los jazz bands y los conjuntos soneros, con un concepto melódico y armónico adelantado a su tiempo, no le resultó difícil figurar en bandas de primera línea como la "Casino de la Playa" y la "Riverside". Con el auge de la industria discográfica independiente participó en numerosas sesiones de estudio. El 24 de diciembre del año 1977, falleció “Peruchín”, uno de los grandes de la música popular cubana que habrá que tener siempre muy en cuenta. A propósito de barrios rumberos como Cayo Hueso, el rastro de sus toques y cantos nos conduce a la vida y obra del gran Virgilio Martí. Completamente desconocido por muchos músicos cubanos, dentro y fuera de la isla, en el Nueva York de los años sesenta y hasta su muerte en 1995, defendió con fuerza y verdad, el legado de la rumba y el guaguancó. Hasta el sol de hoy sus intervenciones en los míticos álbumes de "Patato y Totico" y el Grupo Folklórico y Experimental Nuevayorquino, son referentes importantes.

Fresh off a tour opening for Unknown Mortal Orchestra, Dion shares his takes on musical exploration, genre development, and collaboration. Dion Kerr is a forward-thinking, multi-dimensional artist (multi-instrumentalist, producer, arranger, songwriter, photographer, and videographer) born and raised in South Florida.  Kerr's work reflects a broad range of influences and mediums.  He has toured and recorded worldwide as a leader and a sideman to various groups spanning multiple genres. Dion Kerr displays his unwavering talent as a producer, multi-instrumentalist, and conceptual artist.  Utilizing acoustic and electric elements, he blends a wide range of influences and styles into a cohesive sound that expands the limitations of genre-bound music. There are hints of Dion's eclectic taste in his records' melodic groove-based instrumentals. Experimentation is essential in Dion's process and is always represented in vivid fluidity. Dion can be seen at some of the most renowned festivals, venues, studios, and galleries with many great young and upcoming artists of all art forms.  Kerr has shared the stage with Ignacio Berroa, Nicholas Payton, Lillias White, Godwin Louis, Jean Caze, Emmet Cohen, Immanuel Wilkins, Justin Brown, Tivon Pennicott, and most recently Marcus Strickland coming off of their European tour of festivals and venues such as Ronnies Scott's in London.  Dion co-founded the band The Smoogies, who released their debut album Planet Smoogies with trumpeter Nicholas Payton and People Music; they are set to release their next record, a live album, in 2024.  Dion was the lead engineer and co-producer of Seafoam Walls record XVI; he also played guitar (formerly bass) in the live incarnation, released on Thurston Moore and Eva Printz's label Ecstatic Peace Library, which was recorded and produced in his home studio.  They recently got off tour, opening up for Unknown Mortal Orchestra for their US tour dates, and have secured a sponsorship with Fender.  He is also a key member in many other highly sought-after bands in South Florida and New York art scenes.   His musical career began early on by being billed with the Dave Leibman quartet while he was still in High School, leading them to reconnect at the prestigious Manhattan School of Music in NY, where he attended school on scholarship.  He has been seen at venues and festivals such as The Blue Note, Sevilla Jazz Festival, Martinique Jazz Festival, Ground Up Festival, Guatemala Jazz Festival, Quebec City Jazz Festival, Young Jazz Festival, Casa Del Jazz, and Adrienne Arsht Center. He has toured North America and Europe extensively with different bands.  Dion has scored music for films featured at SXSW, New Orleans Film, and Miami Film Festivals.   Dion Kerr's new solo record, set to be released in 2023, follows up his latest releases, Ivy, which also features Jeff Parker, Bubby Lewis, Adam O'Farrill, Reptile Ground, Echoes of Lost Time, and Ruby.  His new record showcases his expansive musical knowledge and arranging abilities, featuring himself on bass, vocals, recording, production, and mixing.  His YouTube series Dialogues has been his most recent outlet, which features a wide variety of musical artists that he performs together in an intimate duo setting, which showcases the individuality of each featured artist and how a musical conversation can take place in hopes of bringing people more together. Check out his Dialogues here - https://youtube.com/@dionkerrdialogues And check out Scoobert Doobert's music at - https://scoobertdoobert.pizza Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message

Jazz was the first American music to be embraced and copied around the world. Its infectious swing and message of democracy between musicians rang a bell from Scotand to Japan. Steve Allen, Dave Brubeck, Alan Raph, Ignacio Berroa, Eiji Kitamura and Toshiko Akiyoshi speak to the magnetic attraction of American jazz.

Hoy os vamos a acercar uno de los trabajos mas desconocidos de un músico extraordinario, el compositor, saxofonista y clarinetista cubano Paquito D’Rivera. El disco se llama Mariel y nunca fue editado en CD. Quizás es por este detalle que el trabajo nunca ha gozado de una gran difusión y además no está presente en ninguna de las diferentes plataformas de streaming existentes a pesar de contar con varios temas que han sido esenciales en la discografía de D’Rivera como es el caso de Monk Tuno, dedicada a Theolonius Monk, Wapango o la deliciosa Claudia. Esperamos que la disfrutéis. TRACKS A1- Mariel D’Rivera A2- Miami Juanito Márquez A3- Claudia Chucho Valdés B1- New York It’s You D’Rivera B2- Wapango D’Rivera B3- Monk Tuno D’Rivera B4- Moments Notice John Coltrane CREDITS Acoustic Bass – Eddie Gomez (pistas: A3, B4), Jeff Fuller (pistas: B2) Alto Saxophone, Soprano Saxophone, Piano, Synthesizer, Arranged By – Paquito D'Rivera Drums – Ignacio Berroa (pistas: Except B1) Electric Bass – Jeff Fuller (pistas: A1. A2, B1, B3) Electric Piano – Jorge Dalto (pistas: A1, B1) Executive Producer – George Butler Flugelhorn, Trumpet – Randy Brecker (pistas: A1, B4) Guitar – Georg Wadenius (pistas: A1, B1) Percussion, Congas – Daniel Ponce (pistas: Except B1) Piano – Hilton Ruiz (pistas: A2, A3, B2, B3) Producer – Bert DeCoteaux, Mike Berniker Synth [Prophet 5] – Luis Buchillon (pistas: A1) Vocals – Brenda Feliciano (pistas: B1)

Puerto Rico Jazz con Wilbert Sostre.8am y 3pm (New York) @ Brave New Radio WPSC 88.7 FM, William Paterson University, New Jersey.@TuneIn Radio! http://tun.in/seoPJAlgunos de los mejores momentos de músicos internacionales en el Puerto Rico Jazz Fest en las pasadas dos décadas. Música de Poncho Sanchez, Michel Camilo, Ignacio Berroa, Joshua Redman, y Magos Herrera.Puerto Rico Jazz con Wilbert Sostre.Todos los Domingos 8am (Puerto Rico) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJ 6 p.m. @ Radio Prócer 1380AM, 98.5FM, Barranquitas, Puerto Rico. www.radioprocer1380.como en TuneIn http://tun.in/seoKu*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música; jazzinmagazine@gmail.com

Legends welcomes the incomparable Kris Kimura, founder of Parker Jazz Club, Texas' very finest jazz club. Kris is an award winning vocalist and woodwind specialist based in the “Live Music Capital of the World” – Austin, TX. For almost two decades, Kris has performed with many of Austin's best bands including Ghandaia, Grupo Fantasma, Dario y su Comborican, Mr. Fabulous, Rotel & the Hot Tomatoes, the Pictures, Boombox, Monster Big Band, and MANY others. Kris has also shared the stage with many national and international artists including Michael Feinstein, Johnny Mathis, George Duke, Diana Krall, Elvis Costello, Doug Lawrence, Marcus Printup, the Temptations, the O'Jays, the Buckinghams, Arthur Latin, Butch Miles, Ignacio Berroa, Ndugu Chancler, and many others. In addition to a very busy career as a sideman in various projects, Kimura has led his own bands – The Kris Kimura Quartet/Quintet, the Kris Kimura Jazz Orchestra, the Wasabi Big Band, and the Wasabi Grandé Big Big Band.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

/...) Mario Rivera fue uno de los acompañantes más solicitados en el negocio del jazz y la música latina, pero a pesar de haber aparecido en cientos de grabaciones (o quizás por esa misma razón), registró sólo un disco como líder, el impresionante "El Comandante", cuyo título alude al sobrenombre por el cual el saxofonista era bien conocido. El disco es una extraordinaria colección de ritmos procedentes de todos los rincones de sudámerica, desde el merengue de su tierra natal hasta la música de Brasil, pasando obviamente por el jazz más latino del cual Rivera es uno de sus exponentes más ilustres. Fue grabado entre el 6 y 7 de diciembre de 1993 y lanzado al mercado por la discográfica Groovin' High al año siguiente. El grupo que participó en esta grabación estuvo compuesto por el saxofonista George Coleman quien prácticamente cofirma la grabación y aporta el delicioso Pretty Blues. Y es que Coleman era una figura prominente del jazz y el blues desde principios de los 50 cuando se enroló con 17 años en la banda del gran BB King . Más tarde Coleman tocaría en el legendario quinteto de Miles Davis junto a Herbie Hancock, Ron Carter y Tony Williams participando activamente en 5 grabaciones del genial trompetista. Están además en este trabajo otros músicos tan extraordinarios como el malogrado pianista portorriqueño Hilton Ruiz ; Ed Cherry en la guitarra; Walter Booker y John Benitez en el bajo; Ignacio Berroa y Phoenix Rivera en la bateria (este último también en piano); José Alex Díaz a las congas y guiro; Rey Díaz a la tambora y Isidro Bobadillo en el sheqere y percusión dominicana, entre otros. Phoenix Rivera, hijo de Mario, fue además el director musical de este proyecto que tiene por única pega el hecho de ser el único ejemplo que se puede encontrar de la música de Mario Rivera. Una auténtica gozada que consigue que la tecla de avance de tu reproductor se convierta en un elemento prescindible. Si te gusta el jazz latino vas a disfrutar como un niño pequeño, tal y como él hacía construyendo su música. (...) TRACKS 1-Amigos Juntos Rivera 2-Frank's Tune Strozier 3-La Puerta Demetrio 4-Tanga Gillespie 5-Pretty Blues Coleman 6-Afternoon in Paris Lewis 7-Todavía Rivera 8-Have You Met Miss Jones? Hart, Rodgers 9-En la Obscuridad Solano CREDITS Mario Rivera Trumpet, Flute (Alto), Sax (Alto), Sax (Soprano), Sax (Tenor), Tamboura John Benítez Bass Hilton Ruiz Piano Ignacio Berroa Drums Isidro Bobadillo Percussion, Shekere Walter Booker Bass Ed Cherry Guitar, Mixing, Session Coordinator George Coleman Sax (Tenor) Jose Alexis Diaz Cheng, Guira Phoenix Rivera Piano, Director, Drums, Mixing Rey Diaz Tamboura

Ignacio Berroa is recognized as one of the greatest drummers of our times and was included in a 2011 compilation entitled “Jazz Drumming Legends”.  Born in Cuba, Ignacio is one of the world's foremost authorities on Cuban music.  In this episode, we hear about his early days studying classical music in Cuba and becoming the 1st call drummer there, to eventually working with legends like Dizzy Gillespie, Chick Corea, McCoy Tyner, Gonzalo Rubalcaba and many more.  We'll also hear selections from his 3 great solo albums, hear about his teachings of the history of Cuban music and also, his love for his Gon Bops instruments.   Join us! (Contact us for the music titles, in the order featured in this episode)

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En Puerto Rico Jazz celebramos el legado musical.del Maestro Bajista Boricua Eddie Gómez.Con Chick Corea, Paul Motian, John Abercrombie, Gonzalo Rubalcaba, Ignacio Berroa, Bill Evans, y por supuesto Eddie Gómez.Puerto Rico Jazz.Comprometidos con la Excelencia Musical.TuneIn Radiohttp://tun.in/pjADHApple Podcasthttps://podcasts.apple.com/us/podcast/puerto-rico-jazz/id1508259152Sounder FMhttps://puertoricojazz.sounder.fm/show/puerto-rico-jazz

Simplemente es un desfile de destacados bateristas: Vanderlei Pereira, Robby Ameen, Steve Berrios, Ignacio Berroa y Vinnie Colauita. Programa transmitido originalmente el 31 de mayo del 2020 través de Quisqueya FM, 96.1 www.quisqueyafmrd.com

Hoy comenzamos nuestro programa con la United Nation Orchestra, una banda comandada por el trompetista Dizzy Gillespie y una legión de excelentes músicos latinos entre los que encontraréis a gente tan brillante como Paquito D'Rivera, Mario Rivera, Arturo Sandoval, Danilo Pérez, Slide Hampton, Claudio Roditi, Ignacio Berroa, Airto Moreira o Flora Purim. Seguimos con un concierto de Irakere, la banda liderada por Chucho Valdés con la colaboración especial de Paquito D'Rivera interpretando la brillantísima Claudia, escrita por Valdés. Nos detenemos en la trayectoria del saxofonista argentino Gato Barbieri y su ruta por todos y cada uno de los territorios de Latinoamérica a través de su tetralogía “Latino América”. Y acabamos con un poco de bossa nova a cargo de la vocalista Paula Barelembaum y el pianista Joao Donato que nos regalan la bellísima Café Com Pao.

Havana-born Ignacio Berroa followed in his father's footsteps to formally study violin as a child, before switching his attentions to percussion. After defecting to the US in 1980, Berroa quickly found himself playing drums in the Dizzy Gillespie Quartet. The move didn't come without complications, however...

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

E.J. and I spoke about his love for music and how this love has to evolve as you grow and change. He also touched on the challenges he faced throughout his career and how those things were integral for him to bring his dreams to life. E.J. is an amazing musician who understands that giving is the key to a success. We also touched on the violence that has plagued the Afro-American from the hands of the "Authorities". Overall this interview gives you a birds-eye view into the mind of E.J. and the heart of the community as a whole. Connect with E.J. here www.ejstricklandmusic.com Bio: Enoch Jamal “E.J.” Strickland is the world-class, world-travelled drummer, composer, educator, and artist you've heard on over 60 albums in the last 10-plus years. The Miami native grew up in a creative household, where his dad was a percussionist in the Ft. Lauderdale Orchestra; his twin brother Marcus played the saxophone; and where E.J. beat on pots, pans, and tables until he finally got his hands on the drums. He was only in middle school, yet E.J. knew then that jazz was his calling. Where does one go as a young jazz musician, serious about the work? New York City, of course. Like so many talented artists before him, E.J. chose the New School to further his jazz education, a course of study that would introduce him to greater technical ability, but really, to the meat of any jazz program: teachers and peers. Reggie Workman. Buster Williams. Billy Harper—just to name a few of the living legend, caring instructors who guided E.J. during his tenure. And the peers? Friends who would spend almost every moment together, growing as young musicians and future leaders of the sound: Mike Moreno, Robert Glasper, Brandon Owens, and Marcus Baylor. Together, they formed a group that would shape their voices, and establish their careers. E.J. quickly graduated into New York's gigging jazz scene, playing early on with Russell Malone and Ravi Coltrane. Both artists proved to be big brother types for E.J., gently guiding him as he established his voice. “Russell really stressed the point that as a drummer, you're supposed to make the music feel good,” he says. “I always try to remember what he instilled in me.” Ravi Coltrane lent a similar kind of open-ended guidance, telling E.J. to simply “find something” in the music. Just what that would be was up to him. Since then, Strickland has built a successful career as a composer, bandleader, educator, and sideman. He's toured, performed, and recorded with some of the greatest names in contemporary music: Cassandra Wilson, Terence Blanchard, Lizz Wright, Wynton Marsalis, George Colligan, David Gilmore, Vincent Herring, and Nnenna Freelon, to name a few. As an instructor, he's taught alongside some of the world's best jazz educators: Dave Douglas and Vijay Iyer at the prestigious Banff International Workshop in Jazz & Creative Music, Steve Kirby at the University of Manitoba, and Earl MacDonald at the University of Connecticut. As a leader, he's released two albums: 2009's In This Day featuring Marcus Strickland, Jaleel Shaw, Luis Perdomo, and Hans Glawischnig in a blend of musical settings. His most recent release, The Undying Spirit “positively glows…its success comes largely from the leader's ability to inspire the best in his fellow musicians,” says Brian Zimmerman, Downbeat Magazine. Nick Bewsey in Icon Magazine calls E.J. “an artist with a clear and sensible vision: that a drummer-led jazz record should give listeners an opportunity to get their groove on.” Variety—of influence and interest—might be the keyword for E.J. in his creative approach. He studied both classical and Latin percussion, working early on with the great Cuban drummer Ignacio Berroa. “Growing up, we listened to all kinds of music in the house,” he says. “Miles, Stevie; just good music.” He's applied his wide-ranging tastes to the artists he plays with today: funk and fusion with pianist Manuel Valera's Groove Square; Latin jazz... Support this podcast

Born into a musical family, Ignacio Berroa was a first call session musician in his native Havana, Cuba, before emigrating to the US during the Mariel Boatlift. Shortly after his arrival in NY, Ignacio began a twelve year association with Dizzy Gillespie, which led to gigs with a who's who of jazz and Latin luminaries. Ignacio tells Joe about the advantages of growing up in Cuba; losing his mother at an early age; the agonies of a perfectionist outlook; navigating through marriages and divorces; and his lifelong love of baseball.

Media docena de novedades discográficas con origen en España. Next Station de Rafael Garcés desde Quadrant Records; Around The Space de Miguel Villar Trío de Moskito Rekords; Mediterraníes de Albert Sanz de Karonte; de Underpool sendos títulos: La danza de una luz de Natsuko Sugao Group y Noninó de Toni Vaquer; finalmente, Brisa de Iago Fernández en Fresh Sound New Talent. Texto y programa HDO 206: © Pachi Tapiz, 2016 HDO es un podcast editado, presentado y producido por Pachi Tapiz En HDO 206 suenan y tocan: Iago Fernández: Brisa (Fresh Sound New Talent, 2016) Enrique Oliver, Wilfried Wilde, Reinier Elizarde “El Negrón”, Iago Fernández, Zé Pedro Coelho, Xan Campos Toni Vaquer: Noninó (Underpool, 2016) Toni Vaquer, Joan Mas, Miguel “Pintxo” Villar, Dani Pérez, David Mengual, Ramon Prats Natsuko Sugao Group: La danza de una luz (Underpool, 2016) Natsuko Sugao, Iván González, Jordi Santanach, Enric Peinado, Marc Cuevas, Josema Martín Albert Sanz: Mediterraníes (Karonte, 2016) Albert Sanz, Rubén Carles, Sergio Martínez, Jorge Pardo Miguel Villar Trío: Around The Space (Moskito Rekords, 2016) Miguel “Pintxo” Villar, Juan Pablo Balcázar, Carlos Falanga Rafael Garcés: Next Station (Quadrant Records, 2016) Rafael Garcés, Ignacio Berroa, Francis Posé, Bernat Hernández, Xavi Reija, Dusan Jevtovic, Álvaro Gandul Toda la información de HDO 206 en http://www.tomajazz.com/web/?p=28004 Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298