Podcasts about creative music

Claire Rice I have been a theatre nerd for as long as I can remember. Everything is a big song and dance when I'm around. That's one reason children have always responded well to me! I started babysitting at 12, and continued to nanny into my 30s, making strong connections with every family. After graduating Randolph Academy for the Performing Arts, I became a drama, music, and dance teacher, as well as a director for children's musicals. I have since honed my skills of teaching music and drama for babies, children, and youth. I founded Dramagination - a very creative acting class for ages 3-12 where kids can follow their instincts, gain confidence, and practice their dramatic techniques. Directing full scale musicals with children became one of my favourite parts of my job, fostering a safe space to learn and perform, and creating lasting memories for everyone involved. I specialize in developing children's creativity - where children invent characters, stories, and worlds, and I help them to collaborate and turn their ideas into fully realized productions. I trained in Toronto, and have since worked in this field in New Brunswick, England, Switzerland and Vancouver. I'm really excited to bring my offerings to York Region and beyond! Get A Clue Get a Clue is a horror murder mystery comedy musical that's actually scary but still pretty funny.Loosely based on the Clue game and movie, a group of teens get locked in the attic of a very creepy old house while a party rages downstairs. Things quickly get ...murder-y.This original show comes from the twisted minds of the Intermediate Theatre company in collaboration with Creative Music and Theatre with Claire.

Kids creative music with dad's philosophy 121123

Send us a Text Message.What happens when an artist refuses to conform to industry norms and continually pushes musical  boundaries? Join Paul for an enthralling conversation with the iconic Róisín Murphy, who has spent nearly three decades mesmerizing audiences with her unique blend of electronica, disco, house, techno, and soul. This arrives on the heels of her latest project, "Hit Parade Remixes," featuring interpretations of tracks from her most recent studio album by the likes of Moodymann, Payfone, and Eli Escobar.In this episode, we dissect the artistry behind Róisín's music production, from her character-driven vocal performances to her complex, layered songwriting. Róisín shares her fascination with topics like oxytocin and we also reflect on Róisín's early days with Moloko, the vibrant Sheffield music scene and her transformative collaborations, particularly with Matthew Herbert. Róisín offers poignant insights into her personal and professional journey, exploring how family, inspiration, and the unpredictability of creativity have shaped her sound. From nostalgic reflections on the dynamic Moloko era to the emotional resonance of dance music. Hit Parade Remixes is available here.To let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

On this edition of the program we hear from Palestinian sound artist and musician Byjayr. This interview was originally included in a major broadcast for Radio AlHara in Bethlehem, but I thought it would be also important to share this conversation as a stand alone exchange. Byjayr (Jeena) speaks about her creation process, journey as an artist and shares reflections on the critical importance of speaking up for Palestine today. Music on this edition is Passage by Anarchist Mountains. Free City Radio is hosted and produced by Stefan @spirodon Christoff and airs on @radiockut 90.3FM at 11am on Wednesdays and @cjlo1690 AM in Tiohti:áke/Montréal on Wednesdays at 8:30am. On @ckuwradio 95.9FM in Winnipeg at 10:30pm on Tuesdays. On @cfrc 101.9FM in Kingston, Ontario at 11:30am on Wednesdays. Also it broadcasts on @cfuv 101.9 FM in Victoria, BC on Wednesdays at 9am and Saturdays at 7am, as well as Met Radio 1280 AM in Toronto at 5:30am on Fridays. Now Free City Radio will also be broadcasting on CKCU FM 93.1 in Ottawa on Tuesdays at 2pm, tune-in!

Greetings! Using Teiku's new self-titled 577 Record release as a springboard (in which the ensemble interprets Ukrainian Passover melodies in the jazz tradition of Creative Music), I wondered if I could cobble a Passover oriented set with music I had in my own collection.  The fruits of such an endeavor inhabits Phase One. In Phase Two, I wanted to focus on the incredible musicianship of guitarist/pianist Kevin Kastning and his improvisational pairings with diverse musicians from around the globe. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://twitter.com/envpusher1      4-27-24 PTE Playlist - TWOFER A side: Chag Pesach Sameach! (Happy Passover!) / B side: The Music of Kevin Kastning   Eyliyohu Hanovi (Elijah the Prophet) - The Klezmatics - Brother Moses Smote The Water: Live in Berlin - Piranha Musik (2004) https://piranha-records.bandcamp.com/album/brother-moses-smote-the-water    Elijah Rock - The Klezmatics w/ Joshua Nelson - Brother Moses Smote The Water: Live in Berlin - Piranha Musik (2004) https://piranha-records.bandcamp.com/album/brother-moses-smote-the-water    The Magic Winecup: A Syrian Passover Tale - storyteller: Vered Hankin / musical score: Bruce Ditmas - The Day The Rabbi Disappeared: Jewish Holiday Tales of Magic - Kessem Productions (2000)   Adir Hu - Jewlia Eisenbert / vocal ensemble: Charming Hostess - Trilectic - Tzadik (2001) https://www.tzadik.com/    Adir Hu Intro / Adir Hu - Teiku - Teiku - 577 Records (2024) https://577records.bandcamp.com/album/teiku    Manishtana (What Has Changed?) - Steven Bernstein - Diaspora Soul - Tzadik (1999) https://www.tzadik.com/    Passover: Movement III - ensemble: thingNY / composer: Rick Burkhardt - Passover - Innova (2022) https://www.innova.mu/albums/thingny/passover    Passover - Carolee Carmello / composer: William Finn - Elegies: A Song Cycle - Fynsworth Alley (2003) Passover - Carolee Carmello / composer: William Finn - Elegies: A Song Cycle - Fynsworth Alley (2003) https://playbill.com/article/elegies-praised-william-finn-song-cycle-closes-off-broadway-march-30-com-112326    Dam Tzefardea - Rabbi Chaim B. Alevsky - PESACH'S GREATEST HITS - Tools for Torah (2006) https://toolsfortorah.com/CDs.htm    Paisach in Portugal - Don Byron - Don Byron Plays the Music of Mickey Katz - Nonesuch (1993) https://www.nonesuch.com/albums/plays-music-mickey-katz 

In this episode, Jon talks with Frank Giguere, a drummer. They pay tribute to Robert Gatzen, the late owner of percussion and music store, Creative Music.

Learn how to be more creative in your marketing strategies! The host of the Diamond Studios Podcast, Nathan Collins, and the DSP crew give advice on how you can use parades to market yourself and your music! Join us as we dive deeper into music, business, and the Balance of Both! Link to Merch and Socials https://www.diamondstudioslid.com/podcast

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 7: Never Enough. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org). Featuring: Mat Jodrell - trumpet, Michael Thomas - Alto Sax, Chad Lefkowitz-Brown - Tenor Sax, Andrew Gutauskus - Bass Clarinet, Steven Feifke - Synth , Chris Ziemba - Piano, Andrew Renfroe - Guitar, Dave Baron - Bass, Bryan Carter - Drums

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 6: The Indefinite Road Ahead. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org). Featuring: Mat Jodrell - trumpet, Michael Thomas - Alto Sax, Chad Lefkowitz-Brown - Tenor Sax, Andrew Gutauskus - Bass Clarinet, Steven Feifke - Synth , Chris Ziemba - Piano, Andrew Renfroe - Guitar, Dave Baron - Bass, Bryan Carter - Drums

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 5: Sun in Your Eyes. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org). Featuring: Mat Jodrell - trumpet, Michael Thomas - Alto Sax, Chad Lefkowitz-Brown - Tenor Sax, Andrew Gutauskus - Bass Clarinet, Steven Feifke - Synth , Chris Ziemba - Piano, Andrew Renfroe - Guitar, Dave Baron - Bass, Bryan Carter - Drums

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 3: Changing Times. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org). Featuring: Mat Jodrell - trumpet, Michael Thomas - Alto Sax ,Chad Lefkowitz-Brown - Tenor Sax, Andrew Gutauskus - Bass Clarinet ,Steven Feifke - Synth ,Chris Ziemba - Piano, Andrew Renfroe - Guitar, Dave Baron - Bass, Bryan Carter - Drums

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 2 - Middle Distance. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org). Featuring: Mat Jodrell - trumpet, Michael Thomas - Alto Sax ,Chad Lefkowitz-Brown - Tenor Sax, Andrew Gutauskus - Bass Clarinet ,Steven Feifke - Synth ,Chris Ziemba - Piano, Andrew Renfroe - Guitar, Dave Baron - Bass, Bryan Carter - Drums

Go to https://artisthub.io/aristake and get your free month trial. Dustin is a music industry marketing specialist with 15+ years working with major and independent artists, building their brand, presence, and revenue. After spending 10 years as an artist manager he moved to Venture, a digital marketing agency, to develop and run their content marketing service. There he built and trained a team which has created content that's reached millions of fans for acts including Matt Maeson, Restless Road, American Authors, FLOBOTS, and Zach Top. Dustin is also a well-established influencer on TikTok, with over 35k followers, where he educates independent artists on digital marketing and the music industry.Learn more about Dustin Boyer at Venture Music: https://www.venturemusic.com/ 00:00 - Welcome05:20 - Fake music business feuds to ramp engagement, Spotify's Discovery Mode, ad platforms for gaining fans13:39 - Meta ad strategies for musicians and funnels21:27 - Tracking conversions and the only platform that properly does this28:23 - Owning your audience and fan data35:13 - TikTok ads killing organic reach37:50 - Breaking out Ashley Ryan 45:33 - Artist growth strategies around content51:33 - Routine and social mediaSubscribe to The New Music Business: https://aristake.com/nmbAri's Take Academy: https://aristakeacademy.comWatch more discussions like this: https://bit.ly/3LavMpaConnect with Ari's Take:Website: https://aristake.comInstagram: https://www.instagram.com/aristake_TikTok: https://www.tiktok.com/@aris.takeX: https://twitter.com/ArisTakeThreads: https://www.threads.net/@aristake_YouTube: https://www.youtube.com/user/aristake1Connect with Ari Herstand:Website: https://ariherstand.comInstagram: https://instagram.com/ariherstandX: https://twitter.com/ariherstandYouTube: https://youtube.com/ariherstandConnect with Dustin:Instagram: https://www.instagram.com/venture/X: https://twitter.com/venturemusic_TikTok: https://www.tiktok.com/@venture_musicLinkedIn: https://www.linkedin.com/in/dustyb/Edited and mixed by Mikey EvansMusic by Brassroots DistrictProduced by the team at Ari's Take Hosted on Acast. See acast.com/privacy for more information.

On this musical episode of the Nick Finzer Audio Experience, listen to Nick Finzer's Ten Year Suite Movement 1 - Re:Connection. The Ten Year Suite was premiered February 22nd, 2015 at Shapeshifter Lab in Brooklyn, NY. Commissioned by the Institute for Creative Music (www.ifcmusic.org).

It was great to catch up with world renowned drummer/musician and educator, Clarence Penn to talk about pursuing his dream of a career in music, his life's journey, and operating and living his purpose. Of course we talked about music, and so much more. Clarence's bio: Clarence Penn is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and an educator.Since 1991, when he arrived in New York City, Penn has placed his unique blend of mega-chops, keen intellect, and heady musicianship at the service of a staggering array of A-list artists—a chronological short-list includes Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone, Michael Brecker, Dave Douglas, Maria Schneider, Luciana Souza, Richard Galliano, and Fourplay. Penn's impressive discography includes several hundred studio albums (including the Grammy-winning recordings 34th and Lex by Randy Brecker and Concert in the Garden and Sky Blue by Maria Schneider) representing a 360-spectrum of jazz expression, and he's toured extensively throughout the United States, the Americas, Europe, Japan, and Southeast Asia. He's composed music for films and commercials, and produced tracks for numerous singers in the pop and alternative arenas. He earned a “Ten Best of 1997” accolade from the New York Times for his first leader recording, Penn's Landing.A graduate of Virginia Commonwealth University, where he was a protégé of Ellis Marsalis, Penn is active as an educator and drum clinician. From 2004 to 2012, he taught on the faculty of the Banff International Workshop in Jazz and Creative Music. He's also served on faculty at the Stanford Jazz Workshop, the Saint Louis College of Music in Rome, Italy, and the Jazz at Lincoln Center Intensive Jazz Institute.Penn currently leads several ensembles. His most recent “rhythmically intoxicating” recording is 2014's “Monk The Lost Files”arrangements of the music of Thelonious Monk. Released on the Origin record lable, an amazing quartet comprising saxophonist Chad Leftkowitz-Brown, Pianist Gerald Clayton/Donald Vega, and bassist Yasushi Nakamura performing the music of Thelonius Monk with today's modern jazz sensibility. Near completion is a “world music” studio project of songs and instrumentals that melds background voices—including his own—with a world class band.Whether Penn is leading his own band or performing as a sideman, he brings to the table unfailing versatility and professionalism, an ability to find creative ways to interpret a global array of styles and idioms, and a stated intention “to play music that's warm and organic for the people and for myself.”His motto: “When people hear my name, I want them to think, ‘I don't know what band he's playing with tonight or what he'll be doing, but it's going to be good, it's going to be musical.'”

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: CHERYL DURONGPISITKUL Leave a comment if you like. Listen to Cheryl''s answers to the questions below:  00:00 Introduction 09:50 Why do you transcribe? 11:06 How do you choose the solos you transcribe? 24:20 What do you expect to bring home with a transcription? 32:30 What is your methodology? 41:34 Do you write it down? 45:50 How do you practice your transcriptions? 48:42 How do you incorporate ideas into your solos? 53:32 Who was the most difficult player you transcribed? 56:20 Which transcription you've done is your favourite? Cheryl is a talented composer and saxophonist known for her innovative style and ability to weave captivating narratives through her work. Cheryl released her debut album, Follow Me Through The Red Ash, in 2017 to critical acclaim. She co-leads the JazzLab Orchestra and has released two albums, Menagerie (2018) and Pink Milk (2021) with collaborative trio Koi Kingdom. Cheryl is a dynamic artist in the Australian jazz landscape, dedicated to pushing boundaries in jazz and contemporary music performance and composition. She has attended the prestigious Banff International Workshop in Jazz and Creative Music and participated in masterclasses with New York-based record label New Amsterdam. She received the SIMA Young Composer Award in 2019 and premiered her work Critical Point at the Sydney Women's Jazz Festival and was nominated for the Freedman Jazz Fellowship in 2020. She has also received commissions from the Monash Art Ensemble (A Pinky Promise, 2022 premiere as part of Melbourne International Jazz Festival) and Homophonic (In Full Splendour, 2023 premiere as part of Midsumma Festival). Cheryl says of her role as MIJF's 2023 Take Note Jazz Leader: “I am incredibly grateful and humbled to be named the Take Note leader in 2023. Being awarded Take Note will give me the opportunity to compose my next large-scale work – a deeply personal project that has been percolating over the last 3 years. “Cultivating diverse spaces within our community is a passion of mine and I am excited to be working with the Melbourne International Jazz Festival to carve out more opportunities for those that may not fit the status quo. I look forward to working with and empowering students to create music in safe and inclusive spaces in the hope of developing a place where they all feel they can belong within their own communities.” Leave a comment if you wish. You can check Cheryl Durongpisitkul's music here: https://cheryldurongpisitkul.bandcamp.com/album/follow-me-through-the-red-ash

Dr. Sarah Gulish of the online music education publishing company, F-flat Books, joins Stephanie Leavell to talk about innovative approaches to exploring keyboard and guitar. They take a look at how keyboard and guitar can be approached in a way that creativity is a much larger part how these instruments are learned and experienced by kids.     Get free music every month and be a part of our Song-of-the-Month Club!  www.musicforkiddos.com/newsletter   We have partnered with West Music. Check out their incredible instruments and their incredible offerings at WestMusic.com or you can place your order at their customer service hotline at (800) 397-9378. Use code KIDDOS23 for free shipping on orders over $59.95.   THANKS FOR TUNING IN TO THE MUSIC FOR KIDDOS PODCAST! Thanks for joining us on the Music for Kiddos podcast! If you enjoyed this episode, please tell us what you think by leaving a review! Don't forget to sign up for the Song-of-the-Month-Club to receive a free, high-quality original song every month, or hang out with us on Instagram to stay connected.

In this episode 'How MNRK Music Can Launch Your Career to New Heights', we sit down and speak with Sean Mulligan VP Creative, Music Supervision of MNRK. ****** Use code MUBUTV10 to get 10% off of your order with the Music Business Registry here

In this episode 'How to Get Your Music Featured in Paramount Movies & TV Shows', we sit down and speak with Sabrina Del Priore VP, Creative Music Strategy for Paramount Brands. ****** Use code MUBUTV10 to get 10% off of your order with the Music Business Registry here

On this episode of the Nick Finzer Audio Experience, listen as Nick plays movement one of his composition Ten Year Suite entitled Re:Connection. This tune was commissioned by the Institute for Creative Music.

Episode 177 - Our first guest of the new year! Author JoEllen Notte joins us to talk about her journey from blogging and social media to becoming a fully published author. She discusses her first book, her battle with depression, and her latest work!Mentioned in this episode:In It Togetherhttps://www.theredheadbedhead.com/booksJoEllen Notte on Twitterhttps://twitter.com/JoEllenNotteJoEllen's websiteshttps://www.theredheadbedhead.comhttps://linktr.ee/joellennotteOur theme music is “The Strip” by Mala, used under a Creative Commons Attribution license.

Nel gennaio dell'81, prima di tornare in Europa per lavorare nuovamente in trio (come abbiamo visto nella puntata precedente) con Peter Kowald e Gunter Sommer, Leo Smith partecipa ad una registrazione in Connecticut con una compagine orchestrale; si tratta di un terzo importante capitolo delle sue esperienze orchestrali di questa fase, dopo la partecipazione alla Creative Orchestra diretta da Braxton nel '78 e la direzione da parte dello stesso Smith di un'altra Creative Orchestra nel '79: l'album esce intestato a Creative Improvisors Orchestra, col titolo The Sky Cries The Blues. Nell'81 la pubblicazione da parte dell'editore Nistri Lischi di Pisa, col titolo Note sulla natura della musica, dei testi di Leo Smith pubblicati negli Stati uniti nel '73 col titolo Creative Music, più altri testi scritti fino al '79, consolida in Italia lo status di Leo Smith come figura emblematica dell'improvvisazione e della musica appunto "creativa". Intanto in questo periodo Smith è protagonista di una espansione della sua estetica che non coincide con la sua immagine di improvvisatore puro e duro: in alcuni suoi album Smith si richiama al blues quando non addirittura al reggae - Smith guarda non superficialmente alla cultura rastafariana ed è molto legato alla figura di Bob Marley - ed è in questo senso in sintonia con il concetto di Great Black Music caro all'Art Ensemble of Chicago. Degli assaggi di questa espansione in direzione blues si trovano in Procession of the Great Ancestry, registrato nell'83 ma pubblicato diversi anni dopo, nell'89.

Beneath Detroit showcases previously unheard music from live concert recordings that took place between 1979 and 1992 at the Detroit Institutute of Arts (DIA) as part of the Creative Music at the DIA program. The Creative Music at the DIA concerts highlight an important avant-garde community jazz movement that prominently featured Detroit-based musicians, of which many players are still active today. Both onstage and in continuing musical collaborations, these concerts triangulated and expanded musical connections with the older avant-minded collectives that had been its models, The AACM in Chicago and BAG in St. Louis. This episode features a concert by the New Chamber Jazz Quintet from Nov. 27th 1982, featuring Spencer Barefield, Anthony Holland, Faruq Z Bey, Jaribu Shahid, and Tani Tabbal. https://beneathdetroit.com/ dublab is a listener supporter radio station, become a Sustaining Member today https://www.dublab.com/support/memberships

Rooster Radio is back after a 9 month hiatus (while we got the venue open) with a brand new studio and new energy to pump into the scene! For our first episode back, Michael sits down with Missy Wood, creator and manager of Creative Music Management, an artist management and booking company working hard in the Southeast rock scene. https://www.facebook.com/creativemusicmanage/ https://linktr.ee/theroostergastonia --- Support this podcast: https://podcasters.spotify.com/pod/show/theroostergastonia/support

There's been a lot of talk in recent years about creative teaching strategies and being a creative teacher. But what does that really mean? What does it look like in practice? Of course, there's a certain amount of creativity naturally embedded in the work of making music together. Music is a creative art! But what does creative teaching mean? Is it inherent or is it something we need to develop? Is it something we bring into our teaching space or is it something we co-construct with our students?Does this sound a little too research-y? Once a researcher, always a researcher, I guess!Here's a simpler description:In our world today, creative teaching seems to mean having an arsenal of note-naming worksheets, interactive Google Slide activities, and dice board games to reinforce every new skill or concept. Some of these tools are great and technology has certainly changed the way we teach and present new information, especially in the past few years. The problem is the quality. What are the educational goals or objectives of these games and activities? Are they musical (this is a big one for me)? Do they help the learner develop their musicianship skills? Do they provide the right amount of challenge?These are questions I've been pondering in my own teaching this year and today, I'm sharing some of what I've been reading and learning about creative music teaching in practice.For show notes, click here.Resources Mentioned*Disclosure: I get commissions for purchases made through links in this post.Wunderkeys (Andrea Dow)Teach Piano Today blogA Piano Teacher's Legacy (Richard Chronister)Ep. 041 - Focus on the MusicZig Zag: The Surprising Path to Greater Creativity (Keith Sawyer)Ep. 011 - Zig Zag: The Surprising Path to Greater Creativity

“Say What” Nancy Hopkins, Dolly Howard Walt Silva, Nicholas Dee DANGER: Florida Enacts Forced Vax & Death Protocol Walt - https://www.newparadigmtools.net Listen to/download Archives: https://www.cosmicreality.com/archives.html “Say What?” is seen Saturdays 6-8 pm EST - http://www.cosmicreality.com/radio.html PODCASTS https://pod.co/cosmic-reality-radio Archives Audio: https://www.cosmicreality.com/archives.html Shungite Store: https://mysticalware.com COUPON “SAVE10" for 10% off Mystical Wares: https://www.mysticalwares.com Nancy's Shungite Recommendations: https://www.cosmicreality.com/shungite-recommendations.html

Wadada Leo Smith, trumpeter, multi-instrumentalist, composer, and improviser is one of the most acclaimed creative artists of his times, both for his music and his writings. For the last five decades, Mr. Smith has been a member of the historical and legendary AACM collective. He distinctly defines his music as “Creative Music.” Mr. Smith's diverse discography reveals a recorded history centered around important issues that have impacted his world.For over two decades, Mr. Smith has been creating music for multiple ensembles. Some of these works take several days to perform: Ten Freedom Summers (2011, RedCat, Los Angeles); “Tabligh” for double-ensemble was performed by Golden Quartet and Classical Persian ensemble at Merkin Concert Hall (2006); Golden Quartet and Suleyman Erguner's Classical Turkish ensemble at Akbank Music Festival in Istanbul (2007). His largest work “Odwira” for 12 multi-ensembles (52 instrumentalists) was performed at California Institute of the Arts (March 1995).Today he joins The Jazz Podcast to discuss his two new albums, released on the TUM label. HorseFrog ProductionsA podcast where two friends explore their favorite books, shows, and movies.Listen on: Apple Podcasts Spotify I Read Comic BooksA podcast for comic book fans. New episodes on Wednesdays. Comics are good, and so are youListen on: Apple Podcasts SpotifySupport the show

I get slightly dizzy thinking about trumpeter Dave Douglas' creative output. He is a performer, a recording artist whose release record is prolific, an educator (including a ten-year stint as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada), and a pioneer of artist-run labels with Greenleaf Music which is nearly 20 years old. His musical collaborations are many and varied, including revered artists like Joe Lovano, Linda May Han Oh, Bill Frisell, and vocalist Aoife O'Donovan. We talk about his 2022 albums "Secular Psalms" and "Overcome", his outlook on recording and juggling several projects simultaneously, and his advice for musicians pitching record labels. Show Notes: Tracklisting: - Arrival - We Shall Overcome (feat. Fay Victor) - Pythagoras (with Sound Prints) - We Believe - Hermits and Pilgrims Find Dave's music at: https://greenleafmusic.com/ Festival of New Trumpet Music Website Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

I get slightly dizzy thinking about trumpeter Dave Douglas' creative output. He is a performer, a recording artist whose release record is prolific, an educator (including a ten-year stint as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada), and a pioneer of artist-run labels with Greenleaf Music which is nearly 20 years old. His musical collaborations are many and varied, including revered artists like Joe Lovano, Linda May Han Oh, Bill Frisell, and vocalist Aoife O'Donovan. We talk about his 2022 albums "Secular Psalms" and "Overcome", his outlook on recording and juggling several projects simultaneously, and his advice for musicians pitching record labels. Show Notes: Tracklisting: - Arrival - We Shall Overcome (feat. Fay Victor) - Pythagoras (with Sound Prints) - We Believe - Hermits and Pilgrims Find Dave's music at: https://greenleafmusic.com/ Festival of New Trumpet Music Website Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Tornato nei primi mesi del '70 dal suo lungo soggiorno parigino, Leo Smith non vede a Chicago molte prospettive, e in settembre decide di trasferirsi in Connecticut, per raggiungere il sassofonista Marion Brown che ha incontrato per la prima volta nel corso dell'estate. Nel dicembre del '71 Leo Smith incide il primo album a suo nome, interamente in solo, in cui si alterna a tromba, flicorno, percussioni e altri strumenti: intitolato Creative Music - 1, viene pubblicato dalla Kabell, etichetta dello stesso Smith. Nell'album non mancano fra l'altro segnali dell'interesse di Smith per culture di altre parti del mondo (Africa, GIappone, Indonesia...), interesse che il soggiorno parigino ha stimolato. Il trasferimento nel '70 in Connecticut rappresenta per Smith l'inizio di un nuovo periodo, perché se il suo primo album personale lavora su alcune direttrici che sono tipiche della AACM - solo, polistrumentismo, senso dello spazio... - allo stesso tempo il fatto di essere lontano da Chicago, ma anche da New York, dove nel frattempo Braxton e Leroy Jenkins si sono trasferiti, apre per lui una fase di riflessione individuale e anche di emancipazione dalla AACM.

Tornato nei primi mesi del '70 dal suo lungo soggiorno parigino, Leo Smith non vede a Chicago molte prospettive, e in settembre decide di trasferirsi in Connecticut, per raggiungere il sassofonista Marion Brown che ha incontrato per la prima volta nel corso dell'estate. Nel dicembre del '71 Leo Smith incide il primo album a suo nome, interamente in solo, in cui si alterna a tromba, flicorno, percussioni e altri strumenti: intitolato Creative Music - 1, viene pubblicato dalla Kabell, etichetta dello stesso Smith. Nell'album non mancano fra l'altro segnali dell'interesse di Smith per culture di altre parti del mondo (Africa, GIappone, Indonesia...), interesse che il soggiorno parigino ha stimolato. Il trasferimento nel '70 in Connecticut rappresenta per Smith l'inizio di un nuovo periodo, perché se il suo primo album personale lavora su alcune direttrici che sono tipiche della AACM - solo, polistrumentismo, senso dello spazio... - allo stesso tempo il fatto di essere lontano da Chicago, ma anche da New York, dove nel frattempo Braxton e Leroy Jenkins si sono trasferiti, apre per lui una fase di riflessione individuale e anche di emancipazione dalla AACM.

66. Cory Krcilek is an Singer, Cinematographer with many creative talents including creating his own music videos . We talked about his Music process, Dizzy Wright stealing his song?! & which artists inspire his work.   ________________   Cory's IG : https://instagram.com/cory_krcilek?ut...   YouTube : https://youtube.com/channel/UCTtfiS2u...   _________________   Follow What a Trip podcast on YouTube : https://youtube.com/channel/UC6GVzvpe...   Follow us on Spotify : https://open.spotify.com/show/1X84UdP...   For the Apple Podcast listeners : https://podcasts.apple.com/us/podcast...   ________   Time stamps : 0:00 Intro 0:32 Creative Process 3:45 How he got into making music 9:20 Why Cory's music has positive messages 14:35 Why he doesn't drink anymore/Wine Knowledge 20:55 Morning Routine 26:30 Balancing / Priorities 33:58 Dizzy Wright stole his song ?!? 37:08 Have you ever considered writing songs for other artists ? 39:35 Which artists inspire Cory 48:27 Other Things that Inspire his music/videos 59:02 Jake Paul vs Tyrone Woodley (before fight) 1:18:55 What he does to Unwind

Tracklist: 1.Made Of Light - Falling (Intro Mix) 2.York & Au_Ra - Golden Hour (AVIRA Extended Remix) 3.Above & Beyond, Justine Suissa - Almost Home (Above & Beyond Extended Deep Mix) 4.Blenx - A New Day (Extended Mix) [Exclusive Premier] 5.ARTY - Live For (Extended Mix) 6.Aurosonic ft. Spark7 & Sarah Russell - Touched By An Angel (Progressive Mix) 7.ALPHA 9 - The Purpose Is You (Extended Mix) 8.DJ Tiësto - Ten Seconds Before Sunrise (Original Mix) 9.DJ Tiësto feat. BT - Break My Fall (Original Mix) 10.Tiësto feat. JES - Everything (Original Mix) 11.Super8 & Tab feat. Julie Thompson - My Enemy (Zack Evans Extended Mix) 12.Super8 & Tab - Eternal Sequence (Nifra Extended Mix) 13.Tempo Giusto - Yakuza (Extended Mix) 14.KBK, Grande Piano - No Words (Intro Mix) 15.Remech feat. Marianna Ray - Follow You (NrgMind Extended Remix) [Exclusive Premier] 16.Kvaii - Ephemeral (Original Mix) [Exclusive Premier] 17.Andres Selada - Our Future Is Not Lost (Extended Mix) [Exclusive Premier] 18.Oscar Anzo - Oblivions (Extended Mix) [Exclusive Premier] 19.Arkam - Legacy (Extended Mix) [Exclusive Premier] 20.Tiësto - Young Lions (Extended Mix) 21.Mario Costa, Mik Marson - Lost In Space (Dub Mix) 22.Steph-Entrance - Let Me Down (Extended Mix) 23.HALIENE - Glass Heart (Craig Connelly Extended Remix) 24.Jordan Tobias - Island Home (Extended Mix) 25.Norni - Angels (Extended Mix) 26.Armin van Buuren & Vini Vici feat. Tribal Dance & Natalie Wamba - Yama (Extended Mix) 27.Bandi - Squid Game (Psytrance VER)

Spending an hour chatting with Renée Baker about her more than two thousand musical compositions and perhaps almost as many paintings was inspirational as well as motivational. Especially during this time when the ability for anything we do to have a certain future seems somewhat precarious at best. But Renée does not let anything deter her and while her music is extremely wide ranging and gleefully embraces freedom of expression, her daily schedule is precise and meticulous.

www.binkywomack.com www.roseworldrecords.com (226) Tommy M, Toi Hardy Interview "Million Views Photoshoot" Event Red Carpet - YouTube

Krissy Bergmark is a tabla player, percussionist, and composer in the Twin Cities. Bergmarkcenters her work on bringing tabla to new genres and cross-genres through composition andperformance. She has received commissions and grants through the Cedar Commissions, theJerome Foundation, the Metropolitan Regional Arts Council, and the Minnesota State ArtsBoard for her tabla studies and compositions for tabla, percussion, and strings. She was also aparticipant in the International Workshop in Jazz and Creative Music at Banff Center for Artsand Creativity in 2018, and Silkroad Ensemble’s Global Musician Workshop in 2016. Sheperforms with her progressive folk trio Sprig of That, electronics and tabla duo Lo.mocean, and a variety of other musicians in Minneapolis, Saint Paul, Chicago, and New York. Krissy is a2010 graduate of Northern Illinois University and a 2012 graduate of the University ofMinnesota. She is an Adjunct Professor of Percussion at Gustavus Adolphus College. Krissyendorses Innovative Percussion sticks and mallets. You can stay updated on her latestrecordings, projects, and performances via Facebook, Instagram, and krissybergmark.com.

Suraj speaks with Amirtha Kidambi about her work as a singer, musician, bandleader, and composer in the creative music/avant-garde scene in NYC. Amirtha talks about how her upbringing as a first-generation Indian-American affects her artistic process, how she (and other musicians) arrived at the term “creative music” to describe the music she sings/plays, and how colonization has had an adverse impact on fully experiencing music. Also, FYI, Amirtha is Suraj’s second cousin! For subscribers on podcast apps, see additional show notes and links on the AIAIF website! Link below.Because this week’s episode is a little more “in the weeds” on topics like modern jazz and experimental film, I’ve made a more extensive list of show notes. Amirtha was talking about so much great artistic material — a lot of artists and works that I didn’t know — and I just HAD to include it all in the episode! Show Notes and Links: Amirtha Kidambi’s website — Lots of great videos and links to her work here, HIGHLY RECOMMENDAmirtha’s albums with her band, Elder Ones — “Holy Science” (2019) and “From Untruth” (2018)Amirtha Kidambi & Lea Bertucci’s “End of Softness” (2020)Mary Halverson’s “Code Girl” (2018) — Amirtha is a member of this band!Understanding the concept of Indian “Raag”NY Times obituary of Kadri Gopalnath, Indian alto-saxophonist — There’s a wonderful video of Mr. Gopalnath’s music that is a great introduction to the music Amirtha discusses in the episodeOrnette Coleman’s “Free Jazz” (1961)John Coltrane’s “Impulse! Records” Discography — Every one of the albums is worth listening to, with “A Love Supreme” (1964) and “Duke Ellington and John Coltrane” (1962) being two great starting points, in my opinion. Pitchfork review of Albert Ayler’s “Spiritual Unity” (1964)Lydia Goehr’s “The Imaginary Museum of Musical Works” (1992)NY Times obituary of Fred Ho, Asian-American composer and musician — Another obit that I think is a good jumping-off point for discovering of Mr. Ho’s music.George E. Lewis's book “The AACM and American Experimental Music” (2008) A NY Times article on the AACM at its 50-year anniversary in 2015A guide to the discography of Anthony Braxton, alto-saxophonist and composerA NY Times article on Vijay Iyer and a link to his NEW album “Uneasy” (2021) — Few jazz musicians today excite me as much as Vijay Iyer. Amirtha and I discuss the paradoxes of the word “accessible” when referring to music in the episode, but if you want to hear Iyer sticking to a more recognizable harmonic palate, check out his album “Accelerando” (2012). He does a version of Michael Jackson’s “Human Nature” that is groovy beyond belief.Alice Coltrane’s recording of the “Sai Bhajan,” “Prema Mudhita” and her albums “A Monastic Trio” (1968) and “Journey in Satchidananda” (1971)Website of Ravi Coltrane, Alice and John’s son, a current jazz saxophonistSuneil Sanzgiri’s website — filmmaker that Amirtha collaborated with on two film scoresIndian film director Satyajit Ray’s “Apu Trilogy” in the Criterion Collection, Roger Ebert’s review of the trilogy, and an interview with RayAn article from Vox on Iranian film director Abbas Kiarostami and a link to “Taste of Cherry” (1997) in the Criterion CollectionAn article on Charlie Chaplin filming “Modern Times” (1936)Robert Bresson’s “Pickpocket” (1959) Get on the email list at artinallitsforms.substack.com

Before we wrap up our tour in Africa, we decided to interview some of their local talent. For this Music Monday, we introduce Nigerian guitarist-singer-song writer Patty Bridge. Tune in as Patty Bridge talks to us about his style of music, musical influences and why most of the world is now turning to Africa when it comes to producing their music. Patty then debuts his newest single! YouTube: Patty Bridge Twitter: @bridge_patty IG: @patty_briidge FB: Anokwuru Chibuzo Patrick

Feeling uninspired? Struggling to start a project? Join Al as he reuses, recycles, and repurposes sounds as part of Spirit Studios' new campaign: Creative Block.  Download the sample pack here: tinyurl.com/641ly6no

Ornette Coleman was renowned for dispensing with the rules of Jazz improvisation.  So can Ornette's concept be taught? Even institutionalized? That was the question before Ornette and fellow musicians Karl Berger and Ingrid Sertso in the early Seventies.  The answer? Oh yes, it can. You bet it can!  Institutionalized with all of its infinite horizons still in view.     The Creative Music Studio, in Woodstock, NY, became a learning center, a nexus point for emerging improvisers, a concert producer... As founding advisory board member Buckminster Fuller might have said, a verb rather than a noun.  For a dozen years, CMS pointed the way to undiscovered lands and provided the means and directions for getting there.  Its impact decades later is undiminished and certainly not forgotten by the many who passed through it.  You will find quite a number of these folks named in any evaluation of today's most imaginative improvisers.    Karl Berger and Ingrid Sertso joined host Mitch Goldman in a Deep Focus on the history of CMS in 2012, complete with ear-opening, never-before-heard live recordings.  Hear a rebroadcast of this recording Monday night (9/28) from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.     #WKCR #DeepFocus #CreativeMusicStudio #KarlBerger #IngridSertso #MitchGoldman   Photo credit: Mitch Goldman - copyright 1982 

Ornette Coleman was renowned for dispensing with the rules of Jazz improvisation.  So can Ornette's concept be taught? Even institutionalized? That was the question before Ornette and fellow musicians Karl Berger and Ingrid Sertso in the early Seventies.  The answer? Oh yes, it can. You bet it can!  Institutionalized with all of its infinite horizons still in view.     The Creative Music Studio, in Woodstock, NY, became a learning center, a nexus point for emerging improvisers, a concert producer... As founding advisory board member Buckminster Fuller might have said, a verb rather than a noun.  For a dozen years, CMS pointed the way to undiscovered lands and provided the means and directions for getting there.  Its impact decades later is undiminished and certainly not forgotten by the many who passed through it.  You will find quite a number of these folks named in any evaluation of today's most imaginative improvisers.    Karl Berger and Ingrid Sertso joined host Mitch Goldman in a Deep Focus on the history of CMS in 2012, complete with ear-opening, never-before-heard live recordings.  Hear a rebroadcast of this recording Monday night (9/28) from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org.     #WKCR #DeepFocus #CreativeMusicStudio #KarlBerger #IngridSertso #MitchGoldman   Photo credit: Mitch Goldman - copyright 1982 

In this episode of our podcast we meet Jon Madof, New York-based guitarist and co-founder of Chant Records, a new label that's making waves with adventurous music across the spectrum of genres.

Professional jazz trombonist, educator, business man, and entrepreneur Nick Finzer joins me on the podcast! He lends his voice towards the world of jazz education, his non-profit organization for improvisation and creativity the Institute for Creative Music, his record label Outside in Music, and what drives him everyday to keep achieving his goals. And don't forget, life is like jazz, it's best when you improvise! Give a listen!http://www.nickfinzermusic.com/https://www.outsideinmusic.com/https://www.youtube.com/user/nfinzer2

If remote work is leaving your organization's workforce feeling disconnected, music can help bring them together. In this quick, 8-minute Ruch Riffs podcast, hear from Deborah DeVerna, Chief People Officer for Octave Group, on how music in the workplace engages and connects. Survey data shows that 90 percent of workers perform better with music, so her company has gotten creative by hosting virtual concerts and encouraging employees to share playlists they enjoy. Working with local musicians is one way companies can incorporate music into the workplace culture. Music, she says, has a huge impact on engagement.

Ep. 99: Wadada Leo Smith. Let's Talk Off The Podium with Tigran Arakelyan. Wadada Leo Smith, trumpeter, multi-instrumentalist, composer, and improviser is one of the most acclaimed creative artists of his times, both for his music and his writings. For the last five decades, Mr. Smith has been a member of the historical and legendary AACM collective. He distinctly defines his music as “Creative Music.” Mr. Smith’s diverse discography reveals a recorded history centered around important issues that have impacted his world. In this podcast we talk about improvisation, creative music, and the African-American Improvisation program at Cal Arts. Mr. Smith talks about his collaborations with Vijay Iyer and Anthony Braxton, his Ankhrasmation language scores, and much more. For more information about Wadada Leo Smith please visit: https://wadadaleosmith.com/  © Let's Talk Off The Podium, 2020

California native David Rodgers is one of the most exciting young talents in Nashville’s jazz scene today. Currently an active member of Keb’ Mo’s band as keyboardist and musical director, he has also toured or performed with musicians including Taj Mahal, Kirk Whalum, and Jeff Coffin worldwide at the Montreux Jazz Festival, North Sea Jazz Festival, and the Playboy Jazz Festival, among many others. David is a graduate of Vanderbilt University’s Blair School of Music (2017) where he pursued both classical and jazz piano performance, and also has a master’s degree in commercial composition and arranging from Belmont University (2019).Combining his classical training with deep improvisational roots in both jazz and blues, he has won the 2018 Belmont University Concerto Competition, in which he won with his very own composition, “Concerto For Jazz Piano & Orchestra,” the 2016 Vanderbilt University’s Concerto Competition, as well as the 2016 James Miltenberger International Jazz Piano Competition. His compositions have been performed and recorded internationally, including guest appearances at the 2018 Jazz Education Network’s Young Composers Showcase where the U.S. Airmen of Note played his winning big band composition, as well as in Canada where he was invited as a guest artist to the Banff Centre’s International Workshop in Jazz & Creative Music. In addition to being an active Korg-endorsed artist, he was also a finalist for ROLI’s first-ever International Next Awards for which he was invited to London to perform as a soloist. He has released two genre-bending albums: Songs For A Generation (2017) and Doorways (2019).Support the show (https://thatsnotspit.com/support/)

My guest today is Nick Finzer; Trombonist, Educator, and founder of the NYC based record label Outside in Music. Famed trombonist and mentor Wycliffe Gordon called Finzer “a new voice [in] the pantheon of upcoming trombone greats in the making”. An accomplished educator, Finzer is the Assistant Professor of Jazz Trombone at the legendary University of North Texas, and serves as the Artistic Director and co-founder of the Institute for Creative Music. His latest album "Cast of Characters" (Outside in Music) is a masterfully developed thematic work that builds into something bigger than the sum of it's parts. www.nickfinzermusic.com

March 17, 2020: For this edition of PSYCHOTIC BUMP SCHOOL, DJ ROME welcomes the founder of Fusicology ASYA SHEIN for an honest discussion about promotion, creative music marketing online, and vital community resources for artists during the COVID-19 pandemic. ENJOY! ASYA: fusicology.com INSTAGRAM: @fusicology TWITTER: https://twitter.com/fusicology

In this episode of Against The Flow Podcast, I talk with my friend and fellow EDM producer Yellowtael about the different approaches to the music production process, being self motivated, and always striving to improve.Follow Yellowtael on his socials: Twitter: https://twitter.com/iamyellowtaelInstagram: https://www.instagram.com/yellowtael/Listen to my podcast, 'Against The Flow' available on:Spotify: https://open.spotify.com/show/2e6QJSBdza9mUKt9DSEIiLApple Podcast: https://podcasts.apple.com/us/podcast/against-the-flow/id1482521786Soundcloud: https://soundcloud.com/againsttheflowpodcastFollow me, Yenoh: Instagram: https://www.instagram.com/yenohsounds/ Soundcloud: https://soundcloud.com/yenohsounds Facebook: https://www.facebook.com/yenohsounds/ Twitter: https://twitter.com/yenohsounds Tik Tok: @yenohsounds Beatstars: https://www.beatstars.com/yenoh/feed LinkedIn: https://www.linkedin.com/in/anthony-vu-404793149/

Not only is Andrew Huang a successful YouTuber (with more than 200m views and as of now 1.88m subscribers), a music producer, musician, rapper and video producer (is there anything this guy can’t do?) – but he’s also the guest on the first ITMI podcast of 2020!  As part of our Music Made Us campaign, Andrew talks about that perfect connection between music and technology. We discuss how he first started using YouTube as a platform (and how he still uses it effectively today), what it takes to generate ideas for his channel, and how to deal with negativity and those pesky trolls within video comments.  Have a listen and let us know what you think in the comments below. Alternatively, you can use #MusicMadeUs on social to loop us into how music has made you.  Find out more at bimm.ac.uk/music-made-us Enjoy! Got any questions or suggestions? Drop us a line at: itmipodcast@bimm.co.uk BIMM’s ITMI (Inside the Music Industry) podcast pulls back the curtain on today’s music business. Hosted by acclaimed best-selling author and industry legend Dr Jennifer Otter Bickerdike, ITMI discusses, challenges and answers the big questions in music. At BIMM, we open the doors to the music industry. For 35 years, we’ve trained the next generation of music professionals. We provide industry-led courses, unparalleled opportunities, world-class tutors and a creative community across eight campuses in three countries. We prepare you to be industry-ready so that you can establish a successful career in the music industry. Website: www.bimm.ac.uk Twitter: @BIMM_Institute Facebook: BIMMInstitute Instagram: bimm_stagram

1. The Myth Hold Weight – Moor Mother – Analog Fluids of Sonic Black Holes – 2019 2. Talk Talk pt. 2 – Fay Victor – Barn Songs – 2019 3. Malachi Favors Maghostut: A Monarch of Creative Music part I & II – Wadada Leo Smith & John Lindberg – Celestial Weather – 2015 … Continue reading tone science 370

In this week’s podcast, I interview Brad Fuller, director of music at Northern Beaches Christian School, about his pedagogical approach to teaching the class that I described in Episode 6, where our undergraduate pre-service Music Teachers wrestle with jamming with chord-playing instruments that are totally new to them and the philosophy of the Creative Music … Continue reading Music Zettel Ep. 7 – Teaching like a musician

Prince the Shooter is a creator , he is a very talented individual that takes may strides in his expressing his art in many different ways whether it be his style , his photography , or his music that he is about to spread unto the world. please dont sleep on this Young man. He has a vision that many dont have the opportunity to grasp. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/situationsundiscussed/support

This episode features a “flipped learning” video that I made for Key Approaches in Music Education at the Sydney Conservatorium of Music, the first year course that I mentioned in episode 2. For those wondering what “flipped learning” means, it’s when you take a part of a class that you’ve traditionally chalked-and-talked, and “flip” it … Continue reading Music Zettel Ep. 6 – The Creative Music Movement

What’s the best way to start a lesson to get things off on the right foot? Creatively of course! When we allow our students to warmup with improvisation or a fun game, things run so much more smoothly for the whole lesson. Get 5 ideas for creative openers in this podcast episode.

Here’s Rajesh Thakur talking about Life Journey of Khayyam on his Tune India Radio’s classic show. Mohammed Zahur Khayyam Hashmi (18 February 1927 – 19 August 2019), better known mononymously as Khayyam, was an Indian music director and background score composer whose career spanned four decades. He won three Filmfare Awards: for Best Music in 1977 for Kabhi Kabhie and 1982 for Umrao Jaan, and a lifetime achievement award in 2010. He was awarded the 2007 Sangeet Natak Akademi Award in Creative Music, by the Sangeet Natak Akademi, India's National Academy of Music, Dance and Theatre.[4] He was awarded the third-highest civilian honour, Padma Bhushan, by the Government of India for 2011. Tune India Radio Sydney Australia

Bobby Selvaggio is a recording artist and jazz saxophonist of the highest caliber and is on the verge of releasing his 11th album: Re:Invented - Live at the Bop Stop. Listen to Ep55 as Bobby shares how reinvention, paramount in his life right now, is shaping his original music and impacting the jazz and creative music programs he's directing at Kent State University. Hear his thoughts on the artist as entrepreneur in the digital world, dealing with jazz labels, and how success is individually defined. JimJim's Email signup http://www.bobbyselvaggio.com/ https://www.dottimerecords.com/ https://www.kent.edu/music/jazz 05:14s  Re:Invented - Bobby’s new live recording, embracing re-invention 07:12s Being in the individualistic crowd and innovation 09:59s Arranging vs covering as an approach to popular music 12:32s Developing a jazz degree program at Kent State University 15:30s Learning to be a college administrator in the moment 17:37s Having a vision and making it happen as an entrepreneur 18:30s The difference between business people, entrepreneurs and artists 23:09s Revamping college music education and infusing entrepreneurship 28:27s Being a brand and social media 29:53s Practicing for improvisation not for repertoire 33:10s Casey Niestat as a creative reference point 34:02s Getting away from “this one gig” mentality and making it about who you are 36:29s Success as and individual thing 40:17s Northeast Ohio intriguing as a homebase 43:17s Re:Invented , the new live recording project concept 48:20s Pros and cons of jazz record labels 01:01:16s Coming to grips with understanding the effects of social media technologies 01:05:33s Keeping your craft together while being an artist / creative entrepreneur 01:11:20s Understanding the many paths of success “You know being an entrepreneur you have to live in the business world but I actually think entrepreneurs are artists at heart.” Enjoy this episode? Share it with friends! Subscribe in Itunes or Google! Thanks to our Sponsor! Reach out for a free consultation. https://www.mgshlachter.com/  Reinventing architectural services. 

Sasha Berliner is a musician, composer, producer, and band leader from San Francisco, CA. Sasha started playing drums at eight years old. She pursued a jazz emphasis at her high school, Oakland School for the Arts, where she picked up the vibraphone at age 13. She is an alumni of the SF Jazz High School All Stars Orchestra and the Banff International Workshop in Jazz and Creative Music. She headlined festivals like the Atlanta Jazz Festival, NYC Winter Jazz Festival, and the Burlington Discover Jazz Festival, by the age of 19. In that same year, she was deemed one of SF Jazz's 10 Rising Female Instrumentalists for 2018 and was featured by Hot House Jazz Magazine, The SF Jazz Education Center, PBS News Hour, NPR, NBC Boston, and The New York Times for both her musicianship and her activism. She was a finalist for the International Hit Like A Girl program in the Concert Percussion category as well as the cover story for Tom Tom Magazine’s Fall 2018 publication. She was also the first US winner of the LetterOne “Rising Stars” Jazz Award 2018, which enabled her to bring her group to several prominent jazz festivals across the US and Canada. Sasha has gone on to perform at venues such as the Fox Theater, The Jazz Gallery, Treasure Island Music Festival, Davies Symphony Hall, the Jazz Education Network Conference, the SF Jazz Miner Auditorium, and Davies’ Symphony Hall. She has had the honor of sharing the stage with musicians such as Ravi Coltrane, Beck, Vince Lateano, Miles Okazaki, Matt Wilson, and Victor Wooten, performing more recently with award winning drummer-composer Tyshawn Sorey's sextet. She also substitutes for, teaches, and performs with jazz vibraphonist Warren Wolf. Sasha is currently living in New York City. She is attending The New School of Jazz and Contemporary Music, where she has been a student of vibraphonists Stefon Harris and Chris Dingman. She is an endorsing artist for Vater and a faculty member at the MalletLab percussion intensive, where she gives masterclasses and clinics. She is also a prolific writer, fulfilling a Non Fiction writing minor at the Eugene Lang College of Liberal Arts and self publishing an array of personal essays, poems, and critiques. Her essay on sexism in the jazz industry, “An Open Letter to Ethan Iverson (And the Rest of the Jazz Patriarchy)”, was shared on PBS News Hour and discussed in tandem with the Winter Jazz Fest discussion panel on sexism, featuring activist Angela Davis. Her next major musical project, Azalea, is projected to release in September 2019. Sasha Berliner also publicly advocates for the We Have Voice organization, vowing to create a non-tolerance and accountability policy for discrimination or harassment based on race, gender, sexual orientation, and violence and abuse, in the performing arts. Thanks for listening and keep thriving! Show notes: www.SpenserLiszt.com/blog/TMP22 Free list of potential tax deductions: www.SpenserLiszt.com/p/TaxDeductions Join the Thriving Musicians closed Facebook group: www.Facebook.com/groups/ThrivingMusician Email questions, comments or nominate a Thriving Musician to spenser@spenserliszt.com Follow Spenser online: Facebook: www.Facebook.com/SpenserLiszt Twitter: www.Twitter.com/SpenserLiszt Instagram: www.Instagram.com/SpenserLiszt

Blue Yeti Microphone: http://www.bluemic.com/products/yeti/Spreaker (where my podcasts are stored): http://spreaker.comPodcast Page: http://passpodcast.com Grimecraft Music: http://soundcloud.com/grimecraft Subscribe to iTunes: http://getpodcast.reviews/id/1129939263I thought that PEDA was coming, but it got pushed back a month. No worries, we still have some great content for Episode 200. I know that you all have stuck it out this far, so the least I can do is give you some good thoughts & some worthwhile listens on this week's show. TO was TO. The red tape was needed. Evo came & went. All of these topics & many more on your weekly dose of thePASS. #Episode200 #Evo #DragonballFighterz #UrbanMeyer #podcast #talker #PASSPodcast #PodcastAboutSportsNStuff #thePASS #Sports #Music #Artists #Gaming #Technology #Spreaker #rva804 #branding #blueMicrophone #richmond804 #podcastLife #blymibt #plymibt #podsInColor #professionalRecordingEngineerAngel Number 200: https://www.sunsigns.org/angel-number-200-meaning/ Big 3: https://big3.com/NBA & WNBA merge with MGM: http://www.espn.com/chalk/story/_/id/24245142/nba-first-league-betting-sponsor-deal-mgm LeBron & Durant break up Draymond and Tristan: https://bleacherreport.com/articles/2788989-report-lebron-james-kevin-durant-calmed-draymond-green-tristan-thompson-fight Pro Football 2018: http://www.espn.com/nfl/story/_/id/24276466/pro-football-hall-fame-2018-all-canton-speeches-terrell-owens-unique-celebration Terrell Owens being TO: http://www.espn.com/nfl/story/_/id/24286030/terrell-owens-held-own-hall-fame-ceremony-alma-mater Johnny Manziel shows he's trash: https://bleacherreport.com/johnny-manziel-cfl JR Under Investigation: https://bleacherreport.com/articles/2789017-report-jr-smith-under-investigation-for-stealing-throwing-fans-cell-phone Urban Meyer on “Paid Leave”: https://collegefootballtalk.nbcsports.com/2018/08/01/urban-meyer-placed-on-paid-administrative-leave-as-ohio-state-launches-investigation/ Evo Overview: https://smash.gg/tournament/evo-2018/events League of Legends devs Have “new game”: https://www.google.com/amp/s/variety.com/2018/gaming/features/riot-games-next-game-league-of-legends-1202892072/amp/ Tesla puts “coast to coast” drive on hold: https://www.theverge.com/2018/8/1/17641186/tesla-elon-musk-self-driving-coast-to-coast-delay JBL Google Home interface: https://www.theverge.com/smart-home/2018/8/1/17640698/jbl-link-view-google-smart-display-speaker-release-date Apple ends the affiliate program for apps: https://techcrunch.com/2018/08/01/apple-is-ending-its-app-store-affiliate-program-in-october/ Music Sesh: Backyard playlist one: https://open.spotify.com/user/dqtp6tinojynaj2ffhwj48bcf/playlist/5ElL3Lsjrz7AH6BrAzLKIo?si=czWrP8EzTl6HJBJtxtQHkw Backyard playlist two (incomplete): https://open.spotify.com/user/1212802431/playlist/6YKTmmTT5LfBUzg6Lki83F?si=dknY_dXdSKG4H6flHH79Bw Ass of the Week: Court asked to have tape placed on defendant's mouth: https://www.cnn.com/2018/08/03/us/cleveland-judge-mans-mouth-taped-shut-trnd/index.html

Cristofer Odqvist is an audio engineer, sound designer, and the author of Making Sound: Creative Music Production Tips and Philosophies. Making Sound is a valuable resource for producers because it gives actual techniques you can put to work in your projects. Behind each technique are philosophical ideas and guidelines which will further guide your work in the future. In this episode of the Music Production Podcast, Cristofer talks about his beginnings as an engineer and how he learned to improve his craft. We talk about his book and some of the techniques and philosophies it uncovers. It was a great conversation with many valuable lessons that will certainly help in the music making process. Listen on iTunes or Stitcher or Google Play Show Notes: Making Sound - Cristofer's book of Creative Music Production Tips and Philosophies. Twitter - Cristofer's Twitter feed is loaded with quick tips and inspiring ideas for producers. The Pro Audio Files - A collection of tutorials Cristofer has written. Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site AfroDJMac.com for music production tutorials, videos, and Ableton Live devices. Brian

E.J. and I spoke about his love for music and how this love has to evolve as you grow and change. He also touched on the challenges he faced throughout his career and how those things were integral for him to bring his dreams to life. E.J. is an amazing musician who understands that giving is the key to a success. We also touched on the violence that has plagued the Afro-American from the hands of the "Authorities". Overall this interview gives you a birds-eye view into the mind of E.J. and the heart of the community as a whole. Connect with E.J. here www.ejstricklandmusic.com Bio: Enoch Jamal “E.J.” Strickland is the world-class, world-travelled drummer, composer, educator, and artist you've heard on over 60 albums in the last 10-plus years. The Miami native grew up in a creative household, where his dad was a percussionist in the Ft. Lauderdale Orchestra; his twin brother Marcus played the saxophone; and where E.J. beat on pots, pans, and tables until he finally got his hands on the drums. He was only in middle school, yet E.J. knew then that jazz was his calling. Where does one go as a young jazz musician, serious about the work? New York City, of course. Like so many talented artists before him, E.J. chose the New School to further his jazz education, a course of study that would introduce him to greater technical ability, but really, to the meat of any jazz program: teachers and peers. Reggie Workman. Buster Williams. Billy Harper—just to name a few of the living legend, caring instructors who guided E.J. during his tenure. And the peers? Friends who would spend almost every moment together, growing as young musicians and future leaders of the sound: Mike Moreno, Robert Glasper, Brandon Owens, and Marcus Baylor. Together, they formed a group that would shape their voices, and establish their careers. E.J. quickly graduated into New York's gigging jazz scene, playing early on with Russell Malone and Ravi Coltrane. Both artists proved to be big brother types for E.J., gently guiding him as he established his voice. “Russell really stressed the point that as a drummer, you're supposed to make the music feel good,” he says. “I always try to remember what he instilled in me.” Ravi Coltrane lent a similar kind of open-ended guidance, telling E.J. to simply “find something” in the music. Just what that would be was up to him. Since then, Strickland has built a successful career as a composer, bandleader, educator, and sideman. He's toured, performed, and recorded with some of the greatest names in contemporary music: Cassandra Wilson, Terence Blanchard, Lizz Wright, Wynton Marsalis, George Colligan, David Gilmore, Vincent Herring, and Nnenna Freelon, to name a few. As an instructor, he's taught alongside some of the world's best jazz educators: Dave Douglas and Vijay Iyer at the prestigious Banff International Workshop in Jazz & Creative Music, Steve Kirby at the University of Manitoba, and Earl MacDonald at the University of Connecticut. As a leader, he's released two albums: 2009's In This Day featuring Marcus Strickland, Jaleel Shaw, Luis Perdomo, and Hans Glawischnig in a blend of musical settings. His most recent release, The Undying Spirit “positively glows…its success comes largely from the leader's ability to inspire the best in his fellow musicians,” says Brian Zimmerman, Downbeat Magazine. Nick Bewsey in Icon Magazine calls E.J. “an artist with a clear and sensible vision: that a drummer-led jazz record should give listeners an opportunity to get their groove on.” Variety—of influence and interest—might be the keyword for E.J. in his creative approach. He studied both classical and Latin percussion, working early on with the great Cuban drummer Ignacio Berroa. “Growing up, we listened to all kinds of music in the house,” he says. “Miles, Stevie; just good music.” He's applied his wide-ranging tastes to the artists he plays with today: funk and fusion with pianist Manuel Valera's Groove Square; Latin jazz... Support this podcast

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Chris Pickett – Owner of Creative Music has been playing, singing and a songwriter since he was a little kid. Chris has a Bachelor of Music degree from Longwood University and a Master of Music degree from Southeastern Seminary. He got his first gig as a piano teacher from a friends kid even though he didn’t have any experience teaching at the time.  Then through ads on Craigslist and other referrals he went after his passion of teaching music part time. As soon as he went full time teaching music 4 years ago he has had to start hiring other music teachers to help out with all of the clientele.  He teaches all age groups but his favorite is students are the ones that have a good attitude and that want to learn.  His oldest client was 74 years old!  It is never too old to learn music! Creative Music wants people to not just learn about music but to have fun and have an amazing experience.  The greatest compliment he has ever received was when the father had thanked him for teaching his kids to love music not just play music. Bring the songs you want to play or […] The post Creative Music – Exploring the arts the way you were created to appeared first on Conversations With Creamer.

Master musicians from Australia and South Korea meet 20 early career musicians in the isolation of the Tasmanian highlands to explore the similarities and differences of their approach to improvised music.

Master musicians from Australia and South Korea meet 20 early career musicians in the isolation of the Tasmanian highlands to explore the similarities and differences of their approach to improvised music.

Monica Pearce, currently based in Toronto, is a composer and the co-founder of the Toy Piano Composers, an emerging composers collective. She also serves as Executive Director of The Music Gallery, Toronto’s Center for Creative Music. We discussed some of her latest chamber music and her work with opera, writing for the toy piano, gender issues in music, and her work as an arts administrator.

Friederike Haslbeck, Ph.D., DMtG, SFMT This podcast introduces results of a qualitative study of Creative Music Therapy (CMT) in neonatal care via two case examples. It demonstrates how CMT offers the potential for premature infants to engage in communicative musicality and to empower parents by supporting the quality of interactions with their infant through music.Read more about Creative Music Therapy in Neonatal Care: Supporting Communicative Musicality From the Very Beginning[…]

I’m excited to bring you this Composer Quest podcast episode with talented video game composer Rich Vreeland (aka Disasterpeace). We talk about his snowflake-catching game January, and how he infused his code with music theory to make some beautiful generative music. Rich also explains his composing techniques for the indie games FEZ and The Floor is Jelly.

Members of Monktail Creative Music Concern performed a midnight set at JS 50: Jack Straw's 25-hour marathon performance on June 15th-16th 2012 in celebration of our 50th anniversary. Bill Monto, tenor saxophone; Steve Parris, electric guitar; John Seman, double bass; Dave Abramson, drums.

Members of Monktail Creative Music Concern performed a midnight set at JS 50: Jack Straw's 25-hour marathon performance on June 15th-16th 2012 in celebration of our 50th anniversary. Bill Monto, tenor saxophone; Steve Parris, electric guitar; John Seman, double bass; Dave Abramson, drums.

Members of Monktail Creative Music Concern performed a midnight set at JS 50: Jack Straw’s 25-hour marathon performance on June 15th-16th 2012 in celebration of our 50th anniversary. Bill Monto, tenor saxophone; Steve Parris, electric guitar; John Seman, double bass; Dave Abramson, drums.

Today it is my pleasure to be speaking with a true Jazz legend, trumpet player, composer and record label owner, Dave Douglas. This is an occasions where I am getting to interview somebody I studied when I was in music school, somebody who in his field is a total celebrity. I was very humbled yet excited when Dave said he would like to be on the podcast. From the perspective of the business side of music I am curious to find out some of the differences between the jazz world and the commercial world. How artists are heard above the noise in a genre that requires being a master of your instrument, and the focus is entirely on the music. Dave and I talk about improvisation, music education, the perspective of time, collaborations, getting in the zone, what is success, his latest work, what’s to come in 2013, and much more. This is also the first podcast to feature a track, so be sure to check out “Be Still My Soul” off the “Be Still” album. DAVE DOUGLAS is a prolific trumpeter, composer and educator from New York City. His unique contributions to improvised music have garnered distinguished recognition some of which includes a Guggenheim Fellowship, Aaron Copland award and Grammy-nominations. Douglas has developed his work for several unique ensembles with whom he’s currently active including his quintet, electric sextet Keystone, Brass Ecstasy, Sound Prints Quintet, co-led with Joe Lovano. His new Quintet released their debut recording, Be Still, in September 2012 with singer Aoife O’Donovan, the first time Douglas has featured a vocalist on a recording. Since 2005, Douglas has operated his own record label, Greenleaf Music, releasing his own recordings, albums by other artists in the jazz idiom, and continues to prove himself as a forward-thinking leader in the realm of digital music distribution. He served as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada 2002 through 2012 and is co-founder and director of the Festival of New Trumpet Music, which celebrates its tenth anniversary in 2013. Aaron Bethune. Music Specialist. Creative Collaborator. http://www. playitloudmusic.com & http://www.abovethenoise.ca & http://twitter.com/playitloudmusic For more information and music releases by Dave Douglas and Greenleaf Music please visit: http://www.davedouglas.com http://www.greenleafmusic.com http://www.twitter.com/dave_douglas

Rameses B (or Booth) is one of the latest surprises in liquid Drum & Bass music of this year. His tracks have been appearing all over YouTube and SoundCloud recently and they all have the same touch of being incredibly melodic and cinematic in their sound. No wonder, he's a self-taught pianist and has a qualifaction in Music Technology and a degree in Creative Music & Sound Technology. Rameses B's music is now available on several record labels and his featured release is the brilliant "Pegasus" now available on iTunes. TRACKLISTING1. Rameses B - Goddess 2. Rameses B - Galactic 3. TwoThirds & Feint - Starscapes ft. Veela (Rameses B Remix) 4. Rameses B - Tumble 5. Rameses B - Memoirs (Keeno Remix) 6. Rameses B - Open Your Eyes ft. Rachel Hirons 7. Rameses B - Visionary 8. Rameses B - Revival 9. Rameses B - 2Nite 10. Rameses B - Levels (Bootleg) 11. Rameses B - New Horizons (VIP) 12. Rameses B - Drift Away ft. Veela 13. DJ Shadow - Scale it Back (Rameses B Remix) 14. Rameses B - Letting Go ft. Amelia Rose 15. Rameses B - Beyond 16. Rameses B - Sosltice 17. Rameses B - Memoirs (Cinematic Version)

Rameses B (or Booth) is one of the latest surprises in liquid Drum & Bass music of this year. His tracks have been appearing all over YouTube and SoundCloud recently and they all have the same touch of being incredibly melodic and cinematic in their sound. No wonder, he's a self-taught pianist and has a qualifaction in Music Technology and a degree in Creative Music & Sound Technology. Rameses B's music is now available on several record labels and his featured release is the brilliant "Pegasus" now available on iTunes. TRACKLISTING1. Rameses B - Goddess 2. Rameses B - Galactic 3. TwoThirds & Feint - Starscapes ft. Veela (Rameses B Remix) 4. Rameses B - Tumble 5. Rameses B - Memoirs (Keeno Remix) 6. Rameses B - Open Your Eyes ft. Rachel Hirons 7. Rameses B - Visionary 8. Rameses B - Revival 9. Rameses B - 2Nite 10. Rameses B - Levels (Bootleg) 11. Rameses B - New Horizons (VIP) 12. Rameses B - Drift Away ft. Veela 13. DJ Shadow - Scale it Back (Rameses B Remix) 14. Rameses B - Letting Go ft. Amelia Rose 15. Rameses B - Beyond 16. Rameses B - Sosltice 17. Rameses B - Memoirs (Cinematic Version)

Rameses B (or Booth) is one of the latest surprises in liquid Drum & Bass music of this year. His tracks have been appearing all over YouTube and SoundCloud recently and they all have the same touch of being incredibly melodic and cinematic in their sound. No wonder, he's a self-taught pianist and has a qualifaction in Music Technology and a degree in Creative Music & Sound Technology. Rameses B's music is now available on several record labels and his featured release is the brilliant "Pegasus" now available on iTunes. TRACKLISTING1. Rameses B - Goddess 2. Rameses B - Galactic 3. TwoThirds & Feint - Starscapes ft. Veela (Rameses B Remix) 4. Rameses B - Tumble 5. Rameses B - Memoirs (Keeno Remix) 6. Rameses B - Open Your Eyes ft. Rachel Hirons 7. Rameses B - Visionary 8. Rameses B - Revival 9. Rameses B - 2Nite 10. Rameses B - Levels (Bootleg) 11. Rameses B - New Horizons (VIP) 12. Rameses B - Drift Away ft. Veela 13. DJ Shadow - Scale it Back (Rameses B Remix) 14. Rameses B - Letting Go ft. Amelia Rose 15. Rameses B - Beyond 16. Rameses B - Sosltice 17. Rameses B - Memoirs (Cinematic Version)

Kneebody: Ben Wendel plays saxophone for Californian jazz group Kneebody. On June 11th, he and the band played a set at the jazz program's faculty concert in the Eric Harvie Theatre. Host: Jessa Runciman

The Montreal group made their way from East to West to take part in the Jazz and Creative Music program. Kimberly Lamontagne spoke with two of its members about their experience here in Banff and what the future has in store. Kyla Campbell, voice; Maxime Tremblay, guitar; Dave Reid, piano; Evan Stewart, bass; Matt MacEachern, drums.

The Ungwon Han Trio came all the way from South Korea for this year's Banff Workshop in Jazz and Creative Music. Jessa Runciman talked to Ungwon Han, EunHye Oh and Jaekon Jeon about their impressions of the program and performing in North America for the first time.