Podcasts about The Inklings

On this week's episode of Inklings we go over the talk by Ulisses Soares: Adorned with the Virtue of Temperance

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

On this week's episode of Inklings we go over the talk by Neil L. Andersen: The Atoning Love of Jesus Christ

Brian From sits down with Wheaton College professor Richard Hughes Gibson to discuss his new book The Way of Dante, which explores Dante’s Divine Comedy through the eyes of C.S. Lewis, Dorothy Sayers, and Charles Williams. Together they unpack why themes of hell, purgatory, and heaven still matter, and how these writers used Dante to reflect on evil, repentance, and eternal hope. The conversation offers a thoughtful and accessible look at how imagination, theology, and spiritual formation come together in the Christian life.See omnystudio.com/listener for privacy information.

We may be in a golden age for audiobooks, but for those with sight impairments they have always been essential. Blind writer and returning guest Andrew Head joins Julia Golding on once again on today's episode of Mythmakers to share his thoughts on the audiobook biographies of Tolkien, Lewis, and the Inklings. Be sure to tune in as Andrew and Julia delve into the Mrs Moore controversy so have a listen to find out what that's all about!(00:00) Welcome to Mythmakers and audiobook focus(03:40) Narration style and listening experience(10:02) C.S. Lewis biography (15:21) Public faith vs private life in biography(20:52) The Inklings biography and group storytelling(24:51) Reconstructing Inklings meetings and friendshipsFor more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

On this week's episode of Inklings we go over the talk by Gary E. Stevenson: Blessed Are the Peacemakers

Joseph Loconte revisits how J.R.R. Tolkien and C.S. Lewis sought to restore heroism and moral clarity through story

On this week's episode of Inklings we go over the talk by D. Todd Christofferson: Look to God and Live

In this episode, Tom and Glenn welcome Eugene Terekhin, a Russian translator and the man behind the Substack “The Philosophy of Language.” The conversation ranges over Heideger’s ideas about language and their connection to the Inklings, the idea of primordial language and its connection to poetry, and a variety of other nerdy language-related topics. The Philosophy of Language Substack: https://substack.com/@eugeneterekhin Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

In this episode, Tom and Glenn welcome Eugene Terekhin, a Russian translator and the man behind the Substack “The Philosophy of Language.” The conversation ranges over Heideger's ideas about language and their connection to the Inklings, the idea of primordial language and its connection to poetry, and a variety of other nerdy language-related topics.The Philosophy of Language Substack: https://substack.com/@eugeneterekhinSupport the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8Learn more about WPC Battle Ground: https://www.solochristo.org/Connect with WileyCraft Productions: https://wileycraftproductions.com/

In this episode, Tom and Glenn welcome Eugene Terekhin, a Russian translator and the man behind the Substack “The Philosophy of Language.” The conversation ranges over Heideger’s ideas about language and their connection to the Inklings, the idea of primordial language and its connection to poetry, and a variety of other nerdy language-related topics. The Philosophy of Language Substack: https://substack.com/@eugeneterekhin Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

In this episode, Tom and Glenn welcome Eugene Terekhin, a Russian translator and the man behind the Substack “The Philosophy of Language.” The conversation ranges over Heideger’s ideas about language and their connection to the Inklings, the idea of primordial language and its connection to poetry, and a variety of other nerdy language-related topics. The Philosophy of Language Substack: https://substack.com/@eugeneterekhin Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

On this week's episode of Inklings we go over the talk by Dieter F. Uchtdorf: Do Your Part with All Your Heart

C.S. Lewis dedicated his book, The Screwtape Letters, to his friend J.R.R. Tolkien, and Tolkien dedicated his Lord of the Rings to the Inklings, the Oxford literary group they were both a part of. These two literary giants formed a friendship that changed the world, and each other. Ed Stetzer talks with playwright, Dean Batali, whose play, Lewis and Tolkien, explores their friendship and the eternal themes that defined their work: faith, myth, sacrifice, and the power of story on Ed Stetzer Live. Ed Stetzer Live is a listener supported program. To donate, click here. To learn more about Ed Stetzer, click here. To learn more about Ed Stetzer Live, click here.Donate to Moody Radio: http://moodyradio.org/donateto/edstetzerliveSee omnystudio.com/listener for privacy information.

C.S. Lewis dedicated his book, The Screwtape Letters, to his friend J.R.R. Tolkien, and Tolkien dedicated his Lord of the Rings to the Inklings, the Oxford literary group they were both a part of. These two literary giants formed a friendship that changed the world, and each other. Ed Stetzer talks with playwright, Dean Batali, whose play, Lewis and Tolkien, explores their friendship and the eternal themes that defined their work: faith, myth, sacrifice, and the power of story on Ed Stetzer Live. Ed Stetzer Live is a listener supported program. To donate, click here. To learn more about Ed Stetzer, click here. To learn more about Ed Stetzer Live, click here.Donate to Moody Radio: http://moodyradio.org/donateto/edstetzerliveSee omnystudio.com/listener for privacy information.

On this week's episode of Inklings we go over the talk by Henry B. Eyring: Proved and Strengthened in Christ

When people think of J.R.R. Tolkien and C.S. Lewis, they often picture tweedy Oxford professors and beloved fantasy authors. But their writing wasn't drawn only from their bucolic days teaching at Oxford and walking in the English countryside; it had a darker, deeper backdrop: the trenches of World War I and the cataclysm of World War II. Lewis and Tolkien weren't just fantasy writers — they were war veterans, cultural critics, and men with firsthand knowledge of evil, heroism, and sacrifice.In today's episode, I'm joined by Joseph Loconte, returning to the show to discuss his latest book, The War for Middle Earth. We explore how both world wars shaped the perspectives of Tolkien and Lewis, found their way into works like The Lord of the Rings and The Chronicles of Narnia, and infused their literary masterpieces with moral weight, spiritual depth, and timeless themes of resistance, friendship, and redemption. We also talk about the legendary friendship between Tolkien and Lewis, the creation of the Inklings, and how the men demonstrated the countercultural power of imaginative storytelling.Resources Related to the PodcastRelated AoM podcasts:#178: The Inklings Mastermind Group#272: Lewis, Tolkien, and the Myth of Progress (Loconte's first appearance on the AoM podcast)#430: Why You Need to Join the Great Conversation About the Great Books#499: A Fascinating Primer on Norse Mythology #594: How Churchill (and London) Survived the Blitz of 1940#723: Men Without Chests#765: C.S. Lewis on Building Men With Chests#951: The Hobbit VirtuesRelated AoM articlesThe Power of Conversation: A Lesson from CS Lewis and JRR Tolkien Lessons in Manliness from Viking Mythology Lessons in Manliness: The HobbitMen Without Chests“Blood, Sweat, and Tears” speech by Winston Churchill4 Classic Chapter Books to Read Aloud With Your KidsRelated outside articles:Tolkien's Deadly Dragons Munich AgreementOwen BarfieldTolkien books mentioned:The Letters of J.R.R. Tolkien Beowulf translated by Tolkien The Hobbit The Lord of the Rings Beren and Luthien Letters from Father Christmas Lewis books mentioned:The Letters of C.S. Lewis The Collected Poems of C.S. Lewis The Pilgrim's RegressThe Chronicles of NarniaThe Great DivorceThe Screwtape Letters The Space Trilogy The Four LovesMere Christianity The Reading Life Related books by other authors:Tolkien and the Great War by John GarthThe Somme by Martin GilbertThe Guns of August by Barbara TuchmanThe Future of an Illusion by Sigmund FreudThe Aeneid by VirgilPhantastes by George MacDonaldThe Vinland SagasThe Iliad and The Odyssey by HomerThe Divine Comedy by Dante Alighieri Le Morte d'Arthur by Thomas MaloryConnect With Joseph LoconteJoseph's websiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode dives deep into the fascinating world of the Inklings, featuring the dynamic duo of Dr. David C. Downing and Dr. Crystal Downing, who take listeners on a vibrant journey through the lives and works of J.R.R. Tolkien and C.S. Lewis. The conversation unfolds from a live lecture at Holy Trinity Lutheran Church in Chapel Hill, NC, where they discuss the essence of the Inklings—an eclectic group of writers who gathered in pubs to share their ideas and inspire one another. The Downings highlight how Tolkien and Lewis not only influenced each other's literary paths but also played pivotal roles in shaping modern Christianity through their imaginative storytelling. As they navigate through the complexities of faith, creativity, and friendship, listeners are invited to reflect on the Reformation of Redemption and its relevance today. So, grab a pint (or your favorite beverage) and prepare to geek out over some of the most influential literary minds of the 20th century!Gather around, folks! The latest episode of Systematic Geekology brings the magic of the Inklings to life with a special lecture from Dr. David C. Downing and Dr. Crystal Downing, recorded live at Holy Trinity Lutheran Church in Chapel Hill, NC. This special event, titled "The Reformation of Redemption," dives deep into the world of J.R.R. Tolkien and C.S. Lewis, two literary titans who not only shaped fantasy literature but also influenced Christian thought through their imaginative storytelling. The Downings, seasoned scholars of Lewis and Tolkien, explore the camaraderie and creative sparks ignited among the Inklings—a group of writers who met regularly to share their works, critique each other, and inspire one another over pints and good cheer. They delve into how Tolkien reframed the dying god myth for Lewis, leading to his eventual conversion, and discuss the unique friendship that blossomed in the aftermath of their shared experiences during World War I. All of this unfolds in a cozy, pub-like atmosphere, inviting listeners to reflect on the impact of these authors on modern faith and literature, with anecdotes that resonate even today. So if you're a fan of Lewis, Tolkien, or just love a good story, this episode is a treasure trove of insights that you won't want to miss!Takeaways: The Inklings, including Tolkien and Lewis, created a unique space for collaboration and inspiration through their shared love for storytelling and literature. Dr. David and Dr. Crystal Downing emphasized how the friendship between Lewis and Tolkien significantly impacted their views on faith and creativity. Dorothy Sayers' approach to writing about Christianity in a relatable way has resonated with modern audiences, highlighting the importance of inclusivity in faith discussions. The podcast reflects on the timeless relevance of the Inklings, showing how their community dynamics can still inspire today's creatives and thinkers. Discussion of the 'dying God' myth illustrates how Tolkien's reframing of this concept played a crucial role in Lewis's conversion to Christianity. The event at Holy Trinity Lutheran Church served as a celebration of the literary friendship among the Inklings, showcasing their lasting influence on contemporary faith narratives. .You can leave a one-time gift, purchase some SG merch, or become a member on our website:https://systematic-geekology-shop.fourthwall.com/.Check out our episode with John Hendrix about his book Mythmakers:https://systematic-geekology.captivate.fm/episode/mythmaker-ep/.Don't miss any episode with Will:

On this week's episode of Inklings we go over the talk by Gerrit W. Gong: No One Sits Alone

On this week's episode of Inklings we go over the talk by B. Corey Cuvelier: The Name by Which Ye Are Called

In this Halloween-flavoured episode of The Writing Life Podcast, we're resharing an illuminating discussion between writers Lisabelle Tay and Heather Parry on writing grief and the monstrous body.   Heather Parry is a Glasgow-based writer and editor, originally from South Yorkshire. Her debut novel, Orpheus Builds a Girl, was shortlisted for the Saltire Society Fiction Book of the Year Award and longlisted for the Polari First Book Prize. She is also the author of a short story collection, This Is My Body, Given For You, and her first nonfiction book, Electric Dreams: On Sex Robots and the Failed Promises of Capitalism, was released in 2024 as part of 404 Ink's Inklings series.   Lisabelle Tay is the author of Pilgrim (The Emma Press, 2021). She writes poetry, fiction, and screenplays. Her work appears in Bad Lilies, Sine Theta Magazine, and elsewhere, and she was part of the 2023 Black List Feature Lab.   They sit down with Yan Ge, author of Strange Beasts of China, to explore how the body and the bodily serve as powerful lenses for examining trauma, grief, and the experience of inhabiting perspectives and bodies beyond our own.   This event, supported by the National Arts Council of Singapore, was recorded in May 2025 for The Global Page. The Global Page is a unique series of online global conversations featuring internationally acclaimed and emerging writers and translators. You can find more conversations like this on our website at nationalcentreforwriting.org.uk

On this week's episode of Inklings we go over the talk by Tracy Y. Browning: Tune Your Heart to Jesus Christ: The Sacred Gift of Primary Music

On this week's episode of Inklings we go over the talk by Dallin H. Oaks: The Family-Centered Gospel of Jesus Christ

On this week's episode of Inklings we go over the talk by Sandino Roman: A Bond of Trust and Loyalty

Send us a text"Before Narnia ever existed, C.S. Lewis had a secret weapon: a band of Oxford friends who argued, challenged, and inspired him—the Inklings."Think C.S. Lewis wrote The Chronicles of Narnia all by himself? Think again. Lewis was part of the Inklings, a group of Oxford professors, writers, and thinkers who met to read aloud, debate, and challenge one another.When we think of CS Lewis today, we often picture The Chronicles of Narnia, or his rational, graceful Christian apologetics. But to really understand him, we need to see him inside a unique circle of writers and thinkers: the Inklings—a group that met in Oxford in the 1930s and '40s to read aloud, critique, and sometimes spar over each other's works.In fact, I was aware that C.S. Lewis was an extremely influential modern writer when I began this episode and intended to write it just about Lewis, but came to quickly realize that he was only a part of the “creative puzzle.Support the showThank you for experiencing Celebrate Creativity.

On this week's episode of Inklings we go over the talk by Ulisses Soares: Reverence for Sacred Things

Et in Sempiternum Pereant by Charles Williams Lord Arglay, retired Chief Justice and seeker of forgotten knowledge, sets out for a quiet scholarly errand in the English countryside—only to find the landscape subtly warped, time grown strangely dense, and a chimney smoking where no fire burns. Drawn by a narrow path to a door that seems to wait for him alone, he enters a place where memory thickens, boundaries blur, and the air presses with the weight of something ancient and unyielding. Each step leads him deeper into a mystery that threatens not just understanding, but escape itself. First published in The London Mercury, December 1935.
 Charles Williams (1886–1945) was a British novelist, poet, and critic associated with the Inklings.
He wrote metaphysical thrillers—War in Heaven, Descent into Hell, All Hallows' Eve—exploring theology, myth, and the supernatural. Join Our Podia Community for 100s of Ad Free Ghost Stories https://www.classicghost.com/ghost-stories-episodes/buy Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Inklings we go over the talk by Jeffrey R. Holland: As a Little Child

Modern Challenges of Self-Worth and Lies   Host Curtis Chang talks with author and women's ministry leader Emily Wilson about faith, motherhood, and battling the lies of shame and self-hatred. Drawing from C.S. Lewis's The Screwtape Letters and her new book Sincerely, Stoneheart, Emily explores how screens, productivity pressures, and cultural messages distort our identity—and how the truth of God's love can set us free.   (00:01) - Reimagining CS Lewis for Modern Times (04:54) - Women and Good vs. Evil (08:27) - Women and Men's Unique Vulnerabilities to Evil (13:03) - Did C.S. Lewis Miss Something About Women? (14:53) - C.S. Lewis and Friendship (19:08) - Unveiling Truths About Motherhood and Screens (28:01) - The Lie of Productivity   Join The After Party   Send Campfire Stories to: info@redeemingbabel.org   Donate to Redeeming Babel   Mentioned in this episode: Emily Wilson's Sincerely Stoneheart  Learn more about C.S. Lewis (C.S. Lewis Institute) The Background surrounding C.S. Lewis's The Screwtape Letters  More about Lewis's friendships and the Inklings  Listen to Good Faith Episode 160 - Resetting Your Faith: Exploring the Strength of Biblical Mothers with Tara Edelschick and Kathy Tuan-MacLea authors of Moms at the Well  NIH's Study on depression, screen time, and women (abstract) More from Emily Wilson: Emily Wilson's Website  Find Emily Wilson on Instagram Watch Emily Wilson on YouTube  Find Emily Wilson on Facebook   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   Sign up: Redeeming Babel Newsletter

On this week's episode of Inklings we go over the talk by James R. Rasband: The Plan of Mercy

On the Inklings.

On this week's episode of Inklings we go over the talk by Tamara W. Runia: Your Repentance Doesn't Burden Jesus Christ; It Brightens His Joy

On this week's episode of Inklings we go over the talk by Steven J. Lund: Divine Authority, Sublime Young Men

Jumping off an article by Bradley Birzer, the Pugs discuss the idea of Christian humanism. After Glenn summarizes the history of humanism dating back to the Renaissance, the guys discuss the difference between Renaissance and Christian humanism with secular humanism, Christian humanism in the 20th century (including the Inklings), the contributions humanism has made to culture, and the need for a recovery of Christian humanism today. Article Referenced: https://theimaginativeconservative.org/2025/08/seeking-christendom-christian-humanism-twentieth-century-bradley-birzer.html Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Connect with Glenn and Every Square Inch Ministries at https://www.esquareinch.com/ Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

Jumping off an article by Bradley Birzer, the Pugs discuss the idea of Christian humanism. After Glenn summarizes the history of humanism dating back to the Renaissance, the guys discuss the difference between Renaissance and Christian humanism with secular humanism, Christian humanism in the 20th century (including the Inklings), the contributions humanism has made to culture, and the need for a recovery of Christian humanism today.Article Referenced: https://theimaginativeconservative.org/2025/08/seeking-christendom-christian-humanism-twentieth-century-bradley-birzer.htmlSupport the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8Connect with Glenn and Every Square Inch Ministries at https://www.esquareinch.com/Learn more about WPC Battle Ground: https://www.solochristo.org/Connect with WileyCraft Productions: https://wileycraftproductions.com/

Jumping off an article by Bradley Birzer, the Pugs discuss the idea of Christian humanism. After Glenn summarizes the history of humanism dating back to the Renaissance, the guys discuss the difference between Renaissance and Christian humanism with secular humanism, Christian humanism in the 20th century (including the Inklings), the contributions humanism has made to culture, and the need for a recovery of Christian humanism today. Article Referenced: https://theimaginativeconservative.org/2025/08/seeking-christendom-christian-humanism-twentieth-century-bradley-birzer.html Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Connect with Glenn and Every Square Inch Ministries at https://www.esquareinch.com/ Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

Jumping off an article by Bradley Birzer, the Pugs discuss the idea of Christian humanism. After Glenn summarizes the history of humanism dating back to the Renaissance, the guys discuss the difference between Renaissance and Christian humanism with secular humanism, Christian humanism in the 20th century (including the Inklings), the contributions humanism has made to culture, and the need for a recovery of Christian humanism today. Article Referenced: https://theimaginativeconservative.org/2025/08/seeking-christendom-christian-humanism-twentieth-century-bradley-birzer.html Support the Theology Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Connect with Glenn and Every Square Inch Ministries at https://www.esquareinch.com/ Learn more about WPC Battle Ground: https://www.solochristo.org/ Connect with WileyCraft Productions: https://wileycraftproductions.com/

On this week's episode of Inklings we go over the talk by Steven D. Shumway: Participate to Prepare for Christ's Return

Jeff and Rebecca process some public comments about the idea of being "well-read," a big influencer book club, a study on the gender of animals in kids books, and more book news of the week. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. Sign up for the Book Riot Podcast Newsletter and follow the show on Instagram and Bluesky. Get more industry news with our Today in Books daily newsletter. Book Riot is hiring a digital content specialist! If you love books and know the ins and outs of social media strategy, and especially social video, consider joining the team. Find details and apply by August 22, 2025, at riotnewmedia.com/careers. Use code BOOKRIOT to get an exclusive 60% off an annual Incogni plan at https://incogni.com/bookriot This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: BookTok celeb Jack Edwards launches Inklings book club to “elevate” online reading culture Obamas' production company picks up All the Sinners Bleed National Association of Black Bookstores launches Study shows gender bias in animal characters in children's books Frontlist Foyer, brought to you by Thriftbooks:  The Book of Alchemy Clam Down by Anelise Chen How to Be a Living Thing by Mari Andrew Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Inklings we go over the talk by Gérald Caussé: Compensating Blessings

On this week's episode of Inklings we go over the talk by David A. Bednar: The Times of Restitution of All Things

On this week's episode of Inklings we go over the talk by Gerrit W. Gong: Eternity's Great Gifts: Jesus Christ's Atonement, Resurrection, Restoration

The oddest Inkling - that's Charles Williams, poet, playwright, novelist, editor, theologian and occult practitioner. If you think the Inklings are summed up by Oxford dons, Lewis and Tolkien, think again, because Williams added an extraordinary influence to the group. Today on Mythmakers Julia Golding is joined by world expert on Charles William, Dr Sørina Higgins, who has edited a modern edition of Williams Arthurian cycle of poems and is working on his connections to other writers of the period. This episode is everything you needed to know about Williams and were too afraid to ask! Did he influence Tolkien and Lewis, and if so in what way? What's it like to read his poetry? As we gallop through his many genres you'll get a sense of what there is to read - there's a lot! To conclude we take a bow towards Arthur and decide where in all the fantasy worlds is the best place to be a knight.(00:05) Charles Williams' Life and Works(08:52) Exploring Charles Williams' Theology and Plays(17:43) Charles Williams' Theology and Poetry(27:13) Exploring Charles Williams' Influence and LegacyFor more information on Dr Sørina Higgins and her various works, visit https://sorinahiggins.com/ For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

On this week's episode of Inklings we go over the talk by D. Todd Christofferson: Worship

Our Summer 2025 series, Beside Still Waters, focuses on the places where creativity brings life into a world fatigued by brokenness and division. From jazz to Jane Austen and in between, this season we'll focus on the ways literature and the arts can refresh and challenge our inner lives—and connect us with the Creator of the good, the true, and the beautiful.Today's guide is the author and professor Diana Glyer. She'll be talking about the lives and work of C.S. Lewis, J.R.R. Tolkien, and their beloved community known as the Inklings.In this episode drawn from an online conversation held in February of 2021, Diana focuses on how creativity thrives within small clusters of like-hearted people. We hope you enjoy reflecting on the potential of your own friendships and communities to be culture-shaping. Authors and books mentioned in the conversation:The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community, by Diana GlyerBandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings, by Diana GlyerThe Lord of the Rings, by J.R.R. TolkienCharles WilliamsC.S. LewisShakespeareOwen BarfieldHugo DysonOut of the Silent Planet, by C.S. LewisJerry RootThe Weight of Glory, by C.S. Lewis Related Trinity Forum Readings:On Friendship, by CiceroThe Golden Key, by George MacDonaldThe Oracle of the Dog, by G.K. ChestertonThe Lost Tools of Learning, by Dorothy Sayers Related Conversations:Suffering, Friendship, and Courage: What Lewis & Tolkien Teach Us About Resilience & Imagination, an Online Conversation with Joe Loconte

On this week's episode of Inklings we go over the talk by Sergio R. Vargas: Our Heavenly Guidance System

On this week's episode of Inklings we go over the talk by Henry B. Eyring: Draw Near unto Me

Most people have heard of The Inklings, the informal literary discussion group based in Oxford, England in the 1930s and 1940s, known for fostering the writing and development of fantasy and other genres and specifically the greatest writings, and friendships, of authors such as C.S. Lewis and J.R.R. Tolkien, of The Chronicles of Narnia and Lord of The Rings fame. I am a great, great fan of Lewis and Tolkien and have always been enamored with this group they were a part of that met consistently for nearly two decades. A few years back I was introduced to a book called Bandersnatch: C.S. Lewis, J.R.R. Tolkien, and the Creative Collaboration of the Inklings. It was written by Diana Pavlac Glyer, a professor in the Honors College at Azusa Pacific University in Southern California where she teaches literature, history, theology, and philosophy in an integrated Great Books curriculum. In Diana's book, Bandersnatch, she uses her research on The Inklings to explain what we can learn about creativity, productivity, collaboration and community. What I discovered from Diana was that this group of authors didn't just meet to discuss and refine their work, but they were intrinsically involved in each other's work and not only spurred each other on, but actually sparred with each other. Diana greatly dispels what she refers to as, “the myth of the solitary genius.” The charge and takeaway from this conversation is the opportunity and great benefit we can derive from really investing in other's pursuits. A structure I continue to grapple with creating, but am enamored with, as here is a group of people who did it, it helped create wild success, and we really struggle to follow their example. You can find Diana at dianaglyer.com Sign up for your $1/month trial period at shopify.com/kevin Go to shipstation.com and use code KEVIN to start your free trial. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Inklings we go over the talk by Dieter F. Uchtdorf: By This All Will Know That You Are My Disciples

As we wrap up Season 8, David has a few announcements...[Show Notes]