Podcasts about Museum Ludwig

Brigitte Franzen studierte Kunstgeschichte, Europäische Ethnologie, Germanistik und Soziologie an den Universitäten in Karlsruhe, Wien und Marburg an der Lahn und promovierte im Jahr 2000 über das Verhältnis von Natur und Kunst am Beispiel von Künstlergärten. Ihr erstes Buch veröffentlichte sie 1993. Es thematisierte die Architekturausstellungen des Neuen Bauens der 1920er Jahre. Das Buch »Die vierte Natur« erschien im Jahr 2000 im Verlag der Buchhandlung Walther König und war schnell vergriffen. Die Themen Landschaftstheorie, öffentlicher Raum, Architektur und Ideengeschichte der Natur tauchen immer wieder in ihrem wissenschaftlichen und kuratorischen Wirken auf. Neben zahlreichen Lehrtätigkeiten betreute Brigitte Franzen seit 1993 rund 100 Ausstellungsprojekte. Von 2004 bis 2008 arbeitete sie als Kuratorin für Gegenwartskunst am Westfälischen Landesmuseum in Münster und kuratierte von 2004 bis 2007 die skulptur projekte münster 07. Von 2009 bis 2015 war Brigitte Franzen Direktorin des Ludwig Forum für Internationale Kunst in Aachen. 2015 wurde sie Alleinvorstand und Geschäftsführerin der Peter und Irene Ludwig Stiftung mit weltweit 28 Partnermuseen zu denen beispielsweise das Museum Ludwig, das Rautenstrauch-Joest-Museum und die Museen für asiatische und für angewandte Kunst in Köln gehören, ebenso wie das mumok in Wien, das Ludwig Muzéum in Budapest und das museum für Islamische Kunst in Berlin. Ihre kuratorische Arbeit begreift sie als »forschendes Kuratieren«: 2019 hatte sie als Kuratorin der Triennale in Fellbach ihr Augenmerk auf die anthropologische Dimension der Kunst und ihrer Entstehung gelegt – in ihrem dort geschaffenen »Museum der Neugier« wurden zahlreiche zeitgenössische Positionen in Beziehung zu 40.000 Jahre alten frühzeitlichen Skulpturenfunden gesetzt. 2021/22 kuratierte sie im Gropius Bau Berlin die Ausstellung »The Cool and the Cold«, eine erstmalige Gegenüberstellung US-amerikanischer und sowjetischer Malerei zur Zeit des Kalten Krieges. Seit Oktober 2020 verantwortete Franzen für vier Jahre das Senckenberg Naturmuseum Frankfurt. Unter Ihrer Ägide wurden 19 Ausstellungen durchgeführt. Die Besuchszahlen wurden im Vergleich zur Vor-Corona-Zeit um 13 % auf 460.000 gesteigert. Das Museum konnte sich durch kooperative Projekte, wie »Wälder. Von der Romantik bis in die Zukunft« und partizipative Formate wie die »AHA?! Forschungswerkstatt« neue Besucherschichten erschließen. Franzen legte außerdem ihr Augenmerk auf die strukturelle Entwicklung des Hauses, vom neuen Shop, über die Renovierung wichtiger Museumsareale und Bestände (z.B. die berühmte Anakonda) bis hin zur Einführung sogenannter »Freiräume«, neuer Aufenthaltszonen im Museum. Seit dem 1. Oktober 2024 ist Brigitte Franzen Präsidentin der Hochschule für Gestaltung (HfG) Offenbach.

Das Gemälde "Zwei weibliche Halbakte" hängt aktuell im Museum Ludwig, doch bis es dort gelandet ist, hat es viel erlebt. Was genau, das erzählt diese Graphic Novel des Zeichners Luz. Von Denis Scheck.

Das Gemälde „Zwei weibliche Halbakte“ von Otto Müller hängt heute im Museum Ludwig in Köln. Sein Weg dorthin war abenteuerlich und geprägt von den Schrecken des 2. Weltkrieges. Davon erzählt der Zeichner Luz in seiner neuen Graphic Novel.

Unterschiedliche Reaktionen im Bundesrat auf schwarz-roten Koalitionsvertrag, Fragen zu den Migrationsplänen der neuen Regierung, Sorgen über Lücken in ukrainischer Flugabwehr, Bundespolizei hat russische Schattenflotte im Visier, Weitere Nachrichten im Überblick, #mittendrin im Museum Ludwig in Köln zeigen Kinder-Kuratoren eine Ausstellung, Abschied vom Profisport - Bernhard Langers letzter Abschlag, Das Wetter

Viele Menschen in Köln und Region waren schon im Museum Ludwig. Museumsdirektor Yilmaz Dziewior erklärt im Podcast, was das Museum so besonders macht, warum Diversität und Nachhaltigkeit im Museums-Kontext immer wichtiger wird und wie er auf die bevorstehende kostspielige Sanierung des Ludwig blickt.

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Die Ausstellung „Fünf Freunde“ im Museum Brandhorst und Museum Ludwig geht den vielfältigen Beziehungen zwischen John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg und Cy Twombly nach. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-fuenf-freunde

Das Museum Ludwig präsentiert ab 11.04.2025 mit dem Künstler Francis Alÿs eine außergewöhnliche Ausstellung - "Kids Take Over", in der Kinder im Mittelpunkt stehen. Alÿs dokumentiert seit 25 Jahren Kinderspiele aus unterschiedlichsten Regionen der Welt. Zur Vorbereitung auf die Ausstellung hat Kölncampus Reporter Matthis sich über den Künstler und seine Arbeiten informiert.

Episode No. 700 (!) features artist Tarrah Krajnak and curator Claire Howard. Krajnak is featured in two exhibitions on opposite sides of the United States. At the San Francisco Museum of Modern Art, Krajnak is featured in "Around Group f.64: Legacies and Counterhistories in Bay Area Photography" through July 13. The exhibition was curated by Shana Lopes, Erin O'Toole, and Delphine Sims, with Sally Katz and Alex Landry. At the International Center of Photography, New York, Kraynak's work is included in "To Conjure: New Archives in Recent Photography." Organized by Sara Ickow, Keisha Scarville, and Elisabeth Sherman, the exhibition presents the ways in which seven photographers are reimagining what an archive can be, or might look like. A third US exhibition of Krajnak's work opens April 16 at the Frye Art Museum, Seattle. It will be curated by Georgia Erger. Krajnak works between photography, performance, and poetry. Krajnak, who was born in Peru to an Indigenous mother and who was raised by a transracial US family, often interrogates photography standards and finds that they have limited women, and furthered the violent loss of Native land, lives, and rights. She has won most major photography prizes; her work is in the collections of museums such as the Museum of Modern Art, New York; the Tate Modern, London; the Centre Pompidou, Paris; and the Museum Ludwig, Cologne. Raab is the author of "Relics of War: The History of a Photograph" from Princeton University Press. It examines a photograph made by Clara Barton and published by Matthew Brady that features relics from the notorious Confederate prison at Andersonville, Georgia. "Relics of War" traces how the photograph was a central part of Barton's work of addressing mass death and related grief. Amazon and Bookshop offer it for $42-59. Instagram: Tarrah Krajnak, Tyler Green.

Künstler miNo enthüllt die Geschichte vom „Schwarzem Quadrat“ zusammen mit Rita Kersting im Ludwig Museum.

Katia Denysova is an Art historian and curator. She is the co-curator of ‘In the Eye of the Storm: Modernism in Ukraine', 2022-24 which is currently running at the Royal Academy, London. (Museo Nacional Thyssen-Bornemisza, Madrid; Museum Ludwig, Cologne; RMFA, Brussels; Belvedere, Vienna; Royal Academy, London) ---------- LINKS: https://courtauld.ac.uk/people/kateryna-denysova/ https://www.linkedin.com/in/katia-denysova-38144545 https://www.royalacademy.org.uk/exhibition/eye-of-the-storm ---------- SUPPORT THE CHANNEL: https://www.buymeacoffee.com/siliconcurtain https://www.patreon.com/siliconcurtain ---------- TRUSTED CHARITIES ON THE GROUND: Save Ukraine https://www.saveukraineua.org/ Superhumans - Hospital for war traumas https://superhumans.com/en/ UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukraine https://unbroken.org.ua/ Come Back Alive https://savelife.in.ua/en/ Chefs For Ukraine - World Central Kitchen https://wck.org/relief/activation-chefs-for-ukraine UNITED24 - An initiative of President Zelenskyy https://u24.gov.ua/ Serhiy Prytula Charity Foundation https://prytulafoundation.org NGO “Herojam Slava” https://heroiamslava.org/ kharpp - Reconstruction project supporting communities in Kharkiv and Przemyśl https://kharpp.com/ NOR DOG Animal Rescue https://www.nor-dog.org/home/ ---------- PLATFORMS: Twitter: https://twitter.com/CurtainSilicon Instagram: https://www.instagram.com/siliconcurtain/ Podcast: https://open.spotify.com/show/4thRZj6NO7y93zG11JMtqm Linkedin: https://www.linkedin.com/in/finkjonathan/ Patreon: https://www.patreon.com/siliconcurtain ---------- Welcome to the Silicon Curtain podcast. Please like and subscribe if you like the content we produce. It will really help to increase the popularity of our content in YouTube's algorithm. Our material is now being made available on popular podcasting platforms as well, such as Spotify and Apple Podcasts.

Kejoo Park (B.1956, Daejeon, Korea) lives and works in Frankfurt and New York. She earned a BFA in Painting from Cornell University, studied at Pratt Institute and The Art Students League of New York, and earned an MLA in Landscape Architecture from Harvard University. Kejoo Park, a Korean-American conceptual and multimedia artist, utilizes a wide range of media, including painting, sculpture, performance, and sitespecific installations, to explore the intricate relationships between humanity and nature. Her work emphasizes the duality of internal and external existence and the dynamic interplay between natural and artificial elements. In her large-scale public art projects, Park seamlessly integrates diverse genres such as music, poetry, and philosophy, developing a unique artistic language. Drawing on her studies in art and architecture, she expands her practice to express the embodiment of both Western and Eastern cultures. As a landscape architect, she has collaborated with numerous architects on international competitions and projects across the globe. She also served as an Assistant Professor of Landscape Architecture and Ecology at the University of Stuttgart in Germany. Her work has been exhibited at Gallery Reitz, Zurich, Switzerland (2024); Gallery Uhn, Königstein, Germany (2023); Galerie Anna 25, Berlin, Germany (2023); Kunstverein Familie Montez, Frankfurt, Germany (2022); Galerie Uhn, Königstein, Germany (2022); Galerie Rieder, München, Germany (2021); Galerie Anna 25, Berlin, Germany (2019); Galerie Rieder, München, Germany (2019); Galerie Artstation, Zürich, Switzerland (2018); Galerie Hübner & Hübner, Frankfurt, Germany (2018); Galerie Rieder, München, Germany (2017); Galerie am Hirschengraben, Zurich, Switzerland (2017); Stadtgalerie, Bad Soden am Taunus, Germany (2017); Galerie Anna 25, Berlin, Germany (2016); Galerie Tuttiart, Luzern, Switzerland (2016); Galerie Hübner & Hübner, Frankfurt, Germany (2015); the Permanent Collection of Pierre Soulages at the Museum Ludwig, Koblenz, Germany (2014). Kejoo Park, Drinking Song of the sorrow of the Earth - from the series the Song of the Earth ( Das Lied von der Erde) mixed media, 180x180cm (diptych) Kejoo Park Landscape Rondo, 2020 Mixed media on rice paper and canvas 47.2 x 59 in Kejoo_Park_ Homarge3 to Beuys from the Series Visible-Invisible, mixed media, 100x100

Am 19. Mai 2024 wäre der Kölner Fotograf Chargesheimer (1924–1971), eigentlich Karl Heinz Hargesheimer, einhundert Jahre alt geworden. Aus diesem Anlass zeigt das Museum Ludwig im Fotoraum eine Auswahl von rund fünfzig seiner Werke.

Mehr Bahn fahren, weniger fliegen: Gilt das auch für den Transport von Kunst? Cornelia Wegerhoff hat nachgefragt: Beim Kunstlogistik-Unternehmen Hasenkamp, bei Ökologie-Kuratorin Miriam Szwast vom Museum Ludwig und bei Kolja Reichert, Kurator des K21. Von Cornelia Wegerhoff.

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Am 19. Mai 2024 wäre Chargesheimer 100 Jahre alt geworden. Aus diesem Anlass zeigt das Museum Ludwig eine Auswahl seiner Werke. Jörg Mayer spricht mit Chargesheimer-Experten und taucht in das Leben eines bedeutenden Fotografen ein. Von Jörg Mayer.

Luerweg, Susanne www.deutschlandfunk.de, Kultur heute

Luerweg, Susanne www.deutschlandfunkkultur.de, Fazit

Emre Baykal ile Füsun Onur'un Museum Ludwig yani Köln'de 28 Ocak 2024'e dek süren retrospektifi hakkında konuşuyoruz. 

At this year’s Art Cologne, the art museum Museum Ludwig in Cologne (Germany) presents a new acquisition. It’s an artwork ...

Oelze, Sabinewww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Moderation: Jörg Biesler, Themen: Ausstellung Pablo Picasso Suite 156 " im Museum Ludwig in Köln; Prix Goncourt geht an Jean-Baptiste Andrea; Pariser Museum erzählt Geschichte der Immigration; "Baumgartner" von Paul Auster Von WDR 5.

Die umfangreichste Pop-Art-Kollektion Europas, die drittgrößte Picasso-Sammlung der Welt, eine der bedeutendsten Sammlungen zum deutschen Expressionismus, herausragende Werke der russischen Avantgarde und eine exzellente Sammlung zur Geschichte der Fotografie: Das Museum Ludwig in Köln besitzt heute eine der wichtigsten Sammlungen von Kunst des 20. und 21. Jahrhunderts weltweit. Im Jahr 1946, unmittelbar nach Ende des 2. Weltkriegs, übergab der Kölner Jurist Josef Haubrich seine Kun­st­samm­lung der Stadt und legte, mit Werken von Otto Dix, Ernst Ludwig Kirchner, Max Beckmann oder Karl Schmidt-Rottluff, den Grund­stein für die Samm­lung des Mu­se­um Lud­wig. Genau 30 Jahre sorgte eine weitere spek­takuläre Schenkung an die Stadt Köln für Auf­se­hen, als das Sammlerpaar Peter und Irene Lud­wig seine einzi­gartige Samm­lung von Kunst der 1960er und 1970er Jahre mit zahl­reichen Meis­ter­w­erken amerikanisch­er Pop Art, der Stadt vermachte. In diesem Kunstblick treffen wir wir Yilmaz Dziewor, den Direktor des Museum Ludwig - ein Gespräch über seine Leidenschaft zur Kunst, das Sammlerehepaar Ludwig, die Sammlung Haubrich und darüber, wie er sich zu aktuellen Entwicklungen in der zeitgenössischen Kunstszene informiert. Viel Vergnügen!

Seidel, Ännewww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

In dieser Radioreise nimmt Euch Alexander Tauscher auf eine Tour unter dem Motto "Köln kann kulinarisch". Freut Euch auf einen schmackhaften Rundgang durch die Domstadt. Köln-Guide Jessie von Laufenberg führt uns durch bekannte und weniger bekannte Veedel, also Stadtteile. Längere Zeit verbringen wird dabei auf dem Eigelstein. In dieser dieser in der römischen Epoche angelegten Gasse befinden sich viele typische Kölsche Brauhäuser. Wir besuchen das Brauhaus "Em Kölsche Boor". Hier klärt uns Kult-Köbes Olaf Goebbels auf, was ein Köbes ist und was ihn äußerlich, aber sicher auch im Auftreten von einem Kellner unterscheidet. Auf dem weiteren Rundgang halten wir vor weiteren Brauhäusern, wie der "Schreckenskammer" im Ursulinenviertel. Natürlich führt uns der kulinarische Weg vorbei am weltberühmten Kölner Dom. Dieses über Jahrhunderte gebaute Meisterwerk betrachten wir von einer nicht so überlaufenen Seite und sprechen bei dieser Gelegenheit über das anliegende Museum Ludwig mit Kunstwerken des 20. Jahrhundert. Auch das legendäre "Em Krützche" liegt auf unserem Weg, bis wir den Kölner Hauptmarkt erreichen. Hier müssen wir natürlich über die kulinarischen Aktivitäten von Prinz Poldi sprechen. Denn Lukas Podolski ist nicht nur eng mit dem traditionsreichen 1. FC Köln verbunden, sondern auch mit der kulinarischen Szene der Domstadt. Wir plaudern auf dem Rundgang über Kölner Originale wie Willy Millowitsch und Willy Ostermann. Vor dem Denkmal für den unvergessenen Kölner Komödianten Jupp Schmitz endet der Rundgang mit Jessie. Von hier aus laufen wir ins Sterne-Restaurant "NeoBiota". Der in Chemnitz geborene Erik Scheffler plaudert über seine kulinarische Reise und sein gemeinsames Projekt mit Sonja Baumann, welches bereits mit Sternen gekürt wurde. Ein besonderer Typ ist auch Mats Hilger, den wir in der Kölner Körnerstraße treffen. Der Winzer im zweiten Bildungsweg erzählt uns über die Idee der ersten Urban Winery in einer deutschen Metropole, die heute IMI Winery heißt. Außerdem gibt uns Jürgen Amann, der Geschäftsführer der KölnTourismus GmbH praktische Tipps für den Urlaub in der Domstadt am Rhein. Wir wünschen viel Spaß beim Urlaub in Kölle!

Michael Najjar, Extrem-Foto- und Video-Künstler aus Berlin. Michael Najjar wurde 1966 in Landau geboren und studierte von 1988 bis 1993 an der »bildo Akademie für Medienkunst« in Berlin. In dieser Zeit beschäftigte er sich intensiv mit den visionären Theorien von Medienphilosophen wie Vilém Flusser, Paul Virilio und Jean Baudrillard. In seiner Arbeit hinterfragt Michael Najjar immer wieder die Beziehung zwischen Realität und Simulation. Seine Arbeit wird international ausgestellt und ist in zahlreichen Sammlungen vertreten. Darunter: Akademie der Künste, Berlin; Alfred Ehrhardt Foundation, Berlin; Museum Ludwig, Köln; Kunsthalle Hamburg/Galerie der Gegenwart, Hamburg; Deichtorhallen, Hamburg; Marta Museum, Herford; Edith Russ Haus für Medienkunst, Oldenburg; Kunstmuseum Wolfsburg; Saatchi Gallery, London; uvm. Zitat aus der Episode: »Frei nach Flusser: Eine Fotografie ist ein nulldimensionales Bild, weil es zu jeder Zeit an jedem Ort erscheinen und abgerufen werden kann.« »Zitat von einem meiner Dozenten: Du kannst nur etwas gut gestalten, wenn Du eine eigene Erfahrung damit gemacht hast.« »Bei mir ist der Drang danach Bilder zu generieren oft größer als das Risikobewusstsein.« »Mir war klar mit Tools wie Photoshop wird sich das Medium stark verändern.« »Mich hat immer interessiert, wie verändert das Internet die Megacities?« »Mich hat immer interessiert, wie greifen wir in unsere Physis ein mittels neuer medizinischer Technologien?« »Mich hat immer interessiert, welchen Einfluss haben Algorithmen auf die weltweiten Finanzströme?« »Die Leute müssen wieder was wagen. Sie müssen Risiken auf sich nehmen, um neue Sachen zu entdecken.« »Es gibt eine so genannte Technosphäre, die mittlerweile mehr als die gesamte Biosphäre wiegen soll.« https://www.michaelnajjar.com https://www.instagram.com/studio_michaelnajjar - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Thomas Rusch https://www.instagram.com/thomasrusch/ In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023.

Michael Najjar, Extrem-Foto- und Video-Künstler aus Berlin. Michael Najjar wurde 1966 in Landau geboren und studierte von 1988 bis 1993 an der »bildo Akademie für Medienkunst« in Berlin. In dieser Zeit beschäftigte er sich intensiv mit den visionären Theorien von Medienphilosophen wie Vilém Flusser, Paul Virilio und Jean Baudrillard. In seiner Arbeit hinterfragt Michael Najjar immer wieder die Beziehung zwischen Realität und Simulation. Seine Arbeit wird international ausgestellt und ist in zahlreichen Sammlungen vertreten. Darunter: Akademie der Künste, Berlin; Alfred Ehrhardt Foundation, Berlin; Museum Ludwig, Köln; Kunsthalle Hamburg/Galerie der Gegenwart, Hamburg; Deichtorhallen, Hamburg; Marta Museum, Herford; Edith Russ Haus für Medienkunst, Oldenburg; Kunstmuseum Wolfsburg; Saatchi Gallery, London; uvm. Zitat aus der Episode: »Frei nach Flusser: Eine Fotografie ist ein nulldimensionales Bild, weil es zu jeder Zeit an jedem Ort erscheinen und abgerufen werden kann.« »Zitat von einem meiner Dozenten: Du kannst nur etwas gut gestalten, wenn Du eine eigene Erfahrung damit gemacht hast.« »Bei mir ist der Drang danach Bilder zu generieren oft größer als das Risikobewusstsein.« »Mir war klar mit Tools wie Photoshop wird sich das Medium stark verändern.« »Mich hat immer interessiert, wie verändert das Internet die Megacities?« »Mich hat immer interessiert, wie greifen wir in unsere Physis ein mittels neuer medizinischer Technologien?« »Mich hat immer interessiert, welchen Einfluss haben Algorithmen auf die weltweiten Finanzströme?« »Die Leute müssen wieder was wagen. Sie müssen Risiken auf sich nehmen, um neue Sachen zu entdecken.« »Es gibt eine so genannte Technosphäre, die mittlerweile mehr als die gesamte Biosphäre wiegen soll.« https://www.michaelnajjar.com https://www.instagram.com/studio_michaelnajjar - - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Thomas Rusch https://www.instagram.com/thomasrusch/ In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023.

Walde Huth war die große Modefotografin der 50er-Jahre. Sie fotografierte völlig anders als ihre männlichen Kollegen: Für sie waren Mannequins selbstbewusste junge Frauen. Das Museum Ludwig widmet ihr nun eine Ausstellung. Simone Hamm hat sie gesehen. Von WDR 5.

Moderation: Rebecca Link, Themen: Welche Konsequenzen ziehen wir aus der Mitte-Krise?; Fantastische Reise mit Jim Knopf, Bastian und Momo - Michael Ende Ausstellung in Oberhausen; Ausstellung: "Walde Huth. Material und Mode" im Museum Ludwig in Köln; Streaming-Tipps: This is going to hurt/El Conde Von Rebecca Link.

Secession Podcast: Artists is a series of conversations featuring artists exhibiting at the Secession. This episode is a conversation between the artist Mykola Ridnyi and the board member and artist Anna Witt. It was recorded on September 15, 2023 in the context of the exhibition: Mykola Ridnyi 15.9. – 12.11.2023 Mykola Ridnyi's generation of Ukrainians grew up in a climate of increasing orientation toward the West and the European Union. This emancipation from Russia found expression in the 2004 Orange Revolution and was defended in the Euromaidan events of 2013–14. It was a process that went hand in hand with the emergence of a confident Ukrainian arts scene, among whose leading exponents Ridnyi ranks. Long before graduating from the Kharkiv State Academy of Design and Arts in 2008, he was instrumental to the formation of a politically active arts scene, both as an artist in his own right and as a curator and author. He was a founding member of the art collective SOSka, whose SOSka gallery-lab, an artist-run space that existed from 2005 until 2012, was a key contribution to the local artistic infrastructure. Ridnyi's curatorial project Armed and Dangerous (2017–2021) prompted him to begin developing a platform for collaborations between Ukrainian moving-image artists and filmmakers. In 2022–23, he curated several Ukrainian film and video art screening programs at DAAD-Galerie, Berlin; MAXXI, Rome; Museum Folkwang, Essen; and the National Gallery, Sofia. More Anna Witt, born in Germany in 1981, lives and works in Vienna and Berlin. Her artistic practice is performative, participatory, and political. She creates situations that reflect interpersonal relationships and power structures as well as conventions of speaking and acting. Her work has been shown at the SEMA Seoul Museum of Art; the Secession, Vienna; the 1st Vienna Biennale at MAK; the Gallery of Contemporary Art Leipzig; Museum Ludwig, Cologne; the Austrian Cultural Forum in New York; Kunstmuseum Bern; and the MOCA Museum of Contemporary Art Taipei, among others, and she has had solo exhibitions at Museum Belvedere 21 Contemporary, Vienna; Kunst Halle Sankt Gallen, and Gallery Tanja Wagner, Berlin, at Marabouparken konsthall, Stockholm and Stacion—Center for Contemporary Art, Prishtina, Kosovo. She took part in Aichi Triennial in 2019 and 2013; the Lux/ICA Biennial of Moving Images, London; the 6th Berlin Biennale of Contemporary Art, and Manifesta 7 in northern Italy, and is the winner of the Outstanding Artist Award of the Austrian Federal Ministry of the Arts, Culture, the Civil Service and Sport (2020), the Otto Mauer Prize (2018), the Art Prize ‘Future of Europe' (2015), the BC21 Art Award (2013), and the Art Prize of the Columbus Art Foundation (2008). The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Mykola Ridnyi & Anna Witt Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

American conceptual artist Kathryn Andrews was born in Mobile, Alabama in 1973. The only child of Judy, an entrepreneur, and Lamar, a salesman and erstwhile poet, Kathryn's early days were transient because her family's business determined where they lived. Kathryn's childhood influences in terms of culture, politics and religion would form the backdrop to her emergence as an artist. Her formal art education began with a BFA from Duke University and an MFA from the Art Center College of Design in Pasadena, California. She also studied photography at the Rochester Institute of Technology, NY prior to becoming interested in sculpture. She says that initially she did not consider being an artist—working in mixed media came later. Kathryn spent time traveling through Europe and working a range of jobs, including with Bosnian refugees in Slovenia. She then spent five years in Manhattan as a researcher and working for the fine art photographer, Rosalind Solomon. Kathryn then moved to LA in 2000 and began exhibiting her work in 2002. She has exhibited in numerous shows both shared and solo as well as holding performances at institutions including the Broad Art Museum, Michigan State University, East Lansing, MI (2017), the Museum of Contemporary Art, Chicago, (2015), The High Line, New York, (2016), and the Museum Ludwig, Cologne, Germany (2013). Kathryn is the founder of The Judith Center, which seeks to engage women artists, activists and thought leaders in conversation around the topic of gender equality. It will launch in the spring of 2024 with 50 artists featured in 30 museums over the next five years. Meanwhile, Kathryn's work will be featured in a new exhibition at Kunstmuseum Thun in September 2023, called Not My Circus, Not My Monkeys. Kathryn lives in Los Angeles with her two Bedlington terriers, Coco and Cooper.Kathryn's favorite female artists:Agnes Denes MarisolAlison KnowlesBarbara T SmithBarbara Jones-Hogu (d)Lutz Bacher (d)Gae Aulenti (d)Cini Boeri (d)Kathryn's Playlist (but not when she's working)Bill FrissellPauline OliverosLeo KottkeDizzy GillespieKathryn's website: https://kathrynandrews.net/Instagram: @crib_zHost: Chris StaffordInstagram: @theaartpodcastEmail:hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

Artist Nil Yalter, a pioneer in 20th century video and multimedia installations, explores the often challenging experience of being an immigrant in a foreign country, through her transnational wallpapers, posters, and photographs of Turkish workers, in Exile is a Hard Job. Born in Egypt in 1938, Nil Yalter moved from Istanbul to Paris in 1965. Since the 1970s, she has pioneered the practice of socially-engaged video art; working at the intersections of feminist, anti-racism, and labour movements, her media is always decided by the political issue at hand. But her contemporary practice has always been historically-informed, drawing on literatures and languages from the Ottoman Empire. Pasted up in global cities from Valencia to Mumbai, ‘Exile Is a Hard Job' includes defaced photographs exposing the living conditions of illiterate ‘guest workers'. Navigating between private, intimate spaces, and public displays, the artist also considers the ethics of photography, using her practice to reflect the loss of identity felt in these communities. She talks about its latest installation at Ab-Anbar Gallery in London, the parallels between her ‘illegal' practices and subjects, and why women are often ‘doubly punished'. Plus, Yalter describes her motivations for migration from Turkey to France - ‘to learn' - why MENA artists produce the most exciting work today, and how she feels about her status as the ‘grandmother' of viral, video art. Nil Yalter: Exile is a Hard Job ran at the Ab-Anbar Gallery in London throughout June 2023. The artist will return for the gallery's full reopening in the autumn. This episode was recorded at London Gallery Weekend 2023. Part of EMPIRE LINES Photography Season, exposing different perspectives on the past. Listen to the other episodes on Carrie Mae Weems, Contemporary African Photography at Tate Modern, plus Gregor Sailor's series, The Polar Silk Road. WITH: Nil Yalter, Turkish-French contemporary artist who currently lives and works in Paris. Her works feature in many notable public collections including the Tate Modern, London; the Centre Georges Pompidou, Paris; and Museum Ludwig, Cologne. ART: ‘Exile is a Hard Job, Nil Yalter (1974-Now)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Patrick & Marco müssen diesmal einen #Ritualmord auflösen, der sich im #Museum_Ludwig in #Köln zugetragen hat. Was hat der #Mord eines bekannten modernen #Künstlers mit dem #NSU zu tun? Erinnert ihr euch noch an eure beiden Kölner #Kommissare Patrick & Marco aus Episode 74 ("Die leeren Augen von Köln - ein Tatort-Hörspiel")? Sie sind zurück und retten die #Welt, indem sie endlich für ein bisschen mehr #Gerechtigkeit sorgen. Gastsprecherin in diesem Hörspiel: Lena #Tatort #Museum_Ludwig #patrick_marco #Köln #Köln_Mülheim #keine_Macht_den_Nazis #Folge 1: https://open.spotify.com/episode/7cDpuOIyyzHXBAWCUpwdtM?si=qPj8uAocToql87PI9_U3Gw

American conceptual artist Kathryn Andrews was born in Mobile, Alabama in 1973. The only child of Judy, an entrepreneur, and Lamar, a salesman and erstwhile poet, Kathryn's early days were transient because her family's business determined where they lived. Kathryn's childhood influences in terms of culture, politics and religion would form the backdrop to her emergence as an artist. Her formal art education began with a BFA from Duke University and an MFA from the Art Center College of Design in Pasadena, California. She also studied photography at the Rochester Institute of Technology, NY prior to becoming interested in sculpture. She says that initially she did not consider being an artist—working in mixed media came later. Kathryn spent time traveling through Europe and working a range of jobs, including with Bosnian refugees in Slovenia. She then spent five years in Manhattan as a researcher and working for the fine art photographer, Rosalind Solomon. Kathryn then moved to LA in 2000 and began exhibiting her work in 2002. She has exhibited in numerous shows both shared and solo as well as holding performances at institutions including the Broad Art Museum, Michigan State University, East Lansing, MI (2017), the Museum of Contemporary Art, Chicago, (2015), The High Line, New York, (2016), and the Museum Ludwig, Cologne, Germany (2013). Kathryn is the founder of The Judith Center, which seeks to engage women artists, activists and thought leaders in conversation around the topic of gender equality. It will launch in the spring of 2024 with 50 artists featured in 30 museums over the next five years. Meanwhile, Kathryn's work will be featured in a new exhibition at Kunstmuseum Thun in September 2023, called Not My Circus, Not My Monkeys. Kathryn lives in Los Angeles with her two Bedlington terriers, Coco and Cooper.Kathryn's favorite female artists:Agnes Denes MarisolAlison KnowlesBarbara T SmithBarbara Jones-Hogu (d)Lutz Bacher (d)Gae Aulenti (d)Cini Boeri (d) Kathryn's Playlist (but not when she's working)Bill FrissellPauline OliverosLeo KottkeDizzy GillespieKathryn's website: https://kathrynandrews.net/Instagram: @crib_zHost: Chris Stafford Produced by Hollowell StudiosInstagram: @theaartpodcastEmail:hollowellstudios@gmail.com

On Season 3 episode 12 of The Art Career, Emily sits down with Carroll Dunham in his Connecticut home. Carroll Dunham lives and works in New York and Connecticut. His most recent solo exhibitions include National Museum, Oslo, 2023; Kunsthalle, Dusseldorf, and Sprengel Museum, Hannover, 2019–2020. His work has been the subject of numerous solo exhibitions at international institutions including Museum Ludwig, Cologne; Millesgården, Stockholm; Drammens Museum, Drammen; a mid-career retrospective was held at the New Museum of Contemporary Art, New York, in 2002. Dunham has also been included in notable group exhibitions including multiple Whitney Biennials and SITE Santa Fe; and at institutions including MAMCO, Geneva; the Museum of Modern Art, New York; Museu Picasso, Barcelona; and The Institute of Contemporary Art, Boston This episode is sponsored by BetterHelp. Visit ⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠⁠⁠⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠⁠⁠⁠⁠⁠theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠ Music: Chase Johnson Editing: ⁠⁠⁠⁠⁠⁠@benjamin.galloway

Neil Koenig, former BBC Producer/Director and now ideaXme board advisor interviews artist Shahzia Sikander. Neil Koenig comments: One aim of the ideaXme series is to Move the human story forward™. Is that something that art can help with? The artist Shahzia Sikander believes it can: “art is something that we learn to tell stories with. It's a means, a catalyst, but it also is how you are in pursuit of your own truth or a broader truth” she explains, “but then in that journey, what happens is how you negotiate a place in the world for future generations”. Shahzia Sikander was born in Pakistan and has lived and worked in New York since the 1990s. She has created works in many different forms, from miniatures to animation, sculpture and more. Her first major public art commission, “Havah..to breathe, air, life”, is currently on display in Madison Square Park in the heart of New York City. It includes some dramatic pieces, such as an 18 foot tall sculpture in the centre of the park, and another 8 foot high figure on the roof of a nearby courthouse, where it joins some existing works The show is on view until June 2023, after which it will move on to Houston. In this interview with ideaXme board advisor Neil Koenig, Shahzia Sikander talks about growing up and studying art in Pakistan, her interests in exploring notions of authenticity, assimilation, and “interstitial spaces that are harder to define”, and the role that technology might play in the future development of art. Biography  Shahzia Sikander (Pakistani, b.1969) is an artist based in New York City best known for her Mughal miniature painting as well as her Persian miniature painting. Sikander is also a performance artist, a muralist, a mixed media artist, and an installation artist. Having been taught the art of miniature painting in the traditional Pakistani technique, she adds her own modern take on the pieces, making her art unique. Religion plays a significant role in her work as well as her personal life, due to her Muslim beliefs. Through her work, she explores how Muslim women are challenged by the Western way of living. She has been known to wear a veil in public, though she did not do so prior to her relocation to the United States. She does so as an experiment to study how Westerners are affected by the tradition. Sikander attended the National College of Arts in Lahore and earned her Bachelor of Fine Arts in 1992. She studied at the Rhode Island School of Design, and in 1995 she earned her Master of Fine Arts. Sikander's first solo exhibition took place in 1993 at the Pakistan Embassy in Washington, D.C. Many solo exhibitions followed, taking her to such places as the Whitney Museum of American Art at Philip Morris in New York in 2000 and The San Diego Museum of Art in California in 2004. In addition to the solo exhibitions, Sikander also participated in many group exhibitions, including those held at the Museum of Modern Art in New York in 2005 and Museum Ludwig in Germany in 1999. Sikander received a number of awards, including the Shakir Ali Award/Kipling Award from the National College of Arts, Lahore in 1993, The Joan Mitchell Award in 1999, and the MacArthur Fellows Program in 2006. Sikander continues to impart her personal touch and some political and social views into what may be considered to be an impersonal and disciplined tradition. She continues to exhibit work all over the world and adjust her work to reflect the current status of her culture.

Over his 25 years as CEO of the Danish textile company Kvadrat, Anders Byriel has turned what was once a small, fairly dusty family design business into a global giant. Perhaps just as notably, he's taken a radical, and even artistic, approach to building and cultivating the brand's culture, partnering with designers such as Raf Simons, Ronan and Erwan Bouroullec, and Peter Saville; arts institutions like the New Museum in New York, the Tate Modern in London, and the Louisiana Museum of Modern Art in Humlebaek, Denmark; and brands including Adidas Originals, Bang & Olufsen, and Jaguar Land Rover. On this week's episode of Time Sensitive, Byriel talks about why the best design has an artistic edge, the importance of making space for emotion within a corporate environment, and his deep and lifelong passions of poetry and photography.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Anders Byriel [01:04]Annie Ernaux [04:25]“Vermeer” at the Rijksmuseum [06:04]Kvadrat [06:56]Raf Simons [12:05]Peter Saville [13:24]David Adjaye [14:05]Thomas Demand [14:14]Louisiana Museum of Modern Art [14:17]Rosemarie Troeckel [14:20]Olafur Eliasson [14:27]Jean Nouvel [14:40]Massimiliano Gioni [18:06]Pipilotti Rist [18:39]Wu Tsang [19:07]“The Triple Folly” [19:33]Danh Vo [24:20]Ronan and Erwan Bouroullec [27:09]Giulio Ridolfo [30:41]“Materializing Color” [30:43]Adidas Originals x Kvadrat Stan Smith [39:03]Konstantin Grcic [43:06]Verner Panton [49:29]“Pop Art Design” exhibition at Vitra Design Museum [50:20]Robert Adams [01:03:08]Henrik Nordbrandt [01:03:52]Nan Goldin [01:10:39]Ocean Vuong [01:04:54]Ocean Vuong's “Time Is a Mother” book of poems [01:05:01]“Your Brain on Art” book [01:05:09]Hiroshi Sugimoto [01:11:37]“Ai Weiwei In the Elevator When Taken Into Custody by the Police” (2009) [01:12:00]Ansel Adams [01:12:44]Robert Adams's “Around the House” book [01:13:01]Robert Adams's "A Road Through Shore Pine" book [01:13:30]

Victor Burgin (b. 1941, Sheffield, United Kingdom) first came to prominence in the late 1960s as one of the originators of Conceptual Art. His work appeared in such key exhibitions as Harald Szeemann's Live in Your Head: When Attitudes Become Form (1969) at the ICA London, and Kynaston McShine's Information (1970) at The Museum of Modern Art, New York. Since then, he has had solo exhibitions at the Museum für Gegenwartkunst Siegen, Kunsthalle Bremerhaven, MAMCO Musée d'art moderne et contemporain, Canadian Centre for Architecture, Mücsarnok Museum, University at Buffalo Art Gallery, Musée d'art moderne Villeneuve d'Ascq, The List Visual Arts Center, Renaissance Society at the University of Chicago, Musée de la Ville de Calais, The Museum of Modern Art in Oxford, and Stedelijk van Abbemuseum in Eindhoven. His work appears in the collections of The Metropolitan Museum of Art, Museum of Modern Art, New York Public Library, Walker Art Center, Tate Gallery, Victoria and Albert Museum, Los Angeles County Museum of Art, Museum of Contemporary Art in Los Angeles, Museum Ludwig, Fotomuseum Winterthur, Musée national d'art moderne, Sammlung Falckenberg, and The Arts Council Collection in London. Burgin graduated from the School of Painting at the Royal College of Art, London, in 1965, where his teachers included the philosopher and novelist Iris Murdoch, and then went on to study Philosophy and Fine Art at Yale University School of Art and Architecture, where his teachers included Robert Morris and Donald Judd. Burgin is Professor of Visual Culture at the University of Southampton, Professor Emeritus of History of Consciousness at the University of California, Santa Cruz and Emeritus Millard Chair of Fine Art at Goldsmiths College, London. In 2015 he was a Mellon Fellow and Visiting Professor in the Department of Cinema and Media Studies at the University of Chicago. He lives and works in South West France and Paris. Victor Burgin, Photopath, 1967-69. instruction card; typewritten on card stock. 5 x 8 inches. Courtesy the artist and Cristin Tierney Gallery, New York Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York. Detail. Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York.

Vielhaber, Christianewww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Schmitz, Rudolfwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Schmitz, Rudolfwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Reinhardt, Anjawww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Moderation: Claudia Dichter; Themen: Filmfestival San Sebastian zeigt "Sparta" von Ulrich Seidl; Irans Frauen gegen die Moralpolizei; "Grüne Moderne" im Kölner Museum Ludwig; Wenn der Fan zur Gefahr wird; „Zwischenwelten“ des Ballett am Rhein„Zwischenwelten“ des Ballett am Rhein; „Bakchen – die verlorene Generation“ in Dortmund Von WDR 5.

In Europa galten Isamu Noguchis Arbeiten lange Zeit als zu kommerziell und zu wenig künstlerisch, dabei hat er sich zeit seines Lebens mit sozialen und gesellschaftlichen Fragen beschäftigt. Jetzt zeigt das Museum Ludwig eine umfassende Retrospektive.Von Susanne Luerwegwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Vielhaber, Christianewww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Yilmaz Dziewior ist Direktor am Museum Ludwig in Köln und Kurator des Deutschen Pavillons auf der diesjährigen Biennale in Venedig. Mit Lisa Zeitz spricht er über die 59. Biennale Venedig, seine Zusammenarbeit mit der Künstlerin Maria Eichhorn und erklärt, warum Kunst immer politisch ist. Der "WELTKUNST-Podcast - Was macht die Kunst?" wird in Partnerschaft mit Christie's produziert.

Curator Eloise Sweetman and artist Isabelle Sully visit Transcorporealities at the Museum Ludwig in Cologne. After viewing the exhibition, they sit down and wait for a public performance to start. They talk about permeability, occupying space and time, passing through, and proper behavior. Dos adds another layer in light of the covid-19 pandemic experience in spring 2020.

In episode 83 UNP founder and curator Grant Scott is in his shed considering the passing of the photographer Terry O'Neill, visiting the the Prix Prictet exhibition, and how being given a camera can change your life. Plus this week photographer Erwin Olaf takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Dutch born Erwin Olaf emerged onto the international art scene with his series Chessmen, that won the Young European Photographer of the Year award in 1988. This was followed by an exhibition at the Museum Ludwig in Cologne, with subsequent solo and group shows at major museums and galleries worldwide, but Olaf started his career as a photojournalist documenting the nightlife of the 1980s. In recent years he has developed his themes through the form of monumental tableaux, for which he adopts the role of director as well as photographer. His approach to his work has earned a number of commissions from institutions, including the Stedelijk Museum Amsterdam, and the Rijksmuseum, Amsterdam. He was awarded in 2006 the Photographer of the Year in the International Color Awards as well as the Netherlands' prestigious Johannes Vermeer Award in 2011. Additional international awards include a Silver Lion at the Cannes Advertising Festival and a Lucie Award for achievement in advertising, both in 2008. Olaf has screened video work at the Centre Pompidou, Paris; Museum at FIT, New York; and Nuit Blanche Toronto, with a live score commissioned for his series Waiting. He has also projected his thirty-channel video installation L'Éveil onto the Hôtel de Ville for Nuit Blanche in Paris. In 2018, the Rijksmuseum acquired five hundred key artworks from Olaf's forty-year oeuvre for their collection. He still lives and works in Amsterdam. www.erwinolaf.com If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2019

In an era of fake news and alternative facts, what is the role of literature that blurs the line between fiction and non-fiction? Novelist Lynne Tillman has figured out one possible role. She's been writing art criticism for more than three decades, including criticism starring a fictional character named Madame Realism—a name that is itself a retort to the way women artists were marginalized and made invisible within the Surrealist movement. Tillman's Madam Realism stories encompass not only art itself but also the reactions that art inspires in the viewers around her character, as well as how the museum itself curates a viewing experience. In this episode, Tillman and writer Adam Colman visit the MoMA to discuss, in Tillman's associative way, an exhibit on French avant-garde artist Francis Picabia. Their conversation takes them from the birth of the avant-garde to the squareness of Paris to institutional critique until they are finally kicked out of the museum by security. In this episode you'll also hear Organist fan fiction from Moira Cassidy (as read by Garrett Stewart). Feature photo: Francis Picabia.  Optophone [I]. 1922. Ink, watercolor, and pencil on board, 28 3/8 × 23 5/8″ (72 × 60 cm). Kravis Collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: The Museum of Modern Art, John Wronn. Francis Picabia (French, 1879–1953). Très rare tableau sur la terre (Very Rare Picture on the Earth). 1915. Oil, metallic paint, pencil, and ink on board, with gold and silver leaf on wood, in a wood frame possibly constructed by the artist, 49 5/8 x 38 9/16 x 2 3/16″ (126 x 98 x 5.5 cm), with frame. The Solomon R. Guggenheim Foundation. Peggy Guggenheim Collection, Venice, 1976. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris Francis Picabia. Tableau Rastadada (Rastadada Painting). 1920. Cut‑and‑pasted printed paper on paper with ink, 7 1/2 × 6 3/4″ (19 × 17.1 cm). The Museum of Modern Art, New York. Gift of Abby Aldrich Rockefeller by exchange. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: The Museum of Modern Art, Peter Butler Francis Picabia (French, 1879–1953). La Nuit espagnole (The Spanish Night). 1922. Enamel paint on canvas, 63 x 51 3/16″ (160 x 130 cm). Museum Ludwig, Cologne. Ludwig Collection. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Rheinisches Bildarchiv Köln Francis Picabia. Espagnole (Espagnole à la cigarette) (Spanish Woman [Spanish Woman with Cigarette]). 1922. Watercolor, gouache, and pencil on paper, 28 3/8 × 20 1/16″ (72 × 51 cm). Private collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo courtesy Mercatorfonds Francis Picabia (French, 1879–1953). Les Amoureux (Après la pluie) (The Lovers [After the Rain]). 1925. Enamel paint and oil on canvas, 45 11/16 x 45 1/4″ (116 x 115 cm). Musée d'Art moderne de la Ville de Paris. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Musée d'Art Moderne/Roger-Viollet Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction Francis Picabia. Untitled (Espagnole et agneau de l'apocalypse [Spanish Woman and Lamb of the Apocalypse]). 1927/1928. Watercolor, gouache, ink, and pencil on paper, 25 9/16 × 19 11/16″ (65 × 50 cm). Private collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: Stephan Wyckoff Francis Picabia. Le Clown Fratellini (Fratellini Clown). 1937–38. Oil on canvas, 36 1/4 × 28 3/4″ (92 × 73 cm). Private collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris Francis Picabia. Aello. 1930. Oil on canvas, 66 9/16 × 66 9/16″ (169 × 169 cm). Private collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris Francis Picabia. L'Adoration du veau (The Adoration of the Calf). 1941–42. Oil on board, 41 3/4 × 30″ (106 × 76.2 cm). Centre Pompidou, Musée national d'art moderne – Centre de création industrielle, Paris. Purchase with assistance from the Fonds du Patromonie, the Clarence Westbury Foundation, and the Societé des Amis du Musée national d'art moderne, 2007. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: © Centre Pompidou, MNAM-CCI/Philippe Migeat/Dist. RMN–Grand Palais/Art Resource, New York. Francis Picabia. La Révolution espagnole (The Spanish Revolution). 1937. Oil on canvas, 63 3/4 × 51 3/16″ (162 × 130 cm). Private collection. Courtesy Dominique Lévy Gallery and Michael Werner Gallery. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo courtesy Archives Comité Picabia