Podcast appearances and mentions of natalia makarova

Natalia Makarova, the visionary behind Karpaty Cabinets, is a designer you need to know. Her kitchens aren't just beautiful—they're soulful, intentional spaces that blend high-end craftsmanship with true emotional depth. In this episode, Sarah sits down with Natalia to explore her extraordinary ability to transform kitchens into warm, livable sanctuaries.The conversation takes a unique and personal turn as both women reflect on their shared experience of growing up in communist countries—offering a powerful perspective on how color, especially grey, can carry emotional resonance.If you're passionate about design that moves beyond aesthetics and into something deeply human, this episode will resonate. Plus, Natalia shares behind-the-scenes tips from working in some of the most remarkable homes. You won't want to miss it.https://www.karpatycabinets.com/

In 1970, Natalia Makarova became the first female ballet star to defect to the West from Russia. The dancer claimed asylum during a UK tour, nine years after another Russian dancer, Rudolf Nureyev, had defected. Natalia later joined the American Ballet Theatre in New York. She wouldn't return to her home country for almost 20 years. Jane Wilkinson has been looking through the archive to discover the reasons behind her defection.(Photo: Natalia Makarova in New York, 1980. Credit: Brownie Harris/Corbis via Getty Images)

Happy Birthday to Ted Shawn, Lydia Lopokova, Nadia Nerina, Natalia Makarova, and Paula Kelly! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

St. Petersburg in my eyes is the most spectacular city on our planet. The Winter Palace, the Hermitage, Catherine Palace, and Peterhof in St. Petersburg define imperial affluence. If I were to see only one city in the entire world, it would be St. Petersburg. Venice of the North. With their magnificent museums and palaces, large and lush gardens, Paris, London, Rome, and Madrid have been the most popular destinations for discerning tourists. And then there are other great European cities like Venice, Milan, Lisbon, Barcelona, Berlin, Budapest, Prague, and Vienna, most with meticulously planned public spaces, some with delightful waterfronts and aesthetic bridges, and almost all with towering churches, spacious plazas, and famous statues and monuments that are architectural masterpieces. Major parts of these beautiful cities have grown organically over centuries. Now imagine a brand-new city planned and developed from scratch and combining some of the best features of the famous older European cities. That was the dream of Tsar Peter the Great. He wanted the best of European art and architecture in one place, his place. So 300 years ago, in the year 1703, he specially commissioned some of the greatest architects of Europe to build for him the city of his dreams. They did exactly what he had in mind and thus was born St. Petersburg. It is simply unmatched in its beauty. If you have been here before, you would want to come back again and again. St. Petersburg is the nation's cultural capital, rich and diverse in its offerings. It has an astounding number of public facilities—221 museums, 2,000 libraries, more than 80 theaters, and 100 concert organizations. It is home to the Hermitage, one of the greatest art museums in the world, on par with the celebrated Louvre in Paris. Also located here is the world-famous Kirov Dance Company (now Mariinsky), the greatest center of music and ballet and historically, home of brilliant dancers like Rudolf Nureyev, Natalia Makarova, and Mikhail Baryshnikov who are admired throughout the world. Among the innumerable tourist attractions here, the biggest appeal is for the former imperial residences like Peterhof with its majestic fountain cascades and paradise-like parks, and Tsarskoe Selo which has the impeccable Catherine Palace of stunning baroque design.

Cynthia Harvey is the guest on Episode 6, Season 2 of A Body's Language.Cynthia Harvey's style marked her as one of the most versatile and valued artists. Harvey danced nearly every ballerina role with American Ballet Theatre and had the distinction of being invited by Sir Anthony Dowell to be a principal ballerina of The Royal Ballet-the first American dancer to have that honor. Harvey performed as guest artist with Baryshnikov and Company, Nureyev and Friends and numerous internationally renowned ballet companies around the world before retiring from the stage in 1996.On video, Harvey appears as Kitri opposite Mikhail Baryshnikov in his production of Don Quixote, in a variation from Paquita in Natalia Makarova's The Ballerina and the “Waltz” variation in Les Sylphides, a variation from Paquita (American Ballet Theatre dances Petipa)and, in the documentary, Tchaikovsky's Women for Britain's Channel 4.  She is a featured artist in the Fred Weisman's documentary Ballet and Darcey Bussell's Ballerina Heroines, featured on the BBC.Co-author of Physics of Dance & the Pas de Deux, Harvey has been guest teacher for The Norwegian National Ballet Company, where beyond teaching and coaching, she helped re-stage a production of The Sleeping Beauty in 2008 and staged her own complete production of the ballet Giselle in 2009.In October 2010, the premiere of her full-length production of The Sleeping Beauty for The Hong Kong Ballet was met with acclaim. She staged the Shades section from La Bayadère for The Royal Ballet of Flanders, and in December 2014, her production of Don Quixote, for Singapore Dance Theatre, was said by Dance Europe to be one of the best premieres of the year worldwide.As a guest teacher and ballet mistress, Harvey has taught for American Ballet Theatre, The Australian Ballet, Teatro alla Scala in Milan, The Royal Swedish Ballet and The Zürich Ballet, and she is a regular guest ballet mistress at the Semperöper Ballett, Dresden. She has also taught regularly at The Royal Ballet School in London, as well as the School for the Basel Ballet, San Francisco Ballet School and as Principal Guest teacher for the English National Ballet School.As a sought after teacher and jury member, Harvey has appeared at several competitions, including the Rosetta Mauri, The Tanzolymp, the First International Competition in Sitges, Spain, and in 2013,  for Dance World Cup Spain.  Harvey is a long time attendee of he Prix de Lausanne, where she has taught, served as jury president and in 2016 will be the coach for the ladies.Harvey has been on the board of DanceEast, the National Agency for Dance in England and was a prominent member of the committee that saw major ballet directors and ballet school directors from around the world gather to discuss issues relating to improving life for ballet companies and schools. She was standards assessor for The Council for Dance Education and Training in the U.K. until 2010.  She is a member of the International Council of Dance. In early 2014, Miss Harvey formed “En Avant Foundation”, a non-profit foundation for mentoring and coaching ballet for prodigious young dancers.

With the “energy, creativity and charisma not seen since Leonard Bernstein” and “vibrant,” “mind-blowing,” and “spectacular” conducting, Ming Luke is a versatile conductor that has excited audiences around the world. Highlights include conducting the Bolshoi Orchestra in Moscow, performances of Romeo and Juliet and Cinderella at the Kennedy Center, his English debut at Sadler’s Wells with Birmingham Royal, conducting Dvorak’s Requiem in Dvorak Hall in Prague, recording scores for a Coppola film, and over a hundred performances at the San Francisco War Memorial with San Francisco Ballet. The 20-21 season Luke conducts San Francisco Symphony, Houston Symphony, and at Classical Tahoe with musicians of the Metropolitan Opera Orchestra. He has been recognized nationally for his work with music education and has designed and conducted education concerts and programs with organizations such as the Berkeley Symphony, Houston Symphony, Sacramento Philharmonic, San Francisco Opera and others. Luke has soloed as a pianist with Pittsburgh Symphony, Sacramento Philharmonic, and San Francisco Ballet, and currently serves as Music Director for the Merced Symphony and Berkeley Community Chorus and Orchestra; Principal Conductor of the Nashville Ballet, Associate Conductor for the Berkeley Symphony; and Principal Guest Conductor for the San Francisco Ballet. Long time critic Allan Ulrich of the San Francisco Chronicle said, “Ming Luke delivered the best live theater performance I’ve ever heard of [Prokofiev’s Romeo and Juliet]” and in 2016 Luke’s War Requiem was named best choral performance of 2016 in the San Francisco Bay Area. Passionate about collaboration with dance companies and deepening the impact of movement to live music, Luke has guested with Boston Ballet, New York City Ballet Orchestra, Nashville Symphony/Ballet, San Diego Ballet and others and conducted l’Orchestre Prométhée in Paris as part of San Francisco Ballet’s residency with Les Etés de la Danse. Famed dancer Natalia Makarova stated, “Ming has a mixture of pure musicality and a sensitivity to needs of the dancers, which are such rare qualities.”The Question of the Week is, "How can classical musicians be effective collaborators with others?" Ming and I discuss his experience working with dancers as a conductor of ballet, what he believes is the key to being an effective collaborator, and his definition of a "successful classical musician." You can find out more about Ming on his website, mingluke.com.

ANGEL CORELLA - Fue en 1994 cuando el bailarín ingresó en el American Ballet Theatre (ABT) y desde entonces ha interpretado los principales papeles de las obras más populares del repertorio clásico. No sabía entonces, un jovencísimo Ángel Corella de 19 años, que el público neoyorkino se convertiría desde el principio en un gran aliado. Desde su primera actuación en el Metropolitan Opera House de Nueva York con el ballet Giselle, portadas de revistas, público y crítica arropan sus interpretaciones con entusiasta respuesta. También ha recibido un premio Emmy por el ballet El lago de los cisnes y su emisión en la televisión americana PBS. Hasta el ABT llegó después de ganar la medalla de oro en el Grand Prix de la Villa de París. Entre los miembros del jurado, se encontraba la mítica bailarina rusa Natalia Makarova, que entusiasmada con la intervención de Corella, le puso en contacto con el director del ABT. El bailarín cautivó a Kevin McKenzie con su interpretación y poco después se convertía en solista de la prestigiosa compañía americana. Alternó sus interpretaciones en el ABT con las de estrella invitada en el Royal Ballet de Londres, el Ballet de la Scala de Milán y el Australian Ballet entre otras compañías. En 2008 fundó su propia compañía, Corella Ballet Castilla y León, posteriormente transformada en Barcelona Ballet, hasta 2014 en que fue disuelta. Premio Internacional “Benois de la Danse” 2000 y Premio Nacional de Danza en la modalidad de interpretación en 2002, el bailarín preside desde 2001 la Fundación Ángel Corella destinada a formar a jóvenes bailarines. Desde 2014 es director artístico del Pennsylvania Ballet.

Abell was raised in the Philadelphia and Chicago areas.David sang in the 1971 world premiere of Leonard Bernstein's Mass at the John F. Kennedy Center for the Performing Arts with the Berkshire Boy Choir.Abell enrolled at Yale University, where his teachers included John Mauceri and Rob Kapilow. He studied with Nadia Boulanger and Robert D. Levin at the American Conservatory in Fontainebleau before returning to Yale to complete his B.A. in 1981.Abell made his professional debut conducting Bernstein's Mass at Berlin's Deutschlandhalle in 1982.Abell mentions the following three operas by Gaetano Donizetti that were his introduction to opera: La Favorite, Lucia di Lammermoor, and Lucie de Lammermoor.Lyric Opera of ChicagoThe Makropulos Affair is a Czech opera with music and libretto by Leoš Janáček.Don Giovanni is an opera by Mozart.Mefistofele is the only completed opera with music by the Italian composer-librettist Arrigo BoitoThe Symphony No. 2 in D-flat major was written by Howard Hanson on commission from Serge Koussevitsky for the 50th anniversary of the Boston Symphony Orchestra in 1930.Interlochen Center for the ArtsThe Beatles were an English rock band formed in Liverpool in 1960. Members were: John Lennon, Paul McCartney, George Harrison and Ringo Starr.Abbey Road StudiosWashington National OperaGiacomo Puccini was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".Oscar Hammerstein was an American librettist, theatrical producer, and (usually uncredited) theatre director of musicals for almost 40 years.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Mozart, with an Italian libretto written by Lorenzo Da Ponte.Evans mentions the following schools as notable music schools: Juilliard School, Indiana University Jacobs School of Music, University of Michigan School of Music.The American Bach SocietyYale WhiffenpoofsWashington National OperaAbell continued his postgraduate training from 1983 to 1985 at the Juilliard School, under Jorge Mester and Sixten Ehrling.Eroica Symphony, byname of Symphony No. 3 in E-flat Major, is a symphony by Ludwig van Beethoven, known as the Eroica Symphony for its supposed heroic nature.Natalia Makarova is a Soviet-Russian-born prima ballerina and choreographer.Abell deputized at short notice for John Mauceri conducting Britten's The Turn of the Screw at Washington National Opera.On Your Toes is a musical with a book by Richard Rodgers, George Abbott, and Lorenz Hart.Gian Carlo Menotti gave David the advice to “never conduct Broadway. Never do it you will regret it.”Les Misérables, colloquially known in English-speaking countries as Les Mis is a musical adapted from French poet and novelist Victor Hugo's 1862 novel of the same name by Claude Schönberg.Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin.Miss Saigon is a musical by Schönberg.Abell subsequently conducted the 25th anniversary concert of Les Misérables at the O2 Arena.The Philly PopsArturo Toscanini was an Italian conductor.Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music.Rhapsody in Blue is a musical composed by George Gershwin.Trevor Nunn is an English theatre director.Harold Prince was an American theatrical producer and director associated with many of the best-known Broadway musical productions of the 20th century.Ariadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal.The Voice of Firestone is a long-running radio and television program of classical music.Leontyne Price is an American soprano.Marilyn Monroe was an American actress, model, and singer.Dorothy Kirsten was an American operatic soprano.Minnesota OperaBlind InjusticeJohn Williams is an American composer, conductor, and pianist. Williams has composed for many critically acclaimed and popular movies, including the Star Wars series, Jaws, E.T. the Extra-Terrestrial, and the first three Harry Potter films.Till Eulenspiegel's Merry Pranks is a tone poem written in 1894–95 by Strauss.Along with pianist and musicologist Seann Alderking, Abell edited a complete edition of Cole Porter's Kiss Me, Kate, published in 2014.Glimmerglass OperaThe Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States.The New York Public Library is a public library system in New York City.Scott Davenport RichardsGioachino Rossini was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music.Phillip Gossett was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago.Tancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano RossiUn ballo in maschera (A Masked Ball) is an 1859 opera by Verdi.Powel Crosley Jr. was an American inventor, industrialist, and entrepreneur. He was also a pioneer in radio broadcasting, and a former owner of the Cincinnati Reds major league baseball team.Alfred Drake was an American actor and singer.Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.Don Walker is an Australian musician, songwriter and author.Felix Mendelssohn was a German composer, pianist, organist and conductor of the early Romantic period.Messiah is an English-language oratorio composed in 1741 by George Handel.Lemuel WadeFrancesca Zambello is an American opera and theatre director. She serves as director of Glimmerglass Festival and the Washington National Opera.Lyric Opera of Kansas CityHawaii Opera TheatreChandos Records is a British independent classical music recording company based in Colchester.Peter Morris is an American playwright, television writer and critic, best known for his work in British theatre."Something's Gotta Give" is a song that was written for and first performed by Fred Astaire in the 1955 musical film Daddy Long Legs."A Wonderful Guy" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific.Abell cites Evans Mirageas as one of his greatest mentors.Abell cites his niece’s podcast, The Bright Sessions, as one of his current favorites.Abell mentions Dark Sky as one of his favorite appsTrio BistroCarousel is the second musical by Rodgers and Hammerstein.English National OperaAlfred “Alfie” Boe is an English tenor and actor, notably performing in musical theatre.

Her kan du høre Camilla Bakken fortelle om de tre verkene av koreografilegendene Natalia Makarova (etter Marius Petipa), Ohad Naharin og George Balanchine.

As she prepares to perform two roles in a new production of the classic "White ballet", La Bayadere, the Royal Ballet's charismatic Argentinian-born principal dancer, Marianela Nunez shares her life behind the scenes. Marianela Nunez is considered one of the greatest ballerinas in the world, combining passion and flare from her Argentinian background with discipline and experience from her many years with the Royal Ballet. As she celebrates 20 years dancing with the company, she takes Radio Four's Beaty Rubens behind the scenes, sharing what it means to be a Principal Dancer today. The programme focuses on her preparations to dance the two key roles in the much-loved classic, La Bayadere - the temple dancer Nikiya and the princess Gamzatti. It reveals glimpses of her at home in her native Buenos Aires over the summer, follows her as she travels into work, attends specially - designed Pilates classes and studio rehearsals with the great Russian ballerina Natalia Makarova (who recreated Marius Petipa's 1877 Indian Classic for a contemporary audience in 1989) and culminates with her triumphant opening night, leaving her in her dressing room with her feet in a bucket of ice and surrounded by vast bouquets of pink roses. Beaty Rubens also hears from Natalia Makarova, the Royal Ballet's Kevin O'Hare and the leading Russian dancer who partners Marianela, Vadim Muntagirov. Now at the very top of her game, Marinanela Nunez is also a wonderfully charismatic individual, whose love of dance and enthusiasm for life in the Royal Ballet effervesces in this lively depiction of a true artist. Producer: Beaty Rubens ,

Argentinian-born Herman Cornejo joined the American Ballet Theatre almost two decades ago, rising through the ranks to principal dancer in 2003. His stellar career has seen him dance all the major roles, working with an impressive roster of choreographers and artists, receiving multiple nominations, awards and distinctions. And he's just about to add another award to the collection, with the honour of the prestigious 'Positano Premia la Danza' 2018 Award as a 'Dancer of the Year'. Herman Cornejo and Alessandra Ferri. Photo by Lucas Chilczuk Herman follows an esteemed line of dancers who have been bestowed this award, including Margot Fonteyn, Rudolf Nureyev, Vladimir Vasiliev, Ekaterina Maximova, Natalia Makarova, Carla Fracci, Alessandra Ferri, Roberto Bolle, Alicia Alonso, Uliana Lopatkina, Ivan Vassiliev, Natalia Osipova, Yuri Grigorovich, Mats Ek, Ana Laguna, Lutz Förster, Vladimir Vassiliev. The Wonderful World of Dance has attended the glamorous award ceremony, that takes place in Positano, Italy every year. In this podcast episode, Herman talks about what it means to receive this award, as he prepares to head to the Amalfi Coast for the star-studded gala event. Listen to Herman talk about growing up and dancing in Buenos Aires, his move to the US and joining the American Ballet Theatre, the company of his dreams and his special relationship with the incredible Alessandra Ferri. PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Herman+Cornejo.mp3   Herman Cornejo and Alessandra Ferri. Photo by Lucas Chilczuk Herman Cornejo and Alessandra Ferri. Photo by Lucas Chilczuk

Audience members of all ages shared their love for Natalia Makarova after a screening of her self-directed Ballerina Program 1: Body and Soul–the first section of a four part BBC Documentary series. They gushed over her career, partnerships, free spirit, charm, and her lasting influence on ballet.

Natalia Makarova is starring in a revival of the musical On Your Toes, but she trained as a classical ballet dancer at the Kirov School in Leningrad. She tells Roy Plomley about her defection to the West during a tour with the Kirov Ballet in 1970, about her work with the American Ballet Theatre and the Royal Ballet and she chooses the eight records she would take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Violin Concerto No 2 in E by Johann Sebastian Bach Book: Poetry by Aleksandr Pushkin Luxury: Wine - Chateau Margot 1961

Natalia Makarova is starring in a revival of the musical On Your Toes, but she trained as a classical ballet dancer at the Kirov School in Leningrad. She tells Roy Plomley about her defection to the West during a tour with the Kirov Ballet in 1970, about her work with the American Ballet Theatre and the Royal Ballet and she chooses the eight records she would take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Violin Concerto No 2 in E by Johann Sebastian Bach Book: Poetry by Aleksandr Pushkin Luxury: Wine - Chateau Margot 1961