Podcast appearances and mentions of olivia block

Conscious Caregiving with L & L is "Tackling the Tough Conversations."   The topic of this episode is on "Mental Health & Seniors" and features an All-Star Panel.    Dr. Linda Ganzenmuller, Doctor of Psychology:   Dr. Ganzenmuller is a Doctor of Psychology and president of Supportive Psychological Services of Long Island, where she has dedicated most of her career to focusing on Senior Citizens and their caregivers. She is the author of the Tiny Professors series of children's therapy books intended to help children and the adults in their families cope with life's most difficult challenges, which includes having a loved one with Alzheimer's; and Grief over the death of a loved one.   She currently practices on Long Island, New York caring for adults of all ages, with the hopes of helping at each stage and teaching the generations to learn how to understand, support, and rely on one another through the years.   Olivia Block, Registered Nurse in Minnesota:   Olivia Block is a Registered Nurse in Minnesota. Most recently she has been practicing as Director of Nursing in an Independent, Assisted Living and Memory Care community and part-time as a hospice nurse.   Her heart is in working on helping seniors continue to feel valued and whole as they adapt to changes in their lives.   Christina Keys, Owner and Founder of Keys for Caregiving:   Christina Keys went from a career woman to a caregiver on March 16,2013. Her mother had a life-changing stroke and was given a 1% chance to live. Within 3 years of caregiving for her mother, she was financially, emotionally, mentally, and physically bankrupt. The doctors told Christina She would be lucky to live 6 months if that. Her body was literally shutting down from the stress of caregiving. She had a choice to make, figure out how to change her life while caring for her mother or give up and start making arrangements on how her mother would be cared for after her death.   Christina chooses to live and not only change her life but now helps to change the lives of caregivers all across the US. Her mission is to make sure caregivers everywhere are seen, heard, valued, appreciated, and Never Alone, She founded and ran an award-winning local non-profit, and was the Director of Community Growth for a National company. She created and led a team of almost 200 Caregiving Champions in cities across the US. She is now a National Speaker and Advocate as well as the Founder and CEO of "Keys For Caregiving" Christina cared for her mother until she passed from 2013 to Dec 2022.   Lance A. Slatton and Lori La Bey Co-Host and Produce Conscious Caregiving with L & L.   Visit their website at: https://consciouscaregivingll.com   To learn more about Lance A. Slatton and Lori La Bey you can visit their websites.   Connect with Lance A. Slatton: Official Website: https://lanceaslatton.com/ Official Website for All Home Care Matters: https://www.allhomecarematters.com   Connect with Lori La Bey: Official Website: https://alzheimersspeaks.com/ Official Dementia Map Website: https://www.dementiamap.com/    

New music from SISTER ZO + SAM BINGA, THE GLITCH MOB, LOW END ACTIVIST, µ-ZIQ, OLIVIA BLOCK + more, on this ABSTRACT SCIENCE podcast, hosted by BILL BEARDEN aka WHOA-B + CHRIS WIDMAN. BILL begins with a self-described mix of “kitchen sink 140”, covering UK club, breakbeat, dubstep, grime, garage + techno. WIDMAN follows with... The post absci radio 1313 – whoa-b + chris widman appeared first on abstract science >> future music chicago.

Episode No. 535 of The Modern Art Notes Podcast features curator and historian Marin Sullivan and artist Olivia Block. Along with Jed Morse, Sullivan is the co-curator of "Harry Bertoia: Sculpting Mid-Century Modern Life," the first American museum retrospective of Bertoia's work in over 50 years. The exhibition is at the Nasher Sculpture Center in Dallas through April 24. The exhibition features over 100 works, including Bertoia's early jewelry and furniture designs, monotypes, sculptures, and commissions he fulfilled for architect-clients such as Gordon Bunshaft, Eero Saarinen and Minoru Yamasaki. The exhibition is accompanied by an excellent catalogue published by the museum in collaboration with Verlag Scheidegger & Spiess. Indiebound and Amazon offer it for $59. The Nasher has commissioned Olivia Block to make a new sound installation from recordings of Bertoia's so-called sonambient sculptures. Block's new composition, titled The Speed of Sound in Infinite Copper, will highlight the Bertoias' ability to create a palpable sonic space while allowing the audience to activate the sonic experience by moving about a gallery. The Speed of Sound in Infinite Copper will be presented at the museum through April 24. Block's discography includes over 20 solo and collaborative recordings. She has performed and exhibited around the world including in Chicago's Millennium Park, and at venues such as the Institute of Contemporary Art, London and the Museo Nacional Centro de Arte Reina Sofia, Madrid.

Liturgical lullaby, canine concrète, a chess game that never ends. The Chicago-based media artist and composer talks about three important albums.Olivia's picks:Alèmu Aga – Éthiopiques 11: The Harp Of King DavidBeatriz Ferreyra – Huellas EntreveradasMorton Feldman – For Samuel BeckettHonourable mention: Kim Jung Mi – NowOlivia also mentioned another record in the Éthiopiques series: Piano Solo by Tsegué-Maryam Guèbrou.Olivia's new album, Innocent Passage In The Territorial Sea, is out now on Room40. Check it out on Bandcamp here. Her website is here.PLUS: Head over to ATTN for a premiere of the video for "Laika", directed by Deborah Stratman.Crucial Listening is taking donations on ko-fi: https://ko-fi.com/cruciallistening

Desde el pasado 14 octubre, y hasta el 11 enero del 2021, el Museo Nacional Centro de Arte Reina Sofía (Madrid) acoge, en la tercera planta de su Edificio Sabatini, una amplia exposición titulada "Audiosfera. Experimentación sonora 1980-2020". El comisario —y, en cierto sentido, gran protagonista— de la exposición, Francisco López, escribe que ésta “(…) propone cubrir un vacío histórico y cultural en cuanto al reconocimiento, exposición y análisis de una parte esencial de los cambios recientes que se han dado en la concepción artística de la creación sonora”. Ahora bien, tal y como argumentamos en esta edición de Ars Sonora, podría afirmarse que, en realidad, “Audiosfera” apenas proporciona elementos de análisis que permitan valorar apropiadamente ni las obras presentadas en la exposición (nada menos que 728 en total), ni en consecuencia esos cambios a los que se refiere López. En un sentido similar, tampoco es fácil entender por qué el comisario afirma que su exposición ha sido “(c)oncebida desde una perspectiva social, con el objetivo de revelar y proporcionar un contexto para la reflexión y discusión sobre los cambios tecnoculturales ocurridos desde la década de 1980”, cuando ese contexto interpretativo, según explicamos en el programa, ha sido reducido al máximo en lo que respecta a cada una de las obras, lo cual disminuye en igual medida las posibilidades de la reflexión a la que alude explícitamente Francisco López. No queda claro, finalmente, qué se quiere decir exactamente cuando se habla de que la exposición ha sido “concebida desde una perspectiva social” —si bien esta cuestión será más detenidamente examinada en la próxima edición de Ars Sonora, que también estará dedicada a esta ambiciosa y relevante exposición, cuya visita no dejamos de recomendar por su excepcionalidad y previsible trascendencia—. Acompañamos estos pensamientos de la audición de algunos fragmentos de obras presentadas en “Audiosfera”, firmadas por Jana Winderen (“Heated”, de 2008), Olivia Block (“Foramen Magnum, de 2013), Chantal Dumas (“Oscillations planétaires: Magnétisme terrestre, de 2019), Barbara Held (“Pausa”, de 2018), Christina Kubisch (“Seven magnetic places”, de 2017) y Susana López (“Fenomenología”, de 2012). Aunque, de manera excepcional, apenas comentamos cada una de estas composiciones en esta edición de Ars Sonora —al contrario de lo que es habitual en nuestro programa desde su fundación en 1985, pues consideramos que ello es fundamental para el “reconocimiento, exposición y análisis” de las piezas y sus autores—, sí proporcionamos las referencias a las ediciones anteriores de nuestro espacio dedicadas a cada una de las mencionadas artistas. Escuchar audio

Listening to assholes, inner/outer presentations of self, power chords over trap beats. The Texas-based artist discusses three important albums.

Some might think that art descends on Miami just once a year in December for Art Week. In fact, this city has a year round cultural life. On our radio show, meet a few of the curators, gallerists and artists who animate South Florida’s year round contemporary art scene. Listen to locals in conversations about urban development and gentrification, racial and social issues, and experimental music and sound art. Featuring Gustavo Matamoros and Alba Triana (subtropics24/ArtCenter/South Florida), Anthony Spinello and Natalie Alfonso of Spinello Projects and Maria Elena Ortiz, Perez Art Museum Miami. Sound Editor Guney Ozsan | Special audio features courtesy Cara Despain, Sinisa Kukec, Mirza Haroon, Alba Triana and subtropics | Photo credits in gallery Cathy’s notes: An Miami field trip gave me the idea for this show’s theme… Four local galleries staged a progressive brunch one Sunday in late June. Mindy Solomon, Spinello Projects, Emerson Dorsch and RedDot welcomed a steady flow of visitors to experience four unique exhibitions in the Little Haiti and Little River Arts Districts. Riffing on the Sunday brunch concept, each gallery offered a special dish simultaneously over from 11am to 3pm. Their goal? To highlight their exhibitions and invite visitors to linger for conversations about art. One of those conversations will give you an idea of the experience. I recorded with gallerist Anthony Spinello and gallery manager Natalie Alfonso inside the exhibition titled Mere Façade. The word ‘façade’ has a couple of meanings that come into play: one is the face of a building, the side that looks onto a street or open space. Façade also refers to an outward appearance that conceals something unpleasant or insubstantial. From outside Miami looking in, the word might make you think about the superficial side of this city… Another exhibition that opened this summer invites visitors to play dominoes. Curator Maria Elena Ortiz brought the show about a favorite pastime in Miami—to the Perez Art Museum. In a curatorial collaboration with Arden Sherman of the Hunter College Gallery in New York, Maria Elena shows us that there’s a lot more to dominoes than meets the eye. Also at PAMM, curator Diana Nawi invited London-based artist Haroon Mirza to create an immersive sound experience in the museum’s double-height gallery. You enter a darkened project space to experience A C I D GU E S T. A specialized technical system transmits an electrical current through speakers and light-emitting diodes (LEDs) activated by noise frequencies. sound and light experience based on a concrete poem he wrote. A C I D G E S T takes its name from the phrase “acid test”, (refering to the parties held in the 1960’s where groups of people would come together to legally experiment with LSD). The last segment of our show features subtropics, the experimental music and sound art biennial at ArtCenter/SouthFlorida organized by sound artist Gustavo Matamoros. Alba Triana tells the story behind her sound and light installation Microcosmos and Gustavo introduces sound art and experimental music performances by David Dunn, Olivia Block, Carles Santos and Abbey Rader.

The letter B leads us to the in-between and composers Antoine Beuger, Martin Bartlett, Gilius van Bergeijk, Olivia Block and Gavin Bryars in the second instalment of our experimental music alphabet! Array to Zed is a monthly podcast exploring experimental music by way of the alphabet. Hosts Martin Arnold, Artistic Director of ArrayMusic, and Georgia Carley chat about the ideas, procedures, composers and music that make up that nebulous beautiful thing we call “Experimental Music.” Music Credits: Antoine Beuger’s music is available at www.wandelweiser.de Pythagoras Ghost, a collection of Martin Bartlett’s music that includes the piece heard on this podcast is available through the Western Front at western-front.myshopify.com/products/pythagoras-ghost X-OR Records, the company that put out 2 volumes of Gilius van Bergeijk’s music, is sadly no longer in business. However their remaining stock, including both van Bergeijk volumes, seems to be still available at: powensemble.nl/x-or-records As Martin says, buy everything you can as fast as you can! More information about Olivia Block’s music can be found at www.oliviablock.net More information about Gavin Bryars’ music can be found at www.gavinbryars.com We also referenced Elizabeth Grosz’s Architecture from the Outside: Essays on Virtual and Real Space (MIT Press, 2001) https://mitpress.mit.edu/books/architecture-outside and NPR’s “Composer Olivia Block In Her Own Words” (January 7, 2016), www.npr.org/2016/01/07/462230441/composer-olivia-block-in-her-own-words

  Rare Frequency Podcast 60 1 Goh Lee Kwang, "untitled 1" __, and Vice Versa (Herbal International) 2011 CD Time: 00:00-01:44 2 Jon Mueller, "A" A Magnetic Center (Rhythmplex) 2015 cassette/mp3 Time: 01:45-20:18 3 Coppice, "Flut (Tighter)" Preamble to Newly Cemented Dedication to Freedom (Aposiepese) 2016 CDr/EP/mp3 Time: 20:18-24:48 4 Olivia Block, "Dissolution BDissolution (Glistening Examples) 2016 LP/mp3 Time: 24:47-38:18 5 W. Zabarkas, "Autumn Invades the House" The Origin of Dreams (Glistening Examples) 2016 LP/mp3 Time: 38:18-46:40 6 Kassel Jaeger / Jim O’Rourke, "Side A" Wakes on Cerulean (Editions Mego) 2016 LP Time: 46:23-56:18 7 Linda Catlin Smith, "Part 14" Dirt Road (Another Timbre) 2016 CD Time: 56:25-1:05:59 8 Morgan Evans-Weiler, "Ensemble 3" Endless Overtones in Relational Space (Suppedaneum) 2016 CD Time: 1:00:59-1:13:20 9 Conrad Schnitzler & Pole, "Drachenbäume sind friedliche Wesen" Con-Struct (Bureau B) 2017 CD Time: 1:15:38-end

On August 6th, Ben Remsen and Olivia Block spent a couple hours in the former's apartment in the Rogers Park neighborhood of Chicago, listening to eight tracks related in some way or another to her work. Here is what she had to say. To find out about Olivia's recordings and performances, check out www.oliviablock.net. photo credit: Ryan Lowry for the Chicago Reader Subscribe to the Now Is Podcast in iTunes.